“
I stopped looking around when I heard a soft “mew” and I looked toward Tate to see he was crouched. He straightened and turned to me.
I froze and stared.
Tatum Jackson, ex-pro football player, ex-cop, now bartender/bounty hunter, tall, beautiful and more man than I’d ever experienced in my life was standing on the edge of his kitchen holding a cat.
And it wasn’t just any cat and he wasn’t just holding it. He was cradling it.
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
Garrett climbs on the bed and lies down, resting his head on a mountain of pillows. I've never met anyone who sleeps with so many pillows. Maybe he needs them to cradle his massive ego.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
”
”
Lise McClendon
“
Looking at his face, it sometimes came to her that all women had been cursed from the cradle; all, in one fashion or another, being given the same cruel destiny, born to suffer the weight of men. Frank claimed that she got it all wrong side up: it was men who suffered because they had to put up with the ways of women—and this from the time that they were born until the day they died.
”
”
James Baldwin (Go Tell It on the Mountain)
“
If it had been a heart attack, the newspaper
might have used the word massive,
as if a mountain range had opened
inside her, but instead
it used the word suddenly, a light coming on
in an empty room. The telephone
fell from my shoulder, a black parrot repeating
something happened, something awful
a sunday, dusky. If it had been
terminal, we could have cradled her
as she grew smaller, wiped her mouth,
said good-bye. But it was sudden,
how overnight we could be orphaned
& the world became a bell we'd crawl inside
& the ringing all we'd eat.
”
”
Nick Flynn
“
alone, and start to think. There are the rushing waves . . . mountains of molecules, each stupidly minding its own business . . . trillions apart . . . yet forming white surf in unison. Ages on ages . . . before any eyes could see . . . year after year . . . thunderously pounding the shore as now. For whom, for what? . . . on a dead planet, with no life to entertain. Never at rest . . . tortured by energy . . . wasted prodigiously by the sun . . . poured into space. A mite makes the sea roar. Deep in the sea, all molecules repeat the patterns of one another till complex new ones are formed. They make others like themselves . . . and a new dance starts. Growing in size and complexity . . . living things, masses of atoms, DNA, protein . . . dancing a pattern ever more intricate. Out of the cradle onto the dry land . . . here it is standing . . . atoms with consciousness . . . matter with curiosity. Stands at the sea . . . wonders at wondering . . . I . . . a universe
”
”
Richard P. Feynman (The Pleasure of Finding Things Out: The Best Short Works of Richard P. Feynman (Helix Books))
“
He turns back to me, a strong hand swooping down and sculpting hair off my face, familiar looking arms curling back around me and cradling me into a chest harder and hotter than a mountain left baking in the Australian outback.
”
”
Poppet (Ryan (Neuri, #2))
“
Dreagan is Scotland," Asher said. "The land draws you in a way you can no' begin to understand. You feel the majesty and magic of the ancient land. From the tallest mountain to the lowest valley, in the leaves of the trees and in the currents of the streams, you feel an overwhelming and unshakable need to want to be a part of such a place. To want to belong.
It doesn't confine you. Instead, it cradles you, offering its beauty and solitude for those who answer its call. It's wild and free. It's fierce and unbreakable. It's home.
”
”
Donna Grant (Dragon Fever (Dark Kings #9.5; Dark World #26.5))
“
Garrett climbs on the bed and lies down, resting his head on a mountain of pillows. I’ve never met anyone who sleeps with so many pillows. Maybe he needs them to cradle his massive ego.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
There is an old Arabic story about a man who hears Death is coming for him, so he sneaks away to Samarra. And when he gets there, he finds Death in the market, and Death says, "You know, I just felt like going on vacation to Samarra. I was going to skip you today, but how lucky you showed up to find me!" And the man is taken after all. Arthur Less has traveled halfway around the world in a cat's cradle of junkets, changing flights and fleeing from a sandstorm into into the Atlas Mountains like someone erasing his trail or outfoxing a hunter—and yet Time has been waiting here all along. In a snowy alpine resort. With cuckoos. Of course Time would turn out to be Swiss. He tosses back the champagne. He thinks: Hard to feel bad for a middle-aged white man.
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
Looking at his face, it sometimes came to her that all women had been cursed from the cradle; all, in one fashion or another, being given the same cruel destiny, born to suffer the weight of men.
”
”
James Baldwin (Go Tell It on the Mountain)
“
And there you sit, atop the smoking mountain of rubble that was once your home, covered in gray dust, cradling the mangled corpse of your little girl in your arms, looking south to a Mexican people who, in solidarity with you, have stopped riding Uber.
”
”
Brian Huskie (A White Rose: A Soldier's Story of Love, War, and School)
“
If what most people take for granted were really true—if all you needed to be happy was to grab everything and see everything and investigate every experience and then talk about it, I should have been a very happy person, a spiritual millionaire, from the cradle even until now. If
”
”
Thomas Merton (The Seven Storey Mountain)
“
The invisible bubble containing them rushed forward, and Lindon’s body shuddered with the instinct to protect itself, but Suriel spoke as though reciting a poem. “There are a million Paths in this world, Lindon, but any sage will tell you they can all be reduced to one. Improve yourself.” Lindon was still somewhat worried about offending this visitor from another world, but he dared to say, “That doesn’t sound like enough.” The mountain rushed closer as they descended into its shadow. “It’s been my path for longer than you would believe. Do you think anyone dares to attack my homeland?
”
”
Will Wight (Foundation (Cradle, #1-3))
“
The Country Sonnet
I stand beneath the southern sky,
Looking up at the heavenly bodies.
The twinkling stars know no color,
Then why we mortals beneath act so puny!
Country means heart, country means humility,
All that is pure is born in the country.
How could we poison its innocent soul,
By our savage escapades of bigotry!
It's high time we be the example of kindness,
For the streams of Mississippi carry acceptance.
Behold ye all blind with confederate pride,
Conscience rises above the Blue Ridge Mountains.
Let's resuscitate the country with love and passion.
We'll turn this land into a cradle of amalgamation.
”
”
Abhijit Naskar (Heart Force One: Need No Gun to Defend Society)
“
If religion is meant to save, to awe. to cleanse, to fortify, then my faith is found at the tops of mountains and in the secrecy of woods, in the cradle of rivers and at the bottom of the sera. i find in the solitude of nature reason and purpose. i have slept with solitude for so long that i have made her my friend, my accomplice. she follows me in the fields, the woods, the rivers, faithful as a shadow.
”
”
Guy de la Valdene (The Fragrance of Grass)
“
If what most people take for granted were really true—if all you needed to be happy was to grab everything and see everything and investigate every experience and then talk about it, I should have been a very happy person, a spiritual millionaire, from the cradle even until now. If happiness were merely a matter of natural gifts, I would never have entered a Trappist monastery when I came to the age of a man.
”
”
Thomas Merton (The Seven Storey Mountain)
“
Born in the East, and clothed in Oriental form and imagery, the Bible walks the ways of all the world with familiar feet, and enters land after land to find its own everywhere. It has learned to speak in hundreds of languages to the heart of man. It comes into the palace to tell the monarch that he is the servant of the Most High, and into the cottage to assure the peasant that he is the son of God. Children listen to its stories with wonder and delight, and wisemen ponder them as parables of life. It has a word of peace for the time of peril, the hour of darkness. Its oracles are repeated in the assembly of the people, and its counsels whispered in the ear of the lonely. The wise and the proud tremble at its warnings, but to the wounded and penitent it has a mother's voice. The wilderness and the solitary place have been made glad by it, and the fire on the hearth has lighted the reading of its well-worn pages. It has woven itself into our deepest affections, and colored our dearest dreams; so that love and friendship, sympathy and devotion, memory and hope, put on the beautiful garments of its treasured speech, breathing of frankincense and myrrh. Above the cradle and beside the grave its great words come to us uncalled. They fill our prayers with power larger than we know, and the beauty of them lingers in our ear long after the sermons which they have adorned have been forgotten. They return to us swiftly and quietly, like birds flying from far away. They surprise us with new meanings, like springs of water breaking forth from the mountain beside a long-forgotten path. They grow richer, as pearls do when they are worn near the heart. No man is poor or desolate who has this treasure for his own. When the landscape darkens and the trembling pilgrim comes to the valley named the shadow, he is not afraid to enter; he takes the rod and staff of Scripture in his hand; he says to friend and comrade, "Good-by, we shall meet again"; and comforted by that support, he goes toward the lonely pass as one who climbs through darkness into light.
”
”
Henry Van Dyke
“
The interior voice nagging me not to be a fool - to save my skin and take off my skis and walk down, camouflaged by the scrub pines bordering the slope - fled like a disconsolate mosquito. The thought that I might kill myself formed in my mind coolly as a tree or a flower...I aimed straight down...A small, answering point in my own body flew towrds it [the sun]. I felt my lungs inflate with the inrush of scenery - air, mountains, trees, people. I thought, "This is what it is to be happy."
I plummeted down past the zigzaggers, the students, the experts, through year after year of doubleness and smiles and compromised, into my own past. People and trees receded on either hand like the dark sides of a tunnel as I hurtled on to the still, bring point at the end of it, the pebble at the bottom of the well, the white sweet baby cradled in its mother's belly.
”
”
Sylvia Plath (The Bell Jar)
“
Look, we don’t love like flowers with only one season behind us; when we love, a sap older than memory rises in our arms. O girl, it’s like this: inside us we haven’t loved just some one in the future, but a fermenting tribe; not just one child, but fathers, cradled inside us like ruins of mountains, the dry riverbed of former mothers, yes, and all that soundless landscape under its clouded or clear destiny—girl, all this came before you.
”
”
Amitav Ghosh (The Hungry Tide)
“
...the only religious way in which to regard death is to perceive and reel it as a constituent part of life, as life's holy prerequisite, and not to separate it intellectually, to set it up in opposition to life, or, worse, to play it off against life in some disgusting fashion--for that is indeed the antithesis of a healthy, noble, reasonable, and religious view. The ancients decorated their sarcophagi with symbols of life and procreation, some of them even obscene. For the ancients, in fact, the sacred and the obscene were very often one and the same. Those people knew how to honor death. Death is to be honored as the cradle of life, the womb of renewal. Once separated from life, it becomes grotesque, a wraith -- or even worse. For as an independent spiritual power, death is a very depraved force, whose wicked attractions are very strong and without doubt can cause the most abominable confusion of the human mind.
”
”
Thomas Mann (The Magic Mountain)
“
I look through the window at the huge valley lit up with different colors. The town is cradled by the dark mountains. From afar it looks as if nothing can get in or out, but judging by the stillness of the view it's as if the citizens have made peace with it and have settled without worry into their insular but protected haven each evening. There are people in the world, I imagine, who are born and die in the same town, maybe even in the same house, or bed. Creatures without migration: have they not lived a life because they have not moved? What of the migratory los González, moving from one place to another and marking every stopping place with angst? What kind of alternative is that? For once my father and I are thinking thinking the same way, sharing a similar yearning for our starting points to have been different, for our final destination to be anything other than the tearful, resentful arrival it is likely to be.
”
”
Rigoberto González (Butterfly Boy: Memories of a Chicano Mariposa)
“
Permit me. Permit me, Engineer, to say to you, and to bring it home to you, that the only sane, noble—and I will expressly add, the only religious way to think of death is as part and parcel of life; to regard it, with the understanding and with the emotions, as the inviolable condition of life. It is the very opposite of sane, noble, reasonable, or religious to divorce it in any way from life, or to play it off against it. The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage, as the cradle of life, as the womb of palingenesis. Severed from life, it becomes a spectre, a distortion, and worse. For death, as an independent power, is a lustful power, whose vicious attraction is strong indeed; to feel drawn to it, to feel sympathy with it, is without any doubt at all the most ghastly aberration to which the spirit of man is prone.
”
”
Thomas Mann (The Magic Mountain)
“
There is an old Arabic story about a man who hears Death is coming for him, so he sneaks away to Samarra. And when he gets there, he finds Death in the market, and Death says, “You know, I just felt like going on vacation to Samarra. I was going to skip you today, but how lucky you showed up to find me!” And the man is taken after all. Arthur Less has traveled halfway around the world in a cat’s cradle of junkets, changing flights and fleeing from a sandstorm into the Atlas Mountains like someone erasing his trail or outfoxing a hunter—and yet Time has been waiting here all along. In a snowy alpine resort. With cuckoos. Of course Time would turn out to be Swiss. He tosses back the champagne. He thinks: Hard to feel bad for a middle-aged white man.
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
At seven little Leo was run over by an ice wagon, Marie Louise cradled her little brother in her arms, he was to be crippled for life. But a white haired 70-year-old hobo passing thru town, learning of the accident, came to the Duluoz house and offered his assistance in exchange for a meal and a lunch for the road. As everyone watched he kneaded the boy’s leg and made a few pulls and left him able to walk, no longer a cripple. “What is your name?” Tall and white-maned he flowed into eternity out of sight, across town and over the grass to the railroads, the hills; little Leo never forgot him. “Is it a saint?” “There’s an old savant for you—He came out of the mountains.” “He healed Ti Leo—” “Say what you want, me I’m going to say a little prayer—” Gray heavens lowering all around, standing in shirtsleeves by the old wood house, the Canadians nodded dumb heads in unison of sad mystery.
”
”
Jack Kerouac (The Unknown Kerouac: Rare, Unpublished & Newly Translated Writings)
“
In order to fulfill your quest -"
"Would you please not use that word? It's so Robert E. Howard."
"Fine. Your mission, should you choose to accept it, is to travel to the far ends of the earth...?"
"What? In these shoes? You must be joking."
"Crossing arid desserts and steaming jungles," the unicorn continued grimly, "fording mighty rivers and climbing snow-capped mountains-"
"I take it scheduled public transport isn't an option."
"Until you reach the Cradle of All Goblins, interrupt just once more and I wash my hooves of you, where you will encounter three trials. You must uncover the great truth that was hidden, you must right the ancestral wrong, and you must throw the fire into the ring of power. Only when you have done that -"
"Excuse me-"
"I warned you. Only when you have done that will you -"
"Excuse me," Benny said firmly, "but I think you may have got the last one a bit turned round. Surely it should be throw the ring-
”
”
Tom Holt
“
At the bottom of the passage, behind thick steel doors, I witnessed the true wealth of that country.
Others have estimated the value in those rooms of grains, of nuts, of beans; of the millions in canned foie and white asparagus; of the greenhouses under their orange lights, and the vast spice grottos. I can't quote numbers. I can only say what happened when I pressed my face to a wheel of ten-year Parmigiano, how in a burst of grass and ripe pineapple I stood in some green meadow that existed only in the resonance, like a bell's fading peal, of that aroma. I can tell you how it was to cradle wines and vinegars older than myself, their labels crying out the names of lost traditions. And I can tell you of the ferocious crack in my heart when I walked into the deep freezer to see chickens, pigs, rabbits, cows, pheasants, tunas, sturgeon, boars hung two by two. No more boars roamed the world above, no Öland geese, no sharks; the day I climbed the mountain, there vanished wild larks. I knew, then, why the storerooms were guarded as if they held gold, or nuclear armaments. They hid something rarer still: a passage back through time.
The animal carcasses were left unskinned. In the circulating air, the extinct revolved on their hooks to greet me.
”
”
C Pam Zhang (Land of Milk and Honey)
“
Tom, will you let me love you in your restaurant?
i will let you make me a sandwich of your
invention and i will eat it and call
it a carolyn sandwich. then you will kiss my lips
and taste the mayonnaise and
that is how you shall love me in my restaurant.
Tom, will you come up to my empty beige
apartment and help me set up my daybed?
yes, and i will put the screws in loosely so that
when we move on it, later,
it will rock like a cradle and then you will know
you are my baby
Tom, I am sitting on my dirt bike on the deck.
Will you come out from the kitchen
and watch the people with me?
yes, and then we will race to your bedroom.
i will win and we will tangle up
on your comforter while the sweat rains from your
stomachs and foreheads.
Tom, the stars are sitting in tonight like gumball
gems in a little girl’s
jewlery box. Later can we walk to the duck pond?
yes, and we can even go the long way past the
jungle gym. i will push you on
the swing, but promise me you’ll hold tight. if
you fall i might disappear.
Tom, can we make a baby together? I want to be
a big pregnant woman with a
loved face and give you a squalling red daughter.
no, but i will come inside you and you will be
my daughter
Tom, will you stay the night with me and sleep
so close that we are one person,
no, but i will lay down on your sheets and taste
you. there will be feathers
of you on my tongue and then I will never
forget you
Tom, when we are in line at the convenience
store can I put my hands in your
back pockets and my lips and nose in your
baseball shirt and feel the crook
of your shoulder blade?
no, but later you can lay against me and almost
touch me and when i go i will
leave my shirt for you to sleep in so that always
at night you will be pressed
up against the thought of me.
Tom, if I weep and want to wait until you need
me will you promise that someday
you will need me?
no, but i will sit in silence while you rage. you
can knock the chairs down
any mountain. i will always be the same and you
will always wait.
Tom, will you climb on top of the dumpster and
steal the sun for me? It’s just
hanging there and I want it.
no, it will burn my fingers. no one can have the
sun: it’s on loan from god.
but i will draw a picture of it and send it to you
from richmond and then you
can smooth out the paper and you will have a
piece of me as well as the sun
Tom, it’s so hot here, and I think I’m being
born. Will you come back from
Richmond and baptise me with sex and cool water?
i will come back from richmond. i will smooth
the damp spiky hairs from the
back of your wet neck and then i will lick the
salt off it. then i will leave
Tom, Richmond is so far away. How will I know
how you love me?
i have left you. that is how you will know
”
”
Carolyn Creedon
“
Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better."
"Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with."
He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands."
She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X."
"Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest."
"The dangerous singing forest?" she whispers.
He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs."
"I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch.
His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.
”
”
Diana Abu-Jaber (Crescent)
“
During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars:
"Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?"
And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather.
But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more.
There was one story that began:
"A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..."
And another:
"Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music."
While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience.
No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius.
Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said:
"You will hear him one day, my child! When I am in Heaven, I will send him to you!"
Daddy was beginning to cough at that time.
”
”
Gaston Leroux (The Phantom of the Opera)
“
It was nothing, really," Carly breathed. "Mostly gibberish."
"Mmm." His fingers brushed her cheekbone, and he stared down at her, not giving an inch. "Say it again."
"Tu set I'womo Piu bello---"
Jackson captured her words mid sentence, his mouth brushing hers in a hot, unyielding stroke as her lips parted over a sigh. His fingers tightened in her hair before he moved his palm to cradle her face. The kiss was like a low fire, begging to be stoked, and Jackson obliged on nothing but impulse.
His tongue mingled with the supple sweetness of Carly's bottom lip, testing the way and drowning in the magnetic pull of her as he deepened the kiss. Her mouth vibrated against his as she released another small sigh, and it tore through him like an avalanche, prompting his hands up into the thick fall of her hair. Christ, she tasted so sweet and yet so sinful...
”
”
Kimberly Kincaid (Gimme Some Sugar (Pine Mountain, #2))
“
We drove into the Cradle Mountain resort still munching on raspberries. Emma and Kate waited with the kids in the car.
“I’ll just be a minute,” I said. “I’ll check in and we’ll head to our rooms.” The currawongs were calling, and a padymelon, a small version of a roo, hopped off a wall just at the edge of the car park as I went in.
“Where’s all the snow?” I asked the woman behind the desk.
“It snowed this morning,” she said.
“Well, good,” I said. “There’s hope.”
Then she passed me a note. She said, “Frank called from the zoo.”
“I’m not surprised,” I said. “I haven’t called the zoo all day, and Frank is always trying to track me down.”
“Why don’t you come take the call in the office?” she said. I thought that was a little odd, since when I had been there before I’d always used the pay phone near the pub at the resort. But I entered the office and sat down in a big, comfortable chair. I could see the car park out the window. Emma and Kate were still out at the car. Robert had fallen asleep, and Kate sat inside with him. Bindi smiled and laughed with Emma.
“How you going, Frank?” I said into the phone.
He said, “Hi, Terri. I’ve been trying to get hold of you for a while.” His voice had a heavy, serious tone.
“Well, I’ve just got here,” I said. “Sorry about that, but I’m here now. What’s up?”
“I’m sorry to say that Steve had a bit of an accident while he was diving,” Frank said. “I’m afraid he got hit in the chest by a stingray’s barb.”
I’m sure there wasn’t much of a pause, but I felt time stop. I knew what Frank was going to say next. I just kept repeating the same thing over and over in my head.
Don’t say it, don’t say it, don’t say it.
Then Frank said the three words I did not want him to say, “And he died.”
I took a deep breath and looked out the window. There was Bindi, so happy to have finally arrived at one of her favorite places. We were going to have fun. She had brought her teacher and Kate. She was so excited. And the world stopped. I took another breath.
“Thank you very much for calling, Frank,” I said. I didn’t know what I was saying. I was overwhelmed, already on autopilot. “You need to cancel the rest of our trip, you need to contact my family in Oregon, and you need to get us home.”
So it began.
”
”
Terri Irwin (Steve & Me)
“
Amelia laughed and then teased him with a kiss on the cheek.
He shook his head. "Nah! Not good enough."
Knowing what he really wanted, she kissed him lightly on the lips.
Rick smiled. "Now that's more like it."
Without hesitation, he pulled her into his arms and pressed his lips to hers, giving her a kiss to remember... a kiss that took her breath away... a kiss that made her lips tingle. As his hands did their magic, caressing her back with tenderness, Amelia sighed.
When he finally released her lips, Rick tenderly cradled her face in his hands and said, "Now that's what I call the perfect thank you." He kissed her sweet lips again. "Just remember that next time."
Amelia blinked and said breathlessly, "I'll try to remember that.
”
”
Linda Weaver Clarke (The Mysterious Doll (Amelia Moore Detective Series #4))
“
[Oh, of course, yes. Not idiots. There are two more schools of non-idiots: here at the Fallen Leaf School—] A light shone on the north mountain. [—and the Heaven’s Glory School. The most…wisdom-challenged…of them all. Then, of course, we have the three clans.]
”
”
Will Wight (Bloodline (Cradle, #9))
“
Being soft is dangerous, too dangerous for some of us. But the small stone room cradles us, and the girls sit at peace, eyes closed, in the dark. It’s only my mind, I realize, that’s trying to run, darting a million miles an hour, looking for a way out.
”
”
Silvia Vasquez-Lavado (In the Shadow of the Mountain: A Memoir of Courage)
“
The prize is an illusion,” he continued. “The mountain has no peak. You keep climbing and climbing until you fall off and break yourself at the bottom.
”
”
Will Wight (Ghostwater (Cradle, #5))
“
rations. That meant that one man must go back, leaving a greater share of food for the other two. Vizintín headed back to the crash site, leaving Parrado and Canessa to hike on towards a distant shape that might, just might, be the start of a descending valley. Vizintín improvised a sledge and descended the mountain that had taken them three agonizing days to climb in just one hour. Five days of nothingness Parrado and Canessa walked through the mountains for five more days. The indistinct but promising shape they had seen in the distance got closer. And, to their unspeakable relief, became a narrow valley. A river, the Rio Azufre, trickled at the base of its cradling slopes. They followed the river down, their hopes swelling with its waters. They dropped out of the snowline. They saw sparse signs of human presence: the blackened stones of an old campfire, the flattened earth of a path. Finally, nine days after setting out, they passed cows.
”
”
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
“
Life's Just a Day [Verse]
Oh-oh, life's just a day, it's a wild, wild ride,
Shit happens, we love, we lose, we still find our stride.
From backroads to barrooms, in the shadow of the pines,
We're tough as the mountains, strong as the Carolina vines.
[Verse 2]
When the sun dips low and the whiskey flows free,
It's a dance with the devil but the stars never leave.
We stumble and fall, but our boots hit the ground,
With an outlaw heart, we’ll turn it all around.
[Chorus]
Oh, life's just a day, and it's a wild, wild ballet,
Shit happens, we learn, we laugh, but we make our own way.
Through the shadows and the scars, from the cradle to the grave,
In the hard times and the good, yeah, we're brave.
[Bridge]
When the night is full of whispers and the moon's letting on,
We find solace in the darkness, and in the crickets' song.
For in every heartache, there's a story to tell,
With each broken down fence, we rise up from the hell.
[Verse 3]
In rusted old trucks and in honky-tonk tunes,
We gather our strength under a Tennessee moon.
With a six-string in hand and a fire in our eyes,
We’ll face down our demons with the courage of the skies.
[Chorus]
Oh, life's just a day, and it's a wild, wild ballet,
Shit happens, we learn, we laugh, but we make our own way.
Through the shadows and the scars, from the cradle to the grave,
In the hard times and the good, yeah, we're brave.
”
”
James Hilton-Cowboy
“
The embrace of the peaks is a gift, a promise of
protection, a mother's gentle gesture cradling her child in sleep with the caress of the wind.
”
”
David Passarelli (Mountain poems: Musings on stone, forest, and snow)
“
Hand in hand, my love, come away
with me into the blackness—
by the trunk of an old strong oak:
I long to hold you
all through the night
and, knowing not of dawn,
to not talk once—
a pair of hands
nightswept-earth….
Dawning starlight above
splinters the sky to nerves—
now's time for leaving:
poised on the verge
of shorelines burgeoning
everything inside is
raw and tingling….
Over the mountain in utter aloneness
winds are blowing in a cold void….
Just a few promises I’d packed
when I made my way east
like a cloud torn from moorings
always there've been those of us
who sought their origins
on the road
— under an empty moon—
and the origins of origins….
In electrical well-spring vision
nuzzled in the bosom of hills
on the roaming magnetic earth—
far away though they are
the cloud-river
of stars configures
over and over
these visions of you….
Shaking off its dust—
that glittering icy swirl abides….
On the roaming magnetic earth
lying flat, my eyes shocked awake
by the electric liquid light:
chilling winds do not chill me
I know no harm can hold me
even a killing wound will only
seep me back into the stars...
be seeping out from me:
in the float of her womb
and cradled from the cold—
that cradle-of-stars hanging
the milky way….
Over the bay just-beginning—a cusp and
crescent sliver—by the constellations paling fading….
Transient as I am
from before and into after—
like blue vapor, breath travels
in a light from long ago…
here though I knew she'd be
to be here with her
in scorn of all happenstance
is more than a choice:
a joy that's almost loss—
lightning and paralysis….
The blue fire of delight flickers
through sockets of her skull—
so all the world knows not
or pretends not to know:
a person takes a lifetime
to get to know
but the thrill of remembrance
when our eyes met
was just one instant:
it happens all the time….
”
”
Mark Kaplon (Song of Rainswept Sand)
“
In order to fulfill your quest -"
"Would you please not usw that word? It's so Robert E. Howard."
"Fine. Your mission, should you choose to accept it, is to travel to the far ends of the earth...?"
"What? In these shoes? You must be joking."
"Crossing arid desserts and steaming jungles," the unicorn continued grimly, "fording mighty rivers and climbing snow-capped mountains-"
"I take it scheduled public transport isn't an option."
"Until you reach the Cradle of All Goblins, interrupt just once more and I wash my hooves of you, where you will encounter three trials. You must uncover the great truth that was hidden, you must right the ancestral wrong, and you must throw the fire into the ring of power. Only when you have done that -"
"Excuse me-"
"I warned you. Only when you have done that will you -"
"Excuse me," Benny said firmly, "bit I think you may have got the last one a bit turned round. Surely it should be throw the ring-
”
”
Tom Holt
“
Leah, I was crazy to let you leave. Will you ever forgive me?” What? His face was earnest, waiting for an answer. But what was he asking? “Forgive you?” His emerald eyes twinkled, and a dimple flashed in his right cheek. “Yes, and marry me?” She might have been knocked senseless…seeing stars…almost incoherent. “Ww…what?” He stepped forward and reached up to cradle her cheek. His touch was warm and inviting. “I’m sorry, Leah. I’m not very good at this.” Her chest hammered. Her breath still wouldn’t come. “Good at what?” “At saying what’s in my heart. At telling you how much I love you.
”
”
Misty M. Beller (The Lady and the Mountain Man (Mountain Dreams, #1))
“
Your father is waiting, so fly up that mountain and through the alomb. Find Nardukha and tell him I have upheld my end of the bargain. Now it is his turn.”
He stares at me, a dangerous light in his eye, and then his gaze travels beyond me, in the direction of the funeral. My hand moves to his muscled forearm, and I squeeze it hard.
“ No. ”
He sneers, his hand moving quickly to catch mine. He yanks me close, his head bending to look down at me.
“Zahra,” he murmurs, his voice like falling rocks. “Why do you care for these humans? For thousands of years they have enslaved you, forced you to bend and bow to their silly whims. They have mistreated you, abused you, and yet you defend them still?” He drops his morning star to cradle my head in his other hand, and he licks his lips. His fangs flash. “Come with me to Ambadya. Be my bride, as you were always meant to be.”
Revulsion choking my throat, I pull away, slapping him hard across the jaw, but he barely registers the blow. “I’m not anything to you, Zhian. I never will be. You should have abandoned that notion long ago.”
“I did not bargain for your life so that you could play servant to these mortals! My father would have killed you thousands of years ago, like all the other Shaitan, if I hadn’t intervened!”
“I never asked you to.”
He roars, and I clap my hands over my ears at the terrible sound. Somewhere behind me, a horn blasts twice.
“They heard you, you fool!” I snap. “The Eristrati are coming, and their charmers will bottle you up again! Go, go !”
He snarls, his hand grabbing for me, but I shift into a tiger and snarl back at him, my hackles on end.
Get out of here, Zhian! Go find Nardukha and tell him I have set you free! Now he must free me.
The horn blasts again. At last Zhian comes to his senses, and he pulls back, scowling.
I’ll be back for you, he promises. And you and I will be joined at last, the jinn prince and his princess, unstoppable and undisputed!
”
”
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
“
I have many lovers.
Where ever I look, I find them.
There is no place devoid of them.
They are everywhere:
In the enchanting Cottonwood trees,
The rivers, the rocky roads, the hills, the mystic trails,
The snow capped mountains,
The skies, the clouds, the soaring Eagles,
The blackness of night, as black as the Raven,
The absolute brave Cactus,
Listening to me, and the whispers I breathe.
Where ever I, look I find them.
There is no place devoid of them.
My lovers are everywhere.
They are everywhere:
In the rains, the freezing winds,
The sun, the moonlight,
The darkness of despair,
The days of pain and sorrow,
They never leave me, or betray me,
Or ever forsake me,
Even in my unfaithfulness,
They remain mine.
Am I blessed, crazy, or blind?
However much I dare,
Even in those careless moments; they care.
Where ever I look, I find them,
There is no place devoid of them,
My lovers are everywhere.
They are everywhere:
I close my eye’s, I see them,
They appear to me patiently,
like some ancient melody,
in my waking dreams, they are like wise prophets,
twirling in compassionate dances of forgiveness.
Allowing me my mistakes of existence,
They give me, ‘me’,
Reach for my fears, cradle and hold me.
They are everywhere.
I will regenerate,
and shine through their presence.
Through their guidance, from their quiet empowerment,
I will gather myself, pick up my pride,
Understand ‘life’, and remember reality.
Finally, when my ‘being’ remains not with me,
they will once again redefine, re-collect me,
recreate the aura around me,
find another place to replant me.
They are everywhere.
No place is devoid of them.
Countless lovers.
Their love: Omnipresent.
Only if one can ‘see’,
These lovers are everywhere .
”
”
Ansul Noor (Soul Fire- A Mystical Journey through Poetry)
“
Here it is, the end of the world; and here I am, almost the very last man; and there it is, the highest mountain in sight. I know now what my karass has been up to, Newt. It’s been working night and day for maybe half a million years to get me up that mountain.” I wagged my head and nearly wept. “But what, for the love of God, is supposed to be in my hands?” I looked out of the car window blindly as
”
”
Kurt Vonnegut Jr. (Cat's Cradle)
“
Here in the north the Nethergrim has many names," said Vithric. "The Old Man of the Mountains, they name him, the Thief at the Cradle, Mother's Bane. They say the flesh of children is the only thing he truly prizes.
”
”
Matthew Jobin (The Nethergrim (The Nethergrim, #1))
“
When Yerin took the helm, she tended to run them too close to aura storms, hostile sacred beasts, and mountain peaks. Though she did make good time.
”
”
Will Wight (Underlord (Cradle, #6))
“
If what most people take for granted were really true—if all you needed to be happy was to grab everything and see everything and investigate every experience and then talk about it, I should have been a very happy person, a spiritual millionaire, from the cradle even until now.
”
”
Thomas Merton (The Seven Storey Mountain)
“
Give of your love but let not others take it from you.”
“What is this kind of love?”
“It’s like filling a river and not caring who drinks from it because when need be you’ll fill it again.”
“And what if I wish to drink from someone else’s river?”
“Nazanin-am, my sweetest, we’re all like small rivers and streams, starting at a higher plane from behind the mountains of our desires to be with somebody, and we start alone. A stream, a river, aspires to become something more, and so it must bend, not only its way as it cuts into the land, but also its stature. Only then can it hope to join something bigger, grander. But forget not, azizam, not all rivers reach the ocean. The venerable might of the Indus River–the cradle of our civilization and the catafalque of our neighbours–no longer carries itself to the ocean at the Port of Karachi; the river no longer feeds as it once used to, all because it has fed too many, for too long; it has run dry from overuse. It can no longer take in any more lovers. Before anything else, it must first fill itself again. There’s always some water lying at the depths of the driest land, in the earth’s mantle. This water must come to the surface. The philosophy of all life, as an old Red Indian said, starts with water.
”
”
Ashish Khetarpal (The Watchdog and Other Stories)
“
subtle energy body was increasingly viewed as a microcosmic map of the earth, the elements, and the cosmos. The currents of energy within us were rivers flowing through the vast landscape of the body; the spine was a mountain cradling the cave of the heart where the fire of consciousness burns. The sun was the vital energy of the body, and the moon was the inner nectar. Chidambaram Temple—Body of the Cosmic
”
”
Shiva Rea (Tending the Heart Fire: Living in Flow with the Pulse of Life)
“
I stand at the seashore, alone, and start to think…s There are the rushing waves mountains of molecules each stupidly minding its own business trillions apart yet forming white surf in unison…. For whom, for what?…. Deep in the sea all molecules repeat the pattern of one another till complex new ones are formed. They make others like themselves and a new dance starts. Growing in size and complexity living things masses of atoms DNA, protein dancing a pattern ever more intricate. Out of the cradle onto dry land here it is standing: atoms with consciousness; matter with curiosity. Stands at the sea, wonders at wondering: I a universe of atoms an atom in the universe. Richard P. Feynman2
”
”
Ranjan Ghosh (Trans(in)fusion: Reflections for Critical Thinking (Literary Criticism and Cultural Theory))
“
What kind of relationship, you may wonder, can these two siblings have, being so many years and worlds apart? It’s just past 7:00 pm. Football practice ended half an hour ago, and David and his brother Michael walk through the door with hearty appetites and mountains of homework. I hear the door creak and the thump of equipment hitting the floor. Next I hear David’s husky voice cooing, “Come on, baby” to his little sister, whom he has rescued from the swing in the front room. I peek around the corner just in time to see her respond by grabbing his face and wiggling towards him. “Shh… shh… shh…” he says, as he cradles her in his arms and bounces her gently back and forth, holding her securely against his chest. Back and forth, back and forth—they are engaged in a dance, two unlikely companions frozen in a single moment. For a short time they will be under the same roof, in the same world. Then suddenly, their lives will diverge into strikingly separate paths—hers of blocks and ABCs and babyhood, his of college term papers, interviews, and adulthood. But for now, they are in the same plane. She is learning from his strong arms to trust. He is learning from her vulnerability to give. He is a father of tomorrow, in an internship of sorts, learning gentleness and devotion from this little bundle called Sister.
”
”
Theresa Thomas (Big Hearted: Inspiring Stories from Everyday Families)