Crisp Fall Quotes

Life starts all over again when it gets crisp in the fall.

Deprived of their newspapers or a novel, reading-addicts will fall back onto cookery books, on the literature which is wrapped around bottles of patent medicine, on those instructions for keeping the contents crisp which are printed on the outside of boxes of breakfast cereals. On anything.

I was drinking in the surroundings: air so crisp you could snap it with your fingers and greens in every lush shade imaginable offset by autumnal flashes of red and yellow.

In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laugher, shoes lined up together dy the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found nothing was there.

I loved to be alone in the woods, especially in the late fall when everything is crisp and golden, the leaves the color of fire, and it smells like things turning into earth. I loved the silence - the only sound the steady drum of the hooves and the horse's breathing.

You fall out of your mother’s womb, you crawl across open country under fire, and drop into your grave.

The last dead leaves of fall crackled underfoot, winter-crisp.

FALLING IN LOVE WITH OCTOBER Leaves descending to the ground, Orange, magenta, green & brown The cool crisp breezes in the air, Autumn season must be here

October, crisp, misty, golden October, when the light is sweet and heavy.

Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel the mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

What'll we do with ourselves this afternoon,' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.' 'But it's so hot,' insisted Daisy, on the verge of tears, 'And everything's so confused. Let's all go to town!

I’m going to order us a drink. A bourbon sounds excellent on this crisp fall afternoon.” Ian signaled for the waiter. “Against my better judgment, I’ll order you a glass of wine. According to your credit card statement, you had a staggering amount of chardonnay delivered to your apartment last month. I think you might want to take one of those ‘Could I Be an Alcoholic’ quizzes the next time you come across one, just to see what it says.

Long ago, when an early galaxy began to pour light out into the surrounding darkness, no witness could have known that billions of years later some remote clumps of rock and metal, ice and organic molecules would fall together to make place called Earth; or that life would arise and thinking beings evolve who would one day capture a little of that galactic light, and try to puzzle out what had sent it on its way. And after the earth dies, some 5 billion years from now, after it's burned to a crisp, or even swallowed by the Sun, there will be other worlds and stars and galaxies coming into being -- and they will know nothing of a place once called Earth.

Autumn is here and I am in love. My heart has taken residence in my mind. I pick the crisp ochre leaves and put them in my pocket. I am in love.

Peppermint swirled into my nostrils, sharp as glass, then raspberry almost to sweet, like too-ripe fruit. Apple, crisp and pure. Nuts, buttery, warm, earthy

Life begins again when it gets crisp in the fall.

Life starts all over again when it gets crisp in the fall.

On a clear day the Oregon coast is the most beautiful place on earth—clear and crisp and clean, a rich green in the land and a bright blue in the sky, the air fat and salty and bracing, the ocean spreading like a grin. Brown pelicans rise and fall in their chorus lines in the wells of the waves, cormorants arrow, an eagle kingly queenly floats south high above the water line.

I am going to shrink and shrink until I am a dry fall leaf, complete with a translucent spine and brittle veins, blowing away in a stiff wind, up, up, up into a crisp blue sky.

Travis Hunter’s blood froze in his veins at the piercing female scream that echoed through the forest. He was moving just as the sharp scent of blood tinted the crisp mountain air mixed with the rancid smell of the rogue mutants.

The night was cold, chilling the sweat on his face, but the air was as sweet and crisp as the first bite of a fall apple. Above him was a half-moon and what seemed like a trillion stars. To match the trillion pebbles, just as mysterious, that we walk over everyday, he thought. Mystery above, mystery below. Weight, mass, reality: mystery all around.

It is Autumn, as you know, and things are beginning to die. It is so wonderful to be out in the crisp Fall air, with the leaves turning gold and the grass turning brown and the warmth going out of the sunlight and big hot fires in the fireplace while Buddy rakes the lawn. We see a lot of bombs on TV because we watch it a lot more, now that the days get shorter and shorter, and darkness comes so soon, and all the flowers die from freezing.

All that summer and fall she painted, mornings, afternoons, evenings, then walked around the streets that were still echoing the music of the masters, and every stone, every pebble seemed to have a life and reason of its own and she somehow felt, though vaguely, a part of that reason. Some nights she would sit in the café with other young artists and poets and musicians and who knows what else, drinking wine and talking and laughing and discussing and arguing and life was exciting and tangible and crisp like the clear Mediterranean sunlight. Then as the grayness of winter slowly seeped down from the north the energy and inspiration seemed to ooze from her as paint from a tube and now when she looked at a bare canvas it was only a bare canvas, a piece of material stretched over a few pieces of wood, it was no longer a painting waiting to be painted. It was just, canvas. She went further south. Sicily. North Africa. Trying to follow the sun to the past, the very recent past, but all she found was herself.

Listen . . . With faint dry sound, Like steps of passing ghosts, The leaves, frost-crisp’d, break from the trees And fall.

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

October air, complete with dancing leaves and sighing winds greeted him as he stepped from the bus onto the dusty highway. Coolness embraced. The scent of burning wood hung crisp in the air from somewhere far in the distance. His backpack dropped in a flutter of dust. He surveyed dying cornfields from the gas station bus stop. Seeing this place, for the first time in over twenty years, brought back a flood of memories, long buried and forgotten.

She felt strong and blissfully empty gliding through the crisp November air, enjoying the intermittent warmth of the sun as it filtered down through the overhanging trees, which were mostly stripped of their foliage. It was that trashy, post-Halloween part of the fall, yellow and orange leaves littering the ground

There have been times," Father Mark admitted, "when I feared that God would turn out to be like my maternal grandmother [...] Ours was a large family, and every Christmas my grandmother gave gifts of cash in varying amounts, claiming she was rewarding her grandchildren according to how much they loved her. She swore she could look right into our hearts and know. One child would get a crisp fifty-dollar bill, the next a crumpled single. No two gifts were ever in the same amount." Miles nodded. "Well, maybe there's a hell.

The air was fresh and crisp and had a distinct smell which was a mixture of the dried leaves on the ground and the smoke from the chimneys and the sweet ripe apples that were still clinging onto the branches in the orchard behind the house.

I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.

I Won’t Fly Today Too much to do, despite the snow, which made all local schools close their doors. What a winter! Usually, I love watching the white stuff fall. But after a month with only short respites, I keep hoping for a critical blue sky. Instead, amazing waves of silvery clouds sweep over the crest of the Sierra, open their obese bellies, and release foot upon foot of crisp new powder. The ski resorts would be happy, except the roads are so hard to travel that people are staying home. So it kind of boggles the mind that three guys are laying carpet in the living room. Just goes to show the power of money. In less than an hour, the stain Conner left on the hardwood will be a ghost.

What’ll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?' 'Don’t be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.

The words I read in books seemed to strike me more deeply, and with my senses sharpened by grief, I noticed the glittering transition of the seasons as clearly as if I held the grief in the palm of my hand. It had been a long while since I'd experienced a fall so clear and crisp.

I am Falling in love again with autumn, The smell of warm cider, The orange color leaves, Pumpkins everywhere and the crisp breeze, People walking or riding their bikes, Folks jogging or going on hikes, I love autumn for many reasons and I'm pleased to admit- this is my favorite season

In the end, that was the problem with romance. It was so easy to romanticize romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones, and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets, and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.

Always puts me in mind of that F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.

Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.

I once saw a recipe that said “season to taste” and finally understood why white people’s chicken tastes like a crisp fall breeze blowing an American flag at a Toby Keith concert.

Pennsylvania entertained a very long winter and summer punctuated with a day or two that could be considered a life-affirming spring and cozy, crisp fall.

There are fall days in October that are so beautiful they take your breath away. The sky is blue and the sun is strong and the air is finally the tiniest bit crisp. Most of the East Coast is already bundled up in their winter coats, but we get to appreciate the last of the sunshine.

What'll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.

Everything changes in the fall- the light, the air, the colors...even the tick of the clock. Grant yourself a moment to discover the glory of autumn and listen to the Earth. Heal your soul by letting things go and fill your heart with joy and happiness by dancing with the leaves in the crisp air. Radiate your magnificence and celebrate your inner witch".

It was a perfect autumn day. The sky was that deep blue that one sees only in the heart of fall, and the leaves were reaching their peak of color. The sun was shining, the air was crisp, and it was easy to forget there was evil in the world.

In this neighborhood of unreliable cars and steady, hopeful hearts. In this city known for its winters, in the middle of the plains, in the heart of the country. In this gentle summer soon to slip into the crisp cool of fall. Here in some kind of broken down glory, they had taken root, and thrived. Mostly.

Two weeks later, I wore a coat to school for the first time that year. Fall had made its presence known in the form of wet, earthy smells and shivering tree limbs shedding leaves in various shades of exotic cat. I walked to school that morning, listening to the crisp sounds that punctuated each one of my footfalls and the honks of geese flying overhead. I found it strange that there could be so much beauty in the death of all these living things. Maybe it was only beautiful because we knew they would be resurrected next spring. I don't think I would enjoy fall quite as much if I knew there was an eternal winter to follow.

The leaves drifted silently to the ground in the crisp autumn air. I inhaled deeply, the smell of burning bonfires far, far away enchanting my nostrils. Autumn had come early this year and I was excited for the change in colors that had already begun to take over the trees of the forest that surrounded Grandmother’s house.

She sat out on her balcony and watched the sun go down. The sky was so flush with color it looked ripe as a berry. Slowly, the color drained to a velvet dark. The humidity broke, and the air held a crispness that signified the approach of fall. Already, the first of the maple leaves had fallen to the driveway, curling in on themselves like dark, dying buds.

Life starts all over again when it gets crisp in the fall

The air had a cool crispness to it and the leaves on the trees had begun turning yellow and red.

The laughter of children filled the crisp air while off-beat rhythms of knocks and door bells mixed with a chorus of "trick or treat" that sang out into the early evening.

Don’t be morbid,’ Jordan said. ‘Life starts all over again when it gets crisp in the fall.

The air has that crisp, early fall feeling, and people are already lining their steps with pumpkins. I love that. I've loved it since I was a kid.

Nothing matters very much, and few things matter at all. When the earth falls into the sun...when the Taj Mahal, Mozart and the Mona Lisa burn to a crisp...what difference will it make.

What'll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.

What’ll we do with ourselves this afternoon,’ cried Daisy, ‘and the day after that, and the next thirty years?’ ‘Don’t be morbid,’ Jordan said. ‘Life starts all over again when it gets crisp in the fall.

There is no great dark man. Even under an exterior as rugged as a mountain range, there lurks the same wounded, wincing psyche that cripples the rest of us. Where we are led to think we will find strength, we shall discover force; where we hope for ruthlessness, we shall unearth spite; and when we think we are clinging desperately to a rock, it is falling upon us. Even with a man whose neck is thicker than his head, if we are not careful, we shall be involved in an argument about who most loves whom. The trouble is that, if you find that by mistake you have bitten into a soft centre, you can't very well put it back in the box.

Some people thought spring was the time of renewal, but Sadie had always equated that feeling with autumn. It felt like a shedding of mistakes - falling leaves, crisp breezes. As if you could cast off an old skin to work on a new one.

It's my favorite word," she says. "Falling" conveys this sense of excitement and danger and feeling out of control. But there's also something so hopeful about it- you can fall in love, for instance. Or into good luck. Or a pile of crisp autumn leaves.

Those were the terms in which my parents, keen for me to grow up well grounded in cynicism, explained things to me. Sweets, chocolates and crisps were all very well, but to buy them by the checkout, on an impulse, was falling into a trap. Instead, I was taught the pleasure of watching other people fall into it and feeling smug. The fact that the sensation of smugness was more pleasurable to me than that of salt or sugar tells you all you need to know about the kind of monster who comes to prominence in modern Britain.

I closed my eyes, flared my nostrils, and let the scents flood in. The strongest of them, caramel and brown sugar, smell as yellow-orange as the sun, came first. That one was easy. The one that anyone would notice coming into the shop. And then chocolate of course, the bitter dark and the sugary milk chocolate. I don’t think a normal girl would’ve smelled anything else, and part of me wanted to stop there. But I could feel Sam’s heart pounding behind me, and for once, I gave in. Peppermint swirled into my nostrils, sharp as glass, then raspberry, almost too sweet, like too-ripe fruit. Apple, crisp and pure. Nuts, buttery, warm, earthy, like Sam. The subtle, mild scent of white chocolate. Oh, God, some sort of mocha, rich and dark and sinful. I sighed with pleasure, but there was more. The butter cookies on the shelves added a floury, comforting scent, and the lollipops, a riot of fruit scents too concentrated to be real. The salty bite of pretzels, the bright smell of lemon, the brittle edge of anise. Smells I didn’t even know names for. I groaned.

She could picture it now, a huge stack of fluffy pumpkin waffles with maple syrup and spiced cinnamon butter, the perfect breakfast for fall. Something that tasted like crisp, cool air and golden-orange leaves and bundling up in her favorite sweater. Something that tasted like home.

I am Falling in love again with autumn, The smell of warm cider, The orange color leaves, Pumpkins everywhere and the crisp breeze, People walking or riding their bikes, Folks jogging or going on hikes, I love autumn for so many reasons, I must admit- This is my favorite season

I immersed myself in my relationship with my husband, in little ways at first. Dutch would come home from his morning workout and I’d bring him coffee as he stepped out of the shower. He’d slip into a crisp white shirt and dark slacks and run a little goop through his hair, and I’d eye him in the mirror with desire and a sultry smile that he couldn’t miss. He’d head to work and I’d put a love note in his bag—just a line about how proud I was of him. How beautiful he was. How happy I was as his wife. He’d come home and cook dinner and instead of camping out in front of the TV while he fussed in the kitchen, I’d keep him company at the kitchen table and we’d talk about our days, about our future, about whatever came to mind. After dinner, he’d clear the table and I’d do the dishes, making sure to compliment him on the meal. On those weekends when he’d head outside to mow the lawn, I’d bring him an ice-cold beer. And, in those times when Dutch was in the mood and maybe I wasn’t, well, I got in the mood and we had fun. As the weeks passed and I kept discovering little ways to open myself up to him, the most amazing thing happened. I found myself falling madly, deeply, passionately, head-over-heels in love with my husband. I’d loved him as much as I thought I could love anybody before I’d married him, but in treating him like my own personal Superman, I discovered how much of a superhero he actually was. How giving he was. How generous. How kind, caring, and considerate. How passionate. How loving. How genuinely good. And whatever wounds had never fully healed from my childhood finally, at long last, formed scar tissue. It was like being able to take a full breath of air for the first time in my life. It was transformative. And it likely would save our marriage, because, at some point, all that withholding would’ve turned a loving man bitter. On some level I think I’d known that and yet I’d needed my sister to point it out to me and help me change. Sometimes it’s good to have people in your life that know you better than you know yourself.

To honour its first creation, no sound was permitted within the home of Muse for a full year, no sound save that of its Art: the slow, crisp, click of polished brass gears, the sensual hiss of pneumatic release, the insidious sibilance and decisive thud of a withdrawing and thrusting piston, and the soft groan of the boy held within the cube as each rod ran him through, over and over and over. Powered by this action, the music box played. Ashes, ashes, we all fall down... And another piston rammed home. A mechanism of intricate complexity exchanging great pain for a little beauty. This, here, then, was Life. Muse was fulfilled.

It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks ‘modern’; ergo, Japan is supremely modern.

There is no great dark man. Even under an exterior as rugged as a mountain range, there lurks the same wounded, wincing psyche that cripples the rest of us. Where we are led to think we will find strength, we shall discover force; where we hope for ruthlessness, we shall unearth spite; and when we think we are clinging desperately to a rock, it is falling upon us.

An orange carpet of leaves covered the footpaths and a crisp, low light shone through the tangle of tree boughs above her head. She picked up a perfect red leaf from the ground, examining the intricate pattern of vessels mapping its thin surface. So beautiful, yet only created to last such a short time before its role on this planet was over, and it would decay into mulch.

Tucked in the back of one of the shelves is a small bottle, rounded with a short neck and closed with a matching glass stopper. He picks it up carefully. It is heavier than he had expected. Removing the stopper, he is confused, for at first the scent and the sensation do not change. Then comes the aroma of caramel, wafting on the crisp breeze of an autumn wind. The scent of wool and sweat makes him feel as though he is wearing a heavy coat, with the warmth of a scarf around his neck. There is the impression of people wearing masks. The smell of a bonfire mixes with the caramel. And then there is a shift, a movement in front of him. Something grey. A sharp pain in his chest. The sensation of falling. A sound like howling wind, or a screaming girl.

If I could stop dreaming up a deathbed scene where his hospital blankets are crisp over his stomach and his hands are holding mine. Where he says something like, See you on the other side, Sailor. Or, I love you, sweetheart. And a nurse touches my shoulder and tells me it’s over even though I can already see it by the peaceful stillness of him. Take your time, she says, so we just stay there, he and I, until the darkness falls and I am strong enough to leave the room without him.

This is one other thing I know: without autumn, there is no end. Without red and gold and orange there is no finality, no conclusion. Without the sudden shift in the air, without the scent of apples and the crisp chill of morning, summer could go on forever. Without fall, summer lingers. There is a marvelous limbo where I live now, without the changing of seasons. No blazing display to signify the end of everything good. Perhaps this is what drew me to California. A place where time is suspended.

As we advanced, I heard a kind of pattering above my head. The noise redoubling, sometimes producing a continual shower, I soon understood the cause. It was rain falling violently, and crisping the surface of the waves. Instinctively the thought flashed across my mind that I should be wet through! By the water! in the midst of the water! I could not help laughing at the odd idea. But, indeed, in the thick diving-dress, the liquid element is no longer felt, and one only seems to be in an atmosphere somewhat denser than the terrestrial atmosphere. Nothing more.

It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across the dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.

It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.

The more I experimented, the more I wanted to discover flavor, texture, scent. Gently toasting spices. Mixing herbs. My immediate instincts were toward anything like comfort food, the hallmarks of which were a moderate warmth and a sloppy, squelching quality: soups, stews, casseroles, tagines, goulashes. I glazed cauliflower with honey and mustard, roasted it alongside garlic and onions to a sweet gold crisp, then whizzed it up in a blender. I graduated to more complicated soups: Cuban black bean required slow cooking with a full leg of ham, the meat falling almost erotically away from the bone, swirled up in a thick, savory goo. Italian wedding soup was a favorite, because it looked so fundamentally wrong- the egg stringy and half cooked, swimming alongside thoughtlessly tossed-in stale bread and not-quite-melted strips of Parmesan. But it was delicious, the peculiar consistency and salty heartiness of it. Casseroles were an exercise in patience. I'd season with sprigs of herbs and leave them ticking over, checking up every half hour or so, thrilled by the steamy waves of roasting tomatoes and stewed celery when I opened up the oven. Seafood excited me, but I felt I had too much to learn. The proximity of Polish stores resulted in a weeklong obsession with bigos- a hunter's stew made with cabbage and meat and garnished with anything from caraway seeds to juniper berries.

He smiled, and some of the knots in my stomach loosened. He would keep my secret. Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching. “Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.” “Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?” I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets. “How do you know about my mom?” I croaked out. “I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.” I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears. “It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.” His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him. “I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.” “Do you really mean that?” he whispered. “I do.” Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat. Then I pulled my hand out from under his and stepped away. Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him. But I couldn’t. Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.

September, 1918" This afternoon was the colour of water falling through sunlight; The trees glittered with the tumbling of leaves; The sidewalks shone like alleys of dropped maple leaves, And the houses ran along them laughing out of square, open windows. Under a tree in the park, Two little boys, lying flat on their faces, Were carefully gathering red berries To put in a pasteboard box. Some day there will be no war, Then I shall take out this afternoon And turn it in my fingers, And remark the sweet taste of it upon my palate, And note the crisp variety of its flights of leaves. To-day I can only gather it And put it into my lunch-box, For I have time for nothing But the endeavour to balance myself Upon a broken world.

Coming Home. There is a time of year in New York, in the fall, which comes suddenly, and doesn't last long, but is enough to make you love it for the rest of the year. If you go away then, you will always think of New York in golden hues, but if you stay you see the filth, the soot, the slush, and later, live in the stench and torrid heat of a New York summer. But in the fall it becomes beautiful, it is red and gold and brown, it's lear and windy and crisp, the streets look cleaner, people step as though walking to a march, the smell of hot chestnuts is everywhere...It's the time of year I love best, and if there is a warm spot in my heart for New York it is for the city at precisely that time of year. And that spell it weaves for two, or three, or four weeks in the late autumn.

And then there was him. Devin hummed an icy chill. Both gentle falling snow and roaring storms at the same time. He was the evergreens that thrived in the cold. The crisp stillness in the air, and the dark night full of cold white stars. There was most definitely a pull, and it was overwhelming. More than the thread tugging incessantly in my chest, my whole body wanted to sink toward that comforting chill like it was a giant pile of blankets and I hadn't slept in days. Something told me the weariness in my bones would find comfort there. I could feel it. Taste it. I wanted to run to it. My arms prickled with winter sensations. I wanted to dance in the moonlight, leaving swirls of footprints in the snow. The cold didn't bite like it had only a few minutes ago. My new skin was comfortably warm, and something told me that nothing would chill me to the bone ever again. Even if I hadn't felt Winter's pull, I still felt a pull toward Devin. In his bright eyes I saw only longing; the urge to run to his arms was strong.

I first came to Hokkaido for two reasons: miso ramen and uni, the island's most famous foods and two items on my short list for Last Supper constituents. The only thing they share in common, besides a home, is the intense fits of joy they deliver: the former made from an unholy mix of pork-bone broth, thick miso paste, and wok-crisped pork belly (with the optional addition of a slab of melting Hokkaido butter), the latter arguably the sexiest food on earth, yolk-orange tongues of raw sea urchin roe with a habit-forming blend of fat and umami, sweetness and brine. Fall for uni at your own peril; like heroin and high-stakes poker, it's an expensive addiction that's tough to kick. But my dead-simple plan- to binge on both and catch the first flight back to Tokyo- has been upended by a steam locomotive and Whole Foods foliage, and suddenly Hokkaido seems much bigger than an urchin and a bowl of soup. No one told me about the rolling farmlands, the Fuji-like volcanoes, the stunning national parks, one stacked on top of the other. Nobody said there would be wine. And cheese. And bread.

Ah, New England. An amalgam of picket fences and crumbling bricks; Ivy League schools and dropped Rs; social tolerance and the Salem witch trials, Henry David Thoreau and Stephen King, P-town rainbows and mill-town rust; Norman Rockwell and Aerosmith; lobster and Moxie; plus the simmering aromas of a million melting pot cuisines originally brought here by immigrants from everywhere else searching for new ways to live. It’s a place where rapidly-growing progressive cities full of the ‘wicked smaaht’ coexist alongside blight-inflicted Industrial Revolution landscapes full of the ‘wicked poor’. A place of forested mountains, roaring rivers, crystalline lakes, urban sprawl, and a trillion dollar stores. A place of seasonal tourism beach towns where the wild, rank scent of squishy seaweed casts its cryptic spell along the vast and spindrift-misted seacoast, while the polished yachts of the elite glisten like rare jewels on the horizon, just out of reach. Where there are fiery autumn hues and leaves that need raking. Powder snow ski slopes and icy windshields that need scraping. Crisp daffodil mornings and mud season. Beach cottage bliss and endless miles of soul-sucking summer traffic . Perceived together, the dissonant nuances of New England stir the imagination in compelling and chromatic whorls.

Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her. Waiting for her. Perfection. He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings. Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation. She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently. She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much." He did not look away. "How do I look at you?" "I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me." "It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went. When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you." The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach. He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists. His gaze narrowed on her. "I am happy you approve, my lady." She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..." She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs. He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.

A crash of thunder shakes the storage room, startling us both. Another one follows on its heels, causing Beau to lift his head and howl. I scoot over to his side, scratching him behind one ear. “It’s okay, buddy. We’re safe in here.” I hope, I add silently. “Look at Sadie. She’s not being a scaredy-cat. Oops, sorry, guys,” I toss over my shoulder toward the cats. “Just a figure of speech. How’s it going over there in the USS Enterprise?” “You always talk to them like that?” Ryder asks me, his voice a little shaky. “Pretty much.” I look at him sharply, noticing how pale he’s gotten. A muscle in his jaw is working furiously, and there’s a thin sheen of sweat on his forehead. “Are you okay?” He doesn’t get a chance to answer. Another clap of thunder reverberates throughout the small space, followed by a horrible cracking sound and then a terrifyingly loud crashing noise. I rise to my knees, looking toward the door that leads out. “What the hell was that?” Ryder reaches for me, his fingers circling my wrist in a manacling grip. “You can’t go out there, Jemma!” I struggle to release myself. “I’ve got to see--” “No! There’s a goddamned tornado out there. Shit!” He pulls me toward him, and I practically fall into his lap. He’s shaking, I realize. Trembling all over. “What is wrong with you?” I ask him. “What’s wrong with me?” His voice rises shrilly. “You’re the one trying to go out in a tornado. You’ve got to wait till the sirens quit.” “I know. But crap, that sounded like something came through the roof.” I scoot away from him, putting space between our bodies. I can smell him--soap and shampoo and the clean, crisp-smelling cologne he always wears. I can smell something else, too--fear. He’s terrified. Of the storm?

He eases himself down to die. He thinks, others can do it and so can I. He inhales something: sweet raw smell of sawdust; from some-where, the scent of the Frescobaldi kitchen, wild garlic and cloves. He sees the movement from the corner of his eye as the spectators kneel and avert their faces. His mouth is dry, but he thinks, while I breathe I pray. 'All my confidence hope and trust, is in thy most merciful goodness...’ In the sky he senses movement. A shadow falls across his view. His father Walter is here, voice in the air. 'So now get up.' He lies broken on the cobbles of the yard of the house where he was born. His whole body is shuddering. 'So now get up. So now get up.' The pain is acute, a raw stinging, a ripping, a throb. He can taste his death: slow, metallic, not come yet. In his terror he tries to obey his father, but his hands cannot get a purchase, nor can he crawl. He is an eel, he is a worm on a hook, his strength has ebbed and leaked away beneath him and it seems a long time ago now since he gave his permission to be dead; no one has told his heart, and he feels it writhe in his chest, trying to beat. His cheek rests on nothing, it rests on red. He thinks, follow. Walter says, ‘That's right, boy, spew everywhere, spew everywhere on my good cobbles. Come on, boy, get up. By the blood of creeping Christ, stand on your feet?' He is very cold. People imagine the cold comes after but it is now. He thinks, winter is here. I am at Launde. I have stumbled deep into the crisp white snow. I flail my arms in angel shape, but now I am crystal, I am ice and sinking deep: now I am water. Beneath him the ground upheaves. The river tugs him; he looks for the quick-moving Pattern, for the flitting, liquid scarlet. Between a pulse-beat and the next he shifts, going out on crimson with the tide of his inner sea. He is far from England now, far from these islands, from the waters salt and fresh. He has vanished; he is the slippery stones underfoot, he is the last faint ripple in the wake of himself. He feels for an opening, blinded, looking for a door: tracking the light along the wall.

All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was

I pull the fire escape door open, scoop my eyeshadow palette off the ground and slip back inside. For a moment, I pause in the corridor and catch my breath. Adrenaline is surging through me. Rage. A normal woman would call the police at this point. But a normal woman would never have been paranoid enough in the first place to pretend to go to the toilet, only to sneak out of the fire escape and spy through a window to watch what her date does when he has five minutes alone with her drink. Nope. A normal woman would have gone to the loo, done a pee and topped up her lipstick. Or she’d have texted a friend about her hot date, feeling giddy with hope and excitement. Now, let’s think about what would have happened to a normal woman. A normal woman would have headed back to her date, smiling prettily, before sitting down and drinking her drugged drink. Then, a short while later, that normal woman would have started feeling far more drunk than she normally does after just a couple of drinks, but she’d probably blame herself. She’d wonder if maybe she’d drunk too much. Or maybe she’d blame herself for having not eaten earlier in the day because she didn’t want to look fat in her dress. Or maybe she’d blame herself because that’s just what she does; she blames herself. And then, just as she started to feel woozy and a bit confused, her date would take her outside for some fresh air and she’d be grateful to him. She’d think he was caring and responsible, when really, he was just whisking her out of sight, before she started to look less like she was drunk and more like she’d been drugged. And then the next thing she’d know, she’d be staggering into the back of a cab and her date would be asking her to tell the driver where she lived. And when she’d barely be able to get the words out and her date made a joke to the driver about how drunk she was, she’d feel small and embarrassed. And then she’d find herself slumping into her date’s open arms, flopping against his big manly body, and she’d feel grateful once more that this man was taking care of her and getting her home safe. And then, once the taxi slowed down and she blinked her eyes open and found they’d pulled up outside her flat, she’d notice in a fleeting moment of clarity that when the driver asked for the fare, her date thrust two crisp ten-pound notes towards him in a weirdly premeditated move, as though he’d known this moment was going to happen all along. As though he’d had the cash lined up, the plan set, and she’d feel something. Something. But then she’d be staggering out of the taxi, even sloppier than when she got in, and her legs would be buckling, and she’d cling to her date for support, her make-up now smudged, her eyes half-closed, her hair messy. She’d look a state and he’d ask her which flat was hers, and she’d walk with him to her front door, to the flat where she lives alone. To the place that’s full of books and cute knick-knacks from charity shops and colourful but inexpensive clothes. She’d unlock her front door, her hand sliding drunkenly over the lock, and she’d lead him into the place she’s been using as a base to try to get ahead in life, and then he’d look around, keen-eyed, until he spotted her bedroom and he’d draw her in. And then all of a sudden he’d be in her bedroom and she wouldn’t be able to remember if she’d asked him back or not or quite how this happened, and it would all be moving so fast and her thoughts would be unable to keep up – they’d keep sliding away – and he’d be kissing her and she’d be unsure what was happening as he pulled off her dress and she’d wonder, did she ask for this? Does she want this? Has she been a ‘slut’ again? But the thoughts would be weak, they’d keep falling away and he’d be confident and he’d be certain and he’d be good-looking and he’d be pulling off her bra and taking off her knickers. He’d be pushing himself inside her. The next day, he’d be gone by the time she woke up. She’d be blocked, unmatched...

A9, the road that Bea was traveling this early morning after leaving the Isle of Skye, was part of Scotland’s answer to Route 66. It was also a driver’s sort of road as it wound its way along the north coast of the highlands above Inverness, and this time of year was the perfect jot in time to be on it. It was early enough in the day for the sun’s rays to still break across the landscape, highlighting every tree, shrub, mountain, loch, or beach in the crisp and clear Kodachrome of late autumn, and it was also just late enough in the season for the road to be safely navigated at speeds just a bit above normal. Her car was running great, and her tunes were vibrating the sideboard speakers with rhythm and base and melody. Using her gears, she took the corners and adjusted to the rise and fall of the road in a syncopated rhythm that made she and her car one. With her left hand on the gearshift, her right grasping the steering wheel, and her eyes shifting from road to scenery and back again, she felt the exhilaration of being on her first road trip alone and free.

The feeling Rin got when Kevin shared space with her, the sense of wonderment, was new, fresh, and crisp. It was the taste in the air when fall turned to winter. Indefinable, yet real.

My eyes trail the stranger’s body, noting the contrast between my dirty sneakers and his shiny dress shoes. His legs are thick, but his suit pants are perfectly tailored to fit his strong thighs. His crisp white shirt is practically see-through, showcasing his tatted skin, and when my gaze falls on the thin gold chain around his neck, I realize who I ran into. My body, thanks to the warmth flowing through me from the unexpected contact, knows too.

In the end, that was the problem with romance. It was so easy to romanticize romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was falling leaves, crumbling wooden doorways, scuffed cobblestones, and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets, and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Across every dance floor. I could see it, all, all the time, all around, but when I got closer, I found nothing was there. A mirage.

When autumn trees shower bullions are we that Midas stuff, a leaf-fall that sounds the air in crisp syllables? What, what, oh what are we?

Falling golden leaves and pumpkins everywhere, Crisp October nights, Autumn is here.

Tasting him with sober tastebuds is what he must’ve been talking about when he said I tasted like summertime on the PCH because he tastes like the first real day of fall in Texas—when the weather is crisp and that nasty suffocating stickiness isn’t floating in the air.

There’s a steady crispness in the air now as the leaves on the ancient oaks opposite the parking lot rapidly turn brilliant shades of pumpkin, red, and yellow, officiating fall’s arrival. A season I used to loathe due to a few life-altering summers that I never wanted to end.

Yes, Mr. Brender?” “Dave, get me all the data on the Tower of the Beast and the legendary city of Li in which it is supposed to exist.” “Don’t need to look it up,” came the crisp reply. “Most Martian histories refer to it as the beast that fell from the sky when Mars was young—some terrible warning connected with it—the beast was unconscious when found—said to be the result of its falling out of sub-space. Martians read its mind; and were so horrified by its subconscious intentions they tried to kill it, but couldn’t. So they built a huge vault, about fifteen hundred feet in diameter and a mile high—and the beast, apparently of these dimensions, was locked in. Several attempts have been made to find the city of Li, but without success. Generally believed to be a myth. That’s all, Jim.” “Thank you!

When I got back to my room, the people upstairs were having sex again. Rhythmic thumping against the wall. I hated it, but then I felt bad, because maybe it was two people in love. In the end, that was the problem with romance. It was so easy to romanticise romance because it was everywhere. It was in music and on TV and in filtered Instagram photos. It was in the air, crisp and alive with fresh possibility. It was in falling leaves, crumbling wooden doorways, scuffed cobblestones and fields of dandelions. It was in the touch of hands, scrawled letters, crumpled sheets and the golden hour. A soft yawn, early morning laughter, shoes lined up together by the door. Eyes across a dance floor. I could see it all, all the time, all around, but when I got closer, I found that nothing was there. A mirage.

It wasn’t, this mild weather, a bit Christmasy, Irene Redfield was thinking, as she turned out of Seventh Avenue into her own street. She didn’t like it to be warm and springy when it should have been cold and crisp, or grey and cloudy as if snow was about to fall. The weather, like people, ought to enter into the spirt of the season.

Three things in life had no substitutions: a perfectly roasted marshmallow; the first cool, crisp day of fall after a long, hot summer; and the closeness of a warm, good-smelling man.

Fall. Rain. Wind. Depressing! And it was only going to get worse. Chilly, overcast weather was forecast for the rest of November. Then again, October had been beautiful. The autumn leaves glowing red, yellow, and orange; glorious sunshine; blue skies; and a wonderful crispness in the air. But unfortunately those days were gone. It was the first week in November; dead leaves swirled around in the wind, rain clouds hung low over Gothenburg, and the contours of the city dissolved in the damp mist.

I don’t know about you, but I can’t wait to get my hands on some fucking gourds and arrange them in a horn-shaped basket on my dining room table. That shit is going to look so seasonal. I’m about to head up to the attic right now to find that wicker fucker, dust it off, and jam it with an insanely ornate assortment of shellacked vegetables. When my guests come over it’s gonna be like, BLAMMO! Check out my shellacked decorative vegetables, assholes. Guess what season it is—fucking fall. There’s a nip in the air and my house is full of mutant fucking squash. I may even throw some multi-colored leaves into the mix, all haphazard like a crisp October breeze just blew through and fucked that shit up. Then I’m going to get to work on making a beautiful fucking gourd necklace for myself. People are going to be like, “Aren’t those gourds straining your neck?” And I’m just going to thread another gourd onto my necklace without breaking their gaze and quietly reply, “It’s fall, fuckfaces. You’re either ready to reap this freaky-assed harvest or you’re not.” Carving orange pumpkins sounds like a pretty fitting way to ring in the season. You know what else does? Performing an all-gourd reenactment of an episode of Diff’rent Strokes—specifically the one when Arnold and Dudley experience a disturbing brush with sexual molestation. Well, this shit just got real, didn’t it? Felonies and gourds have one very important commonality: they’re both extremely fucking real. Sorry if that’s upsetting, but I’m not doing you any favors by shielding you from this anymore. The next thing I’m going to do is carve one of the longer gourds into a perfect replica of the Mayflower as a shout-out to our Pilgrim forefathers. Then I’m going to do lines of blow off its hull with a hooker. Why? Because it’s not summer, it’s not winter, and it’s not spring. Grab a calendar and pull your fucking heads out of your asses; it’s fall, fuckers. Have you ever been in an Italian deli with salamis hanging from their ceiling? Well, then you’re going to fucking love my house. Just look where you’re walking or you’ll get KO’d by the gauntlet of misshapen, zucchini-descendant bastards swinging from above. And when you do, you’re going to hear a very loud, very stereotypical Italian laugh coming from me. Consider yourself warned. For now, all I plan to do is to throw on a flannel shirt, some tattered overalls, and a floppy fucking hat and stand in the middle of a cornfield for a few days. The first crow that tries to land on me is going to get his avian ass bitch-slapped all the way back to summer. Welcome to autumn, fuckheads!

It always puts me in mind of that F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.

I can smell the honeysuckle from the garden and a crisp, smoky hint of fall on the breeze. I let myself forget everything for a moment, clinging to the emptiness of sleep as long as I can.

We lay on our backs on hot sand and baked in the sun. Salt-crusted, preserved. Later, in the darkness of the green dome I felt his hand brush against my thigh, and with it the same electric pulse of need there had always been. Silence descended; everything stopped; I didn’t move, afraid to ignite a want that wouldn’t be satisfied, or lose a hope I’d held on to forever. He hesitated for a long moment, his hand stretching hot against my cold skin, a moment that hung between us in an unanswered question. Days passed. Clouds moved in from the south-west, white rolling cumuli disappearing inland. Winds changed direction: damp and light from the west; dry and cooling from the east; colder from the north-west, carrying hints of another season soon behind; then gently from the south, summer not quite yet spent. The heat reflected off the flat rocks, less jagged than those that surrounded them in the cove. We dried clothes on them, sat the stove flat on them to cook limpets, cracked an egg on them in the hope that it might fry, but when it didn’t, scraped it up and scrambled it, picking out bits of sand and grit. We lay on them, crisping to leathery brown. Bodies that fourteen months earlier were hunched and tired, soft and pale, were now lean and tanned, with a refound muscularity that we’d thought lost forever. Our hair was fried and falling out, our nails broken, clothes worn to a thread, but we were alive. Not just breathing through the thirty thousand or so days between life and death, but knowing each minute as it passed, swirling around in an exploration of time. The rock gave back the heat as it followed the arc of the sun, gulls called in differing tones as the tide left the shore and then returned, my hands wrinkled with age and my thighs changed to a new shape with passing miles, but when he pulled me to him and kissed me with an urgency that wasn’t in doubt, with a fervour that wouldn’t fail, time turned. I was ten million minutes and nineteen years ago, I was in the bus stop about to go back to his house, knowing his parents weren’t home, I was a mother of toddlers stealing moments in a walk-in wardrobe, we were us, every second of us, a long-marinated stew of life’s ingredients. We were everything we wanted to be and everything we didn’t. And we were free, free to be all those things, and stronger because of them. Skin on longed-for skin, life could wait, time could wait, death could wait. This second in the millions of seconds was the only one, the only one that we could live in. I was home, there was nothing left to search for, he was my home.

It doesn’t get any better than the first week of October. It always puts me in mind of that F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.

This will all seem like a dream, a bad dream. Just think of your carved bed and crisp sheets and the three of us falling asleep to the sound of waves breaking on the white sandy beaches below.” Jon frowned. Baltsaros’s eyes had gone glassy and he’d turned away; Jon knew that he was no longer listening to him. He reached for Baltsaros’s cheek to turn his head, but when Jon touched him, the captain cringed. There was no recognition in the dark eyes that widened at him, but Jon pulled Baltsaros against him regardless with a desperate whimper fighting for release deep in his chest. “I’ll get us there,” he whispered into the trembling man’s hair. “I will.

So I started circling ads for old cars I could afford. I begged my dad to take me out looking at these cars on Saturdays and Sundays. At first I had no luck getting him interested in doing this. It was fall (1961) when he got tired of my haranguing, and one Saturday we set out to look at some of these advertised vehicles. It was a crisp and breezy autumn Saturday with brilliant yellow, orange, and red leaves blowing from the trees in swirls. The first car we looked at was a 1940 Ford Coupe. I thought at the time, and still do, that it was one of the classiest cars in existence. When we pulled up to the house of the owner, we found both garage doors open with the car inside, the hood open, and several greasy teenaged 'mechanics' bent over the engine compartment. The floor of the garage was strewn with various mechanical parts, and the concrete was stained with oil and grease spots. The front end of the car had been lowered, and the back end had been raised. It had a big V-8 engine block which was painted red. The body needed a little work, but a couple of the fenders had gray primer on them and looked like they were ready for paint. The owner was asking $200 for it. It seemed like the perfect car for me, but when I looked at my dad’s face, it appeared he had more than a little skepticism. He started asking the boys picky questions like: 'Does it run?' and 'Do the brakes work?' I had $200 and I was ready to buy, but after hearing the answers to these questions and few more, my dad said, 'I think we need to go home and think about this.

In the vastness of space, in the vastness of geologic time, some say that nothing matters very much and few things matter at all. When the earth falls into the sun…when the Taj Mahal, Mozart and the Mona Lisa burn to a crisp….what difference will it make?

In the vastness of space, in the vastness of geologic time, some say that nothing matters very much and few things matter at all. When the earth falls into the sun…when the Taj Mahal, Mozart and the Mona Lisa burn to a crisp….what difference will it make?

To her amazement, snow began to fall. Paper snowflakes cascaded through the air, some as small as Ceony’s thumbnail, some as large as her hand. Hundreds of them poured down as the paper ceiling gave way, all somehow timed just right so that they fell like real snow. Ceony stood from her chair, laughing, and held out her hand to catch one. To her astonishment it felt cold, but didn’t melt against her palm. Only tingled. “When did you do this?” she asked, her breath fogging in the library’s air as more snowflakes fell like crisp confetti from the ceiling. “This would take . . . ages to make.” “Not ages,” Mg. Thane said. “You’ll get quicker as you learn.” He still sat on the floor, completely unfazed by the magic around him. But of course he would be—it was his creation. “Magician Aviosky mentioned you hadn’t exactly jumped at the news of your assignment, and I can’t blame you. But casting through paper has its own whimsy.

It must be an old photograph of you, out in the yard, looking almost afraid in the crisp, raking light that afternoons in the city held in those days, unappeased, not accepting anything from anybody. So what else is new? I’ll tell you what is: you are accepting this now from the invisible, unknown sender, and the light that was intended, you thought, only to rake or glance is now directed full in your face, as it in fact always was, but you were squinting so hard, fearful of accepting it, that you didn’t know this. Whether it warms or burns is another matter, which we will not go into here. The point is that you are accepting it and holding on to it, like love from someone you always thought you couldn’t stand, and whom you now recognize as a brother, an equal. Someone whose face is the same as yours in the photograph but who is someone else, all of whose thoughts and feelings are directed at you, falling like a gentle slab of light that will ultimately loosen and dissolve the crusted suspicion, the timely self-hatred, the efficient cold directness, the horrible good manners, the sensible resolves and the senseless nights spent waiting in utter abandon, that have grown up to be you in the tree with no view; and place you firmly in the good-natured circle of your ancestors’ games and entertainments.

The slightly musky scent of his skin mingled with the crisp smell of starch from his necktie, a blend so alluring that she inched closer to inhale deeply. Nick stopped by the end of the street. His head turned, his shaven cheek brushing hers and making her skin tingle. "What are you doing?" "Your smell..." she said dreamily. "It's wonderful. I noticed it the first time we met, when you nearly knocked me off the wall." A laugh stirred in his throat. "I saved you from falling, you mean." Intrigued by the scratchy texture of his skin, Lottie pressed her lips beneath his jaw. She felt him swallow hard, the movement rippling against her mouth. It was the first time she had ever made an advance to him, and the small gesture was surprisingly effective. He stood there holding her tightly, his chest rising and falling in increasingly labored breaths. Intrigued by the notion that she could arouse him so easily, Lottie tugged at the knot of his necktie and kissed the side of his throat. "Don't, Lottie." She drew the tip of her fingernail over the hair-roughened skin, scraping delicately. "Lottie..." he tried again. Whatever he had intended to say was forgotten as she kissed his ear and took the lobe between her teeth in a soft bite. The carriage stopped before them, and the footman busied himself with seeing out the removable step. Schooling his features into a blank mask, Nick thrust Lottie inside the carriage and climbed in after her.

Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.

George Moonlight had introduced his only son to the woods before Charlie could walk. He’d taught him to hunt, trap, fish, make squirrel stew, skin a deer, build a birchbark canoe, construct a wigwam for shelter, distinguish the edible mushrooms from the poisonous ones, start a blazing fire without matches, find his way through fifty miles of virgin forest without compass or map. He’d taught him to appreciate the sound of a mother quail protecting her babies, the rich smell of a fall day, the crispness of a winter night, the majesty of a hawk soaring across a cloudless sky, the gentle tranquility and harmony of snow blanketing a field. He’d taught him to respect Mother Earth, drilling into his head the Quidnecks’ three commandments: Take only what you need; use all that you take; leave something for tomorrow.

the better of me. Outside the air was crisp, cool. So normal. It was early fall and the bees were swarming an overflowing trashcan. Dumping my cup, careful to avoid

Floating along like a leaf after fall I land soft on the crisp ground below still tempted to fly, God hold me in place.

The morning, the surf, could not have been more perfect. A clean swell, three to five feet out of the southwest. Paper-thin walls with long workable faces turned toward the sun. While he surfed, a school of porpoise arrived to join him for a time in the waves, passing in a leisurely fashion, slapping at the water with their bodies, calling to one another with strange sounds. They passed so close he could have reached them in a single stroke. A group of pelicans cruised by in formation, their bodies within inches of the sea. They circled the point and passed him once more, this time just inside the lineup, actually skimming along the faces of the waves, the last bird just ahead of the falling crest so it was like they were surfing, at play on the empty point, and he joined them in the waves, letting jewel-strung faces slip beneath his board, carving lines out of crisp morning glass. He

words in my own reality, my own mind, are trapped there, screaming to escape as lines and curves as throbbing black blood onto the crisp ivory paper, sitting placidly, below my trembling hand, hair falls into my face, coldness burns in my bones, my thoughts choke me as I sit in pure agony, plummeting into the intoxicatingly sweet hands of madness

Words in my own reality, My own mind, Are trapped there Screaming to escape, As lines and curves, As throbbing black blood, As a dance of loops and coils, Onto the crisp ivory paper, Sitting placidly, Anticipatory, Beneath my trembling hand, Hair falls into my face, Coldness burns in my bones, My thoughts choke me as I sit in pure agony, Plummeting into the Intoxicatingly sweet hands of Madness.

refused the narrative of a brown child, his dignity, his right to breathe, his actual fucking existence, with all the crystalline brilliance I saw when my boys first reached for me. This world best invite more than the story of the children bleeding on crisp fall days. Tamir’s death must be more . . . than warning about recklessness & abandoned justice & white terror’s ghost—& this is why I hate it all, the protests & their counters, the Civil Rights attorneys that stalk the bodies of the murdered, this dance of ours that reduces humanity to the dichotomy of the veil. We are not permitted to articulate the reasons we might yearn to see a man die. A mind may abandon sanity. What if all I had stomach for was blood? But history is no sieve & sanity is no elixir & I am bound to be haunted by the strength that lets Tamir’s father, mother, kinfolk resist the temptation to turn everything they see into a grave & make home the series of cells that so many brothers already call their tomb.

I know it’s hard to imagine right now, but Los Angeles does have different seasons: There are three days of spring every May, an unpredictable and unpleasantly hot summer from then until three days of crisp and lovely fall sometime in November, then an unpredictable and unpleasantly chilly winter until the three-day spring rolls around again.

Dear Earth, I hear you whispering in my ear. The crisp breeze is telling me a story, and I am so intrigued. The breeze and the gentle wind are telling me that you all are lucky. I agree with them because you have a mother who cares deeply about you so much! You have four seasons, and Mother Nature takes her time to prepare you for the changes to come in such a gentle and comfortable way. I imagine her smiling as she gently pushes the leaves as they dance in the wind. She caresses the leaves while they slowly turn different colors as they change, falling calmly. Fall harvest prepares you for the winter days ahead as you peacefully sleep. Spring awakens you from your well-needed rest. You joyfully bloom with so much grace while the bees playfully enjoy the flowers and the birds sing as the sun rises. By the time summer comes, you are wide awake, enjoying the extended daylight. As fall peacefully tiptoes in, you prepare yourself for a new and prosperous year to come. Unlike you, all four seasons in my life are always heavier, year after year. Every day of my life is filled with uncertainties. I am free-falling, not knowing where I am going to end up. Although everything is closing in on me, I keep going. Most times, it is hard, but I try to keep a little hope and press on. However, when things do not work out accordingly, I replace hope with a higher perspective of fear and uncertainty. As I admire the soul of the earth and the Grandfather Tree, I am confident that I can try to believe again. We shall see. Longing to be the soul of the earth.

intricately patterned. There is nothing rustic here. Only when she looks at the paintings does Elizabeth remember the dark approach through the forest. These are outdoor paintings, trees and wild cliffs, huge sunsets. Elizabeth sits with Nina on a divan before a cluster of Bierstadts. Deep trees and cerebral winter skies. The museum is nearly empty this weekday morning. The elaborate gallery still. Elizabeth looks intently at the winter landscapes. And as she looks, she whispers to Nina, “It’s marvelous, just sitting here while the girls are at camp.” Nina looks at the floor. Renée is working as a junior counselor at the camp. It was Nina’s idea. She thought the job with the Lamkins would be good for her daughter, that it would teach her responsibility and how to care for children. But Renée made a fuss. Nina had to threaten and cajole and, in the end, force Renée to go. There were tears and threats up to the day she started. Even now, Renée is sulking about working there with the little children. “Renée doesn’t like the camp,” Nina says. “I think she’d rather waste her time wandering around, doing nothing, playing with that Arab girl. Andras doesn’t care. I hear the father owns a trucking business—he just drives trucks from New York to Montreal—” She breaks off, frustrated. “She’s a good child, really,” Elizabeth says. “But Andras spoils her,” says Nina. Then Elizabeth sees that Nina is really upset. There are tears in Nina’s eyes. It’s hard for her to speak. Elizabeth sees it, and doesn’t know what to do. They are close neighbors, but they are not intimate friends. Beautiful Nina in her crisp dress, downcast among all these paintings. “He’s very … indulgent of the children, both of them,” Nina says. “He used to take them to the warehouse and let them pick out any toys they liked.” “At least he’s not in the candy business,” Elizabeth says. “Toys won’t rot their teeth.” “He’s going to let Renée quit piano,” Nina says bitterly, utterly serious, “and she’ll regret it all her life.” Elizabeth tries to look sympathetic. She’s heard Renée play. “And now that Renée is working at the Lamkins’ camp, she wants to quit that too.” “He wouldn’t let her do that,” Elizabeth ventures. “I

Careful, we can't have you falling again." "Oh my gosh, just couldn't resist bringing that up, could you?" "In my defense, if you could've seen yourself... I've never in my life seen someone so dirty." He let go of her arm. "Er..." "It's okay. I was dirty. Filthy, in fact." Brazen in the tug of his magnetism, she held his gaze. "Good thing for showers." "Yeah." His voice dipped low and husky. "Good thing." Alisha swallowed, consumed by the sudden thought of what he would taste like. Crisp beer and salty fries. From the unfocused look on his face, his mind was tracing a similar path.

As he listened his knew those beautiful notes would hit the classroom windows and fall unheard on the paving below, to be trodden into crisp packets and the sticky stuff from Wagon Wheels, the chocolate chipped from Curly Wurlys, and get blown into the concrete corner drain with that gutted tennis ball that lived there.

The store smelled of old books and woodsmoke. A counter stood on the wall to his left, flanked by bookshelves and magazine racks. Photographs hung over the counter—pictures of authors, it looked like. Bookcases jutted out from the wall to his right, and bookshelves covered every wall, even under the windows. On the shelf before him, books ran in a proper row for half a shelf, then a stack of books on their sides. More books rested in front of the row, on top, wherever they fit. New books with crisp dust jackets stood beside older titles with spines shiny from wear. More books covered a table by the window, circled by two mismatched wooden chairs and a stuffed armchair.

FALL is my favorite time of the year, The cool crisp autumn breeze, And the color changes of the leaves.

But God, he’s brought rain with him, crisp and so pretty. I wish I could feel it on my skin. And then, as if he can hear my thoughts, he makes it rain. He comes down on his knees by my side and I feel the cool, fresh droplets that shake down from his body, falling on mine.

She didn't even look towards me as I went out. I went out into the crisp fall sunlight and got into my car. I was a nice boy, trying to get along. Yes, I was a swell guy. I liked knowing myself. I was the kind of guy who chiseled a sodden old wreck out of her life secrets to win a ten-dollar bet.

There is about our house a need. The running, pulsating restlessness of the four boys as they struggle to learn and grow; the world embraces them….All this wonder needs a counterpart. We need some starched crisp frocks to go with all our torn-kneed blue jeans and helmets. We need some soft blond hair to off-set those crew cuts. We need a doll house to stand firm against our forts and rackets and thousand baseball cards. We need a cut-out star to play alone while the others battle to see who’s ‘family champ.’ We even need someone…who could sing the descant to “Alouette,” while outside they scramble to catch the elusive ball aimed ever roofward, but usually thudding against the screens. We need a legitimate Christmas angel—one who doesn’t have cuffs beneath the dress. We need someone who’s afraid of frogs. We need someone to cry when I get mad—not argue. We need a little one who can kiss without leaving egg or jam or gum. We need a girl. We had one once—she’d fight and cry and play and make her way just like the rest. But there was about her a certain softness. She was patient—her hugs were just a little less wiggly. Like them, she’d climb in to sleep with me, but somehow she’d fit. She didn’t boot and flip and wake me up with pug nose and mischievous eyes a challenging quarter-inch from my sleeping face. No—she’d stand beside our bed till I felt her there. Silently and comfortable, she’d put those precious, fragrant locks against my chest and fall asleep. Her peace made me feel strong, and so very important. “My Daddy” had a caress, a certain ownership which touched a slightly different spot than the “Hi Dad” I love so much. But she is still with us. We need her and yet we have her. We can’t touch her, and yet we can feel her. We hope she’ll stay in our house for a long, long time. Love Pop

Bartolomeo watched her bring a forkful of pheasant to her lips. She closed her eyes and savored the flavors. He himself had studded the birds with cloves and stuffed them with fennel, then wrapped them in pork fat and roasted them until crisp. He had spooned the pomegranate sauce over their wings, the little seeds falling onto the plate like tiny jewels.

The sun was brightly mild. There was the crisp sound of maple leaves just ripe enough to fall, and leather oak leaves that would cling until a wind took them, and the smell from the fields of all the life that had burned through all those crops until it spent itself down like a fire. It was almost the smell of smoke.

He began to eat, only half-distracted by Agnes's food this time- the ham crisp and sweet, the cakes thick and light, studded with pecans, the syrup falling in ropes to mix with the melting butter

She was winter. The cold, cool stretch of emptiness that you think will consume you. The frigid bite you think won’t ever leave your bones, the one you try to pretend isn’t there, but can’t keep out of your head. She was fall and the scent of a fire, the crackle of heat, the coming of change you try to pretend won’t come, but does anyway, that you wait for the whole year, that you wish away when it finally comes. She was summer and the scorching warmth of sun and sin, the slick feel of lotion and the spray of ocean water, the salt of that taste on your tongue and the cool, crisp relief that comes over you when you dip inside the bottomless water. She was spring, the fresh sweet smell of jasmine and the honeysuckle temptation of light and love and beautiful rebirth that cannot be ignored. Willow was the phantom spark of all those things I loved and hated. The things that tested me. The things that healed, all wrapped up in that tempting silhouette, in the sweet surrender of her body pressed against mine and the whisper of a tease in every syllable that formed my name from her full, thick lips.

Tell him to stop, a voice inside her said, but all she could think was that Jeremy had never kissed her like this. He had never made her feel like this--not once in the two years they had been together. No one had ever made her feel like this. And she didn’t want the moment to end. Her brain seemed to shut down just then, leaving her body in control. Desire curled like mist through her veins. She fumbled with the buttons on the front of his denim shirt, tore one of them off in her haste to touch him. She jerked the fabric apart and slid her hands inside, pressed her trembling palms against his bare chest. Thick bands of muscle tightened. Crisp brown chest hair curled around the tips of her fingers, and ridges of muscle rippled down his flat stomach. Call made a sound in his throat and a shudder ran the length of his body. His mouth still clung to hers. He jerked up her sweatshirt, cupped her breasts over her white lace bra, and started to work the catch beneath the tiny bow at the front. “Hey, Call! You over here? Call! Is everything all right?” She whimpered as he whipped his mouth away and softly cursed. With an unsteady hand, he jerked down her sweatshirt and stepped protectively in front of her, leaving her shielded behind his body and the trunk of the tree. “Everything’s fine, Toby.” His voice sounded raspy. She wondered if his friend would notice. “I thought I heard shots,” Toby said, “but I was cooking so I didn’t pay all that much attention. Then I went into the living room and found the front door open. When I saw your rifle gone from the rack, I was afraid something bad might have happened.” “Our neighbor, Ms. Sinclair, came nose to nose with her first black bear.” Call looked her way, gave her a quick once-over, saw that she didn’t look too disheveled, and tugged her out from behind the tree. “Charity Sinclair, meet Toby Jenkins. Toby’s chief-cook-and-bottle-washer over at my place, and all-around handyman. At least he is till he leaves for college in the fall. Toby, this is Ms. Sinclair, our new neighbor.” “Nice to meet you, ma’am. I heard Mose sold the place. I’ve been meaning to come over and say hello.” “Forget the ma’am,” Charity told him. “It makes me feel too old. Charity is enough.” He nodded, smiled. He was young, maybe nineteen or twenty, with thick, dark red hair and a few scattered freckles, sort of a young John Kennedy, an attractive boy with what appeared to be a pleasant disposition. She wondered if he could tell by looking at her what had been going on when he arrived. Then she noticed Call’s shirt was open and missing a button and felt her face heating up again.

Don't get me wrong- tempura is served as a side dish in Tokyo, too, especially at soba and udon restaurants. Step into a branch of of the Hanamaru Udon chain, and before you select your bowl of noodles you're confronted with an array of self-serve, a la carte tempura: eggplant, onion, and squash, yes, but also hard-boiled quail eggs on a stick, squid tentacles, or a whole baby octopus. And the way most diners eat their tempura strains the definition of "side dish," because they plunk the crispy morsels right into their noodle broth. Japanese cooks are experts at frying food to a crisp and equally adept at ruining that crispy perfection through dunking, saucing, and refrigeration. I never learned to appreciate a stone-cold, once-crispy pork cutlet, but I enjoy tempura falling apart in hot soup and eaten at the moment when it has taken on broth but maintains a hint of crispness. The ship has hit the iceberg, but it's still momentarily afloat.

F. Scott Fitzgerald line: Life starts all over again when it gets crisp in the fall.

0 stars: The author has burnt down my house and killed my dog. This is revenge. I did not read the book. It's not my dog either. I star: I tried. I failed. It sucked. I really gave it a shot. Either angry it did not improve or just stopped reading. 2 stars. I had to drag myself to the end. There was a reward at the end. Usually crisps. 3 stars: I liked it but far from unforgettable. Books I know I read a long time ago but can't remember (much of) the story. 4 stars: Ranging between I really liked it to excellent but falling short of 5 stars. Books I vividly remember reading a long time ago. 5 stars: THIS BOOK CHANGED THE WAY I THINK, I WILL TELL EVERYBODY I KNOW (AND A GOOD NUMBER OF STRANGERS) THAT THEY NEED TO READ THIS.

I can sometimes hear her music now, after thirty years -- and remember the leaves falling on some smoky autumn afternoon, the air crisp and the sounds of dogs barking, and train whistles far away.

Yes.” His voice is hoarse in response. “That. Always that.” And he slides his arm around me, pulls me close, and kisses me. He tastes sweet like mango. Like he’s bigger than my taste buds, like he’s precisely the luxury I have been craving. I let my eyes shut and tilt my head back, falling into his embrace. And I know, despite all the constellations placed in the sky as warning, why all those Greek maidens gave it up in the end. It’s because all the pain is worth it for this one moment. His tongue is sure against mine, touching me with insistent strokes. His hand clamps around me, holding me in place. And he holds me like I matter, like I’m the entire world. “I can’t touch you,” I say. “My hands are sticky.” “That,” he says, “is what washing machines are for.” He reaches out and takes hold of my fingers and then, very deliberately, he wipes them on his shirt. The sun is hot against my shoulders; Blake is sweet to the taste and tempting to the touch. I’m not sure how long we stay there, kissing in the sun and the wind, stopping only long enough to feed each other bites of fruit. Long enough for me to touch him all over, to feel his body hard and lean through his shirt. The air smells of new beginnings—crisp and clear, untouched by any worries. He touches me like the middle of the story, strong and sure. But despite the mango on his tongue, he tastes almost bittersweet, because the end is coming. It’s coming, but it’s not here. Not yet. “Let’s get home,” I tell him. “Let’s go home and find a bed.” I glance over at Blake. He’s driving. For the first time in…I’m not sure how long, he looks completely calm. As if he’s finally in place. And for all the turmoil I feel inside, I sense it too. That hint of calmness, as if in a sea of things that have gone wrong, this one thing is right.

Standing on the sea of glass was somewhat like walking on water. It was a humbling experience, even for an angel. The motionless surface reflected the kaleidoscope above, constantly moving in waves that swelled and yielded in response to the ever-singing cherubim. Sky song reminded him of the ocean, rising and falling, crashing and then gathering again. Today it was cool, smelling sweet and crisp, like honeysuckle. He stood in wonder, basking in the song of joy. Yes, that was it—soft joy radiating from the sky and reflecting up from the sea in which he stood.

So instead, I did what I’d done since I was a child—I took comfort in food. Not in a binge-eating sort of way, which wasn’t focusing at all, but grounding myself in the here and now by noticing exactly what I ate. Right now, in this hotel room in front of a gas fire, the fish was fresh and sturdy beneath its crisp breading, the chips thick and expertly salted. My pint of ale was the color of walnuts, with flavor that had been developed over centuries. Salt eddied through my mouth, grounding me, and I thought of an essay M. F. K. Fisher had written about a meal she’d eaten in Paris after getting stuck on a train. It made me feel cosmopolitan rather than lonely. For the first moment since my mother died, I felt something akin to peace. Maybe I’d write about it in the morning. But for now, it was a relief to be far away from the drama of my life, with a full belly and a sense of quiet stealing over me. As I was falling asleep, my brain fancifully tried to write limericks with fish-and-chips at the center. They were incredibly clever in my compromised state, and I told myself to remember them in the morning. It was probably just as well that I didn’t.

tried not to let my mind stray to Friday night’s encounter in the copy room. But the faint scent of paper and ink and the quickly dissipating warmth of the crisp paper sent a pleasant—and unwanted—tingling through my body. Really, Hazel? Copy paper does it for you now?

All the things that stay the same . . . and everything that’s changed. It was an uneasy truce for a while, all of us adjusting, our shifting alliances. But, in its way, it’s all happened before, and it’ll all happen again. Summer turning to fall, crisp breezes replacing warm salty ones. Corridors and classrooms and indoor pools replacing sandy paths to the ocean, replacing the

We’re caught by Mana’s haze, we’re enraptured by that river The wondrous falls consumes our gaze, where angels choose to gather Chilojo cliffs and buffalo drifts and nights so crisp and clear That we should stay to enjoy these days is a burden light to carry While others come and go, and in leaving wish to tarry

It was a truly remarkable fall, with bright yellows, crisp oranges, and rusty reds speckling the streets, and the smells of pumpkin and spice lingering in the air. It was cozy—a time for knit sweaters and stolen slippers and long books read by the fire.

Fall is my favorite season. It reminds me of myself, all hollow and cool. And despite the dying crispness of it, people still find it beautiful. Maybe they could feel that way about me too.

Listen. The Sinspire is nearly sixty yards high, one thick Elderglass cylinder. You know those, you tried to jump off one about two months ago. Goes down another hundred feet or so into a glass hill. It’s got one door at street level, and exactly one door into the vault beneath the tower. One. No secrets, no side entrances. The ground is pristine Elderglass; no tunneling through it, not in a thousand years.” “Mmmm-hmmmm.” “Requin’s got at least four dozen attendants on each floor at any given time, plus dozens of table minders, card dealers, and waiters. There’s a lounge on the third floor where he keeps more out of sight. So figure, at minimum, fifty or sixty loyal workers on duty with another twenty to thirty he can call out. Lots of nasty brutes, too. He likes to recruit from ex-soldiers, mercenaries, city thieves, and such. He gives cushy positions to his Right People for jobs well done, and he pays them like he was their doting mother. Plus, there are stories of dealers getting a year’s wages in tips from lucky blue bloods in just a night or two. Bribery won’t be likely to work on anyone.” “Mmmm-hmmmm.” “He’s got three layers of vault doors, all of them ironshod witchwood, three or four inches thick. Last set of doors is supposedly backed with blackened steel, so even if you had a week to chop through the other two, you’d never get past the third. All of them have clockwork mechanisms, the best and most expensive Verrari stuff, private designs from masters of the Artificers’ Guild. The standing orders are, not one set of doors opens unless he’s there himself to see it; he watches every deposit and every withdrawal. Opens the door a couple times per day at most. Behind the first set of doors are four to eight guards, in rooms with cots, food, and water. They can hold out there for a week under siege.” “Mmmm-hmmmm.” “The inner sets of doors don’t open except for a key he keeps around his neck. The outer doors won’t open except for a key he always gives to his majordomo. So you’d need both to get anywhere.” “Mmmm-hmmmm.” “And the traps…they’re demented, or at least the rumors are. Pressure plates, counterweights, crossbows in the walls and ceilings. Contact poisons, sprays of acid, chambers full of venomous serpents or spiders…One fellow even said that there’s a chamber before the last door that fills up with a cloud of powdered strangler’s orchid petals, and while you’re choking to death on that, a bit of twistmatch falls out and lights the whole mess on fire, so then you burn to a crisp. Insult to injury.” “Mmmm-hmmmm.” “Worst of all, the inner vault is guarded by a live dragon attended by fifty naked women armed with poison spears, each of them sworn to die in Requin’s service. All redheads.” “You’re making that up, Jean.” “I wanted to see if you were listening. But what I’m saying is, I don’t care if he’s got a million solari in there, packed in bags for easy hauling. I’m inclined to the idea that this vault might not be breakable, not unless you’ve got three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about.” “Right.” “Do you have three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about?” “No, I’ve got you, me, the contents of our coin purses, this carriage, and a deck of cards.

OCTOBER AWAKEN Perfect blue skies, Golden falling leaves, Crisp autumn breeze, Happy dancing trees.

The October air was crisp, brushing across the terrace, swaying the string lights above. The scent of autumn mixed with freshly brewed coffee. Chapter 44

When the earth falls into the sun...when the Taj Mahal, Mozart and the Mona Lisa burn to a crisp...what difference will it make.

His feet carried him through St. James Park, down an ambling dirt path that ran beside the river. The sun was setting, and the air was crisp if not clean, a fall breeze fluttering the edges of his black coat. He came upon a wooden footbridge that spanned the stream, and his boots sounded softly as he crossed it. Kell paused at the arc of the bridge, Buckingham House lantern-lit behind him and the Thames ahead. Water sloshed gently under the wooden slats, and he rested his elbows on the rail and stared down at it. When he flexed his fingers absently, the current stopped, the water stilling, smooth as glass, beneath him.

Swallows and peonies heralded spring, a time for filled spring pancakes, fresh spring onions, and lavish spring feasts where the adults drank wine and extemporized verses of poetry. The hot days of summer brought crisp, fragrant melons cooled in well water and refreshing pickles made of tiny cucumbers and tinier ears of corn. With fall came sweet crabs, steamed and served with dark rice vinegar and ginger, eaten in the preferred Chinese method: with great abandon.

Words in my own reality, My own mind, Are trapped there Screaming to escape, As lines and curves, As throbbing black blood, As a dance of loops and coils, Onto the crisp ivory paper, Sitting placidly, Anticipatory, Beneath my trembling hand, Hair falls into my face, Coldness burns in my bones, My thoughts choke me as I sit in pure agony, Plummeting into the Intoxicatingly sweet hands of Madness.