Crane Service Quotes

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We're going on the roof?" I asked. "Yep," Caleb answered, "and while we're on the roof, with great cell service-" "The only cell service!" Kyle yelled.
Shelly Crane (Defiance (Significance, #3))
Before I lost my father, I never understood the rituals surrounding funerals: the wake, the service itself, the reception afterward,the dinners prepared by well-meaning friends and delivered in plastic containers, even the popular habit of making poster boards filled with photos of the dear departed. But now I know why we do those things. It's busywork, all of it. I had so much to take care of, so many arrangements to make, so many people to inform, I didn't have a moment to be engulfed by the ocean of grief that was lapping at my heels. Instead, I waded through the shallows, performing task after task, grateful to have duties to propel me forward.
Wendy Webb (The Tale of Halcyon Crane)
MARJORY walked pensively along the hall. In the cool shadows made by the palms on the window ledge, her face wore the expression of thoughtful melancholy expected on the faces of the devotees who pace in cloistered gloom. She halted before a door at the end of the hall and laid her hand on the knob. She stood hesitating, her head bowed. It was evident that this mission was to require great fortitude.
Stephen Crane (The Complete Works of Stephen Crane: The Red Badge of Courage, Active Service, The Little Regiment And Other Episodes From The American Civil War and More)
You, sir,” Irv interrupted, his satchel thumping to the ground at his feet, “are just bothered you were not the first to find acceptable employ. Mostly because, as the women that keep company with you can attest, the only services you provide pay in salves and a burning sensation over the chamber pot.” Rip’s brow rose in mock shock. “How lewd a claim! Lewd … with the faintest hint of accuracy.
Stacey Rourke (Crane (The Legends Saga, #1))
Beautiful prairies, bordered by lofty hills sparsely scattered with timber, stretch around. The massive fronds of the Pinus Ponderosa replace the elegant leaflets of the Cedar, no longer found save rarely, perchance, in some deep dell moistened by a purling streamlet. Groves of aspen appear here and there. The Balsam Poplar shows itself at intervals only, along the streams. The white racemes of the Service-berry flower, and the chaste flowers of the Mock Orange, load the air with their fragrance. Every copse re-echoes with the low drumming of the ruffed Grouse; the trees resound with the muffled booming of the Cock of the Woods. The Pheasant shirrs past; the scrannel-pipe of the larger Crane -- ever a watchful sentinel -- grates harshly on the ear; and the shrill whistle of the Curlew as it soars aloft aides the general concert of the re-opined year. I speak still of Spring; for the impressions of that jocum season are ever the most vivid, and naturally recur with the greatest force in after years. -- Alexander Caulfield Anderson describing the new brigade trail between Lac la Hache and Kamloops.
Nancy Marguerite Anderson (The Pathfinder: A.C. Anderson's Journeys in the West)
During one of his activities as director of Chicago’s annual Polish Constitution Day Parade, Gacy met and was photographed with the then First Lady, Rosalynn Carter, on May 6, 1978. The famous photograph even has her autograph, an embarrassing reminder to the Secret Service – who gave special clearance to Gacy – that they still had a bit to learn, once they found out who and what John Wayne Gacy truly was.
Tyler Crane (John Wayne Gacy: The True Crime Story of the Killer Clown (Serial Killers, True Crime))
Tony Williams: You’ve often mentioned that Tales of Hoffmann (1951) has been a major influence on you. George Romero: It was the first film I got completely involved with. An aunt and uncle took me to see it in downtown Manhattan when it first played. And that was an event for me since I was about eleven at the time. The imagery just blew me away completely. I wanted to go and see a Tarzan movie but my aunt and uncle said, “No! Come and see a bit of culture here.” So I thought I was missing out. But I really fell in love with the film. There used to be a television show in New York called Million Dollar Movie. They would show the same film twice a day on weekdays, three times on Saturday, and three-to-four times on Sunday. Tales of Hoffmann appeared on it one week. I missed the first couple of days because I wasn’t aware that it was on. But the moment I found it was on, I watched virtually every telecast. This was before the days of video so, naturally, I couldn’t tape it. Those were the days you had to rent 16mm prints of any film. Most cities of any size had rental services and you could rent a surprising number of films. So once I started to look at Tales of Hoffmann I realized how much stuff Michael Powell did in the camera. Powell was so innovative in his technique. But it was also transparent so I could see how he achieved certain effects such as his use of an overprint in the scene of the ballet dancer on the lily ponds. I was beginning to understand how adept a director can be. But, aside from that, the imagery was superb. Robert Helpmann is the greatest Dracula that ever was. Those eyes were compelling. I was impressed by the way Powell shot Helpmann sweeping around in his cape and craning down over the balcony in the tavern. I felt the film was so unique compared to most of the things we were seeing in American cinema such as the westerns and other dreadful stuff I used to watch. Tales of Hoffmann just took me into another world in terms of its innovative cinematic technique. So it really got me going. Tony Williams: A really beautiful print exists on laserdisc with commentary by Martin Scorsese and others. George Romero: I was invited to collaborate on the commentary by Marty. Pat Buba (Tony’s brother) knew Thelma Schoonmaker and I got to meet Powell in later years. We had a wonderful dinner with him one evening. What an amazing guy! Eventually I got to see more of his movies that I’d never seen before such as I Know Where I’m Going and A Canterbury Tale. Anyway, I couldn’t do the commentary on Tales of Hoffmann with Marty. But, back in the old days in New York, Marty and I were the only two people who would rent a 16mm copy of the film. Every time I found it was out I knew that he had it and each time he wanted it he knew who had it! So that made us buddies.
George A. Romero (George A. Romero: Interviews)
They climbed up the crane’s service ladder, then clambered along the fat metal supports. The crane was way taller than it had looked from the floor, and Kip was a little scared–not like scared scared, he wasn’t a baby–but the climb wasn’t hard. It was kind of like the obstacle course at the playground, only way bigger. Besides, he was with his dad. If Dad said it was okay, it was okay. The other people already on the crane smiled at them. ‘Pull up a seat,’ one lady shouted. Dad laughed. ‘Don’t mind if we do.’ He swung himself into an empty spot. ‘Come on, Kip.
Becky Chambers (Record of a Spaceborn Few (Wayfarers, #3))
Crane went on to join the Libertarian Party, which had been summoned into being in a Denver living room in December 1971. Its founders sought a world in which liberty was preserved by the total absence of government coercion in any form. That entailed the end of public education, Social Security, Medicare, the U.S. Postal Service, minimum wage laws, prohibitions against child labor, foreign aid, the Environmental Protection Agency, prosecution for drug use or voluntary prostitution—and, in time, the end of taxes and government regulations of any kind.46 And those were just the marquee targets.
Nancy MacLean (Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America)
Put your glasses on mate ….. Come down from there, you’re gonna kill yourself …. Well, what does your Method Statement say? …. Right, let’s get you re-inducted. You need a reminder of site rules ….. Where are your outriggers, mate? ….. Put your glasses on ….. Put your glasses on …. Put your glasses on …. Oh, they steam up, do they? I’ve never heard that one before …. Where’s your mask? If you breathe this shit in you’re going to kill yourself. Silicosis is incurable ….. Right STOP! Do not reverse another inch without a banksman ….. Don’t put your glasses on just because you see me walk around the corner. They won’t protect MY eyes …. Hook yourself on, what’s the matter with you? Are all you scaffolders superhuman or something? ….. Put your glasses on ….. Oi! What stops me walking right in there? Where’s your barriers and signage? ….. Oi! I’m getting showered in fucking sparks here. And so is that can of petrol ….. Put your glasses on …. Where’s the flashback arrestor on this bottle of propane? ….. Hey, pal, stop welding until you’ve sheeted up ….. What are you doing climbing up there? Where’s your supervisor? What did he say about access in this morning’s Safe Start briefing? Nothing? Right, he can sit through another induction tomorrow ….. Where are the retaining pins to the joint clamps in this concrete pump line? SEAMUS! Fucking deal with this, will you? ….Put your glasses on …. Hey! Hey! Come here! Why have you got a nail instead of an ‘R’ clip to the quick-hitch system on your excavator bucket? NO! IT WON’T DO! WHAT THE FUCK IS WRONG WITH YOU? If that bucket falls on someone they’re not going to get up again. And you trust a fucking nail to hold it in position! Take this machine out of service immediately until you’ve got the proper ‘R’ clip! ….. Put your glasses on …. Where’s the edge protection. Who removed the edge protection? Right, let me phone for a scaffolder ….. Put your glasses on ….. Oi! Get out from under there! Never, ever stand underneath a suspended load. Even if all the equipment’s been inspected, which it obviously has, you can never trust the crane driver. He can be taken ill suddenly ….. Come here, mate, let’s have a little chat. Why are you working on Fall Arrest? You’re supposed to be working on Fall Restraint (FR ‘restrains’ you going near the perimeter edge of the building, FA ‘arrests’ your fall if, well, if you fall. If you’re hanging off a building we’ve got less than ten minutes to reach you before you start going into toxic shock brought on by suspension trauma. In other words, we need a Rescue Plan, which is why we’d prefer people work on Fall Restraint)
Karl Wiggins (Dogshit Saved My Life)
The Jewel in Her Crown, which showed the old Queen (whose image the children now no doubt confused with the person of Miss Crane) surrounded by representative figures of her Indian Empire: princes, landowners, merchants, moneylenders, sepoys, farmers, servants, children, mothers, and remarkably clean and tidy beggars. The Queen was sitting on a golden throne, under a crimson canopy, attended by her temporal and spiritual aides: soldiers, statesmen and clergy. The canopied throne was apparently in the open air because there were palm trees and a sky showing a radiant sun bursting out of bulgy clouds such as, in India, heralded the wet monsoon. Above the clouds flew the prayerful figures of the angels who were the benevolent spectators of the scene below. Among the statesmen who stood behind the throne one was painted in the likeness of Mr. Disraeli holding up a parchment map of India to which he pointed with obvious pride but tactful humility. An Indian prince, attended by native servants, was approaching the throne bearing a velvet cushion on which he offered a large and sparkling gem. The children in the school thought that this gem was the jewel referred to in the title. Miss Crane had been bound to explain that the gem was simply representative of tribute, and that the jewel of the title was India herself, which had been transferred from the rule of the British East India Company to the rule of the British Crown in 1858, the year after the Mutiny when the sepoys in the service of the Company (that first set foot in India in the seventeenth century) had risen in rebellion, and attempts had been made to declare an old Moghul prince king in Delhi, and that the picture had been painted after 1877, the year in which Victoria was persuaded by Mr. Disraeli to adopt the title Empress of India.
Paul Scott (The Jewel in the Crown (The Raj Quartet, #1))
Ticks Haulage is a family run business that has been established since 1988, based in Manningtree, Essex, specializing in road haulage services including self-loading vehicles with curtain-sider trailers with Moffett forklifts and a 32 ton Hiab Crane vehicle. Our drivers are able to provide a wealth of experience and expertise to handle all types of loads. All our lifting equipment is regularly tested and fully certificated.
Ticks Haulage Ltd
Jackson looked down at the top of Day’s head. “Was what okay? The sex?” Day craned his head up. “No, my interpretive dance. Yes, the sex. Was it okay?
Onley James (Infuriating (Elite Protection Services, #4))
To protect life is the highest calling. To be a white knight dedicated to such cause is to be a paladin, a holy warrior in the All-Mother’s service. Some fight for greed, willing to kill another to take what they have; others for love or for lust, and still others for revenge or out of anger. Every day of life is a fight. You can acquiesce in these greater and lesser battles, and find yourself soon enough dead—or dead inside. Or you can fight for what is important to you, struggle for what matters, with word when possible and sword when necessary, and risk death to shape your world such as you would have it.
Robert J. Crane (Defender, Avenger, Champion (Sanctuary #1-3))
Loyalty for the sake of loyalty is the greatest delusion of all, as though you can compel fastidious service with no promise of reward. It is in our natures to always be seeking the better deal, more favorable terms,
Robert J. Crane (Fated in Darkness (Sanctuary, #5.5))
We at Bennett Crane Rentals are a crane service company with the latest equipment and properly trained personnel. Our Large Variety of cranes, rigging, and specialized heavy hauling equipment enables us to ensure good efficiency and safety.
Bennett Crane Rental
Because SPYDER wants me dead. They tried to kill me on the Arlington Bridge yesterday.” Erica gave me a look that indicated I was the world’s biggest idiot. “That wasn’t SPYDER. That was me.” “You?” I gasped. “Why would you try to kill me?” Erica’s look hardened, now indicating that I might be the biggest idiot in the entire universe. “I wasn’t trying to kill you. I had to do something to get you free.” “So you opened fire on an entire convoy of Secret Service agents?” “It wasn’t like I had a whole lot of options.” Erica led me through the invertebrate zoo, where display cases were filled with an array of the world’s biggest, slimiest, and most revolting insects. “I had to act fast. If they’d gotten you to the Pentagon and locked you up there, it would have been almost impossible for me to free you.” “Almost impossible?” I echoed. “Nothing’s completely impossible. But some things are awfully close. So I improvised. Lucky for you, I was keeping an eye on you again at the White House yesterday when the bomb went off.” “Really? I didn’t see you.” “Because I didn’t want you to see me.” Erica cut through a demonstration where a museum employee was removing insects from Tupperware containers and showing them to a crowd of riveted children. “After the explosion, I saw the Secret Service drag you out and figured they were taking you to the Pentagon. So I grabbed my motorcycle and raced over to the construction site.” I thought back to the flash of movement I’d seen among the construction workers, moving toward the crane. I now realized it had been Erica. “So, you swung that hook at the car on purpose?” “Yeah. I realize that was a bit dicey, but I’d never operated a crane before. It’s harder than you’d think.” “A bit dicey? You realize if you’d been off by another inch or two, you would have killed me?” Erica considered this, then shrugged. “Well, we all make mistakes. I would have asked you to do the math, but you were tough to reach at the time.
Stuart Gibbs (Spy School Secret Service)
The memorial service for Beth, Harry Crane’s wife of fourteen years, was held in the Leiper Friends Meeting House in Waverly, just outside Philadelphia. The large, unadorned room was packed with relatives, friends, neighbors and coworkers. A woman’s whisper rose from their midst. “Oh, look at him. Poor Harry.” Grief-haunted and pale in his rumpled blue suit, Harry sat in the front row
Jon Cohen (Harry's Trees)
Why are they even here, Nath wonders, and when the service starts and they all crane their necks toward the coffin at the front, under the sassafras tree, he understands. They are drawn by the spectacle of sudden death.
Celeste Ng (Everything I Never Told You)
Blaming Goldwater’s retreat on his effort to win over the majority of voters (and recoiling, too, from the senator’s military adventurism), Crane went on to join the Libertarian Party, which had been summoned into being in a Denver living room in December 1971. Its founders sought a world in which liberty was preserved by the total absence of government coercion in any form. That entailed the end of public education, Social Security, Medicare, the U.S. Postal Service, minimum wage laws, prohibitions against child labor, foreign aid, the Environmental Protection Agency, prosecution for drug use or voluntary prostitution—and, in time, the end of taxes and government regulations of any kind.46 And those were just the marquee targets. Crane was as insistent as Rothbard and Koch about the need for a libertarian revolution against the statist world system of the twentieth century. “The Establishment” had to be overthrown—its conservative wing along with its liberal wing. Both suffered “intellectual bankruptcy,” the conservatives for their “militarism” and the liberals for their “false goals of equality.” The future belonged to the only “truly radical vision”: “repudiating state power” altogether.47 Once Crane agreed to lead the training institute, all that was lacking was a name, which Rothbard eventually supplied: it would be called the Cato Institute. The name was a wink to insiders: while seeming to gesture toward the Cato’s Letters of the American Revolution, thus performing an appealing patriotism, it also alluded to Cato the Elder, the Roman leader famed for his declaration that “Carthage must be destroyed!” For this new Cato’s mission was also one of demolition: it sought nothing less than the annihilation of statism in America.48
Nancy MacLean (Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America)
Sadly, Crane knew he was right; humans were their own worst enemy. Negative news always spreads further and faster than positive news, and as with all businesses, journalism provides a service based on supply and demand. The more people click and share negativity, the more journalists are happy to pump it out for us all to consume.
K.J. Dando (A Craftsman's Work (Tom Crane, #2))