Imp Of Wife Quotes

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The place to take the true measure of a man is not in the darkest place or in the amen corner, nor the cornfield, but by his own fireside. There he lays aside his mask and you may learn whether he is an imp or an angel, cur or king, hero or humbug. I care not what the world says of him: whether it crowns him boss or pelts him with bad eggs. I care not a copper what his reputation or religion may be: if his babies dread his homecoming and his better half swallows her heart every time she has to ask him for a five-dollar bill, he is a fraud of the first water, even though he prays night and morning until he is black in the face. But if his children rush to the front door to meet him and love's sunshine illuminates the face of his wife every time she hears his footfall, you can take it for granted that he is pure, for his home is a heaven. I can forgive much in that fellow mortal who would rather make men swear than women weep; who would rather have the hate of the whole world than the contempt of his wife; who would rather call anger to the eyes of a king than fear to the face of a child (W. C. Brann, “A Man’s Real Measure,” in Elbert Hubbard’s Scrapbook, New York: Wm. H. Wise and Co., 1923, p. 16)
W.C. Brann
My imps need no doors, sir. They go where I tell them. Through any crack, be it as narrow as a nun's or wide as your wife's.
A.K. Blakemore (The Manningtree Witches)
The very concept that dragons can recall their previous lives is so hard for humans to grasp. I should so dearly love to listen to whatever you wished to tell me, and to make a complete record of all you recall. Such conversations alone would make a journey worthwhile! Oh, please, say that you will!” A taut quiet followed her words. “Alise,” Sedric said warningly, “I think you should come away from the railing.” But she clung there, even though she, too, could feel the wave of uneasiness that swept through the ship. The smoothness went out of the sailing; the deck under her feet shifted subtly. Surely it was her imagination that the wind flowed more chill than it had? Paragon spoke into the roaring silence. “I choose not to remember,” he said. Alise felt as if his words broke a spell. Sound and life came suddenly back to the world. It included the sudden thud of feet on the deck behind her. A woman’s voice said, without preamble, “I fear you’re upsetting my ship. I’ll have to ask you to leave the foredeck.” “She’s not upsetting me, Althea,” Paragon interjected as Alise turned to see the captain’s wife advancing on her. Alise had met her when they embarked and had spoken with her several times, but still did not feel at ease with her. She was a small woman who wore her hair in a long black pigtail down her back. She dressed in sailor’s garb; it was well tailored and of quality fabric, but for all that, she was a woman in trousers and a jacket. Less feminine garb Alise could not imagine, and yet the very inappropriateness of it seemed to emphasize her female form. Her eyes were very dark, and right now they sparked with either anger or fear. Alise retreated a step and put her hand on Sedric’s arm. For his part, he turned his body so that he stood almost between them and said, “I’m sure the lady meant no harm. The ship asked us to come up and speak with him.” “That I did,” Paragon confirmed. He twisted to look over his shoulder at all of them. “No harm done, Althea, I assure you. We were speaking of dragons, and quite naturally, she asked me what I recalled of being one. I told her that I chose to recall nothing at all.” “Oh, Ship,” the woman said, and Alise felt as if she had disappeared. Althea Trell did not even glance at her as she moved forward to take Alise’s place at the bow. She leaned on the railing and stared far ahead up the river as if sharing the ship’s thoughts. “Par’gon!” A child’s voice piped up suddenly behind them. Alise turned to watch a small boy of three or four clambering onto the raised foredeck. He was bare armed and bare legged and baked dark by the sun. He scampered forward, dropped to his hands and knees, and thrust his head out under the ship’s railing. Alise gasped, expecting him to pitch overboard at any moment. Instead he demanded the ship’s attention with a strident, “Par’gon? You awright?” His babyish voice was full of concern. The ship swung his head around to stare at the child. His mouth puckered oddly and then suddenly he smiled, an expression that transformed his face. “I’m fine.” “Catch me!” the boy commanded, and before his mother could even turn to him, he launched himself into the figurehead’s waiting hands. “Fly me!” the imp commanded the ship. “Fly me like a dragon!” And without a word, the ship obeyed him. He cupped the child in his two immense hands and lifted him high and forward. The boy leaned fearlessly against the ship’s laced fingers and spread his small arms wide as if they were wings. The figurehead gently wove his hands through the air, swaying the youngster from left to right. A squeal of glee drifted back to them. Abruptly the charge of tension in the air vanished. Alise wondered if Paragon even recalled they were there. “Let’s leave them shall we?” Althea suggested quietly. “Is it safe for the child?” Sedric objected in horror. “It’s the safest place the boy can possibly be,” Althea replied with certainty. “And for the ship, it’s the best place, too.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles #1))
My imps need no doors, sir, They go where I tell them. Through any crack, be it as narrow as a nun's or wide as your wife's.
A.K. Blakemore (The Manningtree Witches)
Your husband is doing this for your own good, they both concur. ‘Your own good’ was the mantra of my mother when I was growing up – it justified being force-fed laxatives once every three months, not celebrating my birthdays at school, curfews against travelling alone, refusal of permission to go to picnics. ‘Your own good’ was the reason my English teacher offered when she pulled me by the ear and led me out of the classroom, shouting rowdy girl rowdy girl rowdy girl this is for your own good and struck me with a wooden ruler. ‘Your own good’ was what justified my teenage neighbour putting his fingers inside my eight-year-old vagina to check for forest insects and bed bugs and evil imps. When I hear ‘your own good’ I am reduced to being a child again. I do not argue any more. I go silent.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
Your husband is doing this for your own good, they both concur. ‘Your own good’ was the mantra of my mother when I was growing up – it justified being force-fed laxatives once every three months, not celebrating my birthdays at school, curfews against travelling alone, refusal of permission to go to picnics. ‘Your own good’ was the reason my English teacher offered when she pulled me by the ear and led me out of the classroom, shouting rowdy girl rowdy girl rowdy girl this is for your own good and struck me with a wooden ruler. ‘Your own good’ was what justified my teenage neighbour putting his fingers inside my eight-year-old vagina to check for forest insects and bed bugs and evil imps. When I hear ‘your own good’ I am reduced to being a child again. I do not argue any more. I go silent.
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)