Creepy Cult Quotes

I didn't even like changing clothes for gym. Being bathed by a creepy cult was not on my favorite-things-to-do-list.

Do you know those movies about the scary cult of, like, creepy kids who can read minds and worship the devil and live in the cornfields or something? Well, if they were casting for one of those movies, this girl would get the part. They wouldn’t even have to audition her. They would take one look at her and be like, Yes, you are creepy girl number three.

You are in the house and the house in the woods. The woods are in the house. The stairs are in the house. Down the stairs is the hallway, and at the end of the hallway is the ballroom. You are in the ballroom. The ballroom is in the house. You are in the house and the house is in you. The house is in the woods. You are in the woods. You can be good. In the house. You are in the house and the house is in today. Today is not a moment. Today is not a point. Today is an infinite area. Today is forever. Everything that has happened and will happen is now. Everything that has been and will be is here. And everything is good. Everything is fine. You are not sad. You are not afraid. You are not hateful. Because you are here. You are here. You are inside. And you are ready. You are here. You are in. And doesn’t it feel good? You are in the house and the house is in the woods. You are in the house and the house is in you.

Among the best shows were these, some of which have attained cult followings: The Most Dangerous Game (Oct. 1, 1947), a showcase for two actors, Paul Frees and Hans Conried, as hunted and hunter on a remote island; Evening Primrose (Nov. 5, 1947), John Collier’s too-chilling-to-be-humorous account of a misfit who finds sanctuary (and something else that he hadn’t counted on) when he decides to live in a giant department store after hours; Confession (Dec. 31, 1947), surely one of the greatest pure-radio items ever done in any theater—Algernon Blackwood’s creepy sleight-of-hand that keeps a listener guessing until the last line; Leiningen vs. the Ants (Jan. 17, 1948) and Three Skeleton Key (Nov. 15, 1949), interesting as much for technical achievement as for story or character development (soundmen Gould and Thorsness utilized ten turntables and various animal noises in their creation of Three Skeleton Key’s swarming pack of rats); Poison (July 28, 1950), a riveting commentary on intolerance wrapped in a tense struggle to save a man from the deadliest snake in the world—Jack Webb stars

Do you know those movies about the scary cult of, like, creepy kids who can read minds and worship the devil and live in the cornfields or something? Well, if they were casting for one of those movies, this girl would get the part. They wouldn’t even have to audition her.

Do you know those movies about the scary cult of, like, creepy kids who can read minds and worship the devil and live in the cornfields or something? Well, if they were casting for one of those movies, this girl would get the part.

Rebecca Gleeson (an everyday schoolgirl on her way to school on the Monday morning eight o’clock train.) The Kingdom of Nought is a time tale legacy: accompanying her on the train Rebecca’s arch nemeses Rona Chadwick, the school bully. Rebecca a fan of poetry and fairy tales. “Tales of kindness and friendship.” She would say to herself. Rebecca was a reader of wonderful books that have a cult following. Unknown to Rebecca far away at the start of the universe dark and evil forces start to unbalance the natural order of day and night, good and evil. Weird things begin to happen as both Rebecca and Rona are transported back in time to The Kingdom of Nought to reinstate the benevolent balance within the kingdom. The adventure for the schoolgirls starts out strange and gets stranger, in the best way possible. Their meeting with the witch Sycorax is as creepy and evocative as you’d hope. The story combines mathematical realism with fantasy, blurring the edges in a way that high-lights that place where stories and real life convene, where magic contains truth. As you open the book and turn the pages you enter a strange place out-side time with amazing creatures and spectacular landscapes. An extremely addictive story that will take you to a magical place with a most unusual conclusion.

Connor, we should be worried. These girls are forming a sisterhood. They’re planning on holding their cult gatherings out under the stars on the full moon whispering death enchantments.” Connor laughed and looked up from his plate. “So, we’ll make a brotherhood. We’ll hold our meetings in a super creepy cave, but inside it’s decked out with everything we could possibly need. It’ll be our bro cave.” Hope snorted. “Stars, you made me cringe.

I felt more confident when I saw the tiny ancient Greek vampire. Thalia had been turned so long ago that no trace of humanity remained. She was simply a cold killing machine. She’d reluctantly joined the vampires that came out, but she despised humans with a thoroughness and ferocity that had made her a sort of cult figure. One website had offered five thousand dollars to the man or woman who could get a picture of Thalia smiling. No one had ever collected, but they could have tonight. She was smiling now. It was creepy as hell.

Do you know those movies about the scary cult of, like, creepy kids who can read minds and worship the devil and live in the cornfields or something? Well, if they were casting for one of those movies, this girl would get the part. They wouldn’t even have to audition her. They would take one look at her and be like, Yes, you are creepy girl number three. “Cece!” Mrs. Winchester exclaims. “Are you

It’s kind of creepy how everyone worships you here,” I muttered. Remington snickered. “Says the girl who has a cult waiting outside that actually does worship her.