Crochet Yarn Quotes

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One hobby I did not pick up was crocheting, an obsession among prisoners throughout the system. Some of the handiwork was impressive. The inmate who ran the laundry was a surly rural white woman named Nancy whose dislike for anyone but “northerners” was hardly a secret. Her personality left a lot to be desired, but she was a remarkable crochet artist. One day in C Dorm I happened upon Nancy standing with my neighbor Allie B. and mopey Sally, all howling with laughter. “What?” I asked, innocently. “Show her, Nancy!” giggled Allie. Nancy opened her hand. Perched there in her palm was an astonishingly lifelike crochet penis. Average in size, it was erect, fashioned of pink cotton yarn, with balls and a smattering of brown cotton pubic hair, and a squirt of white yarn ejaculate at the tip.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
although we know an awful lot of those embroidered, quilted, crocheted, and knitted visions are unrealistic,” Ardis said, “there’s nothing wrong with embellished dreams and hopes. We all have them. I have them. And I need them. They give me respite—from reality, from the world, from Daddy’s increasing infirmity. They give me strength.
Molly MacRae (Knot the Usual Suspects (A Haunted Yarn Shop Mystery #5))
A big stash allows me to have a fluid sense of creativity - a looseness that is very much like playing. It opens me up, unlocks things. The creative bit takes all the other pieces - the possibility, the abundance, the connections, and the actual work of making yarn - bundles them, and explodes like a glitter bomb. It gets everywhere, it makes me smile, and a I can't escape it. My stash is the spark. Even if I haven't spun for days or weeks, even when I'm feeling dull-witted or anti-craft, I still spend time with my stash. It pulls on doors that have been locked, slides under the crack and clicks them open from the inside. After an hour tossing my fibers around, I am revitalized for making yarn, yes, but for things well beyond that, too. My sash fees like an extension of me that I sometimes forget about: the part that plays, that connects things that don't seem to go, that experiments and makes things.
Clara Parkes (A Stash of One's Own: Knitters on Loving, Living with, and Letting Go of Yarn)
Lambspun’s Whodunnit Shell   Very Easy Knit with Bulky Yarn GAUGE: 2 sts/in   MATERIALS: US size 15 needles (or size to obtain gauge), 14-inch straight Very bulky yarn with gauge of 2 sts per inch   INSTRUCTIONS:     BACK: With yarn required for gauge, CO 40, 44, 46, 50, 52 sts. Work in garter stitch, (knit every row) or if you like an edge that rolls, work in stockinette (knit one row, purl one row) throughout garment. Continue in garter or stockinette until piece measures 8, 8.5, 9, 9, 9 inches or desired length to armhole. At armhole edges BO 3 sts once, 2 sts once, 1 st once. Work on remaining 28, 32, 34, 38, 40 sts until piece measures 14.5, 15, 15.5, 16, 16.5 inches.   NECK SHAPING: Work 11, 12, 12, 14, 15 sts. Join second ball of yarn and bind off center 6, 8, 10, 10, 10 sts. Work remaining sts, turn. Working both sides at once, bind off 1 st from the neck edge 3 times. Continue working on reaming sts until piece measures 17, 18, 18.5, 19, 19.5 inches. Place remaining 8, 9, 9, 11, 12 sts on holders.   FRONT: CO 39, 43, 45, 49, 51 sts. Work in garter stitch, (knit every row) or if you like an edge that rolls, work in stockinette (knit one row, purl one row) throughout garment. Continue in garter or stockinette until piece measures 8, 8.5, 9, 9, 9 inches or desired length to armhole. At armhole edges BO 3 sts once, 2 sts once, 1 st once. Work on remaining 28, 32, 34, 38, 40 sts until piece measures 14.5, 15, 15.5, 16, 16.5 inches.   NECK SHAPING: Same as for back.   FINISHING: Join shoulders with three-needle bind off. Single crochet around every edge. Hand seam sides together. Pattern courtesy of Lambspun of Colorado, Fort Collins, Colorado.
Maggie Sefton (Double Knit Murders (A Knitting Mystery #1-2))
weight yarn (acrylic) – Main color -25 grams sport weight
Amy Wright (Learn How to Crochet Quick And Easy)
the remaining three sides are finished, cut the yarn, leaving
Amy Wright (Learn How to Crochet Quick And Easy)
dc into next space, ch 1, 3 dc into next space, ch1, 3 dc into corner space, ch 2, 3 dc into same space*, Repeat from * to * twice more, ch 1, 3 dc into next space, ch 1, 3 dc into next space, ch 1, sl st to top of first ch 3 to finish round. Cut yarn and pull tail through last stitch.
Amy Wright (Learn How to Crochet Quick And Easy)
Since the popularity of both knitting and crocheting exploded in the 2000s, materials and patterns have never been so accessible and so varied. A search for crochet hat patterns on the knitting and crocheting website Ravelry, for example, returns over 17,000 results as of 2014. Crochet hooks have been raised to artistic pieces in their own right; Furls, a leading luxury hook manufacturer, offers hand-carved, ergonomically designed hooks that not only promise smooth, even stitches but also come with a ‘hand health’ guarantee. New crocheters needn’t be overwhelmed, though; simple materials available at most big-box craft stores are fine for the purposes of starting out and learning. Most fiber crafters learn which materials they prefer over time as they try more new types of hooks, yarns, and patterns, so choosing materials, much like
Amy Wright (Learn How to Crochet Quick And Easy)
crochet hook (U.S. H) -100 grams sport weight yarn (acrylic) – Main color -25 grams sport weight
Amy Wright (Learn How to Crochet Quick And Easy)
valley? That should be interesting for you.” “I haven’t decided what I’m doing yet.” “I’d be happy to help,” Mr. Bally said. “I’m an expert on the subject you’re studying.” He picked up one of the microfilm boxes. “Judges in these contests like primary sources.” I knew that. Judges in these contests always liked primary sources. I was already using one. “Tell me about Andover,” I’d said to Cissy Langer, sitting in her back room with a wall full of piggy dolls staring at me. “Oh, my goodness, Mimi, what a question,” she’d said. I took the glass of iced tea, and I took the plate of chocolate chip cookies, and I set my tape recorder between them. I’d borrowed it from the school librarian. “I’ve already got some primary sources,” I said to Winston Bally in the conference room. We all pick and choose the things we talk about, I guess. I’d listened to my mother and Cissy talk about growing up together for maybe hundreds of hours, about sharing a seat and red licorice ropes on the bus, about getting licked for wearing their Sunday dresses into the woods one day, about the years when they both moved back in with their parents while their husbands went to war. And somehow I’d never really noticed that all the stories started when they were ten, that there were no stories about the four-year-old Miriam, the six-year-old Cissy, about the day when they were both seven when Ruth came home from the hospital, a bundle of yellow crochet yarn and dirty diaper. It made sense, I guess, since it turned out Cissy had grown up in a place whose name I’d never even heard because it had been wiped off the map before I’d ever even been born. “My whole family lived in Andover,” Cissy said. “My mother and
Anna Quindlen (Miller's Valley)
British vs American Crochet Terms British English US-American English dc double crochet sc single crochet htr half treble crochet hdc half double crochet tr treble dc double crochet dtr double treble tr treble trtr triple treble dtr double treble miss skip tension gauge yoh yarn over hook yo yarn over *All pattern instructions use US-American English terms*
Vicki Becker (Easy To Crochet 2 Hour Slippers)
Instructions: Row 1 Forward Pass: This pass is worked from left to right. Pull up the active loop on the hook, and place it onto the end of the needle without twisting. Remove the hook. In the next st to the right work into the back loop only, yarn over and pull up a loop, and place it onto the needle, removing the hook. Repeat in each st across, working to the right and into the back loop only of each st. At the end of this pass you'll have as many loops on the needle as you had sc sts in the previous row. Do not turn. Row 2 Return Pass: This pass is worked from right to left. Carefully pull 3 loops off the end of the needle with your hook. Be sure to keep the loops taut so they keep their height. Ch 1 and work 3 sc into the loops, going through the center of the loops to make each st. (The reason we work 3 sc here is because we are working a group of 3 loops.) Pull the next group of 3 loops off the hook and work 3 sc through the center of these 3 loops (do not ch 1 again - the only ch 1 is at the very beginning of this pass). Continue working
Prime Publishing (8 Different Crochet Stitches: Learn to Crochet Something New with Crochet Patterns)
There are endless variations on Broomstick Lace, also known as Jiffy Lace, and ways it can be combined with other stitches to create wonderful fabrics. The version demonstrated here is the most basic of these - master this and you can do the rest! For broom stick lace you will need one extra tool in addition to the usual yarn and hook - a dowel, large knitting needle, or even an actual
Prime Publishing (8 Different Crochet Stitches: Learn to Crochet Something New with Crochet Patterns)
system and a 6 under the British system. Yarn hooks range from 2.25mm to 12.00mm under the U.S. system, with the number or letter assigned to each hook moving upward as the hooks become larger. Steel hooks,
Amy Wright (Learn How to Crochet Quick And Easy)
Including the half-finished crochet project?” He lifted the bag that had my yarn falling out of it.
Jessica Cage (I Accidentally Summoned a Demon Boyfriend (Accidents Happen))
To the reader who is unaware of this violent and bloody sport known as crocheting (cro·shey·ing): it is defined as “three rounds of two-minute cage-fighting using only needles and yarn as weaponry.” Although made illegal in most U.S. municipalities, underground croch-fighting has been rampant in Southwestern
Freida McFadden (11 out of 10: A Collection of Humorous Medical Stories)
A withered woman sits in a chair hardly moving, her face red and swollen, her eyesight almost gone, her hearing gone, her breathing scratchy like the rustle of dead leaves on stones. Years pass. There are few visitors. Gradually, the woman gains strength, eats more, loses the heavy lines in her face. She hears voices, music. Vague shadows gather themselves into light and lines and images of tables, chairs, people’s faces. The woman makes excursions from her small house, goes to the market, occasionally visits a friend, drinks tea at cafés in good weather. She takes needles and yarn from the bottom drawer of her dresser and crochets. She smiles when she likes her work. One day her husband, with whitened face, is carried into her house. In hours, his cheeks become pink, he stands stooped over, straightens out, speaks to her. Her house becomes their house. They eat meals together, tell jokes, laugh. They travel through the country, visit friends. Her white hair darkens with brown streaks, her voice resonates with new tones. She goes to a retirement party at the gymnasium, begins teaching history. She loves her students, argues with them after class. She reads during her lunch hour and at night. She meets friends and discusses history and current events. She helps her husband with the accounts at his chemist’s store, walks with him at the foot of the mountains, makes love to him. Her skin becomes soft, her hair long and brown, her breasts firm. She sees her husband for the first time in the library of the university, returns his glances. She attends classes. She graduates from the gymnasium, with her parents and sister crying tears of happiness. She lives at home with her parents, spends hours with her mother walking through the woods by their house, helps with the dishes. She tells stories to her younger sister, is read to at night before bed, grows smaller. She crawls. She nurses.
Alan Lightman (Einstein's Dreams)