“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
That’s the thing about falling in love. You don’t exactly expect it to happen until you’re crash landing into someone else’s arms, wondering how the hell you lost the battle against gravity in the first place.
”
”
Lauren Asher (Final Offer (Dreamland Billionaires, #3))
“
Even bloody and bruised, he had an odd sort of swagger, as if he crash-landed in giant air ships every day.
”
”
Scott Westerfeld
“
Marry me." I said.
She lowered her teacup, shaking slightly, to the saucer. "Aren't you going to get down on one knee?"
I got down on one knee and took her hand.
"Will you marry me, Kate?"
You can't propose properly without a ring." She said.
I reached into my pocket and took out James Sanderson's ring, which I'd picked up off the floor of the Starclimber when we'd crash landed.
"That's a nice looking ring." said Kate with a grin.
"Cost a fortune." I said. "And now, for the third time. Kate de Vries, will you marry me?"
She leaned forward and took my face in her hands and kissed me.
"Yes," "Yes, and yes and yes. But it will probably be terrible."
"Probably," I agreed.
"Honestly," she sighed, "I don't know what kind of life we'll have together, with me always flying off in one direction and you in the other."
I smiled. "It's a good thing the world's round," I said.
”
”
Kenneth Oppel (Starclimber (Matt Cruse, #3))
“
Remember, this thing is small. It's not like the wolfships. It'll ride over the waves, not crash through them. So we're safe as houses."
He wasn't sure about the last two statements, but they seemed logical to him.
”
”
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
“
L: You want me just to be your... friend?
E: You want the truth? I think you're my guardian angel.
L: What?
E: Do you know what it's like to have someone crash into your life with no warning? When you landed in my office, I was like, Who the fuck is this? But you shook me up. You brought me back to life at a time when I was in limbo. You were just what I needed...
You're just what I need.
L: Well I need you too. So we're even.
E: No, you don't need me. You're doing just fine.
L: Ok. Maybe I don't need you. But... I want you.
”
”
Sophie Kinsella (Twenties Girl)
“
Sir?” Kitay asked. The magistrate turned to look at him. “What?” With a grunt, Kitay raised the crate over his head and flung it to the ground. It landed on the dirt with a hard thud, not the tremendous crash Rin had rather been hoping for. The wooden lid of the crate popped off. Out rolled several very nice porcelain teapots, glazed with a lovely flower pattern. Despite their tumble, they looked unbroken. Then Kitay took to them with a slab of wood. When he was done smashing them, he pushed his wiry curls out of his face and whirled on the sweating magistrate, who cringed in his seat as if afraid Kitay might start smashing at him, too. “We are at war,” Kitay said. “And you are being evacuated because for gods know what reason, you’ve been deemed important to this country’s survival. So do your job. Reassure your people. Help us maintain order. Do not pack your fucking teapots.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
When you're down, remember your triumphs. [...] Sometimes you get in trouble and crash. Other times: just a bumpy landing.
”
”
Ellyn Bache (The Art of Saying Goodbye)
“
We live on the flat, on the level, and yet - and so - we aspire. Groundlings, we can sometimes reach as far as the gods. Some soar with art, others with religion; most with love. But when we soar, we can also crash. There are few soft landings. We may find ourselves bouncing across the ground with leg-fracting force, dragged towards some foreign railway line. Every love story is a potential grief story. If not at first, then later. If not for one, then for the other. Sometimes, for both.
”
”
Julian Barnes (Levels of Life)
“
Day leveled Ronowski with a stern glare. “Ronowski, you are gay, man. You’re tightly closeted. But you are indeed gay, ultra-gay. You’re fuckin’ Marvin Gay. You crash landed on Earth when your gay planet exploded.” Day moved away from God and stood in front of an openmouthed Ronowski. “Come out of the closet already. It’s so bright and wonderful out here. Dude, I’ve seen Brokeback Mountain too, don’t believe that bullshit. No one cares who you fuck…ya know…like you tell me every. Single. Day. Of. My. Life,” Day said exaggeratedly.
”
”
A.E. Via (Nothing Special)
“
That’s the point. This healthy-feeling time now just feels like a tease. Like I’m in this holding pattern, flying in smooth circles within sight of the airport, in super-comfortable first class. But I can’t enjoy the in-flight movie or free chocolate chip cookies because I know that before the airport is able to make room for us, the plane is going to run out of fuel, and we’re going to crash-land into a fiery, agonizing death.
”
”
Jessica Verdi (My Life After Now)
“
Sometimes the wrong train takes you to the right station.
”
”
indian proverb
“
Did you have any goal other than reaching the crash site?”
“You make it sound as though I conspired to get myself landed on the planet.”
“And why would you do that?”
“That’s my point. We wanted nothing more than to get out of there.”
“Very well. What happened next?
”
”
Amie Kaufman (These Broken Stars (Starbound, #1))
“
when you’re sitting on a plane 40, 000 feet up in the air, looking out the window, dreaming of your future and how bright it appears to be, or maybe just watching the drops of rain being pushed into different designs from the force of air at 400 mph, well, life feels good. it feels safe, your seat belt is on and your feet are up. then the oxygen masks fall, the plane jumps, snaps and jolts. people start to scream, babies burst out crying, people start praying all in time to the overhead announcement that we’re gonna crash. right then, as your life flashes before your eyes, you hear yourself say, “god, if you get me outta this one, i’ll stop [insert lie here] forever.” right then the nose of the plane pulls up and the captain says, “wow, that was a close one, folks. we’re ok, we’ll be landing in thirty minutes and we’re all safe and sound, sorry for the scare…” that’s how getting hooked on junk is, and when the kick is over you can’t believe you ever got on that plane in the first place. the question is, will you ever fly again?
”
”
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
“
There is no such thing as magic," she told me. "You can b e l i e v e all you want, but it's never going to do you any good. Nobody flies. We only fall
”
”
Melissa DeCarlo (The Art of Crash Landing)
“
The suck part about falling is that eventual crash landing.
”
”
Katie McGarry (Long Way Home (Thunder Road, #3))
“
Luke chuckled. “Did anyone mention you fall like an angel?” “Or a bag of rocks?” I asked. “That’s what it feels like. I’m good at crash landings.
”
”
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
“
Something is profoundly wrong with the way we live today. For thirty years we have made a virtue out of the pursuit of material self-interest: indeed, this very pursuit now constitutes whatever remains of our sense of collective purpose. We know what things cost but have no idea what they are worth. We no longer ask of a judicial ruling or a legislative act: Is it good? Is it fair? Is it just? Is it right? Will it help bring about a better society or a better world? Those used to be the political questions, even if they invited no easy answers. We must learn once again to pose them.
The materialistic and selfish quality of contemporary life is not inherent in the human condition. Much of what appears "natural" today dates from the 1980s: the obsession with wealth creation, the cult of privatization and the private sector, the growing disparities of rich and poor. And above all, the rhetoric that accompanies these: uncritical admiration for unfettered markets, disdain for the public sector, the delusion of endless growth.
We cannot go on living like this. The little crash of 2008 was a reminder that unregulated capitalism is its own worst enemy: sooner or later it must fall prey to its own excesses and turn again to the state for rescue. But if we do no more than pick up the pieces and carry on as before, we can look forward to greater upheavals in years to come.
”
”
Tony Judt (Ill Fares the Land)
“
Every takeoff and landing, when the plane banked too much to one side, I prayed for a crash.
”
”
Chuck Palahniuk (Fight Club)
“
His mouth landed on mine, crashed into mine, and I might've stopped breathing. He pulled me up against him, until only the tips of my toes remained on the carpet, and all the interesting parts were nearly lined up, chest to chest, hip to hip.
”
”
Jennifer L. Armentrout (The Darkest Star (Origin, #1))
“
People frequently die in fires or crash landings because they try to escape through the same door they used when they entered.
”
”
Susan David (Emotional Agility: Get Unstuck, Embrace Change, and Thrive in Work and Life)
“
Be savagely thankful, and continuously in awe of the power you possess. You are alive. Inside of an endless cosmos with the freedom that shines brightest in the dark.. Choices.
Your choices belong to you so intimately, that they will never leave you. They, unlike the changing nature of love, where the failing machinery of our bodies will never abandon you to time. Good or bad, they will stay always. An antique that shows the future who you were and what you stood for.
So know that what you choose to stand for, is what will inform you of what you've chosen to stand against, so stand. Let each foot crash land into what you believe, and plant them they're firmly so they may take root in your convictions. And stand.
”
”
Shane L. Koyczan
“
Powerless But for the star destroyer Unknowing She crash-lands in his heart.
”
”
Elizabeth Fama (Plus One)
“
But even as she gave thanks, she knew that the rain was not enough. She wanted a storm – thunder, wind, a deluge. She wanted it to crash through Ketterdam’s pleasure houses, lifting roofs and tearing doors off their hinges. She wanted it to raise the seas, take hold of every slaving ship, shatter their masts, and smash their hulls against unforgiving shores. I want to call that storm, she thought. And four million kruge might be enough to do it. Enough for her own ship – something small and fierce and laden with firepower. Something like her. She would hunt the slavers and their buyers. They would learn to fear her, and they would know her by her name. The heart is an arrow. It demands aim to land true. She clung to the wall, but it was purpose she grasped at long last, and that carried her upwards.
She was not a lynx or a spider or even the Wraith. She was Inej Ghafa, and her future was waiting above.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
On May 26th, 2003,
Aaron Ralston was hiking,
a boulder fell on his right hand,
he waited four days,
he then amputated
his own arm with a pocketknife.
On New Year’s Eve,
a woman was bungee jumping,
the cord broke,
she fell into a river
and had to swim back to land
in crocodile-infested waters
with a broken collarbone.
Claire Champlin was smashed in the face
by a five-pound watermelon
being propelled by a slingshot.
Mathew Brobst was hit by a javelin.
David Striegl was actually
punched in the mouth by a kangaroo.
The most amazing part of these stories
is when asked about the experience
they all smiled, shrugged and said
“I guess things could’ve been worse.”
So go ahead,
tell me you’re having a bad day.
Tell me about the traffic.
Tell me about your boss.
Tell me about the job you’ve been trying to quit for the past four years.
Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher.
Tell me the alarm clock
stole the keys to your smile,
drove it into 7 am
and the crash totaled your happiness.
Tell me.
Tell me how blessed are we to have tragedy
so small it can fit on the tips of our tongues.
When Evan lost his legs he was speechless.
When my cousin was assaulted
she didn’t speak for 48 hours.
When my uncle was murdered,
we had to send out a search party
to find my father’s voice.
Most people have no idea
that tragedy and silence
often have the exact same address.
When your day is a museum of disappointments,
hanging from events that were outside of your control,
when you feel like your guardian angel put in his two weeks notice two months ago
and just decided not to tell you,
when it seems like God
is just a babysitter that’s always on the phone,
when you get punched in the esophagus by a fistful of life.
Remember,
every year
two million people die of dehydration.
So it doesn’t matter if
the glass is half full or half empty.
There’s water in the cup.
Drink it and stop complaining.
Muscle is created by lifting things
that are designed to weigh us down.
When your shoulders are heavy
stand up straight and call it exercise.
Life is a gym membership
with a really complicated cancellation policy.
Remember,
you will survive,
things could be worse,
and we are never given
anything we can’t handle.
When the whole world crumbles,
you have to build a new one
out of all the pieces that are still here.
Remember,
you are still here.
The human heart beats
approximately 4,000 times per hour
and each pulse,
each throb,
each palpitation is a trophy,
engraved with the words
“You are still alive.”
You are still alive.
So act like it.
”
”
Rudy Francisco (Helium (Button Poetry))
“
Then—oh, boy!—Leo got to hitch a ride with Frank the Friendly Eagle so they could fight a bunch of Romans. Rumor must’ve gotten around that Leo was the one who had fired on their little city, because those Romans seemed especially anxious to kill him. But wait! There was more! Coach Hedge shot them out of the sky; Frank dropped him (that was no accident); and they crash-landed in Fort Sumter.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I don’t know what she thinks a Matilda looks like, but I’ve always thought that I look a little like Gene Wilder, except with longer hair and a vagina.
”
”
Melissa DeCarlo (The Art of Crash Landing)
“
My secret world of bosom sculpting is crashing down around me. I’m destined for bra-stuffing rehab in a distant boobicus minimus land. I just know it.
”
”
Amy Holder (The Lipstick Laws)
“
I am not interested in sending people to heaven. I am interested in making people in such a way that, even if they go to hell, nobody can make them suffer. That's freedom, isn't it? "I want to go to heaven, I want to go to heaven," is a huge bondage. Suppose you land in the wrong place. Suppose someone hijacked your airplane on the way to heaven. He didn't crash it; he just landed it in the wrong place. You're finished, aren't you? You're always living with something that can be taken away from you by somebody or something. True liberation is when nobody can take away anything from you.
”
”
Sadhguru (Mystic's Musings)
“
Because no matter how far you may travel, you are what you are, and even when you are flying at thrilling new heights, circling the sun and thinking you belong in the halo of that perfect golden light, you do not. The wings always melt, and you always crash-land in your same old self.
”
”
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
“
Daily her tactics grew more sly and underhanded. Last night the audacious wench had picked the lock to his
chamber! Because he'd had the foresight to barricade the door with a heavy armoire, she'd then gone to his door in
the corridor and picked that lock. He'd been forced to escape out the window. Halfway down he'd slipped, crashed the last fifteen feet to the ground, and landed in a prickly bush. Since he'd not had time to don his trews, his
manly parts had taken the brunt of his abrupt entry into the bush, putting him in a foul mood indeed.
The wench sought to unman him before his long-anticipated wedding night.
”
”
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
“
I really don’t understand men. Dealing with men is like dealing with a hostile alien species who crash-landed on the planet and decided our language and customs are too silly to be bothered with, and henceforth we should be treated with mild disdain and/or as objects of occasional sexual release before being ignored as inferior beings again.
”
”
J.T. Geissinger (Pen Pal)
“
The moment of impact. The moment of impact proves potential for change. Has ripples effects far beyond what we can predict. Sending some particles crashing together. Making them closer than before. While sending others spinning off into great ventures. Landing them where you've never thought you've found them. That's the thing about moments like these. You can't, no matter how hard you try, controlling how it's gonna affect you. You just gotta let the colliding part goes where they may. And wait. For the next collision.
”
”
The Vow
“
Swear to God, you come near us and–”
“Like this?” The biker sidestepped a slash from the hockey stick, grabbed it on the way, and yanked it out of Eve’s hands. He tossed it over his shoulder to land on the floor with a clatter. “This near enough? Whatcha gonna do, doll girl?”
Claire hid her eyes as the biker reached out for Eve with one tattooed hand.
“No,” Eve said breathlessly. “I’m going to let my boyfriend beat the crap out of you.”
There was a dull thunk of wood meeting flesh, and a howl. Then another, harder thunk, and a crash as a body hit the floor.
The biker was down. Claire stared at him in disbelief, then looked past him, to the figure standing there with the field hockey stick in both hands.
Michael Glass. Back from the dead, again, a gorgeous blond avenging angel, breathing hard.
”
”
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
“
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye.
But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower.
And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
”
”
Stephen King (Wolves of the Calla (The Dark Tower, #5))
“
In a real situation, like when I was here before, there were things wrong—going wrong. The plane didn’t land and set me on the shore. It crashed. A man was dead. I was hurt. I didn’t know anything. Nothing at all. I was, maybe, close to death and now we’re out here going la-de-da, I’ve got a fish; la-de-da, there are some more berries.
”
”
Gary Paulsen (The River (Hatchet, #2))
“
Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
It’s not the flying that’s the hard part; it’s the landing.
”
”
Lisa Gardner (Crash & Burn (Tessa Leoni, #3))
“
When you’re down, remember your triumphs. That’s what I need to tell the girls. Sometimes you get in trouble and crash. Other times: just a bumpy landing.
”
”
Ellyn Bache (The Art of Saying Goodbye)
“
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her.
"Get off her!" Hollyleaf yowled.
Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck.
The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur.
"Run," she hissed. "Because if you stay, I will kill you".
Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse.
Ivypool stared at the black she-cat. "You saved my life!"
Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do.
"I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
“
He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree-hidden cliff across the lake.
Some morning from the boulder-broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter-love, original response.
And nothing ever came of what he cried
Unless it was the embodiment that crashed
In the cliff's talus on the other side,
And then in the far-distant water splashed,
But after a time allowed for it to swim,
Instead of proving human when it neared
And someone else additional to him,
As a great buck it powerfully appeared,
Pushing the crumpled water up ahead,
And landed pouring like a waterfall,
And stumbled through the rocks with horny tread,
And forced the underbrush--and that was all.
”
”
Robert Frost
“
As far as I'm concerned, there are two types of people in this world: people like Queeg who, when life gives them lemons make lemonade, and everyone else. And although those smug lemonade-makers think the rest of us just sit around all day day bitching about not getting oranges, they're wrong. It's all about volume. When you're ass-deep in lemons, you start looking for a shovel, not a pitcher and a cup of sugar
”
”
Melissa DeCarlo (The Art of Crash Landing)
“
It's not the fledgling birds that are thrown out of the nest by their parents and made to fly; it's the parents who are made to get the hell out of cozy family nest by their teenage offspring. It's we who are made to be independent of them, crash-landing if we don't manage it.
”
”
Rosamund Lupton (Afterwards)
“
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed, and barely survived. But by all means—let’s talk about your dining table!
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
No, on the outside view there was nothing for anyone to notice about me. I remained one pillar of a trinity, another pillar was lying only temporarily (temporarily! temporarily! temporarily!) in the hospital, I was the pilot of a three-engine aircraft, one of whose engines had stalled: there is no reason to panic, this is not a crash landing, the pilot has thousands of flight hours behind him, he will land the plane safely on the ground.
”
”
Herman Koch (The Dinner)
“
In the days to come, when it will seem as if I were entombed, when the very firmament threatens to come crashing down upon my head, I shall be forced to abandon everything except what these spirits implanted in me. I shall be crushed, debased, humiliated. I shall be frustrated in every fiber of my being. I shall even take to howling like a dog. But I shall not be utterly lost! Eventually a day is to dawn when, glancing over my own life as though it were a story or history, I can detect in it a form, a pattern, a meaning. From then on the word defeat becomes meaningless. It will be impossible ever to relapse.
For on that day I become and I remain one with my creation.
On another day, in a foreign land, there will appear before me a young man who, unaware of the change which has come over me, will dub me "The Happy Rock." That is the moniker I shall tender when the great Cosmocrator demands-" Who art thou?"
Yes, beyond a doubt, I shall answer "The Happy Rock!"
And, if it be asked-"Didst thou enjoy thy stay on earth?"-I shall reply: "My life was one long rosy crucifixion."
As to the meaning of this, if it is not already clear, it shall be elucidated. If I fail then I am but a dog in the manger.
Once I thought I had been wounded as no man ever had. Because I felt thus I vowed to write this book. But long before I began the book the wound had healed. Since I had sworn to fulfill my task I reopened the horrible wound.
Let me put it another way. Perhaps in opening my own wound, I closed other wounds.. Something dies, something blossoms. To suffer in ignorance is horrible. To suffer deliberately, in order to understand the nature of suffering and abolish it forever, is quite another matter. The Buddha had one fixed thought in mind all his life, as we know it. It was to eliminate human suffering.
Suffering is unnecessary. But, one has to suffer before he is able to realize that this is so. It is only then, moreover, that the true significance of human suffering becomes clear. At the last desperate moment-when one can suffer no more!-something happens which is the nature of a miracle. The great wound which was draining the blood of life closes up, the organism blossoms like a rose. One is free at last, and not "with a yearning for Russia," but with a yearning for ever more freedom, ever more bliss. The tree of life is kept alive not by tears but the knowledge that freedom is real and everlasting.
”
”
Henry Miller
“
How inappropriate,’ Lila said coldly. ‘Who’d ever dream of showing up at a dance in a wheelchair? What does she think she’s going to do all night?
”
”
Francine Pascal (Crash Landing! (Sweet Valley High, #20))
“
In my experience, the past is rarely as harmless, or as far away, as we’d like it to be.
”
”
Melissa DeCarlo (The Art of Crash Landing)
“
Letter 7
In the beginning of time, the skies were filled with flying elephants. Too heavy for their wings, they sometimes crashed through the trees and frightened other animals.
All the flying grey elephants migrated to the source of the Ganges. They agreed to renounce their wings and settle on the earth. When they molted millions of wings fell to the earth, the snow covered them, and the Himalayas were born.
The blue elephants landed in the sea and their wings became fins. They are the whales, the trunkless elephants of the oceans. Their cousins are the manatees, the trunkless elephants of the rivers.
The chameleon elephants kept their wings but agreed never to land on earth. They change colors of their feathers every day. Today they are azure, and when it rains they are the color of pearls.
When they go to sleep, the chameleon elephants always lie down in the same place in the sky and dream with one eye open. The stars you see at night are the unblinking eyes of sleeping elephants, who sleep with one eye open to best keep watch over us.
”
”
Gregory Colbert (Ashes and Snow: A Novel in Letters)
“
I should have acted sooner. Saved him. It was in my power.” Her throat closed painfully. Then Crash did something unexpected. He sat down on the bed, his hand landing close to her face, gazing down at her intently. For reasons unknown, Sora felt her breath catch, her chest constrict peculiarly.
”
”
T.L. Shreffler (Sora's Quest (The Cat's Eye Chronicles, #1))
“
JJ informed me, when he dropped them off, that they are French bulldogs, which has led med to reassess my opinion of the French. They may know a lot about making wine and fries, but they don't know jacques-merde about making dogs.
”
”
Melissa DeCarlo (The Art of Crash Landing)
“
Like a wave that has been building it's strength over a thousand miles of ocean, and which makes little stir in the deep water, but which, when it reaches the shallows rears itself high up into the sky, terrifying the shore dwellers, before crashing down on land with irresistible power - so Iorek Byrnison rose up against Iofur, exploding upward from his firm footing on the dry rock and slashing with a ferocious left hand at the exposed jaw of Iofur Raknison.
”
”
Philip Pullman
“
As Mickey looked on in shock, Emily used the opportunity to turn her anger on him. Pulling the tape from her mouth, she roared like Diana and kicked out at him with a surprise blow to his stomach that knocked him down to his knees. Emily tried to remember everything Diana had taught her, and tested out her fighting moves. Before Mickey could land one punch on Emily, Paelen appeared and gave him a bone-crunching blow to the chin. ‘That is for Joel!’ The hit was hard enough to lift Mickey off the ground and send him flying several metres in the air before crashing down on a sand dune.
”
”
Kate O'Hearn (Pegasus and the Rise of the Titans: Book 5)
“
And yet Branson (a notorious risk addict with a penchant for crash-landing hot air balloons) is far from the only one willing to stake our collective future on this kind of high-stakes gamble. Indeed the reason his various far-fetched schemes have been taken as seriously as they have over the years is that he, alongside Bill Gates with his near mystical quest for energy “miracles,” taps into what may be our culture’s most intoxicating narrative: the belief that technology is going to save us from the effects of our actions. Post–market crash and amidst ever more sinister levels of inequality, most of us have come to realize that the oligarchs who were minted by the era of deregulation and mass privatization are not, in fact, going to use their vast wealth to save the world on our behalf. Yet our faith in techno wizardry persists, embedded inside the superhero narrative that at the very last minute our best and brightest are going to save us from disaster.
”
”
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
“
It was then—at that moment—that it hit Aeduan square in the chest. Iseult was here. Not hunting after the Truthwitch but here, standing tall in a land of smoking embers. Before he could speak, before he could ask her how she knew of the Red Sails, an inhuman shriek filled the air. Louder than the receding rain, louder than the cannons’ roar.
It was the mountain bat, returned and plunging right for them.
Aeduan barely yanked Iseult sideways before its talons crashed into the stones.
”
”
Susan Dennard (Windwitch (The Witchlands, #2))
“
What she'd thought was love before felt like a girlhood crush compared to the feeling now crashing over her. It sucked her under like riding whitewater rapids, spinning her around, and tossing her wildly into the air. There was no land, no balance, nothing to hold on to except Victor. In those quiet moments, he captured her loyalty and heart forever. She was done.
”
”
Kat Simons (Once Upon a Tiger (Tiger Shifters, #1))
“
I can't explain the birds to you even if I tried. In the early morning, when the sun's rays peek over the mountain and subtly light up the landscape in a glow that, if audible, would sound like a hum, the birds sing. They sing in a layered symphony, hundreds deep. You really can't believe how beautiful it is. You hear bass notes from across the farm and soprano notes from the tree in front of you all at once, at varying volumes, like a massive choir that stretches across fifty acres of land. I love birds. But not as much as my wife loves them. My wife thinks about them, whereas I only notice them once they call for attention. But she looks for them, builds fountains for them, and saves them after they crash into windows. I've seen her save many birds. She holds them gently in the palm of her hand, and she takes them to one of the fountains she's built especially for them and holds their beaks up to the gentle trickle of water to let them drink, to wake them up from their dazed stupor. No matter how much time it takes, she doesn't leave them until they recover. And they mostly always do.
”
”
Portia de Rossi (Unbearable Lightness: A Story of Loss and Gain)
“
We kissed for a bit and I stopped shaking. We played with each other for a long time, and after we had joined, my cock and her fanny became one thing, then it seemed to vanish as we took off on a big psychic trip together. It was our souls and our minds that were doing it all; our genitals, our bodies, they were just launch pads and were soon superfluous as we went around the universe together on our shared trip, moving in and out of each other’s heads and finding nothing in them but good things, nothing in them but love. The intensity increased until it became almost unbearable and we exploded together in an orgasmic crash-landing onto the shipwreck of a bed, from a long way out in some form of space. We held each other tightly, drenched in sweat and shaking with emotion
”
”
Irvine Welsh
“
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
”
”
Neal Stephenson (Snow Crash)
“
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!”
He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?”
The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky.
“REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?”
“Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—”
“Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!”
“Hey, Sunshine,” Leo said. “I’m right here, you know.”
She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!”
“Well, since you asked so nicely …”
Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up.
She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.”
“Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!”
She snarled and kept walking along the edge of the water.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
Gah!’ Coach Hedge yelled. The canopy ripped and he fell behind the bar with a crash of bottles and glasses. The satyr recovered well. He popped up with a dozen miniature plastic swords in his hair, grabbed the soda gun and served himself a drink.
‘I like it!’ He tossed a wedge of pineapple into his mouth. ‘But next time, kid, can we land on the floor and not ten feet above it?
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Someone once told me his idea for surviving a crash of civilization was to be a lone wolf, heading for the hills, with his rifle and knife, living off the land. "Nowadays, I'm more interested in staying behind and helping others," he said, "like after Hurricane Katrina. Coming together and rebuilding something that can last."
"How about BEFORE a disaster?" I asked.
"Even better.
”
”
Michael Carter (Kingfisher's Song: Memories Against Civilization)
“
In many ways, the felt sense is like a stream moving through an ever-changing landscape. It alters its character in resonance with its surroundings. When the land is rugged and steep, the stream moves with vigor and energy, swirling and bubbling as it crashes over rocks and debris. Out on the plains, the stream meanders so slowly that one might wonder whether it is moving at all. Rains and spring thaw can rapidly increase its volume, possibly even flood nearby land. In the same way, once the setting has been interpreted and defined by the felt sense, we will blend into whatever conditions we find ourselves. This amazing sense encompasses both the content and climate of our internal and external environments. Like the stream, it shapes itself to fit those environments.
”
”
Peter A. Levine (Waking the Tiger: Healing Trauma)
“
The history of magical groups is a history of crash landings or slow degeneration. Very seldom do we find success stories about fully developed higher creatures who spread their inner light within group contexts and beyond. Very often it’s an all-too-human scenario of power struggles within groups and secret societies that pushes the potential for self-development back into the shadows in order for ego inflation and chaos to shine. This has usually brought forth a general marginalization of initially very interesting ideas. To a great extent, I believe this has to do with the use of a language and terminology that is too obfuscated, arcane, and symbolic. Instead of simply seeing what needs to be done and how, many individuals haven’t been able to see the beauty of the forest because of all the trees in the way.
”
”
Carl Abrahamsson (Occulture: The Unseen Forces That Drive Culture Forward)
“
This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.
I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.
”
”
Henry David Thoreau (The Journal, 1837-1861)
“
Sometimes the desert exhilarates me to the point of soaring. Other times I am so heartsick I cannot bear up against the despair, a palpable, aching longing. Longing for this wild beauty to last and for me never to die and no longer be able to feel, see, hear, taste, and breathe it. A yearning to die before the desert's wild heart is lost so I do not have to witness it. A longing to be a better person, for the world to be a better place, for us to truly measure up to this land, for this land not to be a battlefield of anger and greed. When these two opposing conditions, elation and despair, follow one another too quickly, the universe seems careless and precipitate. I soar, I crash, a squall of heat let loose in the ethos.
Or else I get hungry.
”
”
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (Pulitzer Prize Finalist))
“
It was all a mistake,” he pleaded, standing out of his ship, his wife slumped behind him in the deeps of the hold, like a dead woman. “I came to Mars like any honest enterprising businessman. I took some surplus material from a rocket that crashed and I built me the finest little stand you ever saw right there on that land by the crossroads—you know where it is. You’ve got to admit it’s a good job of building.” Sam laughed, staring around. “And that Martian—I know he was a friend of yours—came. His death was an accident, I assure you. All I wanted to do was have a hot-dog stand, the only one on Mars, the first and most important one. You understand how it is? I was going to serve the best darned hot dogs there, with chili and onions and orange juice.” The
”
”
Ray Bradbury (The Martian Chronicles)
“
She dances,
She dances around the burning flames with passion,
Under the same dull stars,
Under the same hell with crimson embers crashing,
Under the same silver chains that wires,
All her beauty and who she is inside,
She's left with the loneliness of human existence,
She's left questioning how she's survived,
She's left with this awakening of brutal resilience,
Her true beauty that she denies,
As much she's like to deny it,
As much as it continues to shine,
That she doesn't even have to admit,
Because we all know it's true,
Her glory and success,
After all she's been through,
Her triumph and madness,
AND YET,
SHE STANDS.
Broken legs- but she's still standing,
Still dancing in this void,
You must wonder how she's still dancing,
You must wonder how she's not destroyed,
She doesn't even begin to drown within the flames,
But little do you realize,
Within these chains,
She weeps and she cries,
But she still goes on,
And just you thought you could stop her?
You thought you'd be the one?
Well, let me tell you, because you thought wrong.
Nothing will ever silence her,
Because I KNOW,
I know that she is admiringly strong,
Her undeniable beauty,
The triumph of her song,
She's shining bright like a ruby,
Reflecting in the golden sand,
She's shining brighter like no other,
She's far more than human or man,
AND YET,
SHE STANDS.
She continues to dance with free-spirit,
Even though she's locked in these chains,
Though she never desired to change it,
Even throughout the agonizing pain,
Throughout all the distress,
Anxiety, depression, tears and sorrow,
She still dances so beautify in her dress,
She looks forward to tomorrow,
Not because of a fresh start but a new page,
A new day full of opportunities,
Despite being trapped in her cage,
She still smiles after being beaten so brutally,
A smile that could brighten anyone's day,
She's so much more than anyone could ask for,
She's so much more than I could ever say,
She's a girl absolutely everyone should adore,
She never gets in the way,
Even after her hearts been broken,
Even after the way she has been treated,
After all these severe emotions,
After all all the blood she's bled,
AND YET,
SHE STANDS.
Even if sometimes she wonders why she's still here,
She wonders why she's not dead,
But there's this one thing that had been here throughout every tear,
Throughout the blazing fire leaving her cheeks cherry red,
Everyday this thing has given her a place to exist,
This thing, person, these people,
Like warm sunlight it had so softly kissed,
The apples of her cheeks,
Even when she's feeling feeble,
Always there at her worst and at her best
Because of you and all the other people,
She has this thing deep inside her chest,
That she will cherish forever,
Even once you're gone,
Because today she smiles like no other,
Even when the sun sets at dawn,
Because today is the day,
She just wants you to remember,
In dark and stormy weather,
It gets better.
And after what she's been through she knows,
Throughout the highs and the lows,
Because of you and all others,
After crossing the seas,
She has come to understand,
You have formed this key,
This key to free her from this land,
This endless gorge that swallowed her,
Her and other men,
She had never knew, nor had she planned,
That because of you,
She's free.
AND YET,
THIS VERY DAY,
SHE DANCES.
EVEN IN THE RAIN.
”
”
Gabrielle Renee
“
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?”
― Diana Gabaldon, Outlander
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
And Tenar listened to the sea, a few yards below the cave mouth, crashing and sucking and booming on the rocks, and the thunder of it down the beach eastward for miles. Over and over and over it made the same sounds, yet never quite the same. It never rested. On all the shores of all the lands in all the world, it heaved itself in these unresting waves, and never ceased, and never was still. The desert, the mountains: they stood still. They did not cry out forever in a great, dull voice. The sea spoke forever, but its language was foreign to her. She did not understand.
”
”
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
“
When I saw them in Africa, I thought these birds were the greatest fliers of all. Hardly beating their wings, they fly for hours, swooping upwards on air currents with no sign of physical effort. But when they land, they pitch forward on their stubby legs without stopping. They skid along on their bellies, their necks straining to absorb the shock of the landing. Their beaks dig into the sand and they collide with anything in their path. Quite often they break their wings or beaks or spines and remain for the rest of their lives in the scrubby thickets not far from where they crash. The crippled birds sit there blind, paralyzed or in shock, and struggle slowly back and forth to their nests. Some hop on one leg, some drag their crippled wings behind them like broken umbrellas. I wonder whether they ever envy their brothers soaring in the air or if they're glad to be grounded and past their trial.
”
”
Jerzy Kosiński (The Devil Tree)
“
FUCK There are people who will tell you that using the word fuck in a poem indicates a serious lapse of taste, or imagination, or both. It’s vulgar, indecorous, an obscenity that crashes down like an anvil falling through a skylight to land on a restaurant table, on the white linen, the cut-glass vase of lilacs. But if you were sitting over coffee when the metal hit your saucer like a missile, wouldn’t that be the first thing you’d say? Wouldn’t you leap back shouting, or at least thinking it, over and over, bell-note riotously clanging in the church of your brain while the solicitous waiter led you away, wouldn’t you prop your shaking elbows on the bar and order your first drink in months, telling yourself you were lucky to be alive? And if you wouldn’t say anything but Mercy or Oh my or Land sakes, well then I don’t want to know you anyway and I don’t give a fuck what you think of my poem. The world is divided into those whose opinions matter and those who will never have a clue, and if you knew which one you were I could talk to you, and tell you that sometimes there’s only one word that means what you need it to mean, the way there’s only one person when you first fall in love, or one infant’s cry that calls forth the burning milk, one name that you pray to when prayer is what’s left to you. I’m saying in the beginning was the word and it was good, it meant one human entering another and it’s still what I love, the word made flesh. Fuck me, I say to the one whose lovely body I want close, and as we fuck I know it’s holy, a psalm, a hymn, a hammer ringing down on an anvil, forging a whole new world.
”
”
Kim Addonizio (What Is This Thing Called Love: Poems)
“
In Zen Buddhist texts they say, “You cannot nail a peg into the sky.” And so, to be a man of the sky, a man of the void, is also called ‘a man not depending on anything’. And when you’re not hung on anything you are the only thing that isn’t hung on anything – which is the universe. Which doesn’t hang, you see. Where would it hang? It has no place to fall on, even though it may be dropping; there will never be the crash of it landing on a concrete floor somewhere. But the reason for that is that it won’t crash below because it doesn’t hang above. And so there is a poem, in Chinese, which speaks of such a person as having above, not a tile to cover the head; below, not an inch of ground on which to stand.
”
”
Alan W. Watts (Out of Your Mind)
“
Rain is the last thing you want when you're chasing someone in Miami. They drive shitty enough as it is, but on top of that, snow is a foreign concept, which means they never got the crash course in traction judgment for when pavement slickness turns less than ideal. And because of the land-sea temperature differential, Florida has regular afternoon rain showers. Nothing big, over in a jiff. But minutes later, all major intersections in Miami-Dade are clogged with debris from spectacular smash-ups. In Northern states, snow teaches drivers real fast about the Newtonian physics of large moving objects. I haven't seen snow either, but I drink coffee, so the calculus of tire-grip ratio is intuitive to my body.
”
”
Tim Dorsey (Pineapple Grenade (Serge Storms, #15))
“
But we belong to no one, we’re always on some frontier, always someone’s dowry. Is it then surprising that we’re poor? For centuries we’ve been trying to find, trying to recognize ourselves. Soon we won’t even know who we are, we’re already forgetting that we’ve even been striving for anything. Others do us the honor of letting us march under their banners, since we have none of our own. They entice us when they need us, and reject us when we’re no longer any use to them. The saddest land in the world, the most unhappy people in the world. We’re losing our identity, but we cannot assume another, foreign one. We’ve been severed from our roots, but haven’t become part of anything else; foreign to everyone, both to those who are our kin and those who won’t take us in and adopt us as their own. We live at a crossroads of worlds, at a border between peoples, in everyone’s way. And someone always thinks we’re to blame for something. The waves of history crash against us, as against a reef. We’re fed up with those in power and we’ve made a virtue out of distress: we’ve become noble-minded out of spite. You’re ruthless on a whim. So who’s backward?
”
”
Meša Selimović (Death and the Dervish)
“
Time—how often has she heard it described as sand within a glass, steady, constant. But that is a lie, because she can feel it quicken, crashing toward her. Panic beats a drum inside her chest, and outside, the path is a single dark line, stretched straight and narrow toward the village square. On the other side, the church stands waiting, pale and stiff as a tombstone, and she knows that if she walks in, she will not come out. Her future will rush by the same as her past, only worse, because there will be no freedom, only a marriage bed and a deathbed and perhaps a childbed between, and when she dies it will be as though she never lived. There will be no Paris. No green-eyed lover. No trips on boats to faraway lands. No foreign skies. No life beyond this village. No life at all, unless— Adeline pulls free of her father’s grip, drags to a stop on the path. Her mother turns to look at her, as if she might run, which is exactly what she wants to do, but knows she can’t. “I made a gift for my husband,” says Adeline, mind spinning. “I’ve left it in the house.” Her mother softens, approving. Her father stiffens, suspicious. Estele’s eyes narrow, knowing.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
But soon the poltergeist ran out of ideas in connection with Aunt Maud and became, as it were, more eclectic. All the banal motions that objects are limited to in such cases, were gone through in this one. Saucepans crashed in the kitchen; a snowball was found (perhaps, prematurely) in the icebox; once or twice Sybil saw a plate sail by like a discus and land safely on the sofa; lamps kept lighting up in various parts of the house; chairs waddled away to assemble in the impassable pantry; mysterious bits of string were found on the floor; invisible revelers staggered down the staircase in the middle of the night; and one winter morning Shade, upon rising and taking a look at the weather, saw that the little table from his study upon which he kept Bible-like Webster open at M was standing in a state of shock outdoors, on the snow (subliminally this may have participated in the making of lines 5-12).
I imagine, that during the period the Shades, or at least John Shade, experienced a sensation of odd instability as if parts of the everyday, smoothly running world had got unscrewed, and you became aware that one of your tires was rolling beside you, or that your steering wheel had come off.
”
”
Vladimir Nabokov (Pale Fire)
“
I used to have a crow named Albert. Bertie, when I got to know him better. I got him when he was just a little guy and had him for years. A young crow doesn't navigate well and they'll sometimes crash-land. They're called branchers at that age-that's about all they can do, lumber awkwardly from branch to branch. Sometimes they get stuck and they wail like babies until you get 'em down. Bertie must have bitten off a bit more than he could chew and he'd tumbled to the ground. I had a cat named Little John who brought him in, squawking hellishly. LJ and I had a tussle to see who was going to take possession. Fortunately for Bertie, I won the contest. He and the cat became friends later, but it was touch-and-go for a while there. LJ was pissed off because he thought this was Thanksgiving dinner and I was getting in his way (Dietz)
”
”
Sue Grafton (G is for Gumshoe (Kinsey Millhone, #7))
“
Putin was a former KGB intelligence officer who’d been stationed in East Germany at the Dresden headquarters of the Soviet secret service. Putin has said in interviews that he dreamed as a child of becoming a spy for the communist party in foreign lands, and his time in Dresden exceeded his imagination. Not only was he living out his boyhood fantasy, he and his then-wife also enjoyed the perks of a borderline-European existence. Even in communist East Germany, the standard of living was far more comfortable than life in Russia, and the young Putins were climbing KGB social circles, making influential connections, networking a power base.
The present was bright, and the future looked downright luminous.
Then, the Berlin wall fell, and down with it crashed Putin’s world. A few days after the fall, a group of East German protestors gathered at the door of the secret service headquarters building. Putin, fearing the headquarters would be overrun, dialed up a Red Army tank unit stationed nearby to ask for protection. A voice on the other end of the line told him the unit could not do anything without orders from Moscow. And, “Moscow is silent,” the man told Putin.
Putin’s boyhood dream was dissolving before his eyes, and his country was impotent or unwilling to stop it. Putin despised his government’s weakness in the face of threat. It taught him a lesson that would inform his own rule: Power is easily lost when those in power allow it to be taken away.
In Putin’s mind, the Soviet Union’s fatal flaw was not that its authoritarianism was unsustainable but that its leaders were not strong enough or brutal enough to maintain their authority.
The lesson Putin learned was that power must be guarded with vigilance and maintained by any means necessary.
”
”
Matt Szajer (No: No)
“
God came up and kissed Day on his forehead. When Day looked over at Johnson, who was still slowly sipping his soda, the guy did look lonely as hell. Before Day could say something kind, his other headache strolled in.
“Oh hell. What the fuck is going on in here? This must be the officer’s gay alliance club meeting.”
Day blew an exasperated breath. “And now that you’re here, Ronowski, all members are present and we can begin.”
Day smiled as God and Johnson practically spit their drinks out laughing.
Ronowski fumed. “Day, you’re going to stop calling me gay! I have never been gay! I will never be gay, and I don’t like anyone that is gay! So stop saying that before people start believing your bullshit!”
Day clapped his hands together once. “Okay everyone those are the notes from last week’s meeting, now on to new business.” Day leveled Ronowski with a stern glare. “Ronowski, you are gay, man. You’re tightly closeted. But you are indeed gay, ultra-gay. You’re fuckin’ Marvin Gay. You crash landed on Earth when your gay planet exploded.” Day moved away from God and stood in front of an openmouthed Ronowski. “Come out of the closet already. It’s so bright and wonderful out here. Dude, I’ve seen Brokeback Mountain too, don’t believe that bullshit. No one cares who you fuck…ya know…like you tell me every. Single. Day. Of. My. Life,” Day said exaggeratedly.
He stepped in so close to Ronowski that he could smell the body wash he used.
“Let a man bang your back out one time.” Day leaned in to the man’s ear and felt Ronowski’s body give a fierce shutter. “I mean pound your ass so hard that you can’t walk straight for a week, and I guarantee you, you’ll want to march in the next gay pride parade, wearing nothing but a glitter jockstrap and a fuckin’ hot-pink feather boa.” Day stepped back and saw the beads of sweat that had popped up on Ronowski’s forehead. Satisfied he’d proven his point he refilled his coffee and left the break room.
”
”
A.E. Via
“
Innuendo
One two three four
Ooh ooh
While the sun hangs in the sky and the desert has sand
While the waves crash in the sea and meet the land
While there's a wind and the stars and the rainbow
Till the mountains crumble into the plain
Oh yes, we'll keep on trying
Tread that fine line
Oh, we'll keep on trying
Yeah
Just passing our time
Oh oh
While we live according to race, colour or creed
While we rule by blind madness and pure greed
Our lives dictated by tradition, superstition, false religion
Through the eons and on and on
Oh, yes, we'll keep on trying, yeah
We'll tread that fine line
Oh oh we'll keep on trying
Till the end of time
Till the end of time
Through the sorrow all through our splendor
Don't take offence at my innuendo
Duh duh duh duh duh duh duh
Duh duh duh duh duh duh duh duh duh duh duh
You can be anything you want to be
Just turn yourself into anything you think that you could ever be
Be free with your tempo, be free, be free
Surrender your ego be free, be free to yourself
Oh oh, yeah
If there's a God or any kind of justice under the sky
If there's a point, if there's a reason to live or die
Ha, if there's an answer to the questions we feel bound to ask
Show yourself destroy our fears release your mask
Oh yes, we'll keep on trying
Hey, tread that fine line
(Yeah) yeah
We'll keep on smiling, yeah
(Yeah) (yeah) (yeah)
And whatever will be will be
We'll just keep on trying
We'll just keep on trying
Till the end of time
Till the end of time
Till the end of time
”
”
Freddie Mercury
“
Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses.
“I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.”
The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills.
Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him.
“I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!”
“You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’
“Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
I’ve heard that when you’re in a life-or-death situation, like a car accident or a gunfight, all your senses shoot up to almost superhuman level, everything slows down, and you’re hyper-aware of what’s happening around you.
As the shuttle careens toward the earth, the exact opposite is true for me.
Everything silences, even the screams and shouts from the people on the other side of the metal door, the crashes that I pray aren’t bodies, the hissing of rockets, Elder’s cursing, my pounding heartbeat.
I feel nothing—not the seat belt biting into my flesh, not my clenching jaw, nothing. My whole body is numb.
Scent and taste disappear.
The only thing about my body that works is my eyes,and they are filled with the image before them. The ground seems to leap up at us as we hurtle toward it. Through the blurry image of the world below us, I see the outline of land—a continent. And at once, my heart lurches with the desire to know this world, to make it our home. My eyes drink up the image of the planet—and my stomach sinks with the knowledge that this is a coastline I’ve never seen before. I could spin a globe of Earth around and still be able to recognize the way Spain and Portugal reach into the Atlantic, the curve of the Gulf of Mexico, the pointy end of India. But this continent—it dips and curves in ways I don’t recognize, swirls into an unknown sea, creating peninsulas in shapes I do not know, scattering out islands in a pattern I cannot connect.
And it’s not until I see this that I realize: this world may one day become our home,but it will never be the home I left behind.
”
”
Beth Revis (Shades of Earth (Across the Universe, #3))
“
I must have roamed dementedly about for a time in the streets. When I at last got back to my own place, Faustine was again there ahead of me, coiled torpid in the bed like a loathsome boa-constrictor. She was already in the never-never land where ghouls like her belonged. I covered her face with one of the pillows, pressed down upon it with the weight of my whole body, held it there until she should have been dead ten times over. Yet when I removed the pillow to look, the black of strangulation was missing from her face. She was still in that state of suspended animation that defied me, a taunting smile visible about her lips.
I had a gun in my valise, from years before when I'd been on an engineering job in the jungles of Ecuador. I got it out, looked it over. It was still in good working order, although it only had one bullet left in it. That one would be enough. She wasn't going to escape me! I pressed the muzzle to her smooth white forehead, mid-center. "Die, damn you!" I growled, and pulled the trigger back. It exploded with a crash. A film of smoke hid her face from me for a minute. When it had cleared again, I looked.
There was no bullet-hole in her skull!
A black powder-smudge marked the point of contact. The gun dropped to the floor with a thud. That ineradicable smile still glimmered up at me, as if to say: "You see? You can't." I rubbed my finger over the black; the skin was unbroken underneath. A blank cartridge, that must have been it. I raised her head; there was a rent in the sheet under it. I probed through it with two fingers. I could feel the bullet lying imbedded down in the stuffing of the mattress.
("Vampire's Honeymoon)
”
”
Cornell Woolrich (Vampire's Honeymoon)
“
All their lives they had slaved at some kind of dull, heavy labor, behind desks and counters, in the fields and at tedious machines of all sorts, saving their pennies and dreaming of the leisure that would be theirs when they had enough. Finally that day came. They could draw a weekly income of ten or fifteen dollars. Where else should they go but California, the land of sunshine and oranges?
Once there, they discover that sunshine isn’t enough. They get tired of oranges, even of avocado pears and passion fruit. Nothing happens. They don’t know what to do with their time. They haven’t the mental equipment for leisure, the money nor the physical equipment for pleasure. Did they slave so long just to go to an occasional Iowa picnic? What else is there? They watch the waves come in at Venice. There wasn’t any ocean where most of them came from, but after you’ve seen one wave, you’ve seen them all. The same is true of the airplanes at Glendale. If only a plane would crash once in a while so that they could watch the passengers being consumed in a “holocaust of flame,” as the newspapers put it. But the planes never crash.
Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars. Their daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.
”
”
Nathanael West
“
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
...Here, let me see. Stop rubbing it so I can -"
He wicks his hand away from his eye just as I lean, and his elbow collides with the side of my face, hard enough that I'm knocked sideways. I try to grab the bedpost, but my hands are so slippery that Islide right off, and crash to the floor, my head connecting painfully with the corner of the drawer I left open. The bottle of oil falls off the edge and shatters into a soupy, amber pool.
"What happened! Are you alright?"
Percy's got one eye open but blinking frantically, hand extended blindly to me.
"I'm fine!"
I touch the back of my head, and it comes back damp and red.
"No, wait, I'm bleeding."
"You're bleeding!?" He yelps.
"It's fine! "
"It's clearly not if you're bleeding."
I can feel a trickle down the back of my neck, and I clap a hand against it, like I can force the blood to stay inside me if I just press tightly enough.
"It's fine!"
My wrist is wet, and I look just as a drizzle of blood courses down my arm into the crook of my elbow.
"God, this is really bleeding!"
My vision swims, and when I reach to steady myself I put my hand straight into the oily puddle of lineament, and I crash backward onto the floor.
Percy tries to come to my aid, but with one eye closed, he misjudges were he places his foot and steps on me. I screech and he slips and he slips, one leg tangled up in the sheets, and then suddenly the bedroom door bangs opens and there's Scipio. I scream and Percy screams and Scipio lets loud a horrified gurgle, and then Felicity appears behind him in the doorway, claps her hands over her eyes, tries to run with her hands still covered, and slips in one of the dripping puddles we left on the stairs. Her feet go out from under her, and she lands flat on her back at the top of the stairs, hands still valiantly clapped over her eyes, which rather ruins it all.
”
”
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
“
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward.
She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of.
Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away.
“You think I can let you go now?” A low voice chuckled in her ear.
Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling.
“Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.”
Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all.
She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it.
He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street.
She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.”
Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat.
She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy.
When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through.
Security, Violet thought. Whatever it is they do here, they need security.
Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end.
But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Among those troops that I had joined were plenty of regular units with reliable officers, crowds of restless adventurers on the lookout for a fight and with it the chances of loot and relaxation of ordinary rules of conduct. Patriots could not bear the idea of break down of law and order at home and wish to guard the frontiers from the incursion of the Red Flood. There was the Baltic Landswehr, recruited from the local gentry who were determined at all cost to save their 700 year old traditions, their noble and vigorous yet fastidious culture, the Eastern bulwark of German civilization. And there were German battalions consisting of men who wanted to settle in the country who were hungering for land. Of troops desiring to fight for the existing government there were none. The like-minded ones were soon dissociated from general mass which was swept eastwards by crash of Western front. We seemed suddenly to have collected as if a secret signal. We found ourselves apart from the crowd. Knowing neither what we are we sought not gold. The blood suddenly ran hotly through our veins and called us to adventure and hazard. Drove us to wandering and danger. And herded together those of us who realized our profound kinship with one another. We were a band of warriors, extravagant in our demands, triumphantly definite in our decisions. What we wanted we did not know, but what we knew we did not want. To force our way through the prisoning walls of the world. To march over burning field, to stamp over ruins and scattered ashes, to dash recklessly through wild forests, over blasted heaps to push, conquer, eat our way towards the East, to the white hot dark cold land that stretched between ourselves and Asia. Was that what we wanted? I do not know if that was our desire and they was what we did. And the search for reasons why was lost in the tumult of the continuous fighting.
”
”
Ernst von Salomon (The Outlaws)
“
Making money in the markets is tough. The brilliant trader and investor Bernard Baruch put it well when he said, “If you are ready to give up everything else and study the whole history and background of the market and all principal companies whose stocks are on the board as carefully as a medical student studies anatomy—if you can do all that and in addition you have the cool nerves of a gambler, the sixth sense of a clairvoyant and the courage of a lion, you have a ghost of a chance.” In retrospect, the mistakes that led to my crash seemed embarrassingly obvious. First, I had been wildly overconfident and had let my emotions get the better of me. I learned (again) that no matter how much I knew and how hard I worked, I could never be certain enough to proclaim things like what I’d said on Wall $ treet Week: “There’ll be no soft landing. I can say that with absolute certainty, because I know how markets work.” I am still shocked and embarrassed by how arrogant I was. Second, I again saw the value of studying history. What had happened, after all, was “another one of those.” I should have realized that debts denominated in one’s own currency can be successfully restructured with the government’s help, and that when central banks simultaneously provide stimulus (as they did in March 1932, at the low point of the Great Depression, and as they did again in 1982), inflation and deflation can be balanced against each other. As in 1971, I had failed to recognize the lessons of history. Realizing that led me to try to make sense of all movements in all major economies and markets going back a hundred years and to come up with carefully tested decision-making principles that are timeless and universal. Third, I was reminded of how difficult it is to time markets. My long-term estimates of equilibrium levels were not reliable enough to bet on; too many things could happen between the time I placed my bets and the time (if ever) that my estimates were reached. Staring at these failings, I realized that if I was going to move forward without a high likelihood of getting whacked again, I would have to look at myself objectively and change—starting by learning a better way of handling the natural aggressiveness I’ve always shown in going after what I wanted. Imagine that in order to have a great life you have to cross a dangerous jungle. You can stay safe where you are and have an ordinary life, or you can risk crossing the jungle to have a terrific life. How would you approach that choice? Take a moment to think about it because it is the sort of choice that, in one form or another, we all have to make.
”
”
Ray Dalio (Principles: Life and Work)
“
Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.
”
”
Deeanne Gist (A Bride in the Bargain)
“
RYLAN!"
I feel Ivy's palm on my chest and, with a powerful shove, she pushes me back, away from fire, danger, and death.
In that moment after the tree plunges, I see Ivy for a single second as I fall. In those emerald eyes is a look of complete calm, undying gratitude, and powerful, protective love.
The tree crashes down, the sound echoing in my head.
For an eternal moment, I sit there on my butt, staring at the spot where Ivy was standing. I'm numb, only registering the slightest changes; the wind dying down, the rain lessening.
What just happened?
Desperately, I look side to side, praying that Ivy jumped to the side and what I saw was just an illusion made up by my panicked mind.
But Ivy's nowhere. And there's an arm sticking out from under the trunk.
"IVY!"
I sprint to the fallen tree. The smoldering wood stings my hand when I grab the trunk, but I grit my teeth and bear it. Pulling with all my might, I throw the remains of the tree aside.
Ivy's lying there, her eyes closed and her lower half on fire.
"No..." I fall to my knees and yank off my sweatshirt to try and smother the flames, but they burn strong, and soon the fabric's on fire. I toss it away, not knowing where it lands as I'm unable to tear my eyes off the most gut-wrenching sight of my life. My hands go to my head and my shouting grows even louder. "No, no, no!"
This can't be happening. She can't be—
”
”
Colleen Boyd (Swamp Angel)
“
She dances,
She dances around the burning flames with passion,
Under the same dull stars,
Under the same hell with crimson embers crashing,
Under the same silver chains that wires,
All her beauty and who she is inside,
She's left with the loneliness of human existence,
She's left questioning how she's survived,
She's left with this awakening of brutal resilience,
Her true beauty that she denies,
As much she's like to deny it,
As much as it continues to shine,
That she doesn't even have to admit,
Because we all know it's true,
Her glory and success,
After all she's been through,
Her triumph and madness,
AND YET,
SHE STANDS.
Broken legs- but she's still standing,
Still dancing in this void,
You must wonder how she's still dancing,
You must wonder how she's not destroyed,
She doesn't even begin to drown within the flames,
But little do you realize,
Within these chains,
She weeps and she cries,
But she still goes on,
And just you thought you could stop her?
You thought you'd be the one?
Well, let me tell you, because you thought wrong.
Nothing will ever silence her,
Because I KNOW,
I know that she is admiringly strong,
Her undeniable beauty,
The triumph of her song,
She's shining bright like a ruby,
Reflecting in the golden sand,
She's shining brighter like no other,
She's far more than human or man,
AND YET,
SHE STANDS.
She continues to dance with free-spirit,
Even though she's locked in these chains,
Though she never desired to change it,
Even throughout the agonizing pain,
Throughout all the distress,
Anxiety, depression, tears and sorrow,
She still dances so beautify in her dress,
She looks forward to tomorrow,
Not because of a fresh start but a new page,
A new day full of opportunities,
Despite being trapped in her cage,
She still smiles after being beaten so brutally,
A smile that could brighten anyone's day,
She's so much more than anyone could ask for,
She's so much more than I could ever say,
She's a girl absolutely everyone should adore,
She never gets in the way,
Even after her hearts been broken,
Even after the way she has been treated,
After all these severe emotions,
After all all the blood she's bled,
AND YET,
SHE STANDS.
Even if sometimes she wonders why she's still here,
She wonders why she's not dead,
But there's this one thing that had been here throughout every tear,
Throughout the blazing fire leaving her cheeks cherry red,
Everyday this thing has given her a place to exist,
This thing, person, these people,
Like warm sunlight it had so softly kissed,
The apples of her cheeks,
Even when she's feeling feeble,
Always there at her worst and at her best
Because of you and all the other people,
She has this thing deep inside her chest,
That she will cherish forever,
Even once you're gone,
Because today she smiles like no other,
Even when the sun sets at dawn,
Because today is the day,
She just wants you to remember,
In dark and stormy weather,
It gets better.
And after what she's been through she knows,
Throughout the highs and the lows,
Because of you and all others,
After crossing the seas,
She has come to understand,
You have formed this key,
This key to free her from this land,
This endless gorge that swallowed her,
Her and other men,
She had never knew, nor had she planned,
That because of you,
She's free.
AND YET,
THIS VERY DAY,
SHE STILL DANCES,
EVEN IN THE RAIN.
”
”
Gabrielle Renee
“
that’s how things are. A day is like a whole life. You start out doing one thing, but end up doing something else, plan to run an errand, but never get there.… And at the end of your life, your whole existence has that same haphazard quality, too. Your whole life has the same shape as a single day.” “I guess it’s one way to look at things,” Grant said. “No,” Malcolm said. “It’s the only way to look at things. At least, the only way that is true to reality. You see, the fractal idea of sameness carries within it an aspect of recursion, a kind of doubling back on itself, which means that events are unpredictable. That they can change suddenly, and without warning.” “Okay …” “But we have soothed ourselves into imagining sudden change as something that happens outside the normal order of things. An accident, like a car crash. Or beyond our control, like a fatal illness. We do not conceive of sudden, radical, irrational change as built into the very fabric of existence. Yet it is. And chaos theory teaches us,” Malcolm said, “that straight linearity, which we have come to take for granted in everything from physics to fiction, simply does not exist. Linearity is an artificial way of viewing the world. Real life isn’t a series of interconnected events occurring one after another like beads strung on a necklace. Life is actually a series of encounters in which one event may change those that follow in a wholly unpredictable, even devastating way.” Malcolm sat back in his seat, looking toward the other Land Cruiser, a few yards ahead. “That’s a deep truth about the structure of our universe. But, for some reason, we insist on behaving as if it were not true.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
And then I see it. Azure Helicopter Tours.
I drag Toraf to the landing pad. “What is that?” he asks suspiciously.
“Um. It’s a helicopter.”
“What does it do? Triton’s trident, it doesn’t fly does it? Emma? Emma wait!”
He catches up to me and burps right in my ear. “Stop being a jerkface,” I tell him.
“Whatever that is. You don’t care about me at all, do you?”
“You came to me, remember? This is me helping you. Now be quiet while I buy tickets.” It’s a private ride, no other passengers to worry about. Plus, we’re not stealing anything. The helicopter can return to land with its pilot as soon as we’re done with our part of the mission.
“Why do we need to fly? The water is right there.” He points to it longingly. I almost feel bad for him. Almost. But I don’t have time for pity.
“Because I think these helicopters can still cover more distance faster than you can haul me. I’m trying to make up for all the time we spent at security in LAX.”
“Humans are so weird,” he mutters again as I walk away. “You do everything backward.”
Since this is a sightseeing flight, the pilot, Dan, a thick Hawaiian man with an even thicker accent, takes his time pointing out all the usual tourist stuff, like the fishing industry, the history of the coast, and other things I have no interest in at the moment. The view of the blue water and visible reefs, the chain of islands, and the rich culture would be breathtaking if I weren’t preoccupied with crashing a Syrena get-together. I can imagine spending time with Galen here. Exploring the reefs like no human could, playing with the tropical fish, and making Galen wear a lei. But I need to stay focused if I ever want a chance to do it.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella.
Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse.
We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms.
As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean.
There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale.
But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid.
Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice:
'Stand, Men of the West! Stand and wait! This is the hour of doom.'
And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise.
'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell.
The Captains bowed their heads...
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.
”
”
Lauren Tarshis (I Survived the Great Chicago Fire, 1871 (I Survived #11))
“
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
”
”
Neil Gaiman (Norse Mythology)
“
You will see that the most powerful and highly placed men let drop remarks in which they long for leisure, acclaim it, and prefer it to all their blessings. They desire at times, if it could be with safety, to descend from their high pinnacle; for, though nothing from without should assail or shatter, Fortune of its very self comes crashing down.8
The deified Augustus, to whom the gods vouchsafed more than to any other man, did not cease to pray for rest and to seek release from public affairs; all his conversation ever reverted to this subject—his hope of leisure. This was the sweet, even if vain, consolation with which he would gladden his labours—that he would one day live for himself. In a letter addressed to the senate, in which he had promised that his rest would not be devoid of dignity nor inconsistent with his former glory, I find these words: "But these matters can be shown better by deeds than by promises. Nevertheless, since the joyful reality is still far distant, my desire for that time most earnestly prayed for has led me to forestall some of its delight by the pleasure of words." So desirable a thing did leisure seem that he anticipated it in thought because he could not attain it in reality. He who saw everything depending upon himself alone, who determined the fortune of individuals and of nations, thought most happily of that future day on which he should lay aside his greatness. He had discovered how much sweat those blessings that shone throughout all lands drew forth, how many secret worries they concealed. Forced to pit arms first against his countrymen, then against his colleagues, and lastly against his relatives, he shed blood on land and sea.
Through Macedonia, Sicily, Egypt, Syria, and Asia, and almost all countries he followed the path of battle, and when his troops were weary of shedding Roman blood, he turned them to foreign wars. While he was pacifying the Alpine regions, and subduing the enemies planted in the midst of a peaceful empire, while he was extending its bounds even beyond the Rhine and the Euphrates and the Danube, in Rome itself the swords of Murena, Caepio, Lepidus, Egnatius, and others were being whetted to slay him. Not yet had he escaped their plots, when his daughter9 and all the noble youths who were bound to her by adultery as by a sacred oath, oft alarmed his failing years—and there was Paulus, and a second time the need to fear a woman in league with an Antony.10 When be had cut away these ulcers11 together with the limbs themselves, others would grow in their place; just as in a body that was overburdened with blood, there was always a rupture somewhere. And so he longed for leisure, in the hope and thought of which he found relief for his labours. This was the prayer of one who was able to answer the prayers of mankind.
”
”
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))