Cricket Fielding Quotes

But my brain winds and wends. Back and forth. Up and down. It feels like the county fair has inhabited my mind-- complete with sketchy rides, carnies, and sugar-amped kids crying over lost balloons. So loud and disorienting. I want it to pack up and move on to the next town. I want my mind to be an open grassy field again with crickets and dandelions.

He lifts her white cotton skirt, revealing another hour. His hand. His hands. The syllables inside them. O father, O foreshadow, press into her — as the field shreds itself with cricket cries. Show me how ruin makes a home out of  hip bones. O mother, O minutehand, teach me how to hold a man the way thirst holds water. Let every river envy our mouths. Let every kiss hit the body like a season. Where apples thunder the earth with red hooves. & I am your son.

I know plenty of people who find God most reliably in books, in buildings, and even in other people. I have found God in all of these places too, but the most reliable meeting place for me has always been creation. Since I first became aware of the Divine Presence in that lit-up field in Kansas, I have known where to go when my own flame is guttering. To lie with my back flat on the fragrant ground is to receive a transfusion of the same power that makes the green blade rise. To remember that I am dirt and to dirt I shall return is to be given my life back again, if only for one present moment at a time. Where other people see acreage, timber, soil, and river frontage, I see God's body, or at least as much of it as I am able to see. In the only wisdom I have at my disposal, the Creator does not live apart from creation but spans and suffuses it. When I take a breath, God's Holy Spirit enters me. When a cricket speaks to me, I talk back. Like everything else on earth, I am an embodied soul, who leaps to life when I recognize my kin. If this makes me a pagan, then I am a grateful one.

The pastures, fields, and scrubby groves they crossed were vigorous with bees, and crickets leapt before them as if each step released a spring and flung them up like pebbles.

In cricket fielding, if catch comes right in your hand, there is no fun. You enjoy the most when you have to dive to catch the ball. This is what playfulness is all about. Difference between being a servant of someone and surrendering to someone is playfulness. Don’t make things too easy in your relationship with your spouse or children or gods. Keep the playfulness alive.

To think of the Midwest as a whole as anything other than beautiful is to ignore the extraordinary power of the land. The lushness of the grass and trees in August, the roll of the hills (far less of the Midwest is flat than outsiders seem to imagine), the rich smell of soil, the evening sunlight over a field of wheat, or the crickets chirping at dusk on a residential street: All of it, it has always made me feel at peace. There is room to breathe, there is a realness of place. The seasons are extreme, but they pass and return, pass and return, and the world seems far steadier than it does from the vantage point of a coastal city. Certainly picturesque towns can be found in New England or California or the Pacific Northwest, but I can't shake the sense that they're too picturesque. On the East Coast, especially, these places seem to me aggressively quaint, unbecomingly smug, and even xenophobic, downright paranoid in their wariness of those who might somehow infringe upon the local charm. I suspect this wariness is tied to the high cost of real estate, the fear that there might not be enough space or money and what there is of both must be clung to and defended. The West Coast, I think, has a similar self-regard...and a beauty that I can't help seeing as show-offy. But the Midwest: It is quietly lovely, not preening with the need to have its attributes remarked on. It is the place I am calmest and most myself.

Then, when we had done so, we put our hands upon the freezing cold monster, our monster. And this is what we felt: vertigo, an icicle through our strong hearts, our long-lost childhoods. Sunshine in a field and crickets and the sweet tealeaf stink of a new ball mitt and a rock glinting with mica and a chaw of bubblegum wrapping in sweet sweet tendrils down our throats and the warm breeze up our shorts and the low vibrato of lake loons and the sun and the sun and the warm sun and this is what we felt; the sun.

The universe dilated within him, above him. Something like joy stirred in Lancaster’s being, a sublime ecstasy born of terror. His heart felt as if it might burst, might leap from his chest. His cheeks were wet. Drops of blood glittered on his bare arms, the backs of his hands, his thighs, his feet. Black as the blackest pearls come undone from a string, the droplets lifted from him, drifted from him like a slow motion comet tail, and floated toward the road, the fields. For the first time in an age he heard nothing but the night sounds of crickets, his own breath. His skull was quiet.

And this was what we felt: vertigo, an icicle through our strong hearts, our long-lost childhoods. Sunshine in a field and crickets and the sweet tealeaf stink of a new ball mitt and a rock glinting with mica and a chaw of bubblegum wrapping its sweet tendrils down our throats and the warm breeze up our shorts and the low vibrato of lake loons and the sun and the sun and the warm sun and this is what we felt; the sun.

One day at Fenner's (the university cricket ground at Cambridge), just before the last war, G. H. Hardy and I were talking about Einstein. Hardy had met him several times, and I had recently returned from visiting him. Hardy was saying that in his lifetime there had only been two men in the world, in all the fields of human achievement, science, literature, politics, anything you like, who qualified for the Bradman class. For those not familiar with cricket, or with Hardy's personal idiom, I ought to mention that “the Bradman class” denoted the highest kind of excellence: it would include Shakespeare, Tolstoy, Newton, Archimedes, and maybe a dozen others. Well, said Hardy, there had only been two additions in his lifetime. One was Lenin and the other Einstein.

But surely everyone can also testify to another, less reckonable kind of homesickness, one having to do with unsettlements that cannot be located in spaces of geography or history; and accordingly it's my belief that the communal, contractual phenomenon of New York cricket is underwritten, there where the print is finest, by the same agglomeration of unspeakable individual longings that underwrites cricket played anywhere--longings concerned with horizons and potentials sighted or hallucinated and in any event lost long ago, tantalisms that touch on the undoing of losses too private and reprehensible to be acknowledged to oneself, let alone to others. I cannot be the first to wonder if what we see, when we see men in white take to a cricket field, is men imagining an environment of justice.

Friday night beneath the stars In a field behind your yard. You and I are paintin' pictures in the sky. And sometimes we don't say a thing; Just listen to the crickets sing. Everything I need is right here by my side. Just a small town boy and girl Livin' in a crazy world. Tryna figure out what is and isn't true. And I don't try to hide my tears, The secrets or my deepest fears. Through it all nobody gets me like you do.

When we walked the mowed margins of the field in the evenings, a school of black crickets sprang ahead of us like dolphins in front of a ship.

I frowned, staring into the eerie blackness along Route 33 truckers always complained about. It is odd how we rarely encounter true darkness. Somewhere, there is always light; a house, a town, headlights. Not here. Just total and complete darkness. I had been on the night run for months, long enough to get accustomed to total darkness if not entirely comfortable with it. What concerned me was the silence. I'd often had to pull over and take a pee along that godforsaken beltway. There were crickets rubbing their legs together in the cotton and wheat, grasshoppers jumping through the corn stalks, and June bugs flittering above the fields. Occasionally while relieving myself I'd even hear a lone armadillo burrowing. Tonight, however, I heard nothing. Less than nothing. Always there existed a strangeness here the truckers talked about, but tonight something had inexplicably hushed the sounds of night and made it stranger. The silence itself was dead; the kind of silence you get high up in the mountains when it snows, hushing the entire world beneath a white blanket. The blanket along Damnation Road was black, and it felt…unnatural." - NIGHT RUN - Bobby Underwood

There was no heat in these buildings, partly because the earliest meetinghouses also served as powder magazines, and fires threatened to blow the entire congregation to smithereens. They were bitter cold in winter. Many tales were told of frozen communion bread, frostbitten fingers, baptisms performed with chunks of ice and entire congregations with chattering teeth that sounded like a field of crickets. It was a point of honor for the minister never to shorten a service merely because his audience was frozen. But sometimes the entire congregation would begin to stamp its feet to restore circulation until the biblical rebuke came crashing down upon them: “STAND STILL and consider the wonderous work of God.” Later generations built “nooning houses” or “sab-baday houses” near the church where the congregation could thaw out after the morning sermon and prepare for the long afternoon sermon to come. But unheated meetings remained a regional folkway for two hundred years.

When I had no gym, The Divine One gave me rocks. When I had no health, The Divine One gave me herbs. When I had no perfume, The Divine One gave me flowers. When I had no bathtub, The Divine One gave me rivers. When I had no tap water, The Divine One gave me springs. When I had no diamonds, The Divine One gave me stars. When I had no umbrella, The Divine One gave me trees. When I had no companions, The Divine One gave me animals. When I had no pool, The Divine One gave me lakes. When I had no bed, The Divine One gave me fields. When I had no pillow, The Divine One gave me hay. When I had no shelter, The Divine One gave me a forest. When I had no bodygaurds, The Divine One gave me angels. When I had no teacher, The Divine One gave me nature. When I had no orchestra, The Divine One gave me crickets. When I had no choir, The Divine One gave me birds. When I had no lamp, The Divine One gave me the sun. When I had no blanket, The Divine One gave me the sky. When I had no mansion, The Divine One gave me the world. When I had no wealth, The Divine One gave me the universe.

I should like to indulge in the pleasures of the seasons—the blossoms, the autumn leaves, the changing skies. People have long weighed the flowering woods in spring against the lovely hues of the autumn moors, and no one seems ever to have shown which one clearly deserves to be preferred. I hear that in China they say nothing equals the brocade of spring flowers, while in Yamato speech 41 we prefer the poignancy of autumn, but my eyes are seduced by each in turn, and I cannot distinguish favorites among the colors of their blossoms or the songs of their birds. I have in mind to fill a garden, however small, with enough flowering spring trees to convey the mood of the season, or to transplant autumn grasses there and, with them, the crickets whose song is so wasted in the fields, and then to give all this to a lady for her pleasure.

I would go to India for you, Victoria Forester, and bring you the tusks of elephants, and pearls as big as your thumb, and rubies the size of wren’s eggs. ‘I would go to Africa, and bring you diamonds the size of cricket balls. I would find the source of the Nile, and name it after you. ‘I would go to America – all the way to San Francisco, to the gold-fields, and I would not come back until I had your weight in gold. Then I would carry it back here, and lay it at your feet. ‘I would travel to the distant northlands did you but say the word, and slay the mighty polar bears, and bring you back their hides.’ ‘I

There is a lonesome field of tall grasses within which one might pass a warm dusk eve and watch the stars and fireflies bring new illumination against the periwinkle sky and amidst the faint symphony of crickets and marsh frogs. A breeze whisks over and nearly flattens the fibrous stalks, and there is a sense of renewing peace that fills the form on this eve that one might wish to carry forward into all moments thereafter—a resplendent sense of contentment. All is finally and lastingly to one’s satisfaction. And yet, right now, this notion of satisfaction seems illusory and unattainable. At these depths, it seems too like a childish game.

As in diamonds so in batting, perfection requires flawlessness and nowhere is a batting imperfection more quickly recognised than in the dropped catch. For this reason any innings worthy of consideration deserves to have all its flaws studied to establish whether or not it is the genuine gem or just masquerading as one under the glitter of big hitting or weight of runs.

There are certain things that you have to be British, or at least older than me, or possibly both, to appreciate: skiffle music, salt-cellars with a single hole, Marmite (an edible yeast extract with the visual properties of an industrial lubricant), Gracie Fields singing “Sally,” George Formby doing anything, jumble sales, making sandwiches from bread you’ve sliced yourself, really milky tea, boiled cabbage, the belief that household wiring is an interesting topic for conversation, steam trains, toast made under a gas grill, thinking that going to choose wallpaper with your mate constitutes a reasonably fun day out, wine made out of something other than grapes, unheated bedrooms and bathrooms, erecting windbreaks on a beach (why, pray, are you there if you need a windbreak?), and cricket. There may be one or two others that don’t occur to me at the moment.

It had been unusually hot all summer. Ben Cresswell could feel the sun scorching his thighs through his cricket whites as he sat on the clubhouse veranda, waiting for his turn at bat. Colonel Huntley sat beside him, mopping his red and sweaty face. He was wearing pads because he was next up at bat. He wasn’t as good a batsman as Ben, but he was team captain, and in village cricket, seniority often took precedence over ability. Only

He liked the splash of the river and the night things that gathered there: katydids and crickets, frogs and cicadas. At night the smell of the river overtook his house. It smelled of everything it had passed on its way to him. It smelled of homes with families in them; of girls that sat in stiff chairs, painting their toenails and dreaming of far-off places; of boys who skipped rocks on the river's surface to break up the moonlight. The river at night carried the scent of untamed mountains and long, cool fields where dew settled first and sunlight hit last in the mornings.

[Scott] heard the clock on the living room mantel strike midnight, and he could no longer lie there suffering. He slipped from his bed, dressed, and so quietly that he might not even have existed--and wouldn't that have been the best, he thought miserably--left the house. Spring field crickets chirred in the darkness but stopped as he passed, and their sudden silence felt to him like censure. The moon poured silver over the town, and his black shadow kept company at his side. He walked without particular purpose, walked because he couldn't be still, walked mindless, walked dead.

The insidious reasons for a brown girl’s self-loathing won’t be surprising to any woman of color. I cannot rightly compare my own struggles to those of another minority, as each ethnicity comes with its own baggage and the South Asian experience is just one variation on the experience of dark-skinned people everywhere. As parents and grandparents often do in Asian countries, my extended family urged me to avoid the sun, not out of fear that heatstroke would sicken me or that UV rays would lead to cancer, but more, I think, out of fear that my skin would darken to the shade of an Untouchable, a person from the lowest caste in Indian society, someone who toils in the fields. The judgments implicit in these exhortations—and what they mean about your worth—might not dawn on you while you’re playing cricket in the sand. What’s at stake might not dawn on you while, as a girl, you clutch fast to yourself your blonde-haired, blue-eyed doll named Helen. But all along, the message that lighter skin is equivalent to a more attractive, worthier self is getting beamed deep into your subconscious. Western ideals of beauty do not stop at ocean shores. They pervade the world and mingle with those of your own country to create mutant, unachievable standards.

What should it be called, this special place? You might have thought, for the people who named it, that with its almshouses and playing fields, its miniature boating lake and white-flannelled cricketers, the village was built as an archetype – a parody, almost – of a certain notion of Englishness. The little stream which wound through its very centre was called the Bourn, and many expected that Bournbrook would be the chosen name. But this was a village founded on enterprise, and that enterprise was to sell chocolate, and even in the hearts of the Cadburys, these pioneers of British chocolate manufacture, there lurked a residual sense of the inferiority of the native product, compared to its Continental rivals. Was there not something quintessentially, intrinsically European about the finest chocolate?

You Are What You Eat Take food for example. We all assume that our craving or disgust is due to something about the food itself - as opposed to being an often arbitrary response preprogrammed by our culture. We understand that Australians prefer cricket to baseball, or that the French somehow find Gerard Depardieu sexy, but how hungry would you have to be before you would consider plucking a moth from the night air and popping it, frantic and dusty, into your mouth? Flap, crunch, ooze. You could wash it down with some saliva beer.How does a plate of sheep brain's sound? Broiled puppy with gravy? May we interest you in pig ears or shrimp heads? Perhaps a deep-fried songbird that you chew up, bones, beak, and all? A game of cricket on a field of grass is one thing, but pan-fried crickets over lemongrass? That's revolting. Or is it? If lamb chops are fine, what makes lamb brains horrible? A pig's shoulder, haunch, and belly are damn fine eatin', but the ears, snout, and feet are gross? How is lobster so different from grasshopper? Who distinguishes delectable from disgusting, and what's their rationale? And what about all the expectations? Grind up those leftover pig parts, stuff 'em in an intestine, and you've got yourself respectable sausage or hot dogs. You may think bacon and eggs just go together, like French fries and ketchup or salt and pepper. But the combination of bacon and eggs for breakfast was dreamed up about a hundred years aqo by an advertising hired to sell more bacon, and the Dutch eat their fries with mayonnaise, not ketchup. Think it's rational to be grossed out by eating bugs? Think again. A hundred grams of dehydrated cricket contains 1,550 milligrams of iron, 340 milligrams of calcium, and 25 milligrams of zinc - three minerals often missing in the diets of the chronic poor. Insects are richer in minerals and healthy fats than beef or pork. Freaked out by the exoskeleton, antennae, and the way too many legs? Then stick to the Turf and forget the Surf because shrimps, crabs, and lobsters are all anthropods, just like grasshoppers. And they eat the nastiest of what sinks to the bottom of the ocean, so don't talk about bugs' disgusting diets. Anyway, you may have bug parts stuck between your teeth right now. The Food and Drug Administration tells its inspectors to ignore insect parts in black pepper unless they find more than 475 of them per 50 grams, on average. A fact sheet from Ohio State University estimates that Americans unknowingly eat an average of between one and two pounds of insects per year. An Italian professor recently published Ecological Implications of Mini-livestock: Potential of Insects, Rodents, Frogs and Snails. (Minicowpokes sold separately.) Writing in Slate.com, William Saletan tells us about a company by the name of Sunrise Land Shrimp. The company's logo: "Mmm. That's good Land Shrimp!" Three guesses what Land Shrimp is. (20-21)

I would want to have died on a sunny day. The seed of this small secret wish I carry since childhood. What frightens me most about the death, is the perception of darkness with which it is connected. I admire the religions of the East that have managed to bring to humanity a bright, sunny death, to instill in t the perception of the endless jás after the grave. They have, perhaps, given to mankind the greatest good that a mortal can receive. I would want to have died lying prone on the good, hot soil, all bathed in sun and glory, to have died in the plentitude of a day, into the hour of the scorching crickets. Into the hour in which sleepily silence the folded wheat fields, in which ripen the bulking grapes, into the hour of the searing after noon silence. It scares me, the death at sunset, the death in the autumn, the death behind the slanting curtains of the rain. Vladan Desnica, The Springs Of Ivan Galeb (*English translation from the Serbo-Croatian: Boris Gregoric)

History generally records that Michael Vaughan quit the England captaincy in tearful circumstances following the Test-series defeat to South Africa in 2008. But the Top Spin can reveal this version of events is little more than a smokescreen. For it appears that what actually tipped Vaughan over the edge was a phonecall from a stricken team-mate - a call so harrowing Vaughan decided he could cope no longer. The ex-skipper was enjoying a barbecue at home with friends two summers ago when he took a rare call from Monty Panesar. 'Hello, Monty.' 'Hello Vaughany. I've got some bad news for you.' 'Oh?' 'Yes, you know I was telling you about my parrot Gary last week?' 'Er...' 'Well, he's gone missing. Just thought you'd like to know.' 'Sorry to hear that Monty.' 'Bye.' 'Bye.' So aghast was Vaughan that captaincy duty now extended to fielding calls from team-mates about escaped pets that he knew his time was up. Sure, the tears at the farewell press conference left an impression on us all. But it was Monty's ex-parrot that sealed the deal.

Imagine a form of baseball in which the pitcher, after each delivery, collects the ball from the catcher and walks slowly with it out to centre field; and that there, after a minute's pause to collect himself, he turns and runs full tilt towards the pitcher's mound before hurling the ball at the ankles of a man who stands before him wearing a riding hat, heavy gloves of the sort used to handle radioactive isotopes, and a mattress strapped to each leg. Imagine moreover that if this batsman fails to hit the ball in a way that heartens him sufficiently to try to waddle sixty feet with mattresses strapped to his legs he is under no formal compulsion to run; he may stand there all day, and as a rule, does. If by some miracle he is coaxed into making a misstroke that leads to his being put out, all the fielders throw up their arms in triumph and have a hug. Then tea is called and everyone retires happily to a distant pavilion to fortify for the next siege. Now imagine all this going on for so long that by the time the match concludes autumn has crept in and all your library books are overdue. There you have cricket.

They emerged from the tropical vegetation, greeted by a general cheer. Stephen advanced, carrying his hurly: he was feeling particularly well and fit; he had his land-legs again, and no longer stumped along, but walked with an elastic step. Jack came to meet him, and said in a low voice, 'Just keep your end up, Stephen, until your eye is in; and watch out for the Admiral's twisters,' and then as they neared the Admiral, 'Sir, allow me to name my particular friend Dr. Maturin, surgeon of the Leopard. 'How d'ye do, Doctor?' said the Admiral. 'I must beg your pardon, sir, for my late appearance: I was called away on -- ' 'No ceremony, Doctor, I beg,' said the Admiral, smiling: the Leopard's hundred pounds were practically in his pocket, and this man of theirs did not look very dangerous. 'Shall we begin?' 'By all means,' said Stephen. 'You go down to the other end,' murmured Jack, a chill coming over him in spite of the torrid sun. 'Should you like to be given a middle, sir?' called the umpire, when Stephen had walked down the pitch. 'Thank you, sir,' said Stephen, hitching at his waistband and gazing round the field, 'I already have one.' A rapacious grin ran round the Cumberlands: they moved much closer in, crouching, their huge crab-like hands spread wide. The Admiral held the ball to his nose for a long moment, fixing his adversary, and then delivered a lob that hummed as it flew. Stephen watched its course, danced out to take it as it touched the ground, checked its bounce, dribbled the ball towards the astonished cover-point and running still he scooped it into the hollow of his hurly, raced on with twinkling steps to mid-off, there checked his run amidst the stark silent amazement, flicked the ball into his hand, tossed it high, and with a screech drove it straight at Jack's wicket, shattering the near stump and sending its upper half in a long, graceful trajectory that reached the ground just as the first of La Fleche's guns, saluting the flag, echoed across the field.

They’ll have Donald Duck and Goofy and the gang on the wallpaper ready for the first arrival in the nursery, the boy who would be conker champion, and the signed baseball bat and mitt, and his granddad’s fighter plane suspended from the ceiling. And he’ll coach him in baseball, and Phineas in cricket, and Owain will teach him to fish, and later shoot. Phineas would be one godparent, he’d decided, and Annie and Owain, and Jasmine, and the Commander and Priny, and Miss Wyndham and John Beecher, and Tom Parr, there’ll be plenty to go round, enough new trees over the years. And they’ll grow up, their brood, like Jasmine’s and the Owens’, and there’ll be all the Hall and the grounds to chase each other round in, and the river to explore, and picnics on it, and trips to its hidden places, and all that English countryside, and the half that was in Wales, to play in. Humphrey clamped his cigar in his mouth, and scattered sheep feeding by a field gate with a couple more blasts on the horn, singing his way down Batch Valley.

Another aspect of concentration which intrigues me was a batsman’s ability to actually find a gap by remembering the field settings and then playing the ball through the fielders. A ball that was thrown at him at 150 kmph! The commentators always mention how the batsmen found beautiful gaps and that irritated the hell out of me because as a mediocre cricketer I never reached a stage in my batting where I could actually place the ball in a certain direction. So I once gathered the courage to ask Ricky Ponting if batsmen really found the gaps or was it merely a matter of luck. I knew it was a brave question but what I did not expect was a life philosophy that was one of the most impactful one I have heard in a long time. He said, “Ya mate, batting is an an instinct you hone over years of practice and that enables you to reach a level of expertise where you see the field placements in your mind. A good batsman imprints the fielders in the sub-conscious, but an excellent batsman imprints the gaps. There was a time I used to do the former and hit to the fielders but the moment I started to do the latter I found the gaps.” I was stunned by this analogy. When I mentioned this philosophy to my friend Rajiv Bajaj, the MD of Bajaj Auto he immediately added his business perspective to the same and said, “Exactly! In business, if you focus on the competitors you’ll start behaving like them. But if you focus on the gaps in the market you’ll become a champion company.

Besides batting, Inzy mainly liked eating and sleeping. Like most Pakistani cricketers, he was pious and uncomfortable speaking English and his batting was largely uncoached. On occasion his manners let him down. As when, fielding on the boundary in a hilariously misnamed ‘Friendship Cup’ game against India in Toronto, an Indian heckler had insulted him, calling him ‘mota aloo’, or fat potato. Inzy then called for a bat and leapt into the crowd with it to try to brain the heckler.

He dances all night, utterly naked and composed of nothing but six and a half feet of pale sinew. He could dance to a field of crickets, to the sound of rain on a tin roof, to a stampede.

All around us that morning, the noise of the crickets was astounding, the squeak and whine of so many new bodies in the dark—they’d been multiplying since the slowing. All the bugs had. More and more birds were dying, and with so few of them left, everything smaller was thriving. More and more spiders were crawling on our ceilings too. Beetles emerged from bathroom drains. Worms slithered over the cement of our patios. One soccer practice was canceled when a million ladybugs descended on the field at once. Even beauty, in abundance, turns creepy.

Down the road the voice of a child called out the adhan from the megaphone of a mosque’s citadel, and even with the static and the echo and the cracking of his pitch, it sounded so sweet in the fading light, with the fields darkening, and the crickets chirping their songs.

One Day" Everything shimmers with the sound of the train rattling over the bridge especially the ears and nostrils and teeth of the horse riding out to the pasture of death where the long train runs on diesel fuel that used to run on coal. I keep listening for the crickets and birds and my words fall down below. I mistook the train for a thunder storm, I mistook the willow tree for a home, it's nothing to brag about when you think of it spending this time all alone. I wandered into the hay field and two ticks jumped in my hair they dug in my scalp and drank up my blood like the sweet wine of Virginia, then left me under the Druid moon down here on earth in the kingdom.

Let’s stop time, Love, to see what those clouds yearn to be, to listen to that butterfly stir the air around us, to hear, at dusk, the stars begin like crickets, tremulous, or feel their light begin to ripple in the lowest ferns; let’s see how skillfully the night covers this field of moons, the way your own look has passed the sentries of my heart– let’s add some message twig to this nest we’d set so far apart we only spoke with words that waited all winter in their cocoons. from “The Pause

At evening the complaint of the cuckoo Grows still in the wood. The grain bends its head deeper, The red poppy. Darkening thunder drives Over the hill. The old song of the cricket Dies in the field. The leaves of the chestnut tree Stir no more. Your clothes rustle On the winding stair. The candle gleams silently In the dark room; A silver hand Puts the light out; Windless, starless night.

ON A WARM, drowsy afternoon in early September, Ed Murrow, Vincent Sheean, and Ben Robertson, a correspondent for the New York newspaper PM, stopped at the edge of a field several miles south of London. The three had spent the day driving down the Thames estuary in Murrow’s Talbot Sunbeam roadster, enjoying the sun and looking for dogfights between Spitfires and Messerschmitts. Their search had been fruitless, and they stopped to buy apples from a farmer. Stretching out on the field to eat them, they drowsily listened to the chirp of crickets and buzzing of bees. The war seemed very far away. Within minutes, however, it returned with a vengeance. Hearing the harsh throb of aircraft engines, the Americans looked up at a sky filled with wave after wave of swastika-emblazoned bombers that clearly were not heading for their targets of previous days—the coastal defenses and RAF bases of southern England. Following the curve of the Thames, they were aimed straight at London. In minutes the sky over the capital was suffused with a fiery red glow; black smoke billowed up into a vast cloud that blanketed much of the horizon. When shrapnel from antiaircraft guns rained down around the American reporters, they dived into a nearby ditch, where, stunned, they watched the seemingly endless procession of enemy aircraft flying north. “London is burning. London is burning,” Robertson kept repeating. Returning to the city, they found flames sweeping through the East End, consuming dockyards, oil tanks, factories, overcrowded tenements, and everything else in their path. Hundreds of people had been killed, thousands injured or driven from their homes. Under a blood-red moon, women pushed prams piled high with their salvaged belongings. That horrific evening marked the beginning of the Blitz: from September 7 on, London would endure fifty-seven straight nights of relentless bombing. Until then, no other city in history had ever been subjected to such an onslaught. Warsaw and Rotterdam had been heavily bombed by the Germans early in the war, but not for the length of time of the assault on London. Although

Great Sardaar" An ornamental piece of work by the Punjabi industry. Produced by Amritjit Singh Sran and Directed by Ranjeet Bal under the production house Apna Heritage &Sapphire Films presents to you "Great Sardaar" an Action/Drama film starring none other than the budding artist Dilpreet Dhillon and the multi talented Yograj Singh. This movie is an Action/Drama film in which the protagonist ends up with a series of challenges. The movie stars Dilpreet Dhillon as the lead along with Yograj singh who plays the role of (Dilpreet Dhillon) Gurjant's father. After watching the trailer one can surely say there's tasty substance beneath the froth, just enough to keep you hooked. "GREAT SRADAAR" is based on the true events about Major Shaitan Singh, who was awarded the Param Vir Chakra posthumously for his 'C' company's dig-in at Rezang La pass during the Sino-India conflict of 1962. This motivational movie is a Tribute to Sikkhism. It's really healing to see movies that are based on true events. It builds so much more compassion. Dilpreet Dhillon popularly known for his role in "once upon a time in Amritsar" has gained a great fan following. He is considered is one of the popular emerging male playback singer and actor in Punjabi music industry. And when it comes to Yograj Singh, he is not only a former Indian cricketer but also a boon to the Punjabi industry. Since the release of the official trailer on 7th of June,2017 which shows that the movie is action-packed and will leave the audience spellbound and wanting for more, the audience is eagerly waiting for the release of the movie.The trailer rolls by effortlessly and the Director has done an impeccable job. Ranjeet Bal evidently knew what he was doing and has ensured that every minute detail was taken care of particularly considering the genre he was treading. The audience will surely be sitting on the edge of their seats. Visual Effects Director- VFx Star has once again proved that there is nothing that will leave India from evolving in the field of technology. "Great Sardaar" which is set to be released on the 30th of June,2017 will be a very carefully structured story. The main question that will be raised is not what kind of world we live in, or what reality is like, rather what it has done to us.

One of the optional subjects that we could study at Eton was motor mechanics, roughly translated as “find an old banger, pimp it up, remove the exhaust, and rag it around the fields until it dies.” Perfect. I found an exhausted-looking, old brown Ford Cortina station wagon that I bought for thirty pounds, and, with some friends, we geared it up big-time. As we were only sixteen we weren’t allowed to take it on the road, but I reckoned with my seventeenth birthday looming that it would be perfect as my first, road-legal car. The only problem was that I needed to have it pass inspection, and to do that I had to get it to a garage. This involved having an adult drive with me. I persuaded Mr. Quibell that there was no better way that he could possibly spend a Saturday afternoon than drive me to a repair garage (in his beloved Slough). I had managed to take a lucky diving catch for the house cricket team the day before, so was in Mr. Quibell’s good books--and he relented. As soon as we got to the outskirts of Slough, though, the engine started to smoke--big-time. Soon, Mr. Quibell had to have the windshield wipers on full power, acting as a fan just to clear the smoke that was pouring out of the hood. By the time we made it to the garage the engine was red-hot and it came as no surprise that my car failed its inspection--on more counts than any car the garage had seen for a long time, they told me. It was back to the drawing board, but it was a great example of what a good father figure Mr. Quibell was to all those in his charge--especially to those boys who really tried, in whatever field it was. And I have always been, above all, a trier. I haven’t always succeeded, and I haven’t always had the most talent, but I have always given of myself with great enthusiasm--and that counts for a lot. In fact my dad had always told me that if I could be the most enthusiastic person I knew then I would do well. I never forgot that. And he was right. I mean, who doesn’t like to work with enthusiastic folk?

You’re all over me. Inside and out. When I run, I feel your breath filling my lungs. When I bathe, it’s your hands washing me, soft and wandering. When I cry, my tears are about you, us, and how I want you, need you, love you. Still. “And, when I come, it’s your face I see, your voice I hear, your name falling off my lips. It’s you. It’s only ever been you.

I don’t want to let you down.” My hands shake when I think about it. “Then don’t.” “What if I’m not who you think I am?” “And what if you are?

She’s a contest I have no rules for but need to win; she’s a mountain to climb with whatever equipment I can dig up inside me; she’s a test worth taking even though I have no idea what sorts of questions I’ll discover. Somewhere inside Sloan, beyond the miles of upheaval and confusion she’s wrestling with, sits a beautiful soul at ease.

I am breathing. Only you. I am breathing you. You are my air—always have been. Crazy as that sounds, you always have been, Sloan. You.

Sport has a way of finding characters who se impact goes well beyond the playing fields, and touches the core of what life means. War, and its experiences, unfortunately has sometimes played more than its fair share of a role in shaping such men.

A little farther on, in the old playing-field, there were the wickets, and the bats, and the jumping poles, and four or five boys, in their shirt sleeves and their straw hats, enjoying their half-holiday, as we had done before them. So life goes on; when one is bowled out, another is ready to step into his shoes, and, no matter how many the ball of death may knock over, the cricket of life is kept up the same, and players are never wanting!

Admittedly, the area possesses a dowdiness I personally have always found comforting, but to think of Wisconsin specifically or the Midwest as a whole as anything other than beautiful is to ignore the extraordinary power of the land. The lushness of the grass and trees in August, the roll of the hills (far less of the Midwest is flat than outsiders seem to imagine), that rich smell of soil, the evening sunlight over a field of wheat, or the crickets chirping at dusk on a residential street: All of it, it has always made me feel at peace. There is room to breathe, there is a realness of place. The seasons are extreme, but they pass and return, pass and return, and the world seems far steadier than it does from the vantage point of a coastal city.

In Cricket, yielding (of runs) is indirectly proportional to fielding. If fielding is tight, then yielding will be less. If fielding is loose, then yielding will be more.

I have no room for a God who lets children die.” “The innkeeper had no room, but it did not thwart God’s plan. Who is Ben Fielding to have no room for God? Shall the dog decide whether there is room in the house for the Master? Shall the cricket decide whether there is room in the forest for the Lion?

The ovipositor of tree and bush crickets is needlelike and is used to insert eggs into the stems of plants like goldenrod and blackberries. These eggs stay in the stems all winter and hatch in the spring. This is one reason it is important not to mow field vegetation in the fall: fall mowing destroys the following year’s population of crickets and their role in the food web.

It was splendid to have four seasons. The first summer produced so many hours of both beaming sun and bellowing rain that it seemed to add up to more than twenty-four hours in a day. Everything was green as a fairytale. Autumn was sharp and red, the sloping fields half-hidden in the morning by white fog. In the evenings, unseen bonfires scented the air as crickets shrilled their goodbyes to the heat. In the winter, it snowed with such thorough confidence that it seemed white Christmases must be the norm (they weren’t). And just when Mór and Niall had grown bored of hiding from the cold in the farmhouse, spring ferns uncurled in the forest, crocuses peeped out from under the newly repaired porch, and a new year’s sky washed clear and fresh-faced above.

There, amongst the green trees and plants and the sounds of crickets, harebells, and heaths, he could breathe for the first time since he had woken up that one day.

After the First World War, the man in charge of recruitment at the Colonial Office was Major Ralph Dolignon Furse, a decorated war hero, a keen rugby and cricket player and, crucially, holder of a poor third-class degree from Oxford. Furse's selection process was designed to eliminate anyone too smart: dependability was the thing most desired. The last thing anyone wanted was for men in the field to analyse what they were doing.

Women in Deadwood were few, and no better than they needed to be. Most of them lived in a house called the Cricket, down at the end of the south bend, where they plied their trade under the cold watchful eye of Mrs. Marshall, who smoked opium and owned the house. Others were independent, like Calamity Jane, who in recent weeks had made a great show of mourning the death of Bill Hickok, much to the disgust of Hickok’s friends. Calamity Jane was so masculine she often wore a soldier’s uniform and traveled undetected with the boys in blue, giving them service in the field; she had gone with Custer’s 7th Cavalry on more than one occasion. But she was so male that she often boasted that “give me a dildo in the dark, and no woman can tell me from a true man.” As one observer noted, this left Jane’s appeal somewhat obscure.

The technical slang of the modern cricket-field is ever a weariness; at the moment it was something worse, and I resigned myself to the silent contemplation of as wild an over as ever was bowled at Lord's. A shocking thing to the off was sent skipping past point for four. "Tripe!" muttered Raffles

The great cricket Virat Kohli said in an interview that he does not try for excellence in cricket. Rather he tries to believe in a concept called 'betterment' - to become better each day than your former self. I believe there depth behind his words. The philosophy is simple yet profound . If you stay focussed in any field, then you would eventually become adept in your skills in that field. By consistently doing your work better each day, you would go closer to achieving your best or excellence. Whether your field may be sports, theatre, business, politics or teaching - one day you become a legend

The great cricketer Virat Kohli said in an interview that he does not try for excellence in cricket. Rather he believes in a concept called 'betterment' - to become better each day than your former self. I believe there is depth behind his words. The philosophy is simple yet profound . If you stay focussed in any field, then you would eventually become adept in that field. By consistently doing your work better each day, you would get closer to achieving your best or excellence. Whether your field may be sports, theatre, writing, acting, dancing, photography, cooking, painting, singing, research, science, business, politics or teaching - one day you become a legend.

The great cricketer Virat Kohli said in an interview that he does not try for excellence in cricket. Rather he believes in a concept called 'betterment' - to become better each day than your former self. I believe there is an amazing depth in his words. The philosophy is simple yet profound . If you stay focussed in any field, then you would eventually become adept in that field. By consistently doing your work better each day, you would get closer to achieving your best or excellence. Whether your field may be sports, theatre, writing, acting, dancing, photography, cooking, painting, singing, research, science, business, politics or teaching - one day you become a legend.

THE SPIRES OF OXFORD I saw the spires of Oxford   As I was passing by, The gray spires of Oxford   Against the pearl-gray sky. My heart was with the Oxford men   Who went abroad to die. The years go fast in Oxford,   The golden years and gay, The hoary Colleges look down   On careless boys at play. But when the bugles sounded war   They put their games away. They left the peaceful river,   The cricket-field, the quad, The shaven lawns of Oxford,   To seek a bloody sod— They gave their merry youth away   For country and for God. God rest you, happy gentlemen,   Who laid your good lives down, Who took the khaki and the gun   Instead of cap and gown. God bring you to a fairer place   Than even Oxford town. Winifred M. Letts

It was raining again—this unrelenting rain. Without even trying, Malena heard the roaring of the growing river beneath the deafening song of the raindrops, frogs, crickets, and birds of the night. Above the trees, a bat swooped down time after time, tasting the still ripening nísperos in the trees. The medlar fruit was an immigrant like Malena's family, its ancestor brought as a seed in a ship all the way from China, and now it covered the fields as if it had been here since the beginning of the world.

Creation Myth I'm the great-grandson of a sheep farmer, child of sumacs, trash trees shedding their ancient scales. I'm drawn from fair grass on the north end, my molecules spat from coal and cattle, the Indiana dusk. I'm notes scrawled on freezer paper, the one looped oven mitt Aunt Bev crocheted while the baby lay feverish in its crib. I rise from a day gone thin as Cousin Ceily, who wore her cancer wigs to church. I come from boys unfastening in the 4-H bathroom, the stink of urinal cakes, dirty hands that scratched an itch. I breathe in arc welders and air compressors. I breathe out milk leaking from nurse cows, Uncle Jake's spoiled old bitches. I'm run through with moths and meth labs, a child of the KKK, men who lynched Tom Shipp from a split oak in Marion, August 1930. My cells carry his shadow swaying over uncut grass. They carry my second third cousin cheering in the back. I rise from aphids in honeysuckle, egg yolks flecked with blood. Born one humid summer night, my body hums like a black cricket, transmitting August across the fields. I sing till my throat bleeds. I smoke like a pan of scorched sugar. I'll never forget the miracle of firecrackers, freezer meat, murky gray lemonade. I'm born to thunder in the veins, a child of form, a rusted gasket ring, some disenchanted thing, the promise of a worm.

It wasn’t the first time I’d come across someone named Tickets. It’s actually quite a common nickname among amateur Australian sportsmen. There’s something beautifully simple and predictable about grade cricket nicknames. Those stockily built players are given the moniker ‘Nugget’. My ‘Nugget’ was the sole exception to this law, on the basis that his actual name was ‘Alan Nugget’. Someone with a strong sense of self-belief will usually have the name ‘Tickets’ bestowed upon them, as this bloke did, to indicate that he has purchased ‘tickets’ on himself, such is his confidence. On a similar tangent, one bloke I played with had the nickname ‘Bridgestone’ — a reference to the old Bridgestone Tires slogan: ‘Bridgestone: That’s Confidence’. This was narrowed to either ‘Bridgey’ or ‘Stoney’ whenever he was bowling. He was an absolute nightmare of a bloke — arrogant as fuck — but the ‘Bridgestone’ nickname was our affectionate way of telling him so. Naturally, all ‘Daves’ are nicknamed ‘Danger’ — an abbreviated version of ‘Dangerous Dave’ — just as all Rods are automatically known as ‘Rocket’. Those new to the club are generally just referred to by their initials (i.e. ‘great fielding, JP’) until further notice. At one club I played at, there were three blokes called Nugget and four blokes called Tickets. Needless to say it got a bit confusing at times.

wished I had known my father for what he was and my ignorance of the life he had lived filled me with pain. As I drove out of London I tried to recall my memories of him and found I could not remember a single conversation between us which had meant anything. I could visualise him, a small figure, always well-dressed, standing on the touchline at school matches or on the boundary of the cricket field and being pleased at what I had achieved.  I remember him buying me a pint of beer when I was eighteen and smoking a cigarette with him. But what he thought and what he felt he never stated, and nor did I. He died too early for me to know him and I became a man too late for him to be my friend. I felt now I was on a journey to discover a person I thought I already knew and in the process might learn something about myself.      The road north flashed by, my mind filled with the

Mark Waugh, the most fluent and aesthetically pleasing batsman of his generation but also one of the most frustrating to watch. Often, when he appeared to be a class above the rest and to have the bowling at his mercy, he would play a lazy shot to what appeared, more often than not, an innocuous delivery. And just like that his innings would be over. To make matters worse, he didn’t seem to care; he would nonchalantly wander off the field. No shaking of the head or staring back at the pitch to apportion blame. His fans had to learn to accept 30s and 40s instead of centuries and 150s. His concentration, some would say his interest, never seemed to be there in the Test arena. Despite playing some match-winning Test innings, Waugh was never quite able to shake the ‘lackadaisical’ tag.

Farther down the road, a hatchback was wrapped around a lamppost, a hanging basket embedded in its windshield. In the other direction was the desolate cricket field. There were no signs of human life. I

Shakespeare: The hell is all empty. Devils are all here. He: SINCE 1992, Creating a chaos in people's mind. I am the devil. I am the evil behind. I drive sports car on high streets. I don't play cricket on low streets. I am a real big baller. I have my father's million dollars. I speak English and i speak to only few. I don't make strangers friends. I only have best friends. I have sleeping partners, dude, personally and professionally. I hunt girls. They say I am a Starboy. Still wonder why people love me? Anyone out there who knows me? Me (On behalf of all who refuse to crawl on your lavish hall): Hi, Rich Guy of earth. I know who You are. I know what you do. I don't just speak English but now I speak for all. I play cricket on streets. I play soccer on fields. I don't feel low when you smoke high. Because I know you're already low. You're the villain of heaven. Well, i am the hero of hell. You make best friends. I make strange friends. Starboy? You are just a Mumma's boy. Sleeping Partners, why would you take sleeping pills? You are no more than 'Mr In Vain'. But I am the one who's in everyone's vein. You are SINCE 1992, I have SINS 1992. F*** you.

He looked out across the field. He seemed to have forgotten where he was, and for a while Larry rocked, bats fluttering over his view and crickets chirping in the monkey grass along the edge of the porch and his mother's wind chime jingling, delicate notes too tender to be metal, more like soft bone on wire; he'd always thought the chime sounded like a skeleton playing a guitar, and for a time they sat together on the porch and watched the sun scald the sky red and the trees black.

lanes. The mill wheel on the horizon turning its daily grind as chimneys breathed tendrils of smoke into the Wiltshire sky and smartly attired gentlemen played cricket on the Barley Field. Nothing now. Not even the distant din of agricultural equipment ploughing the fields. Just silence. Heavy. Oppressive. I glimpsed something then, a quick movement at the very edge of my field of vision. There were enough trees in the churchyard; it might easily have been a branch stirring on the wind . . . I looked to the great elm tree at the far end of the churchyard and saw, in the shadow cast by its overhanging branches, an ornate memorial stone fashioned from smooth white marble in the shape of a lamb. On either side of the lamb were two stone urns. Something told me there was only one family in Imber who could have afforded such a monument. With weather-worn angels looming on all sides of me, I crossed the churchyard to examine the impressive monument, and wasn’t surprised to find I was right. IN LOVING MEMORY OF PIERRE HOWISON HARTWELL APRIL 1925 – OCTOBER 1930