Crane Quotes

We've searched our database for all the quotes and captions related to Crane. Here they are! All 100 of them:

Why are they all staring?" demanded Albus as he and Rose craned around to look at the other students. "Don’t let it worry you," said Ron. "It’s me. I’m extremely famous.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I guess this is a bad time to mention I hung a dummy and painted Seneca Crane's name on it...
Suzanne Collins (Catching Fire (The Hunger Games, #2))
A Man Said to the Universe A man said to the universe: “Sir, I exist!” “However,” replied the universe, “The fact has not created in me A sense of obligation.
Stephen Crane (War Is Kind and Other Poems (Dover Thrift Editions: Poetry))
I won't let this be my good-bye. I've folded one thousand paper crane memories of me and Grace, and I've made my wish. I will find a cure. And then I will find Grace.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.” “You fear for Jem,” Will said. “Yes,” she said. “And I fear for you, too.” “No,” Will said, hoarsely. “Don’t waste that on me, Tess.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
In the Desert In the desert I saw a creature, naked, bestial, Who, squatting upon the ground, Held his heart in his hands, And ate of it. I said, “Is it good, friend?” “It is bitter—bitter,” he answered; “But I like it “Because it is bitter, “And because it is my heart.
Stephen Crane (The Black Riders and Other Lines)
A friend is someone with whom you dare to be yourself.
Frank Crane
I saw the prince when I was in Os Alta,” said Ekaterina. “He’s not bad looking.” “Not bad looking?” said another voice. “He’s damnably handsome.” Luchenko scowled. “Since when—” “Brave in battle, smart as a whip.” Now the voice seemed to be coming from above us. Luchenko craned his neck, peering into the trees. “An excellent dancer,” said the voice. “Oh, and an even better shot.” “Who—” Luchenko never got to finish. A blast rang out, and a tiny black hole appeared between his eyes. I gasped. “Imposs—” “Don’t say it,” muttered Mal.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
It's my special magical power. I can read your mind when you're thinking dirty thoughts." "So, ninety-five percent of the time." She craned her head back to look up at him. "Ninety-five percent? What's the other five percent?" "Oh, you know, the usual--demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks." "Ducks?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
You don’t love people for what they can give you. You don’t love them because of what they do for you or how good you make them look. Love is blind, love does not boast, love is not vain.
Shelly Crane (Significance (Significance, #1))
You may be deceived if you trust too much, but you will live in torment unless you trust enough.
Frank Crane
I saw something in you that I couldn't live without. I chose you, inside of me, and you chose me. It's not one sided, it only works when both people choose the other. You are perfect for me in every way.
Shelly Crane (Significance (Significance, #1))
In a moment of weakness, he craned his head and kissed her on the shoulder, where the drop of blood had fallen before.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
Frank Crane
Because you are my significant, my soul mate. And I'm yours.
Shelly Crane (Significance (Significance, #1))
She craned her neck, glared at me through the small opening, and took a step back. And then she kicked my door in. Was it any wonder I was falling for her?" "Chapter 24
Alyxandra Harvey (Out for Blood (Drake Chronicles, #3))
We are going so slow," Noah said, craning his neck to observe the inevitable queue behind them. "I think I just saw a tricycle pass us.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I think human beings must have faith or must look for faith, otherwise our life is empty, empty. To live and not to know why the cranes fly, why children are born, why there are stars in the sky. You must know why you are alive, or else everything is nonsense, just blowing in the wind.
Anton Chekhov
It's my job as best friend to make sure he's not a serial killer. Or an English major, not sure which one's worse.
Shelly Crane (Significance (Significance, #1))
Hale, this life . . .' she started slowly, still practically speechless. 'This . . . what we do--what my family does--it looks a lot more glamorous when you choose it.' 'So choose it.' He handed her another envelope. Smaller this time. Thinner. 'What's this?' she asked. 'That, darling, is my full confession. Dates. Times.' Hale leaned against the antique table. 'I thought the crane rental receipt was a particularly nice touch.' Kat looked at him, speechless. 'It's your ticket back into Colgan. If you want it.' 'Hale, I . . .' But Hale was still moving, shrinking the distance between them. He seemed impossibly close as he whispered. 'And I didn't choose it, Kat. I chose you.
Ally Carter (Heist Society (Heist Society, #1))
Did anyone ever tell you that you're completely inappropriate?" "They have. And you know, I had a little talk with myself about it. It turns out I'm cool with it.
Shelly Crane (Defiance (Significance, #3))
Pain doesn’t get easier. You just have to get stronger.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
But what would they have said to their Liaison? It’s like this, Meg. We didn’t like that Asia Crane, so we ate her. When dealing with humans, honesty isn’t always the best policy, Vlad thought
Anne Bishop (Written in Red (The Others, #1))
Find the light that makes your lantern shine,” she used to say. “Hold on to it, even when the dark surrounds you. Not even the strongest wind will blow out the flame.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
But... we will always be drawn together. We'll always crave each other. We'll always be in tune with each other, physically and mentally. There is nothing that can change or break that. And even if there was, I wouldn't want to. Not for the world.
Shelly Crane (Significance (Significance, #1))
One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment.
Hart Crane
The Golden Crane flies for Tarmon Gai'don!
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
His eyes opened and he smiled at me like he understood everything, like I was everything.
Shelly Crane (Significance (Significance, #1))
There always comes a time in life where you can either give up or step up.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
If this was Harry Potter, he'd definitely be in Slytherin
Shelly Crane (Significance (Significance, #1))
Gran, I'm only gonna ask this once. Please don't have sex talks with me, ok? Especially with Maggie in the room. Do you think we could do that?
Shelly Crane (Significance (Significance, #1))
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.” “Noted.” “Then where?” “Steiner’s.” “The jewelry store?” “Yep.” “Why, Travis?” Shepley said, his voice more stern than before. “You’ll see.” He shook his head. “Are you trying to run her off?” “It’s going to happen, Shep. I just want to have it. For when the time is right.” “No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?” My teeth clenched at the thought. “I won’t ask her until I know she’s ready.” Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.” “Wait until you see the rock I’m getting.” Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Most people think happiness is about gaining something, but it's not. It's all about getting rid of the darkness you accumulate.
Carolyn Crane (Double Cross (The Disillusionists, #2))
Does pain go away and leave no trace, then?’ ‘You sometimes even feel sentimental for it.
Yasunari Kawabata (Thousand Cranes)
In the words of some really beautiful smart girl I know, just give me what I want," Caleb whispered.
Shelly Crane (Significance (Significance, #1))
I would tell you stories from dawn to dusk if it meant filling your eyes with happiness.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
Fear is just a game, Shiori, I reminded myself. You win by playing.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples.
Stephen Crane (Open Boat (Creative Short Stories))
You have to make your own happy. You can’t depend on other people for that.
Shelly Crane (Devour (Devoured, #1))
I wanted someone to want me in all ways and someone who I wanted the same in return, And I'd found him.
Shelly Crane (Significance (Significance, #1))
If fate is a bunch of strings, then I'll carry scissors. My choices are my own. I'll make them as I please.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
A falcon who chases a warlike crane can only hope for a life of pain.
Gabriel García Márquez (Chronicle of a Death Foretold)
You're right. I'm not the kind of woman to do something foolish out of defiance. I am, however, the kind of woman who would do something just to prove that you can't tell me what kind of woman I am.
Carolyn Crane (Mind Games (The Disillusionists, #1))
It was not well to drive men into final corners; at those moments they could all develop teeth and claws.
Stephen Crane (The Red Badge of Courage)
Now, even more than the evening before, he could think of no one with whom to compare her. She had become absolute, beyond comparison. She had become decision and fate.
Yasunari Kawabata (Thousand Cranes)
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
Helen Bevington (When Found, Make a Verse of)
Shh!” the guy beside me hissed again. “Blame him,” I told the guy, pointing at Patch. The guy craned his neck back. “Listen,” he said, facing me again. “If you don’t quiet down, I’ll get security.” “Fine, go get security. Tell them to take him away,” I said, again signaling Patch. “Tell them he wants to kill me.” “I want to kill you,” hissed the guy’s girlfriend,
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
I am so in love with you,” I told him. He smiled graciously and pressed his nose and cheek to mine with a hand on my jaw. “I'm so in love with you.” “I know,” I said happily and smiled through the rain on my cheeks.
Shelly Crane (Accordance (Significance, #2))
You chose me, I chose you. End of story.
Shelly Crane (Devour (Devoured, #1))
Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
It doesn't matter who you were or what you've done in the past. The only thing that matters is who you are right now.
Shelly Crane (Wide Awake (Wide Awake, #1))
Love is pretty much a decision anyway. Just like happiness. You can decide to either love someone or not, be happy or not. The rest is just commitment to the idea.
Caprice Crane (Stupid and Contagious)
You're his mate, his one, his partner, his companion, his soul mate, the person he'll be with forever.
Shelly Crane (Significance (Significance, #1))
I'll always come for you. I'll always find you.
Shelly Crane (Significance (Significance, #1))
Why not get married and get started on your life?" "You’ve thought about this already, haven’t you?" "Of course I have. Caleb leaned to hover over me on his elbows and looked seriously at me. “I’ve thought about it every since you first touched me and I knew you were mine.
Shelly Crane (Significance (Significance, #1))
I value liberty above all else. Without liberty, no other value can be realized.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
It wasn't long before I had the urge to glance inside. I then had a slight moment of panic. Number one, Big John was walking out the door with a meat cleaver gleaming in his hand. Yes, a meat cleaver. Number two, he was glaring at Caleb like he was the devil himself.
Shelly Crane (Significance (Significance, #1))
This is the story of a boy who used to be a wolf, and a girl who became one. I won't let this be my goodbye. I've folded one thousand paper crane memories of me and Grace, and I've made my wish. I will find a cure. And then I will find Grace.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Everything we'll accomplish, we'll do it together or not at all.
Shelly Crane (Accordance (Significance, #2))
The rose has told In one simplicity That never life Relinquishes a bloom But to bestow An ancient confidence.
Nathalia Crane (Venus Invisible and Other Poems)
Food feeds the belly, thoughts feed the mind, but love is what feeds the heart.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
It’s going to be gone soon, isn’t it?” he said, more than a tinge of regret in his voice as he studied the large flower. She nodded, craning her neck to look back at the blue blossom. “It should be gone in another week or two,” she said. There was a distinct lack of regret in her voice. “Maybe less, after last night.” Is it really such a bother?” Sometimes.” David’s hands stroked one of the longer petals on the blossom from base to tip, then brought it briefly to his nose and inhaled. “It’s just so . . . I don’t know . . . sexy.” Really? But it’s so . . . plantish.
Aprilynne Pike (Spells (Wings, #2))
When I have you, sweet boy, it will be because you want me to. Not against your better judgment, not in spite of my surname, and definitely not to annoy your aunt." Stephen went red, but his voice was defiant. "Well, what was that, then?" Crane shrugged. "You seemed tense.
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
Tell her this And more,— That the king of the seas Weeps too, old, helpless man. The bustling fates Heap his hands with corpses Until he stands like a child With surplus of toys.
Stephen Crane (The Complete Poems of Stephen Crane)
It's rooted in my blood to consume you and be consumed by you. To protect you. To please you, in every way. To make you shiver when I touch you. To cause your heart to beat faster.
Shelly Crane (Significance (Significance, #1))
He pulled my face up with his hand cupping my cheek and kissed me on my trembling mouth. He smoothed his hands down my arms, my back, my hair, my cheek, soothing me. “There’s a picture of you two in the dictionary under ‘get a room’,” Kyle said from behind me.
Shelly Crane (Accordance (Significance, #2))
You can't put fate on a schedule.
Shelly Crane (Defiance (Significance, #3))
Think as I think," said a man, "or you are abominably wicked; you are a toad." And after I thought of it, I said, "I will, then, be a toad.
Stephen Crane
I would not have you be alone, Lina, not in your joys or your sorrows. I would wish your strand knotted to mine, always.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
I want him more than I need him.
Shelly Crane (Accordance (Significance, #2))
If I am going to be drowned—if I am going to be drowned—if I am going to be drowned, why, in the name of the seven mad gods who rule the sea, was I allowed to come thus far and contemplate sand and trees?
Stephen Crane (The Open Boat and Other Stories)
When the suicide arrived at the sky, the people there asked him: "Why?" He replied: "Because no one admired me.
Stephen Crane (The Complete Poems of Stephen Crane)
Sweetheart," he chided, making my heart skid. "You'll never need me more than I need you." I didn't argue out loud, though my mind made it clear that he was insane if he thought that was true.
Shelly Crane (Defiance (Significance, #3))
The day Caleb touched my hand and I saw all those things, I was excited. Yes, a little freaked but excited more. I felt like...everything I ever needed was right there. I still feel like that. It's not something you can just turn off and I wouldn't want to. I want him more than I need him.
Shelly Crane (Accordance (Significance, #2))
I wasn’t gorgeous but I still didn’t understand why I wasn’t good enough for anyone.
Shelly Crane
Sometimes, the most profound of awakenings come wrapped in the quietest of moments.
Stephen Crane
Dogs are here to remind us life really is a simple thing. You eat, sleep, take walks, and pee when you must. That's about all there is. They are quick to forgive trespasses and assume strangers will be kind.
Jonathan Carroll (The Marriage of Sticks (Crane's View, #2))
I did that girly little sighing thing you do when you can't handle all the sweetness anymore and bit my lip.
Shelly Crane (Significance (Significance, #1))
What is truth? Scholars seek it. Poets write it. Good Kings pay gold to hear it. But in trying times, truth is the first thing we betray.
Joan He (Descendant of the Crane)
You know any single girls in their twenties that would go for Bish?" I asked Caleb. "Sure, I know plenty. But would Bish go for it? He doesn’t seem to be attracted to anything that walks, talks, eats or breathes except my sister.
Shelly Crane (Accordance (Significance, #2))
I love how guys say 'it meant nothing' like that's supposed to make it all ok. You only stopped because you got caught.
Shelly Crane (Devour (Devoured, #1))
Truly, all that was missing was Mission Impossible theme music, and if I was being honest, it was playing in my head anyway.
Shelly Crane (Defiance (Significance, #3))
We have to be bigger than the things we suffer.
Shelly Crane (Undeniably Chosen (Significance, #5))
If you wish to abrogate all responsibility for your moral and intellectual independence, then by all means - conform with the herd and obey blindly.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
Only the sweetest of the sweet would bring brownies to the apocalypse.
Shelly Crane (Collide (Collide, #1))
You deserve better than me,” I whispered, and the selfish part of me hoped he wouldn’t hear. He heard. Marc spun me around so fast I would have slipped again if he weren’t holding me up. We were so close drops of water from his chin fell onto my chest, and I had to crane my neck to see him. “You are perfect for me, Faythe, just like you are, because you’re not perfect. You’re headstrong, and impulsive, and outspoken, and I’m possessive, and overprotective, and too easy to piss off. We’re both wrong for a lot of things, but we’re right for each other. Do you understand?” I nodded. I didn’t know what else to do.
Rachel Vincent (Shift (Shifters, #5))
I don't see how I could possibly move a napkin with the power of my mind," I say. "All will be revealed." "Did you just say, 'All will be revealed'?" He looks up. "Yes." "Who says, 'All will be revealed'?" "I do," Packard says. "Just perform the task.
Carolyn Crane (Mind Games (The Disillusionists, #1))
You almost got hit by a truck because you were checking me out?" I joked and he laughed loudly. "Yeah. Good thing you saved me. It would have been your fault if I didn't make it," he said through a grin.
Shelly Crane (Significance (Significance, #1))
Caleb,” I called and looked at him. “I need you.” He looked surprised as he came forward. “What do you need?” “You.” “Does this require a human sacrifice?” he said joking. “No,” I laughed and heard Jen laugh too. “You remember I told you how I needed you at my side? I do, always. I can’t do any of this without you. Your touch is the trigger.” “It is?” he said in surprise. “You are just as important as I am. In the vision, I saw that you and I will be the key, not just me. Everything we’ll accomplish, we’ll do it together or not at all.
Shelly Crane (Accordance (Significance, #2))
If you have not confronted true horrors, understood evil, suffered hopelessness and despair, found faith, and made yourself completely accountable for your own choices, actions and outcomes, then I can guarantee that any acceptance you pretend to have will be as brittle and temporary as a snowball in the middle of summer.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.” I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name. You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into. “I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.” Nico shook his head. “I think I like Jude’s better.” “Me too,” I said softly. “Me too.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Learn from my mistakes, [...] and learn from my joys. Surround yourself with those who'll love you always, through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone's lantern shine.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
I think the important thing to remember is that all relationships benefit from a bit of breathing room. Especially friendships. It's only when you find yourself without the women who understand you that you realize there are very few women who will.
Megan Crane (Frenemies)
All the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
Paul Kalanithi (When Breath Becomes Air)
Yesterday I had a woman ask me what kind of salad dressings we have. I told her we have sesame soy dressing, spicy lime vinaigrette, and blue cheese. She made a face and asked, 'Is that all?' 'Yes,' I told her, 'those are all of our dressings.' 'Don't you have any other dressings?' he says. I mean, what the hell? What does she think? That I'm holding out? I was tempted to say, "No, we actually have an entirely different assortment of dressings that I don't tell people about the first time they ask, because they don't deserve these great secret dressings. But now that you have proven your worth, I will show you to the VIP room, where the array of salad dressings will dazzle and delight you.
Caprice Crane (Stupid and Contagious)
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
So, ninety-five percent of the time." She craned her head back to look up at time. "Ninety-five percent? What's the other five percent?" "Oh, you know, the usual--demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks." "Ducks?" He waved her question away. "All right. Now watch this." He took her shoulders and turned her gently, so they were both facing the same way. A moment later--she wasn't sure how--the walls of the room seemed to melt away around them, and she found herself stepping out onto cobblestones. She gasped, turning to look behind her, and saw only a black wall, windows high up in an old stone building. Rows of similar house lined the canal they stood besides. If she craned her head to the left, she could see in the distance that the canal opened out into a much larger waterway, lined with grand buildings. Everywhere was the smell of water and stone. "Cool, huh?" Jace said proudly. She turned and looked at him. "Ducks?" She said again. A smile tugged the edge of his mouth. "I hate ducks. Don't know hy. I just always have.
Cassandra Clare
I wanted you, nameless Woman of the South, No wraith, but utterly—as still more alone The Southern Cross takes night And lifts her girdles from her, one by one— High, cool, wide from the slowly smoldering fire Of lower heavens,— vaporous scars! Eve! Magdalene! or Mary, you? Whatever call—falls vainly on the wave. O simian Venus, homeless Eve, Unwedded, stumbling gardenless to grieve Windswept guitars on lonely decks forever; Finally to answer all within one grave! And this long wake of phosphor, iridescent Furrow of all our travel—trailed derision! Eyes crumble at its kiss. Its long-drawn spell Incites a yell. Slid on that backward vision The mind is churned to spittle, whispering hell. I wanted you . . . The embers of the Cross Climbed by aslant and huddling aromatically. It is blood to remember; it is fire To stammer back . . . It is God—your namelessness. And the wash— All night the water combed you with black Insolence. You crept out simmering, accomplished. Water rattled that stinging coil, your Rehearsed hair—docile, alas, from many arms. Yes, Eve—wraith of my unloved seed! The Cross, a phantom, buckled—dropped below the dawn. Light drowned the lithic trillions of your spawn.
Hart Crane (The Bridge)
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
Selethen was names Hawk. Alyss had been given the title of Tsuru, or Crane. . .Evanlynn was Kitsune, the Nihon-Jan word for Fox . . .Halt strangly enough had been known only as Halto-san. . . But Will had been taken aback in his confrotation with Arisaka to discover that his name - Chocho - meant "butterfly". It seemed a highly unwarlike name to him- not at all glamorous.And he was puzzled to know why they had selected it. His friends,of course, were delighted in helping him guess the reason. "I assume its because you're such a snazzy dresser," Evanlynn said. "You Rangers are like a riot of color after all." Will glared at her and was mortified to hear Alyss snigger at the princess's sally. He'd thought Alyss, at least, might stick up for him. "I think it might be more to do with the way he raced around the the training ground, darting here and there to correct the way a man might be holding his sheidl then dashing off to show someone how to put theri body weight into their javelin cast," said Horace, a little more sympathetically. Then he ruined the effect by adding thoughtlessly, "I must say, your cloak did flutter around like a butterfly's wings." "It was neither of those things," Halt said finally, and they all turned to look at him. "I asked Shigeru," he explained. "He said that they had all noticed how Will's mind and imagination darts from one idea to another at such high speed," . . Will looked mollified. "Isuppose it's not too bad it you put it that way. It's just it does seem a bit . . girly." .... " I like my name Horace said a little smugly. "Black Bear. It describes my prodigous strength and my mighty prowess in battle." Alyss might have let him get away with it if it hadn't been for his tactless remark about Will's cloak flapping like a butterfly's wings. "Not quite," she said. "I asked Mikeru where the name came from. He said it described your prdogious appetite and your mighty prowess at the dinner table. It seems that when you were escaping through the mountains, Shigeru and his followers were worried you'd eat the supplies all by yourself." There was a general round of laughter. After a few seconds, Horace joined in.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))