Creepy Dark Quotes

We've searched our database for all the quotes and captions related to Creepy Dark. Here they are! All 100 of them:

It's both creepy and out of my control, this ability I have to notice so much about other people when I'm positive no one notices anything at all about me.
Kate Elizabeth Russell (My Dark Vanessa)
I discovered that what most people call creepy, scary, and spooky, I call comfy, cozy, and home.
Zak Bagans (Dark World: Into the Shadows with the Lead Investigator of The Ghost Adventures Crew)
It takes many sheep to satisfy one wolf.
Nenia Campbell (Horrorscape (Horrorscape, #2))
Fuckhead: The name’s MariKETA. Go to hell, The WITCH, doing a creepy spell somewhere right now.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
What the heck is that?" I asked, pointing to a dark stain in the nearest corner. "Okay, number one question you *don't* want to hear in a creepy cellar," Archer said ...
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Most people say about graveyards: "Oh, it's just a bunch of dead people. It's creepy." But for me, there's an energy to it that it not creepy, or dark. It has a positive sense to it.
Tim Burton
I got bored," he says. "Besides, you know what's creepier than walking around your dead brothers' apartment? Sitting alone in a hearse in front of his apartment.
Holly Black (Red Glove (Curse Workers, #2))
EVERY DOG’S STORY I have a bed, my very own. It’s just my size. And sometimes I like to sleep alone with dreams inside my eyes. But sometimes dreams are dark and wild and creepy and I wake and am afraid, though I don’t know why. But I’m no longer sleepy and too slowly the hours go by. So I climb on the bed where the light of the moon is shining on your face and I know it will be morning soon. Everybody needs a safe place.
Mary Oliver (Dog Songs: Poems)
I’m only doing this,” he said, “because I really love hiding in haunted Eldren buildings on dark and creepy nights.” “You’re a liar,” said Jean, slowly. “I’m only doing this because I’ve always wanted to see Bug get eaten by an Eldren ghost.” “Liar,” said Calo. “I’m only doing this because I fucking love hauling half a ton of bloody coins up out of a vault and packing them away on a cart.” “Liar!” Galdo chuckled. “I’m only doing this because while you’re all busy elsewhere, I’m going to go pawn all the furniture in the burrow at No-Hope Harza’s.” “You’re all liars,” said Locke as their eyes turned expectantly to him. “We’re only doing this because nobody else in Camorr is good enough to pull this off, and nobody else is dumb enough to get stuck doing it in the first place.” “Bastard!” They shouted in unison, forgetting their surroundings for a bare moment.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
There was something delightfully intimate about the relationship between predator and prey.
Nenia Campbell (Horrorscape (Horrorscape, #2))
The Days were a clan that mighta lived long But Ben Day’s head got screwed on wrong That boy craved dark Satan’s power So he killed his family in one nasty hour Little Michelle he strangled in the night Then chopped up Debby: a bloody sight Mother Patty he saved for last Blew off her head with a shotgun blast Baby Libby somehow survived But to live through that ain’t much a life —SCHOOLYARD RHYME, CIRCA 1985
Gillian Flynn (Dark Places)
The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow.
Matthew Woodring Stover
A library after closing is a lonely place. It is heart-poundingly silent, and the rows of shelves create an almost unfathomable number of dark and creepy corners.
Vicki Myron
There’s something really creepy about the doors being open,” Mark whispered. “And it’s so dark inside the rooms.” “What’s your point?” Alec asked. “Ready to turn around and go home?” “No. Just saying that you should go in first.
James Dashner (The Kill Order (Maze Runner, #4))
You sleep like an angel" Jacks said. The shock of his words in the dark room sent Maddy's stomach leaping into her throat. She didn't even realize she had screamed until it came out of her mouth. "Don't be frightened," Jacks said, sounding worried. "It's just me. I'm sorry, I so didn't mean for that to sound creepy. Let me start over.
Scott Speer (Immortal City (Immortal City, #1))
Never a good sign, he thought, when the crows showed up.
Justin Cronin (The Twelve (The Passage, #2))
You've been waiting in the bushes for half an hour just to speak to me?" Kit shrugs. "I've done sniper training. I can sit for hours in the dark, waiting and watching." "That's comforting." I say. "And not creepy in the slightest.
Mila Gray (Come Back to Me (Come Back to Me, #1))
Ask yourself what a man without guile might do to your body in the dark.
Nenia Campbell (Terrorscape (Horrorscape, #3))
It's creepy, but here we are, the Pilgrims, the crackpots of our time, trying to establish our own alternate reality. To build a world out of rocks and chaos. What it's going to be, I don't know. Even after all that rushing around, where we've ended up is the middle of nowhere in the middle of the night. And maybe knowing isn't the point. Where we're standing right now, in the ruins in the dark, what we build could be anything.
Chuck Palahniuk (Choke)
This was a normal town once, and we were normal people. Most of us worked at the plastics factory on the outskirts of town. Then one day there was an accident... something escaped from the factory, a yellow gas. It floated over the town so fast that we didn't see it, didn't realize... and then it was too late, and Dark Falls wasn't a normal town anymore.
R.L. Stine (Welcome to Dead House (Goosebumps, #1))
Conquest was not satisfying if it began with a surrender.
Nenia Campbell (Horrorscape (Horrorscape, #2))
We are in the dark places of the earth," said Madman. "Where all the ancient and most dangerous secrets are kept. There are Old Things down here, sleeping all around us, in the earth and in the living rock, and in the spaces between spaces. Keep your voices down. Some of these old creatures sleep but lightly, and even their dreams can have force and substance in our limited world. We have come among forgotten gods and sleeping devils, from the days before the world settled down and declared itself sane.
Simon R. Green (Hex and the City (Nightside, #4))
I know you did. It’s just that I wanted to see you for a few minutes and you were asleep. I didn’t want to disturb you. (Leta) So you slept at my feet like a puppy? No offense, but that’s creepy as hell. Next thing I know, you’ll be trying on my clothes and sleeping in my bed. (Aiden)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
Leo remembered their trip together through the House of Hades. Hazel had led him through that creepy maze of illusions. She’d made the sorceress Pasiphaë disappear through an imaginary hole in the floor. She’d battled the giant Clytius while Leo choked in the giant’s cloud of darkness. She’d cut the chains binding the Doors of Death. Meanwhile Leo had done...well, pretty much nothing.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
As darkness descended, fear continued hammering on the cracks of her rational mind. Even the critters had decided to ratchet up the volume. Great. A creepy nature soundtrack for my own personal nightmare. “How about some Tomb Raider music, people!
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
Oh no, that’s for you. Presents make people happy. The Simi wants you to be happy. (Simi) Thank you, Simi. (Gallagher) No need to thank me. See, that’s what families do. They take care of each other. (Simi) I no longer have a family. I had to give them up. (Gallagher) Of course you have a family. Everyone has family. I’m your family. Akri your family. Even that smelly old goddess is your family. She’s that creepy old aunt who comes around but nobody likes her so they make fun of her when she’s gone. (Simi)
Sherrilyn Kenyon (A Dark-Hunter Christmas (Dark-Hunter #2.5; Were-Hunters, #0.6))
What are you doing?” Sicarius’s voice floated from his tree perch. “The usual night-watch activities.” She tried to keep her tone light. Neither the creepy forest nor the creepy wolves were going to make her nervous, thank you very much. “Staying awake, counting trees, throwing fire at wolves with glowing eyes.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
You met over a pile of dead bodies mere days ago. Now he's carving little radish garnishes and humming to himself. It's creepy.
Sharon Ashwood (Ravenous (The Dark Forgotten, #1))
It’s both creepy and out of my control, this ability I have to notice so much about other people when I’m positive no one notices anything at all about me.
Kate Elizabeth Russell (My Dark Vanessa)
Well, Onyx told me that Queen Thorn had sent her a message asking for us, and I thought, whoa, that’s kind of awesome, but guess what, that turned out to be a LIE, Qibli! She was LYING to me! Why would she DO that?” Ostrich shot Onyx a resentful look. “And we were halfway to the palace when suddenly THIS guy showed up with, like, EIGHTY creepy dragons in hoods and they bossed us all here instead, although I was pretty sure Thorn wouldn’t be here, and I was right, and then they said I couldn’t leave, and finally I realized Onyx was actually WORKING with them, and then I was, like, ARRRGH NOOO, I’m a stupid HOSTAGE again, aren’t I?
Tui T. Sutherland (Darkness of Dragons (Wings of Fire #10))
Clay snorted. “Special powers like what?” he’d asked. “You know,” Starflight had answered, irritated. “Telepathy? Precognition? Invisibility? Hello?” “You don’t have invisibility,” Clay had argued. “I mean, you’re a black dragon. You’re just hard to see in the shadows. That’s not a power. I’d be invisible, too, if I were lying in a mud puddle.” “Yeah, well,” Starflight had said, “we can appear out of nowhere in the dark of night! Swooping down as if the sky has just fallen on you!” He’d spread his wings majestically. “Still not a power,” Clay had said. “That’s just you guys being creepy.” “It is not creepy!” Starflight had cried, his voice rising. “It is magnificent and imposing!
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
But the snags were thick, the water was treacherous and shallow, the boiler seemed indeed to have a sulky devil in it, and thus neither that fireman nor I had any time to peer into our creepy thoughts.
Joseph Conrad (Heart of Darkness)
It’s dark, close, cold, and intensely creepy down there. The fact that it was inhabited by things that had no love for mankind and potential radioactivity to boot didn’t do much to boost its tourism industry.
Jim Butcher (White Night (The Dresden Files, #9))
These lips officially belong to me, and mine they will remain. If I find them anywhere near another man, he better be kin to you." I was entirely serious. "You manage to say the most romantic things in the creepiest way possible.
C.J. Roberts (Epilogue (The Dark Duet, #3))
Okay, welcome to Creepy Territory. Here's your map.
Cate Tiernan (Darkness Falls (Immortal Beloved, #2))
I descend into the darkness so quickly that it isn't until I see the glint of silver that I register where I am: in the belly of a beast who detests me.
Melissa K. Magner (The Underground Moon)
but to answer your question, it was a grandmother— a Fiend. Had a child who was a witch. That witch was my mom.” Roth rocked back as he folded his arms across his chest. “Cool. Anyway. Back to the whatever this is.” He jerked his head toward the creepy cocoon. “I’m assuming you realize that ain’t normal?
Jennifer L. Armentrout (Stone Cold Touch (The Dark Elements, #2))
They’d gravitated closer while speaking, elbows kissing atop the banister. “Tell me something else,” she said. “Something embarrassing.” “That’s an easy one. I’ve been keeping your chewed-up pens in the glove compartment of my car.” A startled laugh burst out of her. “I can’t believe you just admitted to that. That is incredibly creepy.” His smile sharpened. “Bold words from a girl with a drawing of me shoved in her purse.
Kelly Andrew (The Whispering Dark)
There was something a little creepy about sitting in this small pool of light in the middle of total darkness. It was so eerily quiet - just the crackling of the fire, the occasional lap of water from the lake, and - A fucking wolf. That was a fucking wolf howl. "What the fuck was that?" Ilya said. He couldn't conceal the terror in his voice. But who the fuck cared, because they were surrounded by hungry wolves! Shane laughed. "It's a loon." "A what?" "A loon!" Shane was really laughing now. "It's a bird. Like a duck, kind of. Oh my god, you thought it was a wolf!" "What the fuck bird makes a noise like that?" "A loon!" Shane said again. Then he doubled over in hysterics. Ilya wanted to push him into the fire. "Fuck you and your loon!" Ilya said. "Stupid Canadian wolf bird.
Rachel Reid (Heated Rivalry (Game Changers #2))
David!" Xander yelled, because he had to yell something. His eyes snapped back to the figure in the upstairs doorway, but it was gone. "What do you want?" David asked. "I...were you just upstairs?" "I haven't looked up there yet." "But I just saw you up there.
Robert Liparulo (House of Dark Shadows (Dreamhouse Kings, #1))
He smirked. “Decision time, pretty lady... back to reality?” She touched his cheek. “Or down the rabbit hole?
Jake Vander-Ark (Fallout Dreams)
She stared out at the vacant darkness. The darkness stared back.
Jamie Lackey (A Metal Box Floating Between Stars and Other Stories)
It´s both creepy and out of my control, this ability I have to notice so much about other people when I´m positive no one notices anything at all about me
Kate Elizabeth Russell (My Dark Vanessa)
I wasn’t drawn to creepy, scary things because I was obsessed with total darkness. I was also too realistic to be obsessed with total light. It was the combination of light and dark that made me feel alive.
Peter Laws (The Frighteners: A Celebration of our Fascination with the Macabre)
Memories of last night manifested slowly from the back of her brain, every new detail hammering her heart like a war drum: the flowers, the vodka, the persistent dream-like sensation, the closet, the outline of a stranger, the sex... and, most gut-wrenching of all, the sudden realization that he might still be here.
Jake Vander-Ark (Fallout Dreams)
Tendrils of mist slithered over the forest floor, around the base of trees. Xander noticed that some of it had climbed the porch pillars and drifted, almost invisibly, over the shingles of the porch roof. It reminded him of an old TV series Dean's dad had bought on DVD: Dark Shadows. It was about a creepy old house and a vampire who lived there. Barnabas, Xander remembered.
Robert Liparulo (House of Dark Shadows (Dreamhouse Kings, #1))
It’s more about being able to read people,” Fitz said. “It’s kind of like what Councillor Terik does when he descrys someone—only Shades are looking at your potential for darkness.” “Tell me that’s not creepy!” Keefe said. “Uh, I can inflict pain on people,
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
I know the evil that exists. I know the terrible things people do to each other. I’ve lived it. I’ve survived it. But just because I’ve seen the palette of dark colors doesn’t mean I have to paint the rest of my world that way. I can choose the bright colors instead. I can see them, paint them, draw them, surround myself with them like a loud, glorious song drowning out all the darkness in the world.
Rachel Morgan (A Faerie's Secret (Creepy Hollow #4))
A tall, dark-haired boy... stared after me curiously. He gave me a slow smile before turning his attention back to Miller. That smile sent chills racing down my arms, leaving gooseflesh in their wake, but not in a good way. It was less Mr. Sexypants and more Mr. Windowless Van.
Cara Lynn Shultz (The Dark World (Dark World, #1))
EVERY DOG’S STORY I have a bed, my very own. It’s just my size. And sometimes I like to sleep alone with dreams inside my eyes. But sometimes dreams are dark and wild and creepy and I wake and am afraid, though I don’t know why. But I’m no longer sleepy and too slowly the hours go by. So I climb on the bed where the light of the moon is shining on your face and I know it will be morning soon. Everybody needs a safe place.
Mary Oliver (Dog Songs)
It's creepy, but here we are, the Pilgrims, the crackpots of our time, trying to establish our own alternate reality. To build a world out of rocks and chaos. What it's going to be, I don't know. Even after all that rushing around, where we've ended up is the middle of nowhere in the middle of the night. And maybe knowing isn't the point. Where we're standing right now, in the ruins in the dark, what we build could be anything.
Chuck Palahniuk (Choke)
The sleepless hum of the city was abidingly in his ears, and the lamps that dotted the misty pavements stared at him blinkingly all along the route. The tall black buildings rose up grimly into the night; the faces that flitted to and fro along the pavements, kept ever sliding past him, melting into the darkness; and the cabs and 'buses, still astir in the streets, had a ghostly air as they vanished in the gloom. ("An Unexpected Journey")
J.H. Pearce (Tales from a Gas-Lit Graveyard)
Sometimes women’s attraction to true crime is dismissed as trashy and voyeuristic (because women are vapid!). Sometimes it is unquestioningly celebrated as feminist (because if women like something, then it must be feminist!). And some argue that women read about serial killers to avoid becoming victims. This is the most flattering theory—and also, it seemed to me, the most incomplete. By presuming that women’s dark thoughts were merely pragmatic, those thoughts are drained of their menace. True crime wasn’t something we women at CrimeCon were consuming begrudgingly, for our own good. We found pleasure in these bleak accounts of kidnappings and assaults and torture chambers, and you could tell by how often we fell back on the language of appetite, of bingeing, of obsession. A different, more alarming hypothesis was the one I tended to prefer: perhaps we liked creepy stories because something creepy was in us.
Rachel Monroe (Savage Appetites: Four True Stories of Women, Crime, and Obsession)
You are in the house and the house in the woods. The woods are in the house. The stairs are in the house. Down the stairs is the hallway, and at the end of the hallway is the ballroom. You are in the ballroom. The ballroom is in the house. You are in the house and the house is in you. The house is in the woods. You are in the woods. You can be good. In the house. You are in the house and the house is in today. Today is not a moment. Today is not a point. Today is an infinite area. Today is forever. Everything that has happened and will happen is now. Everything that has been and will be is here. And everything is good. Everything is fine. You are not sad. You are not afraid. You are not hateful. Because you are here. You are here. You are inside. And you are ready. You are here. You are in. And doesn’t it feel good? You are in the house and the house is in the woods. You are in the house and the house is in you.
Elisabeth Thomas (Catherine House)
There are probably a few things worse than climbing into a hole that is actually underneath a creepy basement, but at that moment, it was hard to think of any of them. I was only a few steps down the ladder before I was plunged into darkness. The dim light in the cellar wasn’t strong enough to penetrate the gloom. I was also pretty sure that the tunnel was narrower now, and as I took another step down, both my shoulders brushed the walls. The metallic taste of fear flooded my mouth as my suddenly sweaty hands slid on the iron rungs. “Mercer?” Archer called from above me. “You okay?” I rested my forehead on the back of my hands, and tried to keep the panic out of my voice as I replied, “Yeah, fine. Why do you ask?” “Because you’re gasping.” Oh. Now that he mentioned it, my breath was heaving in and out of my lungs pretty quickly. I made an effort to slow it down as he asked, “Is it the dark, or-“ He grunted a little and shifted. Dirt rained down on me, and I shut my eyes. “Both,” I choked out. “Apparently I’m claustrophobic now. That’s, uh, new. Probably a side effect of fleeing a burning building through an underground tunnel.” I took another shaky breath. “Yay for psychological trauma.” “Come back up,” Archer said automatically, and I kind of loved him for that. “No,” I said, willing my feet to keep moving. “We’re trying to save the world here, Cross. No time for panic attacks.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Couldn’t he have checked his shoelaces BEFORE entering a dark, super-creepy cave?
Sarah Mlynowski (Genie in a Bottle (Whatever After #9))
There’s something creepy about a dark refrigerator that’s hard to explain.
Dana Mele (Summer's Edge)
I’m pretty sure your house isn’t haunted,” he said. She shrugged. “Part of me hopes you’re wrong.
Jake Vander-Ark (Fallout Dreams)
She was stubborn. She was evolving. She needed SOLITUDE like normal people needed exercise.
Jake Vander-Ark (Fallout Dreams)
If something in the dark isn't right, all you need is a little light!
Ellwyn Autumn (Kamyla Chung and the Creepy Crawlies (1))
downs. It’s both creepy and out of my control, this ability I have to notice so much about other people when I’m positive no one notices anything at all about me.
Kate Elizabeth Russell (My Dark Vanessa)
So his brothers were scary and creepy. Manda’s younger brother worked as a female impersonator and she didn’t have a problem with it. Sara could learn to deal.
Kristen Painter (Dark Kiss of the Reaper)
And all that borrowed magic?” Des continues. “The process is called cobinding, and though Typhus made it sound cavalier and impersonal, it’s not like that,” Des says. I stare down at my fae wine. “Then how is it?” “Remember those horcruxes in Harry Potter?” I begin to smile in spite of myself. “Are you seriously dropping an HP reference right here, right now?” I ask, glancing over at Des. “I have your undivided attention, don’t I?” “And all my love.” I mean, I knew he was soulmate material before, but this pretty much just sealed the deal. Des’s face grows serious. “Essentially, when you exchange magic, you’re transferring more than raw energy. You’re moving a piece of yourself as well.” That’s massively creepy.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
1) Everyone nodded in silent agreement, and then one by one disappeared into the castle’s dark shadows where night met blackened air and creepy things whispered the most haunting words into the wind.
Kenya Wright (The Muse (Dark Art Mystery, #1))
Words of gibberish had also been carved into these walls with a childish, uneven hand... "All hail the Kindly Emperor" read one sentence. Then, beside it in screaming block letters, "WITNESS HIS SMILE.
Jessica Cluess (A Poison Dark and Drowning (Kingdom on Fire, #2))
I shivered, only the pale moonlight filtering in through the high rows of dusty, neglected windows. “You are so creepy.” “Duh. I’m monster that eats souls. Now go.” He flapped his hands forward. “Be powerful.
Ketley Allison (Dark Souls (Dark Souls, #1))
There are times when eye contact can move to the dark side and become creepy, hostile, rude, or condescending. When it is overused or made for the wrong reasons, eye contact can make others feel uncomfortable and leave a terrible impression . . . • obsessive staring • mocking • too much intensity • inappropriate focus • averting eyes • obvious contempt • gawking, ogling • casting the "evil eye" • over-watching • intimidating • unwelcome looks • rolling the eyes
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
Foreboding” might have been the appropriate word. “Dread.” The PROMISE of fear. It was tangible fear... smellable... the stale odor soaking into the dirt and lingering in the windless jungle of dead branches and train tracks to nowhere; lovelier than angst, kinder than panic.
Jake Vander-Ark (Fallout Dreams)
It was cold, it was freezing, actually; my breath formed white clouds as I stood on the snow-covered doorstep and clapped my hands. I set off to crunch through the icy crust covering the courtyard. Icicles hung from rooftops, frost sparkled over dark grey slates under a crisp blue sky, the sun shone and all felt well with the world. Admittedly, there were a couple of corpses in the Kirk, and I was now apparently being haunted, not to mention the missing skull and the creepy curse; but apart from all that, it felt marvellous to be out in the fresh air.
Karen Baugh Menuhin (The Curse of Braeburn Castle (Heathcliff Lennox, #3))
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
Everything belonged to him--but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That was the reflection that made you creepy all over. It was impossible--it was not good for one either--trying to imagine. He had taken a high seat amongst the devils of the land--I mean literally. You can't understand. How could you?--with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums--how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude--utter solitude without a policeman--by the way of silence, utter silence, where no warning voice of a kind neighbor can be heard whispering of public opinion? These little things make all the great difference. When they are gone you must fall back upon your own innate strength, upon your own capacity for faithfulness. Of course you may be too much of a fool to go wrong--too dull even to know you are being assaulted by the powers of darkness. I take it, no fool ever made a bargain for his soul with the devil: the fool is too much of a fool, or the devil too much of a devil--I don't know which. Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place -- and whether to be like this is your loss or your gain I won't pretend to say. But most of us are neither one nor the other. The earth for us is a place to live in, where we must put up with sights, with sounds, with smells too, by Jove!-- breathe dead hippo, so to speak, and not be contaminated. And there, don't you see? Your strength comes in, the faith in your ability for the digging of unostentatious holes to bury the stuff in--your power of devotion, not to yourself, but to an obscure, back-breaking business. And that's difficult enough. Mind, I am not trying to excuse or even explain--I am trying to account to myself for--for--Mr. Kurtz--for the shade of Mr. Kurtz. This initiated wraith from the back of Nowhere honored me with its amazing confidence before it vanished altogether. This was because it could speak English to me. The original Kurtz had been educated partly in England, and--as he was good enough to say himself--his sympathies were in the right place. His mother was half-English, his father was half-French. All Europe contributed to the making of Kurtz.
Joseph Conrad (Heart of Darkness)
You know, we still have like, half an hour down here. Seems a shame to waste it.” I poked him in the ribs, and he gave an exaggerated wince. “No way, dude. My days of cellar, mill, and dungeon lovin’ are over. Go castle or go home.” “Fair enough,” he said as we interlaced our fingers and headed for the stairs. “But does it have to be a real castle, or would one of those inflatable bouncy things work?” I laughed. “Oh, inflatable castles are totally out of-“ I skidded to a stop on the first step, causing Archer to bump into me. “What the heck is that?” I asked, pointing to a dark stain in the nearest corner. “Okay, number one question you don’t want to hear in a creepy cellar,” Archer sad, but I ignored him and stepped off the staircase. The stain bled out from underneath the stone wall, covering maybe a foot of the dirt floor. It looked black and vaguely…sticky. I swallowed my disgust as I knelt down and gingerly touched the blob with one finger. Archer crouched down next to me and reached into his pocket. He pulled out a lighter, and after a few tries, a wavering flame sprung up. We studied my fingertip in the dim glow. “So that’s-“ “It’s blood, yeah,” I said, not taking my eyes off my hand. “Scary.” “I was gonna go with vile, but scary works.” Archer fished in his pockets again, and this time he produced a paper napkin. I took it from him and gave Lady Macbeth a run for her money in the hand-scrubbing department. But even as I attempted to remove a layer of skin from my finger, something was bugging me. I mean, something other than the fact that I’d just touched a puddle of blood. “Check the other corners,” I told Archer. He stood up and moved across the room. I stayed where I was, trying to remember that afternoon Dad and I had sat with the Thorne family grimoire. We’d looked at dozens of spells, but there had been one- “There’s blood in every corner,” Archer called from the other side of the cellar. “Or at least that’s what I’m guessing it is. Unlike some people, I don’t have the urge to go sticking my fingers in it.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
He must have pressed the wrong button, or several of them, for when the door fretted open he found himself deep underground, with no heart to try again. The corridor was dark, the air heavy with must, the rooms on both sides quiet yet stirring, as though numb people within were digging themselves out.
Douglas Woolf (Wall to Wall (American Literature))
He was staring into the doorway, hypnotized, as an aisle of Macy’s rushed forward—he was reminded again of The Shining, where you saw what the little boy was seeing as he rode his trike through the hallways of that haunted hotel. He remembered the little boy had seen this creepy pair of dead twins in one of those hallways. The
Stephen King (The Drawing of the Three (The Dark Tower, #2))
You know how my first few minutes in a new Minecraft world are usually spent screaming, running for my life, and hiding from scary monsters—sometimes even GIANT ones! Well, not this time! Instead of a giant monster, I was plopped down in front of a giant MANSION! (Yay, Minecraft: Peaceful Paradise floating book!) And the best part was that it wasn’t all dark and creepy like the Haunted House! It was an awesome modern mansion made of white stone and glass. Even better, it was built on a hillside overlooking an ocean! Actually, it reminded me of Tony Stark’s house in one of my favorite movies, Iron Man. I guess you could say it’s a MARVEL-ous mansion! (Heh, heh.)   Anyway,
Minecrafty Family Books (Wimpy Steve Book 9: Portal Panic! (An Unofficial Minecraft Diary Book) (Minecraft Diary: Wimpy Steve))
but this story scared me while I was working on it. It originally appeared as part of an audio compilation called Blood and Smoke, and the audio scared me even more. Scared the hell out of me. But hotel rooms are just naturally creepy places, don’t you think? I mean, how many people have slept in that bed before you? How many of them were sick?
Stephen King (Everything's Eventual: 14 Dark Tales)
I’m getting the feeling you don’t want me to go. Are you ashamed of me? That hurts, Titty-bottum—I’m wounded.” She laughs disdainfully. “No you’re not. And it has nothing to do with me not wanting you to go—you can’t go. There are about thirty Austenites. As soon as they spot you, word will get out that you were in Castlebrook.” “Oh the horror, because Castlebrook is the hub of the social scene and media elites.” That was sarcasm, in case you weren’t sure. Sarah is, which is why her eyes rolls behind her glasses. “It only takes one set of loose lips for the Queen to find out you were there when you’re supposed to be here. And the producers don’t want you going anywhere, anyway.” “I could ditch?” She blows a puff of breath up at her dark bangs, which have fallen too close to her eyes. And now I’m thinking about Sarah blowing things. “And then you’ll have to wear the monkey.” “I fear no man or monkey. But it is sort of creepy, isn’t it?” I groan. “Fucking James.” Sarah mocks me. “Right, fucking James is trying to keep you safe and alive and not kidnapped, like it’s his job or something. Bastard.” Huh, look at that. Sarah can do sarcasm too. That’s sexy. And she said the word fucking—which makes me think about fucking her—on the bed, the sofa . . . Christ, in the nook. She would be absolutely wild in the nook. Talk about a fantasy—that one’s going straight to the top of the wank bank.
Emma Chase (Royally Matched (Royally, #2))
Rage, or something as equally dense and seething, was hanging from every chandelier, resentment woven into thick carpets padding the room, hatred flickering underneath every lampshade. The floor bathed in a creepy shadow, a particular darkness that had seeped into the walls, and right now was rolling across my converse so I couldn't see them. Absolute darkness.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
Marissa Theodora took out her journal, put it on her lap so Mr. Alva would not see. She penciled thoughts as they came. ‘Picture the classroom plunged into dark,’ she wrote. A touchable darkness, like the fur of a black cat. A thick fog of ink. You can move through it; just not quickly. Can’t shout through it; only talk in low soft tones.’ She frowned. Why ‘plunged into dark’? Why not ‘opened’? Darkness was already everywhere. Under the floor, between the walls. Up in space and below the earth. Everyone’s pockets were full of Dark. Our heads? Stuffed with the stuff. Close your eyelids and roll your eyes inward, and gaze into the cavern of your skull. Behold: your secret vault of Dark. Marissa considered writing that. Decided not. It sounded gloomy, even creepy.
Raymond St. Elmo (In Theory, it Works)
Susannah: This place...it may or may not be Topeka, but what it really looks like to me is one of those creepy little towns on The Twilight Zone. You boys probably don't remember that one, but-- Eddie and Jake: (in perfect unison) Yes, I do. (laughter) Jake: They still show the reruns. Eddie: Yeah, all the time. Usually sponsored by bankruptcy lawyers who look like shorthair terriers.
Stephen King (Wizard and Glass (The Dark Tower, #4))
The boy was there too, stumbling through the living room horde and passing out magic mushrooms from a paper bag. His eyeballs sparkled inside gaping, play-dough sockets while his limbs hung gaunt and exhausted from eight straight days of self-medicating fear. Another boy in a black tee pinched some mushroom flakes from his bag, nodded his thanks, and mouthed the word “bro” like blowing a man kiss.
Jake Vander-Ark (Fallout Dreams)
At the same time I dismissed a strange bodily sensation that had run the lower back half of my body, during which the base of my spine had seemed to move. It had moved. Not a normal moving as in forward bends, backward bends, sideways and twistings. This had been a movement unnatural, an omen of warning, originating in the coccyx, with its vibration then setting off ripples – ugly, rapid, threatening ripples – travelling into my buttocks, gathering speed into my hamstrings from where, inside a moment, they sped to the dark recesses behind my knees and disappeared. This took one second, just one second, and my first thought – unbidden, unchecked – was that this was the underside of an orgasm, how one might imagine some creepy, back-of-body, partially convulsive shadow of an orgasm – an anti-orgasm.
Anna Burns (Milkman)
AUTHOR’S NOTE The Morris dance . . . . . . is traditionally danced on May 1, to welcome in the summer. Its history is a bit confused, possibly because it’s often danced near pubs, but it is now the English folk dance. The dancers usually wear white, and have bells sewn on their clothes. It is danced by both men and women, and is certainly now danced in the United States too. I know this because I saw the Dark Morris danced in a bookshop in Chicago some years ago. I’d invented the Dark Morris for another book called Reaper Man (at least I think I invented it), and a Morris team (officially known as a side) turned up in all black, just for me. They danced it in silence and perfect time, without the music and bells of the “summer” dance. It was beautifully done. But it was also a bit creepy. So it might not be a good idea to try it at home. .
Terry Pratchett (Wintersmith (Discworld, #35))
I’m trying to be an adult. I’m trying to be responsible. I’m trying not to call home crying. But it’s hard. It’s hard when every morning feels like a hangover. It’s hard when I hear voices every time I go to sleep. It’s hard when the only thing that would make me feel better is to crawl in bed with the one person who truly knows me, but I’m more afraid of her than the bears or the perverts or whoever the hell visits her when I’m away.
Jake Vander-Ark (Fallout Dreams)
How? How did you get Torin to Hex Hall?” Dad blinked rapidly, and at first, I thought he was surprised by my question. Then I realized that, no, he was fighting tears. Seeing my father, who practically had a PhD in Stiff Upper Lip, on the verge of crying because he was so happy to see me made my own eyes sting. Then he cleared his throat, straightened his shoulders, and said, “It was exceedingly difficult.” I laughed through my tears. “I bet.” “It was Torin’s idea,” someone said behind me, and I turned to see Izzy standing there. Like my parents and her sister, she was dressed in jeans and a black jacket, although she also had a black cap pulled over her bright hair. “We had tons of old spell books, and after you and Cal disappeared, he started looking through them. Found a spell that would let him travel to a different mirror.” “Of course, the problem was finding your mirror,” Aislinn said, coming out of the darkness. “Aren’t you afraid that he’ll permanently peace out from his mirror and start hanging out in girls’ locker rooms or something?” Aislinn’s eyes slid to Izzy. “Torin has his reasons for wanting to stay with us,” she said, and even in the dim light, I saw red creepy up Izzy’s cheeks. Maybe one day, I’d get to the bottom of whatever was going on there. Preferably once I was done getting to the bottom of the thousand other things on my agenda.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
From down here, it was obvious what had happened to Nettle. A huge cluster of pitcher plants was gathered right below the hill, gaping maws ready to swallow any animal that tumbled down it. Each one looked like a long green sack, tipped with stripes of dark pink around the open mouth at the top. Sundew had a collection of much smaller pitcher plants growing outside her nest to catch flies before they buzzed in and bothered her. She really didn’t like this big kind, though; it was super creepy to look at a giant pitcher plant and wonder whether there might be a dragon corpse decomposing inside it. Or, in this case, a dragon that was still very much alive and spitting mad. “GET ME OUT! GET ME OUT OF THIS THING!” Nettle shrieked. One of the plants wobbled as she slammed herself into the side. “Whoa,” Cricket said, landing beside Sundew. “She’s … in there? Why doesn’t she just fly out?” “Meeebomorp,” Bumblebee added, wide-eyed.
Tui T. Sutherland (The Poison Jungle (Wings of Fire, #13))
Your parents are bad,” he explained. “Your sister lacks any depth to be interesting, and I hate my house. It’s so dark there.” He paused, then continued. “It all fucking disappeared when you were dancing, though. It made the world prettier. I liked it.” “So, what?” I argued. “You wanna lock me in your basement to dance for you on command? Is that it?” But instead of the creepy, monotone, and calm response I’d been getting, his chest shook with a quiet laugh. “Can I hide there with you?” he asked.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Later, I walked towards the dorm circle beside Alaska. The cicadas hummed their one-note song, just as they had at home in Florida. She turned to me as we made our way through the darkness and said,"When you’re walking at night, do you ever get creeped out and even though it’s silly and embarrassing you just want to run home?” It seemed too secret and personal to admit to a virtual stranger but I told her, “Yeah, totally.” For a moment, she was quiet. Then she grabbed my hand, whispered,“Run run run run run,” and took off, pulling me behind her.
John Green (Looking for Alaska)
own. That was the reflection that made you creepy all over. It was impossible—it was not good for one either—trying to imagine. He had taken a high seat amongst the devils of the land—I mean literally. You can't understand. How could you?—with solid pavement under your feet, surrounded by kind neighbors ready to cheer you or to fall on you, stepping delicately between the butcher and the policeman, in the holy terror of scandal and gallows and lunatic asylums—how can you imagine what particular region of the first ages a man's untrammeled feet may take him into by the way of solitude—utter solitude without a policeman—by the way of silence, utter silence,
Joseph Conrad (Heart of Darkness)
A voice: “My goodness, Nurse Jones.” I look up, startled. Simon’s in the doorway, leaning against the frame, smiling. No doubt I’m quite the sight in my bloody, sexy nurse’s outfit, sitting on a bed next to a tied-up, taped-up target. “Oh, please.” I collect my purse, my phone and my stun gun and walk around the bed. Simon’s smile reaches deep into his dark blue eyes. He has a long face and delicate features for a man. I grab the sleeve of his black jacket and pull him into the outer room. “What the fuck are you wearing? You look insane,” he says. “This? This is the creepy outfit the Alchemist put me in after he kidnapped me.” Simon stops smiling. “Are you okay?” “Yeah.
Carolyn Crane (Mind Games (The Disillusionists, #1))
In an instant, five harlequin-like clowns emerged and began to perform all kinds of acrobatic tricks, encircling us––correction...corralling us. They were graceful but a little creepy too. They were wearing black and white costumes that were form fitting and appeared to move like some psychedelic drug trip when they flipped around. That of course was odd, but not nearly as odd as the chant they were singing as they continued to perform their tricks. See us dance. Watch us flip. Care to take a chance? We’ll only need a sip. Come to see our mistress? Or come to see our master? She can be quite viscous. But he is a disaster. We love them both, and we’ll let you choose. Either way, we wouldn’t want to be in your shoes.
Brynn Myers (Falling Out of Focus)
Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss. Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods. She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity. The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream. “Whoohoo!” Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!” Another naked man dashed through the forest after him. “It smells of freedom.” Jane stayed hidden in the branches, undetected, with her hand pressed to the bark. “Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees. “Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!” “Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.” “I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.” “Oh, naked man,” Jane teased before she could stop herself. “That I am,” Angus answered, “but there is an explanation for it.” “I don’t think some things need explained,” Jane said.
Michelle M. Pillow (Spellbound (Warlocks MacGregor, #2))
Suddenly, the wind got colder for a moment. Colder and fiercer. I had to hold my hair down, the blonde locks thick with mousse and hairspray, as they were being whipped around my face. Something caught my eye. Out in the dark yard, behind the huge maple tree, I saw movement—a dark figure shifting as if to hide behind the tree. A Peeping Tom? Creepy. And you always think in the city you’ll see the weirdos, and there I was in a small town, blatantly staring at a man watching me. Maybe it was Josh. But wouldn’t he just say hi and be my Romeo to his Juliet? Holding my hair to my face, I tried to focus my eyes. But with so little light behind the shape, it was hard to see clearly, and I lost it completely when it stopped moving. I squinted in disbelief at two red slits glowing mid-trunk on the tree. I would’ve thought they were cat’s eyes catching the light, but they seemed much too large and far too high up the trunk of the tree. Not to mention, they were red. If I didn’t know better, I would’ve thought they belonged to the dark figure hiding behind the tree trunk, but that had clearly been a man spying on me. What man had red eyes? I blinked several times, assuming it was a hallucination. When the red eyes didn’t leave and the figure didn’t move from the tree, my stomach sank and my heart raced, but I didn’t move. I was frozen in fear, no—terror. After
Tara Brown (Sunder)
So you don’t trust me: the guy who taught you everything you know. I’m guessing if you have her”—he jerked his thumb at Rae—“that’s no accident. Luke’s buddies sent her to trap you, and she thought she was doing the right thing, because, duh, she’s already proven she’s kinda gullible that way.” “Hey!” Rae said. “You are. Own it. Fix it. Now, you guys have her, which means you escaped whoever sent her after you. You didn’t escape without a fight, given that bruise I see rising on Daniel’s jaw and the scrapes on Derek’s knuckles. But you escaped, and you came back here, and you captured me. Who taught you all that?” “Daniel and I had already started learning,” Maya said, “during those weeks you were chasing us.” “Trial by fire,” he said. “Followed by hardcore, hands-on tactical training. You got away scot-free from these guys because of my lessons. And yet now you don’t trust I’m on your side?” “Nope,” Derek said. “Sorry,” Daniel said. Maya crossed her arms and shook her head. I shrugged. Moreno broke into a grin. “You guys do me proud. I’d give you all a hug, if that wasn’t a little creepy. And if I was the hugging sort. But if you survive the rest of this, I’ll take you all out for beer and ice cream.” “You don’t need to be sarcastic,” Rae muttered. “Oh, but I’m not, and they know it. This is exactly what I trained them for. Trust no one except one another. Excluding you, kid, because I don’t know you, and you have a bad habit of screwing up. But these guys are doing the right thing. Next step?” Turn the tables,” I said. “Capture someone who’s behind this and get them to talk.” “Mmm, yes. That would work. But even better?” “Stop them,” Derek said. “Don’t just take down one. Take them all down.” “Without running to the Nasts for help,” Daniel said. “Because in another year, some of us will be off to college, and we need to be able to look after ourselves.” “Starting with proving we can look after ourselves,” Maya said. Moreno beamed. “You guys are ace. See, this is what I told Sean. The best time to train operatives is when they’re still young and malleable. None of that shit about waiting until they’re eighteen and legally old enough to consent.” Maya shook her head. “I suppose you’d also suggest he have the Cabal terrorize them for weeks first, so they’re properly motivated.” “Exactly. Personal rights and freedoms are vastly overrated. And there’s nothing wrong with a little PTSD. I’ve always found mine useful. Keeps me on my toes.” Rae stared at him. “I’m kidding,” he said to her. “Mostly. Don’t you joke around like this with your instructors? Oh, wait. You don’t have any. Which is why you got tricked—again. And got captured by these guys.” “Can we tie him up now?” Rae said. “And gag him?” “Doesn’t do any good,” Derek said. “We could try.
Kelley Armstrong (Atoning (Darkness Rising #3.1))
Matthew, we need your help. What do we do?” “Look at my new kicks.” He raised one boot. “Finn said I’m ballin’ like a pimp now.” Then he frowned. “Good thing?” “Yes, yes, but—” “He took care of me when you abandoned me.” God, the guilt. In a rush, I said, “I thought you’d be safer at Finn’s than going back out on the road with me! You know how dangerous it’ll be to reach the coast.” But then, I’d believed that before I’d understood how lethal I could be. “Dangerous Empress!” “This isn’t working!” “Tapped out.” My glyphs were dark, the fuel gauge blinking E. Selena’s hand shot out and smacked my face. “What the hell?” When I raised my palm to my cheek, she slapped the other one harder. I felt my glyphs stirring. “If you don’t want these cards to die, then get to work, Evie! You need to look like the Empress of Old, slithery and creepy and sexy all at the same time.” “Touch me again, and you’ll see slithery and creepy—” With her enhanced speed, she shoved me back before I could even react. I tripped over my pack, landing on my ass. “You bitch!” I bounded up, thorn claws bared. “That’s it! Sell it, sister, or we are dead!” I gazed down at my body, at my skin glowing through the fabric of my clothes. Sharp emotions like fury and utter terror always sparked my powers; Selena had pissed me off enough to give me a jump-start. I narrowed my eyes at Matthew. “This is why you want me angry, terrified, and sad for the rainy season?” Blank smile.
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
There's a million dark little corners in Baytowne for you two to snuggle-" "Ohmysweetgoodness, Chloe, stop!" I giggle and shiver at the same time and accidentally imagine walking around The Village in Baytowne Wharf with Galen. The Village is exactly that-a sleepy little village of tourist shops in the middle of a golf-course resort. During the daytime anyway. At night though...that's when the dance club wakes up and opens its doors to all the sunburned partiers roaming the cobblestoned walkways with their daiquiris. Galen would look great under the twinling lights, even with a shirt on... Chloe smirks. "Uh-huh. Already thought of that, huh?" "No!" "Uh-huh. Then why are your cheeks as red as hot sauce?" "Nuh-uh!" I laugh. She does, too. "You want me to go ask him to meet us, then?" I nod. "How old do you think he is?" She shrugs. "Not creepy-old. Old enough for me to be jailboat, though. Lucky for him, you just turned eighteen...What the...did you just kick me?" She peers into the water, wswipes her hand over the surface as if clearing away something to see better. "Something just bumped me.” She cups her hands over her eyes and squints, leaving down so close that one good wave could slap her chin. The concentration on her face almost convinces me. Almost. But I grew up with Chloe-we’ve been next-door neighbors since the third grade. I’ve grown used to fake rubber snakes on my front porch, salt in the sugar dish, and Saran wrap spread across the toilet seat-well, actually, Mom fell prey to that one. The point is Chloe loves pranks almost as much as she loves running. And this is definitely a prank. “Yep, I kicked you,” I tell her, rolling my eyes. “But…but you can’t reach me, Emma. My legs are longer than yours, and I can’t reach you…There it is again! You didn’t feel that?” I didn’t feel it, but I did see her leg twitch. I wonder how long she’s been planning this. Since we got here? Since we boarded the plane in Jersey? Sine we turned twelve?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Recently, brain scans of schizophrenics taken while they were having auditory hallucinations have helped explain this ancient disorder. For example, when we silently talk to ourselves, certain parts of the brain light up on an MRI scan, especially in the temporal lobe (such as in Wernicke’s area). When a schizophrenic hears voices, the very same areas of the brain light up. The brain works hard to construct a consistent narrative, so schizophrenics try to make sense of these unauthorized voices, believing they originate from strange sources, such as Martians secretly beaming thoughts into their brains. Dr. Michael Sweeney of Ohio State writes, “Neurons wired for the sensation of sound fire on their own, like gas-soaked rags igniting spontaneously in a hot, dark garage. In the absence of sights and sounds in the surrounding environment, the schizophrenic’s brain creates a powerful illusion of reality.” Notably, these voices seem to be coming from a third party, who often gives the subject commands, which are mostly mundane but sometimes violent. Meanwhile, the simulation centers in the prefrontal cortex seem to be on automatic pilot, so in a way it’s as though the consciousness of a schizophrenic is running the same sort of simulations we all do, except they’re done without his permission. The person is literally talking to himself without his knowledge. HALLUCINATIONS The mind constantly generates hallucinations of its own, but for the most part they are easily controlled. We see images that don’t exist or hear spurious sounds, for example, so the anterior cingulate cortex is vital to distinguish the real from the manufactured. This part of the brain helps us distinguish between stimuli that are external and those that are internally generated by the mind itself. However, in schizophrenics, it is believed that this system is damaged, so that the person cannot distinguish real from imaginary voices. (The anterior cingulate cortex is vital because it lies in a strategic place, between the prefrontal cortex and the limbic system. The link between these two areas is one of the most important in the brain, since one area governs rational thinking, and the other emotions.) Hallucinations, to some extent, can be created on demand. Hallucinations occur naturally if you place someone in a pitch-black room, an isolation chamber, or a creepy environment with strange noises. These are examples of “our eyes playing tricks on us.” Actually, the brain is tricking itself, internally creating false images, trying to make sense of the world and identify threats. This effect is called “pareidolia.” Every time we look at clouds in the sky, we see images of animals, people, or our favorite cartoon characters. We have no choice. It is hardwired into our brains. In a sense, all images we see, both real and virtual, are hallucinations, because the brain is constantly creating false images to “fill in the gaps.” As we’ve seen, even real images are partly manufactured. But in the mentally ill, regions of the brain such as the anterior cingulate cortex are perhaps damaged, so the brain confuses reality and fantasy.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
It was too creepy. Too dark. Now she was talking to herself. And that was getting old. She needed a dog. For protection. A guard dog. Yes. She would adopt a dog.
Jaime Jo Wright (The House on Foster Hill)
Whatcha listenin' to?" "Oh, you probably wouldn't like it." "Try me." He shrugs as he passes the headphones across the slim space between our beds. This is gonna be good. I've got him pegged for a Yanni diehard, and I smirk a little as the music starts. One of my cellies had a thing for electronic rock, so I recognize the song right away. With the heavy breathing at the start, it's unforgettable and creepy as hell. Seriously. Like stalker-level shit. I want you now, tomorrow won't do. There's a yearning inside and it's showing through. "Depeche Mode, huh? Cool, man. Wouldn't have figured it." Reach out your hands and accept my love. We've waited for too long. Enough is enough. Like I said, stalker-level. His laugh is jittery, quick as the cockroaches in Folsom. "It's my favorite song. Reminds me of being seventeen again. You know, when sex was all you could think about." I pretend I'm not totally skeeved out when I return his headphones and shut the lights.
Ellery A. Kane (The Hanging Tree (Doctors of Darkness, #2))
Larkin lay in the darkness, waking, then awake as she realized she had to pee. The house was dark, so she figured he was sleeping or just standing somewhere in that creepy way, so she went directly into the bathroom. She closed the door before she turned on the light. His clothes were hanging from the shower rod, but she didn’t think anything of it. She peed, then drank water from the tap, using her hand as a cup. When she finished, she turned out the light, opened the door, and that’s when she heard him. Soft, frantic grunts and a jerky, cloth-on-cloth swoosh came from the living room. She hesitated, listening as her eyes adjusted, then crept into the living room. He was asleep on the couch. His body was clenched; his arms rigid at his sides as he jerked and trembled. Even in the poor light, she saw the sweat on his face as his head snapped from side to side and the grunts hissed past his teeth. He was dreaming, she thought. Ohmigod. He was having a nightmare. She wondered if she should wake him. She couldn’t remember if you were supposed to wake people who were having a nightmare or not. Maybe waking him would be bad.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))