Arabic Beautiful Quotes

I am the lover's gift; I am the wedding wreath; I am the memory of a moment of happiness; I am the last gift of the living to the dead; I am a part of joy and a part of sorrow.

keep silent . . the most beautiful voice , is the talk of your hand on the table. قليل من الصمت . . ياجاهلة فأجمل من كل هذا الحديث حديث يديك على الطاولة

The beauty that withstands all. Stubborn in the harshest of atmospheres.

People who worry that nuclear weaponry will one day fall in the hands of the Arabs, fail to realize that the Islamic bomb has been dropped already, it fell the day MUHAMMED (pbuh) was born.

The beauty of the sea is that it never shows any weakness and never tires of the countless souls that unleash their broken voices into its secret depths.

Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...

The Day is Done The day is done, and the darkness Falls from the wings of Night, As a feather is wafted downward From an eagle in his flight. I see the lights of the village Gleam through the rain and the mist, And a feeling of sadness comes o'er me That my soul cannot resist: A feeling of sadness and longing, That is not akin to pain, And resembles sorrow only As the mist resembles the rain. Come, read to me some poem, Some simple and heartfelt lay, That shall soothe this restless feeling, And banish the thoughts of day. Not from the grand old masters, Not from the bards sublime, Whose distant footsteps echo Through the corridors of Time. For, like strains of martial music, Their mighty thoughts suggest Life's endless toil and endeavor; And to-night I long for rest. Read from some humbler poet, Whose songs gushed from his heart, As showers from the clouds of summer, Or tears from the eyelids start; Who, through long days of labor, And nights devoid of ease, Still heard in his soul the music Of wonderful melodies. Such songs have power to quiet The restless pulse of care, And come like the benediction That follows after prayer. Then read from the treasured volume The poem of thy choice, And lend to the rhyme of the poet The beauty of thy voice. And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents, like the Arabs, And as silently steal away.

This is my last letter There will be no others. This is the last grey cloud That will rain on you, After this, you will never again Know the rain. This is the last drop of wine in my cup There will be no more drunkenness. This is the last letter of madness, The last letter of childhood. After me you will no longer know The purity of youth The beauty of madness. I have loved you Like a child running from school Hiding birds and poems In his pockets. With you I was a child of Hallucinations, Distractions, Contradictions, I was a child of poetry and nervous writing. As for you, You were a woman of Eastern ways Waiting for her fate to appear In the lines of the coffee cups. How miserable you are, my lady, After today You won't be in the blue notebooks, In the pages of the letters, In the cry of the candles, In the mailman's bag. You won't be Inside the children's sweets In the colored kites. You won't be in the pain of the letters In the pain of the poems. You have exiled yourself From the gardens of my childhood You are no longer poetry.

Thank you,’ I answered, unsure of the proper American response to her gracious enthusiasm. In the Arab world, gratitude is a language unto itself. “May Allah bless the hands that give me this gift”; “Beauty is in the eyes that find me pretty”; “May Allah never deny your prayer”; and so on, an infinite string of prayerful appreciation. Coming from such a culture, I have always found a mere “thank you” an insufficient expression that makes my voice sound miserly and ungrateful.” (169).

This book is about the melancholic direction, which I call the “bittersweet”: a tendency to states of longing, poignancy, and sorrow; an acute awareness of passing time; and a curiously piercing joy at the beauty of the world. The bittersweet is also about the recognition that light and dark, birth and death—bitter and sweet—are forever paired. “Days of honey, days of onion,” as an Arabic proverb puts it.

Sarah has read books on manners and good conduct, written in the language of the Arabs. I know she turned those pages. Watch her: perfect posture, grace in every step, perfect clothes. Not very fashionable, but clean and beautifully pressed.

In a land that knew only dark beauty, she was something of a hybrid no one dared touch. But the tall Arab did not appear in the least daunted by her abnormality. No, she saw his eyes. He was not daunted in the least.

The dirty Arab children sold peanuts from the top of the basket and hashish from the bottom. They spoke a masterful unintimidated French in guttural gasps, coming from a land where it was regarded neither as the most beautiful language, as in America, nor the only one, as in France.

Red was the color of the sun's most beautiful throne and all the other colors prayed on red rugs. ... I still follow the child who still walks inside me.

فكت العقدة من شعرها، وأفلتته، فتناثر كليْل يجمع سحابه حول البدر، وقد غطّى عورات النهار من نحر الشمس إلى أودية الجسد

The Arabian obsession with the beauty of their language had ironically blinded them to its core purpose. Their poets were masters of rhetoric who failed to inspire action in real life, having reduced their heritage to fancy yet hollow words. Their audiences were fanatically devoted to proper diction— ready to impulsively plunge a dagger over an inadvertent wrong term—yet otherwise wallowed passively in stagnation. Unable to access the latent wisdom encoded in their language, Arabs failed to act as masters of their own fate.

Terre en vacance d'oeuvres d'art. Je méprise ceux qui ne savent reconnaître la beauté que transcrite déjà et toute interprétée. Le peuple arabe a ceci d'admirable que, son art, il le vit, il le chante et le dissipe au jour le jour; il ne le fixe point et ne l'embaume en aucune oeuvre. C'est la cause et l'effet de l'absence de grands artistes. J'ai toujours cru les grands artistes ceux qui osent donner droit de beauté à des choses si naturelles qu'elles font dire après à qui les voit : 'Comment n'avais-je pas compris jusqu'alors que cela était aussi beau?...

By AD 800, so redeemed was Arabic from the contempt in which it had once been held that its sound had come to rank as the very music of power, and its cursives as things of pure beauty, refined to a rare and exquisite perfection by the art of its calligraphers. Among the Arabs, the written word was on the verge of becoming a mania. One scholar, when he died in 822, left behind him a library that filled a whole six hundred trunks.

Broken tree branches Scattered flowers Bent street light poles Cut electricity lines Dead birds But the weather is beautiful, and the breeze is refreshing… My heart is full of an after-storm peace and tranquility… The real tranquility is the one that follows not precedes the storm… (July 1, 2015)

The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.

Aya—“miracle” in Arabic, “wild beauty” in Japanese.

Mahomet has been extolled by Moslem writers for the chastity of his early life ; and it is remarkable that, with all the plurality of wives indulged in by the Arabs, and which he permitted himself in subsequent years, and with all that constitutional fondness which he evinced for the sex, he remained single in his devotion to Cadijah to her dying day, never giving her a rival in his house, nor in his heart. Even the fresh and budding charms of Ayesha, which soon assumed such empire over him, could not obliterate the deep and mingled feeling of tenderness and gratitude for his early benefactress. Ayesha was piqued one day at hearing him indulge in these fond recollections : " O, apostle of God, " demanded the youth-ful beauty, "was not Cadijah stricken in years? Has not Allah given thee a better wife in her stead?" " Never ! " exclaimed Mahomet, with an honest burst of feeling — " never did God give me a better ! When I was poor, she enriched me ; when I was pronounced a liar, she believed in me ; when I was opposed by all the world, she remained true tome!

This was before the importance of set and setting was understood. I was brought to a basement room, given an injection, and left alone.” A recipe for a bad trip, surely, but Richards had precisely the opposite experience. “I felt immersed in this incredibly detailed imagery that looked like Islamic architecture, with Arabic script, about which I knew nothing. And then I somehow became these exquisitely intricate patterns, losing my usual identity. And all I can say is that the eternal brilliance of mystical consciousness manifested itself. My awareness was flooded with love, beauty, and peace beyond anything I ever had known or imagined to be possible. ‘Awe,’ ‘glory,’ and ‘gratitude’ were the only words that remained relevant.” Descriptions of such experiences always sound a little thin, at least when compared with the emotional impact people are trying to convey; for a life-transforming event, the words can seem paltry. When I mentioned this to Richards, he smiled. “You have to imagine a caveman transported into the middle of Manhattan. He sees buses, cell phones, skyscrapers, airplanes. Then zap him back to his cave. What does he say about the experience? ‘It was big, it was impressive, it was loud.’ He doesn’t have the vocabulary for ‘skyscraper,’ ‘elevator,’ ‘cell phone.’ Maybe he has an intuitive sense there was some sort of significance or order to the scene. But there are words we need that don’t yet exist. We’ve got five crayons when we need fifty thousand different shades.” In

A. Guillaume sums up as follows: The Qurān is one of the world’s classics which cannot be translated without grave loss. It (The Holy Qurān) has a rhythm of peculiar beauty and a cadence that charms the ear. Many Christian Arabs speak of its style with warm admiration, and most Arabists acknowledge its excellence. . . . indeed it may be affirmed that within the literature of the Arabs, wide and fecund as it is both in poetry and in elevated prose, there is nothing to compare with it.376

If we put aside the hatred, intolerance and bigotry this was a truly magical and enchanting era. You see how even Arabic Genies are very like ours. Ours live in a bottle or a lamp and by rubbing the lamp we allow the Genie to escape, for which he grants us three wishes – the biggest castle, the most beautiful princess and an unlimited amount of gold are usually favourites. But unlike the giant, blue-skinned, muscular Genies westerners are familiar with through Disney films, the Arabic Djinni are often invisible, although they have the power to shape-shift to just about any form they like, even human. Many people still believe they are with us today, although mostly living in deserts, mountains and caves. Many western soldiers have reported seeing them on night exercises in the Middle East.

A land liberated from works of art. I despise those who can acknowledge beauty only when it’s already transcribed, interpreted. One thing admirable about the Arabs: they live their art, they sing and scatter it, from day to day; they don’t cling to it, they don’t embalm it in works. Which is the cause and the effect of the absence of great artists. I have always believed the great artists are the ones who dare entitle to beauty things so natural that when they’re seen afterward people say: Why did I never realize before that this too was beautiful?...

bittersweet”: a tendency to states of longing, poignancy, and sorrow; an acute awareness of passing time; and a curiously piercing joy at the beauty of the world. The bittersweet is also about the recognition that light and dark, birth and death—bitter and sweet—are forever paired. “Days of honey, days of onion,” as an Arabic proverb puts it.

Thank you,” I answered, unsure of the proper American response to her gracious enthusiasm. In the Arab world, gratitude is a language unto itself. “May Allah bless the hands that give me this gift”; “Beauty is in your eyes that find me pretty”; “May God extend your life”; “May Allah never deny your prayer”; “May the next meal you cook for us be in celebration of your son’s wedding . . . of your daughter’s graduation . . . your mother’s recovery”; and so on, an infinite string of prayerful appreciation. Coming from such a culture, I have always found a mere “thank you” an insufficient expression that makes my voice sound miserly and ungrateful. I gazed at the cityscape. Ribbons of concrete and asphalt stretched and looped under more cars than I had ever seen.

Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality.

trade. They wrote down their history and had discovered a 365-day calendar that was more accurate than its European counterparts. One particular society—the Mayan—had also managed to come up with that beautiful concept of zero to which I alluded earlier, and without which mathematical computation is very difficult. It may be significant that the papacy of the Middle Ages always resisted the idea of “zero” as alien and heretical, perhaps because of its supposedly Arab (in fact Sanskrit) origin but perhaps also because it contained a frightening possibility.

There’s a famous story that John and Lorna Marshall, who carried out a study of Kalahari Bushmen in the ’60s, once gave a knife to one of their favorite informants. They left and came back a year later, only to discover that pretty much everyone in the band had been in possession of the knife at some point in between. On the other hand, several Arab friends confirm to me that in less strictly egalitarian contexts, there is an expedient. If a friend praises a bracelet or bag, you are normally expected to immediately say, “Take it”—but if you are really determined to hold on to it, you can always say, “Yes, isn’t it beautiful? It was a gift.

screen filled with symbols, only this time it was Arabic letters that meant nothing to him. He assumed they meant nothing to Raj as well, and was therefore surprised when Raj pointed out a short sequence. “This is the word for ‘person’ or ‘human being’.” Daniel stared at Raj. “You know Arabic?” “No, not really. I have read Nizar Qabbani in translation, and this word is a particularly beautiful shape, is it not?” “Still waters run deep, Raj. So you read Arabic love poetry. I wouldn’t have ever guessed.” Raj blushed. “Sushma is more woman than I can handle without help,” he admitted. “Qabbani writes more than just love poetry. It is quite erotic.

They say the world will end soon. They say that the nuclear weapons made, Due to fearing 'the other', Has become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of world’s end? Or will world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic on October 13 at ahewar.org]

Safie related that her mother was a Christian Arab, seized and made a slave by the Turks; recommended by her beauty, she had won the heart of the father of Safie, who married her. The young girl spoke in high and enthusiastic terms of her mother, who, born in freedom, spurned the bondage to which she was now reduced. She instructed her daughter in the tenets of her religion and taught her to aspire to higher powers of intellect and an independence of spirit forbidden to the female followers of Mahomet. This lady died; but her lessons were indelibly impressed on the mind of Safie, who sickened at the prospect of again returning to Asia and being immured within the walls of a harem, allowed only to occupy herself with infantile amusements, ill-suited to the temper of her soul, now accustomed to grand ideas and a noble emulation of virtue. The prospect of marrying a Christian and remaining in a country where women were allowed to take a rank in society was enchanting to her.

QUEEN OF THE SAND "Oh father, behold the desert queen" and I looked and I saw an inscription but age deprived my understanding. My daughter cried out, "Oh father, King of the Desert, behold she who bears my name". Then I realise it was Zara Muhammad The Queen of the Sand. The mercy of princesses. The sons delight and the father's pride. Oh daughter of Arab, what bringeth thou thee to the Kingdom were daughters are enthroned, where women rule, and where the sons of men marvel at the beauty of the stars. The Sand Queen replied, "It the glory every daughter of the Sand has spoken of brought me this far" "What glory, oh Adored Zara?" I asked and she roared with voice of a bird rejoicing over showers of seeds and she said "You my Lord and King, for your beauty has reached the ends of the world" It was then I realise that this poem was written not only for Zara Muhammed but also for Zara Vote and Victor Vote. Greetings of great Great Zara, Queen of the Sand. Poem by Victor Vote for Zara Muhammed

They say the world will end soon. They say that the nuclear weapons made, Due to fearing ‘the other’, Have become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of the world’s end? Or will the world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic by ahewar.org on October 13, 2022]

When a general examination of the rhyme scheme in the Qur'an is made, we see that around 80% of the rhymes consist of just three sounds (n, m, a) consisting of the letters Alif, Mim, Ya and Nun258. Excluding the letter "Nun," 30% of the verses are rhymed with "Mim," "Alif" or "Ya." The formation of rhymed prose with just two or three sounds in a poem of 200-300 lines may give that work an important quality, sufficient for it to be described as a masterpiece by literary critics today. However, bearing in mind the length of the Qur'an, the information it contains and its wise exposition, the extraordinary manner in which its rhymed prose system is used becomes even clearer and more beautiful. The Qur'an indeed contains an ocean of information relating to a wide variety of subjects. They include: religious and moral guidance, lessons from the lives of the peoples of the past, the message of the prophets and messengers of Allah, the physical sciences and historical accounts of important events. But all of this, although wonderful in itself, is delivered with the most fantastic literary rhythm and excellence. It is simply not possible for so much rhymed prose by use of so few sounds in the Qur'an, with its varied and knowledgeable subject matter, to be achieved by human endeavour. From that point of view, it is not surprising that Arab linguists describe the Qur'an as "very definitely inimitable.

Everything has already been caught, until my death, in an icefloe of being: my trembling when a piece of rough trade asks me to brown him (I discover that his desire is his trembling) during a Carnival night; at twilight, the view from a sand dune of Arab warriors surrendering to French generals; the back of my hand placed on a soldier's basket, but especially the sly way in which the soldier looked at it; suddenly I see the ocean between two houses in Biarritz; I am escaping from the reformatory, taking tiny steps, frightened not at the idea of being caught but of being the prey of freedom; straddling the enormous prick of a blond legionnaire, I am carried twenty yards along the ramparts; not the handsome football player, nor his foot, nor his shoe, but the ball, then ceasing to be the ball and becoming the “kick-off,” and I cease being that to become the idea that goes from the foot to the ball; in a cell, unknown thieves call me Jean; when at night I walk barefoot in my sandals across fields of snow at the Austrian border, I shall not flinch, but then, I say to myself, this painful moment must concur with the beauty of my life, I refuse to let this moment and all the others be waste matter; using their suffering, I project myself to the mind's heaven. Some negroes are giving me food on the Bordeaux docks; a distinguished poet raises my hands to his forehead; a German soldier is killed in the Russian snows and his brother writes to inform me; a boy from Toulouse helps me ransack the rooms of the commissioned and non-commissioned officers of my regiment in Brest: he dies in prison; I am talking of someone–and while doing so, the time to smell roses, to hear one evening in prison the gang bound for the penal colony singing, to fall in love with a white-gloved acrobat–dead since the beginning of time, that is, fixed, for I refuse to live for any other end than the very one which I found to contain the first misfortune: that my life must be a legend, in other words, legible, and the reading of it must give birth to a certain new emotion which I call poetry. I am no longer anything, only a pretext.

Many of my friends around the world express surprise at the Palestinian attachment to place of origin and concerns for family ties. Some even scoff at it and contrast it with their own open-armed acceptance of adventure, discovery, a nomadic lifestyle and residence in places that they choose and change according to their fancy, without the slightest regret at leaving family or even homeland behind. They remind me that the world is wider and more beautiful than 'our villages' and 'our families'. I understand this beautiful sense of the vastness of the world. Like them, I love movement, journeys, and living in new places. What these friends forget is that it is they who choose to distance themselves. They are the ones who take the decision and make the plans and then present their passports (recognized everywhere) and get on planes and trains and cars and motorcycles and go to places where three conditions that the Palestinian cannot meet are fulfilled: first, that it is their preference and choice to go to specifically these places; second, that these places always welcome them; and third and most important, that it is in their power to return to their home country whenever they desire and decide. The Palestinian forced to become a refugee, to migrate, and to go into exile from his homeland in the sixty years since the Nakba of 1948, or the forty since the June 1967 War, suffers miseries trying to obtain a document by which he will be recognized at borders. He suffers miseries trying to obtain a passport from another state because he is stateless and has to go through Kafkaesque interrogations before being granted entry visa to any place in the world, even the Arab states. The Palestinian is forbidden to enter his own country by land, sea, or air, even in a coffin. It is not a matter of romantic attachment to a place but of eternal exclusion from it. The Palestinian stripped of an original identity is a palm tree broken in the middle. My foreign friends have control over the details of their lives but a single Israeli solder can control the details of the life of any Palestinian. This is the difference. This is the story.

AROUND 1271 OR 1272, MARCO POLO, THE RENOWNED VENETIAN merchant adventurer, was on his way through Persia en route for Cathay when he came upon a story told by travellers in that region. Twenty-five years later he recounted it in his book II Milione, better known today as The Travels of Marco Polo. The story concerned a remote area ruled by one they called the Old Man of the Mountains, whose followers were notorious for their ruthlessness. According to Marco Polo, they had been in existence since the middle of the eleventh century and there was not an Arab leader who did not go in mortal dread of them. The disciples of this leader were kept loyal to their master by the promise that, were they to die whilst in his service, they would assuredly go to Paradise. To strengthen their resolve, the Old Man of the Mountains gave initiates to his following a preview of what it would be like in Paradise by maintaining a fabulous garden within his mountain stronghold. In this pleasure ground, exquisitely beautiful houris wandered ready to fulfil any desire, the fountains ran with milk and honey and the flowers were beyond compare. However, it was said, to enter this fabled place the would-be acolyte was first given a powerful drug and, only when unconscious, allowed in: before leaving, he was again drugged. After their induction, the initiates were given a solid Islamic education but were also taught the arts of murder, killing anyone whom their master commanded be put to death. Before going into battle, they apparently partook of the same drug to increase their courage. The drug was hashish. The veracity of Marco Polo’s writings has long been suspect, yet the story has stuck, enhanced and exaggerated as the centuries have passed. The legend of the Old Man of the Mountains has become nothing short of unassailable fact and his followers, notorious as much for their merciless cruelty as their gargantuan appetites for hashish, have become a byword for brutality. Even the name by which they came to be known derived from the drug it was alleged they took: they were called the Hashshashin. They are now known as the Assassins.

In the night light, the golden Thuluth Arabic calligraphy glittered on the Kisweh, its brilliance enhanced by the velvet blackness of the surrounding silk. I was bewitched by its beauty. With the distortions of Wahabi extremism, beautification of any object was considered an offense, resulting in a Kingdom without ornate decorations, other than repetitive geometry which peppered public walls and even highway underpasses. Anything else was considered futile vanity by Wahabis, but at least the Wahabis had not eroded what seemed the final remaining evidence of Islamic craftmanship: unparalleled calligraphy. For the first time in the Kingdom, I appreciated beautiful Saudi craftmanship.

From the earliest of times, the eye has had a privileged place in the conventions of Arabic poetry.22 As Richard Ettinghausen put it, In [Arabic courtly poetry] one reads that the ideal Arab woman must be so stout that she nearly falls asleep… . Her breasts should be full and rounded, her waist slender and graceful, her belly lean, her hips sloping, and her buttocks so fleshy as to impede her passage through a door. [Her neck is said to be] like that of a gazelle, while her arms are described as well rounded, with soft delicate elbows, full wrists, and long fingers. Her face [has] white cheeks, … and her eyes are those of a gazelle with the white of the eye clearly marked.23 Far from expanding creatively on this set of classical formulas, the figures of feminine beauty in the Nights often repeat them mechanically. This story cycle is filled with over a dozen derivative poems that repeat, in cliché terms, this same image of the beloved’s eye.

Just to put it in a political perspective, zealots in the Middle East didn't just wake up one day and say, let's have some fun and blow up the Twin Towers! There was a history behind it -- Britain in the twenties, doing its Empire thing, then leaving when things got too hot, but leaving Persians, Arabs and so on with a mighty sense of having been ripped off and humiliated. People hold grudges -- we all have that trait, I think. Then we try to set things "right" and just make things worse. So people go to war. Add to that the fact that men have a tendency toward aggression, and women have a huge capacity for passive revenge, and you have a nice mix. And yet, the world is so beautiful! And always surprising. That's the cosmic goofy wonder of it all. . .

Based on the list in Gardiner's Egyptian Grammar, James P. Allen tells us about W10 as being a variant of N41 which resembles a well with water in it. That is beautifully aligning with my discovery of the link between Egypt and Mecca! Not only that, but phonetically speaking, W10 is 'jab', and this is the exact word for 'well' in Arabic. Looking at the two eyes of Horus embracing the hieroglyphs for water and cup as if there is a message of unity therein leads us directly to the variant N41 referring to a well with water in it. Viewing the two eyes with the Shen (which literally means, to protect) ring in the 'Stela of Harpist and Ra' is a direct reference to the ZamZam well of Arabia. The BenBen is flipped (i.e., to Tawy, to pleat) upside down in it (because it is folded) signifying its link with the well (i.e., Sema). Ancient Egypt yearned and ached for Arabia's heritage and portrayed that in the core of its tradition. After all, 'ZamZam' was protected and kept away from Egyptians' outreach. It became to them as a prayer of hope as in Psalm 33:2, and one can literally see the 10 tuners in the 'Stela of Harpist and Ra' image.

Then read from the treasured volume The poem of thy choice. And lend to the rhyme of the poet The beauty of thy voice. And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents, like the Arabs, And as silently steal away.

There is a well-known story about al-Aṣmaʿī, the famous Arab philologist and compiler of poetry, when he once came upon a Bedouin and was invited to enter his tent. In Bedouin culture, the women serve guests in the presence of their husbands. This Bedouin had a very beautiful wife, though he himself was quite unattractive. When the men went out to prepare a lamb for a meal, the guest couldn’t resist saying to this woman, “How did such a beautiful woman like you marry such an ugly man like that?” The woman said, “Fear God! Perhaps he had done good works accepted by his Lord, and I am his reward.” God is all-wise in what He gives to people. If one questions the blessing a person has received, then he or she is actually questioning the Giver. This makes envy reprehensible and forbidden.

Lā” is an Arabic word, a negation. “Lā ilāha”—there is nothing other than You. “IllAllāh”—You are Allāh. Exhale from your left nostril, “There is nothing other than You.” Inhale from your right nostril, “illAllāh,” You are Allāh, the One who gives abundantly without diminishment. Seat this in your heart. Of all mantras, this is the most exalted, the mantra through which you can see the One who exists in the beautiful form of bliss.

Ultimately, the eastern parts of the empire were unable to withstand Persian invasions and the rapid Arab expansion that followed the death of Mohammed in 632. Because the Arab conquest of Jerusalem in 637–38 endangered the recently rescued and restored relic of the True Cross, Heraclius once again instigated its rescue and safe removal, this time to Constantinople.46 The relic was most likely installed in the basilica of Hagia Sophia, which shared with the Holy Sepulcher some comparison to the ancient temple of Solomon.47 As mentioned earlier in this chapter, the main source for this location is the account of a bishop from Gaul, Arculf, who happened to visit Constantinople around the year 680, on his way home from Jerusalem, where he had seen a monumental silver cross mounted on the rock of Golgotha.48 In his diary, Arculf records attending a liturgy in the Great Church (Hagia Sophia) and seeing a large and beautiful cabinet (armorium) containing the cross fragments.

Taxi Driver" There is something strangely liberating about being just a taxi driver… The secret lies in the “just”! Because you’re just a taxi driver, nobody really sees you… But you see, hear, and feel the absurdities, the shallowness, the beauty, the sorrow, the joy, the heartbreak of every rider! Most treat you with half or totally fake respect, because you’re just a taxi driver… But they leave you alone They don’t find justifications or create crises to take over your seat… In fact, they want you to be exactly in that seat! After all, they only ride with you because - at least for that time – they don’t wish to occupy your seat… Yet, like every sense of liberation, Being a taxi driver, is a liberation kneaded with a strange sadness and disappointment when you realize that the motherfuckers only leave you alone when you run away from them and occupy a seat that they don’t desire during the their ride …. [Original poem published in Arabic on June 21, 2923 at ahewar.org]

The word “Islam” means “submission to the will of God.” Followers of Islam are called Muslims. Muslims are monotheistic and worship one, all-knowing God, who in Arabic is known as Allah.

children from pain and loss and tragedy and illness. You cannot be sure that you will always be married, let alone happily married. You cannot be sure you will always be employed, or healthy, or relatively sane. All you can do is face the world with quiet grace and hope you make a sliver of difference. Humility does not mean self-abnegation, lassitude, detachment; it’s more like a calm recognition that you must trust in that which does not make sense, that which is unreasonable, illogical, silly, ridiculous, crazy by the measure of most of our culture; you must trust that you being a very good you matters somehow. That trying to be an honest and tender parent will echo for centuries through your tribe. That doing your chosen work with creativity and diligence will shiver people far beyond your ken. That being an attentive and generous friend and citizen will somehow matter in the social fabric, save a thread or two from unraveling. And you must do all of this with the sure and certain knowledge that you will never get proper credit for it, at all, one bit, and in fact the vast majority of the things you do right will go utterly unremarked; except, perhaps, in ways we will never know or understand, by the Arab Jew who once shouted about his cloak, and may have been somehow also the One who invented and infuses this universe and probably a million others—not to put a hard number on it or anything. Humility, the final frontier, as my late brother Kevin used to say. When we are young we build a self, a persona, a story in which to reside, or several selves in succession, or several at once, sometimes; when we are older we take on other roles and personas, other masks and duties; and you and I both know men and women who become trapped in the selves they worked so hard to build, so desperately imprisoned that sometimes they smash their lives simply to escape who they no longer wish to be; but finally, I think, if we are lucky, if we read the book of pain and loss with humility, we realize that we are all broken and small and brief, that none among us is actually rich or famous or more beautiful than another; and then, perhaps, we begin to understand something deep and true finally about humility. This is what I know: that the small is huge, that the tiny is vast, that pain is part and parcel of the gift of joy, and that there is love, and then there is everything else. You either walk toward love or away from it with every breath you draw. Humility is the road to love. Humility, maybe, is love. That could be. I wouldn’t know; I am a muddle and a conundrum, shuffling slowly along the road, gaping in wonder, trying to just see and say what is, trying to leave shreds and shards of ego along the road like wisps of litter and chaff.

A Flock of Geese" She often wondered about the inexplicable deep sorrow that she feels every time she sees a flock of geese flying in the sky … Do the flying geese remind her that she has wasted her life stuck in the trivialities of daily life? Or perhaps the flying birds remind her that she’s lost her ability to fly? She thinks at times in sadness how she wasted the years of her life like a naïve bride dreaming about the ideal groom... A bride planning the minutest details of her wedding, not realizing, until her wings were clipped, that the wedding, the groom, and the bride are roles and illusions created by society to counter the dangers of all those who wish to fly; those who dream about creating new worlds instead of getting hanged or strangulated in a world created by on their behalf by others … As she hears the honking of another passing flock of geese flying over her head as did the most beautiful years of her life the birds awaken in her that uncontrollable itch to depart to refuse the illusion of settling and stability The illusion of the wedding and the groom The illusion of all the wedding invitees Who spend an entire night dancing, cheering, and celebrating the clipping of her wings… [Original poem published in Arabic on December 14, 2023 at ahewar.org]

A Flock of Geese" She often wondered about the inexplicable deep sorrow that she feels every time she sees a flock of geese flying in the sky … Do the flying geese remind her that she has wasted her life stuck in the trivialities of daily life? Or perhaps the flying birds remind her that she’s lost her ability to fly? She thinks at times in sadness how she wasted the years of her life like a naïve bride dreaming about the ideal groom... A bride planning the minutest details of her wedding, not realizing, until her wings were clipped, that the wedding, the groom, and the bride are roles and illusions created by society to counter the dangers of all those who wish to fly; those who dream about creating new worlds instead of getting hanged or strangulated in a world created on their behalf by others … As she hears the honking of another passing flock of geese flying over her head as did the most beautiful years of her life the birds awaken in her that uncontrollable itch to depart to refuse the illusion of settling and stability The illusion of the wedding and the groom The illusion of all the wedding invitees Who spend an entire night dancing, cheering, and celebrating the clipping of her wings… [Original poem published in Arabic on December 14, 2023 at ahewar.org]” ― Louis Yako

The only Hitler of Germany was one who adopted the way of atrocities and cruelties for a limited period; he was evil-minded, whereas every leader of Israel was and is characteristically similar to Hitler for several decades of victimising; despite that, they are not evil characters. The Western states eliminated Hitler, but those countries supported and perpetuated the leaders of Israel, and still, they remain on such distinctive policies; it is the worst hypocrisy in human history. Virtually, it will be a self-suicidal move of the Muslim world, especially the Arab States, as religiously, politically, morally, and principally, to recognize Israel, ignoring the Palestinians, in the presence of the United Nations resolutions. Indeed, Israel exists; however, it is an unreal reality as the concept and context of the real validity of Palestinians. Factually, recognition of Israel by the Muslim States and Arab dictators means a license of hegemony, allowing Israel to dominate the Muslim world. The Muslims of the world absolutely will never agree with it and dismiss such a move of Arab dictators. The tiny democracy of the world, Israel seems as an authority upon the United Nations since it does what it wants. Israel is not afraid nor frightened; its state is just the warmonger and the hate-sponsor within humanity. Israel is the creation of the West, supported by the West, and licensed to kill by the West; the Muslim rulers expect a fruitful solution from them; I realize it is an endless stupidity. Spirit of Palestine *** If you do not understand The international law that You constituted yourself If you do not obey and respect Your laws and resolutions We have the right to defend our land By our way, by all means, Whether you call it terrorism Or something else For us, It is the fight for freedom You cannot accept the truth We cannot accept the lies Truth always prevails We will never surrender Nor yield to the evil And genocide forces We are the spirit of Palestine Long live Palestine, Long live Palestine At every cost. Palestine Never Disappears *** They stole Palestine Our land and then our homes They threw us out At gunpoint For our determination And rights We throw the stones They trigger bullets The champions of human rights Watch that, Clapping and cheering As like it is a football match And the football referee is Israel However, Palestine will never disappear Never; never; never We will fight without fear Until we recover and have that Palestine is Crying *** Under the flames of the guns Palestine is crying The Arab world is cowardly silent, West and the rest of the world, Deliberately ignoring justice Even also they are criminally denying Whereas Palestinians are dying If there are no weapons: There will be neither terrible wars Nor criminal deaths, nor tensions Manufacture oxygen of life expectations It is a beautiful destination For all destinations I wish I could fragrance peace and love In the minds and hearts of two Generations of two real brothers. Day Of Mourning, Not Mother’s Day *** A lot of Mothers of Palestine are crying And burying their children, who became The victim of Israel’s cruelty Those mothers have no children To celebrate their Mother’s Day It is a Day of Mourning for those mothers Not Mother’s Day Oh, Palestine, cry, cry, not on Israel But on Muslims who are dead sleeping. Ahed Tamimi Of Palestine The Voice Of Freedom *** You can trigger bullets Upon those, Who stay determined You can shoot Or place under house arrest Hundreds of thousands As such Ahed Tamimi However, You cannot stop The voices, for the freedom And Self-determination You will hear In every second, minute Every hour, every day Until you understand And realize, Voices of the human rights

her use of Spanish jennets, which had a reputation for speed, strength and beauty through the cross breeding of European stock with the Arab horse, with which the Iberian countries were of course familiar as a consequence of the Muslim invasion.

Botox" In a friendly exchange with a shopper in a grocery story line, she joyfully declared: “Today is my 50th birthday!” I said, “It looks like the hands of Time have touched your face gently. Happy birthday!” “The hands of Time weren’t gentle on me, my dear. What you see are the wonders of botox,” she said. “They say it freezes face features and expressions. Is that true?” I inquired half-jokingly. “At this stage of my life, it makes no difference. I no longer need any expressions. There is nothing worth smiling for or frowning upon. I spent decades expressing in every physical and verbal way possible, all in vain,” she said. Her words were followed by a hopeless giggle that reminded me of the philosopher who wrote that as we advance in age, our fears are replaced with giggles. She then continued, “There is a time when you discover that all verbal and physical expressions are futile. In everyone’s life, there’s one defining event that freezes everything in their lives. Anything that happens after that event is no more than desperate and hopeless attempts to pretend that we are okay.” Before I managed to find the appropriate words, the cashier called on her. The timing was ideal as words froze on my tongue just like the botox freezes features and expression in a world in which words and expressions are of no use anymore. [Original text published in Arabic on October 14, 2024 at ahewar.org]

I know that Khalil will be famous one day - a rock star, a basketball hero, a politician who will become the first Arab American President of the United States because he is so beautiful, and he knows suffering, and he will be cured, and I know for sure: he will live long enough to enter a presidential election, he will live long past thirty-five.

The fourth cure for heedlessness is the recitation of the Qur’an. Reciting it with tadabbur (reflection) awakens the heart. However, plain recitation is beneficial as well. Learned Muslims have recommended that a person recite one–thirtieth of the Qur’an (juz) every day. If this is difficult, then reciting Sura Yāsīn (36) after the dawn prayer, Sura al-Wāqiʿah (56) after the sunset prayer, and Sura al-Mulk (68) after the evening prayer greatly benefit the soul. (New Muslims should strive with their utmost to learn how to read the original Arabic text of the Qur’an. Meanwhile, one is advised to listen to the well-known Qur’an reciters on audio devices or read a good English translation until one is able to read the Arabic. It is important for one to be regularly engaged with the Book of God.) The actual sounds of the language of the Qur’an—the breathtaking rhythms and words—are a medicine. From the perspective of energy dynamics, every substance has a resonance at a specific wavelength. A medicine resonates in order to cure the disease. So, too, do the sounds of recitation of the Qur’an: “O humankind, there has come to you from your Lord counsel and healing for what is in the breasts, and a guidance and a mercy to the believers” (QUR’AN , 10:57). When one recites the Qur’an, one moves his or her tongue pronouncing revealed words of the Lord of the heavens and the earth. And these words have a powerful and unique sound. People are often amazed at the sound of the Qur’an when they hear it for the first time. The beauty of the Qur’an is in its meanings as well as the sound of its recitation. These are the four cures that Imam Mawlūd offers for heedlessness. God warns the Prophet from conforming to those whose hearts are in the state of heedlessness (QUR’AN , 18:28). God increases the heedlessness of people who turn away from the truth.

God, Rashid, that’s quite something, he said. I’m not sure—You young people. There are going to be rocks in your way and rocks on your backs. You’re a man, you can’t approach this like a baby would. It won’t get any easier, Rashid. Not a lick easier. It’s gonna be like this forever. Shit, it’s going to get harder. Forever, huh? I was going to name Luce forever, or rather, Samad, one of the ninety-nine names of Allah—Al-Samad, the eternal. But then I started to think about eternity, what a curse if you’re not God, right? My man God doesn’t have holy rent and holy bills to pay. Eternity means someone always digging into your pocket, forever being distracted from your deepest desires, spending all your time doing something you don’t want to do in order to pay a petty light bill. So in that hospital room while Ricca was screaming and pushing Luce out, I changed my mind about wanting my son to be eternal. His little head looked sort of like a beam of light so I dropped my college Arabic for my high school Spanish. La Luz, the light. But light, it’s beautiful and all, but it generates heat: heat burns. That’s what this family shit does, it burns you. Sets you on fire. Burns you to a fucking crisp. All my sense is burned from me. Everything. I’m gutted like a burnt-out building. I’m burned. I can’t stand. One day I’m gonna topple over, a pile of fucking burnt ash that’ll burn forever. And that, Rashid, is the good news. The sun burns and burns and burns and one day it’ll burn out. Massive explosion, taking everything with it, kid. But while it burns, look how much flourishes. Go back to your family, Rashid. Make the day special for Luce. Let Ricca scream at you. You deserve it. And then tomorrow, continue to burn, it’s all you can do.

LEDERHOSEN BACK IN THE SUITCASE – THEY WEREN’T MUCH HELP – I’M READY to leave. I started my journey in the most gorgeous of architectures in Jerusalem, and I end it in the most ravished of places, in Jenin. I started with Kings, David and Herod, and I end with Haifa Refugees. When I started the journey I was awed, when I end it I’m dismayed; when I started my journey laughter was my companion, when I end it a tear joins me; when I started this journey hope was my neighbor, when I end it despair stares me in the face. Witnessing the tremendous investments and endless attempts of the Europeans, not to mention the Germans, all geared to undermine the Jews in this land, in Israel, was an extremely unsettling experience. Being showered with love by the Arabs, just because they thought I was an Aryan, a German, was very discomforting. Watching the Jews and seeing how powerless they are, even now that they have their own state, was distressing. If logic is any guide, Israel will not survive. Besieged by hate from without and from within, no land can survive for very long. Miraculously, the Jews have built one of the most sophisticated, intense, beautiful countries of our time, but what are they doing to keep it? They hate themselves, they belie themselves, they are full of fears and many of them rush to get another passport; they want to go back to Poland, to Austria, to Germany – lands where their forefathers were hunted down and killed. And what am I doing? Just the same: I am going back to Germany. Am I a Jew just like them? Am I not Tobi the German? Am I not Abu Ali? My name is, sorry, Tuvia. Goodness of God. What a joke. A joke, I fear, only the Chosen People will truly comprehend. Adios, my sweet cats. You, of all creatures of this land, have a clear and sensible direction: milk and tuna. I am thankful that we met, for you have provided me with companionship in a land I felt so alone in. I am leaving this land, and I am leaving you. You will fare better here. You are Jewish cats, stay with your kind. Enjoy this land, my stray cats, as long as it lasts. I’ll miss you terribly. Shalom.

In the Sultan Suite   Andy was eagerly awaiting my reappearance. He had nailed as many engaging pictures as he could, and he had done superbly – but I didn’t know that yet.               When I regained position, Lihaar had straddled Aziz’s firmness, and Jabril’s thickness was gyrating within her derriere. The men rocked into her in rhythmic synchronicity while moans of zealous fervencies rose in crescendo from the singer’s throat. Coraline seized the opportunity and plunged her tilting pelvis onto the actress’s face. As if executing a perfect dance the Indian twirled her lecherous tongue into the big sister’s blossoming crevice. Afraid the dark-haired female would evade her pleasure vault, Coraline’s tenacious hands gripped her tightly.               Aziz drove his slithering tongue into Narnia’s wetness, teasing her nether region to groans of rapturous ecstasy. His probing fingers buried deep in her rousing bottom, driving her to bouts of climactic liberations. She shuttered unquenchably to each heaving motion of intimate deliverance. Waves of euphoric ecstasies filled her girlishness. She delivered her youthful exuberance again and again until her heaving breasts laid heavy against the Arab’s muscular chest. After all, I had been taught by great masters of the day – and I was the sorcerer’s apprentice. Therefore, no encouragements were required for me to capture affectionate kisses and private embraces from every bewitching angle. But my task was by no means over. Exotic shots of erotic discharges arrived in the shapely form of Ms. Lihaar riding both phalluses with abandon. Like her little sister Narnia, Coraline had delivered curls of billowing euphoria onto the actress’s face, coating the flawless beauty with dribbling wetness before lapping at her deliverance with sensual jubilations.               The men could no longer withhold their deposits. Sprays of masculinity filled the actress as she milked their pounding manliness to blissful nirvana. Together, my chaperone and I had garnered superlative shots for our patron when we left the Sultan cavern quietly, returning to the Maharajah in pursuit of a saturnalia of unbridled revelry.

My eyes widened and my face turned red as embarrassment gushed through my person. I had never thought of myself in such a manner. But now I knew the reasons I was sought after by dominant, bearded Arab men. I understood why I had the power to make men feeble in the knees and languid at my commands. Victor’s words that morning certainly took on a new meaning in my adolescent life. Before I could continue to bask in this glorious revelation, my teacher suggested, “Use your temporal assets wisely, or you may end up like many before you, in self destructive jeopardy.” I stared at him, speechless. “Pay attention, young man…” he proceeded slowly. “There are four basic homoerotic notions in Arab societies: * First, the acknowledgment of male beauty, even in other males’ eyes, and its capability of inducing ‘fitna’ (disorder). * Second, the recognition of the natural vulnerability of a grown man to be charmed by a handsome adolescent, to the point that mainstream scholars and theologians urged readers to resist the related temptation that follows this natural appreciation. * Third, the affirmation that love and passion exist hand in hand with related dangers - and not just sexual desires - that might be the driving force in a man-to-man attraction. * Fourth, and certainly not the least, the focus in classical literature and poetry on man-boy love, whereas grown male attraction is marginalized and regarded as mujun (ribaldry) or sukhf (obscenity).”               Señor Victor Angel Triqueros added, “No social definition of homosexuality existed in the Arab world during the reign of the Ottoman Empire. There was no native concept applicable to all and only those men who were sexually attracted to members of their own sex rather than to women. Therefore, no single word exists in Arabic to describe men engaging in same-sex relationships. But there is a categorization of sexual acts: language that uses such specific terms as liwat (anal sex), luti (active sodomite who prefers boys over women, ma’bun (passive sodomite), mukhannath (effeminate passive sodomite), mu’ajir (passive male prostitute), dabb (active sodomite who likes raping his victims in their sleep regardless of their age), musahiqa (lesbian), along with a string of others.

Al-Azhar mosque in El Hussein Square. One of Cairo’s oldest houses of worship, it once doubled as a university, renowned in Europe and throughout the Arab world for its scholarship. Standing on the footpath, Alex took a moment to admire the structure, named after Fatima al-Zahra, daughter of the Prophet Muhammad. Five minarets stretched toward the sky, each with balconies and intricately carved columns. There were six entrances. The main one now before him was built in the eighteenth century and known as Bab El Muzayini, the barber’s gate. Students had once been shaved there. The mosque was a potpourri of architectural styles, built piecemeal over its thousand-year history. But the overall effect was quite beautiful.

It is interesting to note that on June 19, 1967, the Israeli government passed a resolution offering a return of the captured territories to the Arabs in exchange for peace. The response came three months later, when the Khartoum Arab Summit issued its famous three No’s: “No peace, no recognition, and no negotiation with Israel.” The closure of that small window of opportunity seems tragic in retrospect. My

I’m not sure—You young people. There are going to be rocks in your way and rocks on your backs. You’re a man, you can’t approach this like a baby would. It won’t get any easier, Rashid. Not a lick easier. It’s gonna be like this forever. Shit, it’s going to get harder. Forever, huh? I was going to name Luce forever, or rather, Samad, one of the ninety-nine names of Allah—Al-Samad, the eternal. But then I started to think about eternity, what a curse if you’re not God, right? My man God doesn’t have holy rent and holy bills to pay. Eternity means someone always digging into your pocket, forever being distracted from your deepest desires, spending all your time doing something you don’t want to do in order to pay a petty light bill. So in that hospital room while Ricca was screaming and pushing Luce out, I changed my mind about wanting my son to be eternal. His little head looked sort of like a beam of light so I dropped my college Arabic for my high school Spanish. La Luz, the light. But light, it’s beautiful and all, but it generates heat: heat burns. That’s what this family shit does, it burns you. Sets you on fire. Burns you to a fucking crisp. All my sense is burned from me. Everything. I’m gutted like a burnt-out building. I’m burned. I can’t stand. One day I’m gonna topple over, a pile of fucking burnt ash that’ll burn forever.

Hadrah Hakim Hadrah Hakim's eyes sparkled when he saw his harem of beautiful women looking so gorgeous, as they paraded around the party. To him, they were prized trophies and this was an opportunity to show them off. The Hadrah was proud as a peacock with his colorful fanned tail wide open. I was sure he was one of the happiest men in the Arab Kingdom during those three days of festivities at the Kosk.

America" Loans Interest rates Endless advertisements Usury and deception Countless heavy bodies filled with fear Migrant, refugee, and illegal bodies that came escaping America’s oppression in their own countries… America Depression, anxiety, and pain relief pills A political, media, and institutional matrix of power ran by one lobby… Credit cards Bankruptcy Debts Drugs The homeless Racism Weapons Strict security measures Suffocating any attempt for any meaningful change under the pretext of the homeland security… America Sanctions imposed on this country and that, Internal psychological sanctions imposed on a majority of the naïve who believe themselves to be free… America Tasteless fruit, vegetables, meats, eggs, and cheeses, injected with hormones, sprayed with pesticides and many other carcinogenic substances… America Houses that look beautiful from the outside, inhabited by people who are mostly lonely, going through psychological or nervous breakdowns, or perhaps wrestling with depression or hysteria, the luckiest of them are on daily pills to help them adapt to the psychological and spiritual death surrounding them from all sides… America Fruitless trees and scentless flowers, as if as a punishment or a curse from heaven upon those who stole the land from its native people, after erasing most of them… America Bills Sad letters in the mail, mostly from companies and advertisers wishing you a delightful day and great consumption, encouraging you to solve your problems with more consumption, and reminding you that you may die abruptly of loneliness or the toxins that you consume, and therefore, you must seriously consider purchasing your casket and the plot under which you will be buried… [Original poem published in Arabic on August 27, 2024 at ahewar.org]

O SON OF MAN! Veiled in My immemorial being and in the ancient eternity of My essence, I knew My love for thee; therefore I created thee, have engraved on thee Mine image and revealed to thee My beauty. O SON OF MAN! I loved thy creation, hence I created thee. Wherefore, do thou love Me, that I may name thy name and fill thy soul with the spirit of life. O SON OF BEING! Love Me, that I may love thee. If thou lovest Me not, My love can in no wise reach thee. Know this, O servant. O SON OF BEING! Thy Paradise is My love; thy heavenly home, reunion with Me. Enter therein and tarry not. This is that which hath been destined for thee in Our kingdom above and Our exalted dominion" - Baháʼu'lláh, Hidden Words, Arabic verses 3-6

Throughout Indian history, the thoughts of Muslim women have been ignored, overlooked, regarded with a sense of being ahead of this time, or out of place. This is the conundrum of being invisible, and very much seen. I italicize non-English words because they look more beautiful that way. Since we can’t honor the beauty of their own script and still be legible to most readers of English, I want to give the words their own space. Some think of italics as othering, but I am Other when I speak my mother language. Words in Bangla or Arabic or Urdu have their own weight separate from English. America took my first language, mother language, gave me my life language. I don’t recall the feeling of my first language fading as I learned the language I write, love, and fight in best.

I’m red poppy from the mountains of the homeland The winds are my tunes The thunder is my voice When I object what is going on… Rains are my tears When I’m speechless The gushing sounds of water Are my hearty songs… *** I’m red poppy from the mountains of the homeland When I welt, I shall leave smiling And assured that my seeds Shall create vast meadows of wildflowers For future generations Wiser than you and I…

So many are the people Who don’t teach us anything… So many people do us a favor Because they don’t teach us anything, For if they did, They’d kill many beautiful and alive parts in us…

and the Real point... I am trying to make here. besides I HATE THIS SHITHOLE AND I WANT TO GO BACK TO RUSSIA is.... I was influenced. I was influenced by some real, true, pieces of shit. their names include Gregg Hartsuff (piece of shit coach), Greg Yezersky (uncle), my little piece of shit daddy, Jim Smith (Labor department), and Dick M. (anonymous piece of shit sponsor.) there. that's about right. So start to work on yourselves. Your Moral Stature. I think that's what they call it. I want you to talk about how you feel. how does it FEEL? to represent USA. A shithole country. your idiot, pussy bitch military is chasing Arabs somewhere. while drunk Russians keep fucking your women in the ass. just for fun. how does that feel, you silly (n word)? I use the word N. to refer to white people I dislike and disrespect, a lot. see, I worked a lot. a whole lot. because my idiot parents dragged me to this shithole. SHITHOLE. but I don't want to be in this shithole. can you do something, please, to maybe send me back to Russia? Russia is a nice place. Samara is a beautiful city. come on, Gregg. I remember. You were fucking with me because my GPA was like a 3.1. not a 3.2. right. RIGHT? let's be real precise about shit. let's be REAL thorough and precise. well we won a LOTTERY apparently. To come here. WHERE IS MY FUCKING MONEY? You stupid piece of shit.

The beaches in Dubai are well-known for their cleanliness and tranquility. While many individuals enjoy a relaxing weekend at the beach, thrill-seekers prefer to participate in thrilling water sports. Jet skiing is one of Dubai's most popular water activities, and adventure seekers love to try it. Do you want to know what the most extraordinary Dubai marine adventures are? What is the best method to see this magnificent city? There is plenty to do in this city-state of the UAE, and we have several fun aquatic activities for you to enjoy while on vacation or to live in the Emirates! How about a Jet Ski Ride along the Dubai waterfront? It can be done with your family, as a couple, with friends, or by yourself. We jet ski around all of Dubai's most famous attractions, skyscrapers, and landmarks. All of our Jet Ski trips include a stop at the luxury Burj Al Arab hotel, which is constructed into the sea, where you can have fun and receive a photo souvenir of Dubai. Jet skiing in Dubai is unquestionably the most acceptable way to see the city and have a good time during your vacation. Dubai Yacht Rental Experience When it comes to a luxury Boat Party in Dubai for those who can afford it, the pleasure and adventure that Yachts can provide cannot be overstated. Yachting is, without a doubt, the most beautiful sport on the planet. It's a once-in-a-lifetime opportunity to splash around in the ocean's deep blue waves and lose yourself in an environment that is both soothing and calming to the soul. The sensation you get from a yacht requires a whole new set of words to explain it. It's a fantastic experience that transports people to another zone while also altering their mental state. People who have the advantage of owning private yachts go sailing to have a relaxing excursion and clear their minds whenever they feel the need. Those who cannot afford to purchase a yacht can enjoy the thrill of cruising from one coastal region to the other by renting an economical Dubai yacht. It is not a challenging task to learn to sail. Some people believe that yachting can only be done by experts, which is a ridiculous misconception. Anyone willing to acquire a few tactics and hints can master the art of yachting. READ MORE About Dubai Jet Ski: Get lost in the tranquility of blue waters while waiting to partake in action. With the instructor sitting right behind you, you’ll learn astonishing stunts and skills for riding a Jet ski. This adventure will take your excitement to a new level of adventure in the open sea. While sailing past the picturesque shorelines of the islands, take in stunning views of prominent Dubai monuments such as the Burj Al Arab and more. About the activity: Jumeirah Beach is the meeting site for this activity. You have the option of riding for 30 minutes or 60 minutes Jet Ski around the beaches while being accompanied at all times by an instructor, as your safety is our top priority. Begin your journey from the marina and proceed to the world-famous Burj-Al-Arab, a world well known hotel, for a photo shoot. where you may take as many pictures as you want

On May 14, 1948, Jewish Agency Chairman David Ben-Gurion proclaimed the establishment of the Jewish State of Israel, the first in two thousand years. The US government recognized its legitimacy on the same day; but Washington’s backing for Israel was not benevolent. To understand the thinking at the time, the essay by George Biddle, a friend of President Franklin D. Roosevelt, published in the Atlantic in 1949 after his visit to the new nation, is instructive. Biddle was unequivocal in his endorsement of Israel, arguing that Western interests in the Middle East would be assured if the Jewish state was in its orbit. He did not seem to like Jews much, writing that they used to be “grease-spotted” and “moth-eaten.” But after arriving in Israel they suddenly acquired “physical beauty, healthy vitality, politeness, good nature” and were akin to US president, founding father, and slave owner Thomas Jefferson.13 Biddle dismissed the Arabs he saw but thought they were “about as dangerous as so many North American Indians.” Not being white, they were “foul, diseased, smelling, rotting, and pullulating with vermin.

Dear Lord, Please, forgive their visions, and let them hear the vulture's apology to its prey. Lay in their hearts a blue morning star, to show them the course of laughs in the wind of sea. Adorn their dreams with the meaning of life, so they know that You are the Creator of beauty, too. Sprinkle their roads with diamonds of Your words, so they break the walls in their souls, and fly to You washed like air in the rain. Dear Lord, At the beat of sins, in a valley only eminent from rapture by an illusion, I stand, empty of all hate, flooding with love. The honey of Your grace drips over me, and creatures smile. Like Your power taught me, I forgive sinners in routs of ignorance and roads of knowledge. I look under my feet lest I block the way of ants. I look up at Your sky to thank You for a star that embraced my heart with illumination. I kneel before You, for You taught me how to fill the chalice of love, and pour it in the grieving river, turning its stream into a rhythm, and its water, into a mother's touch on the head of a lonely orphan. Dear Lord, I know Your wisdom in creating pain. They don't.

Bernstein poured his unfulfilled ambition into stupefying powerful performances of the Mahler symphonies, freighting them with the themes that he should or would have addressed in his own music if only he had the time or the energy or whatever it was that he ultimately lacked: “It is only after fifty, sixty, seventy years of world holocausts, of the simultaneous advance of democracy with our increasing inability to stop making war, of the simultaneous magnification of national pieties with the intensification of our active resistance to social equality—only after we have experienced all this through the smoking ovens of Auschwitz, the frantically bombed jungles of Vietnam, through Hungary, Suez, the Bay of Pigs, the farce-trial of Sinyavsky and Daniel, the refueling of the Nazi machine, the murder in Dallas, the arrogance of South Africa, the Hiss-Chambers travesty, the Trotskyite purges, Black Power, Red Guards, the Arab encirclement of Israel, the plague of McCarthyism, the Tweedledum armaments race—only after all this can we finally listen to Mahler's music and understand that it foretold all. And that in the foretelling it showered a rain of beauty on this world that has not been equaled since.” Bernstein's enthusiasm for Mahler was infectious, but his claims were exaggerated. In twentieth-century music, through all the darkness, guilt, misery, and oblivion, the rain of beauty never ended.

The island of Sicily is the largest in the Mediterranean. It has also proved, over the centuries, to be the most unhappy. The stepping-stone between Europe and Africa, the gateway between the East and the West, the link between the Latin world and the Greek, at once a stronghold, observation-point and clearing-house, it has been fought over and occupied in turn by all the great powers that have at various times striven to extend their dominion across the Middle Sea. It has belonged to them all—and yet has properly been part of none; for the number and variety of its conquerors, while preventing the development of any strong national individuality of its own, have endowed it with a kaleidoscopic heritage of experience which can never allow it to become completely assimilated. Even today, despite the beauty of its landscape, the fertility of its fields and the perpetual benediction of its climate, there lingers everywhere some dark, brooding quality—some underlying sorrow of which poverty, Church influence, the Mafia and all the other popular modern scapegoats may be the manifestations but are certainly not the cause. It is the sorrow of long, unhappy experience, of opportunity lost and promise unfulfilled; the sorrow, perhaps, of a beautiful woman who has been raped too often and betrayed too often and is no longer fit for love or marriage. Phoenicians, Greeks, Carthaginians, Romans, Goths, Byzantines, Arabs, Normans, Germans, Spaniards, French—all have left their mark. Today, a century after being received into her Italian home, Sicily is probably less unhappy than she has been for many centuries; but though no longer lost she still seems lonely, seeking always an identity which she can never entirely find.

Injustice is suffered by both sides. The Palestinians have suffered much. And when the Israelis come and describe to us their suffering, we are able to see that they too have suffered. That kind of understanding is crucial. Once understanding and compassion are born in our heart, the poisons of anger, discrimination, hate, and despair will be transformed. That is why the only answer is to remove the poison and to allow the insight and compassion in. Then we will discover each other as human beings and we will not be deceived by outer layers like "Buddhism," "Islam," "Judaism," "pro-American," "pro-Arab," and so on. This is a process of liberation from our ignorance, ideas, notions, and our tendency to discriminate. When I see you as a human being who suffers so much, I will not have the courage to shoot you. I will ask you to come and work with me so that we have a chance to live peacefully together. It is a pity—the Earth is so beautiful and there is enough room for all of us, yet we are killing each other.

❝The Blood Horse❞ GAMARRA is a dainty steed, Strong, black, and of a noble breed, Full of fire, and full of bone, With all his line of fathers known; Fine his nose, his nostrils thin, But blown abroad by the pride within! His mane is like a river flowing, And his eyes like embers glowing In the darkness of the night, And his pace as swift as light. Look,—how ’round his straining throat Grace and shifting beauty float! Sinewy strength is on his reins, And the red blood gallops through his veins; Richer, redder, never ran Through the boasting heart of man. He can trace his lineage higher Than the Bourbon dare aspire,— Douglas, Guzman, or the Guelph, Or O’Brien’s blood itself! He, who hath no peer, was born Here, upon a red March morn: But his famous fathers dead Were Arabs all, and Arab bred, And the last of that great line Trod like one of a race divine! And yet,—he was but friend to one Who fed him at the set of sun, By some lone fountain ’fringed with green: With him, a roving Bedouin, He liv’d,—(none else would he obey Through all the hot Arabian day,)— And died untam’d upon the sands Where Balkh amidst the desert stands!

The crystal merchant awoke with the day, and felt the same anxiety that he felt every morning. He had been in the same place for thirty years: a shop at the top of a hilly street where few customers passed. Now it was too late to change anything—the only thing he had ever learned to do was to buy and sell crystal glassware. There had been a time when many people knew of his shop: Arab merchants, French and English geologists, German soldiers who were always well-heeled. In those days it had been wonderful to be selling crystal, and he had thought how he would become rich, and have beautiful women at his side as he grew older. But, as time passed, Tangier had changed. The nearby city of Ceuta had grown faster than Tangier, and business had fallen off. Neighbors moved away, and there remained only a few small shops on the hill. And no one was going to climb the hill just to browse through a few small shops. But the crystal merchant had no choice. He had lived thirty years of his life buying and selling crystal pieces, and now it was too late to do anything else. He spent the entire morning observing the infrequent comings and goings in the street. He had done this for years, and knew the schedule of everyone who passed. But, just before lunchtime, a boy stopped in front of the shop. He was dressed normally, but the practiced eyes of the crystal merchant could see that the boy had no money to spend. Nevertheless, the merchant decided to delay his lunch for a few minutes until the boy moved on. *

[Hand Watches] I opened the drawer Where I keep old things and tokens I glanced over some hand watches With dead batteries and frozen times… Watches that were gifted to me over time By teachers or friends To commend my accomplishments and respect for time… It never occurred to them or to me then That Time would die in a heart attack And will cease to be important The day my homeland was occupied and destroyed… The day the occupying thieves In collaboration with the thieves within Would burn and destroy everything beautiful in it… And since then, I refuse to wear hand watches And will never wear one Until my people get back their Time and dignity… And when that happens, Time will remain unimportant For then, I will turn into a butterfly A sparrow A daffodil or an orange blossom, Or perhaps an apricot blossom on a branch An unstoppable sprig of water That flows beyond time and timing … In that same drawer I found Pens that have run out of ink Looking like mummified corpses.. At a moment of despair, A strong feeling struck me like a lightning Leaving me with a frightening question: What if this is a wound that all time can’t cure A cause that all the ink of the world can’t solve? [Original poem published in Arabic on February 5, 2023 at ahewar.org]

Bill and Dave paid sixty cents to watch two Arab boys screw each other. The boys protested, saying, “Malo,” it’s bad, it’s bad to do this, then they began giggling. David said, “Si, malo, todos malos,’” all bad. Bill reported the incident at length to Allen Ginsberg: “We demanded semen too, no half-assed screwing. So I asked Marv: “Do you think they will do it?’ and he says: ‘I think so. They are hungry.’ They did it. Made me feel sorta like a dirty old man.” Bill used his report almost verbatim in the “Black Meat” section of The Naked Lunch. “We took the two boys back to Dave’s room and told them what we wanted. After some coy giggling they agreed, and took off their ragged clothes. Both of them had slender, beautiful boy bodies. Dave was M.C. he pointed to Boy 2 and said: ‘All right, you screw him first’ pointing to Boy 1. Boy 1 lay down on his stomach on the bed. Boy 2 rubbed spit on his prick and began screwing him. Dave said: ‘Leche we want leche.’ Leche means milk, Spanish for jissum—the boy contracted convulsively and his breath whistled through his teeth. He lay still for a moment on top of the other boy then shoved himself off with both hands. He showed us the jissum on his prick and asked for a towel. Dave threw him one and he carefully wiped his prick. Then he lay down on his stomach and Boy 1 took over. He was more passionate. He got mad because Boy 2 kept his ass contracted and pounded on his buttocks with his fist. Finally he got it in and began screwing violently. Boy 2 groaned in protest. Boy 1 came almost immediately, his buttocks quivering in spasms. He sighed then rolled free... I see both boys every day. They will do it anytime for forty cents, which is standard price.

[Fashionable Beard] I asked a friend growing a fashionable beard playfully: “Has your beard increased your fans?” “You have no idea how much it has!” He responded. “Do you wonder why people can’t see you clearly without it?” I asked. “This beard reminds me every day that people simply refuse to see things as they are – bare and naked. They will notice and see things covered with any cover, except not as they are!” he added with a laughter. [Original poem published in Arabic on January 16, 2023 at ahewar.org]

Few of the Arabs could read, but beauty of speech was a virtue which all Arab parents desired for their children. A man's worth was largely assessed by his eloquence, and the crown of eloquence was poetry.

Hand Watches" I opened the drawer where I keep old things and tokens… I looked over some hand watches with dead batteries and frozen times… Watches gifted to me over the years by teachers or friends commending my accomplishments and respect for time… It never occurred to them nor to me then that Time would die in a heart attack and cease to matter the day my homeland was occupied and destroyed… The day plunderers, in collaboration with thieves at home, would burn and destroy everything beautiful… And ever since, I refuse to wear hand watches… I vowed not to wear a hand watch until my people retrieve their Time and dignity… And when that happens, Time will not matter for I will then turn into a butterfly a sparrow a daffodil an orange Or perhaps an apricot blossom on a branch… I will turn into a spring of water flowing beyond time and timing … In that same drawer I found pens that have run out of ink looking now like mummified corpses… At a moment of despair, A strong feeling struck me like a lightning leaving me with a frightening question: What if this is a wound no time can heal, a cause that no ink can revive? [Published on April 7, 2023 on CounterPunch.org]

To understand this, you need frist to Know some words which are formed from Arabic to English by me : 1- farcashize (V) : يُفركش 2- farcashization (N) : الفركشة 3- farcashized/farcashizational (Adj) : مُفركش 4- farcashizationally (Adv) : مُفركشآ The logic of the dating does not express the relationship, it is the relationship, otherwise the time that I spend with special someone is a neutral phenomenon and the observation of the neutral phenomenon in the term of the relationships changes its nature. Like every single Sudanese man, I know that I would like to be a one-man multinational fashion phenomenon but to be described as farcashizational man by some students is something I don't expect it at all. The phenomenon of farcashization becomes a part of Sudanese girl's speech, unfortunately it is like gossiping, I was chicken-hearted when my closed friend told me that many female students at EDC said that we were in love together and then you were farcashized by me. At that time we were laughing but deeply inside myself, an idea was rambling which was "maybe I am one of their desires" because when one has achieved the object of one's desires, it is evident that one's real desire was not the ignorant possession of the desired object but to know it as possessed as actually contemplated as within one, so maybe I was farcashizationally farcashized by my friend in thier mind as a wish that the same thing to be done with me by them and that leads to say "girls are dangerous creatures especially when they are your students". When there is both love and friendship, we dwell in the realm of the relationship and when there is neither love nor friendship, we exist in a vacuity of relationships, we can feel and we can express feelings but the more we feel, the further off we are, so what is not yet felt can't be shown and what is already desired can't be hidden so farcashization and desire are not distant, it's their principle that can't be seen. It would be a very naive sort of dogmatism to assume that every beautiful girl is an impossible creature to be got or to accept the man as he is and she is always going to embarrass and farcashize him, as if she is an indocile black wild cat, the beautiful girl is not a unique and homogeneous but she is immensely diversified, having as many different schemes and patterns as there are different ways of beauty, so the phenomenons which we find in our certain relationships such as farcashization are not transferable with all people but the attitude of the relationship, therefore the dating of two people is like the contact of two chemical substances, if there is any reaction between them depending on that attitude, both are transformed. Finally there is no relationship between any two partners looks like what we really see, yours doesn't, mine doesn't and people are much more complicated than what we imagine, then their relationships are more perplexing too, so you can't judge any relationship according the actions of the relationship's partners, it is true of every relation.

Sometimes Chris and James spoke to each other in Navajo, a beautiful language that also seemed impossible, at once guttural and punctuated by glottal stops, but at the same time smooth. To me, it sounded like a mix of French, Arabic, and Mandarin. I couldn’t pronounce anything right. We cruised back down

did you know that the word ‘camel’ comes from an Arabic word that means ‘beauty’?” Rook leaned toward Qawi and said, “I only know that because it was mentioned in a thriller I read. Wild Storm by this guy named Richard Castle. Ever heard of him?” “He sounds like a total hack. I am surprised a man of your intellect reads such lowbrow, pulpy trash.” “I guess I just have a weakness for books that are actually entertaining,” Rook said.

Futuwwah is the way of the fata. In Arabic, fata literally means a handsome, brave youth. After the enlightenment of Islam, following the use of the word in the Holy Koran, fata (plural: fityan) came to mean the ideal, noble, and perfect man whose hospitality and generosity would extend until he had nothing left for himself; a man who would give all, including his life, for the sake of his friends. According to the Sufis, Futuwwah is a code of honorable conduct that follows the example of the prophets, saints, sages, and the intimate friends and lovers of Allah. The traditional example of generosity is the prophet Abraham, peace be upon him, who readily accepted the command to sacrifice his son for Allah's sake. He is also a model of hospitality who shared his meals with guests all his life and never ate alone. The prophet Joseph, peace be upon him, is an example of mercy, for he pardoned his brothers, who tried to kill him, and a model of honor, for he resisted the advances of a married woman, Zulaykha, who was feminine beauty personified. The principles of character of the four divinely guided caliphes, the successors of the Prophet Muhammad, peace and blessings be upon him, also served as guides to Futuwwah; the loyalty of Abu Bakr, the justice of 'Umar, the reserve and modesty of 'Uthman, and the bravery of 'Ali, may Allah be pleased with them all. The all-encompassing symbol of the way of Futuwwah is the divinely guided life and character of the final prophet, Muhammad Mustafa, may Allah's peace and blessings be upon him, whose perfection is the goal of Sufism. The Sufi aims to abandon all improper behavior and to acquire and exercise, always and under all circumstances, the best behavior proper to human beings; for God created man "for Himself" as His "supreme creation," "in the fairest form." As He declares in His Holy Koran, "We have indeed honored the children of Adam.

The race across the mountain continued, but the mountains still glowed when it was their time to glow. They still cried when it was time for rain. And they still told you stories, if you only knew how to listen to them. But I was no longer one of those who knew how to listen … who knew how to laugh and cry with them … I was an athlete … I was an alpinist. I spoke of walls and overhangs. I ran and trained and counted my ascents. I fell prey to the folly of categorization, adding up points, comparing myself to others and making myself poorer and poorer. I was turning into a shallow and stupid craftsman. All I saw were numbers, summit heights, sizes of walls, estimations of difficulty. I only saw Roman and Arabic numerals, commas and plus and minus signs. My hands and legs were strong and unstoppable but my head became empty and my heart no longer beat faster because it was being overwhelmed by beauty – only because of physical effort. My path was rapidly turning downhill while the curve of my success continued to rise. One climb became indistinguishable from another. I functioned like a well-oiled machine that will continue to run on empty if no one stops it. And thus the wheels of my machine kept turning without purpose, faster and faster, until my children reminded me that the birds in the forest were still singing.” Excerpt From: Bernadette McDonald. “Alpine Warriors.

Futuwwah is the way of the fata. In Arabic, fata literally means a handsome, brave youth. After the enlightenment of Islam, following the use of the word in the Holy Koran, fata (plural: fityan) came to mean the ideal, noble, and perfect man whose hospitality and generosity would extend until he had nothing left for himself; a man who would give all, including his life, for the sake of his friends. According to the Sufis, Futuwwah is a code of honorable conduct that follows the example of the prophets, saints, sages, and the intimate friends and lovers of Allah. (p. 6)

Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015

Trump was effusive in his praise for Kushner. “Jared’s gotten the Arabs totally on our side. Done deal,” he assured one of his after-dinner callers before leaving on the trip. “It’s going to be beautiful.” “He believed,” said the caller, “that this trip could pull it out, like a twist in a bad movie.

To the believer, I say only this: Even if you do believe that a god created the universe, why go to a messiah or a book from thousands of years ago to get closer to him? Why not study his creation that is all around you? This “creation” is called nature—and the study of it is called science. And the language of science isn’t Hebrew, Aramaic, or Arabic. It’s mathematics—which stays the same whether you’re in Israel, the West Bank, or on the moon. Why rely on faith without evidence when the evidence is so much more breathtaking? To me, the beauty lies in real questions, not false answers.

He left behind him five or six very curious manuscripts; among others, a dissertation on this verse in Genesis, In the beginning, the spirit of God floated upon the waters. With this verse he compares three texts: the Arabic verse which says, The winds of God 36 Les Miserables blew; Flavius Josephus who says, A wind from above was precipitated upon the earth; and finally, the Chaldaic paraphrase of Onkelos, which renders it, A wind coming from God blew upon the face of the waters. In another dissertation, he examines the theological works of Hugo, Bishop of Ptolemais, great-grand-uncle to the writer of this book, and establishes the fact, that to this bishop must be attributed the divers little works published during the last century, under the pseudonym of Barleycourt. .........................Here is the note:— ‘Oh, you who are! ‘Ecclesiastes calls you the All-powerful; the Maccabees call you the Creator; the Epistle to the Ephesians calls you liberty; Baruch calls you Immensity; the Psalms call you Wisdom and Truth; John calls you Light; the Books of Kings call you Lord; Exodus calls you Providence; Leviticus, Sanctity; Esdras, Justice; the creation calls you God; man calls you Father; but Solomon calls you Compassion, Free eBooks at Planet eBook.com 37 and that is the most beautiful of all your names.

Bob is a perfectly fine name. So is Baboo." "And Layla is a lovely name," Bob said. "Did you know it means 'dark beauty' in Arabic? It suits you." "Thank you." Her smile faded when Sam scowled. "It's a tragic name," Sam said. "Very unlucky. I'm sure you know the Arabian legend of Qays and Layla, a young couple who fell so deeply in love they were unable to contain their passionate devotion." "What exactly does that mean?" Layla asked, hoping to distract him in case Bob was superstitious like Lakshmi Auntie. India had a billion-dollar superstition-centric industry focused on astrology, black magic, and fake babas. An unlucky name had derailed more than one prospective marriage. "Is it anything like being unable to contain your opinion about things no one asked you about?" "I'm sure we can all guess what it means." Sam didn't address her sarcastic quip. "Layla used poor Qays for his magnificent body and then went prowling around for a new man only hours after leaving his bed. It caused quite the scandal in their conservative community. Qays was denied her hand in marriage and prevented from seeing her ever again, although why he would want her after that, I don't know. Distraught, he fled into the wilderness while chanting love poems about his darling Layla until he descended into madness and death.

The Cats in the City Location: an Arab city. Time: the age of defeat. The twenty-first century. General atmosphere: “fancy” neighborhoods. Expensive houses painted in tombstone colors. Beautiful and well-maintained gardens. Flowers that no one dares to smell. Imported cars. Imported devices. Imported clothes. Imported foods. Endless consumer shops for anything and everything. Between every other restaurant, there are shops selling cosmetics and souvenirs. Between every other consumer market, There is a worship place. All consumer shops are built skillfully On the scab of the same old wound; A wound that can flood the city with blood and death With the slightest fingernail scratch. As I walk farther from the city, The consumer shops vanish. The lights are suddenly dimmed. The cheering and the hustle and bustle of the consumers go silent. I see myself in total darkness. I am alone hearing nothing but the sounds of my footsteps, And the meows of hungry stray street cats, Covered with the ashes of daily existence. A thin and hungry cat approaches me, She meows in despair and starvation, Begging me for her bite of the day (or the week?) I throw her a small piece of my sandwich. She picks it up and runs away To celebrate her temporary gains! She leaves me alone wondering in darkness: What reflects the reality of this city more The 'fancy' neighborhoods I saw earlier, Or the starving cats in the darkness? June 8, 2014

Egyptian prime minister Ali Maher explained Arab opposition to Zionism: If Palestine were empty, we, the Arab states, would invite the Jews to come to Palestine and establish a Jewish state in it. For we understand the Jewish ideal. It is a beautiful and just ideal. It is necessary that the Jews also have a state, and it would be good for the Arabs too. But the country is not empty. Arabs have lived there for centuries. Go slowly. Halt immigration for a while, peace will be established, and you will win Arab friends. With their goodwill you can continue the activities later. Perhaps you will even become a majority. But do not hurry. Let there first be peace, and if for that purpose you have to slow down—is peace not worth it? But the Jews

Inside, I'm either a beautiful, sensitive person or a sad, tragic person."— an excerpt from The Arab, a novella from The Heart of a Poet

I was really happy a week or so ago thinking of myself as a writer enough money in my pocket etc. I was happy. But when I came back from Indian Wells, I was bummed out. But this is the real thing real life the tragic the beautiful the terror the serenity the bliss the unforgettable." an excerpt from The Arab, a novella from The Heart of a Poet