Crimson Chin Quotes

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There will be other lives. There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands. And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions. And there will be other lives for fathers walking daughters down aisles. And there will be other lives for sweet babies with skin like milk. And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything. Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
Gabrielle Zevin (Elsewhere)
Sugar leans her chin against the knuckles of the hand that holds the pen. Glistening on the page between her silk-shrouded elbows lies an unfinished sentence. The heroine of her novel has just slashed the throat of a man. The problem is how, precisely, the blood will flow. Flow is too gentle a word; spill implies carelessness; spurt is out of the question because she has used the word already, in another context, a few lines earlier. Pour out implies that the man has some control over the matter, which he most emphatically doesn’t; leak is too feeble for the savagery of the injury she has inflicted upon him. Sugar closes her eyes and watches, in the lurid theatre of her mind, the blood issue from the slit neck. When Mrs Castaway’s warning bell sounds, she jerks in surprise. Hastily, she scrutinises her bedroom. Everything is neat and tidy. All her papers are hidden away, except for this single sheet on her writing-desk. Spew, she writes, having finally been given, by tardy Providence, the needful word.
Michel Faber (The Crimson Petal and the White)
You don’t think I’m . . . some kind of monster? That I’m not much better than him to have killed him like I did, in cold blood?” “Never.” Dante lifted her chin on the edge of his hand. “I think you’re courageous, Tess. An avenging angel, that’s what I think.” “I’m a freak.” “No, Tess, no.” He kissed her tenderly. “You’re amazing.” “I’m a coward. Just like you said, I always ran away. It’s true. I’ve been afraid and running for so long, I’m not sure I can ever stop.” “Then run to me.” Dante’s eyes were fierce as he held her gaze.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes; Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won’t let go. The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes. And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
The two women sat by the fire, tilting their glasses and drinking in small peaceful sips. The lamplight shone upon the tidy room and the polished table, lighting topaz in the dandelion wine, spilling pools of crimson through the flanks of the bottle of plum gin. It shone on the contented drinkers, and threw their large, close-at-hand shadows upon the wall. When Mrs Leak smoothed her apron the shadow solemnified the gesture as though she were moulding an universe. Laura's nose and chin were defined as sharply as the peaks peaks on a holly leaf.
Sylvia Townsend Warner (Lolly Willowes)
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers. 'The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away. Small, smooth fingers pouring gold over gaping wounds. Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the craks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that nake incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes, Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won ' t let go. The Universe was built. The Universe fell. You took it apart, Draggd the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes, And now you're back. And so is the Universe, And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
In her white-gloved hand she brandished a long ball-topped staff which she pumped up and down in time with the martial strains. Her white blouse was surmounted by a crimson bolero jacket. She strutted and pranced like an Arabian mare on display, her gleaming knees, responding to the drum beat, shooting to a level equal with her chin, her tassled white kid boots contrasting with the healthy pink of her rounded calves, her pleated crimson and white skirt --lifted by her knees, fanned by the wind-- revealing smooth firm thighs.
Clark Zlotchew (Once upon a Decade: Tales of the Fifties)
Using the dagger next to him on the nightstand, Dante scored a fresh line on his wrist. He pressed the bleeding cut to Tess’s lips, waiting to feel her respond, wanting to curse to the rafters when her mouth remained unmoving, his blood dripping down, useless, onto her chin. “Come on, angel. Drink for me.” He stroked her cool cheek, brushed a tangle of her honey-blond hair from her forehead. “Please live, Tess . . . drink, and live.” A throat cleared awkwardly from the area near the bedroom doorjamb. “I’m sorry, the uh . . . the door was open.” Chase. Just fucking great. Dante couldn’t think of anyone he’d like to see less right now. He was too entrenched in what he was doing—in what he was feeling—to deal with another interruption, particularly one coming from the Darkhaven agent. He’d hoped the bastard was already long gone from the compound, back to where he came from—preferably with one of Lucan’s size-fourteens planted all the way up his ass. Then again, maybe Lucan was saving the privilege for Dante instead. “Get out,” he growled. “Is she drinking at all?” Dante scoffed, low under his breath. “What part of ‘get out’ did you fail to understand, Harvard? I don’t need an audience right now, and I sure as hell don’t need any more of your bullshit.” He pressed his wrist to Tess’s lips again, parting them with the fingers of his blood by mild force. It wasn’t happening. Dante’s eyes stung as he stared down at her. He felt wetness streaking his cheeks. Tasted the salt of tears gathering at the corner of his mouth. “Shit,” he muttered, wiping his face into his shoulder in a strange mix of confusion and despair. He heard footsteps coming up near the bed. Felt the air around him stir as Chase reached out his hand. “It might work much better if you tilt her head, like th—” “Don’t . . . touch her.” The words came out in a voice Dante hardly recognized as his own, it was so full of venom and deadly warning. He swiveled his head around and met the agent’s eyes, his vision burning and sharp, his fangs having stretched long in an instant. The protective urge boiling through him was fierce, utterly lethal, and Chase evidently understood at once.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
She pressed her hands to his wound, desperately wishing she knew more about first aid, but he pushed her away. “A class ten curse requires a great sacrifice,” he said seriously. He coughed again, and a bit of blood dribbled onto his chin. “You don’t know that.” “I know that you didn’t get to the Mirror in time. Otherwise…you wouldn’t be here.” “That isn’t true. And I swear if you don’t fucking heal yourself this very moment, I’ll…I’ll…” But when Isobel tried to give him the spellstones for a third time, she noticed his hand had gone slack. He’d lost consciousness. “No, no,” she said frantically. Without her ability to heal him, he was going to die. Isobel felt reality the same way she felt her father’s hand squeezing her shoulder. She’d answered countless interview questions about what she expected the tournament to be like, yet for almost a year, the idea of it all felt distant. Even the past few weeks seemed shrouded in a hazy fog of a dream. Now, it was real. The cold of the night. Her knees pressed into the pebbles and damp earth. Her senses on alert for the smallest movement in the trees, the faintest rustle of bramble or leaves. The crimson cast of everything, like her own terror superimposed on the world. Frantically, she reached into her duffel bag and grabbed her spellboard. “Are you happy now, you terrible excuse for a rival?” she choked. “You better hope this kills me because otherwise, I will heal you and then torture you in ways even your twisted mind can’t imagine.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
Marcus had a natural arrogant air to him, thanks to his striking facial features, with his slim nose, square cut jawline and high cheekbones. He also had high arched brows with one that always seemed to be raised as if he was judging every single action you made. But those elongated red diamond shapes that ran through his eyes and curved slightly an inch above his brows reminded me of horns. The opposite ends were drawn down in long points that reached his jaw until they were nothing but a thin line. A set that mirrored the same triangular design starting from under his bottom lip. This thin red line continued all the way down his chin until it disappeared under the shadows of his long neck before it dipped under a crimson red cravat. A colour that matched his unusual hair, with its strands that were twisted back from his face into sections with the ends pointed with little bells attached. All of which adding to the theatrics that rest of his outfit provided. Piercing dark blue eyes studied me as I approached.
Stephanie Hudson (Quest of Stone (Transfusion Book 14))
And then, on his soul and conscience, [Gringoire] ... was not very sure that he was madly in love with the gypsy. He loved her goat almost as dearly. It was a charming animal, gentle, intelligent, clever; a learned goat. Nothing was more common in the Middle Ages than these learned animals, which amazed people greatly, and often led their instructors to the stake. But the witchcraft of the goat with the golden hoofs was a very innocent species of magic. Gringoire explained them to the archdeacon, whom these details seemed to interest deeply. In the majority of cases, it was sufficient to present the tambourine to the goat in such or such a manner, in order to obtain from him the trick desired. He had been trained to this by the gypsy, who possessed, in these delicate arts, so rare a talent that two months had sufficed to teach the goat to write, with movable letters, the word “Phœbus.” “‘Phœbus!’” said the priest; “why ‘Phœbus’?” “I know not,” replied Gringoire. “Perhaps it is a word which she believes to be endowed with some magic and secret virtue. She often repeats it in a low tone when she thinks that she is alone.” “Are you sure,” persisted Claude, with his penetrating glance, “that it is only a word and not a name?” “The name of whom?” said the poet. “How should I know?” said the priest. “This is what I imagine, messire. These Bohemians are something like Guebrs, and adore the sun. Hence, Phœbus.” “That does not seem so clear to me as to you, Master Pierre.” “After all, that does not concern me. Let her mumble her Phœbus at her pleasure. One thing is certain, that Djali loves me almost as much as he does her.” “Who is Djali?” “The goat.” The archdeacon dropped his chin into his hand, and appeared to reflect for a moment. All at once he turned abruptly to Gringoire once more. “And do you swear to me that you have not touched her?” “Whom?” said Gringoire; “the goat?” “No, that woman.” “My wife? I swear to you that I have not.” “You are often alone with her?” “A good hour every evening.” Dom Claude frowned. “Oh! oh! Solus cum sola non cogitabuntur orare Pater Noster.” “Upon my soul, I could say the Pater, and the Ave Maria, and the Credo in Deum patrem omnipotentem without her paying any more attention to me than a chicken to a church.” “Swear to me, by the body of your mother,” repeated the archdeacon violently, “that you have not touched that creature with even the tip of your finger.” “I will also swear it by the head of my father, for the two things have more affinity between them. But, my reverend master, permit me a question in my turn.” “Speak, sir.” “What concern is it of yours?” The archdeacon’s pale face became as crimson as the cheek of a young girl.
Victor Hugo (The Hunchback of Notre-Dame)
The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful.   The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin.   The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend.   The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat.   The Universe is made of eyes; “Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won t  let  go.   The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes.   And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
ANGER: Eyebrows squeezed together, brows knitted, eyes squinty, pupils flared, lowered head, nostrils flared, looking upward through a scrunched brow, tight facial muscles, flat lips, flaring nostrils, or an penetrating gaze. CONTEMPT: Squinty eyes, mouth snapped shut, mouth set in a hard line, or lips pressed together, grinding teeth, muscle in jaw twitching, face turns crimson, ears red or hot, or hardened expression. EXCITEMENT: Smile shows teeth, eyes wide, flushed cheeks, eyebrows high, twinkle in eyes, tears in eyes, dimples showing, or raised eyebrows. FEAR: Pale skin, eyebrows are drawn together, trembling mouth, brows furrowed creased forehead, eyes wide and huge, blinking rapidly, mouth opening and closing, or tense, white lips. FRUSTRATION: Slanting eyebrows, jaw tightened, face reddened, chin raised, deep frowning, gnashed teeth, tense eyebrows, squinty eyes, lips pulled back, or mouth twisted to one side. REVULSION: Frowning, gritted teeth, lips drew back in a snarl, lowered head, tense lips, eyebrows drawn together, wrinkled forehead, or pursed lips. SURPRISE: Wide eyes, mouth hanging open, huge smile, flushed face, gaping, raised eyebrows, pupils are huge, and head held back, intense gaze, and eyebrows lifted. SADNESS: Pale face, lower lip quivered, tears shimmered in eyes, frowning of lips, head hangs low, pouty expression, or gaze downcast. HAPPINESS: Smiling big with teeth visible, flushed cheeks, crinkle at corners of the eyes, the corners of mouth turned upward, eyes lit up, tears shone in eyes, face glowing. ***
Sherry J. Soule (The Writer's Guide to Character Expression: 2022 Second-Edition (Fiction Writing Tools Book 2))
Your heart holds great love for her.” “Yes. Those terrible men-- She’s just a little girl. They’ve already had her for eight days. I can think of nothing else. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.” He grasped her chin, his touch deceptively gentle, as it had always been. “This night, you will sleep without dreams. I have said I will find her. Suvate, it is finished.” With that, he left the lodge. A few minutes later he returned. After donning a pair of buckskin pants, which he pulled on while still wearing his breechcloth, he gathered his weapons, making several trips outside to his horse. When he had collected everything he needed, he sat on a fur pallet, propped a small shaving mirror on his knees, and painted his face, outlining his eyes with black graphite and striping his chin thrice with crimson. Loretta sat on the edge of the bed watching him. When he finished he glanced over at her. She was seeing Hunter the killer for the first time. On the one hand, he looked so fierce that he terrified her; on the other, she felt strangely reassured. Such a brutal, grimly determined man would be able to find and rescue Amy when another might fail. “What does the paint say?” she asked. “That this Comanche rides for war.” “War?” she whispered. “Santos will know by the paint that I come in anger.” “Will there be a fight? Amy might get hurt.” “Your Aye-mee will suffer no harm.” He rose and put away his paints, cleaning his hands on a swatch of cloth. Turning to face her, he said, “My brother, Warrior, and my good friend Swift Antelope will remain beside you. Their strong arms are yours.” He motioned for her to stand. “I take you to Warrior now. You will sleep in his lodge circle. No harm, eh?
Catherine Anderson (Comanche Moon (Comanche, #1))
But she didn’t leave. Instead, she dropped to her knees and began undoing my belt. I leaned on the edge of the sink, powerless to stop her. My fingers curled around the counter. “I’m going to bleed all over my floor.” A last-ditch effort to stop her. She pulled out my heavy, engorged cock. Her fingers circled it all the way without touching. I loved how tiny she was compared to me. How unlikely a pair we were. How people must’ve wondered how I fit into her. The delicious answer, by the way, was barely. “It’ll compliment all the green I splashed on your ceiling.” She wrapped her lips around my cock, taking it inch by inch. Her warmth engulfed it. I shuddered when she flattened her tongue against my shaft. I dropped my head back and groaned. Dallas was a great dick-sucker. She had the stamina, since her jaw worked out all day from eating. Andshe was enthusiastic. I could tell she loved going down on me. I’d had my dick sucked by enough women who only did it to warm my bed. They’d blink up at me, examining me through their lashes with what they thought were seductive grins, suckling gently, stroking my dick up and down like it was a cello. Not Shortbread. Shortbread loved it all—the sucking, the spitting, the kissing, the way my cock hit the back of her throat when I grabbed her hair and fucked her face. She loved gagging on it and often tried to take me all the way to the root. In fact, this seemed to be the only aspect in Dallas’s life in which she was not lazy. Tilting my chin down, I watched as she sucked me off. Crimson drops ran down her glossy hair, trailing along her forehead. Seeing her tainted with my blood did something to me. Gave me a sense of ownership I normally did not allow myself to contemplate. Perhaps it was the blood loss, but I didn’t want to finish like this. Coming in her mouth wouldn’t cut it. Lacing her long brown hair in my fist, I tugged her away from my cock. She pulled back, blinking at me expectantly.(Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Perhaps you know of her? Lauren Jakes?” The effect on Xairn couldn’t have been more profound if Lock had shoved a double barreled shotgun into his gut and pulled the trigger. “Lauren? You’re looking for Lauren?” He looked shocked at first, but then his voice dropped to a low, menacing growl and he seemed to grow bigger somehow. It reminded Kat of how Sylvan had looked when he went into rage while protecting Sophie. “Lauren is mine. She’s mine,” Xairn snarled. “And I do not intend to surrender her to anyone.” “So you do have her.” Lock’s voice was mild but his eyes were hard. “You bastard.” Deep glared at the Scourge. “What have you done to the poor girl? Or maybe I should ask if there’s anything you haven’t done. Is she even still alive?” Xairn’s red-on-black eyes flashed crimson. “Of course she is! Do you think me some kind of a monster?” “Actually, we do,” Deep said. “We know exactly how you Scourge treat your females.” Xairn lifted his chin. “Not me. I have never touched a female in anger—this I swear.” “What about lust?” Deep raised an eyebrow. “Ever touched a female that way?” Xairn looked suddenly ill at ease. “I…do not act on those emotions. I do not engage in the practices of my father and the rest of my people.” “We’ll believe it when we see it.” Deep’s black eyes narrowed. “Where is Lauren now?” Xairn bristled. “Someplace safe.” “Can we see her?” Kat asked. “I mean, can I see her? I’m no threat,” she went on softly, meeting his strange, burning eyes. “And I think if we could hear from Lauren herself that you haven’t hurt her, it would make it a lot easier for us to trust you.” Xairn looked at her appraisingly. “I suppose it couldn’t hurt to let another female speak to Lauren. But I will not tolerate another male near her.” He glared at Deep and Lock and then nodded at Kat. “Come with me.” She
Evangeline Anderson (Sought (Brides of the Kindred, #3))
And so he came at last to the high seat of Guslav the fifth, High King of the Union. His head was slumped sideways, squashed down under the sparkling crown. His pasty pale fingers twitched on his crimson silk mantle like white slugs. His eyes were closed, chest rising and falling gently, accompanied by gentle splutterings as spittle issued from his slack lips and ran down his chin, joining the sweat on his bulging jowls and helping it to turn his high collar dark with wet. Truly, Jezal was in the presence of greatness. “Your
Joe Abercrombie (The Blade Itself (The First Law, #1))
Shaking his head at his own skittishness, he let out a sigh and dropped down beside his little girl. Immediately, she scrambled over to him as fast as her hands and knees could take her and climbed happily up into his lap. He picked her up. Her very presence was a balm to his nerves, a reassurance that purity and innocence still shone in a world that had, of late, seemed dominated by wickedness and evil. But it soon became obvious that Charlotte wanted more than just a cuddle. Eventually, she began to get restless, and Gareth had learned enough about her to recognize immediately what she wanted. "Hungry, Charlie-girl?" Raising himself to his knees, he picked up the bowl he'd excitedly prepared a few minutes ago and sat down, anticipation lighting up his face. Charlotte was beginning to eat solid food now, which delighted him beyond words because that meant he could have a hand in feeding her. Still, Juliet had looked dubious when she'd left him with the baby an hour before. Mash up her food carefully, she had instructed him, explaining the procedure with as much care as if she'd been advising an overeager two-year-old, going on and on while he'd stood there and nodded and nodded and nodded. Make sure there are no lumps in it, and don't make her eat it all if she doesn't want it. He realized his first mistake as he dug the spoon into the bowl and eagerly began to feed the baby. "Hmmm … perhaps I should have mashed up the peas or even the carrots, instead of these red beets left over from supper last night," he mused, aloud. Indeed, it soon became difficult to know who was faring worse in this new venture — his daughter, now smeared from head to toe in red beet pulp, or her papa, who had it all over his fingers and in his lap. Charlotte looked up at him and smiled through the mess. Gareth guffawed. Ah, hell. They were both laughing and having fun. They were half-way through the bowl when a loud hammering at the door nearly caused Gareth to jump out of his skin. Lucien. Scooping up the baby and holding her easily in one arm, he went to open it — and found Perry and the rest of the Den of Debauchery standing just outside. "Bloody hell!"  Perry's jaw nearly hit the floor. "What on earth have you done to her?!" Gareth looked at Charlotte and fully comprehended just what a mess the two of them had made. Huge red blotches stained the delicate skin of the baby's face. Her hands were bright red, her dress was ruined, and bits of crimson pulp clung to her chin. Oh, hell, he thought wildly, Juliet's going to kill me! He grabbed up a napkin from the table and began scrubbing at Charlotte's face, to no avail. "Damnation!" he cried, much to Perry's amusement and the guffaws of the others. "Playing papa to the hilt, are you, Gareth?" "So much for your days of debauchery!" "I say, next thing you know, he'll be changing napkins — ha, ha, ha!" "Sod off," Gareth said, realizing how much he had not missed their immaturity.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
There was one way he could help her though—she was still shivering from the cold. Without saying a word he unsnapped his shirt and shrugged it off, baring his upper body. “Hey, whoa—what are you doing?” Olivia was looking at him with wide eyes as though he was about to pounce on her. Did she really think so little of him to believe that he would try to take advantage of her when she was injured and helpless? Baird felt his heart fist in his chest. “Only this,” he said gruffly, draping the crimson shirt around her shivering bare shoulders. “Oh…uh, thanks.” She was staring at him now, as though she’d never seen a male before. Baird looked down at himself to see if there was something wrong. He had spent a full hour in the bathing pool that morning preparing but was it possible he had spilled something on himself before getting dressed to claim her? The broad planes of his muscular chest looked all right to him—his dusky tan skin was marked by the whitish scars left by the AllFather’s torture but a Kindred warrior always wore such marks with pride. There was a small patch of black hair between the two flat copper disks of his nipples and a trail of it led down his corded abdomen into the black uniform pants he was wearing. Truly there was nothing to stare at—so why was she still staring? “Is there a problem?” he asked at last. “You don’t like the way I look?” “Uh, no, I…You look fine. Just fine.” Olivia looked down at her hands, her fair skin blushing a deep embarrassed red. “What’s wrong then?” “Nothing.” But her beautiful silvery eyes were still flickering up to his bare chest and back down to her hands as though she couldn’t quite look away. Baird resisted the urge to tilt her chin up so she would have to meet his eyes directly. Why did she keep looking at him? He looked down at his chest again. Maybe she preferred smooth skin only? If so she was out of luck, only Tranq Kindred grew no body hair. “What’s wrong, Lilenta?” he asked her earnestly. “Is there somethin’ you want me to change?” “No, it’s nothing you can change. You’re just so…” She made a helpless little motion with one hand. “You’re just so big. And…and muscular.” Baird frowned. “Sorry about that—a warrior has to keep his body in top physical shape.” “No, don’t apologize.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
He had a satisfying wholeness about him, American good looks like a baseball player's- level shoulders, a pale shock of hair. A good mind and ethical nature: little gave him more pleasure than learning laws and governance- "It shows you the shape of your society." But what drew the deepest sliver of her self toward him, was the weakness in his chin, his slightly disoriented air, like an injury he allowed only Avis to see. Brian was the opposite of her mother. There wasn't a whiff of mystery about him: he was solid, entirely himself. Avis still cooked in those days and she invited him to her minuscule studio. She set a hibachi up on the fire escape and grilled him a marbled, crimson rib-eye, crusty with salt and pepper, its interior brilliant with juices. Some garlicky green beans with pine nuts, rich red wine, mushrooms and onions sautéed in a nut-brown butter. She'd intuited his indifference to chocolate, so dessert was a velvety vanilla bean cake with a toasted almond frosting.
Diana Abu-Jaber (Birds of Paradise)
I rose, stepped closer to him—close enough to see all the little imperfections in his face that distance and the darkness had shrouded. A faint wrinkle at the corner of his eyes, a scar at the angle of his chin, a few strands of that sleek golden hair that whispered silver. How easy it was for his kind to hide the painful markers of a life of mistakes, the wounds of the past carefully stitched up and tucked away beneath layers of elegant stillness. Humans just bled our pain all over everything, denying it with our last breath while crimson seeped between our fingers. That’s how I’d felt, these last few months. Like I was bleeding out.
Carissa Broadbent (Mother of Death & Dawn (The War of Lost Hearts, #3))
Finally she took a breath, cringing against the spikes behind her eyes, and turned 180 degrees in the bed to face Alex. And there he was. For a split second, her mind registered only the idea that something was wrong. It may have been the body’s utter stillness, but it may also have been the way she could sense the amphibian cold. But then she saw the blood. She saw the great crimson stain on the pillow, and a slick, still wet pool on the crisp white sheets. He was flat on his back. She saw his neck, the yawning red trench from one side of his jaw to the other, and how the blood had geysered onto his chest and up against the bottom of his chin, smothering the black stubble like honey. Reflexively, despite the pain, she threw off the sheet and leapt from the bed, retreating into those drapes against the window.
Chris Bohjalian (The Flight Attendant)
That would make you a very pitiful saboteur who carries a knife for nonviolent purposes." His crimson cat eyes were laughing at me. I smiled. "Then it's just as well that I'm not sorry. I wish I'd left you longer." "Well, that's a pity." He leaned toward me. His collarbone was damp, and I realized suddenly that my dress still clung to me in pale, damp folds. "Because I had just been thinking of ways you could make it up to me." He touched my chin with a finger. The air was still and hot in my throat. Abruptly his hand dipped down to pull the key out of my bodice. He twirled it as he sat back, laughing, then hung it on one of the belts strapped across his chest. "You--" I choked out. Then I lunged at his throat. He blocked me easily with one arm, but we both tumbled over; he landed on his back with me on top of him. "You see?" he said. "Not a good assassin.
Rosamund Hodge (Cruel Beauty)
Slovensky lifted the stake higher, poised it over Raven’s breast. “This gives me more pleasure than you will ever know.” “No!” Shea attempted to launch herself at Slovensky, unable to bear the thought of them defiling Raven’s body with a crude wooden stake. Focus! Gregori snapped, his voice so powerful, even over the distance, that it brought Shea up short, where all Donn Wallace’s slaps and punches had hardly fazed her. Shea stared at Slovensky, the picture etched in her mind. She saw the glee in his face, the hatred, the sick, perverse pleasure he was deriving as he held the stake aloft above Raven’s body. Then suddenly she saw his expression change from pleasure to alarm. His face grew crimson, then a dark shade of purple. He coughed, and blood trickled from his mouth, his nose. He coughed again, and his arm fell to his side, the stake dropping from nerveless fingers. “Uncle Eugene?” The grin faded from Wallace’s mouth. He took a step toward his uncle. “What is it?” Slovensky tried to speak, but the only sound that emerged was a wheezing groan. More blood bubbled up around his mouth. Red foam dribbled onto his chin. Shea looked away, her stomach lurching. Look at him! Gregori made his order impossible to ignore. One of the most powerful ancients alive, he forced her compliance without a qualm, holding her mind focused exactly where he wanted it. Jacques and Mikhail had thrown their strength and power squarely behind him.
Christine Feehan (Dark Desire (Dark, #2))
I WOULD NEVER FORGET the day you slipped away. A small lift of your chin and our eyes met. I only saw emptiness in a place where a wistful vulnerability used to collide with wonder. Now, a hollowness of a bottomless pit. In your eyes, I’d never seen your shade of green so dim. It caused my stomach to fall into the same somber eclipse, spiraling faster and faster with no end, no walls, only darkness. And then you averted your gaze. The flesh from my bones, the blood in my veins, the oxygen in my lungs, all of it crumbled, breaking into small pieces yet still holding on by a thread—the thread was my heart. It pumped on auto-pilot as if it couldn’t associate with the rest of my body. It’s thumping sounded in my ears, and I wished it would stop, but my heart was not ready to let go. It continued with the same steady beat, refusing to give up what was right in front of me. Maybe your eyes will return to mine, I thought—well, prayed. And I waited. Two seconds passed. Then three—waiting as my body weakened from your disconnection, and my heart continued to pump. Four. And then your back was to me. Whatever we’d had no longer existed, but I remembered everything clearly, and it wasn’t fair. Could I have accepted the hollow look in your eyes over the wonder? Surely, anything you had to offer would be better than nothing. If only you had turned back around. Had you even noticed me? And then you took a step in the opposite direction. You were gone, left in obscurity and I couldn’t bring you back, but my heart still maintained a steady beat, pumping along to a rhythm of crimson hope. “Stay with me,” you had said over and over. Who would have thought you would be the one to take a step into oblivion? I’m screaming now, can you hear me?Why didn’t you stay with me? I didn’t get to kiss you goodbye. You were gone, and even though you were only twenty feet away, I missed you. It was entirely possible you’d wake up and turn back around, or I’d wake up. Either way, it was a nightmare. I forced my eyes closed. I couldn’t watch you walk away, each step drawing more distance and less of a chance of you coming back. The darkness was better, anyway, and if I held my lids closed tight, I could see stars. I focused on the yellow and orange horizon behind my eyelids, pretending it was a sunset through the bitterness. The only warmth was the water gathering in the corners of my eyes. The tears struggled for a moment, fighting the same lie as my beating heart. I wished I could switch places with you, because I didn’t deserve a world once blessed by your light, and you didn’t deserve this at all. But this is what I deserved. In the beginning, I’d thought you’d be fun, and I’d thought I could leave you effortlessly. It was me who ripped hearts out, but now mine was the one bleeding. The walls surrounding me had been durable, indestructible, before you. And with no more walls, and no more you, I was slowly suffocating. When it came down to you and me, I’d never thought you’d be the one to slip away.
Nicole Fiorina, Stay With Me
He closed his eye when Mira ran a thumb lightly across his chin and crimson lips, flinching back a little as she put her face close to his and kissed him softly on the mouth. When she pulled back she was smiling somewhat triumphantly, and her fingers pushed his face away in disgust. “I always wondered if he'd ever kissed you,” Mira muttered thoughtfully, “but you taste just like all the other whores around here. Cheap and used.  He told me he doesn't enjoy that sort of thing.” “Which is why he won't fuck you,” Blue retorted without thinking.
A.M. Daily (Lacuna (Lacuna Chronicles #1))
Quigley collapsed in his chair, astonishment evident in face and form. “What is England coming to when a duke chooses an intellectual? A woman who reads actual books. Not novels, mind you, but science texts. And writes articles fit for an Oxford professor. Society is crumbling, frankly decaying around us. They’re going to take over. This is what you’re setting in motion, Mercer. Women ruling the world.” He reclaimed his glass and knocked it back, a crimson drop running down his chin and bleeding into his crumpled collar. “My God, her needlework is probably horrific. You’ll have no uplifting quoted cushions scattered about, that’s my verdict.
Tracy Sumner (Mistletoe and Christmas Kisses)