Creativity Bible Quotes

Rejection is an opportunity for your selection.

The Bible makes it clear that every time that there is a story of faith, it is completely original. God's creative genius is endless.

Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows. So we grapple with the mysteries, each in our own way.

Every invention begins with an original thought. You are God’s original thought. You are his initiative, the fruit of his creative inspiration, his intimate design and love-dream.

Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason?

As a Christian we know why a work of art has value. Why? First, because a work of art is a work of creativity, and creativity has value because God is the Creator. The first sentence in the Bible is the declaration that the Creator created: “In the beginning God created the heavens and the earth.

THE FIRST AGREEMENT Be Impeccable with Your Word THE FIRST AGREEMENT IS THE MOST IMPORTANT ONE and also the most difficult one to honor. It is so important that with just this first agreement you will be able to transcend to the level of existence I call heaven on earth. The first agreement is to be impeccable with your word. It sounds very simple, but it is very, very powerful. Why your word? Your word is the power that you have to create. Your word is the gift that comes directly from God. The Gospel of John in the Bible, speaking of the creation of the universe, says, “In the beginning was the word, and the word was with God, and the word is God.” Through the word you express your creative power. It is through the word that you manifest everything. Regardless of what language you speak, your intent manifests through the word. What you dream, what you feel, and what you really are, will all be manifested through the word.

In the beginning of human creativity, everything good was God-given, there was no patent on manna from heaven, no copyright on the blueprints of the Mishkan, and people entertained themselves by dancing with a statue of a golden calf at the foot of Mount Sinai. The Bible is of course all in the public domain; the Lord gave His words to Moses, gratis.

if Christianity is really true, then it involves the whole man, including his intellect and creativeness.

But the Bible claims something radically out of step with its time. It claims there is one true Creator God who made everything. And the world was born, not out of conflict or war or jealous infighting, but out of the overflow of his creativity and love.

Second, an art work has value as a creation because man is made in the image of God, and therefore man not only can love and think and feel emotion but also has the capacity to create. Being in the image of the Creator, we are called upon to have creativity.

Is the creative part of our life committed to Christ? Christ is the Lord of our whole life and the Christian life should produce not only truth—flaming truth—but also beauty.

No man's advice can change you unless you speak to yourself. Bible school or seminars can't change you, going to church can't change you except you decide to change. Psalm 139:23 - 24

The Bible frequently uses symmetries and inversions. By such comparisons (parallels and contrasts) the unique aspects of reality begin to emerge. Comparing two objects makes their differences increasingly apparent. Only then can we ask, “Why does this one have that, and the other does not?” For instance: The phrase, “and it was 6 good” is present on all the days of creation—except the second day. Why? Because, “two” contains potential badness, to a Hebrew. We could not have discovered that insight, unless we contrasted God’s description of the creative days.

Call it the Human Mission-to be all and do all God sent us here to do. And notice-the mission to be fruitful and conquer and hold sway is given both to Adam and to Eve. 'And God said to them...' Eve is standing right there when God gives the world over to us. She has a vital role to play; she is a partner in this great adventure. All that human beings were intended to do here on earth-all the creativity and exploration, all the battle and rescue and nurture-we were intended to do together. In fact, not only is Eve needed, but she is desperately needed. When God creates Eve, he calls her an ezer kenegdo. 'It is not good for the man to be alone, I shall make him [an ezer kenegdo]' (Gen. 2:18 Alter). Hebrew scholar Robert Alter, who has spent years translating the book of Genesis, says that this phrase is 'notoriously difficult to translate.' The various attempts we have in English are "helper" or "companion" or the notorious "help meet." Why are these translations so incredibly wimpy, boring, flat...disappointing? What is a help meet, anyway? What little girl dances through the house singing "One day I shall be a help meet?" Companion? A dog can be a companion. Helper? Sounds like Hamburger Helper. Alter is getting close when he translates it "sustainer beside him" The word ezer is used only twenty other places in the entire Old Testament. And in every other instance the person being described is God himself, when you need him to come through for you desperately.

The application of creative intelligence to a problem, the finding of a solution at once dogged, elegant, and wild, this had always seemed to him to be the essential business of human beings—the discovery of sense and causality amid the false leads, the noise, the trackless brambles of life. And yet he had always been haunted—had he not?—by the knowledge that there were men, lunatic cryptographers, mad detectives, who squandered their brilliance and sanity in decoding and interpreting the messages in cloud formations, in the letters of the Bible recombined, in the spots on butterflies’ wings. One might, perhaps, conclude from the existence of such men that meaning dwelled solely in the mind of the analyst. That it was the insoluble problems—the false leads and the cold cases—that reflected the true nature of things. That all the apparent significance and pattern had no more intrinsic sense than the chatter of an African gray parrot. One might so conclude; really, he thought, one might.

As a kid, I was taught that if you opened the Bible in the middle you'd probably land on the book of Psalms. And near the middle is everyone's favorite, the 23rd, there is this line: "You prepare a table before in the presence of my enemies." I don't know how many times I've read or recited this Psalm without pondering what that line actually means, but here is my take on it. When things are a bit tense, when life is not going at its best, when the potential for disaster is just around the corner, when your enemies are all around you - and even staring you down! - that's when God lays out the red-checkered picnic cloth and says, "Oooo, this is a nice place. Let's hang out here together for a while...just you and me.

The need to explain Jesus as both surprise ending and deeply connected to Israel’s story drove the Gospel writers to do some creative reading. Sticking to what the Bible says wasn’t their goal. Talking about Jesus was.

Newton was haunted by insanity. He spent hours trying to find hidden messages in the Bible, and wrote over a million words on religion and the occult. He pursued the medieval art of alchemy, obsessively searching for the philosopher’s stone, a mythical substance that alchemists believed had magical properties and could even help humans achieve immortality. At the age of fifty, Newton became fully psychotic and spent a year in an insane asylum.

Our creativity, our inner sense of right and wrong, our ability to love and to reason—all bear witness to the fact that God created us in His image. The Bible says God “has not left himself without testimony” [Acts 14:17 NIV].

To live in God’s city here and now is to enjoy God’s limitless peace, love, and creativity; it is also to live a subversive, revolutionary life in this world as we repeatedly scratch the surface of the earthly city to reveal God’s goodness, truth, and beauty under its makeshift palimpsest.

Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary?

Adam and Eve never existed, but Chartres Cathedral is still beautiful. Much of the Bible may be fictional, but it can still bring joy to billions and can still encourage humans to be compassionate, courageous, and creative—just like other great works of fiction, such as Don Quixote, War and Peace, and the Harry Potter books.

When highbrow critics accused Time of practicing personality journalism, Luce replied that Time did not invent the genre, the Bible did.

To judge God solely by the present world would be a tragic mistake. At one time, it may have been “the best of all possible worlds,” but surely it is not now. The Bible communicates no message with more certainty than God’s displeasure with the state of creation and the state of humanity. Imagine this scenario: vandals break into a museum displaying works from Picasso’s Blue Period. Motivated by sheer destructiveness, they splash red paint all over the paintings and slash them with knives. It would be the height of unfairness to display these works—a mere sampling of Picasso’s creative genius, and spoiled at that—as representative of the artist. The same applies to God’s creation. God has already hung a “Condemned” sign above the earth, and has promised judgment and restoration. That this world spoiled by evil and suffering still exists at all is an example of God’s mercy, not his cruelty.

The Bible makes it clear that every time that there is a story of faith, it is completely original. God's creative genius is endless. He never, fatigued and unable to maintain the rigors of creativity, resorts to mass-producing copies. Each life is a fresh canvas on which he uses lines and colors, shades and lights, textures and proportions that he has never used before. We see what is possible: anyone and everyone is able to live a zestful life that spills out of the stereotyped containers that a sin-inhibited society provides. Such lives fuse spontaneity and purpose and green the desiccated landscape with meaning. And we see how it is possible: by plunging into a life of faith, participating in what God initiates in each life, exploring what God is doing in each event.

I was reading voraciously about global issues such as clean water, community development, war, human trafficking, economics, disaster relief, the AIDS crisis, unjust systemic evil. Meanwhile, church budgets made room for a brand-new light show and a kickin' sound system or a trip to Disneyland or a video venue in a saturated upscale neighborhood—all in an effort to practice creative-experience marketing.

Jesus didn’t talk about a God who wants to burn this place down and take us somewhere else; he talked about the renewing of this place, the only home we’ve ever had. Central to the story of the Bible is the affirmation of trees and seas and rocks and air and soil and blood and sweat and skin and all the materiality and diversity and creativity that we know to be central to our life in this world. Jesus talked about a coming time when God would restore and renew and reconcile and redeem and make things right, and he invites us to anticipate that day by doing our part to bring heaven to earth, here, now, today.

Eraserhead is my most spiritual movie. No one understands when I say that, but it is. Eraserhead was growing in a certain way, and I didn’t know what it meant. I was looking for a key to unlock what these sequences were saying. Of course, I understood some of it; but I didn’t know the thing that just pulled it all together. And it was a struggle. So I got out my Bible and I started reading. And one day, I read a sentence. And I closed the Bible, because that was it; that was it. And then I saw the thing as a whole. And it fulfilled this vision for me, 100 percent. I don’t think I’ll ever say what that sentence was.

It is well known that great art, great music and great literature can emerge out of great pain. This does not lessen the reality of the suffering of the artist, composer or writer, but it points to something creative and redemptive in the human person, made in the image of God, which can bring forth a thing of beauty in the midst of surrounding ugliness, brutality and evil. Nowhere is this more true than in the book of Lamentations.

1. Women do not have as great a need for poetry because their own essence is poetry. 2. Every uneducated person is a caricature of himself. 3. Versatility of education can be found in our best poetry, but the depth of mankind should be found in the philosopher. 4. If you want to see mankind fully, look at a family. Within the family minds become organically one, and for this reason the family is total poetry. 5. Considered subjectively, philosophy always begins in the middle, like an epic poem. 6. Duty is for Kant the One and All. Out of the duty of gratitude, he claims, one has to defend and esteem the ancients; and only out of duty has he become a great man. 7. Nothing truly convincing - which would possess thoroughness, vigor, and skill - has been written against the ancients as yet; especially not against their poetry. 8. The genuine priest always feels something higher than compassion. 9. Man is a creative retrospection of nature upon itself. In the world of language, or in other words in the world of art and liberal education, religion necessarily appears as mythology or as Bible.

Where is the glory of God? Just look around. Everything created by God reflects his glory in some way. We see it everywhere, from the smallest microscopic form of life to the vast Milky Way, from sunsets and stars to storms and seasons. Creation reveals our Creator’s glory. In nature we learn that God is powerful, that he enjoys variety, loves beauty, is organized, and is wise and creative. The Bible says, “The heavens declare the glory of God.” 1

The Bible begins with Creation and ends with New Creation. Everywhere in between, Creator God (the grand Artist) beckons the broken, but creative, creatures (the little-‘a’ artists) to create shalom/peace in the face of our “Ground Zero” reality all around us.

I am convinced that one of the reasons men spend millions in making art museums is not just so that there will be something “aesthetic” but because the art works in them are an expression of the mannishness of man himself. When I look at the pre-Columbian silver or African masks or ancient Chinese bronzes, not only do I see them as works of art but I see them as expressions of the nature and character of humanity. As a man, in a certain way they are myself, and I see there the outworking of the creativity that is inherent in the nature of man.

But science also emerges from an ancient longing, and from an older narrative of our complex relationship with the natural world. Its primary creative grammar is the question, rather than the answer. Its primary energy is imagination rather than fact. Its primary experience is more typically trial than triumph--the journey of understanding already travelled always appears to be a trivial distance compared with the mountain road ahead. But when science recognises beauty and structure it rejoices in a double reward: there is delight both in the new object of our gaze and in the wonder that our minds are able to understand it. Scientists recognise all this--perhaps that is why when, as I have often suggested to my colleagues, they pick up and read through the closing chapters of the Old Testament book of Job, they later return with responses of astonishment and delight.

There is probably something good in every religion, the important thing is how you practice it. And this is when I found out that the most beautiful thing is to be able to live with a religion. Not just by displaying it and going to church and all, but by really being able to live some of these thoughts in your everyday life. This is a good thought. My problem right now is—and I just went to a Catholic service in connection with my daughter's something-or-another—and I got so damn annoyed by the fact that every text was about humility in relation to God. That's annoying, and I keep on being annoyed by it. Granted, the texts were written by people and not by God, but it's still so annoying. I don't see the meaning of you being humble just because you've been created by God and He has created all this. You can be humble toward life and toward other human beings and toward creativity and everything—and you are—but being humble toward the man who has created the whole circus? Of course, but you shouldn't have to prostrate yourself, and you do that in many religions—you crawl in the dust before these gods. Why? I can see why some king down here on earth might enjoy seeing people crawling before him, but if this guy is that great, then he shouldn't care whether I bow down before him or whether I play around with my dick at night—he shouldn't care a bit about anything like that. As long as I don't do anything that will harm his creation, as long as I don't kill, say, too many fish—well, he's OK with fish, they eat them in the Bible. But this thing about throwing yourself on the floor and exclaiming, "You're so great! You're so great!"—that's completely illogical. If you believe in him, then he's the greatest anyhow. You look at a tiny leaf and you'll get humble—everyone will—even some stupid redneck in an ugly car. You really have to be stupid not to be able to appreciate a thing like that—a little leaf is like looking into eternity. It's totally amazing! And you don't have to stand around in church every day proclaiming that you're a little sinner and worth nothing and he is everything. That's annoying. Sorry, I must have made my point by now.

Themes of descent often turn on the struggle between the titanic and the demonic within the same person or group. In Moby Dick, Ahab’s quest for the whale may be mad and “monomaniacal,” as it is frequently called, or even evil so far as he sacrifices his crew and ship to it, but evil or revenge are not the point of the quest. The whale itself may be only a “dumb brute,” as the mate says, and even if it were malignantly determined to kill Ahab, such an attitude, in a whale hunted to the death, would certainly be understandable if it were there. What obsesses Ahab is in a dimension of reality much further down than any whale, in an amoral and alienating world that nothing normal in the human psyche can directly confront. The professed quest is to kill Moby Dick, but as the portents of disaster pile up it becomes clear that a will to identify with (not adjust to) what Conrad calls the destructive element is what is really driving Ahab. Ahab has, Melville says, become a “Prometheus” with a vulture feeding on him. The axis image appears in the maelstrom or descending spiral (“vortex”) of the last few pages, and perhaps in a remark by one of Ahab’s crew: “The skewer seems loosening out of the middle of the world.” But the descent is not purely demonic, or simply destructive: like other creative descents, it is partly a quest for wisdom, however fatal the attaining of such wisdom may be. A relation reminiscent of Lear and the fool develops at the end between Ahab and the little black cabin boy Pip, who has been left so long to swim in the sea that he has gone insane. Of him it is said that he has been “carried down alive to wondrous depths, where strange shapes of the unwarped primal world glided to and fro . . . and the miser-merman, Wisdom, revealed his hoarded heaps.” Moby Dick is as profound a treatment as modern literature affords of the leviathan symbolism of the Bible, the titanic-demonic force that raises Egypt and Babylon to greatness and then hurls them into nothingness; that is both an enemy of God outside the creation, and, as notably in Job, a creature within it of whom God is rather proud. The leviathan is revealed to Job as the ultimate mystery of God’s ways, the “king over all the children of pride” (41:34), of whom Satan himself is merely an instrument. What this power looks like depends on how it is approached. Approached by Conrad’s Kurtz through his Antichrist psychosis, it is an unimaginable horror: but it may also be a source of energy that man can put to his own use. There are naturally considerable risks in trying to do so: risks that Rimbaud spoke of in his celebrated lettre du voyant as a “dérèglement de tous les sens.” The phrase indicates the close connection between the titanic and the demonic that Verlaine expressed in his phrase poète maudit, the attitude of poets who feel, like Ahab, that the right worship of the powers they invoke is defiance.

So instead we continue our backward journey through time into the high Middle Ages of the thirteenth century. At one time thought of as an intellectual backwater of history, when the darkness of mysticism, magic and astrology spent centuries stifling the emergence of true scientific enquiry, it is now increasingly seen as the nursey of Renaissance thought, a bridge from the creative thinking of the ancients to science in its modern form.

Now I certainly had no intention of lying on the form, but I was trying to think of a creative way to make homemaker sound more important. Then the thought struck me: I am more concerned about the opinion of the individual who will read this questionnaire than I am about the approval of the One who has called me to be a homemaker. I had succumbed to worldly thinking rather than viewing my profession as the Bible portrays it—a high calling from God.

Because who knows? Who knows anything? Who knows who’s pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother’s last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows.

Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.

once we wanted to make a cookie with a really concentrated flavor. So, we threw cookies into the dehydrator, and turned them into powder. This created a new building block for flavor. [Instead of the flour you would normally use in your dough,] you weigh the powdered cookies out as your starch in your normal cookie recipe. But this starch is now a carrier of flavor for the end product—so the resulting cookie now tastes more like it “should” than it would have just using regular flour.

When a thousand people believe some made-up story for one month, that’s fake news. When a billion people believe it for a thousand years, that’s a religion, and we are admonished not to call it “fake news” in order not to hurt the feelings of the faithful (or incur their wrath). Note, however, that I am not denying the effectiveness or potential benevolence of religion. Just the opposite. For better or worse, fiction is among the most effective tools in humanity’s tool kit. By bringing people together, religious creeds make large-scale human cooperation possible. They inspire people to build hospitals, schools, and bridges in addition to armies and prisons. Adam and Eve never existed, but Chartres Cathedral is still beautiful. Much of the Bible may be fictional, but it can still bring joy to billions and can still encourage humans to be compassionate, courageous, and creative—just like other great works of fiction, such as Don Quixote, War and Peace, and the Harry Potter books.

For example, instead of saying "The guy didn't' return my call," maybe you should say, "If I'd left a more creative voicemail, maybe the guy would have called me back," or "If my voicemail had value and purpose, maybe the guy would have called me back." The reversal of blame toward others is not to blame yourself. Rather, it's to take responsibility for what happened, and create a lesson from it so that blame becomes responsibility, becomes an idea or a new strategy, and ultimately becomes a sale.

if you take your own knowledge of law as the starting-point of the creative action in your personal life, you have inverted the true order, and the logical result from your premises will be to bring the whole burden upon yourself like a thousand of bricks; but if you take the All-givingness of the Creating Spirit as your starting-point, then everything else will fall into a harmonious order, and all you will have to do is to receive and use what you receive, asking the Divine guidance to use it rightly.

The entire flaw in the Bible is the notion that God is perfect. It represents a failure of imagination on the part of the early scholars. It’s responsible for every impossible theological question as to good and evil with which we’ve been wrestling through the centuries. God is good, however, wondrously good. Yes, God is love. But no creative force is perfect. That’s clear.” “And the Devil? Is there any new intelligence about him?” He regarded me for a moment with just a touch of impatience. “You are such a cynical being,” he whispered. “No, I’m not,” I said. “I honestly want to know. I have a particular interest in the Devil, obviously. I speak of him much more often than I speak of God. I can’t figure out really why mortals love him so much, I mean, why they love the idea of him. But they do.” “Because they don’t believe in him,” David said. “Because a perfectly evil Devil makes even less sense than a perfect God. Imagine, the Devil never learning anything during all this time, never changing his mind about being the Devil. It’s an insult to our intellect, such an idea.” “So what’s your truth behind the lie?” “He’s not purely unredeemable. He’s merely part of God’s plan. He’s a spirit allowed to tempt and try humans. He disapproves of humans, of the entire experiment. See, that was the nature of the Devil’s Fall, as I see it. The Devil didn’t think the idea would work. But the key, Lestat, is understanding that God is matter! God is physical, God is the Lord of Cell Division, and the Devil abhors the excess of letting all this cell division run wild.

This paradigm of the gift places us in the posture of recipients. We receive existence, we receive meaning, and we receive love. To be sure we are creative recipients, as we shall see in the chapters that follow, and receiving the gift of the universe certainly does not make us passive. But the fact remains that we are recipients nonetheless. The one thing we should not do with a gift is pretend we bought or made it ourselves. The giver is usually thanked, so our fundamental orientation to existence in the paradigm of the figure of gratuity is one of praise and thanksgiving.

Let the systematic theologian spell it out. Let the artists throw out thoughts and slants, maybe even slants no one else has thought of. They should give another view of something familiar to help us learn more about it. They should deal with love, life, good, evil, God, the world and faith. Many of the biblical writers were poets more than they were theologians. Poets and prophets ranted and raved, and storytellers wrote great yarns that all had different slants on God and life and faith. Perhaps the poet's absence from the Church for many centuries has left it deprived of much insight.

We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.

by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come. friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful flowers in a basket. Use this wonderful time to contemplate all God is doing in your life. ecome an answer to prayer! • Call and encourage someone today.

The Christian message does not begin with "accept Christ as your Savior"; it begins with "In the beginning God created the heavens and the earth". The Bible teaches that God is the sole source of the entire created order. No other gods compare with Him; no natural forces exist on their own; nothing receives its nature or existence from another source. Thus, His Word, or laws, or creation ordinances give the world its order and structure. God's creative world is the source of the laws of physical nature (natural sciences), human nature (ethics, politics, economics, aesthetics) and even logic. That's why Psalm 119:91 says, "all things are your servants". There is no philosophically or spiritually neutral subject matter.

The modern loss of the God of the Bible has at the same time therefore involved a vanishing sense of human dependence on anything outside man himself; man sees himself as living on a planet devoid of any intrinsic plan and purpose, and supposedly born of a cosmic accident. He himself must originate and fashion whatever values there are. The current existential emphasis on man’s freedom and will to become himself, particularly on freedom and responsibility as the very essence of human life, regards external authority as a repressive threat. Man’s unlimited creative autonomy is exalted; this “authentic selfhood” consequently requires the rejection of all transcendently given absolute norms, for they are seen as life-draining encumbrances.

The Bible is an ancient book and we shouldn’t be surprised to see it act like one. So seeing God portrayed as a violent, tribal warrior is not how God is but how he was understood to be by the ancient Israelites communing with God in their time and place. The biblical writers were storytellers. Writing about the past was never simply about understanding the past for its own sake, but about shaping, molding, and creating the past to speak to the present. “Getting the past right” wasn’t the driving issue. “Who are we now?” was. The Bible presents a variety of points of view about God and what it means to walk in his ways. This stands to reason, since the biblical writers lived at different times, in different places, and wrote for different reasons. In reading the Bible we are watching the spiritual journeys of people long ago. Jesus, like other Jews of the first century, read his Bible creatively, seeking deeper meaning that transcended or simply bypassed the boundaries of the words of scripture. Where Jesus ran afoul of the official interpreters of the Bible of his day was not in his creative handling of the Bible, but in drawing attention to his own authority and status in doing so. A crucified and resurrected messiah was a surprise ending to Israel’s story. To spread the word of this messiah, the earliest Christian writers both respected Israel’s story while also going beyond that story. They transformed it from a story of Israel centered on Torah to a story of humanity centered on Jesus.

Think, for example, about the acceptance of gay marriage or female clergy by the more progressive branches of Christianity. Where did this acceptance originate? Not from reading the Bible, St Augustine or Martin Luther. Rather, it came from reading texts like Michel Foucault’s The History of Sexuality or Donna Haraway’s ‘A Cyborg Manifesto’.14 Yet Christian true-believers – however progressive – cannot admit to drawing their ethics from Foucault and Haraway. So they go back to the Bible, to St Augustine and to Martin Luther, and make a very thorough search. They read page after page and story after story with the utmost attention, until they finally discover what they need: some maxim, parable or ruling that, if interpreted creatively enough, means God blesses gay marriages and women can be ordained to the priesthood. They then pretend the idea originated in the Bible, when in fact it originated with Foucault.

The fact was, as a story—even leaving out the supernatural, especially leaving out the supernatural, taking it all as metaphor, I mean—the Bible made perfect sense to me from the very beginning. I saw a God whose nature was creative love. He made man in his own image for the purpose of forming new and free relationships with him. But in his freedom, man turned away from that relationship to consult his own wisdom and desires. The knowledge of good and evil was not some top-secret catalogue of nice and naughty acts that popped into Eve’s mind when a talking snake got her to eat the magic fruit. The knowledge was built into the action of disobedience itself: it’s what she learned when she overruled the moral law God had placed within her. There was no going back from that. The original sin poisoned all history. History’s murders, rapes, wars, oppressions, and injustices are now the inescapable plot of the story we’re in. The

I am aware that many people might be upset by my equating religion with fake news, but that’s exactly the point. When a thousand people believe some made-up story for one month, that’s fake news. When a billion people believe it for a thousand years, that’s a religion, and we are admonished not to call it “fake news” in order not to hurt the feelings of the faithful (or incur their wrath). Note, however, that I am not denying the effectiveness or potential benevolence of religion. Just the opposite. For better or worse, fiction is among the most effective tools in humanity’s tool kit. By bringing people together, religious creeds make large-scale human cooperation possible. They inspire people to build hospitals, schools, and bridges in addition to armies and prisons. Adam and Eve never existed, but Chartres Cathedral is still beautiful. Much of the Bible may be fictional, but it can still bring joy to billions and can still encourage humans to be compassionate, courageous, and creative—just like other great works of fiction, such as Don Quixote, War and Peace, and the Harry Potter books.

As humans formed by the hands of a creative, imaginative God, we crave the supernatural. Believe it or not, we yearn for the very power we are actually destined for. It is why media concerning magic, witchcraft and sorcery is so prevalent today, because we were born for greater planes than most of us have currently seen. Amazingly, we are actually created to work in the same supernatural powers displayed in the bible and we are feeling the lack of it as our culture turns to crafty, counterfeit imitations. Though there are a few who perform miraculous acts around the world, the rest of us are left leading considerably mundane lives in a compromised condition, as if in half-form. Nevertheless, we are sons and daughters made in the image of an all-powerful God Who longs to see us live as supernatural kingdom-beings who have claimed their birthright and are moving in signs and wonders to lead a generation to Him. Assuredly, it is possible to manifest God’s glory through His great power in order to heal the wounded, sick and dying and bring hope and life to people who are dry and desolate. One day, it may even be possible to breathe underwater without scuba gear or fly without aviation. As for seeking, that is a gift accessible to anyone. Seek God, soak up His presence and you will find all that you long for, completing the destiny He planned for you before you were formed in your mother’s womb. My question is this: Do you long to move in the supernatural? If yes, the answer is simple. Seek. Seek Him. He is waiting.

One could not imagine a process more open to the elephantine logic of the Bible-smasher than this: that the sun should be created after the sunlight. The conception that lies at the back of the phrase is indeed profoundly antagonistic to much of the modern point of view. To many modern people it would sound like saying that foliage existed before the first leaf ; it would sound like saying that childhood existed before a baby was born. The idea is, as I have said, alien to most modern thought, and like many other ideas which are alien to most modern thought, it is a very subtle and a very sound idea. Whatever be the meaning of the passage in the actual primeval poem, there is a very real metaphysical meaning in the idea that light existed before the sun and stars. It is not barbaric; it is rather Platonic. The idea existed before any of the machinery which made manifest the idea. Justice existed when there was no need of judges, and mercy existed before any man was oppressed. The whole difference between construction and creation is exactly this: that a thing constructed can only be loved after it is constructed; but a thing created is loved before it exists, as the mother can love the unborn child. In creative art the essence of a book exists before the book or before even the details or main features of the book; the author enjoys it and lives in it with a kind of prophetic rapture. He wishes to write a comic story before he has thought of a single comic incident. He desires to write a sad story before he has thought of  anything sad. He knows the atmosphere before he knows anything. There is a low priggish maxim sometimes uttered by men so frivolous as to take humour seriously a maxim that a man should not laugh at his own jokes. But the great artist not only laughs at his own jokes; he laughs at his own jokes before he has made them.

My own observations had by now convinced me that the mind of the average Westerner held an utterly distorted image of Islam. What I saw in the pages of the Koran was not a ‘crudely materialistic’ world-view but, on the contrary, an intense God-consciousness that expressed itself in a rational acceptance of all God-created nature: a harmonious side-by-side of intellect and sensual urge, spiritual need and social demand. It was obvious to me that the decline of the Muslims was not due to any shortcomings in Islam but rather to their own failure to live up to it. For, indeed, it was Islam that had carried the early Muslims to tremendous cultural heights by directing all their energies toward conscious thought as the only means to understanding the nature of God’s creation and, thus, of His will. No demand had been made of them to believe in dogmas difficult or even impossible of intellectual comprehension; in fact, no dogma whatsoever was to be found in the Prophet’s message: and, thus, the thirst after knowledge which distinguished early Muslim history had not been forced, as elsewhere in the world, to assert itself in a painful struggle against the traditional faith. On the contrary, it had stemmed exclusively from that faith. The Arabian Prophet had declared that ‘Striving after knowledge is a most sacred duty for every Muslim man and woman’: and his followers were led to understand that only by acquiring knowledge could they fully worship the Lord. When they pondered the Prophet’s saying, ‘God creates no disease without creating a cure for it as well’, they realised that by searching for unknown cures they would contribute to a fulfilment of God’s will on earth: and so medical research became invested with the holiness of a religious duty. They read the Koran verse, ‘We create every living thing out of water’ - and in their endeavour to penetrate to the meaning of these words, they began to study living organisms and the laws of their development: and thus they established the science of biology. The Koran pointed to the harmony of the stars and their movements as witnesses of their Creator’s glory: and thereupon the sciences of astronomy and mathematics were taken up by the Muslims with a fervour which in other religions was reserved for prayer alone. The Copernican system, which established the earth’s rotation around its axis and the revolution of the planet’s around the sun, was evolved in Europe at the beginning of the sixteenth century (only to be met by the fury of the ecclesiastics, who read in it a contradiction of the literal teachings of the Bible): but the foundations of this system had actually been laid six hundred years earlier, in Muslim countries - for already in the ninth and tenth centuries Muslim astronomers had reached the conclusion that the earth was globular and that it rotated around its axis, and had made accurate calculations of latitudes and longitudes; and many of them maintained - without ever being accused of hearsay - that the earth rotated around the sun. And in the same way they took to chemistry and physics and physiology, and to all the other sciences in which the Muslim genius was to find its most lasting monument. In building that monument they did no more than follow the admonition of their Prophet that ‘If anybody proceeds on his way in search of knowledge, God will make easy for him the way to Paradise’; that ‘The scientist walks in the path of God’; that ‘The superiority of the learned man over the mere pious is like the superiority of the moon when it is full over all other stars’; and that ‘The ink of the scholars is more precious that the blood of martyrs’. Throughout the whole creative period of Muslim history - that is to say, during the first five centuries after the Prophet’s time - science and learning had no greater champion than Muslim civilisation and no home more secure than the lands in which Islam was supreme.

One of my best friends is LinDee Loveland, who is a Bible teacher at OCS and the children’s minister at our church. She and another friend and teacher, Mrs. Rita, were there at the hospital with us. As soon as they heard that everything had gone well, the two of them gathered all of Mia’s cousins together. “Missy, what’s Mia’s room number?” LinDee asked. I rattled it off, then quickly caught up with Jase, who was heading to the recovery room. We spent an hour in the recovery room with Mia, and when she was ready to be moved to her regular hospital room, Jase and I walked beside her gurney. When we walked into her room, I burst into tears. Mia’s room was beautiful! Several weeks before Mia’s scheduled surgery, Mrs. LinDee had asked the children at church to make snowflakes that would be given to a child who needed some encouragement. Mia even made one herself and signed it. “Each individual snowflake is special, and no two are alike,” Mrs. LinDee told them. “It’s the same way with us,” she shared. “No two people are alike. God makes everyone unique and special, with a purpose designed to glorify Him.” Later, when Mia wasn’t there, she asked all the children to make cards for Mia. When LinDee and the cousins scooted out of the waiting room, they went straight to Mia’s room and hung up the cards and the snowflakes all over her room. Mia was awake by the time she got back to her room, and when she saw the decorations, she literally oohed and ahhed. Dr. Sperry and Dr. Genecov both made the same comment when they visited Mia later. “I’ve never seen a room like this! This is the most decorated room that’s ever been in this hospital!” And Dr. Sperry summed it up beautifully: “Wow, somebody must really love you.” Having a room decorated means so much to a child--and maybe even more to a child’s parents. The fact that so many of Mia’s friends had created such exquisite, handmade snowflakes and worked so hard to make cards for her, and that Mrs. LinDee, Mrs. Rita, and all the cousins surprised us with the final display, spoke volumes to me about the way people loved Mia and our family. That expression of creativity was not only beautiful, it also touched my heart deeply.

To write with truth, I’ve been known to slow dance my words over graves of buried prayers, to drink my words under the shadow of my grandfather’s whiskey bottles, to lift my words from under the gaze of my daddy’s gentle eyes. I’ve had to write from the seeding syllables of my gardens, from the ammunition of my ancestors’ battlegrounds, and from the misery of my families’ tattered Bibles. I’ve pulled stories from the soil of my homeplace, from the juice stains of freshly-picked blackberries, and from the bottom of my bare feet. I write with the barbed-wire nouns and plural verbs of my mistakes, with the cast iron consonants and silent sugary vowels of my mother’s kitchen. But in the end, the only thing that matters is that I write.

The theistic evolutionist considers the days in Genesis as periods of time, long periods of time. I do not believe that is true. God’s marking off the creative days with the words, “And the evening and the morning were the first day,” etc., makes it clear that He was not referring to long periods of time but to actual twenty-four hour days.

It is no coincidence that the phrase “signs and wonders” is used by biblical writers. A “sign” is a visual experiential symbol pointing to truth or proving a proposition (Heb 2:4).34 So one of God’s most dramatic means of persuasion recorded in the Bible is through the signs or images of miraculous wonders.35

The fact that God uses anthropomorphisms—human traits attributed to a nonhuman subject—to talk about himself is a powerful indicator of the value of imagination and human imagery in communicating and understanding truth.

How many Mohammedans, how many Hindus, how many Christians, have been killed for something they have read only in a book! Tremendously stupid people. One is fighting for the Koran, another is fighting for the Gita, another is fighting for the Bible—for books you are fighting and killing living people and sacrificing your tremendously valuable life!

Revering the Bible and handling it creatively might sound like a contradiction to us, but it wasn’t to ancient Jews. To understand why, and therefore to understand Jesus, we need to back up for just a second. As we saw in chapter 3, the Old Testament (more or less as we know it today) was produced by the Israelites in the generations after they returned from the exile in Babylon (539 BCE). These writings—some of which were being produced at that time and others that were much older and now gathered together—told the Israelites’ ancient story and eventually became an authoritative guiding document for their present life and future hopes.

Most evangelicals also acknowledge that in the Scriptures God stands revealed plainly as the author of nature, as the sustainer of human institutions (family, work, and government), and as the source of harmony, creativity, and beauty. Yet it has been precisely these Bible-believers par excellence who have neglected sober analysis of nature, human society, and the arts. The

Names in the bible are significant. e.g. David means, beloved by God and man. And so king David was. Jesus asks who do you say I am? A question to his disciples, but also all of us? He says the father's name is to be hallowed (see the Lord's prayer) and that he and the Father are one. So we should meditate on the holiness of his names. There are hundreds of names for God. They each provide a rich blessing of description. One such name is: God of Wonders The hymn says "God of wonders, beyond our galaxy, You are holy." It is worth thinking on any wonders, however seemingly small, that we are blessed with in life. God operates in both the magnificent out of the ordinary (e.g. Acts 2:19) and in the everyday. This God of resurrection wonder (Eph 1:20) not only raised Christ, but daily raises up those in need. His blessings are new every morning. He not only is a creative life giver at the beginning (Is 44:24), but continues to be now. He promises that all things can be made new (Is 42:9) and all creation is groaning like a woman in birth pains for it. He and His kingdom are coming little by little, wonder, by wonder for he is the God of wonders and is truly wonderful.

So, while creativity is a good thing in itself, it does not mean that everything that comes out of man’s creativity is good. For while man was made in the image of God, he is fallen.

We are his poiēma’, his ‘poem’, his ‘workmanship’, wrote Paul (Ephesians 2.10), ‘created . . . in King Jesus for the good works that he prepared’ – not simply ‘good works’ of moral behaviour, but the fresh creativity whose rich variety reflects the lavish creativity of God himself, thereby offering a sign to the powers of the world that Jesus is lord and they are not (Ephesians 3.10–11).

Divine blessing in the Bible is always physical and spiritual because it is fixed upon the reality of the fullness of life in the presence of God. The message of this book is that divine blessing in the Bible looks like God’s creatures experiencing the fullness of life—both physically and spiritually—in his presence. The way human beings experience God’s blessing changes with the redemptive storyline that traverses the major peaks of creation, fall, redemption, and final restoration. However, blessing always flows out of God’s benevolent creative design for his creatures and coincides with obedience to his will.

The Hebrew term for “create,” bara, has the sense of “create as only God can create”; the only time the Bible uses the term is in relation to divine creativity. For example, Isaiah 41:19-20 depicts God as stating, “I will put in the wilderness the cedar, the acacia, the myrtle, and the olive; I will set in the desert the cypress, the plane and the pine together, so that all may see and know, all may consider and understand, that the hand of the Lord has done this, the Holy One of Israel has created [bara] it.” This and the dozens of other verses that speak to God’s creative activity do not disrespect nature; to the contrary, nature testifies to divine creation.

When it comes to the whole Bible, I believe we should not only be reading right through the Bible individually at least once a year – for clergy I’d say twice a year at least, and perhaps the gospels four times a year, and if this means reworking your personal schedules then fine, do it – but that we should make it possible for our congregations to try creative experiments for how to experience the whole Bible.

But the Bible narrative is all about creativity bursting forth from the true self, the true you.

God’s world, so much bigger and more beautiful than Michelangelo’s masterpiece, is the product of incomparably greater energy. As author Eugene Peterson has written, “The Bible begins with the announcement, ‘In the beginning God created,’ not ‘sat majestic in the heavens’ and not ‘was filled with beauty and love.’ He created. He did something.” In the beginning, God went to work. Genesis focuses attention on this creative, hardworking God. The word God appears 30 times in the 31 verses of chapter 1. He grabs our attention in action. Genesis is an account of his deeds, ringing splendidly with the magnificent effort of creation.

God in the Hebrew Bible, as it emerged from its editing process, is almighty; he creates heaven and earth with a word, and he is above all other gods-but he creates a serpent who undoes all his creative work. Often he acts like a large and powerful and somewhat bad-tempered human being. Like any landlord, he walks in the Garden of Eden in the cool of the day. He gets angry. He bargains with his people. He changes his mind. He falls into vindictive rages, as in the case of Noah's flood or the Tower of Babel or the unfortunate cities of Sodom and Gomorrah, and he plays atrocious games, as in the case of his command to Abraham to sacrifice his son Isaac. He has a somewhat bizarre preoccupation with the length of Samson's hair. He performs prodigious wonders, such as slaughtering the first-born sons of Egypt and leading the Israelites to safety through the parted waters of the Red Sea-only to discover that those who have witnessed those stupendous miracles quickly forget them and turn to complaint and the worship of other gods. Like all of us, the God of the Hebrew Bible is a mess of contradictions.

The opening pages of the Bible reveal that human creativity and culture are rooted in creation. This means they are good gifts of God, an expression of his image in humankind, and pleasing to him. In the creation narrative we find the essential kernels of human creativity that have blossomed into science (Gen. 2:19–20), practical skills and crafts of all types (Gen. 2:15), and the arts (Gen. 2:23). Culture, creativity and art are not to be dismissed, disdained, or relegated to insignificance by God’s people because they are essential to the Creator’s plan for us, his creatures. After God had called all things into existence he determined what he had made was “very good” (Gen. 1:31). Christians may mean well when they look down on physical things as “less spiritual,” but in doing so they are substituting their own evaluation for God’s. Seen in this light, the sacred/secular dichotomy brings us perilously close to the sin of blasphemy.

What propelled Judah’s restoration, according to the narrative, were texts, and those who interpreted them, and in depicting how texts played this formative role, its authors made a compelling, and creative, case for their culture of writing and reading.

In my adult life I have proved time and time again that I can keep more or less in mind details of some five hundred books on the topics to which I have dedicated myself. I take no notes but do list on the inside back cover of certain books page numbers to which I know I will want to refer, later followed by one word to indicate subject matter, but even without this aid I can and do go quickly to the right book and the correct page, more or less, for the data I need. When I fail, I fail completely and can think of no clue that would lead me to the page I want; this would mean I had not implanted it firmly enough in my mind. I am not talking theoretically. I have done this at least a dozen times with my long novels, keeping a hundred characters in mind, controlling a tangle of different story lines, and remembering many individualized locations. I doubt that I am remarkable in possessing such a skill. I suspect that many clergymen can do the same with the Bible and it’s obvious that some lawyers can maintain control over a huge volume of case law just as scientists can master a jungle of relevant experimentation in their fields. But I have done it in a score of different fields: astrophysics, geography, ancient religions, art, politics, contemporary revolutionary movements, and popular music.” —Chapter IX, “Intellectual Equipment”, page 301

Creation reveals our Creator’s glory. In nature we learn that God is powerful, that he enjoys variety, loves beauty, is organized, and is wise and creative. The Bible says, “The heavens declare the glory of God.

No matter what controversy erupts, you'll find that artists just keep doing what artists have been doing since the beginning of time. Pushing the edges. Exploding the margins. Making something so compelling you can't look away even when it disturbs you, even when it awakens something dormant inside your being that threatens the status quo you depend on. We are here to rewire the rules of creation. Here to make work that refuses to be ignored. Writing and singing and dancing our way out of the closets and out of the churches and out of the pyres they built to burn us. It's our job as makers, as writers and singers and painters and dancers and actors and those born to act as mirrors to a world that sought to contain us inside a dogma meant only for the meek and compliant. It's the entire reason, full stop, the ending and the beginning of the story, of every story, Over and over and over again. So, the conservative talking heads, the hellfire and brimstone preachers, the right-wing bible thumpers, and those who have proclaimed themselves the bastions of moral superiority can keep clutching their pearls and beating their breasts. We'll just keep making art that moves you. You're welcome.

The essence of my belief is that there is a difference, a vast difference between fact and truth. Truth in the Scriptures is more than a fact. A fact may be detached, impersonal, cold and totally disassociated from life. Truth, on the other hand is warm, living and spiritual. A theological fact may be held in the mind for a lifetime without its having any positive effect upon the moral character; but truth is creative, saving, transforming and it always changes the one who received it into a humbler and holier man. “Theological facts are like the altar of Elijah on Mount Carmel before the fire came; correct, properly laid out but altogether cold. When the heart makes the ultimate surrender, the fire falls and true facts are transmuted into spiritual truth that transforms, enlightens and sanctifies. The church or the individual that is Bible taught without being Spirit taught has simply failed to see that truth lies deeper than the theological statement of it. We only possess what we experience!

What kind of rule are we supposed to enact? In Genesis 1, God modeled creativity and benevolence, pouring out blessings on humanity. Throughout the Bible, good kings are contrasted with evil rulers. Just leaders practice shalom, demonstrating particular concern for the poor and needy, the widows and the orphans.[26] Godly dominion is marked by care and concern for the least of these. It is rooted in interdependence rather than personal gain. What a far cry from greedy or tyrannical despots. McFague notes the contrast between these competing visions of our calling in Genesis: “The first model sees the planet as a corporation or syndicate, as a collection of human beings drawn together to benefit its members by optimal use of natural resources. The second model sees the planet more like an organism or community that survives and prospers through the interrelationship and interdependence of its many parts, both human and nonhuman.”[27] Genesis 1:28 is a call to responsible rule. While God rests from creating, our job is to keep chaos at bay.

to go on hearing the Bible as the Word of God we must also do creative theology rooted in the Bible, theology that is not just a painstaking arrangement of proof-texts but draws on all the rich resources of understanding and experience that are available in our context and that engages the concerns and the challenges of our context.

The earliest scriptures in the Bible describe the creative work of God and how it spanned over six days. As

The Bible says that without vision a people perish (see Proverbs 29:18, KJV). We need our dreams to give us the motivation to have a plan so that we can keep on. With no vision and no dreams and no longings, we lack the ability to creatively and joyously make plans for how we will spend our days. Granted, the Lord directs our steps, but we faithfully begin the walking of them.

whatever we do, let us not default to one form of music as the apex of quality and religious acceptability. God is far too creative and God’s world far too diverse to be limited to a single cultural expression.

In our laps, the margins are clear and tidy. Three-fourths of an inch on the left and right padding, two inches below, and one inch on top. The clarity provides room for creativity. The structure offers space. But why is it in our lives those blank spaces are so much harder to find? And when we do find them, instead of breathing in that sacred space, why are we so much more likely to fill in that place?  

To be sure, all translation is interpretation. ... Be that as it may, functional-equivalence translations, which presume that ambiguity, multivalence, and contradiction are by definition not part of the Bible, take far more creative and interpretive license than formal ones in eradicating those features. In so doing, they too often try to make the Bible into something it's not.

In a parody of the supply-side economics of creative destruction, advocates of AB 32 envisaged “alternative” energy sources creating new jobs and industries and replacing existing fuels. Thomas Friedman’s Hot, Flat, and Crowded3 is the bible of this delusional sect, which has captured much of Silicon Valley. This economic model sees new wealth emerge from dismantling the existing energy economy and replacing it with a medieval system of windmills and druidical sun temples. But the destruction of the workable and efficient energy system we have does nothing to enable a new one.

Priorities: Priority #1: God The relationship with God must come first. Why? Because we need God's perspective in every area of our lives. ... Priority #2: Husband Solomon said, "A worthy wife is her husband's joy and crown; the other kind corrodes his strength and tears down everything he does" (Proverbs 12:4) ... Priority #3: Children See Bible verses about child rearing. ... Priority #4: Home Proverbs 31:27 The virtuous wife in Proverbs 31 seems to have been a very neat, tidy housekeeper. It seems to come naturally to some people, but I'm not one of them. Priority #5: Yourself Everyone needs time alone - time to read, to indulge in a hobby, or just to do nothing. Evaluate your weekly schedule and plan into it time for yourself. ... Priority #6: Outside The Home I was sharing my excitement about the priorities of a woman's life with a group of women in upstate New York, and one woman said, "Linda, I cannot believe what you are saying. I know that you believe in the Great Commission, to go into the world and preach the gospel, was given to women as well as to men, yet you are saying that our service for Christ is at the end of the list. Since I became a Christian two years ago, my service to the Lord has been first!" I smiled and told her I'd like to ask her husband how he liked that! When my children were very young, I decided before God to keep my priorities in the order I've shared. I still re-evaluate where I spend my time and seek to keep God first, Husband second, my children third, my home fourth, me fifth, and my outside activities sixth.

1. Who is the author or speaker? 2. Why was this book written? What was the occasion of the book? 3. What historic events surround this book? 4. Where was it written? Who were the original recipients? Context Questions 1. What literary form is being employed in this passage? 2. What is the overall message of this book, and how does this passage fit into that message? 3. What precedes this passage? What follows? Structural Questions 1. Are there any repeated words? Repeated phrases? 2. Does the author make any comparisons? Draw any contrasts? 3. Does the author raise any questions? Provide any answers? 4. Does the author point out any cause and effect relationships? 5. Is there any progression to the passage? In time? Action? Geography? 6. Does the passage have a climax? 7. Does the author use any figures of speech? 8. Is there a pivotal statement or word? 9. What linking words are used? What ideas do they link? 10. What verbs are used to describe action in the passage?

Let's look at one such creative counterpart described many years ago in the book of Proverbs. There are many outstanding, godly women mentioned throughout the Bible, but this woman received special praise: "Many daughters have done well, But you excel them all" (Proverbs 31:29). Who was this woman who did more than Deborah, the military adviser, or Ruth, the woman of constancy, or Esther, the queen who risked her life for her people? She was a wife and mother like you and me!

Seek the welfare of the city to which I have exiled you and pray to the Lord on its behalf, for in its prosperity you shall prosper” (Jer. 29:7) – the first statement in history of what it is to be a creative minority.

...I read the Bible steadily...Even the long, monotonous lists. Even the really weird stuff, most of it so unbelievable as to only be true. I have to say I found it the most compelling piece of creative non-fiction I had ever read. If I sat around for thousands of years, I could never come up with what it proposes, let alone with how intricately Genesis unfolds toward Revelation.

This was fueled by a return to a cardinal tenet of the Protestant faith, Sola Scriptura, which argues that God’s Word alone is sufficient for faith and practice.[3] This principle makes the Bible the exclusive foundation for all that we do. It is rooted in the belief that man’s notions for how to live must be set aside for God’s clear directives as found in His inspired, written revelation, and that God’s people are to limit themselves to obedience to His revealed will.[4] I progressively realized that modern youth ministry had largely developed from traditions, cultural preferences, statistical surveys, and the opinions of creative leaders, rather than biblical principles. If All I Had Was Scripture It finally occurred to me that if I began with Scripture alone, I would have no reason for age-segregated Christianity. In other words, if all I had was the Bible, it would be difficult (if not impossible) to establish the credibility of this practice. I was humbled to learn that God’s vision for training young people is powerful, profound, and comprehensive, standing in sharp contrast to the man-centered, culture-bound model I once advocated.

A scribe’s job is to transcribe what he is instructed to write down. Just as God directed and inspired the authors of the Bible, so was His instruction and inspiration given to me for the writing of Divine Towels. Some may consider the concepts written about in Divine Towels to be extreme or underdeveloped. However, my goal is the planting of seeds in the souls of those who read it. Each person reading Divine Towels will need to contemplate how they can apply its concepts to their own lives and creatively address their own spiritual concerns. Too often I have found that Christian books tell a story, but do not necessarily challenge readers to dig deep into the soil of their own spiritual gardens to cultivate what needs to be growing there. As a writer, I feel bound not just to tell a story, but to offer people something substantial that will help them discover the fruits of the spirit in their own unique search for God.

I decided that I did not want to follow any of these ideologies or trends, because these also exerted a kind of pressure, and obstructed absolute creative freedom.

Many people today have an irrational—almost phobic—fear of hunger. We live in a society that teaches us that it isn’t ever good to be hungry, and that hunger can even be dangerous. Of course, this is partly true since everyone needs to eat, and when you’re hungry it triggers the reactive part of the survival instinct (which says “I must eat in order to survive”). Nonetheless, when you know how to manipulate hunger correctly, it will serve you in many positive ways. Hunger will trigger the active part of the survival instinct—that which makes you more alert, ambitious, competitive, and creative. Throughout history, humans have had to contend with hunger, and not just because they were unable to afford food or suffered from drought and famine. Learning to deal with hunger was also practiced intentionally, to make people tougher and stronger, thereby more resilient to life’s hardships. The historical correlation between hunger and freedom is quite evident. During the period when the Bible was written, and later, during the Roman Empire, hunger and fasting were considered an integral part of life for free people, warriors, and those who wandered. Slaves, on the other hand, were fed frequently throughout the day. The Israelite slaves’ first complaint after leaving Egypt was of hunger, and they wandered in the desert for forty years, adapting and eventually becoming a free nation. Only the second generation of those escaped from Egypt reached the Promised Land. I firmly believe that hunger triggers the Warrior Instinct, and if it’s under control it will give you a “sense of freedom.” I also believe that frequently feeding—due to a fear of hunger—may, to put it strongly, create a “slave mentality,” because when fed continually, people tend to become more lethargic and submissive—and thus easily controlled. One could almost consider food abundance a less drastic or obvious form of “opiates for the masses.” How

I got letters saying, I detest everything about you, and I got letters saying, You have written my bible. Imagine if I’d tried to create a definition of myself based on any of these reactions. I didn’t try. And