Cringe Anime Quotes

We've searched our database for all the quotes and captions related to Cringe Anime. Here they are! All 22 of them:

He snaps a shot of Cornbread and presses send, flinching when the bird flaps at him threateningly. I think he’s cute, Henry responds. that’s because you can’t hear all the menacing gobbling Yes, famously the most sinister of all animal sounds, the gobble. “You know what, you little shit,” Alex says the second the call connects, “you can hear it for yourself and then tell me how you would handle this—” “Alex?” Henry’s voice sounds scratchy and bewildered across the line. “Have you really rung me at three o’clock in the morning to make me listen to a turkey?” “Yes, obviously,” Alex says. He glances at Cornbread and cringes. “Jesus Christ, it’s like they can see into your soul. Cornbread knows my sins, Henry. Cornbread knows what I have done, and he is here to make me atone.
Casey McQuiston (Red, White & Royal Blue)
I know a 'crime against nature' when I see one. It is usually a sign of crimes against nature that we cannot bear to see them at all, that we recoil and hide our eyes, and no one has ever cringed at the sight of a soybean factory. I also know phony arguments when I hear them--unbridled appetite passing itself off as altruism, and human arrogance in the guise of solemn 'duty.' We must, as C.S. Lewis advises, 'reject with detestation that covert propoganda for cruelty which tries to drive mercy out of the world by calling it names such as 'Humanitarianism' and 'Sentimentality.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
He remembered a dog—the only living thing they found in the entire village—curled around the body of a dead child. Caramon stopped to pet the small dog. The animal cringed, then licked the big man’s hand. It then licked the child’s cold face, looking up at the warrior hopefully, expecting this human to make everything all right, to make his little playmate run and laugh again.
Tracy Hickman (Dragons of Autumn Twilight (Dragonlance: Chronicles, #1))
Grief is not something you know if you grow up wearing feathers with a Charlie Chaplin boyfriend, a love-child papoose, a witch baby, a Dirk and a Duck, a Slinkster Dog, and a movie to dance in. You can feel sad and worse when your dad moves to another city, when an old lady dies, or when your boyfriend goes away. But grief is different. Weetzie’s heart cringed in her like a dying animal. It was as if someone had stuck a needle full of poison into her heart. She moved like a sleepwalker. She was the girl in the fairy tale sleeping in a prison of thorns and roses.
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
Suddenly, my fear receded. It was still there, cringing like an animal inside me, but it had been pushed aside by something calm and sure and powerful, something vaguely familiar.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
What happened?" he asks,voice laced with concern. "I..." I merged with a cockroach-caught a ride next to your twin's Calvin Klein underwear label-and after I watched him play with a demon coyote and snack on bloodied bits that could've been either animal or human, he fed glowing, white orbs to the walking dead-then crushed me under the hell of his boot... "I'm not sure," I say,willing my head to feel better,to stop spinning, and a moment later it does. "I guess I passed out,or something..." I cringe,hating the lie but knowing there's no way I could ever present him the truth. I start to stand,pretending not to notice when he offers a hand. "I need to call my ride." I fumble for my phone, reluctant to bother Paloma and Chay at this hour,but they're pretty much my only real option. "Don't be silly.I'll drive you." Dace follows me out of the stall,watching as I call Paloma's number,then Chay's-face scrunching in confusion when they both fail to answer.It doesn't make any sense. "Daire-why won't you let me help you?" he says.My name on his lips sounding just like ti did in the dream. Our eyes meeting in the mirror,mine astonished, his chagrined,when he adds, "Yeah,I asked around.Uncovered your real name. So shoot me." And when he smiles,when he smiles and runs a nervous hand through his glossy,dark hair-well,I'm tempted to shake my head and refuse him again. Maybe he goes by the name of Whitefeather, but technically,he's still a Richter.A good Richter-a kind Richter-still,I need to do what I can to avoid him.To ignore that irresistible stream of kindness and warmth that swarms all around him. Need to cleanse myself of those dreams once and for all.We are not bound.Nor are we fated.I'm a Seeker-he's the spawn of a Richter-and my only destiny is to stop his brother from...whatever it is that he's doing. But,more immediately,I need to get home.And there's no denying I could do a lot worse than catching a ride with gorgeous Dace Whitefeather.
Alyson Noel (Fated (Soul Seekers, #1))
rotted down from manhood by their hopeless misery on the isle; wonted to cringe in all things to their lord, himself the worst of slaves; these wretches were now become wholly corrupted to his hands. He used them as creatures of an inferior race; in short, he gaffles his four animals, and makes murderers of them; out of cowards fitly manufacturing bravoes
Herman Melville (The Encantadas and Other Stories (Dover Thrift Editions: Short Stories))
rotted down from manhood by their hopeless misery on the isle; wonted to cringe in all things to their lord, himself the worst of slaves; these wretches were now become wholly corrupted to his hands. He used them as creatures of an interior race; in short, he gaffles his four animals, and makes murderers of them; out of cowards fitly manufacturing bravoes.
Herman Melville (The Encantadas and Other Stories (Dover Thrift Editions: Short Stories))
Oh, how an animal that is hurt looks up at you, John! An animal’s actions can inform you if it is in pain. It don’t hop and jump around as usual. No. You find a sad, crouching, cringing, small bunch of fur or hair, whining, and plainly asking you to aid it. It isn't hard to find out what is wrong, John; any man or woman who would pass by such a sight, just isn't worth knowing. I just can’t withstand it! Why, I think that not only animals, but plants can know pain. I carry a drink to many a poor, thirsty growing thing; or, if it is torn up I put it kindly back, and fix its soil up as comfortably as I can. Anything that is living, John, is worthy of Man’s aid.
Ernest Vincent Wright (Gadsby)
The family’s intent, whether conscious or unconscious, is to make the child feel like an Other, like he cannot be his authentic self and still remain a member of the family, like he is not part of the pack. After all, we are pack animals. Indeed, by adulthood, he feels toxic, broken, and like an outsider in his own family, in his own body, in his own life. This unease carries into adult relationships with partners, colleagues, and bosses. His fear of rejection and unconscious behavior may turn his new friend groups or places of employment into his old family of origin, where the cycle of scapegoating continues. Today, when I meet a teenager who seems obsessed with keeping adults happy, I cringe inside. I want to call 911.
Brad Wetzler (Into the Soul of the World: My Journey to Healing)
I was blind. The room was gone. Everything was gone. I cried out in terror as I felt the Darkling’s fingers close around my bare wrist. Suddenly, my fear receded. It was still there, cringing like an animal inside me, but it had been pushed aside by something calm and sure and powerful, something vaguely familiar. I felt a call ring through me and, to my surprise, I felt something in me rise up to answer. I pushed it away, pushed it down. Somehow I knew that if that thing got free, it would destroy me. “Nothing there?” the Darkling murmured. I realized how very close he was to me in the dark. My panicked mind seized on his words. Nothing there. That’s right, nothing. Nothing at all. Now leave me be! And to my relief, that struggling thing inside me seemed to lie back down, leaving the Darkling’s call unanswered. “Not so fast,” he whispered. I felt something cold press against the inside of my forearm. In the same moment that I realized it was a knife, the blade cut into my skin. Pain and fear rushed through me. I cried out. The thing inside me roared to the surface, speeding toward the Darkling’s call. I couldn’t stop myself. I answered. The world exploded into blazing white light. The darkness shattered around us like glass.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
You have no idea where Anne’s office is?” I asked, grouchy and beyond footsore, seriously envying Jack’s completely healed feet. We’d already been here for an hour and had nothing to show for it other than a few close calls with security patrols. I’d figured since I couldn’t check every room for Raquel, searching Anne-Whatever Whatever’s office for records was my next best bet. “Surprisingly enough, I do not make a habit of concerning myself with the locations of offices of people I neither know nor care anything for.” “I thought you had some big vendetta against IPCA for controlling you.” “Have you seen anyone who ever once used my name against me? Present company excepted.” I frowned, checking around a corner to a hall that was, as usual, empty. This was so much less exciting than I had been afraid it would be. Reth walked calmly forward, never pausing, never frantically checking over his shoulder. I wondered what he did to those poor suckers who had trapped him with his true name. I almost asked, but honestly, I didn’t really want to know. “Wait—you didn’t do anything to Raquel.” I inwardly cringed. Raquel had used his name against him, and there I went reminding him. “Hmm. An uncharacteristic oversight.” I snorted. “Yeah, mister always has a plan, you’re constantly missing details.” I shouldn’t push the issue lest I convince him that he still had some vengeance waiting, but I couldn’t help it. It was so unlike him. He waved an elegant hand through the air as though brushing off my observation. “Some things are beneath my attention.” “Liar.” He stopped short, and I walked a few paces before realizing he wasn’t beside me anymore. I turned and found myself sucked into his golden gaze. “You are quite blind sometimes, my love.” “What do you mean by that?” I snapped. Then my jaw dropped as he actually rolled his perfect, gigantic-bordering-on-anime golden eyes. That was so not a faerie gesture. “You just rolled your eyes!” “It would appear you are a negative influence after all.
Kiersten White (Endlessly (Paranormalcy, #3))
The people who didn’t eat meat wondered how to get out of partaking in what was obviously the pièce de résistance of the Rex Yanakakis Christmas Eve Dinner. The animal-rights people cringed, not wanting to voice their objections for fear of pissing off Clea Sheridan Yanakakis, who was very generous to their causes with her husband’s money. The people who did eat meat tried to ignore the jittery noncarnivores surrounding them.
S.A. Bodeen (The Compound (The Compound, #1))
Ravens were omnivores and ate an array of tidbits including insects, seeds, berries, meat, and carrion, the dead flesh of animals, which made her cringe.
Lauren Quick (The Mayhem Sisters (Sister Witches Mystery, #1))
But in among all this terrible poverty there were just a few great big beautiful houses that were lived in by rich men who had as many as thirty servants to look after them. These rich men were called capitalists. They were fat, ugly men with wicked faces, like the one in the picture on the opposite page. You can see that he is dressed in a long black coat which was called a frock coat, and a queer, shiny hat shaped like a stovepipe, which was called a top hat. This was the uniform of the capitalists, and no one else was allowed to wear it. The capitalists owned everything in the world, and everyone else was their slave. They owned all the land, all the houses, all the factories, and all the money. If anyone disobeyed them they could throw him into prison, or they could take his job away and starve him to death. When any ordinary person spoke to a capitalist he had to cringe and bow to him, and take off his cap and address him as “Sir.” The chief of all the capitalists was called the King, and—   But
George Orwell (Animal Farm and 1984)
Let’s talk about the Hermit’s lantern, which is super-important, especially for those social animals who, like myself, cringe whenever this card comes into their lives. The lantern is what allows the Hermit to walk this nighttime landscape alone. Night in the Tarot always represents the unknown, the uncertain, the problem that must be solved. When the Hermit arrives, some type of soul-searching is in order, and the lantern represents your inner compass, your inner light, that thing that will guide you through this night and help you solve your current puzzle. You have everything you need to achieve the breakthrough you need.
Michelle Tea (Modern Tarot: Connecting with Your Higher Self through the Wisdom of the Cards)
Few adults have any illusions about modern factory farms and packing plants, or about the tender mercies accorded the creatures that creepeth therein: the bright, sensitive pig dangling by a rear hoof as he or she is processed along, squealing in horror; the veal calf taken from his mother, tethered and locked away in a tiny dark stall for all of his brief, wretched existence. If you could walk all of humanity through one of these places, 90 percent would never touch meat again. We would leave the place retching and gasping for air. We cringe at the thought of it, and that cringe is to our credit.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
I know a "crime against nature" when I see one. It is usually a sign of crimes against nature that we cannot bear to see them at all, that we recoil and hide our eyes and no one has ever cringed at the sight of a soybean factory.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
I know a "crime against nature" when I see one. It is usually a sign of crimes against nature that we cannot bear to see them at all, that we recoil and hide our eyes and no one has ever cringed at the sight of a soybean factory.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
Mirror-touch synesthesia. My brain re-creates the sensory experiences of living creatures, of all people and even sometimes animals; if I see it I feel it, and for just a moment I am them, we are one and their pain or pleasure is my own. It can seem like magic and for a long time I thought it was, but really it’s not so far removed from how other brains behave: the physiological response to witnessing someone’s pain is a cringe, a recoil, a wince. We are hardwired for empathy.
Charlotte McConaghy (Once There Were Wolves)
The four men fidgeted, animated about something or other, eyes constantly searching, seeing and cringing at the spiders on the walls and the mothmen in the corners. All four tweakers were white, thin, and tall. And close to the same age. All wore baggy shirts and baggy pants, and their flat-brimmed ball caps were crooked. When they spoke it was clipped and fast and they used hand gestures that looked like bad karate. Occasionally they’d look my way, make a gesture, laugh, and sneer. One spit at my feet. I smiled, nodded, and held up my whiskey. The three at the table must have been coming down from “a long time on the moon,” as the meth heads called the time they spent tweaked. Their heads were cradled on skinny folded arms and one, the guy, snored. “You
Erik Storey (Nothing Short of Dying (Clyde Barr, #1))
The book turned and fought, like some small white animal caught within the fire. It seemed to want very much to live, it writhed and sparkled and a small gust of gaseous vapor blew up from it. Leaf by leaf it burned in upon itself, as if hands of fire were turning each page, scanning and burning with the same fire. The pages cringed into black curls and the curls departed on puffs of illumination.
Ray Bradbury (Fahrenheit 451)