Crap Year Quotes

We've searched our database for all the quotes and captions related to Crap Year. Here they are! All 100 of them:

It's crap that you're letting on bad year determine your fate for the rest of your life.
Colleen Hoover (Hopeless (Hopeless, #1))
For thousands of years, human beings had screwed up and trashed and crapped on this planet, and now history expected me to clean up after everyone. I have to wash out and flatten my soup cans. And account for every drop of used motor oil. And I have to foot the bill for nuclear waste and buried gasoline tanks and landfilled toxic sludge dumped a generation before I was born.
Chuck Palahniuk (Fight Club)
If you want crappy things to stop happening to you, then stop accepting crap and demand something more. —CRISTINA YANG, GREY’S ANATOMY
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
Brian Eno (A Year With Swollen Appendices)
You know, it's pretty easy reading this book to see why I was angry and confused for all those years. I lived my life being told different stories: some true, some lies and I still don't know which is which. Children are born innocent. At birth we are very much like a new hard drive - no viruses, no bad information, no crap that's been downloaded into it yet. It's what we feed into that hard drive, or in my case "head drive" that starts the corruption of the files.
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
They tell you: Follow your dreams. Listen to your spirit. Change the world. Make your mark. Find your inner voice and make it sing. Embrace failure. Dream. Dream and dream big. As a matter of fact, dream and don’t stop dreaming until your dream comes true. I think that’s crap. I think a lot of people dream. And while they are busy dreaming, the really happy people, the really successful people, the really interesting, powerful, engaged people? Are busy doing.
Shonda Rhimes (Year of Yes)
We don’t need your pity. We get along just fine without it and them other things too. You don’t need electronic crap to live. You know, people lived for thousands of years without it. There’s a big difference between stuff you want and stuff you need. (Nick)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
Because here’s the thing that’s wrong with all of the “How to Be Happy” shit that’s been shared eight million times on Facebook in the past few years—here’s what nobody realizes about all of this crap: The desire for more positive experience is itself a negative experience. And, paradoxically, the acceptance of one’s negative experience is itself a positive experience. This is a total mind-fuck. So I’ll give you a minute to unpretzel your brain and maybe read that again: Wanting positive experience is a negative experience; accepting negative experience is a positive experience. It’s what the philosopher Alan Watts used to refer to as “the backwards law”—the idea that the more you pursue feeling better all the time, the less satisfied you become, as pursuing something only reinforces the fact that you lack it in the first place. The
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
So you were talking crap about me? Hm. I missed it. I was too busy being fabulous.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Badassery: 1. (noun) the practice of knowing one’s own accomplishments and gifts, accepting one’s own accomplishments and gifts and celebrating one’s own accomplishments and gifts; 2. (noun) the practice of living life with swagger : SWAGGER (noun or verb) a state of being that involves loving oneself, waking up “like this” and not giving a crap what anyone else thinks about you. Term first coined by William Shakespeare.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Everything sounds like crap until you are in the right mind-set.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
They say the city gets in your blood, but that's crap. The city doesn't become part of you... you become part of it. It soaks you up bit by bit, year after year. Until you're just a tiny part of its system... Pumping through its veins, lost in its arteries.
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
Nowadays anyone with a crap laptop and an Internet connection can sound their barbaric yawp, whatever it may be.
Julie Powell (Julie and Julia: My Year of Cooking Dangerously)
When people are kids their parents teach them all sorts of stuff, some of it true and useful, some of it absurd hogwash (example of former: don't crap your pants; example of latter: Columbus discovered America). This is why puberty happens. The purpose of puberty is to shoot an innocent and gullible child full of nasty glandular secretions that manifest in the mind as confusion, in the innards as horniness, upon the skin as pimples, and on the tongue as cocksure venomous disbelief in every piece of information, true or false, gleaned from one's parents since infancy. The net result is a few years of familial hell culminating in the child's exodus from the parental nest, sooner or later followed by a peace treaty and the emergence of the postpubescent as an autonomous, free-thinking human being who knows that Columbus only trespassed on an island inhabited by our lost and distant Indian relatives, but who also knows not to crap his pants.
David James Duncan (The River Why)
You’re letting him get to you. You’re like a walking mythological encyclopedia, Kate. You pull random mystical crap out of your head and figure out that a giant monster nobody has seen on the face of the planet for three thousand years is allergic to hedgehogs and then you find a cute hedgehog and stab the monster in the eye with it.” “Where do you even get this shit?
Ilona Andrews (Magic Binds (Kate Daniels, #9))
That would be fine,” she said “If we’re alone, we’ll leave the lamp lighted so that we can see each other, and I can holler as much as I want without anybody’s having to butt in, and you can whisper in my ear any crap you can think of.
Gabriel García Márquez (One Hundred Years of Solitude)
Five years later, I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles.
David Mitchell (The Bone Clocks)
They envy your youth. You two are like exotic creatures from the land of the young.’ I’ve never understood all that these-are-the-best-years-of-your-life crap. If this is as good as it gets then I might as well quit now. Let me get to the shimmery oasis of adulthood.
Leanne Hall (This Is Shyness (This Is Shyness, #1))
Christmas Amnesty. You can fall out of contact with a friend, fail to return calls, ignore e-mails, avoid eye contact at the Thrifty-Mart, forget birthdays, anniversaries, and reunions, and if you show up at their house during the holidays (with a gift) they are socially bound to forgive you—act like nothing happened. Decorum dictates that the friendship move forward from that point, without guilt or recrimination. If you started a chess game ten years ago in October, you need only remember whose move it is—or why you sold the chessboard and bought an Xbox in the interim. (Look, Christmas Amnesty is a wonderful thing, but it’s not a dimensional shift. The laws of time and space continue to apply, even if you have been avoiding your friends. But don’t try using the expansion of the universe an as excuse—like you kept meaning to stop by, but their house kept getting farther away. That crap won’t wash. Just say, “Sorry I haven’t called. Merry Christmas” Then show the present. Christmas Amnesty protocol dictates that your friend say, “That’s okay,” and let you in without further comment. This is the way it has always been done.)
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
So your junk food has a shelf life of twenty-two years and will probably outlive your fat, sorry ass.
Rory Freedman (Skinny Bitch: A No-Nonsense, Tough-Love Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous!)
I don’t care what anyone says, every girl needs to have a good long cry once in a while. The kind that weakens you, swells your eyes shut, and strips away every shred of emotion from your body until the pain subsides. The pain of… whatever. Death, heartbreak, solitude, desire, jealousy. All the crap that becomes a badge of honor among women—like those little merit badges Girl Scouts have sewn on their uniforms, only these badges are stitched across our hearts.
Dannika Dark (Seven Years (Seven, #1; Mageriverse #7))
This crap had been going on for years now. In the absence of any real progress, gunter subculture had become mired in bravado, bullshit, and pointless infighting. It was sad, really.
Ernest Cline (Ready Player One (Ready Player One, #1))
It doesn't matter for crap that you've got three years of sobriety or that you finally look good in a two-piece bathing suit or you've met that perfect someone and you've fallen deeply, wildly, passionately in love. Today, as you pick up your dry cleaning, fax those reports, fold your laundry, or wash the dinner dishes, something you'd never expect is already stalking you.
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
I’m probably the only sixteen-year-old girl in a three hundred mile radius who knows how to distinguish between a poltergeist from an actual ghost (hint: If you can disrupt it with nitric acid, or if it throws new crap at you every time, it’s a poltergeist), or how to tell if a medium’s real or faking it (poke ‘em with a true iron needle). I know the six signs of a good occult store (Number One is the proprietor bolts the door before talking about Real Business) and the four things you never do when you’re in a bar with other people who know about the darker side of the world (don’t look weak). I know how to access public information and talk my way around clerks in courthouses (a smile and the right clothing will work wonders). I also know how to hack into newspaper files, police reports, and some kinds of government databases (primary rule: Don’t get caught. Duh).
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
I'll tell you what's real. Real is that I was in jail for the past year, rooming with drug dealers and eating crap food your dog wouldn't touch. Real is not being able to wear your own frickin' underwear and showering with twenty-five other dicks every day while guards watch. Real is my next-door neighbor who walks like she's balancing on stilts because her leg is so fucked up from the accident. Brian, your perception of reality is totally off.
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
With an ambassador, you're supposed to put your best foot forward, and we've been sending mainly crap to space for forty years.
Carl Sagan (Contact)
Five years later, I take a deep, shuddery breath to stop myself crying. It’s not just that I can’t hold Aoife again, it’s everything: It’s grief for the regions we deadlanded, the ice caps we melted, the Gulf Stream we redirected, the rivers we drained, the coasts we flooded, the lakes we choked with crap, the seas we killed, the species we drove to extinction, the pollinators we wiped out, the oil we squandered, the drugs we rendered impotent, the comforting liars we voted into office—all so we didn’t have to change our cozy lifestyles. People talk about the Endarkenment like our ancestors talked about the Black Death, as if it’s an act of God. But we summoned it, with every tank of oil we burned our way through. My generation were diners stuffing ourselves senseless at the Restaurant of the Earth’s Riches knowing—while denying—that we’d be doing a runner and leaving our grandchildren a tab that can never be paid.
David Mitchell (The Bone Clocks)
Now, I learned a long time ago how to be quiet on the outside while I'm freaking on the inside. How to turn away like I don't see all the things that need to be seen, just to keep peace. How to lie low and act like I want nothing, expect nothing, and hope for nothing so I don't become more trouble than I'm worth. I'm five months short of eighteen and I know how to be cursed and ignored and left behind, how to swallow a thousand tears and ignore a thousand delibarate cruelties, but it's two in the morning on New Year's Eve and I'm mad and scared and bone tired and really, really sick of acting like I'm grateful to be staying on a hairy, sagging, dog-stained couch in a junky, mildewed trailer with a fat, dangerous, volatile drunk who sweats stale beer and wallows in his own wastewater, and who doesn't think there's one thing wrong with taking his crap life out on his dog, who comes bellying back for forgiveness every single time, no matter how rotten the treatment-
Laura Wiess (Ordinary Beauty)
That's my school. I worked harder to get in than I did for anything else, ever. I went there because, coming out of it, I'd be able to be President. Or a lawyer. Rich, that's the point. Rich and successful. And look where it got me. One stupid year and here I am with not one, but two bracelets on my wrist, next to a shrink in a room adjacent to a hall where there's a guy named Human Being walking around. If I keep doing this for three more years, where will I be? I'll be a complete loser. And what If I keep on? What if I do okay, live with the depression, get into College, do College, go to Grad School, get the Job, get the Money, get Kids and a Wife and a Nice Car? What kind of crap will I be in then? I'll be completely crazy.
Ned Vizzini (It's Kind of a Funny Story)
Crap talk; Noun. A condition where one's insecurities come spilling out of his mouth making him look like an unconfident idiot.
Dan Pearce (Single Dad Laughing: The Best of Year One)
With Jason I thought I'd finally played my cards right, and now I'm just one more of those broken, sad people out there, figuring out a year in advance where they can have Easter and Christmas dinner without feeling like a burden or duty to others, cursing the quality of modern movies because it's so hard to fill weeknights with movies when they're all crap, and waiting, just waiting, for those three drinks a night to turn into four - and then, well, then I'll be applying my makeup in the morning, combing my hair, washing my clothes, but it's not really for anyone. I'm alive, but so what.
Douglas Coupland (Hey Nostradamus!)
I try to be nice, I try to respect other people, but over the years I've learned that all this stuff we do is a bunch of crap. That doesn't mean it doesn't have its place. We are living in a material world, so why not live with something beautiful?
Tom Ford
When you’re in a band, you spend the first four hundred thousand years of your career dragging around your own crap. Your speakers, speaker stands, mixing head, mics, pickups, power cables, mic cables, speaker cables, instruments, the everything. You forget something, you’re screwed. You break something, you’re screwed. You don’t have a long enough extension cord? Screwed. Once you hit it big, though — You’re packing your shit into a late-model Mustang and a pickup truck and hoping you didn’t forget anything.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
We all spend our lives kicking the crap out of ourselves for not being this way or that way, not having this thing or that thing, not being like this person or that person. For not living up to some standard we think applies across the board to all of us. We all spend our lives trying to follow the same path, live by the same rules. I think we believe that happiness lies in following the same list of rules. In being more like everyone else. That? Is wrong. There is no list of rules. There is one rule. The rule is: there are no rules. Happiness comes from living as you need to, as you want to. As your inner voice tells you to. Happiness comes from being who you actually are instead of who you think you are supposed to be. Being traditional is not traditional anymore. It’s funny that we still think of it that way. Normalize your lives, people. You don’t want a baby? Don’t have one. I don’t want to get married? I won’t. You want to live alone? Enjoy it. You want to love someone? Love someone. Don’t apologize. Don’t explain. Don’t ever feel less than. When you feel the need to apologize or explain who you are, it means the voice in your head is telling you the wrong story. Wipe the slate clean. And rewrite it. No fairy tales. Be your own narrator. And go for a happy ending. One foot in front of the other. You will make it.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
I scroll down and accidentally “like” the image. Oh crap. I’m four years deep in his account and I “liked” his picture. Will he get an instant notification? Should I hit it again to “unlike” it? Yes. I hit it again and the red heart goes away. Did I undo it in time? And then I see I have a new notification.
Ashley Elston (This Is Our Story)
If you still want to do this crap after the first time you’ve burned the body of a six-year-old with blood on her lips and a Barbie in her hands, I’ll welcome you with open arms.
Mira Grant (Feed (Newsflesh, #1))
After he saw God [Tony Amsterdam] felt really good, for around a year. And then he felt really bad. Worse than he ever had before in his life. Because one day it came over him, he began to realize, that he was never going to see God again; he was going to live out his whole remaining life, decades, maybe fifty years, and see nothing but what he had always seen. What we see. He was worse off than if he hadn’t seen God. He told me one day he got really mad; he just freaked out and started cursing and smashing things in his apartment. He even smashed his stereo. He realized he was going to have to live on and on like he was, seeing nothing. Without any purpose. Just a lump of flesh grinding along, eating, drinking, sleeping, working, crapping.” “Like the rest of us.” It was the first thing Bob Arctor had managed to say; each word came with retching difficulty. Donna said, “That’s what I told him. I pointed that out. We were all in the same boat and it didn’t freak the rest of us. And he said, ‘You don’t know what I saw. You don’t know.’
Philip K. Dick (A Scanner Darkly)
Michael turned from the counter with a cup of coffee in hand. "Don't start," he said to Gabriel."I didn't say anything. I'm just glad you weren't jerking her around." Gabriel paused. "So I guess you don't have too much baggage after all?" Michael gave him a look. "Trust me I do." He sat down at the table. "She just has enough to mach." "What does that mean?" "It means she has a five-year-old son." Gabriel went still. "Holy crap." "So we're taking things really slowly." "Looks like it." This was quite possibly the first time Gabriel had ever seen his older brother blush. "It was late. She slept here. We did not-" Michael broke off. "I don't really think I need to explain myself to you." Gabriel smiled and took a sip of coffee. "No, no, I'm enjoying this.
Brigid Kemmerer (Spark (Elemental, #2))
It’s taken me years to truly understand that I don’t have to take other people’s crap lying down.
Kristen Callihan (Dear Enemy)
Badassery: 1.   (noun) the practice of knowing one’s own accomplishments and gifts, accepting one’s own accomplishments and gifts and celebrating one’s own accomplishments and gifts; 2. (noun) the practice of living life with swagger : SWAGGER (noun or verb) a state of being that involves loving oneself, waking up “like this” and not giving a crap what anyone else thinks about you. Term first coined by William Shakespeare.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
The crazy thing is, Mother, after more than twenty years of this crap, down at the bottom of my heart, where it ought to be the darkest, I think there's still this spark of love for you. It may be pity, I'm not sure, but it hurts enough to be love.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
Either you’re lying again or you’re as stupid as you look. You ditch me first year for him when you were a girl. You ditch me second year for him when you were a boy. You lie and cheat and steal for him while he treats you like crap, and I help you and care for you and worship you like a queen while you treat me like crap! What does that guy have that I don’t? What makes him so lovable and me so unworthy? Know how many times I’ve asked myself that question, Sophie? How many times I’ve studied him like a book or sat in the dark picturing every last shred of him, trying to understand why he’s more of a person than me? Or why the moment he’s gone, you take a ring from the School Master—or Raphael or Michelangelo or Donatello or whatever you want to call him to make yourself feel better—just because he looks like you want him to look and says what you want to hear? When you could have had someone who’s honest and kind and real?
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
He surveyed me, his eyes half closed, as if wondering if I were a delicious snack. I had an image of a massive dragon circling me slowly, eyes full of magic fixed on me as he moved, considering if he should bite me in half. “Dragons.” Rogan snapped his fingers. Oh crap. “I wondered why I kept getting dragons around you.” He leaned forward. His eyes lit up, turning back to their clear sky blue. “You think I’m a dragon.” “Don’t be ridiculous.” My face felt hot. I was probably blushing. Damn it. His smile went from amused to sexual, so charged with promise that carnal was the only way to describe it. I almost bolted out of my chair. “Big powerful scary dragon.” “You have delusions of grandeur.” “Do I have a lair? Did I kidnap you to it from your castle?” I stared straight at him, trying to frost my voice. “You have some strange fantasies, Rogan. You may need professional help.” “Would you like to volunteer?” “No. Besides, dragons kidnap virgins, so I’m out.” And why had I just told him I was not a virgin? Why did I even go there? “It doesn’t matter if I’m the first. It only matters that I’ll be the last.” “You won’t be the first, the last, or anything in between. Not in a million years.” He laughed. “Rogan,” I ground out through my teeth. “I’m on the clock. My client is in the next room mourning his wife. Stop flirting with me.” “Stop? I haven’t even started.
Ilona Andrews (White Hot (Hidden Legacy, #2))
You got some idealist idea about man being some noble creature … and all this crap about how we can change human nature. You can’t change it, you’re beating your head against a brick wall. People have had a couple of million years to change and they ain’t changed yet, have they?
Fannie Flagg (Welcome to the World, Baby Girl! (Elmwood Springs #1))
The fact that you can go to the bathroom on an airplane is pretty novel. I bet nobody expected that a hundred years ago. Can you imagine two sailors looking over the front rails of their massive ocean liner in the early 1900s, one of them pointing way up in the clouds and whispering to the other, “One day a man will take a crap up there.” No, me either.
Neil Pasricha (The Book of (Even More) Awesome)
Over the years, I’d learned that under the bed was the best place to keep anything I didn’t want found, because there was so much crap—papers, magazines, dirty socks, grocery bags—that no one would ever suspect that anything of value was under there. Sort of like hiding in plain sight.
Kristin Walker (A Match Made in High School)
I don’t care what anyone says, every girl needs to have a good long cry once in a while. The kind that weakens you, swells your eyes shut, and strips away every shred of emotion from your body until the pain subsides. The pain of… whatever. Death, heartbreak, solitude, desire, jealousy. All the crap that becomes a badge of honor among women—like those little merit badges Girl Scouts have sewn on their uniforms, only these badges
Dannika Dark (Seven Years (Seven, #1; Mageriverse #7))
I do feel that literature should be demystified. What I object to is what is happening in our era: literature is only something you get at school as an assignment. No one reads for fun, or to be subversive or to get turned on to something. It's just like doing math at school. I mean, how often do we sit down and do trigonometry for fun, to relax. I've thought about this, the domination of the literary arts by theory over the past 25 years -- which I detest -- and it's as if you have to be a critic to mediate between the author and the reader and that's utter crap. Literature can be great in all ways, but it's just entertainment like rock'n'roll or a film. It is entertainment. If it doesn't capture you on that level, as entertainment, movement of plot, then it doesn't work. Nothing else will come out of it. The beauty of the language, the characterisation, the structure, all that's irrelevant if you're not getting the reader on that level -- moving a story. If that's friendly to readers, I cop to it.
T. Coraghessan Boyle
There’s an African proverb that says, “A child not embraced by the village will burn it down to feel its warmth.
Jamie Glowacki (Oh Crap! I Have a Toddler: Tackling These Crazy Awesome Years—No Time-outs Needed (Oh Crap Parenting Book 2))
There’s real evil, Mr Honey. Not that existential crap, either.
Laird Barron (The Best Horror of the Year: Volume Four)
His name's nash.' Aunt val took a butter knife fom the silverware drawer. 'What year is he?' I groaned inwardly. 'Senior.' here we go.... Her smile was a little too enthusiastic. 'Well, that's wonderful!' Of course, what she really meant was 'Rise from the shadows, social leper, and walk in the bright light of acceptance!' Or some crap like that. Because my aunt and over pivileged cousin only recognise two states of being: glitter and grunge. And if you weren't glitter, well, that only left one other option...
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
That which interests most people leaves me without any interest at all. This includes a list of things such as: social dancing, riding roller coasters, going to zoos, picnics, movies, planetariums, watching tv, baseball games; going to funerals, weddings, parties, basketball games, auto races, poetry readings, museums, rallies, demonstrations, protests, children’s plays, adult plays … I am not interested in beaches, swimming, skiing, Christmas, New Year’s, the 4th of July, rock music, world history, space exploration, pet dogs, soccer, cathedrals and great works of Art. How can a man who is interested in almost nothing write about anything? Well, I do. I write and I write about what’s left over: a stray dog walking down the street, a wife murdering her husband, the thoughts and feelings of a rapist as he bites into a hamburger sandwich; life in the factory, life in the streets and rooms of the poor and mutilated and the insane, crap like that, I write a lot of crap like that
Charles Bukowski (Shakespeare Never Did This)
Oh, poor baby,” she said, mimicking his drawl. “Whew. You’re back. There was this other Susie here a minute ago, and she was really nice to me. She scared the shit out of me.” She laughed. “They locked her back up in the loony bin.” “Good, because there’s only one Susie for me—the one who calls me on my crap and doesn’t let me get away with jack shit. That’s the Susie I need. That’s the Susie I’ve missed coming home to over the last year.” He kissed her. “And that’s the Susie who’s going to leave a gaping hole in my heart and my life if she doesn’t give me another chance.
Marie Force (Line of Scrimmage)
They worship a Jew, do you know that, Alex? Their whole big-deal religion is based on worshiping someone who was an established Jew at that time. Now how do you like that for stupidity? How do you like that for pulling the wool over the eyes of the public? Jesus Christ, who they go around telling everybody was God, was actually a Jew! And this fact, that absolutely kills me when I have to think about it, nobody else pays any attention to. That he was a Jew, like you and me, and that they took a Jew and turned him into some kind of God after he is already dead, and then - and this is what can make you absolutely crazy - then the dirty bastards turn around afterwards, and who is the first one on their list to persecute? Who haven't they left their hands off of to murder and to hate for two thousand years? The Jews! Who gave them their beloved Jesus to begin with! I assure you, Alex, you are never going to hear such a mishegoss of mixed-up crap and disgusting nonsense as the Christian religion in your entire life. And that's what these big shots, so-called, believe!
Philip Roth (Portnoy’s Complaint)
Badassery: 1. (noun) the practice of knowing one’s own accomplishments and gifts, accepting one’s own accomplishments and gifts and celebrating one’s own accomplishments and gifts; 2. (noun) the practice of living life with swagger : SWAGGER (noun or verb) a state of being that involves loving oneself, waking up “like this” and not giving a crap what anyone else thinks about you.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
The other thing that I would say about writer's block is that it can be very, very subjective. By which I mean, you can have one of those days when you sit down and every word is crap. It is awful. You cannot understand how or why you are writing, what gave you the illusion or delusion that you would every have anything to say that anybody would ever want to listen to. You're not quite sure why you're wasting your time. And if there is one thing you're sure of, it's that everything that is being written that day is rubbish. I would also note that on those days (especially if deadlines and things are involved) is that I keep writing. The following day, when I actually come to look at what has been written, I will usually look at what I did the day before, and think, "That's not quite as bad as I remember. All I need to do is delete that line and move that sentence around and its fairly usable. It's not that bad." What is really sad and nightmarish (and I should add, completely unfair, in every way. And I mean it -- utterly, utterly, unfair!) is that two years later, or three years later, although you will remember very well, very clearly, that there was a point in this particular scene when you hit a horrible Writer's Block from Hell, and you will also remember there was point in this particular scene where you were writing and the words dripped like magic diamonds from your fingers -- as if the Gods were speaking through you and every sentence was a thing of beauty and magic and brilliance. You can remember just as clearly that there was a point in the story, in that same scene, when the characters had turned into pathetic cardboard cut-outs and nothing they said mattered at all. You remember this very, very clearly. The problem is you are now doing a reading and you cannot for the life of you remember which bits were the gifts of the Gods and dripped from your fingers like magical words and which bits were the nightmare things you just barely created and got down on paper somehow!! Which I consider most unfair. As a writer, you feel like one or the other should be better. I wouldn't mind which. I'm not somebody who's saying, "I really wish the stuff from the Gods was better." I wouldn't mind which way it went. I would just like one of them to be better. Rather than when it's a few years later, and you're reading the scene out loud and you don't know, and you cannot tell. It's obviously all written by the same person and it all gets the same kind of reaction from an audience. No one leaps up to say, "Oh look, that paragraph was clearly written on an 'off' day." It is very unfair. I don't think anybody who isn't a writer would ever understand how quite unfair it is.
Neil Gaiman
McLarney laughs, then leaps into the parable of Snot Boogie, who joined the neighborhood crap game, waited for the pot to thicken, then grabbed the cash and bolted down the street only to be shot dead by one of the irate players. "So we're interviewing the witnesses down at the office and they're saying how Snot Boogie would always join the crap game, then run away with the pot, and that they'd finally gotten sick of it..." Dave Brown drives in silence, barely tracking this historical digression. "And I asked one of them, you know, I asked him why they even let Snot Boogie into the game if he always tried to run away with the money." McLarney pauses for effect. "And?" asks Brown. "He just looked at me real bizarre," says McLarney. "And then he says, 'you gotta let him play....This is America
David Simon (Homicide: A Year on the Killing Streets)
Your generation forgets that humanity has lived for thousands of years without allergy tests and crap like that before you showed up and started thinking you were so important. When we were living in caves, do you think they used to put mammoth skins through a scalding-hot machine-wash program?
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
I started the first drafts of the book during my sophomore year of college. I wasn’t thinking at all about kids at the time. But I was thinking. A lot. About everything. I wish I could capture that head-space again; everything meant something to me in college. Every leaf, every sound, every lecture, every textbook. It’s like I was on drugs, 24/7. I am glad I was able to pair that ceaseless pondering with plenty of time to write. What came of that time was the first draft of the novel, a lengthy, unnecessarily angst-driven pile of crap. Years later, with Zoloft, I approached the novel with a more level head, and came away with a much, much better novel. My advice to writers, I suppose, is write your novel when you feel like shit; edit when you feel great.
Caleb J. Ross (Stranger Will)
I don't like to brag or anything--but I really am exceptionally gifted when it comes to the "Stuff" department. If I had a title, it might be "Her Royal Highness, the Queen of Crap." I could look snootily down from high atop my pile of ancient magazines, holding a scepter of dried bridesmaid bouquets, bedecked with a crown made entirely of those extra button packs that helpfully accompany sweater purchases, proclaiming "SAVE IT!" in an emphatic yet regal tone.
Eve O. Schaub (Year of No Clutter)
My lyrics are a big pile of contradictions. They split down the middle between very sincere opinions and feelings that I have and sarcastic and hopefully humorous rebuttals towards cliché' bohemian ideals that have been exhausted for years. I mean it seems like there are only two options for songwriters - either they are sad, tragic visionaries like Morrisey or Michael Stipe or Robert Smith or there's the goofy, nutty white boy - hey let's party and forget about everything people like Van Halen or all that other heavy metal crap. I mean I like to be passionate and sincere, but I also like to have fun and act like a dork.
Kurt Cobain (Journals)
We’d spent two years—two fucking years—with a misunderstanding between us. I didn’t want to do that again, not even for two hours. So what am I going to say? It was a particular place to be, this limbo. It had me asking myself philosophical questions and thinking things like, What is love? And, How do you know you’re in love? And, Why does she think she loves me? And, If this shitty feeling is love, I’m going to be so pissed. Because if this shitty feeling was love, if this choking, desperate mix of happiness and pain I felt every time I saw her or thought about her was love, if I’d been in love with her this whole fucking time and I’d been lying to myself and lying to her and wasting time, then I deserved a big, fat fucking punch in the face. “Crap,” I said, shaking my head at myself.
Penny Reid (Marriage of Inconvenience (Knitting in the City, #7))
Anyways, it made me think. Who the hell cares if Michael Phelps can swim across a pool at like warp speed? Or that some sixteen-year-old waif can spell the entire Chinese alphabet with a stupid ribbon on a stick above her head? You know who’s holding this world together and leaping buildings in a single bound every day? Moms, that’s who.
Karen Alpert (I Heart My Little A-Holes: A Bunch of Holy-Crap Moments No One Ever Told You About Parenting)
I can’t stand up in front of people and play and sing. I would rather die. Remember, Viv, the Year of Saying Yes. So what if I die? So what if I’m crap and make a fool of myself? I know that no one ever does anything or gets anywhere without failure and foolishness. I’ve got to do it. Nelson has made me an offer I can’t refuse, the bugger.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
When Sam’s having a hard time and being a total baby about the whole thing, I feel so much frustration and rage and self-doubt and worry that it’s like a mini-breakdown. I feel like my mind becomes a lake full of ugly fish and big clumps of algae and coral, of feelings and unhappy memories and rehearsals for future difficulties and failures. I paddle around in it like some crazy old dog, and then I remember that there’s a float in the middle of the lake and I can swim out to it and lie down in the sun. That float is about being loved, by my friends and by God and even sort of by me. And so I lie there and get warm and dry off, and I guess I get bored or else it is human nature because after a while I jump back into the lake, into all that crap. I guess the solution is just to keep trying to get back to the float. This morning Sam woke at 4:00, so
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
Billy Pilgrim had a theory about diaries. Women were more likely than men to think that their lives had sufficient meaning to require recording on a daily basis. It was not for the most part a God-is-leading-me-on-a-wondrous-journey kind of meaning, but more an I've-gotta-be-me-but-nobody-cares sentimentalism that passed for meaning, and they usually stopped keeping a diary by the time they hit thirty, because by then they didn't want to ponder the meaning of life anymore because it scared the crap out of them.
Dean Koontz (The Darkest Evening of the Year)
The majority of things in life are about picking your battles. You'll learn that too. And that will never be clearer than when you're at IKEA. You'd have to visit a Danish vacation village after two weeks of pouring rain and no beer to come across as many couples arguing as you'll hear in the IKEA section for changeable sofa covers on any given Tuesday. People take this whole interior design thing really seriously these days. It's become a national pastime to over interpret the symbolism of the fact that "he wants frosted glass, that just proves he never listens to my FEELINGS." "Ahhhhh! She wants beech veneer. Do you hear me? Beech veneer! Sometimes, it feels like I've woken up next to a stranger!" That's how it is, every single time you go there. And I'm not going to lecture you, but if there's just one thing I can get across then let it be this: no one has ever, in the history of the world, had an argument in IKEA that really is about IKEA. People can say whatever they life, but when a couple who has been married for ten years walks around the bookshelves section calling one another words normally only used by alcoholic crime fiction detectives, they might be arguing about a number of things, but trust me: cupboard doors is not one of them. Believe me. You're a Backman. Regardless of how many shortcomings the person you fall in love with might have, I can guarantee that you still come out on top of that bargain. So find someone who doesn't love you for the person you are, but despite the person you are. And when you're standing there, in the storage section at IKEA, don't focus too much on the furniture. Focus on the fact that you've actually found someone who can see themselves storing their crap in the same place as your crap. Because, hand on heart: you have a lot of crap.
Fredrik Backman (Saker min son behöver veta om världen)
It wasn't until after we were pulling into the back lot of Station One that I remembered asking Hank if he wanted to have coffee and talk. Crap. I slid a quick glance his way to find him staring out the window. His expression reminded me of a conversation I had with Emma when she was six years old and I found her sitting with her knees drawn up on the back of the couch, staring out the window. "Hey, kiddo, what's wrong?" "I'm looking out the window." "Why?" "Because that's what people do when they're sad. They stare out the window.
Kelly Gay (The Hour of Dust and Ashes (Charlie Madigan, #3))
Why do we need so many people on Earth? I ask you. What are they good for? They live out ludicrous lives of pointless desperation. Ninety-nine percent of the human population is so much wasted resources. Stubborn vermin, we humans are. Granted, in the past, the unwashed masses were necessary. We needed them to till our fields and fight our wars. We needed them to labor in our factories making consumer crap that we flipped back at them at a handsome profit. Alas, those days are gone. We live in a boutique economy now. Energy is abundant and cheap. Mentars and robotic labor make and manage everything. So who needs people? People are so much dead white. They eat up our profits. They produce nothing but pollution and social unrest. They drive us crazy with their pissing and moaning. I think we can all agree that Corporation Earth is in need of a serious downsizing. ... The boutique economy has no need of the masses, so let's get rid of them. But how, you ask? Not with wars, surely, or disease, famine, or mass murder. Despots have tried all these methods through the millennia, and they're never a permanent solution. No, all we need to do is buy up the ground from under their feet -- and evict them. We're buying up the planet, Bishop, fair and square. We're turning it into the most exclusive gated community in history. Now, the question is, in two hundred years, will you be a member of the landowners club, or will you be living in some tin can in outer space drinking recycled piss?
David Marusek (Mind Over Ship)
It was the sixties, exactly, all we wanted to do was to smoke a lot of dope and ball a lot of chicks. Vietnam, excuse me? Why would I wanna go get my ass shot off in some stinking rice paddy just so Nixon can have his four more years? Screw that, and I wasn't the only one who felt that way. All the big warmongers these days who took a pass on Vietnam, look, I'd be the last person on earth to start casting blame. Bush, Cheney, Rove, all those guys, they just did what everybody else was doing and I was right there with 'em, chicken as anybody. My problem now is how tough and gung-ho they are, all that bring it on crap, I mean, Jesus, show a little humility, people. They ought to be just as careful of your young lives as they were with their own.
Ben Fountain (Billy Lynn's Long Halftime Walk)
Besides shopping at garage sales, I love hosting garage sales. Every year my mom and I dig through our houses and find a bunch of crap (I mean really terrific stuff) to sell so we can earn some money so we can go back out and buy some more crap (I mean really terrific stuff) that we’ll use for a bit and then turn around and garage-sale in a couple of years. It’s the circle of life suburban style.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
I like your hair," he said quietly, "but I think you'd look good whatever you did with it." Here's the thing.He looked like he meant it, and like it had been the most natural thing in the world to say. I blinked at him. "Okay," I said. "You want to know something about me that I don't really want to tell you? How about this. I dont get it.This.I hate that I don't. I wish I were the kind of girl who took guys like you as my sovereign right in life. But I don't." "Yeah,I've sorta figured that out,too." He let go of my hair and put his hand on my waist, so his thumb was against my skin. I shivered. "Here's my first reveal for the night. One day, not so long ago, I'm just sitting in the dining room, digesting, minding my own business-literally. Trying to decide whether the second hamburger had been such a good idea and whether to break up with my girlfriend of a year and a half. Then I try to stand up, and suddenly there's this really pretty girl doubled over and looking at my book like it was covered with crap-" "I wasn't." "Yeah.You were. So there you were, with that amazing face and a yard of hair that smelled like flowers, and all this stuff drawn on your jeans. I really liked that." "You liked my jeans." "Among other things.But, jeez, Ella. After that, if you weren't making me feel like I had the IQ of a stone, your friends were looking at me like I'd crawled out from under one. I won't even go into what you obviously think of my friends." "Chase Vere is a reptile.
Melissa Jensen (The Fine Art of Truth or Dare)
Badassery: 1.   (noun) the practice of knowing one’s own accomplishments and gifts, accepting one’s own accomplishments and gifts and celebrating one’s own accomplishments and gifts; 2. (noun) the practice of living life with swagger : SWAGGER (noun or verb) a state of being that involves loving oneself, waking up “like this” and not giving a crap what anyone else thinks about you. Term first coined by William Shakespeare. Wonder
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Writing is the hum. Writing is laying track. Writing is the high. Now imagine that hum, that high, that track to be laid is behind a door. And that door is five miles away. Those five miles are just . . . writing crap and doodling and trying to have an idea and surfing the internet and hoping like hell not to get so distracted that you give up. Worse? Those five miles are lined with brownies and cupcakes and episodes of Game of Thrones and Idris Elba waiting to talk to only you and really good novels to read. Every time I sit down to write, I have to mentally run those five miles past all of that to get to that door. It’s a long, hard five-mile run. Sometimes I am almost dead by the time I reach the door. That’s why I have to keep doing it. The more often I run the five miles, the fitter I become. And the fitter I become, the easier the run begins to feel and the less fresh and exciting all that stuff on the side of the road seems. I mean, how long has it been there? More important, as I get fitter, I can run faster. And the faster I can run, the faster I can get to that door. The faster you can too, writers out there. When you sit down to write every day, it becomes easier and easier to tap into that creative space inside your mind. The faster I can get to that door, the quicker I can get to the good stuff.
Shonda Rhimes (Year of Yes)
Quadruple crap. Why couldn’t I control myself? Why did he have this effect on me? “Are you compelling me right now?” To my surprise, his smile held an edge of sadness. “That would give you a much needed excuse, but I am afraid I am not.” Curse my body for reacting to his. As long as I kept him out of my heart, I would be okay. “I think it a bit too late for that, my dear.” “You’re using old man speak again.” I made a face. “It’s creepy.” He chuckled. “I’ll try to remember that, but I haven’t been around humans much in the past hundred years. It’s hard to keep up with the changes in common dialect.” “Let’s keep on topic, Jett. You were going to teach me how to control my mind.
Christie Rich (Genesis (Elemental Enmity #3))
DAVE: john DAVE: dude i gotta say DAVE: when you talk about being or not being "a homosexual" you kinda sound like a corny old man JOHN: what! why? JOHN: no, that's a normal way of putting it! JOHN: i mean... it's a pretty normal thing to say, right? when that's... how... you are? KARKAT: SOMEBODY FUCKING KILL ME. DAVE: what does normal mean though DAVE: normal was some crap that ruled our dead civilization DAVE: we left that behind years ago DAVE: its all a huge pile of shit that doesnt matter anymore
Andrew Hussie
Rearview Mirror Syndrome One of the most crippling causes of mediocrity in life is a condition I call Rearview Mirror Syndrome (RMS). Our subconscious minds are equipped with a self-limiting rearview mirror, through which we continuously relive and recreate our past. We mistakenly believe that who we were is who we are, thus limiting our true potential in the present, based on the limitations of our past.   As a result, we filter every choice we make—from what time we will wake up in the morning to which goals we will set to what we allow ourselves to consider possible for our lives—through the limitations of our past experiences. We want to create a better life, but sometimes we don’t know how to see it any other way than how it’s always been.   Research shows that on any given day, the average person thinks somewhere between 50,000 and 60,000 thoughts. The problem is that ninety-five percent of our thoughts are the same as the ones we thought the day before, and the day before that, and the day before that. It’s no wonder most people go through life, day after day, month after month, year after year, and never change the quality of their lives.   Like old, worn baggage, we carry stress, fear, and worry from yesterday with us into today. When presented with opportunities, we quickly check our rearview mirror to assess our past capabilities. “No, I’ve never done anything like that before. I’ve never achieved at that level. In fact, I’ve failed, time and time again.”   When presented with adversity, we go back to our trusty rearview mirror for guidance on how to respond. “Yep, just my luck. This crap always happens to me. I’m just going to give up; that’s what I’ve always done when things get too difficult.”   If you are to move beyond your past and transcend your limitations, you must stop living out of your rearview mirror and start imagining a life of limitless possibilities. Accept the paradigm:  my past does not equal my future. Talk to yourself in a way that inspires confidence that not only is anything possible, but that you are capable and committed to making it so. It’s not even necessary to believe it at first. In fact, you probably won’t believe it. You might find it uncomfortable and that you resist doing it. That’s okay. Repeat it to yourself anyway, and your subconscious mind will begin to absorb the positive self-affirmations. (More on how to do this in Chapter 6:  The Life S.A.V.E.R.S.)   Don’t place unnecessary limitations on what you want for your life. Think bigger than you’ve allowed yourself to think up until this point. Get clear on what you truly want, condition yourself to the belief that it’s possible by focusing on and affirming it every day, and then consistently move in the direction of your vision until it becomes your reality. There is nothing to fear, because you cannot fail—only learn, grow, and become better than you’ve ever been before.   Always remember that where you are is a result of who you were, but where you go depends entirely on who you choose to be, from this moment on.
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
What kind of authors do you like?" I asked, speaking in respectful tones to this man two years my senior. "Balzac, Dante, Joseph Conrad, Dickens," he answered without hesitation. "Not exactly fashionable." "That's why I read them. If you only read the books that everyone else is reading, you can only think what everyone else is thinking. That's the world of hicks and slobs. Real people would be ashamed of themselves doing that. Haven't you noticed, Watanabe? You and I are the only real ones in this dorm. The other guys are crap.
Haruki Murakami (Norwegian Wood)
How many years have I spent lighting incense and candles? Meditating? Chasing after gurus and teachers, reading all that crap, following every stupid new fad, reading every stupid new book? But now I see clearly, perfectly clearly, that all I was ever doing, all it was all about, was avoiding this. Avoiding me. I see it now, there’s only this. THIS! All I was doing was keeping myself distracted so I didn’t have to do this one thing. Life, the world, reality, all depend on not doing this. This is the one true blasphemy. This is the one true heresy.
Jed McKenna (Spiritually Incorrect Enlightenment (The Enlightenment Trilogy Book 2))
You are so beautiful,” he said as he stared at her, “standing there in the light like that.” She glanced at her Gap black pants and her two-year-old knit turtleneck. “You must be blind.” “Why?” he asked, coming over to her. “Well, I feel like such an ass for saying this.” She smoothed the front of her off-the-rack-and-then-some slacks. “But I wish I had better clothes. Then I’d be beautiful.” Rehvenge paused. And then shocked the crap out of her by kneeling before her. As he looked up, he had a slight smile on his lips. “Don’t you get it, Ehlena.” With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces on her cheapo Keds sneaker, he whispered, “No matter what you wear…to me, you will always have diamonds on the soles of your shoes.” -Rehv & Ehlena
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
The closest most people have ever come to understanding what an investment banker does may have been on October 24, 1995, when they heard the outrageous special interest story of the day. The wire services released the story first. It was quickly picked up and parroted by almost every major media outlet in the country as a classic example of Wall Street excess. A fifty-eight-year-old frustrated managing director from Trust Company of the West, on an airplane trip from Buenos Aires to New York City, downed an excessive number of cocktails, got out of his seat in the first-class cabin of a United Airlines flight, dropped his pants, and took a crap on the service cart. There you have it. That’s what bankers do: consume, process, and disseminate.
Peter Troob (Monkey Business: Swinging Through the Wall Street Jungle)
Holy crap! I still have to pinch myself that I have not one, but TWO books out there that are Amazon bestsellers and I'm about to publish my third. I just want to shout out to anyone out there that felt like maybe they weren't good enough. YOU ARE! I struggled with this shit for years, but I'm so grateful that I just followed my gut. DON'T let anyone make you feel you are not worth it. This is coming from a high school dropout that only got her GED (Yeah, whatever, nothing to brag about) But is fulfilling her dreams now as a writer. What I'm saying is, take the dive, you may sink for a little, but doggy paddling along of what you want is so much more than learning the proper stroke on things...if that makes any sense? Be YOU and don't give a f*ck! ~Natalie Barnes
Natalie Barnes
My job title was youth advocate. My approach was unconditional positive regard. My mission was to help the girl youth succeed in spite of the unspeakably harrowing crap stew they’d been simmering in all of their lives. Succeeding in this context meant getting neither pregnant nor locked up before graduating high school. It meant eventually holding down a job at Taco Bell or Walmart. It was only that! It was such a small thing and yet it was enormous. It was like trying to push an eighteen-wheeler with your pinkie finger. I was not technically qualified to be a youth advocate. I’d never worked with youth or counseled anyone. I had degrees in neither education nor psychology. I’d been a waitress who wrote stories every chance I got for most of the preceding years. But for some reason, I wanted this job and so I talked my way into it. I wasn’t meant to let the girls know I was
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
What am I busy doing at lunch?” I asked. “Did you want to go pick out some more paint? Because I thought you were still working on the GTO and the SS.” “No,” he answered, not moving an inch, but instead, just watching me. “I brought you fucking lunch.” He brought me—did he just say lunch? “There’s a thing in the fridge with your name on it,” Rip kept going, watching me steadily. “I could use your help later if you’ve got time.” All I heard was something about him needing my help if I had time, but what I really focused on was the container in the fridge with my name on it. “Come get me if you do,” he said, taking a step back like he hadn’t just surprised the crap out of me. But I could still get a few thoughts together, at least enough to call out, “What am I going to be doing tomorrow?” He was still walking backward as he told me, “I’m bringing you lunch tomorrow too.” What was happening? What was happening? “You don’t have to bribe me to be your friend! I’ve been waiting for this for years, Rip,” I hollered after him, ignoring the way my stomach had just felt like we’d started a descent from a steep roller-coaster ride. I’d swear I heard a chuckle as he answered, “Get to fucking work and come get me if you’ve got time to help me out.” We were friends. We were. Favor or not, you didn’t bring someone food who you weren’t fond of. I really didn’t want to smile, but I couldn’t freaking help it as he walked back out of the room.
Mariana Zapata (Luna and the Lie)
He [Wilhelm Reich] challenged the puritanical ideas about sexuality in our culture. In laywoman terms, Reich believed humans store emotions in our muscles. During orgasm, muscles in the body contract, then relax, thus releasing emotions. Reich asserted that all aspects of healthy human psychology are dependent on one's sexual expression. When you cry, laugh or feel free as a bird after coming, it is partly because you just released a bunch of yucky crap that's been building up inside your body for days, months, years, possibly your entire lifetime. ...When women function like the ocean, we live happy, healthy lives. Holding on to stuff that does not serve us in our present situation creates actual, physical blockages within our bodies...which on the individual level, manifest in bitterness, stifled creativity, sexual perversion and unwillingness to trust, love and/or touch. Collectively-when an entire society is sexually repressed-phenomena such as war, rape, racism, greed and wholesale shitty behavior are considered acceptable.
Inga Muscio (Cunt: A Declaration of Independence)
THE MYSTERY OF LANGUAGE EVOLUTIONa It seems that eight heavyweight Evolutionistsb—linguists, biologists, anthropologists, and computer scientists—had published an article announcing they were giving up, throwing in the towel, folding, crapping out when it came to the question of where speech—language—comes from and how it works. “The most fundamental questions about the origins and evolution of our linguistic capacity remain as mysterious as ever,” they concluded. Not only that, they sounded ready to abandon all hope of ever finding the answer. Oh, we’ll keep trying, they said gamely…but we’ll have to start from zero again. One of the eight was the biggest name in the history of linguistics, Noam Chomsky. “In the last 40 years,” he and the other seven were saying, “there has been an explosion of research on this problem,” and all it had produced was a colossal waste of time by some of the greatest minds in academia. Now, that was odd…I had never heard of a group of experts coming together to announce what abject failures they were…
Tom Wolfe (The Kingdom of Speech)
Raquel laughed, and David joined her. They sounded slightly manic. “You’re free now,” he said. “Of all of it,” she answered, and I looked up to see them locked in a gaze I’d previously only observed between actors on Easton Heights—one filled with all the things unspoken over the years, all the betrayals and fears and pain left behind in favor of overwhelming love. It was beautiful. Oh, who am I kidding, it was awkward as all heck and I didn’t have time for it. “Okay! So, you may have noticed Lend is in the kitchen.” “Mmm hmm,” Raquel answered, reaching up to smooth down a stray piece of David’s hair. “Yeah, that’d be the big faerie curse.” “Farie curse?” She actually turned toward me; David took both her hands in his. “Yup. Really funny one, too. See, any time Lend and I are in the same room or can see each other or could actually, you know, touch, he falls fast asleep.” “Oh,” Raquel frowned. “So I need your help. You know all the names of the IPCA controlled faeries, right?” She nodded, her frown deepening. “Well, it was a dark faerie curse, so I figure we need a dark faerie to undo it. So you call an Unseelie faerie, we give him or her a named command to break the curse, ta-da, we can double-date!” “Wait, who can double-date?” Lend asked. “I’ll let your dad tell you. So. Faerie?” Raquel heaved a sigh, along the lines of her famous things never get easier, do they? sign, and, boy, I agreed with her. “To be honest, I don’t know which court most of the faeries belong to.” “You don’t? How can you not know? It seems like pretty vital information to me. You know, ‘Are you a member of the evil court kidnapping humans and plotting world domination, or a member of the moderately less evil court who just wants to get the crap off the planet?’ sort of a survey when you get them.
Kiersten White (Endlessly (Paranormalcy, #3))
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman. I glanced at his face and blinked. He was remarkably handsome. The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting. "It's always work with you," the russet-haired man said. "Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips. "I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?" The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left." "Good. Let's get this crap and go home." They turned into the side street. "That bird smelled dead," Sean said.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
Be big enough to offer the truth to people and if it short circuits them I think that's tragic. I think that's sad but, I will not strike no unholy bargains to self erase. I wont do it. I don't care how many people fucked up their lives. I don't care how many bad choices people have made. I don't care how much pettiness they've consumed and spat out. I don't care how much viciousness , rage, abuse, spanking they've dealt out. I am gonna tell the truth as I see it and I'm going to be who I fucking am and if that causes the world to shift in it's orbit and half the evil people get thrown off the planet and up into space well, you shouldn't of been standing in evil to begin with because, there is gravity in goodness. So, sorry; I have to be who I am. Everyone ells is taken. There is no other place I can go than in my own head. I can't jump from skull to skull until I find one that suits bad people around me better. I don't have that choice. So, be your fucking self. Speak your truth and if there are people around you who tempt you with nonexistence , blast through that and give them the full glory of who you are. Do not withhold yourself from the world. Do not piss on the incandescent gift of your existence. Don't drown yourself in the petty fog and dustiness of other peoples ancient superstitions, beliefs, aggressions, culture, and crap. No, be a flare. We're all born self expressive. We are all born perfectly comfortable with being incredibly inconvenient to our parents. We shit, piss, wake up at night, throw up on their shoulders, scream, and cry. We are in our essence, in our humanity, perfectly comfortable with inconveniencing others. That's how we are born. That's how we grow. That's how we develop. Well, I choose to retain the ability to inconvenience the irrational. You know I had a cancer in me last year and I'm very glad that the surgeons knife and the related medicines that I took proved extremely inconvenient to my cancer and I bet you my cancer was like "Aw shit. I hate this stuff man." Good. I'm only alive because medicine and surgery was highly inconvenient to the cancer within me. That's the only reason I'm alive. So, be who you are. If that's inconvenient to other people that's their goddamn business, not yours. Do not kill yourself because other people are dead. Do not follow people into the grave. Do not atomize yourself because, others have shredded themselves into dust for the sake of their fears and their desire to conform with the history of the dead.
Stefan Molyneux
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
Exhibit D: The Cots (or, If You Give a Librarian a Closet) If you give a librarian a closet, she will probably fill it with junk. If she fills it with junk, some of the junk will be books in need of repair. If some of the junk is books, and the closet is off of a back room anyway, she will hide more books there, books that she thinks are crap like the Stormy Sisters series, but which her boss thinks the library should keep. If she hides crappy books there, she will be in no rush to clean the closet, since she would then be out a hiding place. If she goes ten months without cleaning it, she will go to great lengths to hide the mess from her alcoholic and temperamental boss. If she wants to hide the mess from her boss, she will stuff the front of the closet with cots that were once used for nap hour of the short-lived library day care, circa 1996. If she stuffs the closet with cots… the closet will fester unopened for months. If the closet festers unopened for months, the librarian will probably decorate the closet door with cartoons and posters in an effort to distract her fellow librarians from the thought of ever opening the closet. If a librarian decorates a closet door, she will use such items as a Conan the Librarian cartoon, a large stocker that says “the world is quiet here,” a poster of If You Give a Mouse a Cookie, a CPR chart, and a bookstore café napkin signed by Michael Chabon. If she uses these items, her boss will ask, “What the hell does this mean, ‘The world is quiet here’? Is it political?” And her boss will also ask, “you’re not filing Michael Chabon in the children’s section, are you?” but her boss, distracted by these items, will never think to open the door. If her boss never opens the door, she will forget she has given the librarian a closet and will, by the end of the year, offer the librarian a second closet. If she gives the librarian a second closet, the librarian will probably fill it with junk.
Rebecca Makkai (The Borrower)
Inarguably, a successful restaurant demands that you live on the premises for the first few years, working seventeen-hour days, with total involvement in every aspect of a complicated, cruel and very fickle trade. You must be fluent in not only Spanish but the Kabbala-like intricacies of health codes, tax law, fire department regulations, environmental protection laws, building code, occupational safety and health regs, fair hiring practices, zoning, insurance, the vagaries and back-alley back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
I got up to get another glass of water when Zac asked from his spot still at the stove, breaking up the two pounds of ground beef he’d added to the vegetables. “Vanny, were you gonna want me to help you with your draft list again this year?” I groaned. “I forgot. My brother just messaged me about it. I can’t let him win again this year, Zac. I can’t put up with his crap.” He raised his hand in a dismissive gesture. “I got you. Don’t worry about it.” “Thank—what?” Aiden had his glass halfway to his mouth and was frowning. “You play fantasy football?” he asked, referring to the online role-playing game that millions of people participated in. Participants got to build imaginary teams during a mock draft, made up of players throughout the league. I’d been wrangled into playing against my brother and some of our mutual friends about three years ago and had joined in ever since. Back then, I had no idea what the hell a cornerback was, much less a bye week, but I’d learned a lot since then. I nodded slowly at him, feeling like I’d done something wrong. The big guy’s brow furrowed. “Who was on your team last year?” I named the players I could remember, wondering where this was going and not having a good feeling about it. “What was your defensive team?” There it went. I slipped my hands under the counter and averted my eyes to the man at the stove, cursing him silently. “So you see…” The noise Zac tried to muffle was the most obvious snicker in the world. Asshole. “Was I not on your team?” I gulped. “So you see—” “Dallas wasn’t your team?” he accused me, sounding… well, I didn’t know if it was hurt or outraged, but it was definitely something. “Ahh…” I slid a look at the traitor who was by that point trying to muffle his laugh. “Zac helped me with it.” It was the thump that said Zac’s knees hit the floor. “Look, it isn’t that I didn’t choose you specifically. I would choose you if I could, but Zac said Minnesota—” “Minne-sota.” Jesus, he’d broken the state in two. The big guy, honest to God, shook his head. His eyes went from me to Zac in… yep, that was outrage. Aiden held out his hand, wiggling those incredibly long fingers. “Let me see it.” “See what?” “Your roster from last year.” I sighed and pulled my phone out of the fanny pack I still had around my waist, unlocking the screen and opening the app. Handing it over, I watched his face as he looked through my roster and felt guilty as hell. I’d been planning on choosing Dallas just because Aiden was on the team, but I really had let Zac steer me elsewhere. Apparently, just because you had the best defensive end in the country on your team, didn’t mean everyone else held up their end of the bargain. Plus, he’d missed almost the entire season. He didn’t have to take it so personally.
Mariana Zapata (The Wall of Winnipeg and Me)
What was in New York?” “I had to sign a new contract. A Thin Blue Line was renewed for another season.” “Oh, that’s awesome!” I heard rumblings on a few of the news outlets that the show might get dropped. “I really hope you’re finally able to get a new partner. I don’t know why they keep pushing that story line. Tina is not a good match for Jimmy. Brody and I have been riding together for almost seven years, and I would punch myself in the face before I ever kissed him. The show needs to give Jimmy a woman who he saved or something. That would be an interesting plot. Also, your brother on the show has to stop sleeping with that model. Twitter went nuts when he went back to her. She’s a bitch.” Eli’s gaze shifts to mine, and he chuckles. “I thought you didn’t watch the show.” Crap. I did say that. I chew on my thumb and shrug. “I guess I’ve seen a few seasons.” I say the last word under my breath, hoping he didn’t catch it. “Seasons?” No such luck. “Whatever. It’s just to see how bad you butcher my job.” Eli shakes his head and grabs my hand. His fingers thread with mine and then he gently squeezes. “Sounds like you’re a little more invested than that.” “Fine,” I admit. “I watch it religiously." He brings my hand to his lips and kisses my knuckles. “I knew you liked me.” I laugh and hit his chest with our entwined hands. “You’re crazy. I like your show, but seriously, tell the writers they need to clear that up.
Corinne Michaels (We Own Tonight (Second Time Around, #1))
Trump doesn’t happen in a country where things are going well. People give in to their baser instincts when they lose faith in the future. The pessimism and anger necessary for this situation has been building for a generation, and not all on one side. A significant number of Trump voters voted for Obama eight years ago. A lot of those were in rust-belt states that proved critical to his election. What happened there? Trump also polled 2–1 among veterans, despite his own horrific record of deferments and his insulting of every vet from John McCain to Humayun Khan. Was it possible that his rhetoric about ending “our current policy of regime change” resonated with recently returned vets? The data said yes. It may not have been decisive, but it likely was one of many factors. It was also common sense, because this was one of his main themes on the campaign trail—Trump clearly smelled those veteran votes. The Trump phenomenon was also about a political and media taboo: class. When the liberal arts grads who mostly populate the media think about class, we tend to think in terms of the heroic worker, or whatever Marx-inspired cliché they taught us in college. Because of this, most pundits scoff at class, because when they look at Trump crowds, they don’t see Norma Rae or Matewan. Instead, they see Married with Children, a bunch of tacky mall-goers who gobble up crap movies and, incidentally, hate the noble political press. Our take on Trump voters was closer to Orwell than Marx: “In reality very little was known about the proles. It was not necessary to know much.” Beyond the utility that calling everything racism had for both party establishments, it was good for that other sector, the news media.
Matt Taibbi (Hate Inc.: Why Today’s Media Makes Us Despise One Another)
On the third day after all hell broke loose, I come upstairs to the apartment, finished with my shift and so looking forward to a hot shower. Well, lukewarm—but I’ll pretend it’s hot. But when I pass Ellie’s room, I hear cursing—Linda Blair-Exorcist-head-spinning-around kind of cursing. I push open her door and spot my sister at her little desk, yelling at her laptop. Even Bosco barks from the bed. “What’s going on?” I ask. “I just came up but Marty’s down there on his own—he won’t last longer than ten minutes.” “I know, I know.” She waves her hand. “I’m in a flame war with a toxic bitch on Twitter. Let me just huff and puff and burn her motherfucking house down…and then I’ll go sell some coffee.” “What happened?” I ask sarcastically. “Did she insult your makeup video?” Ellie sighs, long and tortured. “That’s Instagram, Liv—I seriously think you were born in the wrong century. And anyway, she didn’t insult me—she insulted you.” Her words pour over me like the ice-bucket challenge. “Me? I have like two followers on Twitter.” Ellie finishes typing. “Boo-ya. Take that, skank-a-licious!” Then she turns slowly my way. “You haven’t been online lately, have you?” This isn’t going to end well, I know it. My stomach knows it too—it whines and grumbles. “Ah, no?” Ellie nods and stands, gesturing to her computer. “You might want to check it out. Or not—ignorance is bliss, after all. If you do decide to take a peek, you might want to have some grain alcohol nearby.” Then she pats my shoulder and heads downstairs, her blond ponytail swaying behind her. I glance at the screen and my breath comes in quick, semi-panicked bursts and my blood rushes like a runaway train in my veins. I’ve never been in a fight, not in my whole life. The closest I came was sophomore year in high school, when Kimberly Willis told everyone she was going to kick the crap out of me. So I told my gym teacher, Coach Brewster—a giant lumberjack of a man—that I got my period unexpectedly and had to go home. He spent the rest of the school year avoiding eye contact with me. But it worked—by the next day, Kimberly found out Tara Hoffman was the one talking shit about her and kicked the crap out of her instead
Emma Chase (Royally Screwed (Royally, #1))
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
emmersmacks: Hold on emmersmacks: Wait emmersmacks: So you stood up for him? MirkerLurker: Yeah. emmersmacks: . . . Im failing to see the issue here E emmersmacks: Did they hurt you?? MirkerLurker: No . . . not really. Just took my sketchbook and threw it around a little. MirkerLurker: Okay look I know it doesn’t sound that bad MirkerLurker: But, like, you don’t understand the way this guy looks at me. He’s one of those where it’s like, “Why are you even standing in front of me, you’re uglier than the stuff I crap out after eating too muchChipotle.” 3:19 p.m. (Apocalypse_Cow has joined the message) Apocalypse_Cow: i feel like i came in at a bad time. i’ll go. emmersmacks: E is having a crisis Apocalypse_Cow: crisis over what? MirkerLurker: Just this stupid new kid at school who may or may not be a fanficwriter for Monstrous Sea and who definitely thinks I am the scum of the earth. emmersmacks: Why would he think that?? You stood up for him MirkerLurker: I don’t know! Because I emasculated him, probably. Or something. Max, I need advice from someone who’s felt emasculated. Apocalypse_Cow: why would you immediately assume i’ve felt emasculated before? MirkerLurker: Because you’re the only male here. Apocalypse_Cow: if you want to know if some guys feel emasculated when a girl stands up to a bully for them, then unfortunately i must say that yes, that does happen. Apocalypse_Cow: BUT NOT ME. Apocalypse_Cow: LET IT BE KNOWN THAT MAX CHOPRA HAS NEVER FELT EMASCULATED. Apocalypse_Cow: but really, did this guy say something to you? why feel so bad about it? MirkerLurker: He didn’t say ANYTHING. That’s the problem! MirkerLurker: He just stood there and wouldn’t even look at me. emmersmacks: Did you say anything MirkerLurker: . . . No. emmersmacks: Well emmersmacks: E emmersmacks: There you might have a problem Apocalypse_Cow: you’re getting schooled in social skills by a twelve-year-old in college. how does that feel emmersmacks: Im fourteen not twelve emmersmacks: Asshole Apocalypse_Cow: wait, he left a note in your sketchbook? what did it say? MirkerLurker: It said thanks, and that the pictures were good. emmersmacks: OH MY GOD emmersmacks: THATS WHY HE DIDNT TALK MirkerLurker: What? emmersmacks: HE WAS TOO NERVOUS emmersmacks: AW HE LIKES YOU E MirkerLurker: I really really doubt that. MirkerLurker: Like, I mean, REALLY doubt it. MirkerLurker: He’s not exactly the kind of guy that’s usually interested in me. Apocalypse_Cow: what kind of guy is usually interested in you? MirkerLurker: The kind I make up in my head. Apocalypse_Cow: wooooooooooooooooooooooow Apocalypse_Cow: woooooooooooooooooooooooooooooooooooooooooooooooow Apocalypse_Cow: woooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooow Apocalypse_Cow: do you want me to go ahead and fill your house with cats right now, or do you want to put that off for a few years? MirkerLurker: Har har
Francesca Zappia (Eliza and Her Monsters)
The chorus of criticism culminated in a May 27 White House press conference that had me fielding tough questions on the oil spill for about an hour. I methodically listed everything we'd done since the Deepwater had exploded, and I described the technical intricacies of the various strategies being employed to cap the well. I acknowledged problems with MMS, as well as my own excessive confidence in the ability of companies like BP to safeguard against risk. I announced the formation of a national commission to review the disaster and figure out how such accidents could be prevented in the future, and I reemphasized the need for a long-term response that would make America less reliant on dirty fossil fuels. Reading the transcript now, a decade later, I'm struck by how calm and cogent I sound. Maybe I'm surprised because the transcript doesn't register what I remember feeling at the time or come close to capturing what I really wanted to say before the assembled White House press corps: That MMS wasn't fully equipped to do its job, in large part because for the past thirty years a big chunk of American voters had bought into the Republican idea that government was the problem and that business always knew better, and had elected leaders who made it their mission to gut environmental regulations, starve agency budgets, denigrate civil servants, and allow industrial polluters do whatever the hell they wanted to do. That the government didn't have better technology than BP did to quickly plug the hole because it would be expensive to have such technology on hand, and we Americans didn't like paying higher taxes - especially when it was to prepare for problems that hadn't happened yet. That it was hard to take seriously any criticism from a character like Bobby Jindal, who'd done Big Oil's bidding throughout his career and would go on to support an oil industry lawsuit trying to get a federal court to lift our temporary drilling moratorium; and that if he and other Gulf-elected officials were truly concerned about the well-being of their constituents, they'd be urging their party to stop denying the effects of climate change, since it was precisely the people of the Gulf who were the most likely to lose homes or jobs as a result of rising global temperatures. And that the only way to truly guarantee that we didn't have another catastrophic oil spill in the future was to stop drilling entirely; but that wasn't going to happen because at the end of the day we Americans loved our cheap gas and big cars more than we cared about the environment, except when a complete disaster was staring us in the face; and in the absence of such a disaster, the media rarely covered efforts to shift America off fossil fuels or pass climate legislation, since actually educating the public on long-term energy policy would be boring and bad for ratings; and the one thing I could be certain of was that for all the outrage being expressed at the moment about wetlands and sea turtles and pelicans, what the majority of us were really interested in was having the problem go away, for me to clean up yet one more mess decades in the making with some quick and easy fix, so that we could all go back to our carbon-spewing, energy-wasting ways without having to feel guilty about it. I didn't say any of that. Instead I somberly took responsibility and said it was my job to "get this fixed." Afterward, I scolded my press team, suggesting that if they'd done better work telling the story of everything we were doing to clean up the spill, I wouldn't have had to tap-dance for an hour while getting the crap kicked out of me. My press folks looked wounded. Sitting alone in the Treaty Room later that night, I felt bad about what I had said, knowing I'd misdirected my anger and frustration. It was those damned plumes of oil that I really wanted to curse out.
Barack Obama (A Promised Land)