Crane Quotes

We've searched our database for all the quotes and captions related to Crane. Here they are! All 200 of them:

Why are they all staring?" demanded Albus as he and Rose craned around to look at the other students. "Don’t let it worry you," said Ron. "It’s me. I’m extremely famous.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I guess this is a bad time to mention I hung a dummy and painted Seneca Crane's name on it...
Suzanne Collins (Catching Fire (The Hunger Games, #2))
A Man Said to the Universe A man said to the universe: “Sir, I exist!” “However,” replied the universe, “The fact has not created in me A sense of obligation.
Stephen Crane (War Is Kind and Other Poems (Dover Thrift Editions: Poetry))
I won't let this be my good-bye. I've folded one thousand paper crane memories of me and Grace, and I've made my wish. I will find a cure. And then I will find Grace.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.” “You fear for Jem,” Will said. “Yes,” she said. “And I fear for you, too.” “No,” Will said, hoarsely. “Don’t waste that on me, Tess.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
In the Desert In the desert I saw a creature, naked, bestial, Who, squatting upon the ground, Held his heart in his hands, And ate of it. I said, “Is it good, friend?” “It is bitter—bitter,” he answered; “But I like it “Because it is bitter, “And because it is my heart.
Stephen Crane (The Black Riders and Other Lines)
A friend is someone with whom you dare to be yourself.
Frank Crane
I saw the prince when I was in Os Alta,” said Ekaterina. “He’s not bad looking.” “Not bad looking?” said another voice. “He’s damnably handsome.” Luchenko scowled. “Since when—” “Brave in battle, smart as a whip.” Now the voice seemed to be coming from above us. Luchenko craned his neck, peering into the trees. “An excellent dancer,” said the voice. “Oh, and an even better shot.” “Who—” Luchenko never got to finish. A blast rang out, and a tiny black hole appeared between his eyes. I gasped. “Imposs—” “Don’t say it,” muttered Mal.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
It's my special magical power. I can read your mind when you're thinking dirty thoughts." "So, ninety-five percent of the time." She craned her head back to look up at him. "Ninety-five percent? What's the other five percent?" "Oh, you know, the usual--demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks." "Ducks?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
You don’t love people for what they can give you. You don’t love them because of what they do for you or how good you make them look. Love is blind, love does not boast, love is not vain.
Shelly Crane (Significance (Significance, #1))
You may be deceived if you trust too much, but you will live in torment unless you trust enough.
Frank Crane
I saw something in you that I couldn't live without. I chose you, inside of me, and you chose me. It's not one sided, it only works when both people choose the other. You are perfect for me in every way.
Shelly Crane (Significance (Significance, #1))
In a moment of weakness, he craned his head and kissed her on the shoulder, where the drop of blood had fallen before.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
We're never so vulnerable than when we trust someone - but paradoxically, if we cannot trust, neither can we find love or joy.
Frank Crane
Because you are my significant, my soul mate. And I'm yours.
Shelly Crane (Significance (Significance, #1))
We are going so slow," Noah said, craning his neck to observe the inevitable queue behind them. "I think I just saw a tricycle pass us.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
She craned her neck, glared at me through the small opening, and took a step back. And then she kicked my door in. Was it any wonder I was falling for her?" "Chapter 24
Alyxandra Harvey (Out for Blood (Drake Chronicles, #3))
I think human beings must have faith or must look for faith, otherwise our life is empty, empty. To live and not to know why the cranes fly, why children are born, why there are stars in the sky. You must know why you are alive, or else everything is nonsense, just blowing in the wind.
Anton Chekhov
Pain doesn’t get easier. You just have to get stronger.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
Find the light that makes your lantern shine,” she used to say. “Hold on to it, even when the dark surrounds you. Not even the strongest wind will blow out the flame.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
It's my job as best friend to make sure he's not a serial killer. Or an English major, not sure which one's worse.
Shelly Crane (Significance (Significance, #1))
The Golden Crane flies for Tarmon Gai'don!
Robert Jordan (Knife of Dreams (The Wheel of Time, #11))
Hale, this life . . .' she started slowly, still practically speechless. 'This . . . what we do--what my family does--it looks a lot more glamorous when you choose it.' 'So choose it.' He handed her another envelope. Smaller this time. Thinner. 'What's this?' she asked. 'That, darling, is my full confession. Dates. Times.' Hale leaned against the antique table. 'I thought the crane rental receipt was a particularly nice touch.' Kat looked at him, speechless. 'It's your ticket back into Colgan. If you want it.' 'Hale, I . . .' But Hale was still moving, shrinking the distance between them. He seemed impossibly close as he whispered. 'And I didn't choose it, Kat. I chose you.
Ally Carter (Heist Society (Heist Society, #1))
One must be drenched in words, literally soaked in them, to have the right ones form themselves into the proper pattern at the right moment.
Hart Crane
But what would they have said to their Liaison? It’s like this, Meg. We didn’t like that Asia Crane, so we ate her. When dealing with humans, honesty isn’t always the best policy, Vlad thought
Anne Bishop (Written in Red (The Others, #1))
Did anyone ever tell you that you're completely inappropriate?" "They have. And you know, I had a little talk with myself about it. It turns out I'm cool with it.
Shelly Crane (Defiance (Significance, #3))
But... we will always be drawn together. We'll always crave each other. We'll always be in tune with each other, physically and mentally. There is nothing that can change or break that. And even if there was, I wouldn't want to. Not for the world.
Shelly Crane (Significance (Significance, #1))
His eyes opened and he smiled at me like he understood everything, like I was everything.
Shelly Crane (Significance (Significance, #1))
There always comes a time in life where you can either give up or step up.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
If this was Harry Potter, he'd definitely be in Slytherin
Shelly Crane (Significance (Significance, #1))
Gran, I'm only gonna ask this once. Please don't have sex talks with me, ok? Especially with Maggie in the room. Do you think we could do that?
Shelly Crane (Significance (Significance, #1))
Most people think happiness is about gaining something, but it's not. It's all about getting rid of the darkness you accumulate.
Carolyn Crane (Double Cross (The Disillusionists, #2))
I would tell you stories from dawn to dusk if it meant filling your eyes with happiness.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.” “Noted.” “Then where?” “Steiner’s.” “The jewelry store?” “Yep.” “Why, Travis?” Shepley said, his voice more stern than before. “You’ll see.” He shook his head. “Are you trying to run her off?” “It’s going to happen, Shep. I just want to have it. For when the time is right.” “No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?” My teeth clenched at the thought. “I won’t ask her until I know she’s ready.” Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.” “Wait until you see the rock I’m getting.” Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
If fate is a bunch of strings, then I'll carry scissors. My choices are my own. I'll make them as I please.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
Does pain go away and leave no trace, then?’ ‘You sometimes even feel sentimental for it.
Yasunari Kawabata (Thousand Cranes)
In the words of some really beautiful smart girl I know, just give me what I want," Caleb whispered.
Shelly Crane (Significance (Significance, #1))
Fear is just a game, Shiori, I reminded myself. You win by playing.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples.
Stephen Crane (Open Boat)
You have to make your own happy. You can’t depend on other people for that.
Shelly Crane (Devour (Devoured, #1))
I wanted someone to want me in all ways and someone who I wanted the same in return, And I'd found him.
Shelly Crane (Significance (Significance, #1))
A falcon who chases a warlike crane can only hope for a life of pain.
Gabriel García Márquez (Chronicle of a Death Foretold)
You're right. I'm not the kind of woman to do something foolish out of defiance. I am, however, the kind of woman who would do something just to prove that you can't tell me what kind of woman I am.
Carolyn Crane (Mind Games (The Disillusionists, #1))
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
Helen Bevington (When Found, Make a Verse of)
It was not well to drive men into final corners; at those moments they could all develop teeth and claws.
Stephen Crane (The Red Badge of Courage)
Now, even more than the evening before, he could think of no one with whom to compare her. She had become absolute, beyond comparison. She had become decision and fate.
Yasunari Kawabata (Thousand Cranes)
Shh!” the guy beside me hissed again. “Blame him,” I told the guy, pointing at Patch. The guy craned his neck back. “Listen,” he said, facing me again. “If you don’t quiet down, I’ll get security.” “Fine, go get security. Tell them to take him away,” I said, again signaling Patch. “Tell them he wants to kill me.” “I want to kill you,” hissed the guy’s girlfriend,
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
His chest protruded like a deprived marigold craning its petals to soak in the sun.
H. Meadow Hopewell (Rage Against the Machine)
I am so in love with you,” I told him. He smiled graciously and pressed his nose and cheek to mine with a hand on my jaw. “I'm so in love with you.” “I know,” I said happily and smiled through the rain on my cheeks.
Shelly Crane (Accordance (Significance, #2))
Daja: "He and Rosethorn work together? They hate each other." Lark: "I didn't say they liked it. - Daja and Lark referring to Rosethorn and Crane's cooperation on finding the cures for new diseases
Tamora Pierce (Briar's Book (Circle of Magic, #4))
Love is pretty much a decision anyway. Just like happiness. You can decide to either love someone or not, be happy or not. The rest is just commitment to the idea.
Caprice Crane (Stupid and Contagious)
You chose me, I chose you. End of story.
Shelly Crane (Devour (Devoured, #1))
Why not get married and get started on your life?" "You’ve thought about this already, haven’t you?" "Of course I have. Caleb leaned to hover over me on his elbows and looked seriously at me. “I’ve thought about it every since you first touched me and I knew you were mine.
Shelly Crane (Significance (Significance, #1))
I'll always come for you. I'll always find you.
Shelly Crane (Significance (Significance, #1))
You're his mate, his one, his partner, his companion, his soul mate, the person he'll be with forever.
Shelly Crane (Significance (Significance, #1))
It doesn't matter who you were or what you've done in the past. The only thing that matters is who you are right now.
Shelly Crane (Wide Awake (Wide Awake, #1))
Food feeds the belly, thoughts feed the mind, but love is what feeds the heart.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
We all fear loneliness, madness, dying. Shakespeare and Walt Whitman, Leopardi and Hart Crane will not cure those fears. And yet these poets bring us fire and light.
Harold Bloom (The Anatomy of Influence: Literature as a Way of Life)
On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.
Aldo Leopold (A Sand County Almanac)
I value liberty above all else. Without liberty, no other value can be realized.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
When the prophet, a complacent fat man, Arrived at the mountain-top He cried: "Woe to my knowledge! I intended to see good white lands And bad black lands— But the scene is grey.
Stephen Crane (The Complete Poems of Stephen Crane)
This is the story of a boy who used to be a wolf, and a girl who became one. I won't let this be my goodbye. I've folded one thousand paper crane memories of me and Grace, and I've made my wish. I will find a cure. And then I will find Grace.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
I would not have you be alone, Lina, not in your joys or your sorrows. I would wish your strand knotted to mine, always.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
It wasn't long before I had the urge to glance inside. I then had a slight moment of panic. Number one, Big John was walking out the door with a meat cleaver gleaming in his hand. Yes, a meat cleaver. Number two, he was glaring at Caleb like he was the devil himself.
Shelly Crane (Significance (Significance, #1))
I like to make you know your master,” Crane said. “It's only fair. The rest of the time you've got me so thoroughly enslaved, I might as well be wearing a collar with your name on it.
K.J. Charles (A Case of Possession (A Charm of Magpies, #2))
Everything we'll accomplish, we'll do it together or not at all.
Shelly Crane (Accordance (Significance, #2))
The rose has told In one simplicity That never life Relinquishes a bloom But to bestow An ancient confidence.
Nathalia Crane (Venus Invisible and Other Poems)
Ben, I don’t want to take your freedom. I just want a place in your world. An important one.” He craned his neck, tipping my chin up to make me look at him at the same time. “Sweetheart, you’ve been important since day one.
Kylie Scott (Deep (Stage Dive, #4))
Green pine trees, cranes and turtles ... You must tell a story of your hard times And laugh twice.
John Hersey (Hiroshima)
Though you cannot see him, you become aware of the fact that your father is sitting on the floor. He is folding cranes so that your mother can string them. This is marriage.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
It’s going to be gone soon, isn’t it?” he said, more than a tinge of regret in his voice as he studied the large flower. She nodded, craning her neck to look back at the blue blossom. “It should be gone in another week or two,” she said. There was a distinct lack of regret in her voice. “Maybe less, after last night.” Is it really such a bother?” Sometimes.” David’s hands stroked one of the longer petals on the blossom from base to tip, then brought it briefly to his nose and inhaled. “It’s just so . . . I don’t know . . . sexy.” Really? But it’s so . . . plantish.
Aprilynne Pike (Spells (Wings, #2))
Tell her this And more,— That the king of the seas Weeps too, old, helpless man. The bustling fates Heap his hands with corpses Until he stands like a child With surplus of toys.
Stephen Crane (The Complete Poems of Stephen Crane)
When I have you, sweet boy, it will be because you want me to. Not against your better judgment, not in spite of my surname, and definitely not to annoy your aunt." Stephen went red, but his voice was defiant. "Well, what was that, then?" Crane shrugged. "You seemed tense.
K.J. Charles (The Magpie Lord (A Charm of Magpies, #1))
To this day, cranes carry the strands of our fate. They say that each time two people’s paths cross, so do their strands. When they become important to one another or make a promise to one another, a knot is tied, connecting them.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
XXIV I saw a man pursuing the horizon; Round and round they sped. I was disturbed at this; I accosted the man. "It is futile," I said, "You can never-" "You lie" he cried And ran on.
Stephen Crane
Think as I think," said a man, "or you are abominably wicked; you are a toad." And after I thought of it, I said, "I will, then, be a toad.
Stephen Crane
It's rooted in my blood to consume you and be consumed by you. To protect you. To please you, in every way. To make you shiver when I touch you. To cause your heart to beat faster.
Shelly Crane (Significance (Significance, #1))
He pulled my face up with his hand cupping my cheek and kissed me on my trembling mouth. He smoothed his hands down my arms, my back, my hair, my cheek, soothing me. “There’s a picture of you two in the dictionary under ‘get a room’,” Kyle said from behind me.
Shelly Crane (Accordance (Significance, #2))
You can't put fate on a schedule.
Shelly Crane (Defiance (Significance, #3))
If I am going to be drowned—if I am going to be drowned—if I am going to be drowned, why, in the name of the seven mad gods who rule the sea, was I allowed to come thus far and contemplate sand and trees?
Stephen Crane (The Open Boat and Other Stories)
When the suicide arrived at the sky, the people there asked him: "Why?" He replied: "Because no one admired me.
Stephen Crane (The Complete Poems of Stephen Crane)
I want him more than I need him.
Shelly Crane (Accordance (Significance, #2))
Wait, what are you doing?” She could apparently hear the strain in my voice as I craned my neck from side to side. “I’m trying to see past a little girl on my hood." “Oh. Isn’t that dangerous?” “Normally. But she has a knife.” “Oh, well, then, I guess it’s okay.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
Sweetheart," he chided, making my heart skid. "You'll never need me more than I need you." I didn't argue out loud, though my mind made it clear that he was insane if he thought that was true.
Shelly Crane (Defiance (Significance, #3))
Your heart is your home. Until you understand that, you belong nowhere.
Elizabeth Lim (The Dragon's Promise (Six Crimson Cranes, #2))
You are my daughter, not of my blood, but of my heart.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
A learned man came to me once. He said, "I know the way, -- come." And I was overjoyed at this. Together we hastened. Soon, too soon, were we Where my eyes were useless, And I knew not the ways of my feet. I clung to the hand of my friend; But at last he cried, "I am lost.
Stephen Crane (The Black Riders and Other Lines)
Nobody will mess with us, huh? Ever seen The Hills Have Eyes? The Chainsaw Massacre? Psycho!" He laughed. "Yes, but I'll murder anyone who comes near you, do you hear me?" I nodded with a smirk.
Shelly Crane (Independence (Significance, #4))
The day Caleb touched my hand and I saw all those things, I was excited. Yes, a little freaked but excited more. I felt like...everything I ever needed was right there. I still feel like that. It's not something you can just turn off and I wouldn't want to. I want him more than I need him.
Shelly Crane (Accordance (Significance, #2))
What is truth? Scholars seek it. Poets write it. Good Kings pay gold to hear it. But in trying times, truth is the first thing we betray.
Joan He (Descendant of the Crane)
I wasn’t gorgeous but I still didn’t understand why I wasn’t good enough for anyone.
Shelly Crane
Sometimes, the most profound of awakenings come wrapped in the quietest of moments.
Stephen Crane
Dogs are here to remind us life really is a simple thing. You eat, sleep, take walks, and pee when you must. That's about all there is. They are quick to forgive trespasses and assume strangers will be kind.
Jonathan Carroll (The Marriage of Sticks (Crane's View, #2))
I did that girly little sighing thing you do when you can't handle all the sweetness anymore and bit my lip.
Shelly Crane (Significance (Significance, #1))
If you wish to abrogate all responsibility for your moral and intellectual independence, then by all means - conform with the herd and obey blindly.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
We have to be bigger than the things we suffer.
Shelly Crane (Undeniably Chosen (Significance, #5))
I love how guys say 'it meant nothing' like that's supposed to make it all ok. You only stopped because you got caught.
Shelly Crane (Devour (Devoured, #1))
Truly, all that was missing was Mission Impossible theme music, and if I was being honest, it was playing in my head anyway.
Shelly Crane (Defiance (Significance, #3))
Shokaku is a crane of some kind.' 'For lifting things?' Will asked. 'For flying. A crane is a large bird,' she corrected him... 'Seems like a logical thing for a crane to do,' Halt mused. 'I suppose you wouldn't expect it to mean 'a hiking crane' or 'a waddling crane.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Do not demean yourself by stating the ridiculous," Grimalkin replied smoothly. Just because my species is vastly superior does not mean you should flaunt your idiocy freely. I know why you are here, dog." "Really", Puck called, craning his head to look up at the cat. "Well then, would you like to share your theory, furball?
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
You know any single girls in their twenties that would go for Bish?" I asked Caleb. "Sure, I know plenty. But would Bish go for it? He doesn’t seem to be attracted to anything that walks, talks, eats or breathes except my sister.
Shelly Crane (Accordance (Significance, #2))
I'm not a baker so I'm not about to sugar coat it for you.
Shelly Crane (Significance (Significance, #1))
Only the sweetest of the sweet would bring brownies to the apocalypse.
Shelly Crane (Collide (Collide, #1))
Do you still want this?" she asked in a whisper. "More than I want to breathe," he said in a groan.
Shelly Crane (Defiance (Significance, #3))
If you have not confronted true horrors, understood evil, suffered hopelessness and despair, found faith, and made yourself completely accountable for your own choices, actions and outcomes, then I can guarantee that any acceptance you pretend to have will be as brittle and temporary as a snowball in the middle of summer.
Graeme Rodaughan (The Crane War (The Metaframe War, #5))
You are the light in a dark place. You are the water to my drought. You are everything I never knew existed and everything I wanted all at the same time.
Shelly Crane (Catalyst (Collide, #3))
You deserve better than me,” I whispered, and the selfish part of me hoped he wouldn’t hear. He heard. Marc spun me around so fast I would have slipped again if he weren’t holding me up. We were so close drops of water from his chin fell onto my chest, and I had to crane my neck to see him. “You are perfect for me, Faythe, just like you are, because you’re not perfect. You’re headstrong, and impulsive, and outspoken, and I’m possessive, and overprotective, and too easy to piss off. We’re both wrong for a lot of things, but we’re right for each other. Do you understand?” I nodded. I didn’t know what else to do.
Rachel Vincent (Shift (Shifters, #5))
I don't see how I could possibly move a napkin with the power of my mind," I say. "All will be revealed." "Did you just say, 'All will be revealed'?" He looks up. "Yes." "Who says, 'All will be revealed'?" "I do," Packard says. "Just perform the task.
Carolyn Crane (Mind Games (The Disillusionists, #1))
You almost got hit by a truck because you were checking me out?" I joked and he laughed loudly. "Yeah. Good thing you saved me. It would have been your fault if I didn't make it," he said through a grin.
Shelly Crane (Significance (Significance, #1))
But I like it Because it is bitter, And because it is my heart.
Stephen Crane
The things we should focus on in any life shouldn’t be what we’ve lost, but what we’ve gained
Shelly Crane (Wide Awake (Wide Awake, #1))
Caleb,” I called and looked at him. “I need you.” He looked surprised as he came forward. “What do you need?” “You.” “Does this require a human sacrifice?” he said joking. “No,” I laughed and heard Jen laugh too. “You remember I told you how I needed you at my side? I do, always. I can’t do any of this without you. Your touch is the trigger.” “It is?” he said in surprise. “You are just as important as I am. In the vision, I saw that you and I will be the key, not just me. Everything we’ll accomplish, we’ll do it together or not at all.
Shelly Crane (Accordance (Significance, #2))
When he bit into the flesh there softly, I almost accused him right there of lying to me about me being his first girlfriend, because he was way too good at this.
Shelly Crane (Independence (Significance, #4))
He was such a…master of kissery.
Shelly Crane (Defiance (Significance, #3))
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.” I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name. You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into. “I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.” Nico shook his head. “I think I like Jude’s better.” “Me too,” I said softly. “Me too.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
You proposed over a plate of burned bacon?
Shelly Crane (Accordance (Significance, #2))
The one girl I thought I'd risk it for." He stuck one finger into the air to drive home his point. "The one girl and you stole her right out from under me! Literally!
Shelly Crane (Significance (Significance, #1))
Learn from my mistakes, [...] and learn from my joys. Surround yourself with those who'll love you always, through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone's lantern shine.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
Half of tradition is a lie.
Stephen Crane
Sometimes, knowing when to let go is just as important as knowing when to hold tight.
Shelly Crane (Wide Awake (Wide Awake, #1))
The man had arrived at that stage of drunkenness where affection is felt for the universe.
Stephen Crane (Maggie: A Girl of the Streets)
If by any chance we do not meet again in this lifetime, then I will find you in the next—or as many lifetimes as it takes to see you again.
June Hur (A Crane Among Wolves)
But a promise is a promise, not a kiss in the wind, to be thrown about without care. It is a piece of yourself that is given away and will not return until your pledge is fulfilled.
Elizabeth Lim (The Dragon's Promise (Six Crimson Cranes, #2))
Two or three angels Came near to the earth. They saw a fat church. Little black streams of people Came and went in continually. And the angels were puzzled To know why the people went thus, And why they stayed so long within.
Stephen Crane (The Complete Poems of Stephen Crane)
I want to... go everywhere, see everything. I want to go with you anywhere you'll take me... and I want you to want to take me with you.
Shelly Crane (Devour (Devoured, #1))
Be the light that makes someone's lantern shine.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
The beautiful thing about driving was that it stole just enough of his attention - car parked on the side, maybe a cop, slow to speed limit, time to pass this sixteen-wheeler, turn signal, check rearview, crane neck to check blind spot and yes, okay, left lane.
John Green (An Abundance of Katherines)
I think the important thing to remember is that all relationships benefit from a bit of breathing room. Especially friendships. It's only when you find yourself without the women who understand you that you realize there are very few women who will.
Megan Crane (Frenemies)
Beck, we gotta go.” “Ok.” She made smooch lips to the mirror and then smiled at me. “It's shameful to look this fabulous isn't it?” she said, making me laugh. “Absolutely, just shameful.
Shelly Crane (Accordance (Significance, #2))
You may not have realized what it meant, but somehow, you made the decision subconsciously... that you wanted to keep me.
Shelly Crane (Devour (Devoured, #1))
You do realize that you completely ''threw Kyle under the bus,'' I told him. ''Like threw him under and then put it in reverse
Shelly Crane (Defiance (Significance, #3))
All stories begin before they start and never, ever finish.
Patrick Ness (The Crane Wife)
Baby," he told me, his eyes lidded and dark, "you always taste like honey buns.
Shelly Crane (Independence (Significance, #4))
You saved me from my life.
Shelly Crane (Devour (Devoured, #1))
He vaguely desired to walk around and around the body and stare; the impulse of the living to try to read in dead eyes the answer to the Question.
Stephen Crane (The Red Badge of Courage)
You've always been fond of understanding people too well." "They should arrange not to be understood quite so easily.
Yasunari Kawabata (Thousand Cranes)
A MAN FEARED A man feared that he might find an assassin; Another that he might find a victim. One was more wise than the other.
Stephen Crane
We mortals exist for but a season, and yet we love as though we are bound by eternity.
June Hur (A Crane Among Wolves)
Sweetheart. Are you trying to kill me?
Shelly Crane (Significance (Significance, #1))
Full moon is falling through the sky. Cranes fly through clouds. Wolves howl. I cannot find rest Because I am powerless To amend a broken world. Sima Zian added, "I love the man who wrote that, I told you before, but there is so much burden in Chan Du. Duty, assuming all tasks, can betray arrogance. The idea we can know what must be done, and do it properly. We cannot know the future, my friend. It claims so much to imagine we can. And the world is not broken any more than it always, always is.
Guy Gavriel Kay (Under Heaven (Under Heaven, #1))
All the idylls of youth: beauty manifest in lakes, mountains, people; richness in experience, conversation, friendships. Nights during a full moon, the light flooded the wilderness, so it was possible to hike without a headlamp. We would hit the trail at two A.M., summiting the nearest peak, Mount Tallac, just before sunrise, the clear, starry night reflected in the flat, still lakes spread below us. Snuggled together in sleeping bags at the peak, nearly ten thousand feet up, we weathered frigid blasts of wind with coffee someone had been thoughtful enough to bring. And then we would sit and watch as the first hint of sunlight, a light tinge of day blue, would leak out of the eastern horizon, slowly erasing the stars. The day sky would spread wide and high, until the first ray of the sun made an appearance. The morning commuters began to animate the distant South Lake Tahoe roads. But craning your head back, you could see the day’s blue darken halfway across the sky, and to the west, the night remained yet unconquered—pitch-black, stars in full glimmer, the full moon still pinned in the sky. To the east, the full light of day beamed toward you; to the west, night reigned with no hint of surrender. No philosopher can explain the sublime better than this, standing between day and night. It was as if this were the moment God said, “Let there be light!” You could not help but feel your specklike existence against the immensity of the mountain, the earth, the universe, and yet still feel your own two feet on the talus, reaffirming your presence amid the grandeur.
Paul Kalanithi (When Breath Becomes Air)
To be all in, no regrets, no turning back, no matter the consequences. It felt a lot like freedom.
Shelly Crane (Defiance (Significance, #3))
Yesterday I had a woman ask me what kind of salad dressings we have. I told her we have sesame soy dressing, spicy lime vinaigrette, and blue cheese. She made a face and asked, 'Is that all?' 'Yes,' I told her, 'those are all of our dressings.' 'Don't you have any other dressings?' he says. I mean, what the hell? What does she think? That I'm holding out? I was tempted to say, "No, we actually have an entirely different assortment of dressings that I don't tell people about the first time they ask, because they don't deserve these great secret dressings. But now that you have proven your worth, I will show you to the VIP room, where the array of salad dressings will dazzle and delight you.
Caprice Crane (Stupid and Contagious)
You don't choose your life, your life chooses you.
Shelly Crane (Independence (Significance, #4))
It's not the current that will drown you. It's the exhaustion from fighting it.
Rebekah Crane (The Upside of Falling Down)
From CATS ARE KIND "A man said to the universe, 'Sir, I exist!' 'Excellent,' replied the universe, 'I've been looking for someone to take care of my cats.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
I'm sorry," I muttered. "My subconscious is apparently obsessed with you.
Shelly Crane (Consume (Devoured, #2))
A reputation is all it takes to spread fear. And fear is a mighty weapon.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
If you want to understand a person, peer at his heart through the window of his prejudices and assumptions.
Joan He (Descendant of the Crane)
The song that was playing above us was You And Me by Lifehouse and he pressed his face into my hair and softly sang the words to me. What day is it? And in what month? This clock never seemed so alive I can't keep up I can't back down I'm losing so much time 'Cause it's you and me, and all of the people with nothing to do, nothing to lose And it's you and me, and all of the people And I don't know why I can't keep my eyes off of you I could have died... or cried...or sighed. I wasn't sure what I wanted to do more.
Shelly Crane (Defiance (Significance, #3))
Battle scars just remind us that we survived.
Shelly Crane (Smash Into You)
It's not just jealousy because the Jacobson's are imprinting. There's a prophecy." "A prophecy," I scoffed. "What is this, Harry Potter?
Shelly Crane (Accordance (Significance, #2))
Perhaps an individual must consider his own death to be the final phenomenon of nature.
Stephen Crane (The Open Boat and Other Stories)
You may be deceived if you trust too much, but you will live in torment if you don't trust enough.
Frank Crane
Equality is not the natural way of the world, whispered her father's voice. It must be nurtured.
Joan He (Descendant of the Crane)
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
He looked like he always did. Jeans and a black Foo Fighters t-shirt, his hair lay over his forehead and around his ears. I pushed my hand through it. "It's perfect. It's you." He grinned, shaking his head. "Zeke told me to wear leather, lots of it." "And you're rebelling?" I said through a laugh. "I'm telling him to subtly screw himself.
Shelly Crane (Accordance (Significance, #2))
Don't worry. Just when you think your life is over, a new story line falls from the sky and lands right in your lap.
Rebekah Crane (The Upside of Falling Down)
We are bound, remember? If you have no heart, I will give you half of mine. If you have no spirit, I will bind yours to mine.
Elizabeth Lim (The Dragon's Promise (Six Crimson Cranes, #2))
Wherever I live, I shall feel homesick for Tibet. I often think I can still hear the cries of wild geese and cranes and the beating of their wings as they fly over Lhasa in the clear, cold moonlight. My heartfelt wish is that my story may create some understanding for a people whose will to live in peace and freedom has won so little sympathy from an indifferent world.
Heinrich Harrer (Seven Years in Tibet)
Beside her, Oliver is craning his neck to read the signs for customs, already thinking about the next thing, already moving on. Because that's what you do in planes. You share an armrest with someone for a few hours. You exchange stories about your life, an amusing anecdote or two, maybe even a joke. You comment on the weather and remark about the terrible food. And then you say goodbye.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
When you step from the wings onto the stage you go from total blackness to a blinding hot glare. After a moment you adjust, but there is that moment. like being inside lightning.
Meg Howrey (The Cranes Dance)
Yo, back in the day, I was bad boned. I was tough, ok? Rugged. People feared me,” Cain said. “I’m sure they did.” “Are you doubting my mad badness?
Shelly Crane (Catalyst (Collide, #3))
Its easy to lose sight of what you want when you think you want everything.
Jonathan Carroll (Kissing the Beehive (Crane's View, #1))
Love: a burnt match skating in a urinal.
Hart Crane
So, ninety-five percent of the time." She craned her head back to look up at time. "Ninety-five percent? What's the other five percent?" "Oh, you know, the usual--demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks." "Ducks?" He waved her question away. "All right. Now watch this." He took her shoulders and turned her gently, so they were both facing the same way. A moment later--she wasn't sure how--the walls of the room seemed to melt away around them, and she found herself stepping out onto cobblestones. She gasped, turning to look behind her, and saw only a black wall, windows high up in an old stone building. Rows of similar house lined the canal they stood besides. If she craned her head to the left, she could see in the distance that the canal opened out into a much larger waterway, lined with grand buildings. Everywhere was the smell of water and stone. "Cool, huh?" Jace said proudly. She turned and looked at him. "Ducks?" She said again. A smile tugged the edge of his mouth. "I hate ducks. Don't know hy. I just always have.
Cassandra Clare
Kid, you've got to know that parking and making out isn't allowed, especially this time of night." "We're trying to sleep, not make out. We're on a road trip." "Is that so?" he said slowly and tapped his flashlight to the window. "The fogged up windows beg to differ.
Shelly Crane (Independence (Significance, #4))
Not only after two or three centuries, but in a million years, life will still be as it was; life does not change, it remains for ever, following its own laws which do not concern us, or which, at any rate, you will never find out. Migrant birds, cranes for example, fly and fly, and whatever thoughts, high or low, enter their heads, they will still fly and not know why or where. They fly and will continue to fly, whatever philosophers come to life among them; they may philosophize as much as they like, only they will fly....
Anton Chekhov (The Three Sisters)
I wanted you, nameless Woman of the South, No wraith, but utterly—as still more alone The Southern Cross takes night And lifts her girdles from her, one by one— High, cool, wide from the slowly smoldering fire Of lower heavens,— vaporous scars! Eve! Magdalene! or Mary, you? Whatever call—falls vainly on the wave. O simian Venus, homeless Eve, Unwedded, stumbling gardenless to grieve Windswept guitars on lonely decks forever; Finally to answer all within one grave! And this long wake of phosphor, iridescent Furrow of all our travel—trailed derision! Eyes crumble at its kiss. Its long-drawn spell Incites a yell. Slid on that backward vision The mind is churned to spittle, whispering hell. I wanted you . . . The embers of the Cross Climbed by aslant and huddling aromatically. It is blood to remember; it is fire To stammer back . . . It is God—your namelessness. And the wash— All night the water combed you with black Insolence. You crept out simmering, accomplished. Water rattled that stinging coil, your Rehearsed hair—docile, alas, from many arms. Yes, Eve—wraith of my unloved seed! The Cross, a phantom, buckled—dropped below the dawn. Light drowned the lithic trillions of your spawn.
Hart Crane (The Bridge)
Until you've lived through all that," he said, "don't you ever complain about what we have. Because to me... to me..." He choked on the words, but he barely paused before he continued. "This - us - is heaven. I can't bear to hear you say otherwise.
Julia Quinn (To Sir Phillip, With Love (Bridgertons, #5))
Dammit, woman, you read my mind,“ he said. “Is there no filthy wordplay you can't foresee?" “It's my special magical power. I can read your mind when you're thinking dirty thoughts." “So, ninety-five percent of the time." She craned her head back to look up at him. “Ninety-five percent? What's the other five percent?" “Oh, you know, the usual demons I might kill, runes I need to learn, people who've annoyed me recently, people who've annoyed me not so recently, ducks.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
... I tried to glare at him but I felt terrible and I’m sure I didn’t pull it off. He was handsome, which irked me. His hair and eyes were dark and he couldn’t be more than forty five. If this was Harry Potter, he’d definitely be in Slytherin.
Shelly Crane (Significance (Significance, #1))
Out, beefy. The women folk have work to do." Bish laughed and pointed to himself. "I'm beefy, I suppose." "Well, no one else in this room has his arms stuffed into his sleeves like sausage casings, now do they?
Shelly Crane (Independence (Significance, #4))
Alright, well, we're going to go tell Maggie's father." Kyle came forward to inspect Caleb's face closely. "Dude, what are you doing?" "Just memorising your pretty face before it gets all mangled." Caleb laughed and shoved Kyle who laughed too. "Shut up, man.
Shelly Crane (Accordance (Significance, #2))
This boy at school taught me. But then he pulled my ponytail on the playground the next day, so I'm not really friends with him anymore." "Why did he pull your ponytail?" "Momma says boys are mean when they like you," she whispered in a disgusted voice. "But I think Momma's been misinformed.
Shelly Crane (Defiance (Significance, #3))
I need you to know: I hated that I needed more than this from him. There is nothing more humiliating to me than my own desires. Nothing that makes me hate myself more than being burdensome and less than self-sufficient. I did not want to feel like the kind of nagging woman who might exist in a sit-com.
C.J. Hauser (The Crane Wife: A Memoir in Essays)
We've got work to do. Strip." "Strip for what?" "I'm going to measure you for your dress. Strip!" Rachel saved me…sort of. "You can do her measurements with her clothes on, Mamma," she chastised. "Oh, I know I can." She pointed at me. "But look at her face! Ha! I just wanted to see her face pucker up like that.
Shelly Crane (Independence (Significance, #4))
A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face.
James Joyce (A Portrait of the Artist as a Young Man)
Jealousy is when you want something that you can’t have, something that doesn't belong to you. Being protective is defending what’s yours.” He leaned in, his hand closing around my jaw as his nose skimmed up to mine. “And you better believe that I’ll be protecting what’s mine.
Shelly Crane (Undeniably Chosen (Significance, #5))
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
I am here. I am in the present tense. I'm not always here, and sometimes here is a very difficult place. Sometimes it is a labyrinth, or a Minotaur, or a rope I can neither let go of nor follow. It's hard to find the right words, but I guess I would say that it's something like feeling the floor. And that it is my privilege to feel it.
Meg Howrey (The Cranes Dance)
I'm crying for the little girl whose mother divorced her father, the girl who wanted to fall in love for the first time but wasn't ready for sex, the girl who dated a boy just because he wasn't the first one, the girl who fell hard for the guy with the easy smile and the green eyes, the girl who needed to prove she could hook up on a class trip, the girl who rand for student council just to impress a guy, the girl who lost her best friend, the girl whose father doesn't care anymore, the girl who doesn't have the money for college, the girl who just wants her grandma to fix everything, the girl who doesn't talk to anyone about anything, the girl who just can't fall in love again - even if a sweet guy folds a thousand paper cranes. Just for her.
Sydney Salter (Swoon at Your Own Risk)
It’s ok, Merrick. I get it. I’m sorry, I just...I just can’t handle it when people are upset with me and I can’t fix it somehow. I’ll stay out of your way, ok.” As I hopped down from the counter and turned to leave he grabbed my wrist and my skin immediately began to tingle. “You’re so blind,” he breathed shaking his head.
Shelly Crane (Collide (Collide, #1))
But if it is true that human minds are themselves to a very great degree the creations of memes, then we cannot sustain the polarity of vision we considered earlier; it cannot be "memes versus us," because earlier infestations of memes have already played a major role in determining who or what we are. The "independent" mind struggling to protect itself from alien and dangerous memes is a myth. There is a persisting tension between the biological imperative of our genes on the one hand and the cultural imperatives of our memes on the other, but we would be foolish to "side with" our genes; that would be to commit the most egregious error of pop sociobiology. Besides, as we have already noted, what makes us special is that we, alone among species, can rise above the imperatives of our genes— thanks to the lifting cranes of our memes.
Daniel C. Dennett (Darwin's Dangerous Idea: Evolution and the Meanings of Life)
Kyle, open up. What kind of weirdo locks his bedroom door anyway?" "The kind that has jerks staying over who steal girlfriends." I pressed my fingers into my eyes and took a deep breath as the pain in back and legs got a little worse. "She wasn't your girlfriend." "Irrelevant!" he yelled.
Shelly Crane (Reverence (Significance, #3.5))
The truth was that I'd been spending years running away from myself. I hid myself in drama, silliness, stupidity, banality. So afraid to grow up. So afraid to involve myself in relationships where I might be expected to give the same love I got - instead of sixth-grade shenanigans. I bored myself with all the when I grow up nonsense, but I was worried it would never happen even as I longed for it.
Megan Crane (Frenemies)
Live like you are extraordinary. Love like you admire someone's most painful burden. Breathe like the air is scented with lavender and fire. See like the droplets of rain are each exquisite. Laugh like the events of existence are to be cherished. Imagine like there is magic in you fingertips. Give freedom to your instincts, to your spirit, to your longing.
E.M. Crane
Once I thought that writing this book would be impossible. It was a skyscraper, massive and complete and unbearably far off. It taunted me from the horizon. But do we ever look at such buildings and assume they sprung up overnight? No. We’ve seen the traffic congestion that attends them. The skeleton of beams and girders. The swarm of builders and the rattle of cranes… Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery. All the works by people you and I admire sit atop a foundation of failures. So whatever your project, whatever your struggle, whatever your dream, keep toiling, because the world needs your skyscraper. Per aspera, ad astra! —Pierce Brown
Pierce Brown (Morning Star (Red Rising, #3))
You’re not gonna touch or kiss me for a week are you?” I said, letting him know I knew what he was doing. He turned to look at me poignantly. “Absolutely not.” “We’ll see about that,” I countered. “You need time to heal-” “Oh no. I’m going this way and not listening.” I pointed toward the commons room. “In my book, you just issued me a challenge, buster. And I accept.
Shelly Crane (Catalyst (Collide, #3))
Dad, he's different. He's not going to take advantage of me." "I hope not, 'cause I'd hate to go to prison for murder." I laughed and went to hug him but he wasn't amused. "Dad, I'll be ok. Caleb is a nice guy and very responsible. I promise you I won't do anything stupid and neither will he. I'm sure he wants to stay alive and keep his limbs intact. Ok?" "Ok," he conceded with a sigh.
Shelly Crane (Significance (Significance, #1))
XXVIII "Truth," said a traveller, "Is a rock, a mighty fortress; "Often have I been to it, "Even to its highest tower, "From whence the world looks black." "Truth," said a traveller, "Is a breath, a wind, "A shadow, a phantom; "Long have I pursued it, "But never have I touched "The hem of its garment." And I believed the second traveller; For truth was to me A breath, a wind, A shadow, a phantom, And never had I touched The hem of its garment.
Stephen Crane
These hands," he squeezed them both on my face to make his point, "will never touch you without being gentle. Unless that's not what you want, of course." His eyebrow lifted waiting for me to balk, but I just waited. "These arms will never hold you back, but I'll hold you as tight as you'll let me. I can't wait for you to be all mine. You belong to me in every way, Maggie. Mine." I nodded in his hands. He leaned closer and whispered, "Say it." I didn't wait a beat. "I belong to you." And he belonged to me. He grinned. "You're daggum right you do.
Shelly Crane (Independence (Significance, #4))
Selethen was names Hawk. Alyss had been given the title of Tsuru, or Crane. . .Evanlynn was Kitsune, the Nihon-Jan word for Fox . . .Halt strangly enough had been known only as Halto-san. . . But Will had been taken aback in his confrotation with Arisaka to discover that his name - Chocho - meant "butterfly". It seemed a highly unwarlike name to him- not at all glamorous.And he was puzzled to know why they had selected it. His friends,of course, were delighted in helping him guess the reason. "I assume its because you're such a snazzy dresser," Evanlynn said. "You Rangers are like a riot of color after all." Will glared at her and was mortified to hear Alyss snigger at the princess's sally. He'd thought Alyss, at least, might stick up for him. "I think it might be more to do with the way he raced around the the training ground, darting here and there to correct the way a man might be holding his sheidl then dashing off to show someone how to put theri body weight into their javelin cast," said Horace, a little more sympathetically. Then he ruined the effect by adding thoughtlessly, "I must say, your cloak did flutter around like a butterfly's wings." "It was neither of those things," Halt said finally, and they all turned to look at him. "I asked Shigeru," he explained. "He said that they had all noticed how Will's mind and imagination darts from one idea to another at such high speed," . . Will looked mollified. "Isuppose it's not too bad it you put it that way. It's just it does seem a bit . . girly." .... " I like my name Horace said a little smugly. "Black Bear. It describes my prodigous strength and my mighty prowess in battle." Alyss might have let him get away with it if it hadn't been for his tactless remark about Will's cloak flapping like a butterfly's wings. "Not quite," she said. "I asked Mikeru where the name came from. He said it described your prdogious appetite and your mighty prowess at the dinner table. It seems that when you were escaping through the mountains, Shigeru and his followers were worried you'd eat the supplies all by yourself." There was a general round of laughter. After a few seconds, Horace joined in.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.
Italo Calvino (Invisible Cities)
Before I lost my father, I never understood the rituals surrounding funerals: the wake, the service itself, the reception afterward,the dinners prepared by well-meaning friends and delivered in plastic containers, even the popular habit of making poster boards filled with photos of the dear departed. But now I know why we do those things. It's busywork, all of it. I had so much to take care of, so many arrangements to make, so many people to inform, I didn't have a moment to be engulfed by the ocean of grief that was lapping at my heels. Instead, I waded through the shallows, performing task after task, grateful to have duties to propel me forward.
Wendy Webb (The Tale of Halcyon Crane)
The assault on education began more than a century ago by industrialists and capitalists such as Andrew Carnegie. In 1891, Carnegie congratulated the graduates of the Pierce College of Business for being “fully occupied in obtaining a knowledge of shorthand and typewriting” rather than wasting time “upon dead languages.” The industrialist Richard Teller Crane was even more pointed in his 1911 dismissal of what humanists call the “life of the mind.” No one who has “a taste for literature has a right to be happy” because “the only men entitled to happiness… is those who are useful.” The arrival of industrialists on university boards of trustees began as early as the 1870s and the University of Pennsylvania’s Wharton School of Business offered the first academic credential in business administration in 1881. The capitalists, from the start, complained that universities were unprofitable. These early twentieth century capitalists, like heads of investment houses and hedge-fund managers, were, as Donoghue writes “motivated by an ethically based anti-intellectualism that transcended interest in the financial bottom line. Their distrust of the ideal of intellectual inquiry for its own sake, led them to insist that if universities were to be preserved at all, they must operate on a different set of principles from those governing the liberal arts.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
نتكيّف خاضعين مكتفين بتعزيّات جزافية كتلك التى تضعها الريح فى جيوب عميقة وواسعة لأنه لا يزال فى وسعنا أن نحب العالم، نحن الذين نجد قطا صغيرا على العتبة ونعرف كيف نحميه من قساوة الشارع فى فجوة دافئة مغطاة بالريش. سوف نسير جانبيا، وحتى البسمة المتكلفة الأخيرة نتحاشى حكم ذلك الإبهام المحتوم الذى يدير نحونا ببطء سبّابته المجعدة مواجهين النظرة الشذراء الفاترة ببراءة وبالكثير من الدهشة! ومع ذلك، فتلك السقطات البارعة ليست أكاذيب أكثر مما هى استدارات أى خيزرانة مطواع، وليس مأتمنا، بصورةٍ ما، مشروعاً. فى وسعنا التملص منكم، ومن كل شىء آخر، لكن ليس من القلب: ما ذنبنا إذا بقى القلب حيّا؟ تفرض اللعبة ابتسامات متكلفة، لكننا رأينا القمر يصنع فى المعابر المقفرة كأس ضحك مقدسة من منفضة فارغة وعبر أصوات المرح والبحث جميعا سمعنا مواء قطٍ فى البرية
Hart Crane (White Buildings)
When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.
John Steinbeck