Cracking Jokes Quotes

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It's okay," I said soothingly. "You're just getting your stride back. Once you're up to full power, I'll go crack a rib or something so we can test it." She groaned. "The horrible part is that I don't think you're joking.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
My father taught me to work, but not to love it. I never did like to work, and I don't deny it. I'd rather read, tell stories, crack jokes, talk, laugh -- anything but work.
Abraham Lincoln
Is this Clarissa Fray?" The voice on the other end of the phone sounded familiar, though not immediately identifiable. Clary twirled the phone cord nervously around her finger. "Yeees?" "Hi, I'm one of the knife-carrying hooligans you met last night in Pandemonium? I"m afraid I made a bad impression and was hoping you'd give me a chance to make it up to-" "SIMON!" Clary held the phone away from her ear as he cracked up laughing. "That is so not funny!" "Sure it is. You just don't see the humor." "Jerk." Clary sighed, leaning up against the wall.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Oh, and Cammie," At the sounds of his voice, I spun around, expecting to hear him crack a joke or call me Gallagher Girl. The last thing I expected was to feel his arms sliding arounds me, to sense the whole world turning upside down as Zach dipped me in the middle of the foyer and pressed his lips to mine. Then he smiled that smile I'd come to know. "I always finish what I start.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
He was quiet for a few seconds, and Sophie thought he was going to ignore her. But then he leaned closer-close enough that she could feel his breath on her cheek. " I crack a lot of jokes ,Sophie , but ....that's just because it's easier, you know? It's how I deal. But that doesn't mean I don't care. I do, a lot.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
He was the class clown, the court jester, because he'd learn early that if you cracked jokes and pretended you weren't scared, you usually didn't get beat up. Even the baddest gangster kids would tolerate you, keep you around for laughs. Plus, humor was a good way to hide the pain
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Did you just make a joke, Tris? We should have you on painkillers more often if your going to start cracking jokes.
Veronica Roth (Allegiant (Divergent, #3))
She's different from the girls I'm used to dating. She doesn't get tired of my stories and jokes or expect me to start reading her mind. She doesn't want me to dress better or put highlights in my hair or serious up. I'm not a lifestyle accessory to her. I'm a necessity. I'm the guy that's going to crack open her cocoon. She doesn't need to change me - she needs me to change her. At least until her little butterfly wings get strong enough to fly away.
Tim Tharp (The Spectacular Now)
He was quiet for a few seconds, and Sophie thought he was going to ignore her. But then he leaned closer-close enough that she could feel his breath on her cheek. " I crack a lot of jokes, Sophie, but ....that's just because it's easier, you know? It's how I deal. But that doesn't mean I don't care. I do, a lot.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
Every single person is a fool, insane, a failure, or a bad person to at least ten people.
Mokokoma Mokhonoana
Percy, meet Gladiola. Gladiola, Percy." I stared at Annabeth, figuring she'd crack up at this practical joke they were playing on me, but she looked deadly serious. "I'm not saying hello to a pink poodle," I said. "Forget it." "Percy," Annabeth said. "I said hello to the poodle. You say hello to the poodle." The poodle growled. "I said hello to the poodle.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
You know, that pissed me off. We'd traveled half around the world to get to him, and there were monsters chasing us and Naji's curse was impossible to break, and here he was cracking jokes about our professions.
Cassandra Rose Clarke (The Assassin's Curse (The Assassin's Curse, #1))
What if I say I can't bear to lose you?" A smile tugged at her lips. "I'd say you're a liar. That claims like that belong to romantic ninnies." She raised her hand and let her fingertips trace the line of his beautiful jaw. He closed his eyes. "We would go on, you and I. If I couldn't be queen, you would find a way to win this battle and save this country. You would make a sheltering place for my people. You would march an bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
A despot doesn't fear eloquent writers preaching freedom-he fears a drunken poet may crack a joke that will take hold.
E.B. White
Animula vagula blandula Hospes comesque corporis Quae nunc abibis? In Loca Pallidula rigida nudula nec ut soles dabis Iocos. Little soul, you charming little wanderer, my body's guest and partner, where are you off to now? somewhere without colour, savage and bare; You'll crack no more of your jokes once you're there.
Hadrian
It's not one of the posed shots- it's one he didn't even realize had been taken, one he definitely didn't think would be released. He should have given the photographer more credit. He managed to capture the moment right when Henry cracked a joke, a candid, genuine photo, completely caught up in each other, Henry's arm around him and his own hand reaching up to grasp for Henry's on his shoulder. The way Henry's looking at him in the picture is so affectionate, so openly loving, that seeing it from a third person perspective almost makes Alex want to look away, like he's staring into the sun. He called Henry the North Star once. That wasn't bright enough.
Casey McQuiston (Red, White & Royal Blue)
Everyone returns us to a different sense of ourselves, for we become a little of who they think we are. Our selves could be compared to an amoeba, whose outer walls are elastic, and therefore adapt to the environment. It is not that the amoeba has no dimensions, simply that it has no self-defined shape. It is my absurdist side that an absurdist person will draw out of me, and my seriousness that a serious person will evoke. If someone thinks I am shy, I will probably end up shy, if someone thinks me funny, I am likely to keep cracking jokes.
Alain de Botton (On Love)
Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . .
Thomas Pynchon (Gravity’s Rainbow)
This is when I usually crack a lame joke, like, “Yeah, sorry, I left my real legs at home.
Abbie Emmons (100 Days of Sunlight)
He took a long drink, then grimaced. “I do not have a drinking problem,” he announced, his voice needlessly loud. “I have a Churchillian relationship with alcohol: I can crack jokes and govern England and do anything I want to do. Except not drink.
John Green (The Fault in Our Stars)
Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely.
Alan Moore (Watchmen)
Without a bellyful of liquor, all I am is a woman who cracks stupid jokes to make up for being shy.
Katie Crouch (Girls in Trucks)
In actual fact, the female function is to explore, discover, invent, solve problems crack jokes, make music -- all with love. In other words, create a magic world.
Valerie Solanas (SCUM Manifesto)
Sorrow comes with so many defense mechanisms. You have your shock, your denial, your getting wasted, your cracking jokes, and your religion. You also have the old standby catchall—the blind belief in fate, the whole "things happening for a reason" drill.
Emily Giffin (Baby Proof)
You're joking. You want to help me?" "We're brothers-in-arms, Sonny." Fennrys stood and paced restlessly. "And, truth is, I'm bored out of my mind in Manhattan. Nothing to do there but jump at shadows and put up with Aaneel's pompous yapping: 'There're crack in the Gate! Remain vigilant! Protect the puny humans! Eek, a mouse!' It's tiresome.
Lesley Livingston (Darklight (Wondrous Strange, #2))
They make a fuss about Hogsmeade, but I assure you, Harry, it's not all it's cracked up to be. All right, the sweetshop's rather good, and Zonko's Joke Shop's frankly dangerous, and yes, the Shrieking Shack is always worth a visit, but really, Harry, apart from that, you're not missing anything.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Yeah, I crack myself up a lot more than I crack anybody else up, but that is okay. At least I am smart enough to get my own jokes.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
To evade insanity and depression, we unconsciously limit the number of people toward whom we are sincerely sympathetic.
Mokokoma Mokhonoana
Science, the largest religion of the twentieth century, had become tarnished by images of exploding space shuttles, crack babies, and a generation of complacent Americans who allowed the television to raise their children. People were looking for something - I think they just didn't know what. And even though they were once again starting to open their eyes to the world of magic and the arcane that had been with them all the while, they still thought I must be some kind of joke.
Jim Butcher (Storm Front (The Dresden Files, #1))
You would make a sheltering place for my people. You would march and bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.' 'All Saints, say it again.' 'I will not.' 'You must.' 'I'm the queen. I must do nothing but please myself.' 'Would it please to kiss me?' It would. And she did.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
May I?” Jayden sat on the edge of the couch and poured me a fresh cup of tea. He placed his hand over the brew. As his eyes swirled a whirlpool of shimmering blues and greens, the liquid iced into a frozen block. He fanned his fingers and spider lines cracked the ice. Seconds later the tea boiled. “You control tea?” Jayden’s satisfied smile faltered. “No. I…I control water. The tea, the actual plant doesn’t change, however—” He caught my look and nodded. “Ohhh. You were being facetious.” “If that means joking, yes I was.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
That was the big joke, wasn't it? The answer to the riddle: There was no one up there in Heaven, making sure the accounts came out right. I'd solved it, hadn't I? Cracked the code? It was all just a joke. The god inside my brother's head was just his disease. My mother had knelt every night and prayed to her own steepled hands. Your baby died because of ... because of no particular reason at all. Your wife left you because you sucked all the oxygen out of the room, so you pretended she was the one in bed with you while you screwed your girlfriend and her boyfriend hid in the closet, watching.
Wally Lamb (I Know This Much Is True)
There's always more than one interpretation," Orion said from the doorway. Everyone turned to look at him as he came back into the library. "Face it. The Fates speak in riddles because they don't know what the hell they're talking about. If they did, they'd say something straightforward like, 'Orion is the Tyrant and he wants to eat your brains for breakfast' or whatever." Hector's shoulders started bouncing up and down with silent laughter. Lucas turned his head away and tried to stuff down a laugh of his own, but he made the mistake of catching Jason's eye. "Zombie Tyrant," Jason whispered to Lucas, his face turning red with a repressed laugh. "Huzzah death," Lucas whispered back, cracking up. Apparently, that was some kind of inside joke between the Delos boys because all three of them busted out laughing.
Josephine Angelini (Goddess (Starcrossed, #3))
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud. Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
Rebecca Woolf
I finally figured out the real difference between irony and satire--irony is when you fry a chicken in batter mixed from its own eggs, and satire is when you crack jokes about it.
Taylor Anderson
I know I crack a lot of jokes, Sophie, but . . . that's just because it's easier, you know? It's how I deal. But that doesn't mean I don't care. I do. A lot
Shannon Messenger (Keeper of the Lost Cities Box Set [1] (Keeper of the Lost Cities, #1-3))
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening. Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.
Ryan O'Connell
You're the beginning, You're the ending, You're the one who rides the waves of my emotions, One who makes me compassionate, One who's the light of my dark self, I'll be the one always testing your patience, I'll be the one always annoying you, I'll be the one always hurting you, Why? Because I know you'll always be there to bear the jokes I crack, To tolerate my inside chaos, To see my vulnerable self, To misinterpreting your actions & intentions, I'll always be hardcore to deal with, Taking you over the edge, Because that's what I only know.
Hareem Ch (Hankering for Tranquility)
Marketing is so powerful that it can make even an extremely untalented musician a one-hundred-hits wonder.
Mokokoma Mokhonoana
Jude used to try to make me laugh, and when I'd crack a smile he'd keep the joke going , like breath on an ember, making it grow into a fit of giggles that'd echo around the whole forest and make all the birds in the trees quiet.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
because he was a man who had suffered but because he was a man who had suffered and could still crack jokes.
Paul Auster (4 3 2 1)
Then I’ll hide all the scissors and chewing gum.” It made the entire room grow quiet before he looked over at me. “I know how upset you were last time when I had to cut your hair.” My jaw was on the floor. He’d totally cracked a joke. “Then I guess you should hide the mattresses, too,” I shot back playfully.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
MarkBaynard: I figured out in the first grade that it was better to crack a joke than somebody's skull.
Teresa Medeiros (Goodnight Tweetheart)
I went to school to be a comedian. I was always cracking jokes in class. And after they were cracked, the teacher would try to put them back together.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
As a wolf, I’m a diamond in the rough. I crack jokes. My whole life is about trying, about speaking up in order to be seen, about howling with laughter or howling out how I see the world.
Jessi Klein (You'll Grow Out of It)
If You Knew What if you knew you'd be the last to touch someone? If you were taking tickets, for example, at the theater, tearing them, giving back the ragged stubs, you might take care to touch that palm brush your fingertips along the lifeline's crease. When a man pulls his wheeled suitcase too slowly through the airport, when the car in front of me doesn't signal, when the clerk at the pharmacy won't say thank you, I don't remember they're going to die. A friend told me she'd been with her aunt. They'd just had lunch and the waiter, a young gay man with plum black eyes, joked as he served the coffee, kissed her aunt's powdered cheek when they left. Then they walked half a block and her aunt dropped dead on the sidewalk. How close does the dragon's spume have to come? How wide does the crack in heaven have to split? What would people look like if we could see them as they are, soaked in honey, stung and swollen, reckless, pinned against time?
Ellen Bass (The Human Line)
By seeing the way a joke worked in the horseplay of a printing shop two centuries ago, we may be able to recapture that missing element—laughter, sheer laughter, the thigh-slapping, rib-cracking Rabelaisian kind, rather than the Voltairian smirk with which we are familiar.
Robert Darnton
Nice to meet you,“ Brenda replied, I’m a Crank. I’m slowly getting crazy. I keep wanting to chew off my own fingers and randomly kill people. Thomas here promised to save me.” Though she was obviously joking, she didn’t even crack a smile. Thomas had to hide a wince. “Funny, Brenda.” “Glad to see you still have a sense of humor about it,” Teresa said. But her face could’ve turned water to ice.
James Dashner (The Scorch Trials (The Maze Runner, #2))
In the meantime, though my kiss-stung face has returned to normal, my heart and all working body parts are absolutely not normal. Because every time Porter so much as even walks within ten feet of me at work, I have the same reaction. Four knocks on Hotbox door? I flush. Scent of coconut in the break room? I flush. Sound of Porter cracking jokes with Pangborn in the hallway? I flush. And every time this happens, Grace is there like some taunting Greek chorus, making a little mmm-hmmnoise of confirmation. Even Pangborn notices. “Are you ill, Miss Rydell?” “Yes,” I tell him in the break room one day before work. “I’m apparently very ill in the worst way. And I want you to know that I didn’t plan for this to happen. This was not part of my plan at all. If you want to know the truth, I had other plans for the summer!” I think of my boardwalk map, lying folded and abandoned in my purse. Pangborn nods slowly. “I have no idea what you mean, but I support it completely.” “Thank you,” I tell him as he walks away, whistling. Half a minute later, Porter pulls me into a dark corner of the hallway, checks around the corner, and kisses the bejesus out of me. “That’s me, destroying all your other plans,” he says wickedly. And if I didn’t know any better, I’d think he sounds jealous. Then he walks away, leaving me all hot and bothered. I’m going to have a nervous breakdown.
Jenn Bennett (Alex, Approximately)
To be sure, the Finnish soldier was aware of the numerical odds against him, but he rendered those odds less terrible by cracking jokes about them: “They are so many, and our country is so small, where will we find room to bury them all?
William R. Trotter (A Frozen Hell: The Russo-Finnish Winter War of 1939-1940)
Percy, meet Gladiola. Gladiola, Percy.” I stared at Annabeth, figuring she’d crack up at this practical joke they were playing on me, but she looked deadly serious.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
To crack a serious problem, crack a joke.
Haresh Sippy
Savitar stroked his chin. "Interesting, isn't it? What do you have to say about that, Fury?" The muzzle vanished. "They're on crack." Savitar shook his head. "Anyone else on crack?
Sherrilyn Kenyon (Dead After Dark)
I always wondered what your type was, but I never imagined it would be a hard-core rocker!” Here we go. I had been hoping he'd be too sleepy for this conversation. “He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.” “Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.” I glowered at him, feeling ashamed, and he laughed even harder. “Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?” He raised his eyebrows and I shrugged. “I don't know. What?” “A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.” “That's because he was intense, even though we weren't really talking about anything. He made me nervous.” “You thought he was hot, didn't you?” I stared out my window at the passing trees and houses. We were almost to school. “I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.” “Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.” “He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.” “What's that?” “You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.
Wendy Higgins (Sweet Evil (Sweet, #1))
It rankled her that people richer than she were so often less worthy and attractive. More slobbish and louty. Comfort could be found in being poorer than people who were smart and beautiful. But to be less affluent than these T-shirted, joke-cracking fatsos-
Jonathan Franzen (The Corrections)
The sexual tension between Jake and I is off the charts. I’m actually scared I might combust any second . No joke. If doesn’t help that we’re around each other almost 24/7 or that we’re always finding ways to ‘innocently’ touch each other. It’s almost at that stage where we’re pushing each other a little further and further seeing how much we can take until one of us cracks. I’m about two fucking seconds from cracking and if I don’t get a release soon I will cut a bitch.
Jay McLean (More Than This (More Than, #1))
I’m an old man, now. I’ve been alone since my 17th birthday. I’d wanted to marry, have a bunch of kids, and maybe be a grandpa. The big family around the Thanksgiving table, laughing and pouring wine and cracking jokes and harmlessly teasing the missus—I wanted that. I wanted to do something good with my life—something right. I didn’t want what happened to Danny, my best childhood friend, to be the only mark I’d ever make in this world. But I thought it best not to fancy such hopes and dreams: a family, love. I’d been cursed by my best friend, and I thought it right not to inflict that curse on anyone who’d be foolish enough to love me.
J. Tonzelli (The End of Summer: Thirteen Tales of Halloween)
Dear Daniel, How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"? Lily Charlotte, NC Dear Lily, The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this. And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does." You think about them all the time. Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall. Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain. Love, Daniel Handler
Daniel Handler
Honey, Kate is not going to die sooner because you have one more glass of mine, or because you stay overnight in a hotel, or because you let yourself crack up at a bad joke. So sit your ass back down and turn up the volume and act like you're a normal person.
Jodi Picoult (My Sister’s Keeper)
Major Major's father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down. His specialty was alfalfa, and he made a good thing out of not growing any. The government paid him well for every bushel of alfalfa he did not grow. The more alfalfa he did not grow, the more money the government gave him, and he spent every penny he didn't earn on new land to increase the amount of alfalfa he did not produce. Major Major's father worked without rest at not growing alfalfa. On long winter evenings he remained indoors and did not mend harness, and he sprang out of bed at the crack of noon every day just to make certain that the chores would not be done. He invested in land wisely and soon was not growing more alfalfa than any other man in the county. Neighbors sought him out for advice on all subjects, for he had made much money and was therefore wise. “As ye sow, so shall ye reap,” he counseled one and all, and everyone said, “Amen.
Joseph Heller (Catch-22)
These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as them. Cracking jokes in the mandatory American manner of people self-concious about death. This is the humor of violent surprise. How do you connect things? Learn their names. It was a strange conversation, full of hedged remarks and obscure undercurrents, perfect in its way. I was not a happy runner. I did it to stay interested in my body, to stay informed, and to set up clear lines of endeavor, a standard to meet, a limit to stay within. I was just enough of a puritan to think there must be some virtue in rigorous things, although I was careful not to overdo it. I never wore the clothes. the shorts, tank top, high socks. Just running shoes and a lightweight shirt and jeans. I ran disguised as an ordinary person. -When are you two going to have children? -We're our own children. In novels lately the only real love, the unconditional love I ever come across is what people feel for animals. Dolphins, bears, wolves, canaries. I would avoid people, stop drinking. There was a beggar with a Panasonic. This is what love comes down to, things that happen and what we say about them. But nothing mattered so much on this second reading as a number of spirited misspellings. I found these mangled words exhilarating. He'd made them new again, made me see how they worked, what they really were. They were ancient things, secret, reshapable.The only safety is in details. Hardship makes the world obscure. How else could men love themselves but in memory, knowing what they know? The world has become self-referring. You know this. This thing has seeped into the texture of the world. The world for thousands of years was our escape, was our refuge. Men hid from themselves in the world. We hid from God or death. The world was where we lived, the self was where we went mad and died. But now the world has made a self of its own.
Don DeLillo (The Names)
He turned away and offered his hand in parting. She didn't take it or say anything. But from where I was behind the door I could see her face through the crack. I pitied her to see how deathly pale that sweet little face had gone. Hearing no answer, Pechorin took a few steps towards the door. He was trembling, and I might say I think he was fit to do what he'd threatened as a joke. That's the sort of man he was, there was no knowing him.
Mikhail Lermontov (A Hero of Our Time)
It’s easy to behave like nothing is wrong, even when you have a mental illness and feel like you’re going to be consumed by it. Even at my most miserable, I was good at holding down my job, cracking jokes, going out just enough so I wasn’t seen as a hermit. Many people become experts at this, even tricking themselves. I could probably have gone on like this forever, living half a life, pretending that I was OK with it. But something had broken, and I couldn’t do it anymore. I’d done it for so long, and it had become exhausting.
Bella Mackie (Jog On: How Running Saved My Life)
Violists hate it when we violinists crack viola jokes.
Paula Yoo
Though she was obviously joking, she didn’t even crack a smile. Thomas had to hide a wince. “Funny, Brenda.” “Glad to see you still have a sense of humor about it,” Teresa said. But her face could’ve turned water to ice. Thomas looked down at his watch. Fifty-five minutes left. “I, um, need to talk to Newt.” He turned and quickly walked away before either girl could say anything. He wanted to be as far away from both of them as possible. Newt was sitting on the ground with Frypan and Minho, all three looking as if they were waiting for the end of the world.
James Dashner (The Scorch Trials (The Maze Runner, #2))
What would you think of an engineer who expounded the art of flying without revealing the secrets of the engine and propeller? That's what you do, you engineer of the human soul. Just that. You're a coward. You want the raisins out of my cake but you don't want the thorns of my roses. Haven't you too, little psychiatrist, been cracking silly jokes about me? Haven't you ridiculed me as "the prophet of bigger and better orgasms"? Have you never heard the whimpering of a young wife whose body has been desecrated by an impotent husband? Or the anguished cry of an adolescent bursting with unfulfilled love? Does your security still mean more to you than your patient? How long will you go on valuing your respectability above your medical mission? How long will you refuse to see that your pussyfooting procrastination is costing millions their lives?
Wilhelm Reich (Listen, Little Man!)
We would go on, you and I. If I couldn't be queen, you would find a way to win this battle and save this country. You would make a sheltering place for my people. You would march and bleed and crack terrible jokes until you had done all you said you would do. I suppose that's why I love you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
And I’ve already spent too much time Doing things I didn’t want to So if I want to drink alone dressed like a pirate Or look like a dyke Or wear high heels and lipstick Or hide in a convent Or try to be mayor Or marry a writer Smoke crack and slash tires Make jokes you don’t like Or paint ducks and retire You can bet your black ass that I’m going to. —from An Evening With Neil Gaiman & Amanda Palmer, 2013
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have. The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said. "Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done." "Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you." He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team." "We were." In more ways than one, I thought. Which is why this sucked so bad. I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist. I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms. My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his. How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
Rachel Hawkins (Demonglass (Hex Hall, #2))
A hush fell over them. For a long moment, while she was leaning her chin on her hand atop the piano lid, and his hands rested lightly on the keys, they stared at each other. The stage, the wings, the maw of the theater and its rows of seats and ornamental moldings, all receded. The air about them shimmered, drew in, coalesced into a bubble. They looked at each other, breathing together, long past a socially acceptable interval. It was far beyond the border where Erik normally would have dropped his gaze, cracked a joke or at least a smile. She’s peaceful, he thought, and her eyes widened slightly, as if she had heard him.
Suanne Laqueur (The Man I Love (The Fish Tales, #1))
The craft passed directly below Scathach and she released her grip and dropped onto the top of the vimana alongside Joan with enough force to send the larger craft plunging down. The French immortal laughed. "So nice of you-" "Don't you dare crack any dropping-in jokes," Scathach warned before her friend could finish. The vimana dipped and spun, but the two women had firm grips on the transparent dome and held on while the pilot tilted the craft,attempting to shake them off. "So long as he doesn't get too close to the lava," Scatty said, "we should be okay." At that moment the vimana dropped straight down, zooming dangerously close to the lava's sluggish bubbling surface. "I think he heard you," Joan said, coughing as the air became almost unbreathable.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
Well, I'm sorry you couldn't make it either. I'm sorry I had to sit there in that church--which, by the way, had a broken air conditioner--sweating, watching all those people march down the aisle to look in my mother's casket and whisper to themselves all this mess about how much she looked like herself, even though she didn't. I'm sorry you weren't there to hear the lame choir drag out, song after song. I'm sorry you weren't there to see my dad try his best to be upbeat, cracking bad jokes in his speech, choking on his words. I'm sorry you weren't there to watch me totally lose it and explode into tears. I'm sorry you weren't there for me, but it doesn't matter, because even if you were, you wouldn't be able to feel what I feel. Nobody can. Even the preacher said so.
Jason Reynolds (The Boy in the Black Suit)
When the Comrades classified my conduct and my smile as intellectual (another notorious pejorative of the times), I actually came to believe them because I couldn´t imagine (I wasn´t bold enough to imagine it) that anyone else might be wrong, that the Revolution itself, the spirit of the times, might be wrong and I, an individual, might be right. I began to keep tabs on my smiles, and soon I felt a tiny crack opening up between the person I had been and the person I should be (according to the spirit of the times) and tried to be.
Milan Kundera (The Joke)
As we chatted, cracking the expected jokes at Danita’s expense, I thought about how Danita let her search for the real her take a physical shape while mine seemed to be taking a more internal shape. At least with my exploration, I didn’t have to worry about how I’m going to pay for it, since just like cosmetic surgery isn’t covered by most insurance plans,neither is searching for your true sexuality.
La Toya Hankins (SBF Seeking)
I like dancing for dancing's sake. It's a break from having to participate in verbal communication, which always seems to be about explaining shit, and proving shit, and clarifying shit, and arguing about shit, and criticizing shit, and showing off about shit, and avoiding shit, and dramatizing shit, and cracking jokes about shit, and brushing shit off, and defending shit, and attacking shit, and lying about shit, and insisting that shit will be "ok," when truly empathizing and connecting with people involves feeling everything, and saying nothing.
Madeleine Ryan (A Room Called Earth)
One Sufi mystic who had remained happy his whole life—no one had ever seen him unhappy—he was always laughing. He was laughter, his whole being was a perfume of celebration. In his old age, when he was dying—he was on his deathbed, and still enjoying death, laughing hilariously—a disciple asked, “You puzzle us. Now you are dying. Why are you laughing? What is there funny about it? We are feeling so sad. We wanted to ask you many times in your life why you are never sad. But now, confronting death, at least one should be sad. You are still laughing! How are you managing it?” And the old man said, “It is a simple clue. I had asked my master. I had gone to my master as a young man; I was only seventeen, and already miserable. And my master was old, seventy, and he was sitting under a tree, laughing for no reason at all. There was nobody else, nothing had happened, nobody had cracked a joke or anything. And he was simply laughing, holding his belly. And I asked him, ‘What is the matter with you? Are you mad or something?’ “He said, ‘One day I was also as sad as you are. Then it dawned on me that it is my choice, it is my life. Since that day, every morning when I get up, the first thing I decide is, before I open my eyes, I say to myself, “Abdullah”—that was his name—‘what do you want? Misery? Blissfulness? What are you going to choose today? And it happens that I always choose blissfulness.’” It is a choice. Try it. The first moment in the morning when you become aware that sleep has left, ask yourself, “Abdullah, another day! What is your idea? Do you choose misery or blissfulness?” And who would choose misery? And why? It is so unnatural—unless one feels blissful in misery, but then too you are choosing bliss, not misery.
Osho (Meditation: The First and Last Freedom: A Practical Guide to Osho Meditations)
It’s just that you came right after he left.It’s just that your words were warm and comforting.And it felt like the safest hideout,holding up the door behind my pain.It’s just that your jokes sounded alike.So much that I could hear his laughter when you cracked them.It’s just that you loved iced coffee and rain.It’s just that you parted your hair to the right and preferred window seats. It’s just that it’s always been him.It’s just that he is still crying inside me.Wanting to be remembered.For a really long time.It’s just that I don’t love you,but his impressions that you carry. || I’m so sorry that I am not ready to love you.
Athira Krishnakumar
After her three-second celebratory dance on center court at the All England Club, the American media reported, “And there was Serena … Crip-Walking all over the most lily-white place in the world…. You couldn’t help but shake your head…. What Serena did was akin to cracking a tasteless, X-rated joke inside a church…. What she did was immature and classless.
Claudia Rankine (Citizen: An American Lyric)
When a comedy of Plautus is being played, and the household slaves are cracking trivial jokes together, ou propose to come on stage in the garb of a philosopher, and repeat Seneca's speech to Nero from the Octavia. Wouldn't it be better to take a silent role than to say something wholly inappropriate, and thus turn the play into a tragi-comedy? You pervert a play and ruin it when you add irrelevant speeches, even if they are better than the play itself. So go through with the drama in hand as best you can, and don't spoil it all just because you happen to think of another that would be better.
Thomas More (Utopia)
Behind my office, to the south-east, was Police Headquarters, and I imagined all the good hard work that was being done there to crack down on Berlin's crime. Villainies like speaking disrespectfully of the Führer, displaying a 'Sold Out' sign in your butcher's shop window, not giving the Hitler Salute, and homosexuality. That was Berlin under the National Socialist Government: a big, haunted house with dark corners, gloomy staircases, sinister cellars, locked rooms and a whole attic full of poltergeists on the loose, throwing books, banging doors, breaking glass, shouting in the night and generally scaring the owners so badly that there were times when they were ready to sell up and get out. But most of the time they just stopped up their ears, covered their blackened eyes and tried to pretend that there was nothing wrong. Cowed with fear, they spoke very little, ignoring the carpet moving underneath their feet, and their laughter was the thin, nervous kind that always accompanies the boss's little joke.
Philip Kerr (March Violets (Bernie Gunther, #1))
It was a lesson she was still learning. When she had first started nursing, she had taken every death personally, like she was losing her father all over again. Every patient lost under her care was a little piece of death she would carry around with her until the end of her own life. But the alternative seemed so unfeeling. Tina and the other nurses could crack jokes and banter back and forth about contestants on American Idol before the body of a deceased patient was even cold. It was a coping mechanism, she knew, but not necessarily one she thought she would ever adopt. There had to be something in between. Olive had been called a bleeding heart before, but her heart no longer had the same plasticity and tenderness—it was scarred and worn beyond repair
Andrea Lochen (The Repeat Year)
Jim Thunder, at seventy-five the youngest of the speakers, is a round brown man of serious demeanor who spoke only in Potawatomi. He began solemnly, but as he warmed to his subject his voice lifted like a breeze in the birch trees and his hands began to tell the story. He became more and more animated, rising to his feet, holding us rapt and silent although almost no one understood a single word. He paused as if reaching the climax of his story and looked out at the audience with a twinkle of expectation. One of the grandmothers behind him covered her mouth in a giggle and his stern face suddenly broke into a smile as big and sweet as a cracked watermelon. He bent over laughing and the grandmas dabbed away tears of laughter, holding their sides, while the rest of us looked on in wonderment. When the laughter subsided, he spoke at last in English: "What will happen to a joke if no one will hear it any more? How lonely those words will be, when their is power gone. Where will they go? Off to join the stories that can never be told again.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Clowns.” Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t. The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.” God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.” Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?” Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled. “Yes.” The fractures of my grin cracked into bigger pieces. “Because I was scared of clowns?” It was like he couldn’t understand why that was amusing. But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.” “I was four.” I couldn’t help but snicker. “Four… fourteen, same difference.” Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.” Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.” “I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close. I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was. “Aiden?” I whispered. “Hmm?” he murmured. “Thank you for coming in here with me.” “Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale. Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him. “Good night. Thank you again for staying with me.” Peeking one eye open, just a narrow slit, he hummed. “Shh.” That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get. I closed my eyes with a little grin on my face. Maybe five seconds later, Aiden’s spoke up. “Vanessa?” “Hmm?” “Why was I saved on your work phone as Miranda P.?” That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?” The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
Mariana Zapata (The Wall of Winnipeg and Me)
They taught the women that the home is a shame and in doing so, they successfully decomposed nations. Instead of it being the greatest honour to build a family, it became a laughingstock. And in this becoming, they successfully deconstructed nations. They taught the men that loyalty is merely an option and in doing so, they successfully destroyed nations. Instead of it being the greatest pride to love one woman, it became a joke, a funny side comment. And in this becoming, they successfully poisoned nations. Your home is your atom, your cell, your genome. Your love is your honour, your word, your truth. You wonder why we live in deconstructed nations, you ask one another why you live on torn fibres, cracked ground, and yet you continue to listen to what they tell you. You have put shame where there should be a throne, you have placed a joke where there should be a crown. You have successfully destroyed your nations.
C. JoyBell C.
When the ship cracks in the typhoon, we cover our heads and tell ourselves that all will resolve back to normal. But we are unbelieving. This time may not be like the other times that with time grew into cheerful anecdotes. The stories we heard, about the ten thousand buried in the quake, were, after all, true. And more irredeemable than any human catastrophe, the dinosaurs trailed across the desert to their end. They left no descendents to embellish their saga, but only the white bones and the marks in the clay for archeologists to make into footnotes. Our hour may be this hour, and our end the dinosaurs’. So perhaps there will be no revolving back at all, and only archives, full of archetypes, like the composite photographs of movie heroines. But with or without us, the Day itself must return, we insist, when the Joke at least sits basking in the sun, decorating her idle body with nameless red, once blood. Philosophy, like lichens, takes centuries to grow and is always ignored in the Book of Instructions. If you can’t Take It, Get Out. I can’t take it, so I lie on the hotel bed dissolving into chemicals whose adventure will pursue time to her extinguishment, without the slightest influence from these few years when I held them together in human passion.
Elizabeth Smart (By Grand Central Station I Sat Down and Wept)
You’re joking.” “No, actually I’m not,” my boss said and slapped the folder into my hands. “You leave tomorrow morning and I don’t want to see your hairy ass till this is solved.” I looked wildly around her office for something to lob at her head. It occurred to me that might not be the best of ideas, but desperate times led to stupid measures. She could not do this to me. I’d worked too hard and I wasn’t going back. Ever. “First of all, my ass is not hairy except on a full moon and you’re smoking crack if you think I’m going back to Georgia.” Angela crossed her arms over her ample chest and narrowed her eyes at me. “Am I your boss?” she asked. “Is this a trick question?
Robyn Peterman (Ready to Were (Shift Happens, #1))
Chapter 1 “You’re joking.” “No, actually I’m not,” my boss said and slapped the folder into my hands. “You leave tomorrow morning and I don’t want to see your hairy ass till this is solved.” I looked wildly around her office for something to lob at her head. It occurred to me that might not be the best of ideas, but desperate times led to stupid measures. She could not do this to me. I’d worked too hard and I wasn’t going back. Ever. “First of all, my ass is not hairy except on a full moon and you’re smoking crack if you think I’m going back to Georgia.” Angela crossed her arms over her ample chest and narrowed her eyes at me. “Am I your boss?” she asked. “Is this a trick question?
Robyn Peterman (Ready to Were (Shift Happens, #1))
Figure it out, Luna. I don’t wanna be sixty when you decide.” I pressed my lips together. Don’t do it, Luna. Everything is not fine and dandy. Don’t do it. Don’t— Let it go. Let it— I didn’t. “So I have… two years… before then?” I whispered, grimacing at the joke that I shouldn’t have made so that we could focus on the serious topic of our conversation. So I could hold on to the distance I was supposed to put between us because he was my boss. What I got was silence. Freaking silence. The sigh that came out of him reminded me of what I figured a hot air balloon would sound like if it deflated. “I should’ve fired you the other day.” I sucked in a breath, and my entire upper body turned to him. He was smirking. He thought he was being funny. He was… joking. These mocking, laughing eyes I had never seen before slid over to me, and the second they spotted my expression, they changed. My name came out a grumble. “I was playing.” Sure, he’d been. His mouth went so tight, it was edged in white. “I was messing with you,” he insisted, seriously. He was messing with me. Those long fingers flexed again. “You that mad at me?” he asked. “I’m not mad at you.” “Upset with me?” I didn’t look at him as I said, “No.” I wasn’t. I wasn’t. “I just…” What could I say? “You don’t ever joke around with me. I’m just surprised.” I started to crack my knuckles but stopped. “Okay, maybe I am a little upset with you, but I’m almost over it.” Out of the corner of my eye, I watched him glance at me again, and I could barely hear his voice when he spoke again. “I joke around outside of work,” he said softly. I wasn’t going to overthink it. Did that come out defensively, or was it my imagination? “That’s good.” I was such a sucker. I really was.
Mariana Zapata (Luna and the Lie)
When the two men sat down to supper, Jan Myers cracked some of his favorite jokes about the clergy and their dogma. Though Zeno remembered that he used to find such pleasantries amusing, they seemed rather flat to him now; nevertheless...he said to himself that at a time when religion was leading to savagery, the rudimentary skepticism of this good fellow certainly had its value. For himself, however, being more advanced in methods of negating assumptions, at first, in order to see if thereafter something positive can be reaffirmed, and of breaking down a whole in order to watch the parts recompose themselves on another plane or in some other fashion, he no longer felt able to laugh at those easy jests.
Marguerite Yourcenar
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Where’s new-Jay?” Jules asked, and then she and Chelsea exchanged a look and started cracking up at their own joke. Even Claire, who was generally so serious about everything, giggled a little. Violet rolled her eyes. “How long did it take you geniuses to plan that little gem?” she accused her friends, which only made them laugh harder. She shook her head. “You two are idiots,” she said, biting into her apple again and deciding to ignore them. “Which is it, Violet?” Claire asked. “Are they geniuses or idiots?” Chelsea leaned into Jules now, laughing so hard at their stupid joke that no sound was even coming out of her mouth anymore. Violet looked up from Chelsea to Jules and then back to Claire. “Idiots,” she stated flatly. There was another long moment as the Two Stooges struggled to regain their composure. “Come on, Vi. If we can’t joke about new-Jay, who can we joke about?” Chelsea asked, finally getting herself under control. She used a paper napkin to dab at her watering eyes. “Joke about whatever you want,” Violet stated as blandly as possible. “It’s not your fault you’re not funny.
Kimberly Derting (The Body Finder (The Body Finder, #1))
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
Meg Cabot (Underworld (Abandon, #2))
And you might also remember you are the greatest healer among us. That is unchallenged by anyone." "I am the greatest killer, also unchallenged." He tried to give her truth again. She touched his hard mouth. "I will hunt with you then,lifemate." His heart slammed against his ribs. Her smile was mysterious, scretive, and so beautiful,it broke his heart. "What is behind this smile,bebe." His hand caught and spanned her throat, his thumb brushing her lips in a gentle caress. "What do you know that I do not?" His mind slipped into hers, a sensuous thrust, the ultimate intimacy, not unlike the way his tongue sometimes dueled with her-or his body took possession of hers. She was familiar with his touch in her mind. She knew he tried to keep its invasiveness to a minimum. He allowed her to set the bounderies and never pushed beyond any barrier she erected, even though he could do so easily. Both of them needed the intimate union of their minds merging, Savannah as much as Gregori. And her newfound knowledge of him was secure behind a miniature barricade she had hastily erected. Wide-eyed and innocent, she looked at him. His thumb pressed into her lower lip, half mesmerized by the satin perfection of it. "You will never hunt vampires, ma cherie, not ever.And if I were ever to catch you attempting such a thing,there would be hell to pay." She didn't look scared. Rather, amusement crept into the deep blue of her eyes. "Surely you aren't threatening me,Dark One, bogey man of the Carpathians." She laughed softly, a sound that feathered down his spine and somehow took away the sting of that centuries-old designation. "Stop looking so serious, Gregori-you haven't lost your reputation entirely. Everyone else is still terrified of the big bad wolf." His eyebrows shot up. She was teasing him. About his dark reputation, of all things. Her gaze was clear and sparkling, hinting at mischeif. Savannah wasn't railing against her fate, of being tied to him, a monster. She was too filled with life and laughter, with joy. He felt it in her mind, in her heart, in her very soul. He wished it could somehow rub off on him,make him a more compatible lifemate for her. "You are the only one who needs to worry about the big bad wolf, mon amour," he threatened with mock gravity. She leaned over to stare up into his eyes, a smile curving her soft mouth. "You cracked a joke, Gregori. We're making progress.Why,we're practically friends." "Practically?" he echoed gently. "Getting there fast," she told him firmly with her chin up,daring him to contradict her. "Can one be friends with a monster?" He said casually, as if he were simply musing out loud,but there was a shadow in his silver eyes. "I was being childish, Gregori, when I made such an accusation," she said softly, her eyes meeting his squarely.
Christine Feehan (Dark Magic (Dark, #4))
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
TO MY BELOVED, Its neither a piece of paper nor a letter, rather it's my small heart which I'm gifting it to you darling.It seems time stood still without ur presence around me. My days and nights have gone worthless. All my heart could do is to recall the memories of time which we have spend together. My heart gets rejoiced whenever your beautiful face comes before my eyes. Your mesmerizing eyes drive me to another world. Your flowing hair looks tantalizing and your rosy lips seems to be meant only for saying lovely words. While having a cup of coffee yesterday, numerous moments striked my heart. Our first meeting, when you were looking like a fairy in white salwar-suit. Still fresh in my mind, your pretty smile and bowing your head down to laugh with your hand on your lips. I confess that your every action was stealing my heart and I couldn't withdraw myself from lookig you. The gift you presented me on my birthday gives me a sigh of relief that you are always there with me. Sweetheart, In the classroom, I cracked useless jokes and PJ's just to see your charming smile. Kept gazing your lips, just to heat some golden words. You had stolen my heart. Dedicated '' I don't know when and how you arrived in my life, Don't know when my heart star beating for you, day n night.... My eyes kept staring the window pane, Wishing one day u'll come in my lane.... Darling you're the only one whom I admire, It's you whom my heart desperately desires... Being with you is my only need, You are now the medicine of my heartbeat... I Craved your name on my heart, The day when I decided not to loose you ever, And I promise you sweetheart that, I love you & i'll love you for ever, ever n ever...... It's true my baby that, i love you like anything. Miss you from very morning 2 the night. MY senses are active to feel you, to hear you, to see you, to taste every sorrow and happiness of your life. Jaana, get embedded in me, in my soul so that i can live with you, for you........ Dying to have your reply..... Truly Your's PK
Prabhat Kumar
Ben stood at the parlor window, glancing neither to the right nor to the left of him lest he see three grown men looking as worried as he felt. Westhaven found the courage to speak first. “Either we’ve all developed a fascination with red tulips, or somebody had better go out there and fetch the ladies in. They’ve neither of them likely thought to bring a handkerchief.” Deene screwed up his mouth. “Declarations of love—that’s what red tulips stand for.” His Grace cracked a small smile. “You young fellows. Quaking in your boots over a few female sentimentalities. Believe I’ll go make some declarations of my own.” He set down his empty glass and left the room. “Marriage,” said Westhaven, “calls for a particular variety of courage. I’m thinking His Grace’s experience in the cavalry is likely serving him well right now.” “Come away.” Ben took each man by the arm, but neither of them moved. “Let him make his charge in private. I have some ideas for you both to consider, and if you’re with me, His Grace will fall in line that much more easily.” Westhaven smiled, looking very like his father. “Don’t bet on it. Windhams can be contrary for the sheer hell of it.” This was a joke or a warning. Ben wasn’t sure which. “The Portmaine family motto is ‘We thrive on impossible challenges.’” Deene arched a blond eyebrow. “You just manufactured that for present purposes. You’re from the North, and your family motto is probably something like ‘Thank God for friendly sheep.’” Which
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)