Crooked Mind Quotes

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Don’t you understand? When you’re standing on their side, you’re the bizarre genius, the miraculous hero, the force of the rebellion, the flower that blooms alone. But the second your voice differs from theirs, you’ve lost your mind, you’ve ignored morality, you’ve walked the crooked path.
墨香铜臭 (魔道祖师 [Mó Dào Zǔ Shī])
Mr. Bradford," she said. "I'm not going to propose to you." The twinkle in Mr. Bradford's eyes faded. So did his smile. He managed to keep it on his face. It looked painful. "Oh," he said. "Mr. Bradford?" "Yes?" "Would you mind it so very much if...you know...you proposed to me?" The light in Mr. Bradford's eyes jumped to life. He beamed so largely it almost wasn't crooked. "If you want.
Heather Dixon Wallwork (Entwined)
He'd always liked women who'd talk back to him just a little bit. "Girls with balls" were good. Women with an actual mind of their own who could prove him wrong in something were, of course, castrating bitches who should be drowned in bottomless wells.
Warren Ellis (Crooked Little Vein)
Jesper shrugged again. He adjusted the buttons on his shirt, touched his thumbs to his revolvers. When he felt like this, mad and scattered, it was as if his hands had a life of their own. His whole body itched. He needed to get out of this room. Wylan laid his hand on Jesper’s shoulder. “Stop.” Jesper didn’t know if he wanted to jerk away or pull him closer. “Just stop,” Wylan said. “Breathe.” Wylan’s gaze was steady. Jesper couldn’t look away from that clear-water blue. He forced himself to still, inhaled, exhaled. “Again,” Wylan said, and when Jesper opened his mouth to take another breath, Wylan leaned forward and kissed him. Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Crooked politicians stood in the way of our President until the Hitman doled out justice for them.
R.B. Le`Deach (My Graphic Bipolar Fantasies: & Other Short Stories)
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I may not have Kaz's devious mind, but I am a dangerous girl.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It is always a shock to meet again someone whom you have not seen for a long time but who has been very much present in your mind during that period.
Agatha Christie (Crooked House)
Zoya placed her hands on her hips. “Is anyone going to thank me—or Genya, for that matter—for this little miracle?” “Thank you for nearly killing and then reviving the most valuable hostage in the world so you could use him for your own gain,” Kaz said. “Now you need to go. The streets are almost empty, and you need to get to the manufacturing district.” Zoya’s beautiful blue eyes slitted. “Show your face in Ravka, Brekker. We’ll teach you some manners.” “I’ll keep that in mind. When they burn me on the Reaper’s Barge, I definitely want to be remembered as polite.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Jesper’s mind emptied. He wasn’t thinking of what had happened before or what might happen next. There was only the reality of Wylan’s mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh. Slowly, inevitably, they broke apart. “Wylan,” Jesper said, looking into the wide blue sky of his eyes, “I really hope we don’t die.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I've always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus?
John Green (The Fault in Our Stars)
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
John Green (The Fault in Our Stars)
Here was a thing Beatriz wanted: to devote time to understanding how a butterfly was similar to a galaxy. Here was a thing she feared: being asked to do anything else.
Maggie Stiefvater (All the Crooked Saints)
Her mind traveled crooked streets and aimless goat paths, arriving sometimes at profundity, other times at the revelations of a three-year-old. Throughout this fresh, if common, pursuit of knowledge, one conviction crowned her efforts: ...she knew there was nothing to fear.
Toni Morrison (Song of Solomon)
In a story you only had to wish, you only had to write it down and you could have the world...It seemed so obvious now that it was too late: a story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. Reading a sentence and understanding it were the same thing; as with the crooking of a finger, nothing lay between them. There was no gap during which the symbols were unraveled.
Ian McEwan (Atonement)
Men are keen on blaming women for the rise in sin. It's been something plaguing humanity since the Bible first accused Eve of tempting Adam. As if he had no mind to taste that forbidden fruit before she offered it to him. Everyone seems to forget God told Adam the fruit was forbidden. He created Eve later.” “Honestly?” I snorted. “I didn’t realize you were so well versed in religion.” Thomas placed my hand in the crook of his arm, steering us toward my uncle, who’d just exited the station. “I enjoy causing discord when forced to attend parties. You ought to hear the arguments that break out from uttering something so supposedly blasphemous. The one question no one can answer is always, if Adam had been warned, why didn’t he pass the message along to his wife? Seems he was more to blame than she was. Yet Eve is always the villain, the wicked temptress who cursed us all.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
A fine and beautiful life lies before thee, because thou hast a lively mind and a good wit. Thine arms are very strong and sturdy. Swimming hath helped to make them so, but only because thou hast had the will to do it. Fret not, my son. None of us is perfect. It is better to have crooked legs than a crooked spirit. We can only do the best we can with what we have. That, after all, is the measure of success: what we do with what we have.
Marguerite de Angeli (The Door in the Wall)
He smiled willingly. "Well, I always aim to help others in need." "Yeah," a new voice suddenly said. "That's exactly what comes to mind when I think of you, old man." I hadn't thought anyone could shock me more that Abe, but I was wrong. "Rose?" The name cam out as a question from my lips, even though could be no doubt about who this newcomer was. There was only one Rose Hathaway, after all. "Hey, Sydney," she said, giving me a small, crooked smile as she entered the room.
Richelle Mead (Bloodlines (Bloodlines, #1))
Stay with me tonight. Please. We only have a few hours left." He swallowed. "All right. Just promise me..." She nodded. "I'll be good. I promise." "Well," Alex smiled crookedly, and her heart skipped a beat. "I wouldn't mind if you were a little bad.
Erin Beaty (The Traitor's Ruin (The Traitor's Circle, #2))
I thought I was going to die. I wanted to die. And I thought if I was going to die I would die with you. Someone like you, young as I am, I saw so many dying near me in the last year. I didn’t feel scared. I certainly wasn’t brave just now. I thought to myself, We have this villa this grass, we should have lain down together, you in my arms, before we died. I wanted to touch that bone at your neck, collarbone, it’s like a small hard wing under your skin. I wanted to place my fingers against it. I’ve always liked flesh the colour of rivers and rocks or like the brown eye of a Susan, do you know what that flower is? Have you seen them? I am so tired, Kip, I want to sleep. I want to sleep under this tree, put my eye against your collarbone I just want to close my eyes without thinking of others, want to find the crook of a tree and climb into it and sleep. What a careful mind! To know which wire to cut. How did you know? You kept saying I don’t know I don’t know, but you did. Right? Don’t shake, you have to be a still bed for me, let me curl up as if you were a good grandfather I could hug, I love the word ‘curl,’ such a slow word, you can’t rush it...
Michael Ondaatje (The English Patient)
His journey before now had felt like a dream, and a dream can always be changed into something else. But when you are awake, the truth is bright and stark, not as willing to bend to the mind’s will.
Maggie Stiefvater (All the Crooked Saints)
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.” “There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.” Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.” “Who are you really, privateer?” “Is this an existential question?” “No proper thief talks the way you do.” “How narrow-minded of you.” “I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.” “Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?” “I know my way around a deal. Who are you? We get the truth or my crew walks.” “Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.” “And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left. Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all. “Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.” “So hypothetically,” Kaz said, “you might be addressed as Your Highness.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She tucked a stray wisp of dark hair behind her ear. Then she licked her fingertip and turned the page. His knees buckled. In his mind, he scrambled to piece that half second into a lasting memory. The crook of her slender finger. The red pout of her lips. That fleeting, erotic glimpse of pink. She did it again. Ash gripped the doorjamb so hard, his knuckles lost sensation. He wanted her to read the whole cursed book while he watched. He wanted the book to have a thousand pages.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
The earth is a mosaic, and most fail to notice the gossamer tesserae floating down from the realm of the mind that form its images of beauty and horror.
Lawren Leo (Love's Shadow: Nine Crooked Paths)
Jesper had never really been a great reader. He loved stories but he hated sitting still. And the books assigned to him for school seemed designed to make his mind wander.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He read it over twenty times and though the darkness that sang on held steady about him, the unhurried words fell bright through his mind, going down golden through deep water, and when one passed another came, ceaselessly, shining.
Elizabeth Spencer (This Crooked Way (Voices of the South))
The trouble with cops is not that they're dumb or crooked or tough, but that they think just being a cop gives them a little something that they didn't have before. Maybe it did once, but not anymore. They're topped by too many smart minds.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
I remember I once told him: 'Women's minds are so petty, so crooked!' 'Like the feet of Chinese women,' he replied. 'Has not the pressure of society cramped them into pettiness and crookedness? They are but pawns of the fate which gambles with them. What responsibility have they of their own?
Rabindranath Tagore (The Home and the World)
She remembered something she overheard at a dinner party -- Everyone loses their mind at least once in this lifetime. Everyone.
Lawren Leo (Love's Shadow: Nine Crooked Paths)
Most priests wish they were as righteous as they seem to most members of their congregations.
Mokokoma Mokhonoana
The drüskelle gave their oath to Fjerda, but to their god as well. If they could be made to see miracles where once they’d seen abomination, what else might change? I have been made to protect you. His duty to his god, his duty to Nina. Maybe they were the same thing. What if Djel’s hand had raised the waters the night of the wrathful storm that wrecked the drüskelle ship and bound Matthias and Nina together? Matthias was running through the streets of a foreign city, into dangers he did not know, but for the first time since he’d looked into Nina’s eyes and seen his own humanity reflected back at him, the war inside him quieted. We’ll find a way to change their minds, she’d said. All of them. He would locate Nina. They would survive this night. They would free themselves of this damp, misbegotten city, and then … Well, then they’d change the world.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Kaz folded his hands over his cane. “It’s getting late, so everybody put away yourPoor Wylan hankies and set your minds to the task at hand. Matthias, Jesper, and Kuwei will leave for the embassy at half past nine bells. You approach from the canal. Jesper, you’re tall, brown, and conspicuous—” “All synonyms for delightful.” “And that means you’ll have to be twice as careful.” “There’s always a price to be paid for greatness.” “Try to take this seriously,” said Kaz, voice like a rusty blade. Was that actual concern? Jesper tried not to wonder if it was for him or the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
... a gaggle of old ladies is glued to the window at the end of the hall like children or jailbirds. They're spidery and frail, their hair as fine as mist. Most of them are a good decade younger than me, and this astounds me. Even as your body betrays you, your mind denies it.---- There are five of them now, white headed old things huddled together and pointing crooked fingers at the glass.
Sara Gruen (Water for Elephants)
What is this?" she asked, her eyes scanning the page. "It's not..." She ran her fingertips over the words as if expecting them to vanish. "My contract." She whispered. "I don't want you beholden to Per Haskell. Or me." Another half-truth. His mind had concocted a hundred schemes to bind her to him, to keep her in this city. But she'd spent enough of her life caged by debts and obligations, and it would be better for them both when she was gone. "How?" she said. "The money-" "It's done." He'd liquidated every asset he had, used the last of the savings he'd accrued, every ill-gotten cent. She pressed the envelope to her chest, above her heart. "I have no words to thank you for this." "Surely the Suli have a thousand words for such an occasion?" "Words have not been invented for such an occasion." "If I end up on the gallows, you can say something nice over the corpse," he said.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I, that have neither pity, love, nor fear. Indeed, 'tis true that Henry told me of; For I have often heard my mother say I came into the world with my legs forward: Had I not reason, think ye, to make haste, And seek their ruin that usurp'd our right? The midwife wonder'd and the women cried 'O, Jesus bless us, he is born with teeth!' And so I was; which plainly signified That I should snarl and bite and play the dog. Then, since the heavens have shaped my body so, Let hell make crook'd my mind to answer it. I have no brother, I am like no brother; And this word 'love,' which graybeards call divine, Be resident in men like one another And not in me: I am myself alone.
William Shakespeare (King Henry VI, Part 3)
Inej nodded. “I gave your letter to the guard at the door, and it did the trick. They brought me directly to two members of the Triumvirate.” “Who did you meet with?” said Kaz. “Genya Safin and Zoya Nazyalensky.” Wylan sat forward. “The Tailor? She’s at the embassy?” Kaz raised a brow. “What an interesting fact to forget to mention, Nina.” “It wasn’t relevant at the time.” “Of course it’s relevant!” Wylan said angrily. Jesper was a little surprised. Wylan hadn’t seemed to mind wearing Kuwei’s features at first. He’d almost seemed to welcome the distance it gave him from his father. But that had been before they’d gone to Saint Hilde. And before Jesper had kissed Kuwei.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
[Cult] members learn a new vocabulary that is designed to constrict their thinking into absolute, black-and-white, thought-stopping clichés that conform to group ideology. (“Lock her up” and “Build the Wall” are Trumpian examples. Even his put-downs and nicknames—Crooked Hillary, Pocahontas for Elizabeth Warren—function to block other thoughts. Terms like “deep state” and “globalist” also act as triggers. They rouse emotion and direct attention.)
Steven Hassan (The Cult of Trump: A Leading Cult Expert Explains How the President Uses Mind Control)
Keep your small mind open,” said Nana, wagging a crooked pinkie finger at Jannie. “That’s if you ever want it to grow bigger and don’t want to remain a small person all your life.
James Patterson (Four Blind Mice (Alex Cross, #8))
Five boys, playing in the woods one winter day, decided to see who could make the straightest set of tracks in the snow. They were very careful to put one foot directly in front of the other, but when they had crossed the clearing, one track was curved, one was crooked, and two were almost zigzag. Only one boy had a straight track. When they asked him how he did it, he replied that he had not looked at his feet; he had picked out a tree across the clearing and had walked straight toward it. If we are to leave a straight track in our daily walk, we must not have our minds centered on ourselves. We must fix our gaze upon the Lord Jesus Christ. We are to “run with patience the race that is set before us, looking unto Jesus…
Donald Grey Barnhouse
The tendency to overestimate reason―often in an exclusive spirit―is particularly harmful. Reason, to my mind, is invaluable as a supplement to the other psycho-intuitive faculties, but never a substitute for them. Figuratively, reason is a pole that may keep the plant of intuitive thought from growing crooked, but it is not itself either a plant or a valid substitute for a plant.
Bruno De Finetti
When you see an old man, you would automatically trust and respect him. He might have been a thug in his days... he might still be a crook, But your mind can’t even imagine that! A seeker must keep this factor in mind while referencing old books.
Shunya
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
Her sweet smell drove my body higher as I nibbled on the edge of her earlobe. “I’m not stopping you. You plan. I’ll kiss.” Echo turned her head to look at me over her shoulder. My siren became a temptress with that seductive smile on her lips. A mistake on her part. I caressed her cheek and kissed those soft lips. I expected her to shy away. We’d been playing this game for over an hour: she plotted while I teased.Leaving for the summer was important to her and she was important to me. But instead of the quick peck I’d anticipated, she moved her lips against mine. A burning heat warmed my blood. It was a slow kiss at first—all I meant it to be, but then Echo touched me. Her hands on my face, in my hair. And then she angled her body to mine. Warmth, enticing pressure on all the right parts, and Echo’s lips on mine—fireworks. She became my world. Filling my senses so that all I felt and saw and tasted was her. Kisses and touches and whispered words of love and when my hand skimmed down the curve of her waist and paused on the hem of her jeans my body screamed to continue, but my mind knew it was time to stop. With a sigh, I moved my lips once more against hers before shifting and pulling her body to my side. “I’m in love with you.” Echo settled her head in the crook of my arm as her fingertips lazily touched my face. “I know. I love you, too.” “I’m sorry I didn’t say it sooner.” If I had, then maybe we never would have been apart. “It’s okay,” she murmured. “We’re together now and that’s all that matters.” I kissed her forehead and she snuggled closer to me. The world felt strange. For the first time in my life, I wasn’t fighting someone or something. My brothers were safe. Echo knew the truth. Soon, I’d be free from high school and foster care. Hopefully, I’d be admitted on late acceptance to college. Contentment and happiness were unfamiliar emotions, but ones I could learn to live with. “Do you mind?” she asked in a small voice that indicated nerves. “That we’re taking it slow?” “No.” And it was the truth. Everything in her life was in flux and she needed strong, steady and stable. Oddly, she found those three things in me. Who would ever have guessed I’d be the reliable sort? “Besides, taking it slow creates buildup. I like anticipation.” Her body rocked with silent giggles and my lips turned up. I loved making her happy.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
How did you know?” Benedict finally asked. One corner of Colin’s mouth tilted up into a crooked smile. “About Sophie? It’s rather obvious.” “Colin, she’s—” “A maid? Who cares? What is going to happen to you if you marry her?” Colin asked with a devil-may-care shrug of his shoulders. “People you couldn’t care less about will ostracize you? Hell, I wouldn’t mind being ostracized by some of the people with whom I’m forced to socialize.” Benedict shrugged dismissively. “I’d already decided I didn’t care about all that,” he said. “Then what in bloody hell is the problem?” Colin demanded. “It’s complicated.” “Nothing is ever as complicated as it is in one’s mind.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Jesper's mind emptied. He wasn't thinking of what had happened before or what might happen next. There was only the reality of Wylan's mouth, the press of his lips, then the fine bones of his neck, the silky feel of his curls as Jesper cupped his nape and drew him nearer. This was the kiss he'd been waiting for. It was a gunshot. It was a prairie fire. It was the spin of Makker's Wheel. Jesper felt the pounding of his heart--or was it Wylan's?--like a stampede in his chest, and the only thought in his head was a happy, startled, Oh.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She sipped her glass of water, crooking her finger, smiling at Maria. I can’t make up my mind, thought Niall, whether Polly is a criminal, cunning and dangerous, ripe for the Old Bailey; or just so bloody stupid that it would be kindness to wring her neck and spare the world more pain.
Daphne du Maurier (The Parasites)
Oh yeah; his chest still hurt from the blow she'd given him earlier, and was now throbbing quite painfully with wanting her. Keeping her lips occupied while being mindful she wasn't very limber, Ian maneuvered Jessie onto his lap and tucked her head into the crook of his arm to get serious about loving her mouth.
Janet Chapman (Highlander for the Holidays (Highlander, #8))
That as my sister-in-law at Colchester had said, beauty, wit, manners, sense, good humour, good behaviour, education, virtue, piety, or any other qualification, whether of body or mind, had no power to recommend; that money only made a woman agreeable; that men chose mistresses indeed by the gust of their affection, and it was requisite to a whore to be handsome, well-shaped, have a good mien and a graceful behaviour; but that for a wife, no deformity would shock the fancy, no ill qualities the judgment; the money was the thing; the portion was neither crooked nor monstrous, but the money was always agreeable, whatever the wife was.
Daniel Defoe (Moll Flanders)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; — so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed — him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow — there was nothing to redeem it, forsooth, in his eyes — and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.
Henry David Thoreau (Walden & Civil Disobedience)
You never see a fat ventriloquist. Pepper was of the mind that this reflected the parasitic nature of the relationship, wherein the puppet leeches the life essence of the puppeteer. Which gave him an idea for a diet craze: the mass adoption of puppet sidekicks. Send the price of lumber through the roof. From time to time his mind turned to business ventures.
Colson Whitehead (Crook Manifesto (Ray Carney, #2))
Tell me, how many real motherfuckers feel me? I smoke a blunt and freak the funk until these jealous motherfuckers kill me I'm out the gutter, pick a hero I'm 165 and staying high til I die, my competion's zero Cause I could give a fuck about you, better duck Or I'll be forced to hit yo ass up I give a fuck I'm sick inside my mind, why you sweatin me? It's gonna take an army full of crooked ass cops to come and get me Niggaz know I ain't the one to sleep on, I'm under pressure Gotta sleep with my piece, an extra clip beside my dresser Word to God I've been ready to die since I was born I don't want no shit but niggaz trip and yo it's on Open fire on my adversaries, don't even worry Better have on a vest aim for the chest and then you buried
2Pac
He began to stand, and saw Lyon stiffen, poised to do whatever he needed to do. He, like Lyon, could throw himself on a pyre, too. Because fire cleansed. She’d won, and he’d lost. It had stopped mattering. Her happiness was indistinguishable from his own. No matter what became of him, he wanted her to know he loved her. “You’d best get out of here, Redmond. Your secret is safe with me.” Lyon’s eyes flared in wary surprise. He froze. And his smile, when it came, was slow, and crooked, and he looked very like Lavay when Lavay was being insufferably knowing. “Ah. You do love her more than life. Splendid. And that, my dear Lord Flint, is what I came here today to discover.” Whatever he felt was between him and Violet. “Go before I change my mind, Redmond.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
Excerpt from "The Trees in Winter"         I’m old now and tired. Dried up and brittle. My hands are like clumsy crooked twigs hanging from my stick figure wrists. My body doesn’t work like it used to, and what goes on in my mind feels about as useful as a cheap trick performed day after day by a third rate magician, an act so worn out that not even I can pretend to be entertained by it anymore. There’s nothing much left to say and even less to do. The repetition is uninspiring, like playing the same set of the same songs day after day. The jazz has gone out of my life, and the dull plodding rhythm I’m left with will never bring it back. There’s a persistent chill in the house that follows me around. Maybe it’s not in the house but in me. Am I becoming morbid? Am I becoming anything?
D.E. Sievers
Of course the people in the metro didn't see a thing!...what a joke! petrified ratlets! but they'll still come out to refute me! make claims!...that nothing got bombed!...squished! powdered! that the firmament was calm, and me, I imagined the whole thing! chrysanthemums, sprays, roses! why, there's no more any such thing as sky-hooking shrapnel than there is anal ice cream! it's all in my mind! hallucinations and bullshit! what a crook! but I repeat and reassert! shrapnel and fiery lace stretched from one end of the horizon to the other! with lots of glow-worms mixed in...and dancing purple fireflies...
Louis-Ferdinand Céline (Normance)
What is this?” she asked, her eyes scanning the page. “It’s not…” She ran her fingertips over the words as if expecting them to vanish. “My contract,” she whispered. “I don’t want you beholden to Per Haskell. Or me.” Another half-truth. His mind had concocted a hundred schemes to bind her to him, to keep her in this city. But she’d spent enough of her life caged by debts and obligations, and it would be better for them both when she was gone. “How?” she said. “The money—” “It’s done.” He’d liquidated every asset he had, used the last of the savings he’d accrued, every ill-gotten cent. She pressed the envelope to her chest, above her heart. “I have no words to thank you for this.” “Surely the Suli have a thousand proverbs for such an occasion?” “Words have not been invented for such an occasion.” “If I end up on the gallows, you can say something nice over the corpse,” he said.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
A group of older women walked past, wearing fanny packs and large cameras around their necks. ... "I think I'm going to get one of those." Weylin's voice was thoughtful as he watched the women jaywalk. "One of what?" Ree cocked an eyebrow and smiled at her friend. "I don't know, Wey-mand. I think they might be too much woman for you." Paden flashed a crooked grin. "Har, har. I meant a fanny pack." Looking thoughtful, Weylin ignored thier expressions of disbelief. "A...fanny pack?" Sophie was looking at Weylin as if he had lost his mind, but Ree noticed the corners of her mouth twitching. "Yeah. Think about all the cool things I could carry in one." Completely unperturbed, Weylin stopped at the crosswalk and hit the button on the light post. "I could carry knives and some of those collapsible swords that Roland uses. Oh and snacks!" Unable to control her laughter anymore, Ree leaned over and clutched her sides. "Snacks? Weylin, I think you might need to lie down. You obviously have a fever or something." "You won't be saying that the next time we're out and you get a hankering for a pizza or some popcorn. I could even carry bottled water and little sanitizer wipes." "How big of a fanny pack are you planning on getting? Paden raised an eyebrow. ... "Oh, hell no! I am not eating food you've been carrying near your man-pickle. That is so not going to happen." Everyone in the group sputtered and laughed at Juliette's comment.
Nichole Chase (Mortal Defiance (Dark Betrayal Trilogy, #2))
Often, our relationships become an unrealized quest for what is perfect, unfettered, and free of flaws. We expect our partners, spouses, and our friends to avoid missteps and to be magical mind readers. These secret expectations play a sinister part in many of the great tragedies of our lives: failed marriages, dissipated dreams, abandoned careers, outcast family, deserted children, and discarded friendships. We readily forget what we once knew as children: our flaws are not only natural but integral to our beings. They are interwoven into our soul’s DNA and yet we continually reject the crooked, wrinkled, mushy parts of our life rather than embrace them as the very essence of our beings. I once believed that aiming for perfection would land me in the realm of excellence. This, however, may not be the trajectory of how things happen. In fact, the pursuit of perfection may be the biggest obstacle to becoming whole. It seems essential to value hard work and determination and yet recognize that the road to excellence is littered with mistakes and subsequent lessons. Imperfection and excellence are intertwined. There is joy in our pain, strength in weakness, courage in compassion, and power in forgiveness.
Ann Brasco
But I want all your love,” she said. As Simon drew his head back to look at her, his expression knocked the breath from her lungs. It took her several seconds to recover. “All your heart and mind,” she continued with a crooked smile, and lowered her voice provocatively. “All your body, too.” Simon trembled and stared at her radiant face as if he would never be able to tear his gaze away. “That’s reassuring. Since you seemed more than eager to saw off my leg with a pocketknife yesterday.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Feeling drunk with the anticipation of being alone in the elevator with the blonde seductress, Jack turned back and flashed a wicked grin at Todd before disappearing down the hall. "I’m Shala. I was also hoping we'd have a private moment together, before your adventure begins.” She spoke softly and slipped her hand into the crook of Jack's arm. "Shala, you read my mind," Jack replied as they reached the elevator. "After Dr. Strong and I talk, how about you show me the sights of Landon." "The most exciting thing in Landon is in my suite.” Shala whispered and leaned hard against him, forcing his back to the wall. Shala’s hands explored Jacks chest then moved to his sides and round to his back sinking lower. Her fiery smile sent an unexpected chill through him. Jack squirmed uncomfortably as he glanced up at the panel above the elevator doors. The second floor indicator lit and held. The doors silently slid aside to reveal a large banquet hall just as Shala's hands reached a sensitive spot.
Alaina Stanford (Forbidden Quest (Hypnotic Journey, #1))
It is always a shock to meet again someone whom you have not seen for a long time but who has been very much present in your mind during that period. When at last Sophia came through the swing doors our meeting seemed completely unreal. She was wearing black, and that, in some curious way, startled me! Most other women were wearing black, but I got it into my head that it was definitely mourning—and it surprised me that Sophia should be the kind of person who did wear black—even for a near relative.
Agatha Christie (Crooked House)
A true community does not need a police force. The very presence of a law enforcement system in a community is an indication that something is not working. And the presence of the police is supposed to make it work. Such a force is essentially repressive, which means that certain people in such a dysfunctional community do not know how to fit in. A community is a place where there is consensus, not where there is a crooked-looking onlooker with a gun, creating an atmosphere of unrest. In my village, houses do not have doors that can be locked. They have entrances. The absence of doors is not a sign of technological deprivation but an indication of the state of mind the community is in. The open door symbolizes the open mind and open heart. Thus a doorless home is home to anybody in the community. It translates the level at which the community operates. In addition, this community does not have a police force because it does not assume that the other person is dishonest or potentially evil. The trust factor must be high. Elders
Malidoma Patrice Somé (Ritual: Power, Healing and Community (Compass))
His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.
Callie Vincent (Monster (Sold to the Don, #1))
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive. It isn’t easy for me either. He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him. He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room. The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted. Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away. She exhaled. “Go on,” she repeated. Finish the story. The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.
Don DeLillo (Great Jones Street)
He’s been fighting a lot on the Midwest circuit, but Vegas is the big-time. If he ever wants to get anywhere, he has to fight here. And since we’re here, we thought we’d get married, since Vegas is so romantic.” Ivy could think of a dozen cities more romantic than Vegas—Akron, Ohio came to mind—but she didn’t argue.
Linda Morris (By Hook or By Crook)
Three days?' Dain fires back, leaning in. 'You couldn't make it three days?' 'It has nothing to do with him.' I interrupt, setting my dragon down with a little more force than necessary. 'That's up to Tairn and Sgaeyl.' 'You never considered that it was you I couldn't stay away from?' I crook my right arm and jab it into Xaden's biceps. He doesn't mean that. Not when he's still adamant that kissing me was a mistake. And if he does... I'm not going there... 'Now, now, you'll give our little communication secret away if you can't keep from being so... violent.' He barely restrains a smile, obviously loving that he gets the last word.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Democracy as we have tried it started out on the wrong foot. We took the Christian scriptures that say that everybody is equal in the sight of God and made it to mean that everybody is inferior in the sight of God. And this is a parody of mysticism. Because originally, mysticism meant that, from the standpoint of God, all people are divine, which is a far different thing. So this is why all bureaucracies are rude, why police are rude, why you are made to wait in lines for everything, and why everyone is treated as some kind of crook. And a society like this, that views everybody as inferior, turns quickly into fascism because of its terror of the outsider.
Alan W. Watts (Out of Your Mind: Tricksters, Interdependence, and the Cosmic Game of Hide and Seek)
Exceptions were made for Friday episodes of One Life to Live, and, occasionally, for Oprah, who was one of the few black people Helen had any regard for. Perhaps in the past she had been more open-minded, but getting mugged in the foyer of our building convinced her that they were all crooks and sex maniacs. “Even the light-skinned ones.
David Sedaris (When You Are Engulfed in Flames)
What right has the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skinflint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and horny talons from the long habit of grasping harpy-like; so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him--him who thought only of its money value.
Henry David Thoreau
There was a collective hope at the service that the children were in heaven. Riding ponies, playing bingo, exploring the sea. But I don’t think heaven is so much like earth. If heaven exists, I hope it is far beyond what we conjure with our gravity-soaked imaginations. To my mind, it is OK if there is no heaven. It is miraculous enough that Sam and Ramone lived. They were here, on earth, as themselves. The spontaneous eruption of an individual consciousness out of nothingness. I know this is too easy for me to say—I have one child healing, and the other murmuring self-soothing songs on the back of a blue bike. It is too easy. But still, it’s what I hold against my chest. They died, but, before that, they lived.
Heather Harpham (Happiness: The Crooked Little Road to Semi-Ever After)
The gurus I have met personally, as well as those whose careers and teachings I have studied at a distance, range from crooks who could be quickly dismissed to teachers who were brilliant but flawed, to those who, while still human, seemed to possess so much compassion and clarity of mind that they were nearly flawless examples of the benefits of spiritual practice.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
It was in Las Vegas that Eisman and his associates’ attitude toward the U.S. bond market hardened into something like its final shape. As Vinny put it, “That was the moment when we said, ‘Holy shit, this isn’t just credit. This is a fictitious Ponzi scheme.’” In Vegas the question lingering at the back of their minds ceased to be, Do these bond market people know something we do not? It was replaced by, Do they deserve merely to be fired, or should they be put in jail? Are they delusional, or do they know what they’re doing? Danny thought that the vast majority of the people in the industry were blinded by their interests and failed to see the risks they had created. Vinny, always darker, said, “There were more morons than crooks, but the crooks were higher up.
Michael Lewis (The Big Short: Inside the Doomsday Machine)
Joe stepped in front of them, blocking it from their view. "All of you listen to me." Three pairs of eyes locked on his face: hopeful, expectant, still dark with anger and fear. Protectiveness erupted , so strong Joe wanted to shout with it. He drew one breath, then another, but Jesus it didn't help. "You're mine now," he told them, and he knew his voice was hoarse, trembling with furious conviction. He hadn't meant to rush Luna, to spill his guts so soon. He'd meant to give himself time, to give her and the kids time. But he couldn't hold it in. "All of you. I protect what's mine. No one is going to hurt you, and no one is going to run us off. I'll find the son of a bitch, I swear it. And when I do, he'll pay." Luna's eyes, narrowed with rage only a moment ago, now softened with an expression far too close to concern. She gave a reluctant nod and spoke very softly. "All right, Joe." He had an awful suspicion she agreed more to soothe him than because she believed what he said. Willow swallowed, nodded, then gave him a trembling smile. "All right," she said, agreeing with Luna, and she, too, seemed to want to comfort him. Women. Austin launched himself forward, hugging himself around Joe's knees and hanging on tight. Joe almost fell over. He felt as though he'd been stomped on already, his muscles, his mind, his deepest emotions. Hell, he hadn't known he had deep emotions until the kids and Luna had dredged them from a dark, empty place. He wasn't all that steady on his feet, and Austin hit him with the impact of a small tank. But it was more the punch to his heart than the impetus against his legs that threw him off balance. Joe touched the tangled mop of blond hair. "Austin?" Austin squeezed him, then said against Joe's knees, "Okay." He finally tipped up his face to give Joe a crooked, admiring grin. "I sure like it when you're disrespectful." That ridiculous comment lightened Joe's mood, and he laughed. "Rodent.
Lori Foster (Say No To Joe? (Visitation, North Carolina, #1))
Are you deliberately torturing me?” he growls. My heart kicks. Wild and unrhythmic. “Torturing you?” He raises the scotch, downing the contents in one fell swoop before returning the glass to his side. “You know exactly what I’m talking about.” There’s a warning in his voice. A delicious subtle threat. My throat tightens. My chest, too. Everything is so painfully, invigoratingly restricted that I have to fight hard to maintain level breathing. I raise my other leg, crossing both at the ankles against the rim of the tub. I shouldn’t be doing this. Warning bells ring in the farthest recesses of my mind. If only they were loud enough to put a stop to the craziness. “Join me.” His jaw ticks. That’s his only response. No movement. No words. “Matthew?” His features tighten, almost setting in a glower as he grates, “Be sure about this, Layla.” “I think I am,” I lie. I’m not even partially certain. I’m running on instinct alone. No, not instinct—infatuation.  “Then I’m staying where I am.” He crosses his arms over his chest, the glass moving to rest in the crook of his arm. “I’m on the precipice here. I can only pretend to be a stand-up guy for so long, then I’m going to start pushing my own agenda. So don’t play with me, amore mio.
Eden Summers (Seeking Vengeance)
I’m familiar with the concept of bacchanalia and Dionysian revels, of course, but it strikes me as utterly bizarre that women should want to spend an evening together drinking and purchasing such items, and, indeed, that this should pass as ‘entertainment’. Sexual union between lovers should be a sacred, private thing. It should not be a topic for discussion with strangers over a display of edible underwear. When the musician and I spent our first night together, the joining of our bodies would mirror the joining of our minds, our souls. His otherness; the flash of dark hair in his armpit, the buttons of bone at his clavicle. The blood scent in the crook of his elbow. The warm softness of his lips, as he takes me in his arms and …‘Erm, Eleanor? Hello? I was just saying … we’ll need to go now to catch the bus, if you’re coming to Mum’s?
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.” Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.” “If you don’t care about money, Nina dear, call it by its other names.” “Kruge? Scrub? Kaz’s one true love?” “Freedom, security, retribution.” “You can’t put a price on those things.” “No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.” Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.” “We get Inej. We get our money. It’s as simple as that.” “Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.” “There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.” Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.” Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?” “You’ve met Kaz, right?” “But she’s one of us.” Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission. Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.” “Just don’t push it.” “Why not?” “Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.” “He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features. None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure. “Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What remains of the labours of the ‘new philosophers’ who have been enlightening us – or, in other words, deadening our minds – for 30 years now? What really remains of the great ideological machinery of freedom, human rights, the West and its values? It all comes down to a simple negative statement that is as bald as it is flat and as naked as the day it was born: socialisms, which were the communist Idea’s only concrete forms, failed completely in the twentieth century. Even they have had to revert to capitalism and non-egalitarian dogma. That failure of the Idea leaves us with no choice, given the complex of the capitalist organization of production and the state parliamentary system. Like it or not, we have to consent to it for lack of choice. And that is why we now have to save the banks rather than confiscate them, hand out billions to the rich and give nothing to the poor, set nationals against workers of foreign origin whenever possible, and, in a word, keep tight controls on all forms of poverty in order to ensure the survival of the powerful. No choice, I tell you! As our ideologues admit, it is not as though relying on the greed of a few crooks and unbridled private property to run the state and the economy was the absolute Good. But it is the only possible way forward. In his anarchist vision, Stirner described man, or the personal agent of History, as ‘the Ego and his own’. Nowadays, it is ‘Property as ego’. Which
Alain Badiou (The Communist Hypothesis)
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
And then he lifted his eyes from the chair to his bed. If this was his imagination, his imagination was glorious. Margaret lay on his coverlet, stretched out full length. She still wore a corset and petticoats, but they’d been hiked up so that he could see where her garters tied at the knees. She crooked one finger at him and smiled. “Margaret. What are you doing here?” “I,” she said, “have been procuring my future.” His mind went blank. He didn’t know how to take it. She’d decided to have him, after all. She’d realized she didn’t need him, not one bit. His head pounded. His heart swelled in a mix of hope and despair. “I want you.” Hope. Hope. It was all hope. He took a careful step towards her. “Wait. There’s a condition.” “You know,” Ash said, his throat closing, “that if you are half-naked on my bed, all conditions will be met. Instantly.” “Ah, but this is one of the conditions I did not deliver to Lord Lacy-Follett earlier today.” If he’d been overwhelmed by her appearance before, he was stunned now. “You talked to Lacy-Follett? You cannot be serious.” “Oh, but I am. I had to renegotiate, after I’d heard what you had done. I had been so blinded by my loyalty to my brothers that I could not see that I owed loyalty to you, as well. I was wrong. I love you, Ash.” He swallowed. She smiled up at him. “I love that you make me feel as if I’m the only woman in the world. I love that you’ll always be there for me.” She sat up on the bed, and her petticoats fell, so that only her toes peeked out at him from underneath those layers of fabric. “I want to paint my own canvas, Ash. And I want you on it with me.” Delicately, she stretched out one leg. Her foot flexed, and then her toes found the floor. He was helpless. Just seeing her push to her feet got him hard. And seeing her in his room—on his bed—made every part of him reverberate with the rightness of it.
Courtney Milan
There was a note on the table.” “Bring it here,” Van Eck barked. The boy strode down the aisle, and Van Eck snatched the note from his hand. “What does it … what does it say?” asked Bajan. His voice was tremulous. Maybe Inej had been right about Alys and the music teacher. Van Eck backhanded him. “If I find out you knew anything about this—” “I didn’t!” Bajan cried. “I knew nothing. I followed your orders to the letter!” Van Eck crumpled the note in his fist, but not before Inej made out the words in Kaz’s jagged, unmistakable hand: Noon tomorrow. Goedmedbridge. With her knives. “The note was weighted down with this.” The boy reached into his pocket and drew out a tie pin—a fat ruby surrounded by golden laurel leaves. Kaz had stolen it from Van Eck back when they’d first been hired for the Ice Court job. Inej hadn’t had the chance to fence it before they left Ketterdam. Somehow Kaz must have gotten hold of it again. “Brekker,” Van Eck snarled, his voice taut with rage. Inej couldn’t help it. She started to laugh. Van Eck slapped her hard. He grabbed her tunic and shook her so that her bones rattled. “Brekker thinks we’re still playing a game, does he? She is my wife. She carries my heir.” Inej laughed even harder, all the horrors of the past week rising from her chest in giddy peals. She wasn’t sure she could have stopped if she wanted to. “And you were foolish enough to tell Kaz all of that on Vellgeluk.” “Shall I have Franke fetch the mallet and show you just how serious I am?” “Mister Van Eck,” Bajan pleaded. But Inej was done being frightened of this man. Before Van Eck could take another breath, she slammed her forehead upward, shattering his nose. He screamed and released her as blood gushed over his fine mercher suit. Instantly, his guards were on her, pulling her back. “You little wretch,” Van Eck said, holding a monogrammed handkerchief to his face. “You little whore. I’ll take a hammer to both your legs myself—” “Go on, Van Eck, threaten me. Tell me all the little things I am. You lay a finger on me and Kaz Brekker will cut the baby from your pretty wife’s stomach and hang its body from a balcony at the Exchange.” Ugly words, speech that pricked her conscience, but Van Eck deserved the images she’d planted in his mind. Though she didn’t believe Kaz would do such a thing, she felt grateful for each nasty, vicious thing Dirtyhands had done to earn his reputation—a reputation that would haunt Van Eck every second until his wife was returned. “Be silent,” he shouted, spittle flying from his mouth. “You think he won’t?” Inej taunted. She could feel the heat in her cheek from where his hand had struck her, could see the mallet still resting in the guard’s hand. Van Eck had given her fear and she was happy to return it to him. “Vile, ruthless, amoral. Isn’t that why you hired Kaz in the first place? Because he does the things that no one else dares? Go on, Van Eck. Break my legs and see what happens. Dare him.” Had she really believed a merch could outthink Kaz Brekker? Kaz would get her free and then they’d show this man exactly what whores and canal rats could do. “Console yourself,” she said as Van Eck clutched the ragged corner of the table for support. “Even better men can be bested.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I drove back into town, full of the look of her, full of the impact of her. It was an impact that made the day, the trees, the city, all look more vivid. Her face was special and clear in my mind—the wide mouth, the one crooked tooth, the gray slant of her eyes. Her figure was good, shoulders just a bit too wide, hips just a shade too narrow to be classic. Her legs were long, with clean lines. Her flat back and the inswept lines of her waist were lovely. Her breasts were high and wide spaced, with a flavor of impertinence, almost arrogance. It was the coloring of her though that pleased me most. Dark red of the hair, gray of the eyes, golden skin tones.
John D. MacDonald (A Bullet for Cinderella)
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
It was this: Gansey starting down the stairs to the kitchen, Blue starting up, meeting in the middle. It was Gansey stepping aside to let her pass, but changing his mind. He caught her arm and then the rest of her. She was warm, alive, vibrant beneath the thin cotton; he was warm, alive vibrant beneath his. Blue slid her hand over his bare shoulder and then onto his chest, her palm spread out flat on his breastbone, her fingers pressed curiously into his skin. "I thought you would be hairier," she whispered. "Sorry to disappoint. The legs have a bit more going on." "Mine too." It was this: laughing senselessly into each other's skin, playing, until it was abruptly no longer play, and Gansey stopped himself with his mouth perilously close to hers, and Blue stopped herself with her belly pressed close to his. It was this: Gansey saying, "I like you an awful lot, Blue Sargent." It was this: Blue's smile--crooked, wry, ridiculous, flustered. There was a lot of happiness tucked into the corner of that smile, and even though her face was several inches from Gansey, some of it still spilled out and got on him. She put her finger on his cheek where he knew his own smile was dimpling it, and then they took each other's hands, and they climbed back up together. It was this: this moment and no other moment, and for the first time that Gansey could remember, he knew what it would feel like to be present in his own life.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I, the Teacher, was king over Israel in Jerusalem. I applied my mind to study and to explore by wisdom all that is done under the heavens. What a heavy burden God has laid on mankind! I have seen all the things that are done under the sun; all of them are meaningless, a chasing after the wind. What is crooked cannot be straightened; what is lacking cannot be counted. I said to myself, “Look, I have increased in wisdom more than anyone who has ruled over Jerusalem before me; I have experienced much of wisdom and knowledge.” Then I applied myself to the understanding of wisdom, and also of madness and folly, but I learned that this, too, is a chasing after the wind. For with much wisdom comes much sorrow; the more knowledge, the more grief.
Anonymous (Holy Bible: New International Version)
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Aunt Lotty had gone, and Laura and Mary were tired and cross. They were at the woodpile, gathering a pan of chips to kindle the fire in the morning. They always hated to pick up chips, but every day they had to do it. Tonight they hated it more than ever. Laura grabbed the biggest chip, and Mary said: “I don’t care. Aunt Lotty likes my hair best, anyway. Golden hair is lots prettier than brown.” Laura’s throat swelled tight, and she could not speak. She knew golden hair was prettier than brown. She couldn’t speak, so she reached out quickly and slapped Mary’s face. Then she heard Pa say, “Come here, Laura.” She went slowly, dragging her feet. Pa was sitting just inside the door. He had seen her slap Mary. “You remember,” Pa said, “I told you girls you must never strike each other.” Laura began, “But Mary said--” “That makes no difference,” said Pa. “It is what I say that you must mind.” Then he took down a strap from the wall, and he whipped Laura with the strap. Laura sat on a chair in the corner and sobbed. When she stopped sobbing, she sulked. The only thing in the whole world to be glad about was that Mary had to fill the chip pan all by herself. At last, when it was getting dark, Pa said again, “Come here, Laura.” His voice was kind, and when Laura came he took her on his knee and hugged her close. She sat in the crook of his arm, her head against his shoulder and his long brown whiskers partly covering her eyes, and everything was all right again. She told Pa all about it, and she asked him, “You don’t like golden hair better than brown, do you?” Pa’s blue eyes shone down at her, and he said, “Well, Laura, my hair is brown.” She had not thought of that. Pa’s hair was brown, and his whiskers were brown, and she thought brown was a lovely color. But she was glad that Mary had had to gather all the chips.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
The problem was that I have never been able to do harm to a book. Even books I don’t want, or books that are so worn out and busted that they can’t be read any longer, cling to me like thistles. I pile them up with the intention of throwing them away, and then, every time, when the time comes, I can’t. I am happy if I can give them away or donate them. But I can’t throw a book in the trash, no matter how hard I try. At the last minute, something glues my hands to my sides, and a sensation close to revulsion rises up in me. Many times, I have stood over a trash can, holding a book with a torn cover and a broken binding, and I have hovered there, dangling the book, and finally, I have let the trash can lid snap shut and I have walked away with the goddamn book—a battered, dog-eared, wounded soldier that has been spared to live another day. The only thing that comes close to this feeling is what I experience when I try to throw out a plant, even if it is the baldest, most aphid-ridden, crooked-stemmed plant in the world. The sensation of dropping a living thing into the trash is what makes me queasy. To have that same feeling about a book might seem strange, but this is why I have come to believe that books have souls—why else would I be so reluctant to throw one away? It doesn’t matter that I know I’m throwing away a bound, printed block of paper that is easily reproduced. It doesn’t feel like that. A book feels like a thing alive in this moment, and also alive on a continuum, from the moment the thoughts about it first percolated in the writer’s mind to the moment it sprang off the printing press—a lifeline that continues as someone sits with it and marvels over it, and it continues on, time after time after time. Once words and thoughts are poured into them, books are no longer just paper and ink and glue: They take on a kind of human vitality.
Susan Orlean (The Library Book)
The Calf Path One day, through the primeval wood, A calf walked home, as good calves should; But made a trail all bent askew, A crooked trail as all calves do. Since then three hundred years have fled, And, I infer, the calf is dead. But still he left behind his trail, And thereby hangs my moral tale. The trail was taken up next day By a lone dog that passed that way; And then a wise bell-wether sheep Pursued the trail o’er vale and steep, And drew the flock behind him, too, As good bell-wethers always do. And from that day, o’er hill and glade, Through those old woods a path was made. And many men wound in and out, And dodged, and turned, and bent about And uttered words of righteous wrath Because ’twas such a crooked path.15 But still they followed—do not laugh— The first migrations of that calf, And through this winding wood-way stalked, Because he wobbled when he walked. This forest path became a lane, That bent, and turned, and turned again; This crooked lane became a road, Where many a poor horse with his load Toiled on beneath the burning sun, And traveled some three miles in one. And thus a century and a half They trod the footsteps of that calf. The years passed on in swiftness fleet, The road became a village street; And this, before men were aware, A city’s crowded thoroughfare; And soon the central street was this Of a renowned metropolis; And men two centuries and a half Trod in the footsteps of that calf. Each day a hundred thousand rout Followed the zigzag calf about; And o’er his crooked journey went The traffic of a continent. A hundred thousand men were led By one calf near three centuries dead. They followed still his crooked way, And lost one hundred years a day; For thus such reverence is lent To well-established precedent. A moral lesson this might teach, Were I ordained and called to preach; For men are prone to go it blind Along the calf-paths of the mind, And work away from sun to sun To do what other men have done. They follow in the beaten track, And out and in, and forth and back, And still their devious course pursue, To keep the path that others do. They keep the path a sacred groove, Along which all their lives they move. But how the wise old wood-gods laugh, Who saw the first primeval calf! Ah! Many things this tale might teach— But I am not ordained to preach. —Sam Walter Foss
Frank Viola (Pagan Christianity?: Exploring the Roots of Our Church Practices)
Kaz had never been able to dodge the horror of that night in the Ketterdam harbor, the memory of his brother’s corpse clutched tight in his arms as he told himself to kick a little harder, to take one more breath, stay afloat, stay alive. He’d found his way to shore, devoted himself to the vengeance he and his brother were owed. But the nightmare refused to fade. Kaz had been sure it would get easier. He would stop having to think twice before he shook a hand or was forced into close quarters. Instead, things got so bad he could barely brush up against someone on the street without finding himself once more in the harbor. He was on the Reaper’s Barge and death was all around him. He was kicking through the water, clinging to the slippery bloat of Jordie’s flesh, too frightened of drowning to let go. The situation had gotten dangerous. When Gorka once got too drunk to stand at the Blue Paradise, Kaz and Teapot had to carry him home. Six blocks they hauled him, Gorka’s weight shifting back and forth, slumping against Kaz in a sickening press of skin and stink, then flopping onto Teapot, freeing Kaz briefly—though he could still feel the rub of the man’s hairy arm against the back of his neck. Later, Teapot had found Kaz huddled in a lavatory, shaking and covered in sweat. He’d pleaded food poisoning, teeth chattering as he jammed his foot against the door to keep Teapot out. He could not be touched again or he would lose his mind completely. The next day he’d bought his first pair of gloves—cheap black things that bled dye whenever they got wet. Weakness was lethal in the Barrel. People could smell it on you like blood, and if Kaz was going to bring Pekka Rollins to his knees, he couldn’t afford any more nights trembling on a bathroom floor. Kaz never answered questions about the gloves, never responded to taunts. He just wore them, day in and day out, peeling them off only when he was alone. He told himself it was a temporary measure. But that didn’t stop him from remastering every bit of sleight of hand wearing them, learning to shuffle and work a deck even more deftly than he could barehanded. The gloves held back the waters, kept him from drowning when memories of that night threatened to drag him under. When he pulled them on, it felt like he was arming himself, and they were better than a knife or a gun. 
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
For a few sleepy minutes, they were silent, nested in the pillows, and then Noah said, “I heard about how you won’t kiss Adam.” She turned her face into the pillow, cheeks hot. “Well, I don’t care,” Noah said. With quiet delight, he guessed, “He smells, right?” She turned back to him. “He does not smell. Ever since I was little, every psychic I know has told me that if I kiss my true love, he’ll die.” Noah’s brow furrowed, or at least the half of it that wasn’t buried in pillow. His nose was more crooked than she’d ever noticed. “Adam’s your true love?” “No,” Blue said. She was startled by how quickly she had answered. She couldn’t stop seeing the dented side of the box he’d kicked. “I mean, I don’t know. I just don’t kiss anybody, just to be on the safe side.” Being dead made Noah more open-minded than most, so he didn’t bother with doubt. “Is it when or if?” “What do you mean?” “Like, if you kiss your true love, he’ll die,” he said, “or is it when you kiss your true love, he’ll die?” “I don’t get what the difference is.” He rubbed the side of his face on the pillow. “Mmmmsoft,” he remarked, then added, “One’s your fault. The other one, you just happen to be there when it happens. Like, when you kiss him, POW, he gets hit by a bear. Totally not your fault. You shouldn’t feel bad about that. It’s not your bear.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.
David Mitchell (The Bone Clocks)
I’m wondering what it would be like to be kissed by you.” “Let’s not go there,” he said. “I don’t want to mess up our friendship.” “It wouldn’t,” she said, grinning suddenly. “I’d like to know how it feels. I mean, as an experiment.” “Put the wrong chemicals together, and they explode.” She frowned. “Are you saying you don’t think I’d like it? Or that I would?” “It doesn’t matter, because I’m not going to kiss you.” She looked up at him shyly, from beneath lowered lashes, and gave him a cajoling smile. “Just one teeny, weeny little kiss?” He laughed at her antics. Inside his stomach, about a million butterflies had taken flight. “Don’t play games with me, Summer.” He said it with a smile, but it was a warning. One she ignored. She crooked her finger and wiggled it, gesturing him toward her. “Come here, and give me a little kiss.” She was doing something sultry with her eyes, something she’d never done before. She’d turned on some kind of feminine heat, because he was burning up just looking at her. “Stop this,” he said in a guttural voice. She canted her hip and put her hand on it, drawing his attention in that direction, then slid her tongue along the seam of her lips to wet them. “I’m ready, bad boy. What are you waiting for?” His heart was beating a hundred miles a minute. He was hot and hard and ready. And if he touched her, he was going to ruin everything. “I’m not going to kiss you, Summer.” He saw the disappointment flash in her eyes. Saw the determination replace it. “All right. I’ll kiss you.” He could have stopped her. He was the one with the powerful arms and the broad chest and the long, strong legs. But he wanted that kiss. “Fine,” he said. “Don’t expect fireworks. I’m only doing this because we’re friends.” And if she believed that, he had some desert brushland he could sell her. Suddenly, she seemed uncertain, and he felt a pang of loss. Silly to feel it so deeply, when kissing Summer had been the last thing he’d allowed himself to dream about. Although, to be honest, he hadn’t always been able to control his dreams. She’d been there, all right. Hot and wet and willing. He made himself smile at her. “Don’t worry, kid. It was a bad idea. To be honest, I value our friendship too much—” She threw herself into his arms, clutching him around the neck, so he had to catch her or get bowled over. “Whoa, there,” he said, laughing and hugging her with her feet dangling in the air. “It doesn’t matter that you’ve changed your mind about wanting that kiss. I’m just glad to be your friend.” She leaned back in his embrace, searching his eyes, looking for something. Before he could do or say anything to stop her, she pressed her lips softly against his. His whole body went rigid. “Billy,” she murmured against his lips. “Please. Kiss me back.” “Summer, I don’t—” She pressed her lips against his again, damp and pliant and inviting. He softened his mouth against hers, felt the plumpness of her upper lip, felt the open, inviting seam, and let his tongue slide along the length of it. “Oh.” She broke the kiss and stared at him with dazed eyes. Eyes that sought reason where there was none. He wanted to rage at her for ruining everything. They could never be friends now. Not now that he’d tasted her, not now that she’d felt his want and his need. He lowered his head to take her mouth, to take what he’d always wanted.
Joan Johnston (The Texan (Bitter Creek, #2))
Are you sure you don't remember? Your mind seems to be working just fine to me." "You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here." "If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack. "Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them. "What, you don't have a question for my question?" I ask after a few seconds. "It just seems silly for you to change your schedule over a disagreement about when the Titanic-" I throw my hands up at him. "Don't you see how weird this is for me?" "I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that." Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper. "It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more." A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops." That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret." This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized." He nods. "I finally figured that out. That you don't actually know about your secret." "You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming... The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history. "That's it?" I say, exasperated. "You're just going to leave it at that?" He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you." He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim." He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The liberal element of Whites are those who have perfected the art of selling themselves to the Negro as a friend of the Negro, getting the sympathy of the Negro, getting the allegiance of the Negro, getting the mind of the Negro, and then the Negro sides with the White liberal and the White liberal uses the Negro against the White conservative so that anything that the Negro does is never for his own good, never for his own advancement, never for his own progress, he’s only a pawn in the hands of the White liberal. The worst enemy the Negro has is this White man who runs around here drooling at the mouth professing to love Negroes and calling himself a liberal and it is following these White liberals that has perpetuated the problems that Negroes in America have. If the Negro wasn’t taken, trapped, tricked, deceived by the White liberal then Negroes would get together and solve our own problems. It was the White liberals that come up with the Civil War, supposedly they say, to solve the Negro, the slave question. Lincoln was supposedly a White liberal. When you read the true history of Lincoln, he wasn’t trying to free any slaves, he was trying to save the union. He was trying to save his own party. He was trying to conserve his own power and it was only after he found he couldn’t do it without freeing the slaves that he came up with the Emancipation Proclamation. So, right there you have deceit of White liberals making Negroes think that the Civil War was fought to free them, you have the deceit of White liberals making Negroes think that the Emancipation Proclamation actually freed the Negroes and then when the Negroes got the Civil War and found out they weren’t free, got the Emancipation Proclamation and they found out they still weren’t free, they begin to get dissatisfied and unrest, they come up with the...the same White liberal came up with the 14th Amendment supposedly to solve the problem. This came about, the problem still wasn’t solved, ‘cause to the White liberal it’s only a political trick. Civil War, political trick, Emancipation Proclamation, political trick, 14th Amendment to this raggedy Constitution, a political trick. Then when Negroes begin to develop intellectually again, and realize that their problem still wasn’t solved, and unrest began to increase, the Supreme Court...another so-called political trick...came up with what they call a Supreme Court Desegregation Decision, and they purposely put it in a language...now you know, sir, that these men on the Supreme Court are masters of the King’s English, masters of legal phraseology, and if they wanted a decision that no one could get around, they would have given one but they gave their Supreme Court Desegregation Decision in 1954 purposely in a language, phraseology that enabled all of the crooks in this country to find loopholes in it that would keep them from having to enforce the Supreme Court Desegregation Decision. So that even after the decision was handed down, our problem has still not been solved. And I only cite these things to show you that in America, the history of the White liberal has been nothing but a series of trickery designed to make Negroes think that the White liberals was going to solve our problem and it is only now that the honorable Elijah Muhammad has come on the scene and is beginning to teach the Black man that our problem will never be solved by the White man that the only way our problem will be solved is when the Black man wakes up, cleans himself up, stands on his own feet, stops begging the White man and takes immediate steps to try and do for ourselves the things that we’ve been waiting for the White man to do for us. Once we do them for ourselves, once we think for ourselves, once we see for ourselves then we’ll be able to solve our own problems and we’ll be recognized as human beings all over this earth.
Malcolm X
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)