Cracks In Your Foundation Quotes

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believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Yes, liquor is the thin white coat of paint you wash over the cracks in your foundation. Makes any rotten house livable for a few hours. Sometimes days.
Toby Barlow
Sometimes life will tear your house apart so you can see the cracks in the foundation.
Vanessa Ooms (Do It For You: How to Stop People-Pleasing and Find Peace)
People can do things completely against their nature, completely. It’s like some tiny earthquake comes roaring through your body and soul, and it’s the only earthquake you’ll ever feel. But it damages so much, cracks the foundations of your life forever.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
In the end, we are all our mothers’ children, no matter how saintly or evil they might be; and the loss of their love is the earthquake that cracks your foundation forever. It’s permanent damage.
Janelle Brown (Pretty Things)
Oceans recede and coastlines wither and crack. Nations lapse; others soon swagger in their places. Mountains crumble to dust, rains vanish into the sea, winds return whence they came, and every city men build has but a jumble of bones for its foundation. What is your need to me? I am the Watcher in the Dark.
J. Aleksandr Wootton (The Eighth Square (Fayborn, #2))
No matter how good the walls and the materials are; if the foundations are not strong, the building will not stand. By and by, in some upper room, a crack will appear; and men will say: "There is the crack; but the cause is the foundation." So if, in youth, you lay the foundation of your character wrongly, the penalty will be sure to follow. The crack may be far down in old age, but somewhere it will certainly appear.
Henry Ward Beecher
People can do things completely against their nature, completely. It’s like some tiny earthquake comes roaring through your body and soul, and it’s the only earthquake you’ll ever feel. But it damages so much, cracks the foundations of your life forever. So
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
He’d calloused his mind plenty, but because his foundation was cracked, when shit got real he lost control of his mindset and became a slave to his self doubt.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
There is no doubt, in my opinion, that unless you change your social order you can achieve little by way of progress. You cannot mobilize the community either for defence or for offence. You cannot build anything on the foundations of caste. You cannot build up a nation, you cannot build up a morality. Anything that you will build on the foundations of caste will crack and will never be a whole.
B.R. Ambedkar (Annihilation Of Caste)
It is understandable you would want to come back as yourself into a wonderland with the sharpness of color of the Queen of Hearts in a newly opened pack of cards. But coming back as yourself is resurrection. It is uncommon. It may even be greater than the scope of mathematics. We cannot talk with definition about our souls, but it is certain that we will decompose. Some dust of our bodies may end up in a horse, wasp, cockerel, frog, flower, or leaf, but for every one of these sensational assemblies there are a quintillion microorganisms. It is far likelier that the greater part of us will become protists than a skyscraping dormouse. What is likely is that, sooner or later, carried in the wind and in rivers, or your graveyard engulfed in the sea, a portion of each of us will be given new life in the cracks, vents, or pools of molten sulphur on which the tonguefish skate. You will be in Hades, the staying place of the spirits of the dead. You will be drowned in oblivion, the River Lethe, swallowing water to erase all memory. It will not be the nourishing womb you began your life in. It will be a submergence. You will take your place in the boiling-hot fissures, among the teeming hordes of nameless microorganisms that mimic no forms, because they are the foundation of all forms. In your reanimation you will be aware only that you are a fragment of what once was, and are no longer dead. Sometimes this will be an electric feeling, sometimes a sensation of the acid you eat, or the furnace under you. You will burgle and rape other cells in the dark for a seeming eternity, but nothing will come of it. Hades is evolved to the highest state of simplicity. It is stable. Whereas you are a tottering tower, so young in evolutionary terms, and addicted to consciousness.
J.M. Ledgard (Submergence: A Novel)
Don't highlight the flaws in my structure if you're unwilling to repair the cracks in your very own foundation." ~Elissa Gabrielle
Elissa Gabrielle
Forget the old man,” she says sternly, so coldly, so devoid of all the love that I know her to have, that I don’t recognize her, and for that I don’t recognize the world. They are my roots, my foundations, and they sit before me now uprooted and saying things I never thought they’d say. “You will not allow a Flawed to ruin your life,” she says, and her voice cracks.
Cecelia Ahern (Flawed (Flawed, #1))
The only time people notice foundations is when there’s something wrong with them. In our culture, we have massive foundational issues, and the ideological cracks can be seen everywhere.
Hillary Morgan Ferrer (Mama Bear Apologetics™: Empowering Your Kids to Challenge Cultural Lies)
God laid men as the foundation of the family, and we need to be careful not to allow any cracks in our character. If you see a crack developing, fix it immediately! Do not let it get any bigger, or the whole structure may collapse. You may think that character lapses affect only you, but they also affect those entrusted to your protection, teaching, and care. Evaluate the current state of your character and take steps to correct what you see. In doing so, you will strengthen your entire family.
Myles Munroe (The Fatherhood Principle: God's Design and Destiny for Every Man)
Every relationship, no matter how strong you believe it to be, is actually quite fragile. Those little cracks in the foundation of any relationship, be it a tiny white lie or something more, is enough to cause your world to come crumbling down when you least expect it.
B.L. Berry (An Unforgivable Love Story)
Seattle. I’ve never seen a city so overrun with runaways, drug addicts, and bums. Pike Place Market: they’re everywhere. Pioneer Square: teeming with them. The flagship Nordstrom: have to step over them on your way in. The first Starbucks: one of them hogging the milk counter because he’s sprinkling free cinnamon on his head. Oh, and they all have pit bulls, many of them wearing handwritten signs with witticisms such as I BET YOU A DOLLAR YOU’LL READ THIS SIGN. Why does every beggar have a pit bull? Really, you don’t know? It’s because they’re badasses, and don’t you forget it. I was downtown early one morning and I noticed the streets were full of people pulling wheelie suitcases. And I thought, Wow, here’s a city full of go-getters. Then I realized, no, these are all homeless bums who have spent the night in doorways and are packing up before they get kicked out. Seattle is the only city where you step in shit and you pray, Please God, let this be dog shit. Anytime you express consternation as to how the U.S. city with more millionaires per capita than any other would allow itself to be overtaken by bums, the same reply always comes back. “Seattle is a compassionate city.” A guy named the Tuba Man, a beloved institution who’d play his tuba at Mariners games, was brutally murdered by a street gang near the Gates Foundation. The response? Not to crack down on gangs or anything. That wouldn’t be compassionate. Instead, the people in the neighborhood redoubled their efforts to “get to the root of gang violence.” They arranged a “Race for the Root,” to raise money for this dunderheaded effort. Of course, the “Race for the Root” was a triathlon, because God forbid you should ask one of these athletic do-gooders to partake in only one sport per Sunday.
Maria Semple (Where'd You Go, Bernadette)
Buying a home is always an impulse buy. It's an impossible thing for your brain to absorb fully: to warp your whole emotional and financial life around the shape of this absurd physical thing, this new collection of problems and regrets, ants and undiscovered mold, bad drainage, and cracked foundations that will be your burden until you sell it or it kills you. A thirty-year mortgage is hilarious when you are young and you don't even remember what day it is; it's a grim thing when you are older and see that this debt is a bright, un-ignorable line from the now of your life to its addled decline.
John Hodgman (Vacationland: True Stories from Painful Beaches)
When catastrophe strikes compassion and love unite. A storm can't break the spirit of love. A storm may crack your windows, tear off your roof, wreck your house, but it absolutely cannot destroy the foundation you hold within yourself. Stay strong. Stay rooted. Carry love in your heart, always, and know the sacred things in life can't be touched.
Melody Lee (Moon Gypsy)
Wren’s voice dropped. “She feels terrible about it, Cath.” “Good!” Cath shouted. “So do I!” She took a step closer to her sister. “I’m probably going to be crazy for the rest of my life, thanks to her. I’m going to keep making fucked-up decisions and doing weird things that I don’t even realize are weird. People are going to feel sorry for me, and I won’t ever have any normal relationships—and it’s always going to be because I didn’t have a mother. Always. That’s the ultimate kind of broken. The kind of damage you never recover from. I hope she feels terrible. I hope she never forgives herself.” “Don’t say that.” Wren’s face was red, and there were tears in her eyes. “I’m not broken.” There weren’t any tears in Cath’s eyes. “Cracks in your foundation.” She shrugged. “Fuck that.” “Do you think I absorbed all the impact? That when Mom left, it hit my side of the car? Fuck that, Wren. She left you, too.” “But it didn’t break me. Nothing can break me unless I let it.” “Do you think Dad let it? Do you think he chose to fall apart when she left?” “Yes!” Wren was shouting now. “And I think he keeps choosing. I think you both do. You’d rather be broken than move on.” “Dad’s sick, Wren,” she said as calmly as she could manage. “And your omelette’s burnt. And I’d rather be broken than wasted.” She set the plate on the counter. “You can tell Laura to go fuck herself. Like, to infinity and beyond. She doesn’t get to move on with me. Ever.
Rainbow Rowell (Fangirl)
If you don't take care of your house, let support beams rot, the roof fall in, and the very foundation crack and crumble, you can't blame some storm that comes along for knocking the whole thing down. You've got to take responsibility for your part in it all.
Annie Jones (The Christmas Sisters)
Dandelions represent the easy way. You pick up a dandelion and it's so soft, and it's so easy and even fun sometimes to blow the seeds everywhere. And you don't even realize what you're doing. Nothing happens right then, except you get a pretty little show in the breeze. It's not until later, sometimes, a long time later, that you look out in your garden and realize what you did. It's easy, love, to pull back, to hide in yourself, to run and say you're just taking some time, to keep all of your emotions inside, maybe even to think you're protecting me from something. It would be easier still for me to let you do that. To watch you blow those dandelion seeds everywhere, and pretend it won't damage anything. To pretend we won't wake up one summer morning to discover we've allowed a huge patch of weeds to grow between us, opening up cracks in the foundation of our marriage. Thorns, on the other hand... they're not easy. They hurt. They make you want to give up on the whole plant sometimes. But if you don't give up, love, if you fight through it, allow yourself to be hurt - the result is beautiful and strong. And it will last forever if you care for it.
Breeana Puttroff
major security breach.” “True, but what you may not realize is that this time it’s compromised US spying operations globally. Our operatives are at risk, not only from governments that are not our friends, but also from international criminal elements. Any of them might become aware of you, and your value.” “Wait a minute,” Sarah objected. “What value? We don’t know anything of any value.” “They may not realize that yet. They may think you’ve cracked the pyramid code that people have been trying to decipher for hundreds of years. That may even be why they killed Mark, because he refused to give them the key. Until we know what it is that they think you know, your lives may be in danger.
J.C. Ryan (The 10th Cycle (Rossler Foundation, #1))
Madness is an insidious disease. We do not see the danger until it is too late. It creeps into the cracks and crevices of the mind and makes itself at home, like carpenter ants in the framing of a home. We do not know the floor has rotted away until one ill-timed step destroys the façade of normalcy. But carpenter ants do not destroy a home. They change it. As matter cannot be destroyed, they consume the structures we have built and rearrange it for their own use. While a home beset by such insects might seem uninhabitable for those who look at the situation from the outside, to the ants it was the intended outcome. We might inspect the foundation and find it derelict and dilapidated. We might scoff and say that anyone who lives within such a place is idiotic, and that they should have not neglected it in such a way. And, in extreme cases, they should move. Consider this metaphor in relation to one’s mind. That place in which we spend the entirety of our mortal lives. What happens when your home is beset by insects then? One cannot move out of one’s own mind, try as we might. We are trapped within these structures of ours, for better or worse and come what may. We must make do with what we are given and what we have left. Whereas you or I in our daily lives might seek a new homestead in such an infestation, in this labyrinth of the psyche, we cannot. There are different ways that a consciousness, once gnawed and riddled with holes, might come to adapt to such a state of being. Consider three men with this dilemma, if you will. The first man may seek to repair the damage—replace the eaten portions and shore up the foundations. This man is pragmatic, but shortsighted. He treats the symptoms, but not the cause. The second may seek to exterminate the infestation—to seek the illness at the root and rip it out. This man is wise, but must need act quickly before the house collapses around him. The third man merely laughs—he accepts his new state of being and does nothing to repair his home. He declares himself King of the Ants, lifts up hammer and sledge, and tears the remaining walls apart with his own two hands. You might think that man the fool. You might think him a harmless, laughing lunatic. It is a mistake that leads to ruin. For that man is the most dangerous of them all. -M. L. Harrow
Kathryn Ann Kingsley (The Puppeteer (Harrow Faire, #2))
No matter how much you talk to yourself, read, study or practice, you can't develop or set boundaries apart from supportive relationships with God and others. Don't even try to start...until you have entered into deep, abiding attachments with people who will love you no matter what. Our deepest need is to belong, to be in a relationship, to have a spiritual and emotional 'home'. 1 John 4:16 ...Attachment is the foundation of the soul's existence. When this foundation is cracked or faulty, boundaries become impossible to develop. ///When we are not secure that we are loved, we are forced to choose between two bad options: 1. set limits and risk losing a relationship. 2. don't set limits and remain a prisoner to the wishes of another. p.64
Henry Cloud (Boundaries: When to Say Yes, How to Say No to Take Control of Your Life)
Fixing our democracy is the equivalent of repairing a crack in your home's foundation. It's expensive and time consuming. It doesn't boost your curb appeal. But it's the only way to make every other alteration last.
David Litt (Democracy in One Book or Less: How It Works, Why It Doesn’t, and Why Fixing It Is Easier Than You Think)
If we dismiss all of our hard work, including the very foundation we stand on, and its cracks, we won’t get very far because it takes a foundation from which to begin. Be proud, and embrace “your normal.
Stacy A King
Most people spend years trying to feng shui their lives—to decorate and reorganize life in such a way that order and peace will finally arrive. One can decorate and redecorate for years, but a fresh coat of paint is not going to patch the cracks in your foundation—the only way to do this is through the practice of non-attachment.
Darren Main (The River of Wisdom: Reflections on Yoga, Meditation, and Mindful Living)
The bad news is your flaws don’t come from nowhere. The world is deeply fucked from every angle; its damage is incomprehensibly vast and ancient, hooked into the future and printed upon you in endless, innumerable ways. You can’t reverse it. But art can unmake you differently. A perfect pop song, the kind that knees you in the chest while you’re standing in a checkout line, is the sound of something familiar resolving into something transcendent. A good poem finds the cracks in the foundations of your thinking and outlines them with glitter, or sets the whole building on fire. People make things with money they get from the government, or from jobs, or from stealing, and one time out of every 500 that you go to see those things they’ve made, some small corner of your world will come unlaced because of it. That’s not a lot, but it’s proof that the work of living can be more than just gesture: that there is more to do with structure than to surrender or be crushed by it. You can always be made a little more unsure; you can always be taken a little more apart.
Emma Healey
This journey is the tempest before the flourishing, where we are stripped of everything we hold dear, left naked, and on our knees. It is the necessary death of our false selves so that we may be born into our true selves—healed and whole. When it comes without our choosing, this initiation shows up as the abrupt desecration of something foundational: The loss of a job we loathed but relied upon. The end of a toxic relationship. The death of a loved one. The diagnosis of an illness. An accident. An assault. It is the sudden cracking open of the ground beneath your feet, which forces you to face what lurks beneath. It is a holy invitation to honor your wounds and grieve them fully so that you may invite the grace of healing. It is a benevolently ruthless call to face all the ways in which you have betrayed yourself so that you may find your way back to who you truly are, what you really want, and what you will no longer stand for.'' -Syma Kharal
Syma Kharal (Goddess Reclaimed: 13 Initiations to Unleash Your Sacred Feminine Power)
When you hit rock bottom, you feel it. You break down, walls crumbling until you’re free-falling. The feelings that you tried to run from suddenly rush up around you in an unstoppable force, the gravity of your thoughts now nothing but a punishing plunge. When you slam into the bottom, that landing jolts you all the way to your very soul. You hit hard, and it cracks the very foundation of the world. The ground fragments beneath you, lines stretching far and wide. And then you’re left, a pile of rubble. But I realize something as I lie here, surrounded by the destruction of my plummet. These cracks that have spread out from my caustic landing, they’re not evidence of my ruination. They’re paths. Each jagged line leads from me and then diverts away, showing me all the different ways I could go from here.
Raven Kennedy (Glow (The Plated Prisoner, #4))
When you hit rock bottom, you feel it. You break down, walls crumbling until you’re free-falling. The feelings that you tried to run from suddenly rush up around you in an unstoppable force, the gravity of your thoughts now nothing but a punishing plunge. When you slam into the bottom, that landing jolts you all the way to your very soul. You hit hard, and it cracks the very foundation of the world. The ground fragments beneath you, lines stretching far and wide. And then you’re left, a pile of rubble. But I realize something as I lie here, surrounded by the destruction of my plummet. These cracks that have spread out from my caustic landing, they’re not evidence of my ruination. They’re paths. Each jagged line leads from me and then diverts away, showing me all the different ways I could go from here. But I’m also in my mind, staring at the fissures around me, seeing where each one leads. Because now that I’m forced to feel what I didn’t want to, I have a decision to make. I can choose to stay stagnant here, at the bottom of the cliff, broken and unmoving. I can rage, I can wallow, I can blame, I can hide. I can let the severed parts of me sever all the rest. Or I can get up, dust myself off, and look back up. I can find a path that ensures I’ll never fall again, ensures that I don’t lose any more parts of myself. All I have to do is turn and follow my feet, one step at a time. So that’s what I’ll do. I let myself cry until all my tears dry up. There is no choked breathing or scrunched up nose. No pulled lips or furrowed brow. This is the suffering of the silent. A hurt so deep it doesn’t show itself on a face.
Raven Kennedy (Glint (The Plated Prisoner, #2))
When you hit rock bottom, you feel it. You break down, walls crumbling until you’re free-falling. The feelings that you tried to run from suddenly rush up around you in an unstoppable force, the gravity of your thoughts now nothing but a punishing plunge. When you slam into the bottom, that landing jolts you all the way to your very soul. You hit hard, and it cracks the very foundation of the world. The ground fragments beneath you, lines stretching far and wide. And then your left, a pile of rubble. But I realize some thing as I lie here, surrounded by the destruction of my plummet. These cracks that have spread out from my caustic landing, they’re not evidence of my ruination. They’re paths. Each jagged line leads from me and then diverts away, showing me all the different ways I could go from here.
Raven Kennedy (Glow (The Plated Prisoner, #4))
Religion is the root of all evil,” dad had decreed. Then does that make mom evil? I had reeled. But there in the empty unlit lot, I saw the crack in his foundation. Dad as an atheist—I couldn’t quite buy it. His words didn’t match his way. Dad the mystic, I thought, as if righting a crooked painting. Mom had taught me about mystics. It wasn’t the typical father stuff that made dad one, though he had done it all. Keep your eye on the ball. Aim for the bull’s-eye, hold the bow steady. When I let go of the bike, you stay pedaling. Sound out the word. No, his mysticism was an ability to be both a thousand miles away and right here with me, a creativity born of boyhood alone on a mountain. Despite his unrelenting intellectual certainty, dad spoke of a nail-less bookcase like psalm speaks of valley.
Quiara Alegría Hudes (My Broken Language)
Nineteenth-century clergyman Phillips Brooks maintained, “Character is made in the small moments of our lives.” Anytime you break a moral principle, you create a small crack in the foundation of your integrity. And when times get tough, it becomes harder to act with integrity, not easier. Character isn’t created in a crisis; it only comes to light. Everything you have done in the past—and the things you have neglected to do—come to a head when you’re under pressure.
John C. Maxwell (The Maxwell Daily Reader: 365 Days of Insight to Develop the Leader Within You and Influence Those Around You)
Some mills rose up behind those buildings, their windows broken or nonexistent, the brick edifices festooned with graffiti, the land reclaiming the lower floors and punching cracks through the foundations. It had happened before she was born, this wholesale discarding of American industry, this switch from a culture that made things of value to a culture that consumed things of dubious merit. She’d grown up in the absence, in other people’s memory of a dream so fragile it had probably been doomed from the moment of conception. If there had ever been a social contract between the country and its citizens, it was long gone now, save the Hobbesian agreement that had been in play since our ancestors had first stumbled from caves in search of food: Once I get mine, you’re on your own.
Dennis Lehane (Since We Fell)
All in all, time spent on improving relationships—with parents, with students and student-to-student—improves learning in the long run. Those solid relationships build the foundation that your educational house rests on—and wards off the cracks that cause things to crumble.
Matt Miller (Ditch That Homework: Practical Strategies to Help Make Homework Obsolete)
If we are focused on winning we will develop holes in our foundation that will eventually crack under pressure.
Joshua Medcalf (Burn Your Goals: The Counter Cultural Approach to Achieving Your Greatest Potential)
Be the gatekeeper. Your heart is a precious gift. Your body is a temple be selective Respect it and be respected. Love yourself and be loved. If you don't respect and love yourself first, building a healthy relationship with another is like building a house with no foundation eventually the cracks and lack of a strong base will eventually cause it to crumble
Charles Elwood Hudson
Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.
Chandra Prasad
Mother once said I’d marry a quarryman. She looked at me as we washed clothes in the giant steel washtub, two pairs of water-wrinkled hands scrubbing and soaking other people’s laundry. We were elbow-deep in dirty suds and our fingers brushed under the foamy mounds. “Some mistakes are bound to be repeated,” she murmured We lived in Stony Creek, a granite town at a time when granite was going out of fashion. There were only three types of men here: Cottagers, rich, paunchy vacationers who swooped into our little Connecticut town in May and wiled away time on their sailboats through August; townsmen, small-time merchants and business owners who dreamed of becoming Cottagers; and quarrymen, men like my father, who worked with no thought to the future. The quarrymen toiled twelve hours a day, six days a week. They didn’t care that they smelled of granite dust and horses, grease and putty powder. They didn’t care about cleaning the crescents of grime from underneath their fingernails. Even when they heard the foreman’s emergency signal, three sharp shrieks of steam, they scarcely looked up from their work. In the face of a black powder explosion gone awry or the crushing finality of a wrongly cleaved stone, they remained undaunted. I knew why they lived this way. They did it for the granite. Nowhere else on earth did such stone exist—mesmerizing collages of white quartz, pink and gray feldspar, black lodestone, winking glints of mica. Stony Creek granite was so striking, it graced the most majestic of architecture: the Battle Monument at West Point, the Newberry Library in Chicago, the Fulton Building in Pittsburgh, the foundations of the Statue of Liberty and the Brooklyn Bridge. The quarrymen of Stony Creek would wither and fall before the Cottagers, before the townsmen. But the fruits of their labor tethered them to a history that would stand forever. “You’ll marry one, Adele—I’m sure of it. His hands will be tough as buckskin, but you’ll love him regardless,” Mother told me, her breath warm in my ear as the steam of the wastewater rose around us. I didn’t say that she was wrong, that she couldn’t know what would happen. I’d learned that from the quarry. Pa was a stonecutter and he cut the granite according to rift and grain, to what he could feel with his fingertips and see with his eyes. But there were cracks below the surface, cracks that betrayed the careful placement of a chisel and the pounding of a mallet. The most beautiful piece of stone could shatter into a pile of riprap. It all depended on where those cracks teased and wound, on where the stone would fracture when forced apart. “Keep your eyes open, Adele. I don’t know who it will be—a steam driller, boxer, derrickman, powderman? Maybe a stonecutter like your father?” I turned away from her, feigning disinterest. “There’s no predicting, I told her.
Chandra Prasad (On Borrowed Wings)
If your own mother doesn’t want you, how can you ever believe anyone else would? Safer to hold everyone at arm’s length. Safer to flee the ballroom, tears in your eyes, dark curls flying behind her. It might not make sense to other people, but people who’ve been abandoned this way understand. It cracks the foundation of a person. It leaves a fissure that only deepens with time.
Skye Warren (Sonata (North Security, #3))
A tiny fissure opened that day, like a small crack in the cement foundation of your house. Either you don’t notice it, or you figure it’s just cosmetic. No big deal. Until the floor gives way beneath you.
Laura Drake (For Roger)