Crazy Sister Quotes

We've searched our database for all the quotes and captions related to Crazy Sister. Here they are! All 100 of them:

Sweet, crazy conversations full of half sentences, daydreams and misunderstandings more thrilling than understanding could ever be.
Toni Morrison (Beloved)
I'm lonely. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has it's own zip code. Plus, I get certifiably crazy when I've got PMS. You don't love someone because they're perfect. You love them in spite of the fact that they're not.
Jodi Picoult (My Sister’s Keeper)
And always remember how much your crazy sister loves you.
Sarah Dessen
To me, he’s worth every loud moment, every peaceful silence, the crazy and the sad, the restless and the quiet.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
That's why crazy people are so dangerous. You think they're nice until they're chaining you up in the garage.
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
If you don't annoy your big sister for no good reason from time to time, she thinks you don't love her anymore.
Pearl Cleage (What Looks Like Crazy on an Ordinary Day (Idlewild, #1))
I lay in the dark thinking about the difficulties of family, how crazy and crooked the stories of a bloodline can be.
Patrick deWitt (The Sisters Brothers)
If you focus on sandbagging the beachhead, you can ignore the tsunami that's approaching. Try it any other way and you'll go crazy.
Jodi Picoult (My Sister’s Keeper)
You're nothing like your sister," he tells me. "She meant a lot to me, okay? It's true. But the things I like about you have nothing to do with her. You - you are so strong and stubborn it drives me crazy. You're the one going through all this and you still put Laney first every time, instead of throwing yourself the pity party we both know you deserve. You call me out on my shit, and I like that, because sometimes I need someone to call me out on my shit. And you get Johnny Cash, and you take these incredible photos, and everything about you makes me hurt, in a good way, and it blows my mind that someone can be so amazing and not even see it.
Hannah Harrington (Saving June)
Kid,” Richard said wearily, “I am not in the mood. I haven’t slept in thirty-six hours, my sister’s crazy–” “Hey!” Monica protested. “–and you’re not my high school crush–” “He is not my high school crush, Richard!” “The point it, I couldn’t give a crap about you, your friends, or your problems, because for me this isn’t personal. Monica will kill you because she’s nuts. I’ll kill you because you make me kill you. Are we straight?” “Well,” Shane said, “That’s kind of a personal question.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
We all have our la-la-la song. The thing we do when the world isn't singing a nice tune to us. We sing our own nice tune to drown out ugly.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Ready or not, here I come I'm so tired of this dumb game of hide and seek Olly olly oxen free Show yourself, you're scaring me Come out, come out, where ever you are You've taken this thing way too far
Sonya Sones (Stop Pretending: What Happened When My Big Sister Went Crazy)
It was a strange, wonderful feeling. To discover eyes upon you when you expected no one to notice you at all.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
You can't fight hatred with hatred and expect anyone to listen to you. You can only try to lessen it with humor, wit, truth and commonsense. If that doesn't work run like hell, while they throw rocks at you.
Shannon L. Alder
So, thanks,” Vivian said. “For what?” I looked up at her, confused. “For being stupid enough to love your crazy, murdering lunatic of a sister and being such a pathetic dork that I couldn’t help but love you, too
Kiersten White (Endlessly (Paranormalcy, #3))
Are you crazy? The last thing you want to do is make a scene." "Well, I'm gonna make a movie if you don't show me some respect.
Sister Souljah (The Coldest Winter Ever (The Coldest Winter Ever, #1))
You're crazy, Dylan. Oh, my God, you proposed marriage with index cards? No one else in the world would do that. Yes. Yes, Yes! If you ask me a thousand times, then every single time I'll say yes.
Charles Sheehan-Miles (Just Remember to Breathe (Thompson Sisters, #3))
quidquid agas prudenter agas et respice finem...Skye was used to hearing this phrase, which Mr. Penderwick translated loosely as look before you leap and please don't do anything crazy.
Jeanne Birdsall (The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy (The Penderwicks, #1))
The golden moment when I’m not yet awake enough to remember that there are things I would rather forget.
Sonya Sones (Stop Pretending: What Happened When My Big Sister Went Crazy)
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot." I snorted. He was SUCH a guy. "My favorite band is-" "Let me guess," I interjected. "White Zombie? Slayer?" "Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer." "I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?" "You look so angelic." "And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness! "The hottest.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
If you’re worried arresting my sister will come between us — really, that’s not a problem. I’m pretty sure it will bind us tighter together. Besides, we made plans…involving Missy’s desk.” “You know I was only torturing your sister.” “So you were just using me?” He actually sounded wounded. “Like a whore?” “Mace…” She stopped and rubbed her eyes. Of all the places he could be doing this, her precinct should not be one of them. “You’re doing it again.” “Doing what?” “Trying to make me crazy.” The look he gave her was pure predatory male. “I like you crazy.
Shelly Laurenston (The Mane Event (Pride, #1))
Talaith leaned forward, studied her youngest daughter. “You think you’re evil?” “Pure evil,” Izzy clarified, which got her a rather vicious glare from Rhi. An expression Dagmar had never thought the young, perpetually smiling or sobbing girl was capable of. “Why would you think you’re evil?” “It’s a feeling I have.” “No. Someone told her.” Rhi glowered at her sister. “I never said that.” “You didn’t have to,” Izzy shot back. “I know you.” “Well, who told her that?” Talaith demanded. And, as one, they all turned and looked at Gwenvael. He blinked, sat up straight. “I would never say such a thing to my dear sweet niece!” “You said it to me,” Talwyn snapped. “That’s because you’re not my dear sweet niece. You’re the rude little cow who threw a knife at my head.” “I wasn’t aiming for you. I was aiming for Mum.” “She’s right,” Annwyl admitted. “I just ducked behind you.” She shrugged. “Sorry.
G.A. Aiken (How to Drive a Dragon Crazy (Dragon Kin, #6))
No, Nathan, no." She wrapped his face in her hands. "I just need you--all of you--so much that I'm going crazy. I need your laugh. I need your company. I need you to sleep beside me and I need you to wake when I wake. I need you with everything in me.
Nalini Singh (An Enchanted Season (Psy-Changeling, #0.5; Murphy Sisters, #1))
A name is important. It isn't something you drop in the litter basket or on the ground. Your name is now people know you. The very mention of your name makes a picture spring to mind, whether it's a picture of clashing fists or a mighty mountain that can't be knocked down. Your name is who you are and how you're known even when you do something great or something dumb.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Jack? It’s Margeaux.” “My sister? Why would my sister be calling me? How did she get my number? Crazy questions blipped through my head. I knew she had married and was living in New Orleans, but we rarely spoke and have never been close by any means” “Margeaux?” “I’m calling from the police station. Dad was just brought in and I thought I should let you know.” “What! Why was he brought in?” “Jack, he’s been diagnosed with Alzheimer’s. He drove himself into New Orleans to Quest Diagnostic for some blood tests and he was waiting to be called. Apparently, they took other people back that had come in after him. He got upset and made a scene. The staff tried to explain that those people all had appointments and he didn’t. He became so abusive, they called security, but before they even got there, Dad knocked down one of the technicians. That’s when they called the police. They came and took him.
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
Madame V begins the lesson by reading aloud the first stanza of a famous French poem: Il pleure dans mon coeur Comme il pleut sur la ville; Quelle est cette langueur Qui penetre mon coeur? Then she looks up and without any warning she calls on me to translate it. I swallow hard, and try: "It's raining in my heart like it's raining in the city. What is this sadness that pierces my heart?" Saying these words out loud, right in front of the whole class, makes me feel like I'm not wearing any clothes.
Sonya Sones (Stop Pretending: What Happened When My Big Sister Went Crazy)
To live with you is to live. To live without you is to die.
Kamand Kojouri
While we rest in silence, pages are being written between us. Telling the story of a crazy, sad girl and a fucking dangerous, lonely guy. I
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
When she first died, I felt sorry about all the pills I'd given that made her feel so miserable. But now I didn't feel so many regrets. Lynn wanted her life. I thought she was willing to suffer if she could still taste her food, if she could still talk about the sea, if she could still feel a breeze across her face, and even if she still could argue with her crazy sister!
Cynthia Kadohata (Kira-Kira)
It's just that we'd like to think that craziness and sanity are on opposite ends of an ocean, but really they're more like neighboring islands.
Gayle Forman (Sisters in Sanity)
Saying "please" without saying it to someone you don't want to say "please" to in the first place tops the list of hard.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Dictatorships, wars, and cruelty drive whole countries to madness. My theory is that the human species was crazy from the very first and that civilization and culture are only enhancing man’s insanity. A Tale of Two Sisters
Isaac Bashevis Singer (The Collected Stories of Isaac Bashevis Singer)
You want to hear that, right? ? I mean that's what they told you. That's why Jamie is so worried about his crazy kid sister. Because-news flash-she really is crazy." The last part I say softly. They're the words I have been carrying for so long that they have a weight of their own. Physical. I should feel lighter now that I've released them, but there is no relief from the truth.
Ally Carter (All Fall Down (Embassy Row, #1))
Men who call women crazy are always the men who have first pushed them to the brink.
Jessica Knoll (The Favorite Sister)
There are friends, I think we can't imagine living without. People who are sisters to us, or brothers. Jimmy was one of those. I never thought I might have to go through life without him. I never thought he might be killed by a drunken driver or anything else. Who thinks about things like that when you're seventeen? If I had known ahead of time what was going to happen to him, I would have gone crazy. I guess I did go a little crazy. My Aunt Lo, who's a hospital psychiatrist, says grief travels a certain route-that if you could plot it out on a map you'd have a line that twists and weaves and eventually ends up near the point of departure. I say "near" because although you may survive the grief, you won't ever be exactly the same. It took me a long time to learn that, and sometimes the whole experience comes back on me and I have to learn it all over again.
Julie Reece Deaver (Say Goodnight, Gracie)
Your Sister is a crazy bitch. She's fucking insane. We need help." - Dean
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
I just took the box and nodded, because that's how you treat crazy people. You nod and count down twenty-seven days for crazy to come to an end.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
So what do the Irons want, peacemaker?” Bercelak demanded of his sister’s mate. “Revenge.” Annwyl threw her hands up. “What did I do now?
G.A. Aiken (How to Drive a Dragon Crazy (Dragon Kin, #6))
If you knew what I knew, seen what I've seen, you wouldn't be so quick to pull the plow.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
You don't know what's right or wrong. You've been told 'you're crazy' 'you´re overreacting' so many times you started to believe that's the truth
Anna Akana (So Much I Want to Tell You: Letters to My Little Sister)
I must have been in the car for a long time because eventually my sister found me there. I was chain-smoking cigarettes and crying still. My sister knocked on the window. I rolled it down. She looked at me with this curious expression. Then, her curiosity turned to anger. "Charlie, are you smoking?!" She was so mad. I can't tell you how mad she was. "I can't believe you're smoking!" That's when I stopped crying. And started laughing. Because of all the things she could have said right after she got out of there, she picked my smoking. And she got angry about it. And I knew if my sister was angry, then her face wouldn't be that different. And she would be okay. "I'm going to tell Mom and Dad, you know?" "No, you're not." God, I couldn't stop laughing. When my sister thought about it for a second, I think she figured out why she wouldn't tell Mom or Dad. It's like she suddenly remembered where we were and what had just happened and how crazy our whole conversation was considering at all. Then, she started laughing. But the laughing made her feel sick, so I had to get out of the car and help her into the backseat. I had already set up the pillow and the blanket for her because we figured it was probably best for her to sleep it off a little in the car before we went home. Just before she feel asleep, she said, "Well, it you're going to smoke, crack the window at least." Which made me start laughing again. "Charlie, smoking. I can't believe it." Which made me laugh harder, and I said, "I love you." And my sister said, "I love you too. Just stop it with the laughing already.
Stephen Chbosky (The Perks of Being a Wallflower)
I was the big sister. I was supposed to set and example and lead the way so people would say, 'Hey, you're Alex's sister, aren't you? You two look exactly alike!' instead of 'Hey, you're Alex's sister, aren't you? Are you crazy, too?' The only example I was ever going to set for her was to always check her food before she ate it.
Francesca Zappia (Made You Up)
If there was a moment that determined the course of my future, I'm pretty sure this was it. I had two somewhat simple choices. I could make a run for it and go back to Uncle Al's. Back to the bonfire where my cousins and dear sister would be drinking and revel in the normalcy of a Saturday night and forget I ever went to this horrid place and ran into this weirdo. Or I could go with said weirdo up the stairs in this decrepit old lighthouse, which was most likely condemned and unsafe, towards some unknown person (or thing) that was walking around, potentially waiting to murder us in horrific ways. It didn't seem like a very hard decision to make. In fact, I think 99.7% of people in the right frame of mind would have picked from column A and gone on with their merry lives. But for some freaking crazy reason, I thought that maybe, just maybe I should go with this stranger up those kelp-ridden stairs and toward the lair of unimaginable horror. You know, because it was the more interesting alternative.
Karina Halle (Darkhouse (Experiment in Terror, #1))
I care about you,” I tell her like it shouldn’t be that crazy of a notion by now. “Not because you’re a part of my brother’s life but because you’re a part of mine. You’re my fucking friend. I love you, alright?
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
Help me. Please?” She gave him an abashed nod (but not nearly so abashed as she ought) and turned to Harriet. “I think that Lord Winstead refers to the rhyming qualities of the title.” Harriet blinked a few times. “It doesn’t rhyme.” “Oh, for heaven’s sake,” Elizabeth burst out. “ Finstead Winstead?” Harriet’s gasp very nearly sucked the air from the room. “I never noticed!” she exclaimed. “Obviously,” her sister drawled. “I must have been thinking about you when I wrote the play,” Harriet said to Daniel. From her expression, he gathered he was meant to feel flattered, so he tried to smile.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
He comes down next to me, and when I hold out my hand, he takes it. Our fingers lace together. And in that feeling, that perfect feeling of our hands and fingers pressed together, I want to tell him everything. I want to tell him about Josh, and his sister, Emily. I want to tell him about tall, crazy Gert. I want to tell him about bridges and funerals, and most of all, maps. More than anything else, I want to tell him about myself. I want to tell him that I know what things look like from above now. There's so much I want to tell him, because I know he'll understand.
Shawn Klomparens (Jessica Z.)
You?" I start to laugh. "Look at you. You're a knock-out. You're smarter than I am. You're on a career track and you're family-centered and you probably even can balance your checkbook." "And I'm lonely, Cambell." Jewel adds. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has its own zipcode. Plus, I get certifiably crazy when I've got PSM. You don't love someone because they're perfect," she says. "You love them in spite of the fact that they're not.
Jodi Picoult (My Sister’s Keeper)
She went a little fucking overboard on her anger." He looks at me. "Her daughters are all a bit nuts, so you know exactly where they get it from.” "She called the fucking cops on me," I retort. "That's not nuts that's --" "It's nuts," he rebuts. "It's fucked up." "That too," he says.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Cecile made it sound like it was no big deal. "I've been fighting for freedom all my life." But she wasn't talking about protest signs, standing up to the Man, and knowing your rights. She was talking about her life. Just her. Not the people.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Because I already have one sister, Lauren? She’s like their miracle baby—they had her right after me, oh joy—and sometimes she’s crazy annoying and I was like, ‘Another one? I don’t know about this.’ But then they told me about you, too? And I was like, ‘Get. Out.’ I mean, it’s like insta-family, right? Just add water. Like sea monkeys.
Robin Benway (Far from the Tree)
The last thing Pa and Big Ma wanted to hear was how we made a grand Negro spectacle of ourselves thirty thousand feet up in the air around all these white people.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
Nothing -- and I mean nothing, Carly Banks -- is crazy if you're in love.
Chris Bohjalian (Trans-Sister Radio)
A foot. Remember how DuBois saw those human feet in a butcher's window in downtown Atlanta? Brother, Sister, Children, you are not crazy to feel crazy here.
Alice Walker (Taking the Arrow Out of the Heart)
That was how I knew Sister Mukumbo was a real teacher, aside from her welcoming smile and her blackboard penmanship. She asked a teacher's type of question. The kind that says: Join in.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
What is a Gallagher Girl?” Liz asked. She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word. “When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.” She took a deep breath and talked on. “What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.” Liz took another deep breath. “What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.” Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.” I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying. “Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.” Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again. “Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay. “Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.” Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand. “You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.” A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all. “What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.” Thunderous, raucous applause filled the student section. Liz smiled and wiped her eyes. She leaned close to the microphone. “And, most of all, she is my sister.
Ally Carter (United We Spy (Gallagher Girls, #6))
I point at Drew, as I turn to Dawn. "See? My sister finds her soulmate, and not only does she get rewarded with love and happiness, she gets free champagne flutes, and dutch ovens, and fifty-dollar checks. And what do I get? What do I get on a day when I still haven't found anyone to love? When I'm waiting by the phone for some jerk to call me, and acting like a crazy woman, e-mailing him at three a.m., clutching at straws that I might ever find anyone? Do I get gifts? No! I get condemnation from my grandmother, and I get to wear a dress that makes me look like a baked potato.
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
Ayo Jah bring yo greedy ass on nigga! I’m tryin to get up with this chick tonight.” Jah was down stairs raiding the refrigerator. He came out with a bottle of coke, A huge sandwich he whipped up, two bags of chips, and two boxes of cupcakes. “Yo, you better go get my sister in-law back cuz, she the only reason yo ass ever have food up in this bitch.” Los looked at Jah as if he were crazy, he could barley carry everything he had in his hands and was chomping and talking at the same time.
Ivory B. (It is What it is: A Hood Love Story)
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
Ah, wine. Wine was my friend. Wine understood me. Wine knew that it was entirely possible to be one hundred percent happy for your sisters and also ten percent jealous, because Wine does not care about mathematics.
Melanie Harlow (Some Sort of Love (Happy Crazy Love, #3))
there's this golden moment when the sun licks through the gauze fluttering at my window warming my eyes to open this golden moment when I'm not yet awake enough to remember that there are things I would rather forget
Sonya Sones (Stop Pretending: What Happened When My Big Sister Went Crazy)
Hey. Hey, stop that, now. Uncle Drake is a nice man." He held Maggie, patting her while Jenny and Christian looked at their sister like she was crazy. Drake looked like he was facing down the worst thug imaginable. "We're a little sensitive." "About cookies or cops?" "Cookies. Spiders. Dogs. Cats. Birds. Balloons. Semi trucks. Caterpillars…
Sean Michael (Mannies Incorporated (Mannies Incorporated #1))
Temporary madness makes it possible to forget the truth about bullets. Temporary madness, in war, is bravery’s sister. But when you seem crazy all the time, continuously, without stopping, that’s when you make people afraid, even your war brothers.
David Diop (At Night All Blood is Black)
Cole gets up and then says, “Adam. Five texts. I can read them to you.” He pauses. “Unless they’re personal.” I roll my eyes. “Not that it’s any of your business, but I’m pretty sure he’s desperately in love with my sister.” Cole snorts. “He’s crazy.” “He’d have to be, right?
Kiersten White (Perfect Lies (Mind Games, #2))
such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference. 17 THE FALL AFTER the European trip,
E. Lockhart (We Were Liars)
Cheryl was aided in her search by the Internet. Each time she remembered a name that seemed to be important in her life, she tried to look up that person on the World Wide Web. The names and pictures Cheryl found were at once familiar and yet not part of her conscious memory: Dr. Sidney Gottlieb, Dr. Louis 'Jolly' West, Dr. Ewen Cameron, Dr. Martin Orne and others had information by and about them on the Web. Soon, she began looking up sites related to childhood incest and found that some of the survivor sites mentioned the same names, though in the context of experiments performed on small children. Again, some names were familiar. Then Cheryl began remembering what turned out to be triggers from old programmes. 'The song, "The Green, Green Grass of home" kept running through my mind. I remembered that my father sang it as well. It all made no sense until I remembered that the last line of the song tells of being buried six feet under that green, green grass. Suddenly, it came to me that this was a suicide programme of the government. 'I went crazy. I felt that my body would explode unless I released some of the pressure I felt within, so I grabbed a [pair ofl scissors and cut myself with the blade so I bled. In my distracted state, I was certain that the bleeding would let the pressure out. I didn't know Lynn had felt the same way years earlier. I just knew I had to do it Cheryl says. She had some barbiturates and other medicine in the house. 'One particularly despondent night, I took several pills. It wasn't exactly a suicide try, though the pills could have killed me. Instead, I kept thinking that I would give myself a fifty-fifty chance of waking up the next morning. Maybe the pills would kill me. Maybe the dose would not be lethal. It was all up to God. I began taking pills each night. Each-morning I kept awakening.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
I’ve had enough I’m sick of seeing and touching Both sides of things Sick of being the damn bridge for everybody Nobody Can talk to anybody Without me Right? I explain my mother to my father my father to my little sister My little sister to my brother my brother to the white feminists The white feminists to the Black church folks the Black church folks to the ex-hippies the ex-hippies to the Black separatists the Black separatists to the artists the artists to my friends’ parents… Then I’ve got to explain myself To everybody I do more translating Than the Gawdamn U.N. Forget it I’m sick of it. I’m sick of filling in your gaps Sick of being your insurance against the isolation of your self-imposed limitations Sick of being the crazy at your holiday dinners Sick of being the odd one at your Sunday Brunches Sick of being the sole Black friend to 34 individual white people Find another connection to the rest of the world Find something else to make you legitimate Find some other way to be political and hip I will not be the bridge to your womanhood Your manhood Your humanness I’m sick of reminding you not to Close off too tight for too long I’m sick of mediating with your worst self On behalf of your better selves I am sick Of having to remind you To breathe Before you suffocate Your own fool self Forget it Stretch or drown Evolve or die The bridge I must be Is the bridge to my own power I must translate My own fears Mediate My own weaknesses I must be the bridge to nowhere But my true self And then I will be useful
Kate Rushin (The Black Back-Ups: Poetry)
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
I didn’t want to say Big Ma was right. Cecile was no kind of mother. Cecile didn’t want us. Cecile was crazy. I didn’t have to.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
There’s nothing evil or spooky about anything if there isn’t anything evil and spooky in your soul.
Rosie Pérez (Handbook for an Unpredictable Life: How I Survived Sister Renata and My Crazy Mother, and Still Came Out Smiling (with Great Hair))
I had to believe I was immune to the emotional and mental blows of my life thus far. I had to believe that I was above it. If I didn’t, how could I win?
Rosie Pérez (Handbook for an Unpredictable Life: How I Survived Sister Renata and My Crazy Mother, and Still Came Out Smiling (with Great Hair))
People who are “normal” as a result of good parenting—even just decent parenting—are very lucky. Yeah, I know, everyone’s hell is relative, and blah, blah, blah, but those people are very fortunate.
Rosie Pérez (Handbook for an Unpredictable Life: How I Survived Sister Renata and My Crazy Mother, and Still Came Out Smiling (with Great Hair))
Women need to be in a couple, for a single woman doesn’t have as much value in the eyes of the world as a woman who belongs to a man. We imagine single women who don’t have children to be selfish and bitter, while their sisters who are married and mothers have the freedom to bestow their generosity and natural kindness. A great deal of energy is deployed in persuading a woman that being in a relationship with a man is the most advantageous thing available to her – and much of the time she allows herself to be convinced, for the spectre of the crazy cat lady looms ominously over the life a single woman.
Pauline Harmange (I Hate Men)
This had been how Sidney’s last three hours had gone—trapped in a leather-interior hellhole with the crazy pregnant lady. She hoped the menfolk were having a nice, relaxing road trip in that souped-up man car they were riding in because as soon as they got to the Robertses’ house, she was pawning the woman formerly known as her sister onto the dude whose sperm had apparently turned her into a she-devil.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
Rebeca leans her head against her sister's shoulder and watches the changing colors of the landscape. The sun sinks in front of them and turns the sandy earth orange and pink. The sky, too, is filled with crazy, vivid pinks and purples and blues and yellows, and the colors are slow to deepen, slow to slip into blackness, but when at last they are gone, the darkness is deeper and more vast than anything Luca has ever seen.
Jeanine Cummins (American Dirt)
Imagine if you and Logan got married? Tuck and Logan are like brothers to each other. We'd be almost like sisters-in-law." Emma laughed at Becca's crazy logic. "Uh, we're already sisters, but yeah, it would be cool.
Cat Johnson (Two Times as Hot (Oklahoma Nights, #2))
I’ll bet he misses it.” “Almost as much as I miss him being on the road.” She frowned. “You don’t really mean that.” “Mostly not.” “Good. But I do sort of get it,” she said slowly. “The siblings-driving-you-crazy thing. My sisters . . . well, they’re perfect. As far as my parents are concerned.” “Yeah?” “Yeah. They’re married.” “And that’s perfect, huh? What about you? You’re successful, right? Your column is pretty big.” “Oh, it’s huge,” she said, her tone overdramatic, earning a chuckle from Cole. “I’m kind of a big deal. But I don’t have a husband, so . . . my parents think maybe I’m not such a big deal.” “So, you’re the black sheep.” “Baaaaa.” “Nice.” “Thanks.
Maisey Yates (Unexpected (Silver Creek, #1))
Have you seen the crazy people who cheer for the protests and even the looting—when it’s far away? Then as it moves close by, they change their tune. Take Chris Palmer, a reporter who covers the NBA. On a Thursday, Palmer tweeted a photo of a building burning with the caption, “Burn that shit down. Burn it all down.”10 By the wee hours of Sunday morning, with the protesters in his neighborhood, he wrote, “They just attacked our sister community down the street. It’s a gated community and they tried to climb the gates. They had to beat them back. Then destroyed a Starbucks and are now in front of my building. Get these animals TF out of my neighborhood. Go back to where you live.
Donald Trump Jr. (Liberal Privilege: Joe Biden And The Democrats' Defense Of The Indefensible)
Of always fighting against feeling useless. Of how sad it makes me feel that sisters won’t go to a midwife. Also, frankly, I’m sick of overprivileged, neurotic, crazy-ass . . .” She stopped talking. She tucked her crossed arms between her breasts and belly like a pencil behind an ear. “You were going to say white ladies.” “Yes!” Gwen said. “With their white-lady latex allergies, and their white-lady OCD birth plans, and that bullshit white-lady machismo competition thing they all get into,
Michael Chabon (Telegraph Avenue)
What God do for me? I ast. She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death. Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won't ever see again. Anyhow, I say, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgitful and lowdown. She say, Miss Celie, You better hush. God might hear you. Let 'im here me, I say. If he ever listened to poor colored women the world would be a different place, I can tell you. She talk and she talk, trying to budge me way from blasphemy. But I blaspheme much as I want to. All my life I never care what people thought about nothing I did, I say. But deep in my heart I care about God. What he going to think. And come to find out, he don't think. Just sit up there glorying in being deef, I reckon. But it ain't easy, trying to do without God. Even if you know he ain't there, trying to do without him is a strain.
Alice Walker (The Color Purple)
He’s the hero of my story, but he refuses to claim any of those moments, as if they don’t matter. They do matter. Everyone sees partial sides to Ryke, and he lets them think he's just an athlete with no brains, an aggressive asshole. It’s like he’s been alone for so long that he’s lost any interest in showing off his worth. I think I’ve hit the lottery—to have him in my life. To me, he’s worth every loud moment, every peaceful silence, the crazy and the sad, the restless and the quiet. I would trade it all to be with him
Becca Ritchie (Hothouse Flower (Calloway Sisters #2))
Nick's number waited impatiently on the screen, tapping its foot. I could press the red button to cancel the call. Without pressing anything, I set the phone down on my bedside table, crossed my arms,and glared at it. Good:Nick wouldn't think I was chasing him. Bad:Nick would die alone in his house from complications related to his stupendous wipeout.The guilt of knowing I could have saved his life if not for my outsized ego would be too much for me to bear.I would retreat from public life.I would join a nearby convent and knit potholders from strands of my own hair.No,I would crochet Christmas ornaments in the shape of delicate snowflakes.Red snowflakes! They would be sold in the souvenir shops around town.I would support a whole orphanage from the proceeds of snowflakes I crocheted from my hair.All the townspeople of Snowfall would tell tourists the story of Crazy Sister Hayden and the tragedy of her lost love. Or I could call Nick.Jesus! I snatched up the phone and pressed the green button. His phone switched straight to voice mail.Great,I hadn't found out whether he was dying,and if he recovered later,he would see my number on his phone and roll his eyes. Damage control: Beeeeep! "Hey,Nick,it's Hayden.Just,ah, wanted to know how a crash like that feels." Wait,I was trying to get him to call me back,right?He would not return my call after a message like that. "Actually just wondering whether you're ready to make out again and then have another argument." He might not return that call,either. "Actually,I remembered your mother isn't home,and I wanted to make sure you're okay.Please give me a call back." Pressed red button.Set phone on nightstand.Folded arms.Glared at phone. Picked it up. "Freaking stupid young love!" I hollered,slamming it into the pillows on my bed. Doofus jumped up, startled. Ah-ha.
Jennifer Echols (The Ex Games)
Honestly, I tried not to think about my sister much. Or my mother. I have been guilty of doing what it takes to bury most of my memories when it comes to that- from junk food to booze to drugs, there are few poisons with which I haven't experimented. I've found a million ways to keep the demons in a comfortable, quiet stupor, lazing around on my inner couches.
Lisa Unger (Crazy Love You)
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
Have you lost your teeny tiny mind, you too-tall, too-skinny, too-crazy jerk?” “Oh, look who’s talking, Miss Let’s Blunder Around the Time Stream and Hang the Consequences! Thanks to you, we’ve got a dead Marc and a live Marc in the same timeline . . . in the same house! Thanks to you, I got chomped on by a dim, blonde, undead, selfish, whorish, blood-sucking leech when I was minding my own business in the past.” “Don’t you call me dim!” “Um. Everyone. Perhaps we should—” Tina began. “Wait, when did this happen?” Marc asked. He had the look of a man desperately trying to buy a vowel. “Past, an hour ago? Past, last year? Help me out.” “Oh, biiiiig surprise!” Laura threw her (perfectly manicured) hands in the air. “Let me guess, you were soooo busy banging your dead husband that you haven’t had time to tell anybody anything.” “I was getting to it,” I whined. “Then after not telling anyone anything and not being proactive—or even active!—you grow up to destroy the world and bring about eternal nuclear winter or whatever the heck that was and how do you deal with your foreknowledge of terrible events to come? Have sex!” “An affirmation of life?” Sinclair suggested. Never, I repeat, never had I loved him more. I was torn between slugging my sister and blowing my husband. Hmm. Laura might have a point about my priorities . . . but jeez. Look at him. Yum. “—even do it and what do you have to say for yourself? Huh?” “You’re just uptight, repressed, smug, antisex, and jealous, you Antichristing morally superior, fundamentally evil bitch.” Laura and Marc gasped. My husband groaned.
MaryJanice Davidson (Undead and Undermined (Undead, #10))
No wonder kids grow up crazy. A cat’s cradle is nothing but a bunch of X’s between somebody’s hands, and little kids look and look and look at all those X’s…” “And?” “No damn cat, and no damn cradle.” 75 GIVE MY REGARDS TO ALBERT SCHWEITZER And then angela hoenikker conners, Newt’s beanpole sister, came in with Julian Castle, father of Philip, and founder of the House of Hope and Mercy in the Jungle.
Kurt Vonnegut Jr. (Cat's Cradle)
They went back to scooping up breakfast, licking the mess off their fingers. Soon the pile of berry mush was gone and their tongues were dyed a nice midnight blue. Ian seemed in a good mood, sticking his tongue out playfully at his best friend. Eena did likewise, right back at him. She was happy he was smiling, even if his teeth were purple. (You’re too much fun, Eena,) Ian announced in her mind. (I’m really glad we’re friends.) (Me too,) she agreed. (Best friends.) Ian leaned back on his hands and watched the waves roll in from far off. The swells were building into large, flat-crested waves. (Angelle never thought like you do. You’re creative and kinda crazy. Her thoughts were always more simple and, well…..normal.) (Yeah, well, deadly dragons and evil witches tend to suck all the normal right out of you,) she grumbled. (I suppose.)
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
Do you know what kind of a world we live in? We live in a world where, if a man came up with a sure cure for cancer, and if that man were found to be married to his sister, his neighbors would righteously burn down his house and all his notes. If a man built the most beautiful tower in the country, and that man later begins to believe that Satan should be worshipped, they’ll blow up his tower. I know a great and moving book written by a woman who later went quite crazy and wrote crazy books, and nobody will read her great one any more. I can name three kinds of mental therapy that could have changed the face of the earth, and in each case the men who found it went on to insane Institutes and so-called religions and made fools of themselves—dangerous fools at that—and now no one will look at their really great early discoveries. Great politicians have been prevented from being great statesmen because they were divorced. And I wasn’t going to have the Mensch machine stolen or buried or laughed at and forgotten just because I had long hair and played the lute. You know, it’s easy to have long hair and play the lute and be kind to people when everyone else around you is doing it. It’s a much harder thing to be the one who does it first, because then you have to pay a price, you get jeered at and they throw stones and shut you out.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume XI: The Nail and the Oracle)
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Conner, I'm so sorry." She sniffled. "Sorry for what?" Conner asked. "Sorry if I ever made you feel like that," Alex cried. "I know you don't remember, but there was a time I treated you exactly like the Ziblings are treating Bolt - and just like them, I had no idea how much I was hurting you. This story is much more personal than you think. It's about us." "Alex, I think you're over-reacting." he said. "You just don't see it," Alex said. "Since we were kids, people have always compared us to each other. Everyone always shamed you for not getting good grades like me, for not being as mature as me, or for not being as organized as me. But no one ever made me feel bad for not being more like you - I had no idea what it was like. But now that I'm watching Bolt, I see how painful it must have been." At first Conner thought his sister was crazy. There was no way a silly story he wrote could have been that meaningful. But the more she explained, the more sense it made. Alex had always been capable of so many things, she was like a superhero in his mind, a superhero he could never live up to.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
Of course Peeta’s right. The whole country adores Katniss’s little sister. If they really killed her like this, they’d probably have an uprising on their hands,” says Johanna flatly. “Don’t want that, do they?” She throws back her head and shouts, “Whole country in rebellion? Wouldn’t want anything like that!” My mouth drops open in shock. No one, ever, says anything like this in the Games. Absolutely, they’ve cut away from Johanna, are editing her out. But I have heard her and can never think about her again in the same way. She’ll never win any awards for kindness, but she certainly is gutsy. Or crazy. She picks up some shells and heads toward the jungle. “I’m getting water,” she says. I can’t help catching her hand as she passes me. “Don’t go in there. The birds —” I remember the birds must be gone, but I still don’t want anyone in there. Not even her. “They can’t hurt me. I’m not like the rest of you. There’s no one left I love,” Johanna says, and frees her hand with an impatient shake. When she brings me back a shell of water, I take it with a silent nod of thanks, knowing how much she would despise the pity in my voice.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
I had no sister, but I felt as if she were one." "A sister? You think of a woman that gorgeous as a sister, but you fell in love with me?" "You are more beautiful than Asha. I see this inside of you as well as outside." Mari shook her head. "Have I told you that you sound totally crazy sometimes? You expect me to believe that she never lit any fires in you, and I did?" "Yes," Alain replied, his tone faintly bewildered as he looked at her. "Asha never changed the way I saw things, as you have." That reminded her of something. "What did you tell her about me? That I define your world or something? I couldn't believe you said that." Alain nodded. "You define the world I see. Yes. I needed to explain what you mean to me in terms another Mage would understand." Mari could feel her lips quivering but tried to fight of laughter. "Alain, I 'define the world' for you? That's too much." "Too much?" "It's so sweet, it's nauseating." Alain pondered her words. "What is wrong with that statement? I see the false world through my own illusions. You are now my reference for those illusions. Why should that make you feel ill? You define the world I see.
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
And Vicky also told her sister that all girls at the Health Centre considered that men were born crazy, if not down-right stupid.They were prepared to do crazy things & pay high prices just to prove how "macho" they were, when it came to young pretty girls. And the sisters tittered with laughter at the thought of the old men who enjoyed drinking Phyllis` urine & the young men who ate cucumber sandwiches filled with her excrement. And thus Vicky told Phyllis that although one should not take candy off children, it was quite in order to take money off crazy & stupid rich men.[MMT]
Nicholas Chong
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
I pride myself on being able to read whole chapters into a single syllable, you know? What girl doesn't? So when Lennon said "Hi", I ran through a whole list of possibilities. Was it, "Hi, I wish you were Chloe instead of Riley so I could make up with you"? Or did he mean, "You look exactly like the girl I'm totally over, so get out of my sight"? Or was it just, "Hi, I hope you're not as down on me as your sister is and, by the way, could you be careful not to spill anything, either"? But none of those sounded right. Finally I had to admit that he might have just been trying to say hello. Call me crazy, but it could be true!
Megan Stine (Boy Crazy (So Little Time, #11))
Wren’s voice dropped. “She feels terrible about it, Cath.” “Good!” Cath shouted. “So do I!” She took a step closer to her sister. “I’m probably going to be crazy for the rest of my life, thanks to her. I’m going to keep making fucked-up decisions and doing weird things that I don’t even realize are weird. People are going to feel sorry for me, and I won’t ever have any normal relationships—and it’s always going to be because I didn’t have a mother. Always. That’s the ultimate kind of broken. The kind of damage you never recover from. I hope she feels terrible. I hope she never forgives herself.” “Don’t say that.” Wren’s face was red, and there were tears in her eyes. “I’m not broken.” There weren’t any tears in Cath’s eyes. “Cracks in your foundation.” She shrugged. “Fuck that.” “Do you think I absorbed all the impact? That when Mom left, it hit my side of the car? Fuck that, Wren. She left you, too.” “But it didn’t break me. Nothing can break me unless I let it.” “Do you think Dad let it? Do you think he chose to fall apart when she left?” “Yes!” Wren was shouting now. “And I think he keeps choosing. I think you both do. You’d rather be broken than move on.” “Dad’s sick, Wren,” she said as calmly as she could manage. “And your omelette’s burnt. And I’d rather be broken than wasted.” She set the plate on the counter. “You can tell Laura to go fuck herself. Like, to infinity and beyond. She doesn’t get to move on with me. Ever.
Rainbow Rowell (Fangirl)
Dear father, It's been five years today, but makes no difference! Not a day goes by without me remembering your pure green eyes, the tone of your voice singing In Adighabza, or your poems scattered all around the house. Dear father, from you I have learned that being a girl doesn't mean that I can't achieve my dreams, no matter how crazy or un-urban they might seem. That you raised me with the utmost of ethics and morals and the hell with this cocooned society, if it doesn't respect the right to ask and learn and be, just because I'm a girl. Dear father, from you I have learned to respect all mankind, and just because you descend from a certain blood or ethnicity, it doesn't make you better than anybody else. It's you, and only you, your actions, your thoughts, your achievements, are what differentiates you from everybody else. At the same time, thank you for teaching me to respect and value where I came from, for actually taking me to my hometown Goboqay, for teaching me about my family tree, how my ancestors worked hard and fought for me to be where I am right now, and to continue on with the legacy and make them all proud. Dear father, from you and mom, I have learned to speak in my mother tongue. A gift so precious, that I have already made a promise to do the same for my unborn children. Dear father, from you I have learned to be content, to fear Allah, to be thankful for all that I have, and no matter what, never loose faith, as it's the only path to solace. Dear father, from you I have learned that if a person wants to love you, then let them, and if they hurt you, be strong and stand your ground. People will respect you only if you respect yourself. Dear father, I'm pretty sure that you are proud of me, my sisters and our dear dear Mom. You have a beautiful grand daughter now and a son in-law better than any brother I would have ever asked for. Till we meet again, Shu wasltha'3u. الله يرحمك يا غالي. (الفاتحة) على روحك الطاهرة.
Larissa Qat
Very important words!” Wasp said. “But you’ll never hear them!” “Okay,” I agreed. “You can’t make us!” Tempest said. “Even though your fate depends on it!” A hint of doubt crept into my cranium. Was it possible—? No, surely not. If I fell for their tricks, I’d most likely get the Gray Sisters’ hot take on which facial products were perfect for my skin undertones. “Not buying it,” I said. “Not selling!” Wasp shrieked. “Too important, these lines! We would only tell you if you threatened us with terrible things!” “I will not resort to threatening you—” “He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Maybe that’s his game, though,” I said. “The hunt for one soul, again and again.” “Then why are you still here?” “The other women lived with him for a long time too. Maybe he wants to wait until my defenses are down, and then-“ “Wow, Clea, you are so jaded. You found your soulmate. People wait their whole lives for this. It’s the most amazing thing in the world, and it’s happened to you. Can’t you just accept it and be happy?” What she said made sense, but… I flopped back on the bed and stared at the ceiling. Without looking at Rayna, I said, “He doesn’t act like he’s my soulmate. Sometimes I think maybe he liked the other women more. I think maybe he wishes I was one of them.” Rayna was silent. This was something I’d never heard. “This is seriously, deep,” she finally said. “You’re feeling insecure because you’re jealous…of yourself.” “I didn’t say I was jealous…” “You’d rather think he’s a serial killer than risk being with him and finding out he doesn’t like you as much as he liked…you?” She scrunched her brow and thought, then tried again. “Yous? Anyway, you know what I mean-the other yous.” “Forget the jealousy thing, okay? There are other reasons to doubt him too. Ben doesn’t trust him at all. He thinks Sage is some kind of demon. He said there’s a spirit called an incubus that comes to women in their sleep, and-“ “Of course Ben said that.” Rayna shrugged. “He’s jealous.” “Of what?” “Ben’s crazy in love with you, Clea. I’ve been saying that forever!” “And I’ve been ignoring you forever, because it’s not true. You just want it to be true because it’s romantic.” “Did you not see the pictures of you from Rio?” I narrowed my eyes. “What are you talking about?” Rayna pulled out her phone. “Honestly, I don’t know how you survive without Google Alerts on yourself. The paparazzi were out in full force for Carnival.” She played with the phone for a minute, then handed it to me. It showed a close-up of Ben and me at the Sambadrome that could only have been taken with a serious zoom. I felt violated. “I hate this,” I muttered. “Why? You look cute!” “I hate that people are sneaking around taking pictures of me!” “I know you do. Ignore that for the moment. Just scroll through.” There were five pictures of Ben and me. Four of them were moments I vividly remembered, pictures of the two of us facing each other, laughing as we did our best to imitate the dancers shimmying and strutting down the parade route. The fifth one I didn’t remember. I wouldn’t have; in it I had my camera up to my face and was concentrating on lining up the perfect shot. Ben stood behind me, but he wasn’t wearing the goofy smile he’d had in the other pictures. He was staring right at me with those big puppydog eyes, and his smile wasn’t goofy at all, but… “Uh-huh,” Rayna said triumphantly. She had climbed into my bed was looking at the picture over my shoulder. “Knew that one would stop you. There is only one word for the look on that boy’s face, Clea: love-struck. Which is probably why a bunch of websites are reporting he’s about to propose.” “What?” “Messenger. Don’t kill the messenger.” I looked back at the picture. Ben did look love-struck. Very love-struck. “It could just be the picture,” I said. “They caught him at a weird moment.” “Yeah, a weird moment when he thought no one was looking so he showed how he really felt.” I gave Rayna back the phone and shook my head. “Ben and I are like brother and sister. That’s gross.” “Hey, I read Flowers in the Attic. It was kind of hot.” “Shut up!” I laughed. “I’m just saying, think about it. Really think about it. Is it that hard to believe that Ben’s in love with you?
Hilary Duff (Elixir (Elixir, #1))
I'll turn my back, unless you think you need help getting dressed." Lord, he silently prayed, pleased don't test my chivalry that far! "I can manage, thank you very much!" she returned tightly. Turning his back, Rider grinned and lifted his eyes to heaven. "Thanks, big Fellah." "Did you say something?" Willow inquired. Rider kept a steady gaze on the trees. "Just talking to myself." He heard her mumble something about crazy people talking to themselves before she announced it safe for him to turn around. He did and was given an immediate jolt. She wore not her usual shirt and pants,but a clean nightshirt and wrapper. However,it wasn't her scanty attire that startled him as much as her pain-glazed eyes. "My God,what is it?" Stunned, his hands automatically came up under both her elbows to steady her. "Are you in pain?" A thought came to him then. He hesitated, studying his boots. "Is it...I've got sisters, so don't be embarrassed.Is it your woman's time?" Rider's ears reddened, but it was nothing compared to Willow's high color. She jerked away from his touch, squeezed her eyes shut, and cradled her forehead in one hand. "And I wondered what else could go wrong," she muttered under her breath. "What?" "Dammit,Sinclair, men aren't suppose to talk to women about those things.
Charlotte McPherren (Song of the Willow)
The other thing preferable about the weekday services is that no one is there against his will. That’s another distraction on Sundays. Who hasn’t suffered the experience of having an entire family seated in the pew in front of you, the children at war with each other and sandwiched between the mother and father who are forcing them to go to church? An aura of stale arguments almost visibly clings to the hasty clothing of the children. “This is the one morning I can sleep in!” the daughter’s linty sweater says. “I get so bored!” says the upturned collar of the son’s suit jacket. Indeed, the children imprisoned between their parents move constantly and restlessly in the pew; they are so crazy with self-pity, they seem ready to scream. The stern-looking father who occupies the aisle seat has his attention interrupted by fits of vacancy—an expression so perfectly empty accompanies his sternness and his concentration that I think I glimpse an underlying truth to the man’s churchgoing: that he is doing it only for the children, in the manner that some men with much vacancy of expression are committed to a marriage. When the children are old enough to decide about church for themselves, this man will stay home on Sundays. The frazzled mother, who is the lesser piece of bread to this family sandwich—and who is holding down that part of the pew from which the most unflattering view of the preacher in the pulpit is possible (directly under the preacher’s jowls)—is trying to keep her hand off her daughter’s lap. If she smooths out her daughter’s skirt only one more time, both of them know that the daughter will start to cry. The son takes from his suit jacket pocket a tiny, purple truck; the father snatches this away—with considerable bending and crushing of the boy’s fingers in the process. “Just one more obnoxious bit of behavior from you,” the father whispers harshly, “and you will be grounded—for the rest of the day.” “The whole rest of the day?” the boy says, incredulous. The apparent impossibility of sustaining unobnoxious behavior for even part of the day weighs heavily on the lad, and overwhelms him with a claustrophobia as impenetrable as the claustrophobia of church itself. The daughter has begun to cry. “Why is she crying?” the boy asks his father, who doesn’t answer. “Are you having your period?” the boy asks his sister, and the mother leans across the daughter’s lap and pinches the son’s thigh—a prolonged, twisting sort of pinch. Now he is crying, too. Time to pray! The kneeling pads flop down, the family flops forward. The son manages the old hymnal trick; he slides a hymnal along the pew, placing it where his sister will sit when she’s through praying. “Just one more thing,” the father mutters in his prayers. But how can you pray, thinking about the daughter’s period? She looks old enough to be having her period, and young enough for it to be the first time. Should you move the hymnal before she’s through praying and sits on it? Should you pick up the hymnal and bash the boy with it? But the father is the one you’d like to hit; and you’d like to pinch the mother’s thigh, exactly as she pinched her son. How can you pray?
John Irving (A Prayer for Owen Meany)