Crop Dusting Quotes

Unlike Ronan, Adam's Aglionby jumper was second-hand, but he'd taken great care to be certain it was impeccable. He was slim and tall, with dusty hair unevenly cropped above a fine-boned, tanned face. He was a sepia photograph.

Glaciers had crushed this region in the time before history. There’d been a drought for years, and a bronze fog of dust stood over the plains. The soybean crop was dead again, and the failed, wilted cornstalks were laid out on the ground like rows of underthings. Most of the farmers didn’t even plant anymore. All the false visions had been erased. It felt like the moment before the Savior comes. And the Savior did come, but we had to wait a long time.

He had done it all, from barnstorming to crop dusting, and had even flown a Davis Waco with the Baby Ruth Flying Circus.

The people are a story that never ends, A river that winds and falls and gleams erect in many dawns; Lost in deep gulleys, it turns to dust, rushes in the spring freshet, Emerges to the sea. The people are a story that is a long incessant Coming alive from the earth in better wheat, Percherons, Babies, and engines, persistent and inevitable. The people always know that some of the grain will be good, Some of the crop will be saved, some will return and Bear the strength of the kernel, that from the bloodiest year Some survive to outfox the frost.

The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

He had done it all, from barnstorming to crop dusting, and had even flown a Davis Waco with the Baby Ruth Flying Circus. It was an advertising blitz unlike anything the country had ever seen. Billy would fly over county and state fairs, racetracks, and crowded beaches in his red and white plane, dropping hundreds of tiny rice paper parachutes—each one bearing a small Baby Ruth candy bar—on the crowds below.

and a sleeveless top studded with sapphires. The top was cropped short to show off her midriff, brown skin gleaming with sandalwood oil. Her black hair was pinned elaborately on top of her head and woven through with strands of gold. Her lashes were lined with kohl, her eyelids dusted with shimmering gold powder. Her beauty was unmistakable, untouchable—like a goddess of old. “Eda,” said Talia at last, forcing herself

Some people say about human beings, 'Dust to dust'. But how can that be true of one who changes road dust to doorway? The crop appears to be one thing when it is still in the field. Then the transformation time comes, and we see how it is: half chaff, half grain.

As on the sacred threshing floor wind blows the chaff, while men stand winnowing the crop, when Demeter, with her golden hair, separates the grain from the chaff in the rushing breeze, and piles of chaff grow whiter, so then Achaean troops grew white, covered with dust stirred up by horses hooves.

A growing body of scientific research links antibiotic use in animals to the emergence of antibiotic-resistant bacteria: in the animals’ own guts, in the manure that farmers use on crops or store on their land, and in human illnesses as well. Resistant bacteria move from animals to humans in groundwater and dust, on flies, and via the meat those animals get turned into.

Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and pu the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, head, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.

Just like us,” says Bill McKibben, “our crops are adapted to the Holocene, the 11,000-year period of climatic stability we’re now leaving . . . in the dust.”10 This argument does not reflect reality. First of all, the Holocene is an abstraction; it is not a “climate” anyone lived in; it is a summary of a climate system that contains an incredible variety of climates that individuals lived in. And in practice, we can live in pretty much any of them if we are industrialized and pretty much none of them if we aren’t.

He flies as fast as she will go, lower than the black power lines, lower than the silver irrigation pipes, rending the air just above deep green leaves that wave in his wake, soaking up the mist he leaves behind. He glances ahead and prepares for his escape; the steep climb nearly within the grasp of approaching trees, the smooth rising turn which, like an unanswered prayer, twists slowly down and away, falling back toward the earth, lined up on the next rows. It is a dance of sorts, to the roar of the engine and the scream of the wind; a soaring, sweeping dance around the jealous pull of earth. It is a lonely, wordless dance, but it suits him.

Epilogue to Book I. Alas! the forbidden fruits were eaten, And thereby the warm life of reason was congealed. A grain of wheat eclipsed the sun Of Adam, l Like as the Dragon's tail 2 dulls the brightness of the moon. Behold how delicate is the heart, that a morsel of dust Clouded its moon with foul obscurity! When bread is "substance," to eat it nourishes us; When 'tis empty "form," it profits nothing. Like as the green thorn which is cropped by the camel, And then yields him pleasure and nutriment; When its greenness has gone and it becomes dry, If the camel crops that same thorn in the desert, It wounds his palate and mouth without pity, As if conserve of roses should turn to sharp swords. When bread is "substance," it is as a green thorn; When 'tis "form," 'tis as the dry and coarse thorn. And thou eatest it in the same way as of yore Thou wert wont to eat it, O helpless being, Eatest this dry thing in the same manner, After the real "substance" is mingled with dust; It has become mingled with dust, dry in pith and rind. O camel, now beware of that herb! The Word is become foul with mingled earth; The water is become muddy; close the mouth of the well, Till God makes it again pure and sweet; Yea, till He purifies what He has made foul. Patience will accomplish thy desire, not haste. Be patient, God knows what is best.

BROADBENT [stiffly]. Devil is rather a strong expression in that connexion, Mr Keegan. KEEGAN. Not from a man who knows that this world is hell. But since the word offends you, let me soften it, and compare you simply to an ass. [Larry whitens with anger]. BROADBENT [reddening]. An ass! KEEGAN [gently]. You may take it without offence from a madman who calls the ass his brother--and a very honest, useful and faithful brother too. The ass, sir, is the most efficient of beasts, matter-of-fact, hardy, friendly when you treat him as a fellow-creature, stubborn when you abuse him, ridiculous only in love, which sets him braying, and in politics, which move him to roll about in the public road and raise a dust about nothing. Can you deny these qualities and habits in yourself, sir? BROADBENT [goodhumoredly]. Well, yes, I'm afraid I do, you know. KEEGAN. Then perhaps you will confess to the ass's one fault. BROADBENT. Perhaps so: what is it? KEEGAN. That he wastes all his virtues--his efficiency, as you call it--in doing the will of his greedy masters instead of doing the will of Heaven that is in himself. He is efficient in the service of Mammon, mighty in mischief, skilful in ruin, heroic in destruction. But he comes to browse here without knowing that the soil his hoof touches is holy ground. Ireland, sir, for good or evil, is like no other place under heaven; and no man can touch its sod or breathe its air without becoming better or worse. It produces two kinds of men in strange perfection: saints and traitors. It is called the island of the saints; but indeed in these later years it might be more fitly called the island of the traitors; for our harvest of these is the fine flower of the world's crop of infamy. But the day may come when these islands shall live by the quality of their men rather than by the abundance of their minerals; and then we shall see. LARRY. Mr Keegan: if you are going to be sentimental about Ireland, I shall bid you good evening. We have had enough of that, and more than enough of cleverly proving that everybody who is not an Irishman is an ass. It is neither good sense nor good manners. It will not stop the syndicate; and it will not interest young Ireland so much as my friend's gospel of efficiency. BROADBENT. Ah, yes, yes: efficiency is the thing. I don't in the least mind your chaff, Mr Keegan; but Larry's right on the main point. The world belongs to the efficient.

To illustrate this claim, Benjamin relates a fable about a father who taught his sons the merits of hard work by fooling them into thinking that there was buried treasure in the vineyard by the house. The turning of soil in the vain search for gold results in the discovery of a real treasure: a wonderful crop of fruit. With the war came the severing of ‘the red thread of experience’ which had connected previous generations, as Benjamin puts it in ‘Sketched into Mobile Dust’. The ‘fragile human body’ that emerged from the trenches was mute, unable to narrate the ‘forcefield of destructive torrents and explosions’ that had engulfed it. Communicability was unsettled. It was as if the good and bountiful soil of the fable had become the sticky and destructive mud of the trenches, which would bear no fruit but only moulder as a graveyard. ‘Where do you hear words from the dying that last and that pass from one generation to the next like a precious ring?’ Benjamin asks.

The dessert was tartufo, a dark chocolate gelato dusted with cocoa. Eighty-five percent of the world's chocolate is made from the common or garden-variety Forastero cocoa bean. About 10 percent is made from the finer, more subtle Trinitario bean. And less than 5 percent is made from the rare, aromatic Criollo bean, which is found only in the remotest regions of Colombia and Venezuela. These beans are so sought after that, pound for pound, they can command prices many times higher than the other local crop, cocaine. Having been fermented, shipped, lightly roasted and finally milled to a thickness of about fifteen microns, the beans are finally cooked into tablets, even a tiny crumb of which, placed on the tongue, explodes with flavor as it melts. A tartufo is a chocolate gelato shaped to look like a truffle, but it is an appropriate name for other reasons, too. Made from egg yolk, sugar, a little milk, and plenty of the finest Criollo chocolate, with a buried kick of chile, Bruno's tartufo was as richly sensual and overpowering as the fungus from which it took its name---and even more aphrodisiac.

Accidental nuclear war between two superpowers may or may not happen in my lifetime, but if it does, it will obviously change everything. The climate change we're currently worrying about pales in comparison with nuclear winter, where a global dust cloud blocks sunlight for years, much like when an asteroid or supervolcano caused a mass extinction in the past. The 2008 economic turmoil was of course nothing compared to the resulting global crop failures, infrastructure collapse and mass starvation, with survivors succumbing to hungry armed gangs systematically pillaging from house to house. Do I expect to see this in my lifetime? I'd give it about 30%, putting it roughly on par with my getting cancer. Yet we devote way less attention and resources to reducing the risk of nuclear disaster than we do for cancer. And whereas humanity as a whole survives even if 30% get cancer, it's less obvious to what extent our civilization would survive a nuclear Armageddon. There are concrete and straightforward steps that can be taken to slash this risk, as spelled out in numerous reports by scientific organizations, but these never become major election issues and tend to get largely ignored.

The eastward spurs tip backward from the sun. Nights runs an obscure tide round cape and bay and beats with boats of cloud up from the sea against this sheer and limelit granite head. Swallow the spine of range; be dark. O lonely air. Make a cold quilt across the bone and skull that screamed falling in flesh from the lipped cliff and then were silent, waiting for the flies. Here is the symbol, and climbing dark a time for synthesis. Night buoys no warning over the rocks that wait our keels; no bells sound for the mariners. Now must we measure our days by nights, our tropics by their poles, love by its end and all our speech by silence. See in the gulfs, how small the light of home. Did we not know their blood channelled our rivers, and the black dust our crops ate was their dust? O all men are one man at last. We should have known the night that tidied up the cliffs and hid them had the same question on its tongue for us. And there they lie that were ourselves writ strange. Never from earth again the coolamon or thin black children dancing like the shadows of saplings in the wind. Night lips the harsh scarp of the tableland and cools its granite. Night floods us suddenly as history that has sunk many islands in its good time.

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.

The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

A Last Word Let us go hence: the night is now at hand; The day is over worn, the birds all flown; And we have reaped the crops the gods have sown; Despair and death; deep darkness o'er the land, Broods like an owl; we cannot understand Laughter or tears, for we have only known Surpassing vanity: vain things alone Have driven our perverse and aimless band.. Let us go hence, some whither strange and cold, To Hollow Lands where just men and unjust Find end of labor, where's rest for the old, Freedom to all from love and fear and lust. Twine our torn hands! O pray the earth enfold Our life-sick hearts and turn them into dust

When deep summer comes and the dog star raises with the morning sun, the land can scab up and a man watch his spring crop wrinkle brown like something on fire. It's the season snakes go blind. Their eyeballs coat over like pearls and they get mean. A rattlesnake allows no warning and a milk snake that would have cut the dust to the tall grass in June quiles up and strikes at anything that steps its way. It's a time when foxes and dogs go mad. They'll come shackling toward you, their lips snarly and chins white with slobber. You'll raise your gun and they'll come on like they just want to get it done with.

Amber shocks of wheat stretch into the distance and a single dirt track cuts its way through the fields. The air is still. The dust from her journey remains floating across the crops, a memory of a previous event.

the San Joaquin Valley, it is estimated that as much as 25 percent of a pesticide sprayed from a crop-dusting airplane never hits the crop target. The remainder can drift for miles, falling on neighboring crops (including organic ones) and farmworkers. In

Crops were also dusted with insecticide to destroy locusts. The direct result was to restore output. Indirectly, however, these interventions attacked malaria by intensifying agriculture in ways that controlled water and eliminated mosquito breeding sites.

A third of all loggers in the Northwest will be seriously injured at some time during their careers. According to medical insurance records in Washington and Oregon, only two lines of work are more dangerous than logging - professional football and crop-dusting.

His torso was a perfect "V" of golden skin and muscle; his slim hips, whiter than the rest of him, tapered to thighs and calves that could have been turned on a lathe, and these were dusted all over with fair hair that glinted in the low sunlight. The hair on his head was cropped short and beacon-bright, but the features of his face were nearly indistinct from where she watched. Given the glory of the rest of him, they scarcely seemed to matter. The man's beauty was, in fact, an assault, and a peculiar tangle of shock and delight and yearning began to beat inside her like a secret, second heart. And then the man stretched his arms upward, arching his back indolently; exposing the dark fluffs under his arms, and this, somehow, seemed more erotic and intimate than the rest of his naked body combined. Susannah had seen paintings and statues of naked men, for heaven's sake, but none of them had ever sported fluffy hair beneath their arms. In fact, the sheer easiness with which this man wore all his raw beauty frightened her a little. He was like someone too casually wielding a weapon. She fumbled her sketchbook open. Quickly, roughly, she sketched him: the upraised arms, the curves of his biceps and legs and the planes of his chest, and when he turned, the darker hair that curled between his legs and narrowed up to a frayed silvery-blond line over his flat stomach. Nestled right between his legs were, of course, his... male parts...which looked entirely benign at the moment, really, at least from this distance. She sketched those, too, as she intended to be thorough, hardly thinking of them as anything other than part of her drawing.

The only images of real value, she thinks, are the rejects – outtakes overwhelmed by the sun or blurred by dust, cropped edges with chaotic lines and broken faces – for the only honest composition inspired by such rupture is one that fails.

We talked about this shit, damn it! I'm glad the crop-dusting of pheromones is so enjoyable for everyone here with ovaries, but for the rest of us, it fucking stinks! -Frisk to Fang, Chapter 3

When it came time to populate the one thousand miles of our nation-state, we planted 70 percent of the people at the southern end where only 30 percent of the water was made. This wasn’t misplaced people, we told ourselves. This was misplaced rain. In our resolve to move those molecules of water to where the crops and houses grew, California pulled off the ultimate sleight of hand.

Haint Blue To free yourself of the haint, you need to vanquish it. Paint your porch the color of water which is power, with the might to scatter blue light to the green of seawater. But remember how heavy color can be. How shades of blue came from true indigo, which needed an abundance of water and limestone above the bedrock before it became a cash crop, which needed to be pounded and crushed, and dusted with wood ash to make blue cakes, which was the currency of slavery: a bolt of cloth dyed indigo for one human body. But mixed with lime and some white mineral, it resembled water which haints could not cross over.

That’s what the suitcase farmers were doing. Salesmen, druggists, barkeeps, docs, mechanics, teachers—the range of day-jobbers who thought they wanted to be wheat farmers, ripping up a half-section here and there, trying to hit a crop—they were getting out before they got in any deeper.

Eight years ago, Mexicans picked almost all of the crops in this great valley,” Jack said. “They came across the border, moved into these fields, and picked the crops and moved on. February for peas in Nipomo. June for apricots in Santa Clara. Grapes in August in Fresno, and September here for cotton. They came, they picked, and they returned home for the winter. Invisible to the locals at every stage. Until the Crash of ’29 broke the system and made Californians afraid for their jobs. They feared who Americans always fear: the outsider. So the state cracked down on illegal immigrants and called the Mexicans criminals and deported them. By ’31, the majority of them were gone or in hiding. It would have been a catastrophe for the agriculture business, but then…”—Jack held out his arms—“the Dust Bowl. The drought. The Great Depression. Millions lost their jobs and their homes. You came west, needing jobs, just wanting to put food on your tables and feed your families. You took the Mexicans’ places in the fields. Now, your people make up ninety percent of the pickers. But you don’t want to be unseen, do you? You came to live here, to put down roots, to be Californians.” “We’re Americans!” someone yelled from the crowd. “We got every right to be here!” “Rights,” Jack said, looking out at them. “They matter in America, don’t they?

A sharp clip-crop of iron-shod hoofs deadened and died away, and clouds of yellow dust drifted from under the cottonwoods out over the sage.

Even when we try to adapt, we move too slowly. Economist Richard Hornbeck specializes in the history of the American Dust Bowl; he says that farmers of that era could conceivably have adapted to the changing climate of their time by cultivating different crops. But they didn’t, lacking credit to make the necessary investments—and were therefore unable to shake inertia and ritual and the rootedness of identity. So instead the crops died out, in cascading waves crashing through whole American states and all the people living in them.