Creek Quotes

We've searched our database for all the quotes and captions related to Creek. Here they are! All 100 of them:

And I learned what is obvious to a child. That life is simply a collection of little lives, each lived one day at a time. That each day should be spent finding beauty in flowers and poetry and talking to animals. That a day spent with dreaming and sunsets and refreshing breezes cannot be bettered. But most of all, I learned that life is about sitting on benches next to ancient creeks with my hand on her knee and sometimes, on good days, for falling in love.
Nicholas Sparks
Argh!" Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water. Some of the campers gasped. A couple of the Hunters stifled laughs. "Sorry!" Thalia said, turning pale. "I didn't mean to—" Anger roared in my ears. A wave erupted from the creek, blasting into Thalia's face and dousing her from head to toe. I stood up. "Yeah," I growled. "I didn't mean to, either." Thalia was breathing heavily. "Enough!" Chiron ordered. But Thalia held out her spear. "You want some, Seaweed Brain?" Somehow, it was okay when Annabeth called me that — at least, I'd gotten used to it — but hearing it from Thalia was not cool. "Bring it on, Pinecone Face!
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Onward up many a frightening creek, though your arms may get sore and your sneakers may leak. Oh! The places you'll go!
Dr. Seuss (Oh, the Places You’ll Go!)
Phil, we're the laughing stock of the nation,"     said Hobbs Creek mayor to police chief, "We     have a cop who faints at the sight of blood!
Kyle Keyes (Under the Bus)
You don’t get to decide what you’re worth because you obviously don’t know. You don’t get to decide that anymore because you have no fucking idea that you’re worth everything.
T.J. Klune (Wolfsong (Green Creek, #1))
He looked down at his boots. "That berth belongs to you too. It will always be there when―if you want to come back." Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. "I don't know what to say.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I cannot have a man who is afraid of everything, I don't have the time to soothe insecurities and fears, I cannot have a man who is standing on a stone by a creek, watching for the fish to swim by and every time he sees a fish he says "Oh look, this fish scares me, I wonder what this fish means, this fish might mean- this, or this fish might mean- that" for God's sake, they are just fish, and they don't mean anything! Such a sad thing, so many fine, strong men standing on top of little stones, pointing at fish all the time! Such a waste! Such a waste of time! I can only have a man who will leap into the water, not minding the damn fish and whatever other little things that scare him. I need to have someone who is braver than me; if I am a pirate, he has to be the pirate Captain, if I am a pirate Captain he has to be the flying dragon.
C. JoyBell C.
I became what I am today at the age of twelve, on a frigid overcast day in the winter of 1975. I remember the precise moment, crouching behind a crumbling mud wall, peeking into the alley near the frozen creek. That was a long time ago, but it’s wrong what they say about the past, I’ve learned, about how you can bury it. Because the past claws its way out. Looking back now, I realize I have been peeking into that deserted alley for the last twenty-six years.
Khaled Hosseini (The Kite Runner)
I had been my whole life a bell, and never knew it until at that moment I was lifted and struck.
Annie Dillard (Pilgrim at Tinker Creek)
To live in peace as long as the waters run in the rivers and creeks, and as long as the stars and moon endure.
Tamanend (The Peace Treaty)
The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.
Annie Dillard (Pilgrim at Tinker Creek)
   At one side of the creek, she builds a small cairn of stones underneath a large, oak tree.  “In remembrance of Aunt Beca,” she says.  “Thank you for all the things you taught me.  For all the times you listened when I needed someone to talk to.  For all the love and support you offered me.
Dawn Chalker (Lost and Found)
That's absurd," I said with a little laugh. "Nobody can read too much. That's like saying someone breathes too much.
Lynn Austin (Wonderland Creek)
Our eyes met like a car crash, colliding and breaking away.
T.J. Klune (Wolfsong (Green Creek, #1))
You look back on some little decision you made and realize all the things that happened because of it, and you think to yourself "if only I'd known," but, of course, you couldn't have known.
Mary Downing Hahn (The Dead Man in Indian Creek)
It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale.
Annie Dillard (Pilgrim at Tinker Creek)
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Now the wren has gone to roost and the sky is turnin' gold And like the sky my soul is also turnin' Turnin' from the past, at last and all I've left behind
Ray Lamontagne (God Willin' & the Creek Don't Rise)
When I take you to the Valley, you’ll see the blue hills on the left and the blue hills on the right, the rainbow and the vineyards under the rainbow late in the rainy season, and maybe you’ll say, “There it is, that’s it!” But I’ll say. “A little farther.” We’ll go on, I hope, and you’ll see the roofs of the little towns and the hillsides yellow with wild oats, a buzzard soaring and a woman singing by the shadows of a creek in the dry season, and maybe you’ll say, “Let’s stop here, this is it!” But I’ll say, “A little farther yet.” We’ll go on, and you’ll hear the quail calling on the mountain by the springs of the river, and looking back you’ll see the river running downward through the wild hills behind, below, and you’ll say, “Isn’t that the Valley?” And all I will be able to say is “Drink this water of the spring, rest here awhile, we have a long way yet to go and I can’t go without you.
Ursula K. Le Guin (Always Coming Home)
Under the lake by Anvil Creek, a man has been frozen much like another man in the same wilderness had been frozen, in this area of Alaska where silence is the loudest sound.
Lee Matthew Goldberg (The Ancestor)
All I wanted to do was come home, because without you, I don’t have a home.
T.J. Klune (Wolfsong (Green Creek, #1))
Did you miss me?’ “A little bit,” she said with a shrug. “You have tears running down your cheeks,” he said with a grin. “I think you missed me more than a little.
Robyn Carr (Wild Man Creek (Virgin River, #12))
I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wondering awed about on a splintered wreck I've come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty bats and shines not in its imperfections but overwhelmingly in spite of them...
Annie Dillard (Pilgrim at Tinker Creek)
One can never had too many librarian friends.
Jennifer Chiaverini (The Wedding Quilt (Elm Creek Quilts #18))
Our life is a faint tracing on the surface of mystery, like the idle curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what's going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.
Annie Dillard (Pilgrim at Tinker Creek)
But I remember seeing a mess of leaves suddenly go skittering in the wind and into the creek, then floating rapidly down the creek towards the sea, making me feel a nameless horror even then of 'Oh my God, we're all being swept away to sea no matter what we know or say or do
Jack Kerouac (Big Sur)
Stay happy and healthy. Take time to read a good book and live your dreams. I am and loving it!
Becky Wilde (Tessa's Chosen (Sugar Creek #1))
...the headwaters of Shit Creek are a cruel and treacherous expanse.
Roger Zelazny (Prince of Chaos (The Chronicles of Amber, #10))
You can plan for life, but life always has plans of its own.
T.J. Klune (Wolfsong (Green Creek, #1))
Mom! Mom. You have to smell him! It’s like… like… I don’t even know what it’s like! I was walking in the woods to scope out our territory so I could be like Dad and then it was like… whoa. And then he was all standing there and he didn’t see me at first because I’m getting so good at hunting. I was all like rawr and grr but then I smelled it again and it was him and it was all kaboom! I don’t even know! I don’t even know! You gotta smell him and then tell me why it’s all candy canes and pinecones and epic and awesome.
T.J. Klune (Wolfsong (Green Creek, #1))
She heard pa shouting,"Jiminy crickets!It's raining fish-hooks and hammer handles!
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
His little whistle sound like it lost way down a jar, and the jar in the bottom of the creek. P. 64
Alice Walker (The Color Purple)
We have not yet encountered any god who is as merciful as a man who flicks a beetle over on its feet.
Annie Dillard (Pilgrim at Tinker Creek)
Please just let me have you. Please. Nothing else matters if I can’t have you.
T.J. Klune (Wolfsong (Green Creek, #1))
Thomas Merton wrote, “there is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple- a universe. This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.
Annie Dillard (Pilgrim at Tinker Creek)
He watched as she pressed the berry to her lower lip. He kept looking at her mouth after she'd done it. He knew he should look away, but he couldn't. "Right. Good. If there's no stinging, you'd put it to your tongue." Perry shot to his feet before he finished the words, nearly tripping over himself. He ran a hand over his head, feeling skitty, like he needed to laugh or run or do something. He picked up a stone and tossed it into the creek, trying to get the image of her tasting the berry out of his mind.
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
Monsters are real. Magic is real. The world is a dark and frightening place and it’s all real.
T.J. Klune (Wolfsong (Green Creek, #1))
Mist to mist, drops to drops. For water thou art, and unto water shalt thou return.
Kamand Kojouri
She knew that this was happiness, this was living as she had always wished to live.
Daphne du Maurier (Frenchman's Creek)
I am a fugitive and a vagabond, a sojourner seeking signs.
Annie Dillard (Pilgrim at Tinker Creek)
Last forever!' Who hasn't prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying.
Annie Dillard (Pilgrim at Tinker Creek)
You’re not broken.” He said, “You don’t know that.” I said, “I do. You’re alive. If you can take another breath, if you can take another step, then you’re not broken. Battered, maybe. Bruised. Cracked. But never broken.
T.J. Klune (Wolfsong (Green Creek, #1))
The real and proper question is: why is it beautiful?
Annie Dillard (Pilgrim at Tinker Creek)
Wherever you are, that’s where my home is.
T.J. Klune (Ravensong (Green Creek, #2))
In the way of bookish children, she carried her books into trees and along the banks of chuckling creeks, weaving her way along their slippery shores with the sort of grace that belongs only to bibliophiles protecting their treasures.
Seanan McGuire (In an Absent Dream (Wayward Children, #4))
We cannot live without the Earth or apart from it, and something is shrivelled in a man's heart when he turns away from it and concerns himself only with the affairs of men
Marjorie Kinnan Rawlings (Cross Creek)
Oh my god, Ox, your life is like those shitty sparkly vampire movies. That I’ve never seen and don’t like at all, shut up.” “Oh
T.J. Klune (Wolfsong (Green Creek, #1))
You could have become the villain, Gordo. And it would have been within your rights. Instead you just chose to be an asshole.
T.J. Klune (Ravensong (Green Creek, #2))
After the one extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever-fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn't flint is tinder, and the whole world sparks and flames.
Annie Dillard (Pilgrim at Tinker Creek)
So he pressed his forehead against mine and breathed me in and there was that sun, okay? That sun between us, that bond that burned and burned and burned because he’d given it to me. Because he’d chosen me. And I got to choose him back.
T.J. Klune (Wolfsong (Green Creek, #1))
It was less like seeing than like being for the first time seen, knocked breathless by a powerful glance.
Annie Dillard (Pilgrim at Tinker Creek)
My future,” Joe said, “is Ox.” Ah god, that made me ache. “Is that so?” Mom asked. “How do you figure?” “He’s really nice,” Joe said seriously. “And smells good. And he makes me happy. And I want to do nothing more than put my mouth on him.” “Ah
T.J. Klune (Wolfsong (Green Creek, #1))
And this then, that I am feeling now, is the hell that comes with love, the hell and the damnation and the agony beyond all enduring, because after the beauty and the loveliness comes the sorrow and the pain.
Daphne du Maurier (Frenchman's Creek)
Yeah, I'm kind of proud of myself, too. I was a fucking sex ninja.
Victoria Dahl (Start Me Up (Tumble Creek, #2))
You were his, Ox. Even then. And he was yours.
T.J. Klune (Wolfsong (Green Creek, #1))
I want to court your son.” “What does that mean?” she asked. “It means I want to provide for him to prove my worth,” Joe said. “And then, once he agrees to be mine, I’ll mount him and then bite him and everyone will see that we belong to each other.” I
T.J. Klune (Wolfsong (Green Creek, #1))
Nature is, above all, profligate. Don't believe them when they tell you how economical and thrifty nature is, whose leaves return to the soil. Wouldn't it be cheaper to leave them on the tree in the first place? This deciduous business alone is a radical scheme, the brainchild of a deranged manic-depressive with limitless capital. Extravagance! Nature will try anything once.
Annie Dillard (Pilgrim at Tinker Creek)
We are literally the gayest pack that has ever existed,” Rico said to no one in particular. “I see no problem with this.
T.J. Klune (Heartsong (Green Creek, #3))
You understand now... how simple life becomes when things like mirrors are forgotten.
Daphne du Maurier (Frenchman's Creek)
These are our few live seasons. Let us live them as purely as we can, in the present.
Annie Dillard (Pilgrim at Tinker Creek)
I googled “what to do when your future werewolf mate / boyfriend /best friend courts you and brings you a dead rabbit.” First, there was a lot of porn. Then I found a recipe for Maltese rabbit stew. It was delicious. The stew, not the porn. The porn was weird.    
T.J. Klune (Wolfsong (Green Creek, #1))
I just want to be wherever you are.
T.J. Klune (Wolfsong (Green Creek, #1))
In a way, he supposed, it was inevitable for immigrants to become child versions of themselves, stripped of their verbal fluency and, with it, a layer of their competence and maturity.
Angie Kim (Miracle Creek)
My daddy had told me once that people were gonna give me shit all my life. The monster had told Joe that his family didn't want him anymore. We'd have to live with that, those things that were whispered in our ears. Maybe we'd never be free of those shadows. Not completely. But we'd still fight like hell. And maybe that's all that mattered.
T.J. Klune (Wolfsong (Green Creek, #1))
Madness is only a variety of mental nonconformity and we are all individualists here.
Marjorie Kinnan Rawlings (Cross Creek)
I never understood why other people thought my color, any color, needed fixing.
Kim Michele Richardson (The Book Woman of Troublesome Creek)
A werewolf is courting me with a dead rabbit. There’s nothing subtle here.
T.J. Klune (Wolfsong (Green Creek, #1))
He said, " I'm a witch." And I said, "You're a wizard, Harry,
T.J. Klune (Wolfsong (Green Creek, #1))
Push it. examine all things intensely and relentlessly.
Annie Dillard (Pilgrim at Tinker Creek)
THREE YEARS. One month. Twenty-six days.
T.J. Klune (Wolfsong (Green Creek, #1))
And when you're alone, there's a very good chance you'll meet things that scare you right out of your pants. There are some, down the road between hither and yon, that can scare you so much you won't want to go on. But on you will go though the weather be foul. On you will go though your enemies prowl. On you will go though the Hakken-Kraks howl. Onward up many a frightening creek, though your arms may get sore and your sneakers may leak.
Dr. Seuss (Oh, the Places You’ll Go!)
I cannot cause light; the most I can do is try to put myself in the path of its beam. It is possible, in deep space, to sail on solar wind. Light, be it particle or wave, has force: you can rig a giant sail and go. The secret of seeing is to sail on solar wind. Hone and spread your spirit till you yourself are a sail, whetted, translucent, broadside to the merest puff
Annie Dillard (Pilgrim at Tinker Creek)
It would seem that emotions are the curse, not death-emotions that appear to have developed upon a few freaks as a special curse from Malevolence. All right then. It is our emotions that are amiss. We are freaks, the world is fine, and let us all go have lobotomies to restore us to a natural state. We can leave the library then, go back to the creek lobotomized, and live on its banks as untroubled as any muskrat or reed. You first.
Annie Dillard (Pilgrim at Tinker Creek)
We wake, if we ever wake at all, to mystery, rumors of death, beauty, violence...
Annie Dillard (Pilgrim at Tinker Creek)
I couldn't find the words to say what I wanted. Sometimes, when your heart gets so full, it takes away your voice and all you can do is hold on for dear life.
T.J. Klune (Wolfsong (Green Creek, #1))
The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days.
Annie Dillard (Pilgrim at Tinker Creek)
It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale. So many things have been shown so to me on these banks, so much light has illumined me by reflection here where the water comes down, that I can hardly believe that this grace never flags, that the pouring from ever-renewable sources is endless, impartial, and free.
Annie Dillard (Pilgrim at Tinker Creek)
Don’t tell me you don’t know!” I roared at him. “Tell me one fucking thing you do know!” “That I love you.” His breath hitched in his chest. And I just. I couldn’t breathe. Everything
T.J. Klune (Wolfsong (Green Creek, #1))
... and through it all and afterwards they would be together, making their own world where nothing mattered but the things they could give to one another, the loveliness, the silence, and the peace.
Daphne du Maurier (Frenchman's Creek)
I needed to see him. To make sure he was okay. To tell him how sorry I was. That I never wanted to leave him. That I never wanted to be anywhere but by his side. All I ever wanted was to keep him safe. Ever since that first day on the road, when he spoke and moved like a little tornado, all I ever wanted was to make sure nothing ever happened to Joe Bennett. He was coming for me. I
T.J. Klune (Wolfsong (Green Creek, #1))
Maybe we’ll admit this thing we have is perfect, not worth messing around with. And stay together forever. If you’re interested, that is.” She glanced away. “I could think about that.” He buried his face in her neck. “Think fast
Robyn Carr (Wild Man Creek (Virgin River, #12))
In a library, you can find small miracles and truth, and you might find something that will make you laugh so hard that you will get shushed, in the friendliest way. I have found sanctuary in libraries my whole life, and there is sanctuary there now, from the war, from the storms of our families and our own minds. Libraries are like mountains or meadows or creeks: sacred space. So this afternoon, I'll walk to the library.
Anne Lamott
Who owns Cross Creek? The red-birds, I think, more than I, for they will have their nests even in the face of delinquent mortgages..It seems to me that the earth may be borrowed, but not bought. It may be used, but not owned. It gives itself in response to love and tending, offers its sesonal flowering and fruiting. But we are tenants and not possessors, lovers, and not masters. Cross Creek belongs to the wind and the rain, to the sun and the seasons, to the cosmic secrecy of seed, and beyond all, to time..."
Marjorie Kinnan Rawlings (Cross Creek)
I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feelings save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends.
Annie Dillard (Pilgrim at Tinker Creek)
There is a fundamental reason why we look at the sky with wonder and longing—for the same reason that we stand, hour after hour, gazing at the distant swell of the open ocean. There is something like an ancient wisdom, encoded and tucked away in our DNA, that knows its point of origin as surely as a salmon knows its creek. Intellectually, we may not want to return there, but the genes know, and long for their origins—their home in the salty depths. But if the seas are our immediate source, the penultimate source is certainly the heavens… The spectacular truth is—and this is something that your DNA has known all along—the very atoms of your body—the iron, calcium, phosphorus, carbon, nitrogen, oxygen, and on and on—were initially forged in long-dead stars. This is why, when you stand outside under a moonless, country sky, you feel some ineffable tugging at your innards. We are star stuff. Keep looking up.
Gerald D. Waxman (Astronomical Tidbits: A Layperson's Guide to Astronomy)
His situation, insofar as he was a machine, was complex, tragic, and laughable. But the sacred part of him, his awareness, remained an unwavering band of light. And this book is being written by a meat machine in cooperation with a machine made of metal and plastic. The plastic, incidentally, is a close relative of the gunk in Sugar Creek. And at the core of the writing meat machine is something sacred, which is an unwavering band of light. At the core of each person who reads this book is a band of unwavering light. My doorbell has just rung in my New York apartment. And I know what I will find when I open my front door: an unwavering band of light.
Kurt Vonnegut Jr. (Breakfast of Champions)
Today is one of those excellent January partly cloudies in which light chooses an unexpected part of the landscape to trick out in gilt, and then the shadow sweeps it away. You know you’re alive. You take huge steps, trying to feel the planet’s roundness arc between your feet.
Annie Dillard (Pilgrim at Tinker Creek)
We called him Old Yeller. The name had a sort of double meaning. One part meant that his short hair was a dingy yellow, a color that we called “yeller” in those days. The other meant that when he opened his head, the sound he let out came closer to being a yell than a bark. I remember like yesterday how he strayed in out of nowhere to our log cabin on Birdsong Creek. He made me so mad at first that I wanted to kill him. Then, later, when I had to kill him, it was like having to shoot some of my own folks.
Fred Gipson (Old Yeller)
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
For love, as she knew it now, was something without shame and without reserve, the possession of two people who had no barrier between them, and no pride; whatever happened to him would happen to her too, all feeling, all movement, all sensation of body and of mind.
Daphne du Maurier (Frenchman's Creek)
No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present. Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet. I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away.
Natalie Goldberg
No settled family or community has ever called its home place an “environment.” None has ever called its feeling for its home place “biocentric” or “anthropocentric.” None has ever thought of its connection to its home place as “ecological,” deep or shallow. The concepts and insights of the ecologists are of great usefulness in our predicament, and we can hardly escape the need to speak of “ecology” and “ecosystems.” But the terms themselves are culturally sterile. They come from the juiceless, abstract intellectuality of the universities which was invented to disconnect, displace, and disembody the mind. The real names of the environment are the names of rivers and river valleys; creeks, ridges, and mountains; towns and cities; lakes, woodlands, lanes roads, creatures, and people. And the real name of our connection to this everywhere different and differently named earth is “work.” We are connected by work even to the places where we don’t work, for all places are connected; it is clear by now that we cannot exempt one place from our ruin of another. The name of our proper connection to the earth is “good work,” for good work involves much giving of honor. It honors the source of its materials; it honors the place where it is done; it honors the art by which it is done; it honors the thing that it makes and the user of the made thing. Good work is always modestly scaled, for it cannot ignore either the nature of individual places or the differences between places, and it always involves a sort of religious humility, for not everything is known. Good work can be defined only in particularity, for it must be defined a little differently for every one of the places and every one of the workers on the earth. The name of our present society’s connection to the earth is “bad work” – work that is only generally and crudely defined, that enacts a dependence that is ill understood, that enacts no affection and gives no honor. Every one of us is to some extent guilty of this bad work. This guilt does not mean that we must indulge in a lot of breast-beating and confession; it means only that there is much good work to be done by every one of us and that we must begin to do it.
Wendell Berry
When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.
Annie Dillard (Pilgrim at Tinker Creek)
I had always buried things, even when I was small; I remember that once I quartered the long field and buried something in each quarter to make the grass grow higher as I grew taller, so I would always be able to hide there. I once buried six blue marbles in the creek bed to make the river beyond run dry. 'Here is a treasure for you to bury,' Constance used to say to me when I was small, giving me a penny, or a bright ribbon; I had buried all my baby teeth as they came out one by one and perhaps someday they would grow as dragons. All our land was enriched with my treasures buried in it, thickly inhabited just below the surface with my marbles and my teeth and my colored stones, all perhaps turned to jewels by now, held together under the ground in a powerful taut web which never loosened, but held fast to guard us.
Shirley Jackson (We Have Always Lived in the Castle)
And all this, she thought, is only momentary, is only a fragment in time that will never come again, for yesterday already belongs to the past and is ours no longer, and tomorrow is an unknown thing that may be hostile. This is our day, our moment, the sun belongs to us, and the wind, and the sea, and the men for'ard there singing on the deck. This day is forever a day to be held and cherished, because in it we shall have lived, and loved, and nothing else matters but that in this world of our own making to which we have escaped.
Daphne du Maurier (Frenchman's Creek)
There was a clearing in the middle of the woods. It tasted of lightning and magic. Of claw and fang. And in the middle of this clearing sat a man who had once been a boy. A boy who I had loved. Then a monster had come to town with murder on his mind and tore a hole in our heads and hearts. The boy chased after the monster with revenge in his bloodred eyes. The monster was gone now. And so was the boy. Because a man had taken his place.
T.J. Klune (Wolfsong (Green Creek, #1))
But that was the way life worked. Every human being was the result of a million different factors mixing together -- one of a million sperm arriving at the egg at exactly a certain time; even a millisecond off, and another entirely different person would result. Good things and bad--every friendship and romance formed, every accident, every illness--resulted from the conspiracy of hundreds of little things, in and of themselves inconsequential.
Angie Kim (Miracle Creek)
Love is the spice of life!" Aunt Lydia picked up her glass and took a long drink before setting it down again. "Did it end in heartache, dear?" "Well, yes...but it was the good kind of heart ache, Aunt Lydia. The kind where you'll always think fondly of each other, even though you know your love could never be." My aunt squealed with delight. "Ooh, I just love stories that end that way! Those happy, sappy endings in romance novels aren't realistic at all. But if you can gaze up at the stars at night and think fondly of your lost love, then it's worth falling in love and losing him." "You're absolutely right.
Lynn Austin (Wonderland Creek)
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
It’s not destiny, Ox. You’re not bound by this. Not yet. There’s a choice. There is always a choice. My wolf chose you. I chose you. And if you don’t choose me, then that’s your choice and I will walk out of here knowing you got to choose your own path. But I swear to god, if you choose me, I will make sure that you know the weight of your worth every day for the rest of our lives because that’s what this is. I am going to be a fucking Alpha one day, and there is no one I’d rather have by my side than you. It’s you, Ox. For me, it’s always been you.” So I said, “Okay, Joe.” I looked up at him. His wolf was close to the surface. And he said, “Okay?” I said, “Okay. Okay. I don’t know if I see the things you do.” “I know.” “And I don’t know if I’ll be good enough.” “I know you will,” he said, eyes flashing orange. “But I promised you. I said it will always be you and me.” His face stuttered a bit, and he said, “You did. You promised me. You promised.” I
T.J. Klune (Wolfsong (Green Creek, #1))