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All humans are musical. Why else would the Lord give you a beating heart?
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Mitch Albom (The Magic Strings of Frankie Presto)
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Everyone joins a band in this life. And what you play always affects someone. Sometimes, it affects the world.
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Mitch Albom (The Magic Strings of Frankie Presto)
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The secret is not to make your music louder, but to make the world quieter.
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Mitch Albom (The Magic Strings of Frankie Presto)
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This is life. Things get taken away. You will learn to start over many times -- or you will be useless.
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Mitch Albom (The Magic Strings of Frankie Presto)
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You cannot write if you do not read,β the blind man said. βYou cannot eat if you do not chew. And you cannot play if you do notββhe grabbed for the boyβs handββlisten.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Sometimes I think the greatest talent of all is perseverance.
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Mitch Albom (The Magic Strings of Frankie Presto)
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But you cannot change your past, no matter how you craft your future.
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Mitch Albom (The Magic Strings of Frankie Presto)
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There is a reason you glance up when you first hear a melody, or tap your foot to the sound of a drum. All humans are musical. Why else would the Lord give you a beating heart?
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Mitch Albom (The Magic Strings of Frankie Presto)
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You cannot ask things to do what they are not meant to do. Eventually, they will break.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Every loss leaves a hole in your heart.
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Mitch Albom (The Magic Strings of Frankie Presto)
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You cannot unplay your notes. Time, like music, is indelible that way.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Truth is light. Lies are shadows. Music is both.
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Mitch Albom (The Magic Strings of Frankie Presto)
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As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it.
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Mitch Albom (The Magic Strings of Frankie Presto)
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There are moments on earth when the Lord smiles at the unexpected sweetness of His creation.
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Mitch Albom (The Magic Strings of Frankie Presto)
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At a certain point, your life is more about your legacy to your kids than anything else.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Youβre never in love with anyone the way you are when youβre eighteen,
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Mitch Albom (The Magic Strings of Frankie Presto)
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Music is in the connection of human souls, speaking a language that needs no words. Everyone joins a band in this life. And what you play always affects someone. Sometimes, it affects the world. Frankieβs
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Mitch Albom (The Magic Strings of Frankie Presto)
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That is often why you come to music, isn't it? To feel that you are not alone?
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Mitch Albom (The Magic Strings of Frankie Presto)
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In every artistβs life, there comes a person who lifts the
curtain on creativity. It is the closest you come to seeing
me again.
The first time, when you emerge from the womb, I am a
brilliant color in the rainbow of human talents from which
you choose. Later, when a special someone lifts the curtain,
you feel that chosen talent stirring inside you, a bursting
passion to sing, paint, dance, bang on drums. And you are never the same.
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Mitch Albom (The Magic Strings of Frankie Presto)
β
You humans are always locking each other away. Cells. Dungeons. Some of your earliest jails were sewers, where men sloshed in their own waste. No other creature has this arroganceβto confine its own. Could you imagine a bird imprisoning another bird? A horse jailing a horse? As a free form of expression, I will never understand it. I can only say that some of my saddest sounds have been heard in such places. A song inside a cage is never a song. It is a plea.
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Mitch Albom (The Magic Strings of Frankie Presto)
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A teacherβs shadow can hover for life.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Talent is a piece of God's shadow. And under that shadow, human stories intersect.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Inside all humans is the entirety of your memories, the ones you can access and the ones you cannot.
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Mitch Albom (The Magic Strings of Frankie Presto)
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What would you give to remember everything? I have this power. I absorb your memories; when you hear me, you relive them. A first dance. A wedding. The song that played when you got the big news. No other talent gives your
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Mitch Albom (The Magic Strings of Frankie Presto)
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Do not cry for losing blood. Not for something you love.
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Mitch Albom (The Magic Strings of Frankie Presto)
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I have said that music allows for quick creation. But it is nothing compared with what you humans can destroy in a single conversation.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Don't be sorry. You're alive.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Man searches for courage in drink, but it is not courage that he finds, it is fear that he loses. A drunken man may step off a cliff. That does not make him brave, just forgetful.
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Mitch Albom (The Magic Strings of Frankie Presto)
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The greatest thing, youβll ever learn Is just to love, and be loved in return.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Remember this, Francisco,β he said. βThe secret is not to make your music louder, but to make the world quieter.
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Mitch Albom (The Magic Strings of Frankie Presto)
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some things you endure for a reason
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Mitch Albom (The Magic Strings of Frankie Presto)
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Silence enhances music. What you do not play can sweeten what you do. But it is not the same with words. What you do not say can haunt you.
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Mitch Albom (The Magic Strings of Frankie Presto)
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intentions. Thatβs important in music, too. Critically important. What youβre thinking about can be what you become.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Why humans kill each other is beyond my comprehension, but I can testify that you have been doing it since your inception. Only the weapons change.
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Mitch Albom (The Magic Strings of Frankie Presto)
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You will never know all there is to know. You will learn until your final days. Then you will inspire someone else. This is what an artist does.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Do not cry over losing blood. Not for something you love.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Youβre never in love with anyone the way you are when youβre eighteen, on a beach, at night, with your shoes off. I still canβt believe heβs gone.
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Mitch Albom (The Magic Strings of Frankie Presto)
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One must indeed test the strings to this life, bounce the bow, wet the mouthpiece, prepare for the deeper music that follows.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Sunflowers waiting for the sunshine. Violets just waiting for dew. Bees just waiting for honey And honey, Iβm just waiting for you!
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Mitch Albom (The Magic Strings of Frankie Presto)
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I [Music] was born in the open air, in the breaks of waves and the whistling of sandstorms, the hoots of owls and the cackles of tui birds. I travel in echoes. I ride the breeze. I was forged in nature, rugged and raw. Only man shapes my edges to make me beautiful. [Chapter 2]
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Mitch Albom (The Magic Strings of Frankie Presto)
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Music is in the connection of human souls, speaking a language that needs no words.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Over time, I guess all your teachers find their way into your music, right?
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Mitch Albom (The Magic Strings of Frankie Presto)
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For centuries, musicians have sought to find me at the end of a needle or the bottom of a drink. It is an illusion. And it often ends badly. Take
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Mitch Albom (The Magic Strings of Frankie Presto)
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Everyone joins a band in this life. One way or another, the band breaks up.
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Mitch Albom (The Magic Strings of Frankie Presto)
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EVERYONE JOINS A BAND IN THIS LIFE. You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him. As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it. And, as is usually the fate with bands, most of them will break upβthrough distance, differences, divorce, or death.
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Mitch Albom (The Magic Strings of Frankie Presto)
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But daughters have their own lives. You canβt smother them. Sheβll get married. Have children.
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Mitch Albom (The Magic Strings of Frankie Presto)
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I am not one of the βslowerβ talents, like Reason or Mathematics. I am Music. If I bless you singing, you can do so from your first attempt.
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Mitch Albom (The Magic Strings of Frankie Presto)
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All lonely roads lead back to music. I embrace you. I forgive you. I will never leave you.
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Mitch Albom (The Magic Strings of Frankie Presto)
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There are songs that you play that you have to restart, and songs that you play that you never get right. But when a song is complete, there is no more you can do.
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Mitch Albom (The Magic Strings of Frankie Presto)
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I know this sound; silence is part of music. But just because something is silent doesnβt mean you arenβt hearing it.
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Mitch Albom (The Magic Strings of Frankie Presto)
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And, as is usually the fate with bands, most of them will break upβthrough distance, differences, divorce, or death.
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Mitch Albom (The Magic Strings of Frankie Presto)
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You humans are always locking each other away. Cells. Dungeons. Some of your earliest jails were sewers, where men sloshed in their own waste. No other creature has this arroganceβto confine its own. Could you imagine a bird imprisoning another bird? A horse jailing a horse?
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Mitch Albom (The Magic Strings of Frankie Presto)
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What youβre thinking about can be what you become.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Everyone joins a band in this life. And what you play always affects someone. Sometimes, it affects the world. Frankieβs symphony ends. And so, at last, we rest.
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Mitch Albom (The Magic Strings of Frankie Presto)
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One must indeed test the strings in this life, bounce the bow, wet the mouthpiece, prepare for the deeper music that follows.
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Mitch Albom (The Magic Strings of Frankie Presto)
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You will never know all there is to know. You will learn until your final days.
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Mitch Albom (The Magic Strings of Frankie Presto)
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You should never construct a lie based on a childβs questions. It is like writing music based on cymbal crashes.
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Mitch Albom (The Magic Strings of Frankie Presto)
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will share a secret: this is how talents are bestowed. Before newborns open their eyes, we circle them, appearing as brilliant colors, and when they clench their tiny hands for the first time, they are actually grabbing the colors they find most appealing. Those talents are with them for life. The lucky ones (well, in my opinion, the lucky ones) choose me. Music.
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Mitch Albom (The Magic Strings of Frankie Presto)
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This is how talents weave from generation to generation, how the shadow stretches, and how an artist born nearly a hundred years earlier begins to fill the soul of a child who shares his name.
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Mitch Albom (The Magic Strings of Frankie Presto)
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What would you give to remember everything? I have this power. I absorb your memories; when you hear me, you relive them. A first dance. A wedding. The song that played when you got the big news. No other talent gives your life a soundtrack. I am Music. I mark time.
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Mitch Albom (The Magic Strings of Frankie Presto)
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I am Music. And I am here for the soul of Frankie Presto. Not all of it. Just the rather large part he took from me when he came into this world. However well used, I am a loan, not a possession. You give me back upon departure. I will gather up Frankieβs talent to spread on newborn souls. And I will do the same with yours one day. There is a reason you glance up when you first hear a melody, or tap your foot to the sound of a drum. All humans are musical. Why else would the Lord give you a beating heart?
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Mitch Albom (The Magic Strings of Frankie Presto)
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Man suffers for his art.
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Mitch Albom (The Magic Strings of Frankie Presto)
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The less humans can solve a mystery, the more interesting it becomes
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Mitch Albom (The Magic Strings of Frankie Presto)
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Her dresses. Her shoes. A bottle of her perfume. You donβt need much to remember someone, Francisco. Even one thing will do.
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Mitch Albom (The Magic Strings of Frankie Presto)
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LΓ‘grimaβββTeardropββthe
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Mitch Albom (The Magic Strings of Frankie Presto)
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But everyone joins a band in this life. Only some of them play music.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Public taste is as fickle as a childβs attention span
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Mitch Albom (The Magic Strings of Frankie Presto)
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Luke the Drifter: Play me the saddest song you got.
Frankie Presto: Why do you want to hear a sad song?
Luke the Drifter: Theyβre more true than the happy ones
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Mitch Albom (The Magic Strings of Frankie Presto)
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It is not just humans who are musical. Animals, too. This should be obvious in the thousands of birdsongs I have spawned, or the clicking of dolphins, or the moaning of humpback whales.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Here is what I know of love. It changes the way you treat me. I feel it in your hands. Your fingers. Your compositions. The sudden rush of peppy phrases, major sevenths, melody lines that resolve neatly and sweetly, like a valentine tucked in an envelope. Humans grow dizzy from new affection, and young Frankie was already dizzy when he and the mysterious girl descended from that tree.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Before newborns open their eyes, we circle them, appearing as brilliant colors, and when they clench their tiny hands for the first time, they are actually grabbing the colors they find most appealing.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Suddenly it was terribly quiet, as if the earth itself were too stunned to breathe. I know this sound; silence is part of music. But just because something is silent doesnβt mean you arenβt hearing it. Frankie
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Mitch Albom (The Magic Strings of Frankie Presto)
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Catholic ritual of Sancta Missa: β βCome in haste to assist them, you saints of God. Come in haste to meet them, you angels of the Lord. Enfold in your arms these souls, and take your burden heavenward to the most high.
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Mitch Albom (The Magic Strings of Frankie Presto)
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I am Music. And I am here for the soul of Frankie Presto. Not all of it. Just the rather large part he took from me when he came into this world. However well used, I am a loan, not a possession. You give me back upon departure. I
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Mitch Albom (The Magic Strings of Frankie Presto)
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One of my disciples, a lanky saxophonist named Sonny Rollins, played his horn for three years on a bridge in New York City, his tender jazz melodies wafting between the traffic noises. I would pause there often, on the girders, just to listen. Or
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Mitch Albom (The Magic Strings of Frankie Presto)
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You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Here is what I know of love. It changes the way you treat me. I feel it in your hands. Your fingers. Your compositions. The sudden rush of peppy phrases, major sevenths, melody lines that resolve neatly and sweetly, like a valentine tucked in an envelope. Humans grow dizzy from new affection,
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Mitch Albom (The Magic Strings of Frankie Presto)
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Why do the strings make different sounds, Maestro?β βIt is simple. They work like life.β βI donβt understand.β βThe first string is E. It is high pitched and quick like a child. βThe second string is B. It is pitched slightly lower, like the squeaky voice of a teenager. βThe third string, G, is deeper, with the power of a young man. βThe fourth string, D, is robust, a man at full strength. βThe fifth string, A, is solid and loud but unable to reach high tones, like a man who can no longer do what he did.β βAnd the sixth string, Maestro?β βThe sixth is the low E, the thickest, slowest, and grumpiest. You hear how deep? Dum-dum-dum. Like it is ready to die.β βIs that because it is closest to heaven?β βNo, Francisco. It is because life will always drag you to the bottom.β Frankie
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Mitch Albom (The Magic Strings of Frankie Presto)
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He died at forty-two.
I was there to collect his talent.
I was there at the hospital deathbed of my beloved Billie Holiday, just forty-four, her liver destroyed by drinking; I was there inside the hotel room of Charlie Parker, my singular jazz saxophonist, who died in his midthirties, but whose body was so ravaged by drugs the coroners thought he was sixty.
Tommy Dorsey, the bandleader, choked in his sleep when he was fifty-one, too deep in pills to awaken. Johnny Allen Hendrix (you called him Jimi) swallowed a handful of barbiturates and expired. He was twenty-seven.
It is not new, this idea that a purer art awaits you in a substance. But it is naive. I existed before the first grapes were fermented. Before the first whiskey was distilled. Be it opium or absinthe, marijuana or heroin, cocaine or ecstasy or whatever will follow, you may alter your state, but you will not alter this truth: I am Music. I am here inside you. Why would I hide behind a powder or a vapor?
Do you think me so petty?
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Mitch Albom (The Magic Strings of Frankie Presto)
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He found himself thinking about his childhood.
"Why do you drink so much, Maestro?"
"This is not a music question."
"Are you sad, Maestro?"
"Again, not a music question."
"I am sad sometimes, Maestro."
"Practice more. Speak less. You'll be happier."
"Yes, Maestro."
Everyone joins a band in this life.
Sometimes, they are the wrong ones.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Loneliness was like an ogre hovering over those activities
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Mitch Albom (The Magic Strings of Frankie Presto)
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And you will be scared again. All your life. You must conquer this. Face them and pretend that aren't there
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Mitch Albom (The Magic Strings of Frankie Presto)
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wearing a scarf and gloves, her blond hair tucked under a hat. βAre you done with that actress?
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Mitch Albom (The Magic Strings of Frankie Presto)
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Francisco Presto: How do you know you are in love, Maestro?
El Maestro: If you are asking, you are not.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Music tells the truths
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Mitch Albom (The Magic Strings of Frankie Presto)
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He wondered why God was always mentioned in the most unusual moments of his life.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Animals not only make music, they hear it in unique fashion.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Monsieur Django, I presume?β Duke Ellington said, offering his hand. βMonsieur
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Mitch Albom (The Magic Strings of Frankie Presto)
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He was switching between classical riffs and the jazz tune, βBody and Soul.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Barely pausing between songs, he played American compositions like βSt. Louis Bluesβ and βTiger Rag.β He played βParfumβ from the gypsy legend Django Reinhardt. He
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Mitch Albom (The Magic Strings of Frankie Presto)
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There are moments on earth when the Lord smiles at the unexpected sweetness of His creation. This was one of those moments.
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Mitch Albom (The Magic Strings of Frankie Presto)
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Memories are not in places, Papa. Memories are in your mind. They're here, too.
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Mitch Albom (The Magic Strings of Frankie Presto)
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For my disciples, the map is simple. All lonely roads lead back to music. I embrace you. I forgive you. I will never leave you. Can humans say the same?
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Mitch Albom (The Magic Strings of Frankie Presto)
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Dizzy Gillespie, the jazz trumpet player, once said, βItβs taken me all my life to learn what not to play.β He was one of my special ones. And he was quite correct. Silence enhances music. What you do not play can sweeten what you do. But
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Mitch Albom (The Magic Strings of Frankie Presto)
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But all love stories are symphonies. And, like symphonies, they have four movements: β’ Allegro, a quick and spirited opening β’ Adagio, a slow turn β’ Minuet/Scherzo short steps in ΒΎ time β’ Rondo, a repeating theme, interrupted by various passages
β
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Mitch Albom (The Magic Strings of Frankie Presto)
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will share a secret: this is how talents are bestowed. Before newborns open their eyes, we circle them, appearing as brilliant colors, and when they clench their tiny hands for the first time, they are actually grabbing the colors they find most appealing. Those talents are with them for life. The lucky ones (well, in my opinion, the lucky ones) choose me. Music. From that point on, I live inside your every hum and whistle, every pluck of a string or plink of a piano key. I cannot keep you alive. I lack such power. But I infuse you. And
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Mitch Albom (The Magic Strings of Frankie Presto)
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Thatβs the way it worked between the two of them. Long periods of absenceβthen crazy, intense romance. I do believe she and Frankie belonged together, even if they rarely stayed together. It was as if they had a secret they were bound to, which made them joyful most of the time and insane the rest.
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Mitch Albom (The Magic Strings of Frankie Presto)
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You humans are always locking each other away. Cells. Dungeons. Some of your earliest jails were sewers, where men sloshed in their own waste. No other creature has this arroganceβto confine its own. Could you imagine a bird imprisoning another bird? A horse jailing a horse? As a free form of expression, I will never understand it.
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Mitch Albom (The Magic Strings of Frankie Presto)
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The rain rapped the roof like mallets. The thunder was a tympani drum. Downstairs the raiders set fire to the refectory and the flames crackled like a hundred castanets. Those few who had not fled the church were screaming, high, pleading shrieks, met by lower barking orders of those committing the atrocities. The low and high voices, the crackling fire, whipping wind, drumming rain and crashing thunder created an angry symphony, swirling to a crescendo, and just as the invaders threw open the tomb of Saint Pascual, ready to desecrate his bones, the bells above the basilica began to chime, causing all to look up.
At that precise moment, Frankie Presto was born.
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Mitch Albom (The Magic Strings of Frankie Presto)
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El Maestro: Do not attack the strings, Francisco.
Francisco Presto: No, Maestro.
El Maestro: Coax them.
Francisco Presto: Yes, Maestro.
El Maestro: Make them hunger for your next note. Same as in life.
Francisco Presto: In life, Maestro?
El Maestro: When you want someone to listen to you, will you attack them?
Francisco Presto: No, Maestro.
El Maestro: No, you will not. you will make them hear the beauty of what you are offering, and they will want it for themselves.
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Mitch Albom (The Magic Strings of Frankie Presto)