Crosby Quotes

We've searched our database for all the quotes and captions related to Crosby. Here they are! All 100 of them:

God will answer you prayers better than you think. Of course, one will not always get exactly what he has asked for....We all have sorrows and disappointments, but one must never forget that, if commended to God, they will issue in good....His own solution is far better than any we could conceive.
Fanny J. Crosby
Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
Through humor, you can soften some of the worst blows that life delivers. And once you find laughter, no matter how painful your situation might be, you can survive it.   —Bill Crosby
Aleatha Romig (Consequences (Consequences, #1))
Unless we make Christmas an occasion to share our blessings, all the snow in Alaska won't make it 'white'.
Bing Crosby
The worst handicap you can have is a lack of belief in yourself! Lani Deauville
Bette Lee Crosby (Life in the Land of "Is"...the amazing story of Lani Deauville, the world's longest living quadriplegic)
Was it Aristotle who said the human soul is composed of reason, will, and desire?” “No, that was Plato. Aristotle and Plato were as different as Mel Tormé and Bing Crosby. In any case, things were a lot simpler in the old days,” Komatsu said. “Wouldn’t it be fun to imagine reason, will, and desire engaged in a fierce debate around a table?
Haruki Murakami (1Q84 (1Q84, #1-3))
sugar, if you ain't on speaking terms with The Lord, what right you got to ask Him to help you out?
Bette Lee Crosby
There's a great body of people who flower at night, who feel night is their time. Night is the time people truly become individuals, because all the familiar things are dark and done, all the restrictions on freedom are removed. Many artists work at night - it is particularly conducive to creative work.
John Crosby
You'll never be a wonderful woman or even a wonderful human being until you learn to have some regard for human frailty.
Bing Crosby
Chords that were broken will vibrate once more.
Fanny J. Crosby
She'd bottled herself up like a person already cremated.
Bette Lee Crosby (Spare Change (Wyattsville, #1))
live in the moment and make it so beautifulthat it will be woth remembering
Fanny J. Crosby
There is nothing in the world I wouldn't do for (Bob) Hope, and there is nothing he wouldn't do for me...We spend our lives doing nothing for each other.
Bing Crosby
He was a Crosby, Stills and Nash song. He loved the one he was with. He was casual with a capital C.
Amy Andrews (Seduced by the Baron (Fairy Tales of New York, #4))
I stamp out vast empires. I crush palaces in my rigid hands. I harden my heart against churches. I blot out cemetaries. I feed the people with stinging nettles. I resurrect madness. I thrust my naked sword between the ribs of the world. I murder the world!
Harry Crosby
And by experiencing prairie---over the four seasons, and at various times of day, in all weathers---you develop a heightened sense of awe and wonder that will spill over into every other area of your life.
Cindy Crosby (The Tallgrass Prairie: An Introduction)
Please sell $10,000 worth of stock — we have decided to lead a mad and extravagant life.
Harry Crosby
Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.
Charles Bukowski
How could I not see you? With all these huge muscles…” I sling a leg across his thighs and slide a hand under his jacket, over his stomach. “And this six pack…” “It’s an eight-pack,” he mutters, eyes sliding shut. “And this adorable messy hair...” “Don’t ruin it with the wrong adjectives.” “Fine, no more compliments. Just facts. I love you, Crosbie Lucas.” “I love you too,” he replies.
Julianna Keyes (Undecided (Burnham College, #1))
In the United States, the person who led the fight to reform treatment of the mentally ill and to develop asylums was Dorothea Dix. Often neglected in history, Dix was a nurse
Molly Caldwell Crosby (Asleep: The Forgotten Epidemic that Remains One of Medicine's Greatest Mysteries)
I'm not givin' in an inch to fear.
David Crosby (The Best of Crosby, Stills, Nash & Young for Guitar: Includes Super TAB Notation (The Best of... for Guitar Series))
The world is a fascinating place. How could anyone be bored? Look around and there are a hundred amazing things to investigate.
Cindy Crosby (Chasing Dragonflies: A Natural, Cultural, and Personal History)
It figures that Max Cassiano is a jerk. Being dubbed the next Sidney Crosby must have gotten to that huge head of his. Or was the next Sidney Crosby supposed to be his cousin?
Mari Loyal (Faceoff (St. Cloud Hockey, #1))
It might have been seen, I said, with half an eye, that Mr. Broughton did not like the state of the money-market; and it might also be seen with the other half that he had been endeavouring to mitigate the bitterness of his dislike by alcoholic aid. Musselboro at once perceived that his patron and partner was half drunk, and Crosbie was aware that he had been drinking.
Anthony Trollope (Complete Works of Anthony Trollope)
Prairies are like people. Each one has similar characteristics, but each one is also as unique as a snowflake. When we spend time on different prairies, we discover they all have their own quirks, individuality, and charm.
Cindy Crosby (The Tallgrass Prairie: An Introduction)
Crosby was in his cups and had the drunkard’s illusion that he could speak frankly, provided he spoke affectionately. He spoke frankly and affectionately of Newt’s size, something nobody else in the bar had so far commented on.
Kurt Vonnegut Jr. (Cat's Cradle)
There are certain phases of mind in which a man can neither ride nor shoot, nor play a stroke at billiards, nor remember a card at whist, — and to such a phase of mind had come both Crosbie and Dale after their conversation over the gate.
Anthony Trollope (Complete Works of Anthony Trollope)
Rescue the perishing, care for the dying, Snatch them in pity from sin and the grave; Weep o'er the erring one, lift up the fallen, Tell them of Jesus the mighty to save.
Fanny J. Crosby
Nature had found the perfect place to hide the yellow fever virus. It seeded itself and grew in the blood, blooming yellow and running red.
Molly Caldwell Crosby (The American Plague: The Untold Story of Yellow Fever, the Epidemic that Shaped Our History)
It seems that we learn lessons when we least expect them but always when we need them the most, and, the true gift in these lessons always lies in the learning process itself.
Cathy Lee Crosby
If I had a choice, I would still choose to remain blind…for when I die, the first face I will ever see will be the face of my blessed Saviour.
Fanny J. Crosby
Dragonflies are an endless pleasure.
Cindy Crosby (Chasing Dragonflies: A Natural, Cultural, and Personal History)
The thing that drew me to Lafayette as a subject - that he was that rare object of agreement in the ironically named United States - kept me coming back to why that made him unique. Namely, that we the people never agreed on much of anything. Other than a bipartisan consensus on barbecue and Meryl Streep, plus that time in 1942 when everyone from Bing Crosby to Oregonian school children heeded FDR's call to scrounge up rubber for the war effort, disunity is the through line in the national plot - not necessarily as a failing, but as a free people's privilege. And thanks to Lafayette and his cohorts in Washington's army, plus the king of France and his navy, not to mention the founding dreamers who clearly did not think through what happens every time one citizen's pursuit of happiness infuriates his neighbor, getting on each other's nerves is our right.
Sarah Vowell
I just think you deserve more than a pretty view, Delilah June. You deserve to take all the beauty of this world and hold it in your hands. You deserve to bite it like a peach and let the juice drip ’til your fingers get sticky.
Erin Crosby Eckstine (Junie)
We dressed ourselves up as Gauguin pictures and careered round Crosby Hall. Mrs. Whitehead was scandalized. She said that Vanessa and I were practically naked. My mother's ghost was invoked once more...to deplore the fact that I had taken a house in Brunswick Square and had asked young men to share it...Stories began to circulate about parties at which we all undressed in public. Logan Pearsall Smith told Ethel Sands that he knew for a fact that Maynard had copulated with Vanessa on a sofa in the middle of the drawing room. It was a heartless, immoral, cynical society it was said; we were abandoned women and our friends were the most worthless of young men.
Virginia Woolf (Moments of Being: A Collection of Autobiographical Writing)
He says that I'm as subtle as a fart at a funeral.
Martin Crosbie
What are you working on?” Chris had asked. “Nothing,” Zoe replied, her fingers freezing on the keyboard.
Tanya Anne Crosby (The Things We Leave Behind)
Never underestimate the power of doing nothing.” – Winnie the Pooh
Daniel Crosby (The Laws of Wealth: Psychology and the secret to investing success)
The Lord listens in all those places. They're just different slices of the same pie.
Bette Lee Crosby (Spare Change (Wyattsville, #1))
It can't happen here" is number one on the list of famous last words.
David Crosby
Oh, there are many things I can’t do,” Ophelia replies. “But I try not to think of them. Such thoughts only weigh a person down.
Bette Lee Crosby (Memory House (Memory House, #1))
Before you find the magic of life you have to open yourself up to the possibility of it being there.
Bette Lee Crosby (Memory House (Memory House, #1))
No matter how old a person gets, they can still dream. They can still believe in miracles.
Bette Lee Crosby (Cracks in the Sidewalk)
Yesterday is history, tomorrow is a mystery, today is a gift of God, which is why we call it the present. Bill Keane
Linda Crosby
ALMOST all of the original tallgrass prairie has vanished. Lost to the plow, to development, and to---perhaps---a lack of imagination.
Cindy Crosby (Tallgrass Conversations: In Search of the Prairie Spirit)
Meet me in the middle of your story when the soul is worn but wise
Angie Weiland-Crosby
Some people saw cooking as a chore, but not Lila. For her it was a way to express her love. It made her feel motherly and full of life.
Bette Lee Crosby (The Summer of New Beginnings (Magnolia Grove #1))
Chasing dragonflies, like buying good books or eating gourmet food, can be curiously addicting.
Cindy Crosby (Chasing Dragonflies: A Natural, Cultural, and Personal History)
Dragonflies say "mystery" to me.
Cindy Crosby (Chasing Dragonflies: A Natural, Cultural, and Personal History)
Sure, but why does it have to be in MY lifetime? {when told that a voice like Frank Sinatra's came only once in a lifetime]
Bing Crosby
Aristotle and Plato were as different as Mel Tormé and Bing Crosby.
Haruki Murakami (1Q84 (1Q84, #1-3))
Crosbie teach you a bit of English, Ted?” “I taught him,” said Tauwhare. “I taught him korero Maori! You say Thomas—I say Tamati. You say Crosbie—I say korero mai! 
Eleanor Catton (The Luminaries)
Gaus said; “I think Peter Crosby is a myth. I have never met the gentleman.” First
Gary Webb (The Killing Game)
All those children I thought were just passing through have taken up residence in my heart. I can close my eyes and picture their faces, which is enough to make me feel warm all over.
Bette Lee Crosby (Cracks in the Sidewalk)
The fact that people are fallible is your biggest enduring advantage in the accumulation of greater wealth. The fact that you are just as fallible is the biggest impediment to that very same goal.
Daniel Crosby (The Laws of Wealth: Psychology and the secret to investing success)
Although we think of restoration as a science, it's also about creativity. Prairie restoration begins with a vision. The dream of how the land might be healed, imagined in the mind of a steward or site manager.
Cindy Crosby (Tallgrass Conversations: In Search of the Prairie Spirit)
This is the right place.” He scratches his chin. “Is it? Hmm.” My eyes narrow. “Do you actually live here?” Now that I think about it, I’m pretty sure Crosbie lives in a frat house and always will. “Technically?
Julianna Keyes (Undecided (Burnham College #1))
Once again, my new novel The Girl Who Stayed is something different for me, although with the same voice my readers have come to anticipate. I believe that people are pretty much the same, regardless of era, physical
Tanya Anne Crosby (The Things We Leave Behind)
From the race’s conception, the press viewed it with skepticism. Sportswriters argued that the rich event was a farce arranged to pad Seabiscuit’s bankroll. Del Mar, conscious of the potential conflict of interest for the Howards and Smiths, barred public wagering on the race. But the press’s distrust and the absence of gambling did nothing to cool the enthusiasm of racing fans. On the sweltering race day, special trains and buses poured in from San Diego and Los Angeles, filling the track with well over twenty thousand people, many more than the track’s official capacity. Lin plastered a twenty-foot LIGAROTI sign on the wall behind the “I’m for Ligaroti” section, and scores of Crosby’s movie friends, including Clark Gable and Carole Lombard, Spencer Tracy and Ray Milland, took up their cerise and white pennants and filed in. “Is there anyone left in Hollywood?” wondered a spectator. Dave Butler led a chorus of Ligaroti cheers, and the crowd grew boisterous. Crosby perched on the roof with Oscar Otis, who would call the race for a national radio broadcast. In the jockeys’ room, Woolf suited up to man the helm on Seabiscuit while Richardson slipped on Ligaroti’s polka dots. Just before the race, Woolf and Richardson made a deal. No matter who won, they would “save,” or split, the purse between them.
Laura Hillenbrand (Seabiscuit: An American Legend)
When you pay attention, you prop the door of your soul ajar to welcome the unexpected and the uncontrolled... . You can't access your interior landscape by banging down a closed door; you can pencil it in as an appointment on your calendar. Paying attention is a habit forming mind-set that comes with repetition and with intention. You give yourself permissiong to "do nothing." You create quiet spaces. You open a door.
Cindy Crosby (Chasing Dragonflies: A Natural, Cultural, and Personal History)
Life changes. It’s usually in the blink of an eye. One minute everything’s fine, if not stagnant; then, it’s not. But your character’s not defined by what happens to you but by how you respond to those emotionally significant events. Who will you become when your life turns on a dime?
Bobby Cole (The Dummy Line (jake crosby, #1))
The psychology of individuals – warts and all – must be a central consideration in the formulation of any practical investing approach. The good news here is that others’ misbehavior will consistently and systematically create opportunities for you. The bad news is that you are prone to all of the same quirks and are just as likely, in the absence of strict adherence to the rules, to create the same opportunities for others.
Daniel Crosby (The Laws of Wealth: Psychology and the secret to investing success)
Well, ruthless. Stealing people’s lives from ’em and making ’em work to make ’em money. The old folks back on the island used to say that’s why they were white; they lost all their color when they lost their souls. You gotta be a certain type of soulless to believe you can own somebody the way they do.
Erin Crosby Eckstine (Junie)
What I am proposing here is that you consistently bet on inconsistency. What I am asking you to do is bet unfailingly on the failures of human reason, which is a sure bet indeed. It is a painful thing to admit that education, intellect and willpower are inadequate to make you the type of investor you would like to be, but it’s not as painful as losing money.
Daniel Crosby (The Laws of Wealth: Psychology and the secret to investing success)
By sharing it with others, you help ensure that the tallgrass prairie continues to delight future generations.
Cindy Crosby (The Tallgrass Prairie: An Introduction)
My soul steers me into nature's silence
Angie Weiland-Crosby
As well, the Penguins arranged for Sidney to open a bank account in Pittsburgh. He had been keeping his nhl paycheques in his sock drawer.
Shawna Richer (The Kid: A Season with Sidney Crosby and the New NHL)
Practice is a great contributor to success, but you have to be careful what you practice.
Don Crosby (The Why You Do: Unlocking Our Behavior to Prevent Misunderstandings)
Hostile, cocky, and naked.” My eyes lifted to his. “Total frat boy material.
J. Nathan (For Crosby (For You, #3))
People, for instance,” she said. “You get a glimpse of them in one light and expect the whole to be like that one tiny little glimpse, but it seldom is.
Bette Lee Crosby (Baby Girl (Memory House, #4))
In this jersey I promise to play for the logo on the front, not the name on the back
Sidney Crosby
If the house were on fire, what would you save? The cat? The computer? The only existing picture of your dead sister? Rather, the question should be: What would you be willing to lose?
Tanya Anne Crosby (The Things We Leave Behind)
When I was little, I didn’t understand that you could change a few sounds in a name or a phrase and have it mean something entirely different. When I told teachers my name was Benna and they said, “Donna who?” I would say, “Donna Gilbert.” I thought close was good enough, that sloppiness was generally built into the language. I thought Bing Crosby and Bill Crosby were the same person. That Buddy Holly and Billie Holiday were the same person. That Leon Trotsky and Leo Tolstoy were the same person. It was a shock for me quite late in life to discover that Jean Cocteau and Jacques Cousteau were not even related. Meaning, if it existed at all, was unstable and could not survive the slightest reshuffling of letters. One gust of wind and Santa became Satan. A slip of the pen and pears turned into pearls. A little interior decorating and the world became her twold, an ungrammatical and unkind assessment of an aging aunt in a singles bar. Add a d to poor, you got droop. It was that way in biology, too. Add a chromosome, get a criminal. Subtract one, get an idiot or a chipmunk. That was the way with things.
Lorrie Moore (Anagrams)
The fact that your brain becomes more risk seeking in bull markets and more conservative in bear markets means that you are neurologically predisposed to violate the first rule of investing, “buy low and sell high.” Our flawed brain leads us to subjectively experience low levels of risk when risk is actually quite high, a concept that Howard Marks refers to as the “perversity of risk.
Daniel Crosby (The Behavioral Investor)
I’ll never forget what she said. She told me that when you first lose somebody, the grief feels like the strongest tea you’ve ever tasted, so bitter and sharp you don’t think you’ll ever be able to swallow. But that every day, another drop of water falls into that cup, and it gets a little easier to taste. That bitterness, that pain, it don’t ever go away or get smaller. But it does fade.
Erin Crosby Eckstine (Junie)
In the middle of the cemetery is a grassy plane, strangely vacant. There are no granite tombs or crumbling concrete, just a sun-washed treeless patch of green known as "No Man's Land." Here 1,500 unidentified bodies are buried. At one time, their skin burned with yellow fever; now they lie in a cool, dark place where long ago their arms and legs, hands and feet, were intertwined for eternity.
Molly Caldwell Crosby (The American Plague: The Untold Story of Yellow Fever, the Epidemic that Shaped Our History)
Our relationships with one another are the canvas upon which our relationship with God is put on display. We know we have passed from death to life because we love the brotherhood, [38] not because we are scrupulous about observing the Sabbath and keeping the feasts. Our love of the brotherhood is the proof of our love for God, not the lists of things that we so often accept as the standard for holiness.
Stephen Crosby (The New Testament Prophet: Understanding the Mind, Temperament, and Calling)
course, he didn’t actually want her to go, nor did she care to join him. The tension in her shoulders eased a little, realizing he wanted her to say no. Pretending to contemplate his invitation, Zoe relaxed
Tanya Anne Crosby (The Things We Leave Behind)
I wish you could have seen the kitchen when I was done: It looked like a hurricane had blown right in the door! But I cleaned it all up, and when Mother came home the whole house smelled warm and spicy, Bing Crosby was singing "White Christmas" on the radio, I was wearing a clean apron, and she called me her "little homemaker." What would you think about tomato mincemeat cookies? I bet no one else will think of that!
Ruth Reichl (Delicious!)
Imagine a world where you could gain more knowledge by reading fewer books, see more of the world by minimizing travel and get more fit by doing less exercise. Certainly, a world where doing less gets you more is highly inconsistent with much of our lived experience, but is just the way Wall Street Bizarro World operates. If we are to learn to live in WSBW (and we must), one of the primary lessons to be learned is to do less than we think we should.
Daniel Crosby (The Laws of Wealth: Psychology and the secret to investing success)
Falling out of love is a lot harder than falling in love. When you fall in love, everything is beautiful—flowers bloom, music plays, and every star in the sky is winking at you. But falling out of love is like finding yourself in a pitch-black tunnel. At first you think in time you’ll get through it, and then you realize how terribly long the tunnel is. I’m starting to see pinpricks of light ahead, so I might be coming to the end, but I’m not there yet.
Bette Lee Crosby (A Year of Extraordinary Moments (Magnolia Grove #2))
A clever, blond-haired fourth-grader named Damen McDermott got Sidney as his shopping pal. They picked out boots, a coat, ski gloves, and a Pittsburgh Steelers jersey. Crosby suggested he also pick up a toque. McDermott didn’t know what he was talking about. “What the heck’s a too-k?” he asked. “You know, a toque, a winter hat,” Sidney said, dangling the wool cap in front of the puzzled nine-year-old. “That’s a tossle cap,” Damen said matter-of-factly, lecturing Crosby on the Pennsylvania word for toque.
Shawna Richer (The Kid: A Season with Sidney Crosby and the New NHL)
in Howard was in one of those moods during which crazy ideas sound perfectly sensible. A bullish, handsome man with decisive eyebrows and more hair than he could find use for, Lin had a great deal of money and a habit of having things go his way. So many things in his life had gone his way that it no longer occurred to him not to be in a festive mood, and he spent much of his time celebrating the general goodness of things and sitting with old friends telling fat happy lies. But things had not gone Lin’s way lately, and he was not accustomed to the feeling. Lin wanted in the worst way to whip his father at racing, to knock his Seabiscuit down a peg or two, and he believed he had the horse to do it in Ligaroti.1 He was sure enough about it to have made some account-closing bets on the horse, at least one as a side wager with his father, and he was a great deal poorer for it. The last race really ate at him. Ligaroti had been at Seabiscuit’s throat in the Hollywood Gold Cup when another horse had bumped him right out of his game. He had streaked down the stretch to finish fourth and had come back a week later to score a smashing victory over Whichcee in a Hollywood stakes race, firmly establishing himself as the second-best horse in the West. Bing Crosby and Lin were certain that with a weight break and a clean trip, Ligaroti had Seabiscuit’s measure. Charles Howard didn’t see it that way. Since the race, he had been going around with pockets full of clippings about Seabiscuit. Anytime anyone came near him, he would wave the articles around and start gushing, like a new father. The senior Howard probably didn’t hold back when Lin was around. He was immensely proud of Lin’s success with Ligaroti, but he enjoyed tweaking his son, and he was good at it. He had once given Lin a book for Christmas entitled What You Know About Horses. The pages were blank. One night shortly after the Hollywood Gold Cup, Lin was sitting at a restaurant table across from his father and Bing Crosby. They were apparently talking about the Gold Cup, and Lin was sitting there looking at his father and doing a slow burn.
Laura Hillenbrand (Seabiscuit: An American Legend)
CHICAGO JAZZ RECOMMENDED LISTENING Bix Beiderbecke and Frank Trumbauer, “I’m Coming Virginia,” May 13, 1927 Bix Beiderbecke and Frank Trumbauer, “Singin’ the Blues,” February 4, 1927 Bing Crosby and Bix Beiderbecke, “Mississippi Mud,” January 20, 1928 Chicago Rhythm Kings, “I’ve Found a New Baby,” April 4, 1928 Eddie Condon and Frank Teschemacher, “Indiana,” July 28, 1928 Eddie Lang and Joe Venuti, “Stringin’ the Blues,” November 8, 1926 McKenzie and Condon Chicagoans, “Nobody’s Sweetheart,” December 16, 1927 Pee Wee Russell and Jack Teagarden, “Basin Street Blues,” June 11, 1929
Ted Gioia (How to Listen to Jazz)
You do not get to choose the events that come your way nor the sorrows that interrupt your life. They will likely be a surprise to you, catching you off quard and unprepared. You may hold your head in your hands and lament your weak condition and wonder what you ought to do. To suffer, that is common to all. To suffer and still keep your composure, your faith and your smile, that is remarkable. Pain will change you more profoundly than success or good fortune. Suffering shapes your perception of life, your values and priorities, and your goals and dreams. Your pain is changing you.
David E. Crosby (Your Pain Is Changing You: Discover the Power of a Godly Response)
One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.
James Kaplan (Frank: The Voice)
It isn't about winning or losing. It isn't even about truth or lies, since your point was premised on an embellished story about standing up to Margarita, when all you really did was call out a factual error in her ethnic slurring. The point was about *doing* and *being*, making the little butterfly ripple than would eventually cause a tornado somewhere on the other side of the ocean, or at least a little chatter on the other side of the baseball field at Crosby High School. It's almost better that it was all based on a lie, because it makes you realize you can go back and revise your own history, and isn't that almost as good as making your own future, being able to invent your own past as well?
Xhenet Aliu (Brass)
didn’t look at her again—probably to avoid the permanent look of resentment now etched upon her face, a look Zoe tried impossibly to hide. That morning, however, as he tossed the briefcase into the backseat of his car, what it might contain, or how much he’d spent for the damned thing, was the furthest thing from Zoe’s mind. The instant he was out of the driveway,
Tanya Anne Crosby (The Things We Leave Behind)
eight thousand Republicans crammed into Crosby’s Opera House for a veritable coronation of Ulysses S. Grant. To play on wartime memories, General John “Black Jack” Logan was designated to place his name in nomination. His speech was followed by a well-staged extravaganza: hats and handkerchiefs fluttered, rounds of applause rippled across the house, and a pigeon, dyed red, white, and blue, flapped through the cavernous space. As a huge ovation for his son gathered strength, Jesse Grant stood before the speaker’s platform in “mute astonishment,” said a reporter.8 Then a curtain rose to reveal huge images drawn by Thomas Nast of the Goddess of Liberty, juxtaposed with Grant. To no one’s surprise, Grant won by acclamation on the first ballot.
Ron Chernow (Grant)
When we commit to the easy way --- planting one kind of anything --- we gamble. It is simpler, isn't it, to know and promote only a few flowers or trees or grasses for our landscape? We know what they will look like, their requirements and habits. It's more comfortable. A no-brainer. But when we do, we lose the benefits of a vibrant, healthy landscape teeming with different trees, plants and their associated animals, birds, and insects. We lose diversity.
Cindy Crosby (Tallgrass Conversations: In Search of the Prairie Spirit)
Our lives are intertwined, and my life is not mine alone, but shared with her. My living makes her life better, and she tells me so -- it's that simple and that profound. I think it's accurate to call my injuries "catastrophic," and it's a testament to the sheer durability of our feelings for each other that the love that was so vital and alive before the accident survived without a scratch. This fact, more than any other, makes my inexpressibly difficult life livable...
Christina Crosby (A Body, Undone: Living On After Great Pain (Sexual Cultures, 8))
DAY 10 Finding Contentment But godliness with contentment is a great gain. 1 Timothy 6:6 HCSB Everywhere we turn, or so it seems, the world promises us contentment and happiness. We are bombarded by messages offering us the “good life” if only we will purchase products and services that are designed to provide happiness, success, and contentment. But the contentment that the world offers is fleeting and incomplete. Thankfully, the contentment that God offers is all encompassing and everlasting. Happiness depends less upon our circumstances than upon our thoughts. When we turn our thoughts to God, to His gifts, and to His glorious creation, we experience the joy that God intends for His children. But, when we focus on the negative aspects of life—or when we disobey God’s commandments—we cause ourselves needless suffering. Do you sincerely want to be a contented Christian? Then set your mind and your heart upon God’s love and His grace. Seek first the salvation that is available through a personal relationship with Jesus Christ, and then claim the joy, the contentment, and the spiritual abundance that God offers His children. When you accept rather than fight your circumstances, even though you don’t understand them, you open your heart’s gate to God’s love, peace, joy, and contentment. Amy Carmichael Oh, what a happy soul I am, although I cannot see! I am resolved that in this world, contented I will be. Fanny Crosby If I could just hang in there, being faithful to my own tasks, God would make me joyful and content. The responsibility is mine, but the power is His. Peg Rankin The key to contentment is to consider. Consider who you are and be satisfied with that. Consider what you have and be satisfied with that. Consider what God’s doing and be satisfied with that. Luci Swindoll Jesus Christ is the One by Whom, for Whom, through Whom everything was made. Therefore, He knows what’s wrong in your life and how to fix it. Anne Graham Lotz God is everything that is good and comfortable for us. He is our clothing that for love wraps us, clasps us, and all surrounds us for tender love. Juliana of Norwich
Freeman Smith (Fifty Shades of Grace: Devotions Celebrating God's Unlimited Gift)
The human and social costs are beyond measure. Such overwhelming traumas tear at the bonds that hold cultures together. The epidemic that struck Athens in 430 B.C., Thucydides reported, enveloped the city in “a great degree of lawlessness.” The people “became contemptuous of everything, both sacred and profane.” They joined ecstatic cults and allowed sick refugees to desecrate the great temples, where they died untended. A thousand years later the Black Death shook Europe to its foundations. Martin Luther’s rebellion against Rome was a grandson of the plague, as was modern anti-Semitism. Landowners’ fields were emptied by death, forcing them either to work peasants harder or pay more to attract new labor. Both choices led to social unrest: the Jacquerie (France, 1358), the Revolt of Ciompi (Florence, 1378), the Peasants’ Revolt (England, 1381), the Catalonian Rebellion (Spain, 1395), and dozens of flare-ups in the German states. Is it necessary to spell out that societies mired in fratricidal chaos are vulnerable to conquest? To borrow a trope from the historian Alfred Crosby, if Genghis Khan had arrived with the Black Death, this book would not be written in a European language
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
As Mollie said to Dailey in the 1890s: "I am told that there are five other Mollie Fanchers, who together, make the whole of the one Mollie Fancher, known to the world; who they are and what they are I cannot tell or explain, I can only conjecture." Dailey described five distinct Mollies, each with a different name, each of whom he met (as did Aunt Susan and a family friend, George Sargent). According to Susan Crosby, the first additional personality appeared some three years after the after the nine-year trance, or around 1878. The dominant Mollie, the one who functioned most of the time and was known to everyone as Mollie Fancher, was designated Sunbeam (the names were devised by Sargent, as he met each of the personalities). The four other personalities came out only at night, after eleven, when Mollie would have her usual spasm and trance. The first to appear was always Idol, who shared Sunbeam's memories of childhood and adolescence but had no memory of the horsecar accident. Idol was very jealous of Sunbeam's accomplishments, and would sometimes unravel her embroidery or hide her work. Idol and Sunbeam wrote with different handwriting, and at times penned letters to each other. The next personality Sargent named Rosebud: "It was the sweetest little child's face," he described, "the voice and accent that of a little child." Rosebud said she was seven years old, and had Mollie's memories of early childhood: her first teacher's name, the streets on which she had lived, children's songs. She wrote with a child's handwriting, upper- and lowercase letters mixed. When Dailey questioned Rosebud about her mother, she answered that she was sick and had gone away, and that she did not know when she would be coming back. As to where she lived, she answered "Fulton Street," where the Fanchers had lived before moving to Gates Avenue. Pearl, the fourth personality, was evidently in her late teens. Sargent described her as very spiritual, sweet in expression, cultured and agreeable: "She remembers Professor West [principal of Brooklyn Heights Seminary], and her school days and friends up to about the sixteenth year in the life of Mollie Fancher. She pronounces her words with an accent peculiar to young ladies of about 1865." Ruby, the last Mollie, was vivacious, humorous, bright, witty. "She does everything with a dash," said Sargent. "What mystifies me about 'Ruby,' and distinguishes her from the others, is that she does not, in her conversations with me, go much into the life of Mollie Fancher. She has the air of knowing a good deal more than she tells.
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
Everyone knows the experience of encountering other persons only under the aspect of how they intersect with our projects, and of noticing them only insofar as we have to notice them in order to interact with them as we pursue our goals. But from time to time we realize more keenly that the other with whom we are dealing is a person, and then we feel the irreverence and the arrogance of our attitude. We become aware of a certain violence with which we have been treating other persons; we realize that we have to draw back and grant them a space in which to be themselves as persons, and that we have to cease seeing them exclusively in relation to our projects.
John F. Crosby (The Selfhood of the Human Person)
Music Is Love" Everybody's sayin' music is love Everybody's sayin' it's, you know it is Every one yes every one Everybody's sayin' music, music is love Everybody's sayin' that music is love Everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love, everybody's sayin' it's love Everybody's sayin' that music is love Everybody's sayin' it's love Put on your colors and run come see Everybody's sayin' that music's for free Take off your clothes and lie in the sun Everybody's sayin' that music's for fun If I Could Only Remember My Name (1971)
David Crosby
In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
How very moving,” FitzSimon declared from the ramparts above, his tone full of rancor. “Now take your bastard and go, MacKinnon!” Iain hung his head back, peering up into the ramparts to meet FitzSimon’s gaze. “Aye,” he agreed. “You’ve kept your end o’ the bargain, FitzSimon, and now I’ll keep mine. Your daughter will be returned to you within the hour.” “Nay!” FitzSimon shook his head vehemently. “Keep the bloody bitch!” Iain was struck entirely dumb. Surely he didn’t mean that... He was but angry... “If you return her to me,” FitzSimon swore, “I’ll rip out her traitorous tongue for her betrayal!” Iain held his son in stunned disbelief. “I have no need of the lass,” he returned. “Surely you cannot mean...” “Keep her, or kill her!” FitzSimon declared. “I care not which—only get her the hell out of my sight!” And then he withdrew, ending the discourse, once and for all, leaving Iain and his men to stare after him in shock.
Tanya Anne Crosby (The MacKinnon's Bride (The Highland Brides #1))
Writing, no matter the subject, has its way with the writer. Writing helps to teach us what we can't know otherwise, which makes it a demanding and invaluable discipline. Writing offers, not a way out, but a way into the impossible dilemmas of not-knowing. Each sentence begun can wander off, sometimes irretrievably into confusion and mistake,s sometimes to greater clarity. Tropes transport memories and transform them, as resin is transformed under pressure into amber, sometimes with a small, ancient bit of life suspended inside. Amber can be remarkably clear, but the piece that conserves a suspended life is even more valuable. Writing works on memory, compressing and doubtless distorting the past, and offers bodies for the inspection of reader and writer alike. Writing has turned me in ways I didn't know I was going to go -- both outward and inward.... I've reach backward in memory to my childhood and young adulthood, but the process of writing has taken me forward, and continues to do so. Sentences unfold before me, always into the future, even as I return and work over what's already there.
Christina Crosby (A Body, Undone: Living On After Great Pain (Sexual Cultures, 8))
Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36
Vincent Bevins (The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program that Shaped Our World)