Crete Travel Quotes

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An ardent desire to go took possession of me once more. Not because I wanted to leave - I was quite all right on this Cretan coast, and felt happy and free there and I needed nothing - but because I have always been consumed with one desire; to touch and see as much as possible of the earth and the sea before I die.
Nikos Kazantzakis (Zorba the Greek)
The Laconian peninsula lay weightlessly along the eastern horizon and, slightly more substantial, the outline of Elaphonisi—Stag-Island—loomed between us. Wraithlike on the Lybian Sea which expanded southwards far beyond the divider-point capes of Malea and Matapan, hovered Cythera once again, and beyond it, hardly discernible, Anticythera, the last stepping stone to the two stormy western capes of Crete.
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
Aboard the gondola, Giacomo Foscarini sat facing Mathias. They were crossing the Canal Grande, then they would navigate around San Marco and return. Foscarini loved to travel around Venice this way. They stopped briefly at a mooring near the bridge to the Rialto, and Foscarini had a servant fetch green olives, fresh Piacenza cheese, a few sausages from Modena, and wine that had just been delivered from Crete. The nobleman often dined aboard his gondola, looking out over the city, watching his world. "Seen from this vantage point, Venice doesn't seem like it's in any of its terrible troubles at all magister," said Foscarini.
Riccardo Bruni (The Lion and the Rose)
The choice of 'eastern Europe' as a frame of reference requires a word of explanation. The term is used here in a provisional manner and indeed a rather arbitrary one, with the lower-case form intended to underline this. The travellers set out from places that stretch from Kiev to Rijeka, and from Gdansk to Crete. The eastern Europe that they represent includes the lands that lie between the Baltic in the north and the Mediterranean in the south; between Russia in the east and Italy, Austria and Germany in the west. These boundaries were set in part by the limits of the possible: had resources permitted, accounts by travellers from the Baltic countries or by Austrian Germans, among others, might equally well have been included here. My aim has been to assemble a representative selection of travel writings from this region: the anthology includes accounts from some twenty languages, by more than one hundred authors, written over a period of more than 450 years, beginning in the sixteenth century and finishing with a book published in 2004. The writers travel to Ireland in the west, to Istanbul in the east—and any number of places in between. But why group these particular east European travels through Europe together, in a single volume? The answer lies partly in eastern Europe's relationship to the idea of Europe itself.
Wendy Bracewell (Orientations: An Anthology of European Travel Writing on Europe (East Looks West))
Ξάφνου μ' ένα χαμόγελο θυμόμουν τους πατέρες Διόνυσο και Γαβριήλ, τους αδερφούς Θεοφύλακτο, Χρίστο και Πολύκαρπο, τους γενάτους, μακρυμάλληδες, καλημαυχοφόρους οικοδεσπότες και προστάτες μου στην Κρήτη κατά την διάρκεια του πολέμου, που ‘βάζαν τις ρακές, έσπαγαν καρύδια, έλεγαν τραγούδια του βουνού, έλυναν κι έδεναν πιστόλια, μου έκαναν ατελείωτες ερωτήσεις για τον Τσόρτσιλ και ροχάλιζαν κάτω από τα λιόδεντρα, ενώ οι αχτίδες του ήλιου έπεφταν κάθετα στο Λιβυκό Πέλαγος.
Patrick Leigh Fermor (A Time to Keep Silence)
Philistia had been settled generations earlier when the Mediterranean Sea Peoples had left their habitations in search of new territory and landed on the shores of Canaan. They were not a singular people, but consisted of a variety of Aegean clans; Cherethites, Pelethites, and even Caphtorim, from the island of Caphtor, also known as Crete. These Sea Peoples had quickly established their presence on the coast and immediately launched an invasion of Egypt. They were repelled and so accepted a form of vassalage under the Pharaoh’s authority. They became known collectively as Philistines and maintained a profitable control of the access to shipping routes to the rest of the world, including Egypt, for travel and trade. The land route from Canaan to Egypt eventually was called the Way of the Philistines.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
Ancient Ways Considering their favorable strategic location, pleasant climate, and natural beauty, is it any wonder that the Greek Isles became the cradle of Western culture? For millennia, the Greek islands have exerted a powerful magnetic force on people around the world. Seafaring conquerors have long recognized the importance and beauty of these islands. Ancient Phoenician ships came ashore as early as the third millennium B.C.E., followed by would-be conquerors from mainland Greece, Rome, Venice, and Turkey. Invaders have laid claim to these islands from antiquity well into the modern era. Pleasure seekers have also been drawn to the area. Ancient Minoan kings built their luxurious palaces among the citrus groves and rugged hillsides that overlook the placid seas. Scenes depicted in ancient wall paintings and on decorated pottery suggest that the islands have been a center of hedonistic activity--dancing, drinking, and romance--for eons. Today, visitors from around the world indulge in these same activities, drawn to the beaches, tavernas, and discotheques that pepper the many island harbors. Contemporary travelers to the Greek Isles come for myriad reasons and find a dazzling array of unexpected delights, for each of the more than three thousand islands has its own particular character. From the larger, bustling islands of Crete, Rhodes, and the island nation of Cyprus to the quieter havens of Folegandros and Kárpathos, to the hundreds of tiny, uninhabited islets of the region, the Greek Isles present a collage of diverse landscapes and customs. Mykonos is fun-loving, with lively tavernas and populated beaches. Delos is stoic, protecting the ruins of its ancient sanctuaries in solemn dignity. Milos is magical, with its volcanic rock formations and stunning village vistas.
Laura Brooks (Greek Isles (Timeless Places))