Crisp Morning Air Quotes

We've searched our database for all the quotes and captions related to Crisp Morning Air. Here they are! All 38 of them:

In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.
Alice Oseman (Loveless)
Outside, there was that predawn kind of clarity, where the momentum of living has not quite captured the day. The air was not filled with conversation or thought bubbles or laughter or sidelong glances. Everyone was sleeping, all of their ideas and hopes and hidden agendas entangled in the dream world, leaving this world clear and crisp and cold as a bottle of milk in the fridge.
Reif Larsen (The Selected Works of T.S. Spivet)
This morning I woke up before the alarm clock went off and the sky outside was a big red ocean. You're beautiful when you're sleeping so I spent an hour observing the way you breathe. Inhale, exhale, without a thought of tomorrow. The window was open and the air was so crisp and I couldn't imagine how to ever ask for more than this.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
On winter mornings when it's dark and the air is crisp, the lights are still shining and the first customers are gathered at the counter like conspirators. They give you the illusion that the day will be a new adventure. And that illusion stats with you for at least some of the morning.
Patrick Modiano (La Petite Bijou (Collection Folio))
In the end, that was the problem with romance. It was so easy to romanticize romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones, and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets, and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.
Alice Oseman (Loveless)
Always more, always hungrily scratching for more. But there were times, quiet moments, when our mother was sleeping, when she hadn’t slept in two days, and any noise, any stair creak, any shut door, any stifled laugh, any voice at all, might wake her, those still, crystal mornings, when we wanted to protect her, this confused goose of a woman, this stumbler, this gusher, with her backaches and headaches and her tired, tired ways, this uprooted Brooklyn creature, this tough talker, always with tears when she told us she loved us, her mixed-up love, her needy love, her warmth, those mornings when sunlight found the cracks in our blinds and laid itself down in crisp strips on our carpet, those quiet mornings when we’d fix ourselves oatmeal and sprawl onto our stomachs with crayons and paper, with glass marbles that we were careful not to rattle, when our mother was sleeping, when the air did not smell like sweat or breath or mold, when the air was still and light, those mornings when silence was our secret game and our gift and our sole accomplishment—we wanted less: less weight, less work, less noise, less father, less muscles and skin and hair. We wanted nothing, just this, just this.
Justin Torres (We the Animals)
It was a beautiful Indian summer morning and perfect for savoring a few extra minutes in bed. There was a breeze blowing through my bedroom window; the air was as crisp as a bite of a fresh red apple.
Nancy B. Brewer (Carolina Rain)
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood (Morning In The Burned House: Poems)
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
The morning television had been martial music and generals, admirals, air marshals and police chiefs displaying crisp uniforms and chests full of medals. Carl wondered, as he did during every coup, what all the medals were for; there hadn’t been a war. Maybe they got them for showing up on time to the previous coup.
Harlan Wolff (Bangkok Rules)
The air was calm and insects had not yet risen off the water, that crisp time of morning before the sun strikes, when it is still cool enough to work out solutions to sticky problems.
April Smith (A Star for Mrs. Blake)
At dawn ... the sky is milky white with big marshmallow clouds forming over the mountains. On a spring morning, the air is so crisp and clean that it almost tickles when you take a deep breath. ... No matter where you live, adventure is lurking.
Jim Brickman (Simple Things)
The morning, like all San Francisco mornings, promised spring. In California, the seasons come daily: spring, the dewy mornings draped lightly in gray mist; summer, when the sun burns through and rises directly overhead at midday; afternoon autumns, crisp breezy, when colors show off and the air smells clean into twilight; winter is the night.
Elizabeth Stark (Shy Girl)
I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.
Victoria Laurie (Sense of Deception (Psychic Eye Mystery, #13))
The smell of thyme was pungent in the air. It grew wild by the roadside. Thyme improves the memory, Joe used to say. He used to make a syrup out of it, keeping it in a bottle in the pantry. Two tablespoonsful every morning before breakfast. That clear greenish liquid smelled exactly like the night air over Lansquenet, crisp and earthy and nostalgic, like a summer day's weeding in the herb garden, and the radio on...
Joanne Harris (Blackberry Wine)
This is one other thing I know: without autumn, there is no end. Without red and gold and orange there is no finality, no conclusion. Without the sudden shift in the air, without the scent of apples and the crisp chill of morning, summer could go on forever. Without fall, summer lingers. There is a marvelous limbo where I live now, without the changing of seasons. No blazing display to signify the end of everything good. Perhaps this is what drew me to California. A place where time is suspended.
T. Greenwood (Bodies of Water)
It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across the dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.
Alice Oseman (Loveless)
It is the quiet of the night that I adore the most. It makes me wander in paths and times that seem so distinct, so distant in the light of a bright chirpy day. Oh, I love to talk and I love to hear, form connections, live the passion of Life throbbing with the fervour of colours and stories. But the dark, the stillness of the night makes me see the rivulets of light that walk in my soul. As if they talk to me, like an unsung melody, a poem scattered in bits and pieces, holding my breath to a dawn. They walk through my soul and ask me to keep my senses open as I inhale the peace of night where only the murmur of the stars dance in a serenade of a lover's dream, as if to paint a shadow of colours woven in the misty echo of an infinite lullaby. I love the night air so cold yet so crisp clutching us in a passionate embrace where we give way to all that a heart desires, some make poems some heal wounds and some sleep in the arms of love, while every soul wears its real and most vulnerable yet most whole self. And there as I watch my soul bathed in the halo of stillness, I see how the silence of the night gives in to the chirping of the birds, while the stars walk into their cocoon to let the Sun smile through the breathing dawn. Only a moment, when the night holds us in a mirror for a second or for a fraction of a second and when the morn seeps in to let Life jump in with a thousand voices. Only a moment. And yet that moment is so pure so beautiful to let us soak and even hold on to that stillness of night as much as we can through our heart, and every bit of our soul. I sit in awe, not only to behold the glory of the Morn but also to absorb the depth of the Night, for it is the quiet of the night that I adore the most.
Debatrayee Banerjee
cabin for a long moment. Just looking at it made her smile. It was tiny and whimsical – a cedar sided A-frame with a bright green roof and purple trim, complete with a purple star at the point of the A-frame. It sat in a small open area amongst spruce and alder. The hill tumbled down behind it, offering a wide-open view of Kachemak Bay. She’d been in Diamond Creek, Alaska for almost three years. The sun was rising behind the mountains across the bay, streaks of gold and pink reaching into the sky and filtering through the wispy clouds that sat above the mountains this morning. The air was cool and crisp, typical for an Alaskan summer morning. When the sun was high, the chill would dissipate. A faded blue Subaru pulled into the driveway. Susie climbed out of her car, grabbed some fishing gear and walked to Emma’s truck. “Morning! Sorry I’m late,” Susie said. Emma reached over and took a fishing rod out of Susie’s hands.
J.H. Croix (Love Unbroken (Diamond Creek, Alaska #3))
He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3
Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
Besides the fact that you’re a scoundrel at the gaming tables,” she responded tartly, “I’m beginning to suspect that you’re a womanizing rake.” Christopher grinned leisurely as his perusal swept her. “I’ve been a long time at sea. However, I doubt that in your case my reaction would vary had I just left the London Court.” Erienne’s eyes flared with poorly suppressed ire. The insufferable egotist! Did he dare think he could find a willing wench at the back door of the mayor’s cottage? “I’m sure that Claudia Talbot would welcome your company, sir. Why don’t you ride on over to see her? I hear his lordship traveled off to London this morning.” He laughed softly at her sneering tones. “I’d rather be courting you.” “Why?” she scoffed. “Because you want to thwart my father?” His smiling eyes captured hers and held them prisoner until she felt a warmth suffuse her cheeks. He answered with slow deliberation. “Because you are the prettiest maid I’ve ever seen, and I’d like to get to know you better. And of course, we should delve into this matter of your accidents more thoroughly, too.” Twin spots of color grew in her cheeks, but the deepening dusk did much to hide her blush. Lifting her nose primly in the air, Erienne turned aside, tossing him a cool glance askance. “How many women have you told that to, Mr. Seton?” A crooked smile accompanied his reply. “Several, I suppose, but I’ve never lied. Each had their place in time, and to this date, you are the best I’ve seen.” He reached out and taking a handful of the cracklings, he chewed the crisp morsels as he awaited her reaction. A flush of anger spread to the delicate tips of her ears, and icy fire smoldered in the deep blue-violet pools. “You conceited, unmitigated boor!” Her voice was as cold and as flat as the Russian steppes. “Do you think to add me to your long string of conquests?” Her chilled contempt met him face to face until he rose and towered above her. His eyes grew distant, and he reached out a finger to flip a curl that had strayed from beneath the kerchief. “Conquest?” His voice was soft and deeply resonant. “You mistake me, Erienne. In the rush of a moment’s lust, there are purchased favors, and these are for the greater part forgotten. The times that are cherished and remembered are not taken, are not given, but shared, and are thus treasured as a most blissful event.” He lifted his coat on his fingertips and slung it over his shoulder. “I do not ask that you yield to me, nor do I desire to conquer you. All I plead is that you grant me moments now and then that I might present my case, to the end that we could share a tender moment at some distant time.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
His breath is cool and fresh in the crisp morning air.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
You feel so overwritten you're like a palimpsest; the original girl almost lost under years of scrawling yet you nurture an illusion of beauty, brush your hair in the dark so when your reflection finally catches up with you you stare straight past that older woman to the skateboard dancers behind hitting the frosty air with exuberant grace. On the loose in the morning city reminds you of lovers, catching the tram to work in last night's laddered stockings, the sharp-edged day already intruding like a hangover. It's not the sex you miss or the hotel mornings but the reassurance of strangers and that wild card. Now everything's played out the same, no surprises in the pack except those dealt by disaster. Early this morning such certainty dragged on your thoughts they stumbled flat-footed through the breakfast silence and you knew neither the apples orchard fresh, crisp as snow nor the blue bowl they posed in were enough. People disappear all the time, emerge like summer snakes newly marked and glittering into a clean desert. Without the photo of a child you carry in your wallet which reminds you who you have become you'd catch a train to Musk or Mollymook, some place your fingers have strayed over. Even thinking that, you turn your face into the wind, keep walking that same old line in your new flamboyant shoes. Oh my treacherous heart.
Catherine Bateson (The Vigilant Heart)
Nora knew she wasn’t the only one looking forward to autumn—to a new season filled with crisp mornings, golden hues, and invigorating air.
Ellery Adams (The Whispered Word (Secret, Book, & Scone Society, #2))
There is a change in the air. Early morning, when I open the back door, it billows into the kitchen, crisp, cold, and fresh as mint. It makes white clouds of my breath. Winter has decorated ordinary life. Some days everything sparkles, glamorising the lids of bins and the tarmac patchwork of the pavements. Frost etches mysterious patterns on the roof of our car, and the puddles that collect in the gutter are crisp with ice.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Morning dawned bright and sparkling after the rain. The air was keen and crisp. The cedars glistened as if decked with diamonds. Pan felt the sweet scent of the damp dust, and it gave him a thrill and a longing for the saddle and the open country.
Zane Grey (Valley of Wild Horses)
He was still holding her hand when Dodie died at 5:20 a.m. Marlon bent over his mother’s body. Carefully, he snipped off a lock of her hair. Then he took her pillow and removed an aquamarine ring from her finger. Clutching these talismans, he made his way outside, where the sun was just coming up. “I felt instantly that she had been transformed into everything that was reflective of nature,” he said. Birds, plants, animals, little children—they were all Dodie. Standing there outside the hospital, in the crisp morning air, Marlon suddenly had a vision (“I actually saw it,” he insisted) of a great bird “floating up and down the face of a cliff.” This was his mother, he believed, rising to the sky. The bird made its ascent to the strains of Ferde Grofé’s “Mississippi Suite,” a stirring orchestral piece Ellen had introduced Marlon to, and which he often found himself humming.
William J. Mann (The Contender: The Story of Marlon Brando)
When I got back to my room, the people upstairs were having sex again. Rhythmic thumping against the wall. I hated it, but then I felt bad, because maybe it was two people in love. In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.
Alice Oseman (Loveless)
He drove east toward Boston with his window open, and the air blowing in felt cooler than it had in weeks. A Canadian front had rolled in during the night, and on this crisp morning the city smelled clean, almost pure. He thought of Mary, his own sweet Mary, and of all the ties that would forever bind him to her. Twenty years of marriage, with all its countless memories. The whispers late at night, the private jokes, the history. Yes, the history. A marriage is made up of such little things as burned suppers and midnight swims, yet it’s those little things that bind two lives into one. They had been young together, and together they had grown into middle age. No woman but Mary could own his past
Tess Gerritsen (The Surgeon (Rizzoli & Isles, #1))
In the end, that was the problem with romance. It was so easy to romanticize romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was falling leaves, crumbling wooden doorways, scuffed cobblestones, and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets, and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Across every dance floor. I could see it, all, all the time, all around, but when I got closer, I found nothing was there. A mirage.
Alice Oseman (Loveless)
I’ve always wanted a house in the country. Here and now, I have one. The door’s hinges squeak and the floorboards creak. There is a soft scent of sandalwood and bergamot. On the crisp awakening of the morrow’s morning, I will brew freshly ground coffee and allow it’s bitterness to warm my insides. My mind is buzzing with stories, the ones I conjure, the ones I have already conjured, and the ones I have yet to conjure, in the fragrant Spring air, on the patio, in my wooden rocking chair.
Oliver Lewis (Celestial Angels: a collection (The Trials of Celestial & Inferno Book 1))
Chapter 2 After stopping for a hot breakfast, Dad and I were ready to hit the mountain and now our anticipation was really building. My heart was beating a little faster and my eyes were alert watching the headlights paint a mountain picture in front of us. We pulled off the highway and made our way up a narrow two-lane road that ran through a little old mining town. About a half mile past the last house, we came to our turn. The road was pretty quiet on this Saturday morning. We only passed two or three trucks on our way to the dirt road. “Here we go!” Dad said, turning the wheel. The blacktop was behind us and we were now on a well-packed gravel road. It started by winding right, then left, and then back right again. It was like riding a rollercoaster up the mountain. We finally came to the end of the gravel and now we were heading up a true back country mountain road. The road was littered with huge rocks Dad had to swerve around and plenty of big gullies where rain had washed the road away. The truck growled in low gear as we crawled our way up the mountain, heading to our camp. I could feel butterflies of excitement building in my stomach with each turn. I rolled down my window to get some fresh air and the crisp mountain breeze instantly sent chills down my back. “Whoa, it’s pretty cold out,” “The truck thermometer says its thirty-six degrees. That sure is a change from the sixty-five degrees we had yesterday at home. But don’t you worry, that Colorado sun always warms it up around noon,” Dad explained. That last half hour seemed to take forever because we could only manage about five or ten miles per hour on the steep, rugged road. The last thing we wanted to do, after all the hours we spent on the journey to elk camp, was get a flat tire or bust a shock. Dad patiently and expertly guided the truck through the obstacle course as we kept climbing up, up, up. Finally we leveled off and I could tell we had reached the top. We made our way around the back side of the mountain and headed down a dead-end road to a grassy field where we have camped before. “I sure hope no one is in our spot.” “I’m not worried. There are plenty of areas to pitch a tent,” Dad replied. “That’s true, but I really like our old spot. It’s flat, which is perfect for the tent, it’s
Kevin Lovegreen (The Muddy Elk (Lucky Luke's Hunting Adventures #6))
Through the open curtains, the sunbeams danced in the crisp morning air, little grains of dust as their partners. But the world had been shut out. Like a couple of hopeless castaways, everything was humid, too little air, too much drowning.
Konstantina P. (Don't Let Go)
The sensation of mentally awakening while your feet are moving you through the crisp dark morning air is hard to describe. It's like pulling down the covers after a night of sleep and discovering your bed is a sled careening down a ski slope.
Gregory S. Williams (Dirt and Ink: A Runner's Journey)
Morning, the room full of sun. I wheel to the window and watch the robins digging worms in Grandfather's lawn. The grass is blue-wet in the open, green-dry under the pines. The air is so crisp it gives me a brief, delusive sense of health and youth. Those I don't have, but I have learned not to scorn the substitutes: quiet, plenty of time, and a job to spend it on.
Wallace Stegner (Angle of Repose)
There is a different feeling, to be clicking along at a gripping pace while starting up the internals, kind of like the pre-start of a rocket launch protocol, the rapid intake and exhalation of the crisp morning air is an igniter. The actual process of the run is giving my mind the time it needs to get started, and the oxygen-rich blood pumping into my brain is like gasoline on a grass fire. By the time I am headed home, my brain is already filled with energy, awake and afire with the sheer joy of life. Oh, and endorphins. Those are good, too.
Michael Lombardi (The 5 AM Club: The Joy On The Other Side Of Morning (Morning Rituals, Productivity, Time Management, Spirituality))
Jaylen fully enjoyed his time in Maine. It was a beautiful state, the summers so pleasant along the coast where the breeze carried the salty scent of the sparkling, clean Atlantic. He had watched the season’s change to Autumn with its golden birch, the occasional ruby red Japanese maple each framed against the backdrop of the omni-present cone laden pines. Now the air turned to chill with even more crisp mornings trumpeting the harbinger of the inevitable winter.
Mike Bennett (Las Vegas on Twelve Dollars a Day)
I can bear anything as long as I can have a bit of a laugh,” she told herself as she hurried down the street. She walked on, drawing in great deep breaths of the crisp, damp air. She walked all the way to Kensington Gardens and turned in to walk beside the Long Water. She hadn’t intended to go there, but whenever she needed to think, she found herself on the west side of the Serpentine in the leafy glade that sheltered the statue of Peter Pan. It had appeared overnight on May Day morning of 1912. ... Evie had hurried along to the park that May Day morning, as delighted as any child. Peter Pan was her dearest childhood friend, and watching him fly from the stage of the Duke of York’s theatre was her last truly happy memory, the only one unencumbered by the loss of her parents, the endless moving from place to place, from relation to relation as she was passed around like a hand-me-down garment that was nice enough but didn’t quite fit. Peter Pan was the last time she had fit, and whenever she felt low, her steps always carried her back to the little glade in Kensington Gardens where the boy who wouldn’t grow up waited.
Deanna Raybourn (Whisper of Jasmine (City of Jasmine, #0.5))