“
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was - I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
”
”
Jack Kerouac (On the Road (The Viking Critical Library))
“
The crack inside your fucking heart is me.
”
”
Marilyn Manson (The Long Hard Road Out of Hell)
“
You're a good Irishman, right?" When Butch nodded, V said, "Irish, Irish… let me think. Yeah…" Vishous's eyes sobered, and in a voice that cracked, he said, "May the road rise to meet you. May the wind always be at your back. May the sun shine warm upon your face and the rains fall soft upon your fields. And… my dearest friend… until we meet again may the Lord hold you in the palm of His hand.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
You know exactly what I mean. That girl has more cracks in her than the road of yellow brick. Nox will break her in two.” “Or she’ll break him.
”
”
Danielle Paige (Dorothy Must Die (Dorothy Must Die, #1))
“
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
So, so you made a lot of mistakes
Walked down the road a little sideways
Cracked a rib when you hit the wall
Yeah, you've had a pocket full of regrets
Pull you down faster than a sunset
Hey, it happens to us all
When the cold hard rain just won't quit
And you can't see your way out of it
You find your faith has been lost and shaken
You take back what's been taken
Get on your knees and dig down deep
You can do what you think is impossible
Keep on believing, don't give in
It'll come and make you whole again
It always will, it always does
Love is unstoppable
”
”
Rascal Flatts
“
The last dying days of summer, fall coming on fast. A cold night, the first of the season, a change from the usual bland Maryland climate. Cold, thought the boy; his mind felt numb. The trees he could see through his bedroom window were tall charcoal sticks, shivering, afraid of the wind or only trying to stand against it. Every tree was alone out there. The animals were alone, each in its hole, in its thin fur, and anything that got hit on the road tonight would die alone. Before morning, he thought, its blood would freeze in the cracks of the asphalt.
”
”
Poppy Z. Brite
“
If you want out of the box you hide in, then you need to crack open the flaps and bask in some sunlight.
”
”
Katie McGarry (Walk the Edge (Thunder Road, #2))
“
I hope that when you have the chance to crack your world open wide with new possibilities, to meet new people, and to take a turn down an unexpected, new road, you do just one thing: carpe the hell out of that diem.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
i have sung for you, he said, his voice cracking with pain. but who will sing for me? the woman i love... she is where you are now. If you meet her on the road to heaven, tell her that i love her. tell her that i'm waiting for her, and that i want nothing more than to cross that gorge scross which i have sent you , and to see her shade for myself! if she will forgive me for having failed her- having failed out peave!
”
”
Kailin Gow (Frost Kisses (Frost, #4))
“
There was a sharp crack from somewhere on the mountain. Then another. It's just a tree falling, he said. It's okay. The boy was looking at the dead roadside trees. It's okay, the man said. All the trees in the world are going to fall sooner or later. But not on us.
”
”
Cormac McCarthy (The Road)
“
Why didn’t the toilet paper cross the road? I didn’t get a chance to reply before another message from him came in. Aaron: Bc it got stuck in a crack
”
”
Mariana Zapata (Dear Aaron)
“
...that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost. I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that’s why it happened right there and then, that strange red afternoon.
”
”
Jack Kerouac
“
that’s when you got your first peep through the crack in the wall of life and saw hell laughing like a gang of drunk farmers watching a dogfight on a country road.
”
”
Ralph Ellison (Juneteenth)
“
The continual cracking of your feet on the road makes a certain quantity of road come up into you. When a man dies they say he returns to clay but too much walking fills you up with clay far sooner (or buries bits of you along the road) and brings your death half-way to meet you. It is not easy to know what is the best way to move yourself from one place to another.
”
”
Flann O'Brien (The Third Policeman)
“
There's something beautiful about facing tragedy, you crack open a new, you find yourself in the parts of you; that can finally be explored freely with out judgement or guilt. Where to from here doesn't exist & your not sure when it will return, but there's something beautiful in facing tragedy, a new type of being within you is born and one whom is more fearless than ever before.
”
”
Nikki Rowe
“
Have you never outright sinned, then?”
“I disobeyed Patti when she told me to stay away from you.”
“Right. I remember that one. So just once, then?”
“There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching.
“Yes? Go on,” he urged.
He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts.
“The night we met, I sort of...well, I flat-out told a lie. On purpose.”
I thought he was trying not to smile.
“To me?” he asked.
“No. About you.”
Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame.
“Continue. Please.”
“There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.”
I covered my face in shame and he burst into laughter. I thought he might drive off the road.
Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended.
“I wondered if you were ever going to tell me!” he said through spurts of hilarity.
Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.
We started catching our breath again a few minutes later, only to break into another round of merriment.
“Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes.
“Yes, yes. I've had worse said about me.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Life was dense, dark, ancient. They watched Dean, serious and insane at his raving wheel, with eyes of hawks. All had their hands outstretched. They had come down from the back mountains and higher places to hold forth their hands for something they thought civilization could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn’t know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday, and stretching out our hands in the same, same way
”
”
Jack Kerouac (On the Road)
“
It seemed to me that winter was the time for love, not spring. In winter the habitable world was so much contracted; out of that little shut-in space we lived in, fantastic hopes might bloom. But spring revealed the ordinary geography of the place; the long, brown roads, the old cracked sidewalks underfoot, all the tree branches broken off in winter storms, that had to be cleared out of the yards. Spring revealed distances, exactly as they were.
”
”
Alice Munro (Lives of Girls and Women)
“
My heart cracked, splintered, shattered in my chest. And I knew without a doubt I would love Road until I died.
”
”
Pepper Winters (Destroyed)
“
I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds.
”
”
Jack Kerouac (On the Road)
“
the road between us was fractured beyond repair, but we refused to let it crumble away into dust, so we tarred up the cracks and hoped it would be enough.
”
”
Parker Lee (DROPKICKromance)
“
Nothing. Where all was burnt to ash before them no fires were to be had and the nights were long and dark and cold beyond anything they’d yet encountered. Cold to crack the stones. To take your life. He held the boy shivering against him and counted each frail breath in the blackness.
”
”
Cormac McCarthy (The Road)
“
Where all was burnt to ash before them no fires were to be had and the nights were long and dark and cold beyond anything they'd yet encountered. Cold to crack the stones. To take your life.
”
”
Cormac McCarthy (The Road)
“
And to you, dear reader, for following Ruby and her friends to the end. I hope that when you have the chance to crack your world open wide with new possibilities, to meet new people, and to take a turn down an unexpected, new road, you do just one thing: carpe the hell out of that diem.
”
”
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
“
She descended the steps two at a time, pushed away the gloom and counted the cracks in the cobbled road, trying to block out the cold and the stench of dishonesty bred in men.
”
”
Sharon Robards (A Woman Transported)
“
Your heart of devotion and obedience is not in vain. Who knows but God how many people have come near to you and were forever changed simply by the fragrance of his love in you? Who knows but God if he will put you before kings and leaders to speak the truth, redirecting the future of nations? Who knows when that small crack in the dam of our enemy’s plans will give way and God’s glory will truly cover the earth as the sea? Do not become distracted or discouraged by the death around you. Death must always give way when the life of Christ enters the picture.
”
”
Amy Layne Litzelman (This Beloved Road: A Journey of Revelation and Worship)
“
Write them all down. The mistakes and the blessings and the places you cracked in two. Write the prayers and the tantrums. The sacred and the profane. The open roads and the closed doors. Nothing is permanent.
”
”
Jeanette LeBlanc
“
People will drive by their high school ten years down the road, just so they can pretend that thinking "not much has changed" is actually true. When really, everything has changed. The air smells the same, but the roads have cracked more. The roads have cracked so much they now look like the skin on a crocodile's back. And all the fields, green in the summers, golden in the autumns, have all been paved over with new reasons to never come back.
”
”
Dave Matthes (Paradise City (The Mire Man Trilogy, #2))
“
Centuries old, but recently widened, the highway was the same road used by pagan armies, pilgrims, peasants, donkey carts, nomads, wild horsemen out of the east, artillery, tanks, and ten-ton trucks. Its traffic gushed or trickled or dripped, according to the age and season. Once before, long ago, there had been six lanes and robot traffic. Then the traffic had stopped, the paving had cracked, and sparse grass grew in the cracks after an occasional rain. Dust had covered it. Desert dwellers had dug up its broken concrete for the building of hovels and barricades. Erosion made it a desert trail, crossing wilderness. But now there were six lanes and robot traffic, as before.
”
”
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
“
They had come down from the back mountains and higher places to hold forth their hands for something they though civilisation could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn't know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday and stretching out our hands in the same, same way.
”
”
Jack Kerouac
“
Replacing the girl reading the book on the porch was this beautiful, closed-off, honest, waiting-to-be-cracked open woman who challenged his contentment simply by living her life. He didn’t want to be challenged. He was just fine with the status quo. Why did she have to go around inspiring him? It was not what he’d signed up for.
”
”
Courtney Walsh (A Cross-Country Christmas (Road Trip Romance, #1))
“
I don’t want to know
wreckage, dreck, and waste, but these are the materials
and so are the slow lift of the moon’s belly.
over wreckage, dreck, and waste, wild treefrogs calling in
another season, light and music still pouring over
our fissured, cracked terrain.
If you had known me
once you’d still know me though in a different
light and life. This is no place you ever knew me.
But it would not surprise you
to find me here, walking in fog, the sweep of the great ocean
eluding me, even the curve of the bay, because as always
I fix on the land. I am stuck to earth…these are not the roads
you knew me by. But the woman driving, walking, watching
for life and death, is the same.
”
”
Adrienne Rich (An Atlas of the Difficult World)
“
The Roman Road is the greatest monument ever raised to human liberty by a noble and generous people. It runs across mountain, marsh and river. It is built broad, straight and firm. It joins city with city and nation with nation. It is tens of thousands of miles long, and always thronged with grateful travellers. And while the Great Pyramid, a few hundred feet high and wide, awes sight-seers to silence—though it is only the rifled tomb of an ignoble corpse and a monument of oppression and misery, so that no doubt in viewing it you may still seem to hear the crack of the taskmaster's whip and the squeals and groans of the poor workmen struggling to set a huge block of stone into position——
”
”
Robert Graves (Claudius the God and His Wife Messalina (Claudius, #2))
“
What is the road as it relates to wealth journey? If you're a Slowlaner, your road is your job: doctor, lawyer, engineer, salesman, hairdresser, pilot. If you're a Fastlaner, your road is a business: Internet entrepreneur, real estate investor, author, or inventor.
”
”
M.J. DeMarco (The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!)
“
Overgrown, crumbling, tilted, full of cracks, returning to the soil. Paint fell from boards, plaster from walls. Unsupervised, matter was collapsing under its own weight.
”
”
Andrzej Stasiuk (On The Road To Babadag: Travels in the Other Europe)
“
She knew what it meant to want to return to safety and seed-husk again. But you cannot get back into your seed-husk, once it is cracked open and no longer yours.
”
”
Katherine Catmull (The Radiant Road)
“
Cracked road, the asphalt reduced to rubble. Gray buildings hollowed and decaying as the elements try to finish what the military’s bombs started. Utter and absolute destruction.
”
”
Zoulfa Katouh (As Long as the Lemon Trees Grow)
“
They will see what we call ‘schizophrenia’ was one of the forms in which, often through quite ordinary people, the light began to break through the cracks in our all-too-closed minds.
”
”
Robert Kolker (Hidden Valley Road: Inside the Mind of an American Family)
“
I am the contrast. I am forever the crack in the window that lets the winter in. I am forever the moment between laughter and tears, happiness and sadness. I am light and darkness. I am fire and ice. You will try to take me into your life, but I won't fit, and you will not know how to tell me that there is simply
no place for me.
There is simply no place for a girl like me.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
They stood on the far shore of a river and called to him. Tattered gods slouching in their rags across the waste. Trekking the dried floor of a mineral sea where it lay cracked and broken like a fallen plate. Paths of feral fire in the coagulate sands. The figures faded in the distance. He woke and lay in the dark.
”
”
Cormac McCarthy (The Road)
“
With a vicious curse, John wrenched the steering wheel and brought the SUV to a sudden halt by the side of the road. He stared ahead, breathing hard, and then lowered his head to the steering wheel.
"Fuck." His voice was the merest whisper. He turned his head, eyes bleak. "I can't do this, Suzanne. I can't give you up to them."
"You have to." Her heart was cracking open. There was no question of holding back the tears now. "You have no choice."
They moved at the same time. She launched herself into his arms at the same moment he opened them to haul her onto his lap. They kissed, violently, hungrily, a meeting of lips and tongue and tears. Her tears. He wasn't crying, but she could feel his muscles tense as rocks beneath her hands.
He was holding the back of her head tightly, while eating at her mouth, as if he could fuse them at the lips. His tongue was deep in her mouth. She'd take the taste of him to her grave.
"Don't go, goddammit. Stay with me." His voice was thick and gravelly. The words came out between biting kisses. "I. Can't. Stand. To. Let. You. Go.
”
”
Lisa Marie Rice
“
everything. If you are lucky, you meet four or five people in a lifetime who you’re totally comfortable with. Comfortable in a way that causes your best self to surge forward. With them, rowing through life’s quotidian mess is an adventure. I thought of my mom and me, twenty years earlier, cracking up as the Corolla filled with water.
”
”
Heather Harpham (Happiness: The Crooked Little Road to Semi-Ever After)
“
Not all roads are pretty and worth something. They are hard, overwhelming and shake you to your core, but in the tiny cracks of light that keep you moving forward holds tiny moments of hope. And in a dark place, hope is a grande’ thing.
”
”
Nikki Rowe
“
The night we met, I sort of... well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don’t know why, it upset me, and I told them... thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn’t keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn’t offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he’d been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.
”
”
Wendy Higgins (Sweet Evil (The Sweet Trilogy, #1))
“
[The Devil] "This legend is about paradise. There was, they say, a certain thinker and philospher here on your earth, who 'rejected all--laws, conscience faith, and, above all, the future life. He died and thought he'd go straight into darkness and death, but no--there was the future life before him. He was amazed and indignant. 'This,' he said, 'goes against my convictions.' So for that he was sentenced...I mean, you see, I beg your pardon, I'm repeating what I heard, it's just a legend...you see, he was sentenced to walk in darkness a quadrillion kilometers (we also use kilometers now), and once he finished that quadrillion, the doors of paradise would be open to him and he would be forgiven everything...Well, so this man sentenced to the quadrillion stood a while, looked, and then lay down across the road: 'I dont want to go, I refuse to go on principle!' Take the soul of an enlightened Russian atheist and mix it with the soul of the prophet Jonah, who sulked in the belly of a whale for three days and three nights--you'll get the character of this thinker lying in the road...He lay there for nearly a thousand years, and then got up and started walking."
"What an ass!" Ivan exclaimed, bursting into nervous laughter, still apparently trying hard to figure something out. "isn't it all the same whether he lies there forever or walks a quadrillion kilometers? It must be about a billion years' walk!"
"Much more, even. If we had a pencil and paper, we could work it out. But he arrived long ago, and this is where the anecdote begins."
"Arrived! But where did he get a billion years?"
"You keep thinking about our present earth! But our present earth may have repeated itself a billion times; it died out, lets say, got covered with ice, cracked, fell to pieces, broke down into its original components, again there were the waters above the firmament, then again a comet, again the sun, again the earth from the sun--all this development may already have been repeated an infinite number of times, and always in the same way, to the last detail. A most unspeakable bore...
"Go on, what happened when he arrived?"
"The moment the doors of paradise were opened and he went in, before he had even been there two seconds--and that by the watch--before he had been there two seconds, he exclaimed that for those two seconds it would be worth walking not just a quadrillion kilometers, but a quadrillion quadrillion, even raised to the quadrillionth power! In short, he sang 'Hosannah' and oversweetened it so much that some persons there, of a nobler cast of mind, did not even want to shake hands with him at first: he jumped over to the conservatives a bit too precipitously. The Russian character. I repeat: it's a legend.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared;
”
”
Jack Kerouac (On the Road)
“
Now we see it, lying in the middle of the road. A swan, a mute swan. It looks like an offcut of organza, crumpled around the edges, twitching. As we pass we see its long neck has buckled into its body like a folding chair. We see its wings are tucked back as if the tar is liquid and the swan is swimming.
There are two men and a woman in the road. One man is standing on the tar, the other is directing the traffic. The woman is kneeling down beside the swan. I think she is crying, she seems to be crying, and this makes me suddenly angry. I think of all the other creatures we’ve seen since we set out. I think of the rat, the fox, the kitten, the badger. I think of the jackdaw, did you see the jackdaw? We passed it in the queue to pass the swan. Its beak was cracked open, its brains squeeged out. Why didn’t anybody stop for the jackdaw? Because the swan looks like a wedding dress, that’s why. Whereas the jackdaw looks like a bin bag. Because this is how people measure life.
”
”
Sara Baume (Spill Simmer Falter Wither)
“
Fifteen years ago, the cultural critic Greil Marcus wrote of Jimi's performance of our national anthem as "his great NO to the war, to racism, to whatever you or he might think of and want gone. But then that discord shattered, and for more than four and a half long, complex minutes Hendrix pursued each invisible crack in a vessel that had once been whole, feeling out and exploring and testing himself and his music against anguish, rage, fear, hate, love offered, and love refused. When he finished, he had created an anthem that could never be summed up and that would never come to rest. In the end it was a great YES, both a threat and a beckoning, an invitation to America to match its danger, glamour, and freedom."
…
In late 1969, Jimi Hendrix wrote a poem celebrating Woodstock, saying with words what his music had in August: "500,000 halos outshined the mud and history. We washed and drank in God's tears of joy. And for once, and for everyone, the truth was not still a mystery.
”
”
Michael Lang (The Road to Woodstock)
“
When his mind turned to look back at the memories of a life gone off the track, everything appeared murky, like looking through a stagnant pond, covered completely with green algae, black beneath with the overabundance of bacteria and rot that made it incapable of supporting any other life besides. Through the murk he saw love, love that wasn't cultivated, love that was left to wither and die on the vine in his vain attempt to find happiness. Happiness that he didn't even know he might have had in his hands, had he done his part.
He saw missed opportunities, roads not taken, chances that asked too much of him. And his life, like a beautiful room that slowly emptied of all furnishings until it came down to only himself and the worn soiled carpet beneath him, the walls darkening to make the hell he thought would be his happiness - the hell that was his life.
”
”
Jason Huffman-Black (Crack the Darkest Sky Wide Open)
“
Lead looked to his hand and saw sparkling chunks of glass in the cracks of the road. He saw ants running around the cracks, infinitely small. His blood ran into the cracks, creating rivers for the industrious ants to perplex over. Lead smiled at the creatures, for he understood that there is no difference between them and us in their wanderings and labor.
”
”
Nathan L. Yocum
“
It will be a long road, try not to slip through the cracks.
”
”
Tony Arauz
“
That girl has more cracks in her than the road of yellow brick
”
”
Danielle Paige
“
road, I walked back at 9.45 in clear moonlight from the chief
”
”
Margalit Fox (The Riddle of the Labyrinth: The Quest to Crack an Ancient Code)
“
took another left and gunned it, cracking my window to drop her tracker onto the road, leaving her staring at what I’d spelled out for her. “LOL?” she yelled. “LOL, you motherfucker?
”
”
Navessa Allen (Lights Out (Into Darkness, #1))
“
They didn’t know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday, and stretching out our hands in the same, same way.
”
”
Jack Kerouac (On the Road)
“
Then Ghana, and the smell of Ghana, a contradiction, a cracked clay pot: the smell of dryness, wetness, both, the damp of earth and dry of dust. The airport. Bodies pushing, pulling, shouting, begging, touching, breathing. He'd forgotten the bodies. The proximity of bodies. In America the bodies were distant. The warmth of it ......
Why had he hated this view? Of this beach, of the backs of these fishermen, glistening brown, of the long wooden boats, evangelical names in bright tricolor paint on their splintering sides, Black Star Jesus, Jah Reign, Christ the Fisher of Men, in the red, yellow, green of the national flag and the national spirit of open-source ethos, this mixing of Anglican, Rastafarian, Ghanaian? What was there to hate in this? There was only openness. As far as he could see. A cheerful openness. An innocence. An innocent beach on the road to Kokrobite at seven A.M. November 1975, little country lurching, cheerful, unaware, to revolution. Little taxi lurching, blasting revolution, to grief.
”
”
Taiye Selasi (Ghana Must Go)
“
792. Thief.-- N. thief, robber, homo trium literarum, pilferer, rifler, filcher, plagiarist.
spoiler, depredator, pillager, marauder; harpy, shark, land-shark, falcon, moss-trooper, bushranger, Bedouin, brigand, freebooter, bandit, thug, dacoit, pirate, corsair, viking, Paul Jones; buccan-eer, -ier; piqu-, pick-eerer; rover, ranger, privateer, filibuster; rapparee, wrecker, picaroon; smuggler, poacher, plunderer, racketeer.
highwayman, Dick Turpin, Claude Duval, Macheath, knight of the road, foodpad, sturdy beggar; abductor, kidnapper.
cut-, pick-purse; pick-pocket, light-fingered gentry; sharper; card-, skittle-sharper; crook; thimble-rigger; rook, Greek, blackleg, leg, welsher, defaulter; Autolycus, Cacus, Barabbas, Jeremy Diddler, Robert Macaire, artful dodger, trickster; swell mob, chevalier d'industrie; shop-lifter.
swindler, peculator; forger, coiner, counterfeiter, shoful; fence, receiver of stolen goods, duffer; smasher.
burglar, housebreaker; cracks-, mags-man; Bill Sikes, Jack Sheppard, Jonathan Wild, Raffles, cat burglar.
[Roget's Thesaurus, 1941 Revision]
”
”
Peter Mark Roget (Roget's Thesaurus for Home School and Office)
“
and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
”
”
Jack Kerouac (On the Road)
“
I was far away from home, haunted & tired with travel, in a room I'd never seen, hearing the hiss of steam outside, the creak of the old wood, footsteps upstairs & all the sad sounds.
I looked at the cracked high ceiling & really didn't know who I was for about 15 strange seconds.
I wasn't scared; I was just somebody else, some stranger & my whole life was a haunted life, the life of a ghost.
I was halfway at the dividing line between the East of my youth & the West of my future.
”
”
Jack Kerouac (On the Road)
“
It is difficult to be an artist, because what you can see needs to be done and what you can achieve are generally two very opposite things. The two are like yin and yang, north and south, positive and negative. What you see is just totally opposite of what the reality can be, and that's unfortunate. But there are things we can do. Writers can either repave--we fill in some of the cracks in the road that are already there--or we start to knock down some of the weeds to make a clearing in the wilderness.
”
”
Nikki Giovanni (Shimmy Shimmy Shimmy Like My Sister Kate: Looking At The Harlem Renaissance Through Poems)
“
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost. I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that’s why it happened right there and then, that strange red afternoon. But
”
”
Jack Kerouac (On the Road)
“
You can remember how it was, because you weren't really any different. You could believe the things that people told you, too. Their words were gospel, and you trusted them. You believed because you were sixteen…or seventeen…or eighteen. You believed because your dreams had started running up against the Line like it was a brick wall that didn't have a single crack. And you believed—most of all—because you had to. You needed to believe that someone could get out of this town, same way you needed to believe that that someone just might be you.
And you held onto that belief. You had to. You held on, and it saw you through the Run, saw you crowned the winner. And it saw you down the black road to a cleared patch of dirt in a cornfield, a spot where Jerry Ricks's Smith & Wesson took all your dreams away.
”
”
Norman Partridge (Dark Harvest)
“
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
”
”
Vladimir Nabokov (Lolita)
“
Art is supposed to reflect your journey through real life. Your discovery of your character in solitude and around other people, the moments of clarity when you feel loved and the moment when your heart breaks so much that you can hear it crack. When you run careless and free on open fields and when you're struggling on your way home on the bus. This is what makes you a real artist. Experiences, moments, stories. Falling recklessly in love, losing someone you love and then learning to belong to yourself again. Going to new places, meeting new people, driving in the middle of the night on empty streets. Going to the ocean and staying there until 6 a.m, smoking cigarettes and talking about roses and butterflies. These are the things that will give you something worth writing about, worth singing about, worth creating art around.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
Over Volkheimer’s shoulder, through the cracked rear window of the truck shell, Werner watches a red-haired child in a velvet cape float six feet above the road. She passes through trees and road signs, veers around curves; she is as inescapable as a moon.
Werner curls beneath the bench in the back and does not move for hours, bundled in a blanket, refusing tea, tinned meat, while the floating child pursues him through the countryside. Dead girl in the sky, dead girl out the window, dead girl three inches away. Two wet eyes and that third eye of the bullet hole never blinking.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Imagine the problem is not physical. Imagine the problem has never been physical, that it is not biodiversity, it is not the ozone layer, it is not the greenhouse effect, the whales, the old-growth forest, the loss of jobs, the crack in the ghetto, the abortions, the tongue in the mouth, the diseases stalking everywhere as love goes on unconcerned. Imagine the problem is not some syndrome of our society that can be solved by commissions or laws or a redistribution of what we call wealth. Imagine that it goes deeper, right to the core of what we call our civilization and that no one outside of ourselves can effect real change, that our civilization, our governments are sick and that we are mentally ill and spiritually dead and that all our issues and crises are symptoms of this deeper sickness. Imagine the problem is not physical and no amount of driving, no amount of road will deal with the problem. Imagine that the problem is not that we are powerless or that we are victims but that we have lost the fire and belief and courage to act. We hear whispers of the future but we slap our hands against our ears, we catch glimpses but turn our faces swiftly aside.
”
”
Charles Bowden (Blood Orchid: An Unnatural History of America)
“
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds. I wasn’t scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.
”
”
Jack Kerouac (On the Road)
“
That spring, rain fell in great sweeping gusts that rattled the rooftops. Water found its way into the smallest cracks and undermined the sturdiest foundations. Chunks of land that had been steady for generations fell like slag heaps on the roads below, taking houses and cars and swimming pools down with them.
”
”
Kristin Hannah (The Great Alone)
“
How could the wind be so strong, so far inland, that cyclists
coming into the town in the late afternoon looked more like
sailors in peril? This was on the way into Cambridge, up Mill
Road past the cemetery and the workhouse. On the open
ground to the left the willow-trees had been blown, driven
and cracked until their branches gave way and lay about the
drenched grass, jerking convulsively and trailing cataracts of
twigs. The cows had gone mad, tossing up the silvery weeping
leaves which were suddenly, quite contrary to all their exper-
ience, everywhere within reach. Their horns were festooned
with willow boughs. Not being able to see properly, they
tripped and fell. Two or three of them were wallowing on
their backs, idiotically, exhibiting vast pale bellies intended by
nature to be always hidden. They were still munching. A scene
of disorder, tree-tops on the earth, legs in the air, in a university
city devoted to logic and reason.
”
”
Penelope Fitzgerald (The Gate of Angels)
“
It soon became apparent that the light of the lamp, though bestowing the doubtful privilege of a clearer view of Mr. Repetto's face, held certain disadvantages. Scarcely had the staff of Cosy Moments reached the faint yellow pool of light, in the centre of which Mr. Repetto reclined, than, with a suddenness which caused them to leap into the air, there sounded from the darkness down the road the crack-crack-crack of a revolver. Instantly from the opposite direction came other shots. Three bullets flicked grooves in the roadway almost at Billy's feet. The Kid gave a sudden howl. Psmith's hat, suddenly imbued with life, sprang into the air and vanished, whirling into the night.
”
”
P.G. Wodehouse (Psmith, Journalist (Psmith, #3))
“
They do not grow on the side of the perfect jar. You are correct, not a drop of water is lost from the perfect jar. The side of the road where the flowers grow is on the side of the imperfect jar, the one with cracks, the imperfect one. It is the blemished and worn jar that brings the flowers to life in the spring and waters them all summer long.
”
”
Wendell E. Mettey (On Which Side of the Road Do the Flowers Grow?)
“
The wind whipped up and I listened for ship sails snapping in the harbor cross the road, a place I’d smelled on the breeze, but never seen. The sails would go off like whips cracking and all us would listen to see was it some slave getting flogged in a neighbor-yard or was it ships making ready to leave. You found out when the screams started up or not.
”
”
Sue Monk Kidd (The Invention of Wings)
“
I spent much of my childhood staring straight ahead at the hood of a car and America unrolling to the horizon. Father drove with eyes on the road. Stop the tape and look at these people, one young and one old. Like two stars hung in a deep wind in space, who appear motionless as they hurtle toward each other at 186,213 miles per second in a silence that cracks a wall.
”
”
Anne Carson (Plainwater: Essays and Poetry (Vintage Contemporaries))
“
She once told me of a night that fumed with escapes and was filled with bedsides reeking of ecstasy; she told me the stars cast not judgments, but blessings, knowing full well the disastrous outcomes of the deeds they cradled with the strings of their young hearts. She’d inhaled the night itself, those around her doing the same, and so all become one. No disharmony. No discordance. Nothing to shatter the cause; nothing to unearth the beauty. So as we together ascended that front porch, allowing the glow behind the blown-out windows and the odious steams plunder us from through the cracks...time forgot to distill us, and our steps became as silver as glass. I could no longer deny the boiling words of my blood: tonight would be the beginning of a very long road indeed.
”
”
Dave Matthes (Sleepeth Not, the Bastard)
“
He did not waste time greeting her, but fell upon her at once with a vicious snarl. With his powerful jaws he tore at her, pulled her apart. He ripped open her guts and they spilled with a rank smell across the broken road surface. He tore off her leg and threw it into the darkness like so much poisoned meat.
The pain was intense, but she could not complain or fight him off. She lacked the energy to even raise her head. He tore and bit and ripped her apart and she could only experience it passively, as if from some remove.
Somehow she knew that he wasn’t killing her.
That he was saving her.
When he was done, when all the silver was torn out of her body and cast away from her, she breathed a little easier, and then she sank into a fitful sleep. He stood watch over her throughout the night, occasionally howling as the moon rode its arc across the night sky. Occasionally he would lick her face, her ears, to wake her up, to keep her from fading out of existence altogether. Once when he could not wake her he grabbed her by the back of the neck and shook her violently until her eyes cracked open and her tongue leapt from her mouth and she croaked out a whine of outrage.
”
”
David Wellington (Frostbite (Cheyenne Clark, #1))
“
She stands there until she realizes she is waiting. Waiting for someone to help. To come and fix the mess she's in. But no one is coming. No one remembers, and if she resigns herself to waiting, she will wait forever.
So she walks.
And as she walks, she studies Paris. Makes note of this house, and that road, of bridges, and carriage horses, and the gates of a garden. Glimpses roses beyond the wall, beauty in the cracks.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
I tear down Baxter, which loops around the last mile down to Back Cove.
And then I stop short. The buildings have fallen away behind me, giving way to ramshackle sheds, sparsely situated on either side of the cracked and run-down road. Beyond that, a short strip of tall, weedy grass slants down toward the cove.
The water is an enormous mirror, tipped with pink and gold from the sky. In that single, blazing moment as I come around the bend, the sun—curved over the dip of the horizon like a solid gold archway—lets out its final winking rays of light, shattering the darkness of the water, turning everything white for a fraction of a second, and then falls away, sinking, dragging the pink and the red and the purple out of the sky with it, all the color bleeding away instantly and leaving only dark.
Alex was right. It was gorgeous—one of the best I’ve ever seen.
”
”
Lauren Oliver
“
Reading about a far-off place can be a satisfaction in itself, and you might be thankful you’re reading about the bad trip without the dust in your nose and the sun burning your head, not having to endure the unrewarding nuisance and delay of the road. But reading can also be a powerful stimulus to travel. That was the case for me from the beginning. Reading and restlessness-dissatisfaction at home, a sourness of being indoors, and a notion that the real world was elsewhere- made me a traveller. If the internet were everything it is cracked up to be, we would all stay at home and be brilliantly witty and insightful. Yet with so much contradictory information available, there is more reason to travel than ever before: to look closer, to dig deeper, to sort the authentic from the fake; to verify, to smell, to touch, to hear, and sometimes – importantly – to suffer the effects of this curiosity.
”
”
Paul Theroux (The Last Train to Zona Verde: My Ultimate African Safari)
“
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, that I didn't know who I was...I was far away from home haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs and all the sad sounds, and I looked at the cracked high ceiling and didn't know who I was for about fifteen strange seconds. I wasn't scared, I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost...I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that's why it happened right there and then that strange afternoon. But I had to get going and stop moaning, so I picked up my bag, said so long to the old hotelkeeper sitting by his spittoon, and went to eat.
”
”
Jack Kerouac (On the Road: The Original Scroll)
“
I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn’t know who I was—I was far away from home, haunted and tired with travel, in a cheap hotel room I’d never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn’t know who I was for about fifteen strange seconds.
”
”
Jack Kerouac (On the Road)
“
But this is what I also thought as I watched the waves of trash crash over the cracked and broken road: that for the rest of us, Arizona would always be one of our places now. It would be on the list of things we own in our heads. Don’t we all have this list? It’s like, everything that secretly belongs to us—a favorite color, or springtime, or a house we don’t live in anymore. We all gained Arizona by coming here, but for the people who already lived here, we could only take something away.
”
”
Adam Rex (The True Meaning of Smekday)
“
To be sure, the Frankfurt School of the 1930s was certainly not issuing joint statements calling for, say, same-sex marriage—such would have been considered pure madness in any day before our own. Nonetheless, this cabal’s comprehensive push for untethered, unhinged sexual openness with no cultural boundaries or religious restrictions cracked the door for almost anything down the road. When God and tradition and ancient norms are said to no longer exist, anything and everything is permissible.
”
”
Paul Kengor (The Devil and Karl Marx: Communism's Long March of Death, Deception, and Infiltration)
“
I checked the position the car was facing. Grover had pulled off the road directly into the brunt of the storm, facing west. I felt the dampness on my right shoulder where the rain had forced its way through the cracked weather stripping around the car windows. “Yes.” “Hnnh,” Dan said. “Waziya. There is a message.” “What do you mean?” I said, slightly disconcerted. “Waziya is not good. He is cold and cruel.” “Waziya?” “The wind from the north.” Dan was pulling a small pouch from inside his shirt. It
”
”
Kent Nerburn (Neither Wolf nor Dog: On Forgotten Roads with an Indian Elder)
“
The sap mounts in the stems, the buds burst with faint sound, and the darkness is full of the noises of growth. There is night in the room, and the moon. There is life in the room. It creaks in the furniture, the table cracks and the wardrobe also. Many years ago some one felled these and split them, planed them and worked them into things of utility, into chairs and beds - but each springtime, in the darkness of the sap, it stirs and reverberates in them again; they waken, they stretch themselves, they are mere objects of use no longer, no longer chairs for a purpose; once again they have part in a the streaming and flowing outside. The boards under my feet creak and move of themselves, the wood of the window still cracks under my hands, and in front of the door even the splintered, decaying trunk of a lime tree by the roadside is thrusting out fat brown buds. In a few weeks it too will have little silken green leaves, as surely s the wide-spreading branches of the plane tree overshadowing it.
”
”
Erich Maria Remarque (The Road Back)
“
They had come down from the back mountains and higher places to hold forth their hands for something they thought civilization could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn’t know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday, and stretching out our hands in the same, same way. Our broken Ford, old thirties upgoing America Ford, rattled through them and vanished in dust.
”
”
Jack Kerouac (On the Road)
“
Dividing the upland into two there marched a double line of unshaped standing stones that dwindled into the dusk and vanished in the trees. Those who dared to follow that road came soon to the black Dimholt under Dwimorberg, and the menace of the pillar of stone, and the yawning shadow of the forbidden door. Such was the dark Dunharrow, the work of long-forgotten men. Their name was lost and no song or legend remembered it. For what purpose they had made this place, as a town or secret temple or a tomb of kings, none in Rohan could say. Here they laboured in the Dark Years, before ever a ship came to the western shores, or Gondor of the Dúnedain was built; and now they had vanished, and only the old Púkel-men were left, still sitting at the turnings of the road. Merry stared at the lines of marching stones: they were worn and black; some were leaning, some were fallen, some cracked or broken; they looked like rows of old and hungry teeth. He wondered what they could be, and he hoped that the king was
”
”
J.R.R. Tolkien (The Lord of the Rings)
“
That yes you commit to as reader and writer is the current that hums through all the work. Of course, you might say yes and then come up against an iceberg. No, you suddenly say definitively. And there you are. What do you do next? I can’t answer that for you, but I do know you eventually have to do something—or freeze to death. See if you can chip away at even a little of the mass in front of you—or try standing up on it. Does it support you? In a weeklong cold winter workshop in Taos I read aloud this passage from Richard Nelson’s The Island Within: The first section of road follows the bay’s edge, behind a strip of tall, leafless alders. When we’re about halfway around, a bald eagle in dark, youthful plumage sails down to a fish carcass on the beach just ahead. He seems careless or unafraid—quite different from the timid, sharp-eyed elders—so I leash Shungnak to the bike, drop my pack, and try to sneak in for a closer look. Using a driftwood pile as a screen, I stalk within fifty feet of the bird, but he spots me peering out between the logs.
”
”
Natalie Goldberg (Thunder and Lightning: Cracking Open the Writer's Craft)
“
As Clor observes, the moderate knows she cannot have it all. There are tensions between rival goods, and you just have to accept that you will never get to live a pure and perfect life, devoted to one truth or one value. The moderate has limited aspirations about what can be achieved in public life. The paradoxes embedded into any situation do not allow for a clean and ultimate resolution. You expand liberty at the cost of encouraging license. You crack down on license at the cost of limiting liberty. There is no escaping this sort of trade-off.
”
”
David Brooks (The Road to Character)
“
I became expert at making myself
invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest (Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike.
But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi, 'And Hong Kong,' They all know that it won't be long...'), I now had to sing it to myself each trip up or down the stairs.
And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed - a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water.
If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?
”
”
Donna Tartt (The Secret History)
“
Dating yes. But she thinks we're, uh, more than dating."
"Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-"
"Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing.
He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave."
"Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door.
"She cried? That's pretty insulting."
She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..."
"More than date me?"
She nods.
He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms?
He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?"
"Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first."
"Should I be afraid?"
She sighs. "Normally I would say no. But after this morning..." She shrugs.
"How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me."
She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?"
"This is getting complicated," he says, unlocking her car.
"Just remember, this is your idea and your fault. Now would be the time to back out."
He chuckles and opens the door for her. "Don't lose me on the road.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The fire truck lumbered forward. Thick branches cracked and shattered under the tires. By the time Harper pulled herself part of the way up into the passenger seat, he was doing nearly twenty miles per hour. He swung around the larch, building speed slowly but surely on a straight stretch of road that climbed to the top of a little rise. The snow-wing plow struck the tree. The larch wasn’t swatted clear so much as pulverized, branches shattering in a cloud of gray powder and black fragments. The Freightliner screamed. Harper felt she was hearing Jakob’s true voice
”
”
Joe Hill (The Fireman)
“
...Yes, now the roads themselves are shattered
As though they had fallen from a height, and the sky
Is cracked like varnish. Hard to believe,
Our family tree
Seems to be making its mark everywhere.
I carry my head high
On a pike that shall be nameless.
Even so, we had to give up honor entirely,
But I do what I can. I am patient
With the woes of the cupboards, and God knows―
I keep the good word close to hand like a ticket.
I feed the wounded lights in their cages.
I wake up at night on the penultimate stroke, and with
My eyes still shut I remember to turn the thorn
In the breast of the bird of darkness.
I listen to the painful song
Dropping away into sleep...
”
”
W.S. Merwin
“
She kissed him kind, and hard, and desperately, and the Colonel could not think about any fights or any picturesque or strange incidents. He only thought of her and how she felt and how close life comes to death when there is ecstasy. And what the hell is ecstasy and what’s ecstasy’s rank and serial number? And how does her black sweater feel? And who made all her smoothness and delight and the strange pride and sacrifice and wisdom of a child? Yes, ecstasy is what you might have had and instead you drew sleep’s older brother.
Death is a lot of shit, he thought. It comes to you in small fragments that hardly show where it has entered. It comes, sometimes, atrociously. It can come from unboiled water; an un-pulled-up mosquito boot, or it can come with the great, white-hot, clanging roar we have lived with. It comes in small cracking whispers that precede the noise of the automatic weapon. It can come with the smoke-emitting arc of the grenade, or the sharp, cracking drop of the mortar.
I have seen it come, loosening itself from the bomb rack, and falling with that strange curve. It comes in the metallic rending crash of a vehicle, or the simple lack of traction on a slippery road.
It comes in bed to most people, I know, like love’s opposite number. I have lived with it nearly all my life and the dispensing of it has been my trade. But what can I tell this girl now on this cold, windy morning in the Gritti Palace Hotel?
”
”
Ernest Hemingway (Across the River and into the Trees)
“
The morning has broken - I had thought of the morning like an egg that had split with a crack and was spreading. Before us lay all the green of the green country of England, with its rivers and it's roads and it's hedges, it's churches, it's chimneys, it's rising threads of smoke. The chimneys grew taller, the roads and rivers wider, the threads of smoke more thick, the farther off the country spread; until at last, at the farthest point of all, they made a smudge, a stain, a darkness - a darkness, like the darkness of the coal in a fire - a darkness that was broken, here and there, where the sun caught panes of glass and the golden tips of domes and steeples, with glittering points of light.
'London,' I said 'Oh, London!
”
”
Sarah Waters (Fingersmith)
“
The natural world gives us many examples of the great effectiveness of this way. The Chinese philosophy of which judo itself is an expression—Taoism—drew attention to the power of water to overcome all obstacles by its gentleness and pliability. It showed how the supple willow survives the tough pine in a snowstorm, for whereas the unyielding branches of the pine accumulate snow until they crack, the springy boughs of the willow bend under its weight, drop the snow, and jump back again. If, when swimming, you are caught in a strong current, it is fatal to resist. You must swim with it and gradually edge to the side. One who falls from a height with stiff limbs will break them, but if he relaxes like a cat he will fall safely. A building without 'give' in its structure will easily collapse in storm or earthquake, and a car without the cushioning of tires and springs will soon come apart on the road. The mind has just the same powers, for it has give and can absorb shocks like water or a cushion. But this giving way to an opposing force is not at all the same thing as running away. A body of water does not run away when you push it; it simply gives at the point of the push and encloses your hand. A shock absorber does not fall down like a bowling-pin when struck; it gives, and yet stays in the same place. To run away is the only defense of something rigid against an overwhelming force. Therefore the good shock absorber has not only 'give,' but also stability or 'weight.
”
”
Alan W. Watts (The Wisdom of Insecurity: A Message for an Age of Anxiety)
“
Lights Out"
I have come to the borders of sleep,
The unfathomable deep
Forest where all must lose
Their way, however straight,
Or winding, soon or late;
They cannot choose.
Many a road and track
That, since the dawn’s first crack,
Up to the forest brink,
Deceived the travellers,
Suddenly now blurs,
And in they sink.
Here love ends,
Despair, ambition ends;
All pleasure and all trouble,
Although most sweet or bitter,
Here ends in sleep that is sweeter
Than tasks most noble.
There is not any book
Or face of dearest look
That I would not turn from now
To go into the unknown
I must enter, and leave, alone,
I know not how.
The tall forest towers;
Its cloudy foliage lowers
Ahead, shelf above shelf;
Its silence I hear and obey
That I may lose my way
And myself.
”
”
Edward Thomas (Complete Poetical Works of Edward Thomas)
“
I woke up as the sun was reddening; and that was the one distinct
time in my life, the strangest moment of all, when I didn't know who I was-I was far away from
home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam
outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds,
and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange
seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted
life, the life of a ghost. I was halfway across America, at the dividing line between the East of my
youth and the West of my future, and maybe that's why it happened right there and then, that
strange red afternoon.
”
”
Jack Kerouac (On the Road: The Original Scroll)
“
Now the wind, which sings and weeps,
Down the dark road swoops and leaps.
Crow’s wings ripping through the clouds
Tear the heavens into shrouds.
Naked tree with shaking boughs
Black and dreadful mops and mows.
Morgan the Fairy sings and sighs,
Morgan sings and Morgan cries,
Morgan moans and Morgan weeps,
Down the dark road swoops and leaps
And within his dwelling creeps
Morgan the Fairy’s icy breath
Bring him to dole and death.
Make him drink from your black cup,
Wine of mulberry make him sup.
So his pain may longer be,
Long his spirit’s agony.
Fill his clothes with biting lice,
Curse his horse with stinging flies,
Crack his bones until he dies.
Strike his nerves with mortal cold
Rot his flesh with creeping mould
So his pain may longer be,
Long his spirit’s agony
And his body maggot’s fee.
”
”
Zoé Oldenbourg (The Cornerstone)
“
Then there was the time when he picked up a two-by-four on the side of the road and put it in the front seat by me and stuck it out the window. He told me to hold it, which I did, but when the wind hit the board, it turned around and hit me in the head and knocked me out. Another time, when a friend of Daddy’s bought a brand-new Buick, Daddy pressed the push-button window up on my neck. But that time I think it was just a matter of him not being familiar with the equipment. The main thing Momma bases her theory on is once Daddy, who is very artistic, wanted to make a life mask of my face. He put plaster of paris on me but forgot the breathing holes. On top of that he also forgot to put Vaseline on my face. He had to crack the plaster off with a hammer. Momma didn’t speak to him for a week on that one. I myself was sorry that it didn’t turn out. She also says he is going to ruin my nervous system because of the time he sneaked up on me when I was listening to Inner Sanctum on the radio. Just as the squeaking door opened, he grabbed me and yelled, “Got ya,” real loud, which caused me to faint. She also didn’t like him telling me Santa Claus had been killed in a bus accident and making me throw up. The Pettibones have very delicate nervous systems. That’s true. Momma is nervous all the time. She’s worn a hole in the floor on the passenger’s side of Daddy’s car from putting on the brakes. Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons. People love to talk to her because she always looks interested, even if she isn’t.
”
”
Fannie Flagg (Daisy Fay and the Miracle Man)
“
just seven years later Henry Ford began to sell his Model T, the first mass-produced affordable and durable passenger car, and in 1911 Charles Kettering, who later played a key role in developing leaded gasoline, designed the first practical electric starter, which obviated dangerous hand cranking (fig. 2.2). And although hard-topped roads were still in short supply even in the eastern part of the US, their construction began to accelerate, with the country’s paved highway length more than doubling between 1905 and 1920. No less important, decades of crude oil discoveries accompanied by advances in refining provided the liquid fuels needed for the expansion of the new transportation, and in 1913 Standard Oil of Indiana introduced William Burton’s thermal cracking of crude oil, the process that increased gasoline yield while reducing the share of volatile compounds that make up the bulk of natural gasolines.
”
”
Vaclav Smil (Invention and Innovation: A Brief History of Hype and Failure)
“
I'd been here before. Not to this Freedman Town, but to plenty of others. I've been all over the North, and every northern city has a Freedman Town. New York City's got a few, and Chicago's got more than a few. Baltimore, Washington. The manumitted have got to go somewhere, and the world doesn't give them a lot of options. The details are different - some of 'em are built on a high-rise model, bent towers clustered around courtyards, crammed to the gills with the poorest of the poor, living hard, the forgotten children of forgotten children. Some are like this one, blocks and blocks of small ramshackle homes, no sidewalks along narrow roads with the concrete worn and blasted through, the yards between the houses as weed-choked as vacant lots. Ivy growing in wild overlapping networks, engulfing the lower stories and sending menacing tendrils into upstairs windows. Gutters dangling or cracked, porches falling.
”
”
Ben H. Winters (Underground Airlines)
“
Spring was a long time unfolding. During the last weeks of Lent the weather was clear and frosty. In the daytime it thawed in the sun, but at night it went down to seven below; there was such a crust that carts could go over it where there was no road. There was still snow at Easter. Then suddenly, on Easter Monday, a warm wind began to blow, dark clouds gathered, and for three days and nights warm, heavy rain poured down. On Thursday the wind dropped, and a thick grey mist gathered, as if concealing the mysteries of the changes taking place in nature. Under the mist waters flowed, ice blocks cracked and moved off, the muddy, foaming streams ran quicker, and on the eve of Krasnaya Gorka the mist scattered, the dark clouds broke up into fleecy white ones, the sky cleared, and real spring unfolded. In the morning the bright sun rose and quickly ate up the thin ice covering the water, and the warm air was all atremble, filled with the vapours of the reviving earth. The old grass and the sprouting needles of new grass greened, the buds on the guelder-rose, the currants and the sticky, spiritous birches swelled, and on the willow, all sprinkled with golden catkins, the flitting, newly hatched bee buzzed. Invisible larks poured trills over the velvety green fields and the ice-covered stubble, the peewit wept over the hollows and marshes still filled with brown water; high up the cranes and geese flew with their spring honking. Cattle, patchy, moulted in all but a few places, lowed in the meadows, bow-legged lambs played around their bleating, shedding mothers, fleet-footed children ran over the drying paths covered with the prints of bare feet, the merry voices of women with their linen chattered by the pond, and from the yards came the knock of the peasants’ axes, repairing ploughs and harrows. The real spring had come.
”
”
Leo Tolstoy (Anna Karenina)
“
Now come days of begging, days of theft. Days of riding where there rode no soul save he. He’s left behind the pinewood country and the evening sun declines before him beyond an endless swale and dark falls here like a thunderclap and a cold wind sets the weeds to gnashing. The night sky lies so sprent with stars that there is scarcely space of black at all and they fall all night in bitter arcs and it is so that their numbers are no less. He keeps from off the king’s road for fear of citizenry. The little prairie wolves cry all night and dawn finds him in a grassy draw where he’d gone to hide from the wind. The hobbled mule stands over him and watches the east for light. The sun that rises is the color of steel. His mounted shadow falls for miles before him. He wears on his head a hat he’s made from leaves and they have dried and cracked in the sun and he looks like a raggedyman wandered from some garden where he’d used to frighten birds.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.
”
”
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
“
By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.
”
”
Ian Fleming (Casino Royale (James Bond, #1))
“
MARTIN SHEEN: Terry called me one night, and he had done so after finally making a decision. His gut hunch was to hire me, but he had other considerations, or an obligation to sort through his casting agent’s suggestions. He asked me if I was still interested. I got up just before sunrise and started driving the Pacific Coast Highway to the tune of Bob Dylan’s “Desolation Road.” It was one of the most profound moments of my life. Dylan, who was one of my personal heroes, had cracked something wide open inside of me. I was experiencing an epiphany. There was a realization of what just happened to me. I started to weep, and pulled the car over on the highway and reflected on this. My happiness. Before that phone call, I would have never thought that such a thing would happen to me. I realized that acting was no joke. You don’t show up on a set and just decide that you are going to throw yourself out there without preparation. Me being there was no accident. The stars had aligned and Badlands was a role of a lifetime. I have Terry Malick to thank for it.
”
”
Paul Maher Jr. (All Things Shining: An Oral History of the Films of Terrence Malick)
“
The 'five variations' are the following:
A road, although it may be the shortest, is not to be followed if one knows it is dangerous and there is the contingency of ambush.
An army, although it may be attacked, is not to be attacked if it is in desperate circumstances and there is the possibility that the enemy will fight to the death.
A city, although isolated and susceptible to attack, is not to be attacked if there is the probability that it is well stocked with provisions, defended by crack troops under command of a wise general, that its ministers are loyal and their plans unfathomable.
Ground, although it may be contested, is not to be fought for if one knows that after getting it, it will be difficult to defend, or that he gains no advantage by obtaining it, but will probably be counter-attacked and suffer casualties.
The orders of a sovereign, although they should be followed, are not to be followed if the general knows they contain the danger of harmful superintendence of affairs from the capital.
These five contingencies must be managed as they arise and as circumstances dictate at the time, for they cannot be settled beforehand.
”
”
Sun Tzu (The Art of War)
“
The road to success is rarely a straight line. For me, it’s always been more like a maze. Many times, when I thought I’d finally cracked the code, had it all figured out, and found the straight path to certain victory, I hit a wall or got spun into a turnaround. When that happens, we have two choices. We can stay stuck or regroup, back up, and try again. That’s where evolution begins. Hitting those walls time and again will harden and streamline you. Having to back up and formulate a new plan without any assurances it will ever pan out will tune your SA up and develop your problem-solving skills and your endurance. It will force you to adapt. When that happens hundreds of times over the course of many years, it is physically exhausting and mentally draining, and it becomes damn near impossible to believe in yourself or your future. A lot of people abandon belief at that point. They swirl in the eddies of comfort or regret, perhaps claim their victimhood, and stop looking for their way out of the maze. Others keep believing and find a way out but hope to never slip into a trap like that ever again, and those skills they’d honed and developed whither. They lose their edge.
”
”
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
“
People who don't empower your goals are human headwind bloviators. They add friction to the journey. When you spout excitement over actions or ideas, bloviators react with doubt and disbelief and use conditioned talking points such as, “Oh that won't work,” “Someone is already doing it,” and “Why bother?”
In motivational circles, they call them “dream stealers.”
You must turn your back on them. Every entrepreneur has bloviators in their life. Network marketers consider me a bloviator. These people are normal obstacles to the Fastlane road trip. Remember, these people have been socially conditioned to believe in the preordained path. They don't know about The Fastlane, nor do they believe it. Anything outside of that box is foreign, and when you talk Fastlane, you may as well be speaking Klingon.
As a producer, you are the minority, while consumers are the rest. To be unlike “everyone” (who isn't rich), you (who will be rich) require a strong defense; otherwise, their toxicity infects your mindset. Commiserating with habitual, negative, limited thinkers is treasonous. Uncontrolled, these headwinds lead directly to the couch and the video game console. Yes, the old, “If you hang out with dogs, you get fleas.”
This dichotomy[…]
”
”
M.J. DeMarco (The Millionaire Fastlane: Crack the Code to Wealth and Live Rich for a Lifetime!)
“
My room had a balcony where I could watch the setting sun flood the desert floor and burnish the golden slopes of the MacDonnell Ranges beyond – or at least I could if I looked past the more immediate sprawl of a K-Mart plaza across the road. In the two million or more square miles that is the Australian outback, I don’t suppose there is a more unfortunate juxtaposition. Allan was evidently held by a similar thought, for a half hour later when we met out front he was staring at the same scene. ‘I can’t believe we’ve just driven a thousand miles to find a K-Mart,’ he said. He looked at me. ‘You Yanks have a lot to answer for, you know.’ I started to protest, in a sputtering sort of way, but what could I say? He was right. We do. We have created a philosophy of retailing that is totally without aesthetics and totally irresistible. And now we box these places up and ship them to the far corners of the world. Visually, almost every arrestingly regrettable thing in Alice Springs was a product of American enterprise, from people who couldn’t know that they had helped to drain the distinctiveness from an outback town and doubtless wouldn’t see it that way anyway. Nor come to that, I dare say, would most of the shoppers of Alice Springs, who were no doubt delighted to get lots of free parking and a crack at Martha Stewart towels and shower curtains. What a sad and curious age we live in. We
”
”
Bill Bryson (In a Sunburned Country)
“
She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black.
After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two.
Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way.
Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core.
"If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil.
But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home.
"My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really."
In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart.
"I do wish I had done this before," she breathed.
Maybe if she had, then things wouldn't have come to this...
”
”
Liz Braswell (Straight On Till Morning)
“
You said to step on the brake to put us into drive, then to step on the right one to-"
"Not at the same time!"
"Well, you should have told me that. How was I supposed to know?"
I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind."
From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything.
"Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless.
What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny.
"You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts.
I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming."
She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night."
She clears her throat, still giggling a little. "Okay. Concentrate. Right."
"So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour.
She huffs up at her bangs. "This is boring. I want to go faster."
I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil.
"Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks.
Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed."
I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life.
"What is this thing?" she wails, pushing it out of her way and opening the door.
One Mississippi...two Mississippi...
"Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you."
Three Mississippi...four Mississippi...
"What are those flashing blue lights down there?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Excerpt from Storm’s Eye by Dean Gray
With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed.
“Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed.
Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could.
He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross.
Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.
”
”
Dean Gray
“
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass.
We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature.
Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives.
Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break.
Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water.
School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint.
Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox.
The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas.
Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
”
”
Kevin Phan (How to Be Better by Being Worse)
“
If it were any of the other Sharpes, he wouldn’t balk. But the idea of spending serveral hours in her company was both intoxicating and terrifying.
“If you don’t let me go along,” she continued, “I’ll just follow you.
He scowled at her. She probably would; the woman was as stubborn as she was beautiful.
“And don’t think you can outride me, either,” she added. “Halstead Hall has a very good stable, and lady Bell is one of our swiftest mounts.”
“Lady Bell?” he said sarcastically. “Not Crack Shot or Pistol?”
She glared over at him. “Lady Bell was my favorite doll when I was a girl, the last one Mama gave me before she died. I used to play with it whenever I wanted to remember her. The doll got so ragged that I threw her away when I outgrew her.” Her voice lowered. “I regretted that later, but by then it was too late.”
The idea of her playing with a doll to remember her late mother made his throat tighten and his heart falter. “Fine,” he bit out. “You can go with me to High Wycombe.”
Surprise turned her cheeks rosy. “Oh, thank you, Jackson! You won’t regret it, I promise you!”
“I already regret it,” he grumbled. “And you must do as I say. None of your going off half-cocked, do you hear?”
“I never go off half-cocked!”
“No, you just walk around with a pistol packed full of powder, thinking you can hold men at bay with it.”
She tossed her head. “You’ll never let me forget that, will you?”
“Not as long as we both shall live.”
The minute the words left his lips, he could have kicked himself. They sounded too much like a vow, one he’d give anything for the right to make.
Fortunately, she didn’t seem to have noticed. Instead, she was squirming and shimmying about on her saddle.
“Are you all right?” he asked.
“I’ve got a burr caught in my stocking that keeps rubbing against my leg. I’m just trying to work it out. Don’t mind me.”
His mouth went dry at her mention of stockings. It brought yesterday’s encounter vividly into his mind, how he’d lifted her skirts to reach the smooth expanse of calf encased in silk. How he’d run his hands up her thighs as his mouth had tasted-
God save him. He couldn’t be thinking about such things while riding. He shifted uncomfortably in the saddle as they reached the road and settled into a comfortable pace.
The road was busy at this early hour. The local farmers were driving their carts to market or town, and laborers were headed for the fields. To Jackson’s relief, that made it easy not to talk. Conversaing with her was bound to be difficult, especially if she started consulting him about her suitors.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
WALKING WITH ANGELS IN THE COOL OF THE DAY A short time later I felt someone poke me hard in the left arm. I turned to see who it was, but there was no one there. At the time, I dismissed it and returned my attention to my thoughts. After a minute I was poked again, only this time the poke was accompanied with an audible voice! The Holy Spirit said, “I want to go for a walk with you in the cool of the day.” I jumped up totally flabbergasted. I quickly left the room and grabbed my coat, telling everyone that I was going for a walk in the “cool of the day.” It just happened to be minus 12 degrees Fahrenheit (or minus 24 Celsius)! The moment I walked out the door, the presence of the Holy Spirit fell upon me, and I began to weep again. The tears were starting to freeze on my cheeks, but I did not mind. God began to talk to me in an audible voice. I was walking through the streets of Botwood in the presence of the Holy Ghost. I could also sense that many angels were accompanying us. The angels were laughing and singing as we strolled along the snow-covered streets. It was about 8:00 A.M. The Holy Spirit led me along a road which was on the shore of the North Atlantic Ocean. For the first time since leaving the house, I began to notice that it was very cold. However, it was worth it to be in the presence of the Lord. I was directed to a small breezeway that leads out over the Bay of Exploits (this name truly proved to be quite prophetic) to a tiny island called Killick Island. As we were walking across the breezeway, the wind was whipping off the ocean at about 40 knots. Combined with the negative temperature, the wind was turning my skin numb, and my tears had crystallized into ice on my face and mustache. THE CITY OF REFUGE I said, “Holy Spirit, it is really cold out here, and my face is turning numb.” The Lord replied, “Do not fear; when we get onto this island, there will be a city of refuge.” I had no idea what a city of refuge was, but I hoped that it would be warm and safe. (See Numbers 35:25.) The winter’s day had turned even colder and grayer; there was no sun, and the dark gray sky was totally overcast. Snow was falling lightly, and being blown about by a brisk wind. As we walked onto Killick Island, it got even colder and windier. The Holy Spirit whispered to me, “Do not fear; the city of refuge is just up these steps, hidden in those fir trees.” When I ascended a few dozen steps, I saw a small stand of fir trees to the left. Just before I stepped into the middle of them, a shaft of brilliant bright light, a lone sunbeam, cracked the sky to illuminate the city of refuge. When I entered the little circle of fir trees, what the Holy Spirit had called a “city of refuge,” I encountered the manifest glory of God. Angels were everywhere. It was 8:50 A.M. As we entered, I walked through some kind of invisible barrier. Surprisingly, inside the city of refuge, the temperature was very pleasant, even warm. The bright beam of sunlight slashed into the cold, gray atmosphere. As this heavenly light hit the fresh snow, there appeared to be rainbows of colors that seemed to radiate from the trees, tickling my eyes. Suddenly, the Holy Spirit began to ask me questions. The Lord asked me to “describe what you are seeing.” Every color of the rainbow seemed to dance from the tiny snowflakes as they slowly drifted
”
”
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
“
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.'
'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.'
'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.'
Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.'
'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.'
'Like, of course, there is no way for me to escape the chains that are holding me down.'
'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!'
'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.'
'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.'
'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.'
'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.'
'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.'
'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.'
'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.'
'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.'
'Merely one foolproof way of simplifying the appearance of this ghost town.'
'There are still some reminders of the glory days when you glance around.'
'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.'
'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.'
'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.'
'Why? To me is a question that is asked frequently.'
'It is all over negligence!'
'I get the sense and feeling most of the time, as they must prepare when looking around here at night.'
'The streetlamps do not all work, as they should. The glass in them is cracked.'
'The parking meters are always jammed, or just completely broken off their posts altogether.'
'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
”
”
Marcel Ray Duriez (Walking the Halls (Nevaeh))
“
Jamie considered herself outside that, but there was a definite feeling of distrust that underpinned every conversation, and a palpable sense of contempt that beat in the background. She put it out of her mind and pressed on, hoping to hell that they weren’t going to find Grace dead with a needle in her arm. That would turn a shit-clap into a shit-pie. Her dad had practically been a poet. But she wasn’t hungry. A two-lane road swept across a bridge headed north out of the city. Below it, an old line ran perpendicular, the rails buried in stone chips grown over with brambles. It hadn’t been used in years, and provided a sheltered area stretching across its width. The banks on either side were fenced off and let down around twenty feet onto the flat at the bottom, and the space beneath the bridge was filled with tents and tarps, all huddled together out of the worst of the weather. A section of fence had been pushed down, one of the posts dug out and shoved over. It had been trampled flat and an old blanket had been laid over the crushed barbed wire at the top so that the denizens could make the traverse without getting nicked. They’d walked the last stretch up a pretty much deserted street that had been blocked off at the bottom when the line had been put out of commission. Jamie and Roper moved between the bollards and up the cracked pavement towards the gap in the fence in silence. Three homeless people were sitting on the street — two by the makeshift entrance to the old line and one opposite. He was wearing a bright green wind-cheater and had his arms folded under his armpits.
”
”
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
“
All the roads are covered in trees. But they aren’t, you know, fallen. The trees are growing in the middle of the street. Cracking right up through the pavement.
”
”
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station #1))
“
Dallas latched on to the forearm of my hand curled around her throat and plastered her back against the hood of the car as I continued fucking her hard.
The door behind us opened, and Jared walked in. “Oh, sorry. I didn’t mean to—”
“Get the fuck out,” I roared.
My demand shook the walls so hard I was surprised they hadn’t cracked.
The door promptly closed.
Perhaps because it was, by far, the most pleasurable experience I’d ever had, the orgasm wasn’t instant. It skulked forward, gripping each of my limbs with its claws, taking over me like a drug. I knew I’d regret what was about to happen.
Yet, I could not even entertain the idea of stopping.
Dallas quaked beneath me. The muscles of her thighs strained. Sliding into her hot tightness a few more times, I finally erupted inside her.
It was glorious. And at the same time, felt as if someone had sucked my chest empty.
I came, and I came, and I came into Dallas’s cunt.
When I finally pulled out, everything between us was sticky. I peered down between her legs.
My thick white cum dripped from her swollen red slit to the hood of my car. Pink flakes of blood scattered inside the cloudy, milky liquid.
Panting and out of breath, I realized this marked the first time that I’d lost myself to a moment.
That I’d forgotten everything.
Including the fact that she was present.
My gaze rode up her bruised pussy to her torso. Sometime during sex, I’d torn the top of her dress without even noticing.
Red marks covered her exposed breasts. Full of scratches and bites.
Her neck still bore the imprints of my fingers—how hard had I grabbed her?
And though I dreaded seeing the aftermath on her face, I couldn’t stop myself.
I looked up and nearly keeled over to vomit.
Flushed pink cloaked her face. A single silent tear traveled down her cheek. A glossy sheen coated her hazel eyes, almost golden in their tone and empty as my chest.
The corner of her lips had produced a thin line of blood. Her doing. Not mine. She’d bitten them to tamp down her pained cries.
Shortbread wanted me to fuck her bareback so badly, she’d suffered through the entire ordeal.
Incomparable guilt slammed into me. Bitterness hit the back of my throat.
I’d taken her without considering her pleasure. Against my better judgment. And in the process, I’d ruined her first genuine experience of sex.
“Sorry.” I jerked away from Dallas, shoved my dripping half-mast cock back into my pants, and zipped up. “Jesus. Fuck. I’m so—”
The rest of the sentence vanished in my throat.
I shook my head, still in disbelief that I’d fucked her to the point of blood and tears. Without even sparing her a glance.
She sat up. That lone tear still shimmered from her cheek, somehow even worse than a loud sob.
“Do you have any gum?” The perfect, even composure braided into her voice rattled me.
In fact, everything about Dallas rattled me.
On autopilot, I produced two pieces of gum from my tin container, forking them over to her. She tucked both into her pretty pink mouth that I would never kiss and fuck again.
“Shortbread…” I stopped.
An apology wouldn’t even begin to cover it.
“No. It’s my time to speak.” She made no move to flee. To slap me. To call the police, her parents, her sister.
My cum still dripped fat white drops through her exposed pussy. A single streak of blood smeared across the hood of my car.
I stood far enough from her that I wasn’t a threat and listened.(Chapter 44)
”
”
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
“
Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing.
Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance.
Coloured tickets, spent out balloons, contraceptives divided pavement from road.
Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification.
A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside?
Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.
”
”
Ann Quin (Berg)
“
THE FELLOWSHIP OF THE RING
"Many that live deserve death. And some that die deserve life."
"Do not meddle in the affairs of Wizards, for they are subtle and quick to anger."
"Go not to the Elves for counsel, for they will say both no and yes."
"Hey dol! merry dol! ring a dong dillo!
Ring a dong! hop along! fal lal the willow!
Tom Bom, jolly Tom, Tom Bombadillo!"
"No black man shall pass my doors, while I can stand on my legs."
"All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king."
"One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the Darkness bind them."
"A deadly sword, a healing hand,
a back that bent beneath its load;
a trumpet-voice, a burning brand,
a weary pilgrim on the road.
A lord of wisdom throned he sat,
swift in anger, quick to laugh;
an old man in a battered hat
who leaned upon a thorny staff.”
"The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm.
‘You cannot pass,’ he said. The orcs stood still, and a dead silence fell. ‘I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.’
The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly on to the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm.
From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back, and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still.
‘You cannot pass!’ he said.
With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed.
‘He cannot stand alone!’ cried Aragorn suddenly and ran back along the bridge. ‘Elendil!’ he shouted. ‘I am with you, Gandalf!’
‘Gondor!’ cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him.
The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog’s feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness.
With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard’s knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. ‘Fly, you fools!’ he cried, and was gone.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
I wanted to know what enchanted her about A Streetcar Named Desire. And I get it. I truly do. What Tennessee Williams was trying to say here. The burning desire to call some place—any place—home. I’m no literary expert, but what I liked about this is the notion that we all at times ride on a road so dark, sometimes we don’t even realize when our eyes are closed. Not until a fissure of light cracks through.
”
”
L.J. Shen (Playing with Fire)
“
As he stepped out onto the shoulder, the weeds snapped and crunched under his old leather work boot, flushing out some grasshoppers that scattered like popping popcorn. Their cracking wings and the burbling Chautauqua River below on the opposite side of the road were the only sounds. It
”
”
Jeff Carson (The David Wolf Mystery Thriller Series: Books 5-7)
“
You could be riding in the back of a studio’s black limo, or just as easily the back of the coroner’s blue van. The sound of applause was the same as the buzz of a bullet spinning past your ear in the dark. That randomness. That was L.A. There was flash fire and flash flood, earthquake, mudslide. There was the drive-by shooter and the crack-stoked burglar. The drunk driver and the always curving road ahead. There were killer cops and cop killers. There was the husband of the woman you were sleeping with. And there was the woman. At any moment on any night there were people being raped, violated, maimed. Murdered and loved. There was always a baby at his mother’s breast. And, sometimes, a baby alone in a Dumpster.
”
”
Michael Connelly (The Black Ice (Harry Bosch, #2; Harry Bosch Universe, #2))
“
He presses his lips to mine and pulls back. “Then what else do we need?” “Nothing.” His smile cracks along with the sky, and it starts to pour, sheets of rain beat down on the windshield when I pull up to the main road and click my signal. I turn to Tobias as he eyes the water pounding on the hood and looks back to me. We share an ironic smile. We most definitely aren’t riding off into the sunset. He shrugs. “First of many. Merde, c’est nous.” Fuck it, it’s us. “It’s not a storm, Tobias,” I say, looking up at the sky. “It’s a blessing.
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
That’s the beauty of darkness, Juliette thought. It tended to hide the stains, the cracks in the plaster, the warped floorboards, and the uneven stairs. The daylight was what turned everything ugly. That was when you could see the truth of things.
”
”
Rachel Caine (Trapper Road (Stillhouse Lake, #6))
“
Off in the distance, the faint sounds of yips and barks answered, growing louder with each second. The leaves on the tall, cone-shaped trees separating the Temple from Saion’s Cove trembled as a rolling rumble echoed from the ground below. Blue-and-yellow-winged birds took flight from the trees, scattering to the sky. “Godsdamn.” Emil turned to the Temple steps. He reached for the swords at his sides. “They’re summoning the whole damn city.” “It’s her.” The deep scar slicing across the older wolven’s forehead stood out starkly. Potent disbelief rolled off Alastir as he stood just outside the circle of guards who’d formed around Casteel’s parents. “It is not her,” Casteel shot back. “But it is,” King Valyn confirmed as he stared at me from a face that Casteel’s would one day become. “They’re responding to her. That’s why the ones on the road with us shifted without warning. She called them to her.” “I…I didn’t call anyone,” I told Casteel, voice cracking. “I know.” Casteel’s tone softened as his eyes locked with mine. “But she did,” his mother insisted. “You might not realize it, but you did summon them.
”
”
Jennifer L. Armentrout (The Crown of Gilded Bones (Blood and Ash, #3))
“
I saw myself as I’d just been captured for posterity. Little old lady with possum-gray hair falling across her face. Baja T-shirt scrunched up to expose little-old-lady midriff. Toothy shark slipper raised in elderly menace. How soon would the photo show up on the internet? Like a California-road version of those strange “Walmart People” pictures that are always popping up on Facebook. Would I be displayed between a droopy-jeans man bent over to expose a crack the size of the San Andreas fault and an oversized woman bulging out of a thong as she licked a carton of strawberry ice cream?
”
”
Lorena McCourtney (That's the Way The Cookie Crumbles (The Mac 'n' Ivy Mysteries #4))
“
tarmac only slightly cracked, at other times the tarmac was broken and fractured by the plants growing through. But on the road went, narrowing slightly. He could feel the change in the air, smelling the sea breeze, the scent of salt on his face. It was fresher up here, away from the perfume of the trees and the winter undergrowth, the bare
”
”
Caro Ramsay (The Sideman (Anderson and Costello #10))
“
During the team’s flight back home to New York, Scott—who played ten scoreless minutes and was shooting 30 percent and averaging 2.9 points through his first fifteen games—sought to lighten the mood, cracking jokes on the plane. In a way, this was who Scott had always been: a lighthearted person who often looked for ways to laugh in overly tense situations. By contrast, that was not who Van Gundy was. The coach, often miserable in normal circumstances, was far more miserable after losses. Following home defeats, those who traversed the Garden’s hallways knew they might hear Van Gundy shouting, tipping over his desk, or punching a wall in his office. And whenever the Knicks played on the road—win or lose—Van Gundy usually had limited patience for outbursts on the team plane. “We were on a flight coming back from a preseason [win], and I got in trouble for yelling, ‘Yes! Let’s go Mets!’ after they clinched a spot in the World Series [in 2000],” says Hamdan, the club’s assistant trainer. “The next day, he calls me into his office and says I need to have more respect for the sanctity of winning and losing. And I told him: ‘Jeff, the sanctity of winning and losing is why I yelled “Let’s go Mets!” They just made the World Series!’ And he just looks at me and says, ‘Get the fuck outta my office.’ ” Van Gundy let Hamdan slide with a warning. But Scott wouldn’t enjoy that same grace. Seeking to send a message, the coach made a bold, unilateral choice to bypass Grunfeld and cut Scott from the team the morning after the flight.
”
”
Chris Herring (Blood in the Garden: The Flagrant History of the 1990s New York Knicks)
“
Then there’s my absolute favorite. The car I searched for years to find: the Talbot Lago Grand Sport. I’ve spent more hours on that baby than all the others combined. It’s my one true love. The one I’ll never sell. The only thing I feel the slightest sentimentality about is my cars. Only machinery gives me that impulse to care and nurture. It’s the only time I can be patient and careful. When I’m driving, I actually feel calm. And even just a little bit happy. The wind blows in my face. Speeding by on an open road, everything looks clean and bright. I don’t see the little details—the cracks and grime and ugliness. Not until I stop and I’m walking again.
”
”
Sophie Lark (Savage Lover (Brutal Birthright, #3))
“
All love is selfish, but this kind of love is more selfish than the lover. It’ll crack you before you can crack it, and even then, you’ll thank it on your knees. You know?
”
”
Soma Mei Sheng Frazier (Off the Books)
“
A loving mother, Europe was saddened by the misfortune of her westernmost lands. Along the entire Pyrenean cordillera, the granite split open, the cracks multiplied, other roads appeared to have been severed, other streams and torrents sank into the depths until they disappeared. Seen from the air, a continuous black line suddenly opened up on the snowcapped peaks like a trail of dust, where the snow was sliding and disappearing with the white sound of a tiny avalanche.
”
”
José Saramago (The Stone Raft)
“
[Verse]
Walked through fire felt the rain
Heart on sleeve felt love n' pain
Whispers behind like thorns they sting
Face yer life take what it brings
[Verse 2]
Shadows crawling doubts arise
Broken dreams in your eyes
Dust yourself rise again
Life won't wait for your plans
[Chorus]
Stronger than that fightin' back
Hands like steel heart can't crack
Stronger than that never fold
Face to the storm heart of gold
[Verse 3]
Walkin' roads that twist n' turn
Scars n' bruises lessons learned
Whispers fade in the night
Own your soul win the fight
[Bridge]
Heartbeat thunder in your chest
Ain't no test you ain't bested
Pain n' fire just a phase
Rise up high leave your blaze
[Chorus]
Stronger than that fightin' back
Hands like steel heart can't crack
Stronger than that never fold
Face to the storm heart of gold
”
”
James Hilton-Cowboy
“
It was as if I had fallen into the pages of one of my favourite novels, with none of the comfort or familiarity that enacting a scene from one of Raymond Chandler’s stories might bring. Hard-drinking, tough private eye, Marlowe would surely have a wise crack to throw at the desk sergeant, a ruse to gather information and to get under the skin of the policeman at the same time. But I wasn’t Marlowe and this wasn’t fiction.
”
”
Isabella Muir (Storms of Change: 1960 (The Mountfield Road Mysteries Book 1))
“
Muav Limestone rose out of the river, gray and striated: a slip of time sending them back to the Cambrian Period, more than 500 million years before, when multicellular life began to flourish and struggle out of the fecund sea onto a barren shore. Bright Angel Shale appeared beneath it, crumbling horizontal layers of purple and green. It was now nearly impossible to climb from the river to the rim, but a crack in the sheer Redwall wedged with broken timbers showed where Ancestral Puebloans, long ago, built a precarious road. The crew floated below the open mouths of cliff dwellings and sifted through pebbles for arrowheads and sherds. Their fingers startled up tiny toads. Deer watched their passing from dark thickets of mesquite, ghosting away through the tight weave of spiny branches. Below the boats, the dark water concealed its secrets. Hard to believe, but there were fish in that river: fish with leathery skins and torpedo-shaped bodies evolved to withstand endless sandblasting, and monstrous minnows that grew to the length of a man and weighed one hundred pounds.
”
”
Melissa L. Sevigny (Brave the Wild River: The Untold Story of Two Women Who Mapped the Botany of the Grand Canyon)
“
Licorice tattoo turned a gun metal blue
Scrawled across the shoulders of a dying town
Took the one eyed-jacks across the railroad tracks
And the scar on its belly pulled a stranger passing through
He's a juvenile delinquent, never learned how to behave
But the cops would never think to look in Burma-Shave
And the road was like a ribbon and the moon was like a bone
He didn't seem to be like any guy she'd ever known
He kind of looked like Farley Granger with his hair slicked back
She says, I'm a sucker for a fella in a cowboy hat
How far are you going?
Said depends on what you mean
He says I'm only stopping here to get some gasoline
I guess I'm going thataway just as long as it's paved
And I guess you'd say I'm on my way to Burma Shave
And with her knees up on the glove compartment
She took out her barrettes and her hair spilled out like root beer
And she popped her gum and arched her back
Hell, Marysville ain't nothing but a wide spot in the road
Some nights my heart pounds like thunder
Don't know why it don't explode
'Cause everyone in this stinking town's got one foot in the grave
And I'd rather take my chances out in Burma Shave
Presley's what I go by, why don't you change the stations?
Count the grain elevators in the rearview mirror
She said mister, anywhere you point this thing
It got to beat the hell out of the sting
Of going to bed with every dream that dies here every mornin'
And so drill me a hole with a barber pole
And I'm jumping my parole just like a fugitive tonight
Why don't you have another swig and pass that car if you're so brave
I wanna get there before the sun comes up in Burma Shave
And the spiderweb crack and the mustang screamed
The smoke from the tires and the twisted machine
Just a nickel's worth of dreams and every wishbone that they saved
Lie swindled from them on the way to Burma Shave
And the sun hit the derrick and cast a batwing shadow
Up against the car door on the shotgun side
And when they pulled her from the wreck
You know she still had on her shades
They say that dreams are growing wild
Just this side
Of Burma Shave
”
”
Tom Waits
“
My, my.” His grip tightened. I felt him unfurling, the walls around him cracking just a tad. “You were made for corruption, weren’t you, Shortbread?
”
”
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
“
Create a new narrative.
Interrupt the pattern.
Take back the pen.
Reclaim ownership of the story.
You—and only you—get to decide how the next chapter is written.
Write it all down.
The mistakes and the blessings and the places you cracked in two.
Write the prayers and the tantrums.
The sacred and the profane.
The open roads and the closed doors.
Nothing is permanent.
Erase what does not fit.
Cross it out.
Write on top of the lines that no longer serve, fifty times over if you want.
Remember, the only one who can write the next part of your story is you.
”
”
Jeanette LeBlanc
“
V—” “You’re a good Irishman, right?” When Butch nodded, V said, “Irish, Irish … let me think. Yeah …” Vishous’s eyes sobered, and in a voice that cracked, he said, “May the road rise to meet you. May the wind always be at your back. May the sun shine warm upon your face and the rains fall soft upon your fields. And … my dearest friend … until we meet again may the Lord hold you in the palm of His hand.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
A SNIPER FIRED into Bravo Company’s ranks. Crack! A marine fell. Then again. Crack! He was dead. The marines pulled his body as they ran for cover. They chose an abandoned Iraqi National Guard building that fronted Highway 10, the main road into Falluja. Twenty guys ran up to the roof. They set up their machine guns and waited. The sniper fired again. He was in the building across the street, fifty yards away, on the second floor. The flash of a shadow. The marines opened up with everything they had. Aimed, fired, raked and sprayed. Ten seconds. Three thousand shots. Bullet casings in smoking piles. The quickened pulses of young men. Smoke oozing from barrels. “I don’t see him,” one of them said. Minutes went by. Cigarettes glowed. Crack! A bullet zinged across the rooftop. A shadow passed by a window. Western side of the building this time, someone said, third floor. The marines opened fire again. They held their guns steady on the ledge of the rooftop as they let them fly: M-4 s, M-16 s, SAWs, 240 s, M-203 grenade launchers. A blazing symphony. The building across the street shook and smoked. A fire began on the second floor. The sniper fired. Crack, crack. A muzzle flashed. “Goddamn you!” someone shouted as the marines fired again. “We got one guy moving back and forth,” Lieutenant Eckert, one of the platoon leaders, said calmly. “We may have found him,” another marine said, but everyone kept firing where they were firing. Eckert stood back from the wall on the roof to get a wider view. “The idea is, he just sits up there and eats a sandwich, and we go crazy trying to find him,” he said. The
”
”
Dexter Filkins (The Forever War)
“
Crows lined the crumbling and contaminated road that led to Stonewall. As Rachel Wheeler approached, they lifted one by one against the hazy October sky. A muted lime-green aurora shimmered behind the clouds as if the black birds were swimming against a frothy tide. The hardwood trees on the surrounding Appalachian slopes were gone to gold and scarlet, and the strange light hinted at the gray winter waiting ahead. One of the crows turned, and its eyes flashed with fire. A blood-chilling caw cracked the brittle air. Rachel slid her machete from its canvas sheath, but the crow veered wildly and then rejoined the broken formation heading south toward the distant city of mutants.
”
”
Scott Nicholson (Afterburn (Next, #1))
“
An old pickup truck approached from ahead, slowed, and seemed ready to stop. The driver leaned out and yelled, “Come on, Romey, not again.” The cop turned around and yelled back, “Get outta here!” The truck stopped on the center line, and the driver yelled, “You gotta stop that, man.” The cop unsnapped his holster, whipped out his black pistol, and said, “You heard me, get outta here.” The truck lurched forward, spun its rear tires, and sped away. When it was twenty yards down the road, the cop aimed his pistol at the sky and fired a loud, thundering shot that cracked through the valley and echoed off the ridges. Samantha screamed and began crying. The cop watched the truck disappear, then said, “It’s okay, it’s okay. He’s always butting in. Now, where were we?” He stuck the pistol back into the holster
”
”
John Grisham (Gray Mountain)
“
Here’s a thing I believe about people my age: we are the children of Hogwarts, and more than anything, we just want to be sorted. Sitting there in my car in the little parking lot behind Crowley Control Systems on West 10 Mile Road in Southfield, my world cracked open a tiny bit.
”
”
Robin Sloan (Sourdough)
“
Five years ago, volunteer construction workers from Abnegation repaved some of the roads. They started in the middle of the city and worked their way outward until they ran out of materials. The roads where I live are still cracked and patchy, and it’s not safe to drive on them. We don’t have a car anyway.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Crack! Crack! The sniper. More swearing and more shooting. After some minutes two M-1 tanks arrived, clanking and smoking. They leveled their terrible guns. Ka-boom. Ka-boom. Ten shots. The shock waves bounced off our ears. Someone pointed and yelled. “Look!” shouted Corporal Christopher Spears. “He’s on a bike!” A man pedaled away from the building, away from the marines, in an alley. There was no shot to take; the angle was oblique. “He’s in the road, he’s in the road!” Eckert yelled. “Shoot him!” Evening approached. The sun sagged. Six hours had passed since the sniper first fired. The ruins belched smoke and fire. Omohundro sent a squad across the street. They put out clouds of green smoke to cover their advance. No one fired. The marines entered the building, what was left of it. There was no one inside. I
”
”
Dexter Filkins (The Forever War)
“
V—” “You’re a good Irishman, right?” When Butch nodded, V said, “Irish, Irish … let me think. Yeah …” Vishous’s eyes sobered, and in a voice that cracked, he said, “May the road rise to meet you. May the wind always be at your back. May the sun shine warm upon your face and the rains fall soft upon your fields. And … my dearest friend … until we meet again may the Lord hold you in the palm of His hand.” In one powerful surge, V sprang backward off the ledge into thin air.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
By the end of the century Rome seemed as powerful and stable as ever. But below the surface the foundations were cracking, and through the fissures new ideas and new institutions were thrusting themselves. The cities are everywhere in decline; trade, industry, and agriculture bend under the weight of taxation. Communications are less safe, and some provinces are infested with marauders, peasants who can no longer earn a living on the land. The Empire is gradually dissolving into units of a kind unknown to classical antiquity, which will some day be brought together in a new pattern, feudal and Christian. But before that can happen generations must pass, while the new absolutism struggles by main force to keep the roads open, the fields in cultivation, and the barbarian at bay.
”
”
Winston S. Churchill (The Birth of Britain (A History of the English Speaking Peoples #1))
“
No one noticed them step off the train, no one saw them arrive in Desolation Road . . . . Then something very much like a sustained explosion of light filled the hotel and there, at the epicenter of the glare, was the most beautiful woman anyone had ever seen. Every man in the room had to swallow hard. Every woman fought an inexpressible need to sigh. A dozen hearts cracked down the middle and all the love flew out like larks and circled round the incredible being. It was as if God Himself had walked into the room. Then the God-light went out and there was a blinking, eye-rubbing darkness. When vision was restored, everyone saw before them a small, very ordinary man and a young girl of about eight who was quite the plainest, drabbest creature anyone had ever seen. For it was the nature of Ruthie Blue Mountain, a girl of stunning ordinariness, to absorb like sunlight the beauty of everything around her and store it until she chose to release it, all at once, like a flashbulb of intense beauty. Then she would return again to dowdy anonymity, leaving behind her an afterimage in the heart of unutterable loss.
”
”
Ian McDonald (Desolation Road (Desolation Road Universe, #1))
“
I’m not bad enough for you,” James said with a soft chuckle. Luke’s thing for bad boys was well-documented.
Luke groaned. “I don’t pick them on purpose. It just happens.”
“Yeah, sure. Whatever you say.” James pulled his phone out and shot a quick text to Ryan.
You can’t be taking a leak for an hour. If you think you’re being subtle, you’re not.
Ryan returned to their secluded corner in the pub five minutes later and actually had the nerve to look displeased when he saw how far apart James and Luke were sitting.
Taking one look at his face, Luke started laughing. “You were at the pub across the road, weren’t you?”
Ryan didn’t even crack a smile. James had noticed that his mood was getting worse with the continued failure of his matchmaking efforts. James wasn’t sure what to think of it: he still tried not to be too obvious about his feelings in order to make Ryan more comfortable, but Ryan’s mood seemed to be darkening regardless of that. James had even tried to pretend to be enamored with the previous guy Ryan had pushed at him, but Ryan had seen through his bullshit immediately and they had a big, ugly fight. It looked like they were going to have another one tonight.
Sighing, James decided they had better get somewhere private first. He made their excuses while Ryan remained silent and stony-faced by his side. They left the pub in silence.
”
”
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
“
because there was a new face in the chorus, and rumor—in the person of his friend Aubrey—said she was a promising possibility as a mistress. And indeed she was, Lucien had to admit—at least, she would be for Aubrey, who had come into his title and had full control of his fortune. But not for someone like Lucien—a young man on a strict allowance and whose title of Viscount Hartford was only a courtesy one, borrowed from his father. Being my lord was, he had found, one of the few benefits of being the only son of the Earl of Chiswick. “She’s quite attractive, as game pullets go,” he told Aubrey carelessly after the play, as they cracked the first bottle of wine at their club. “Have her with my blessing.” Aubrey snorted. “You know, Lucien, it’s just as well you’re not looking for a high-flyer, for you damned well couldn’t afford her.” Lucien forced a smile. “She’s not my sort, as it happens.” “Balderdash—she’s any man’s sort.” Not mine, Lucien thought absently. He might have said it aloud if the sentiment hadn’t been so startlingly true. How odd—for the chorus girl had been a prime piece, buxom and long-limbed and flashy, as well as incredibly flexible as she moved around the stage. How could he not be interested? Aubrey was looking at him strangely, so Lucien said, “If she’s so much to your taste, I’m surprised you didn’t go around to the stage door after the performance and make yourself known.” “Strategy, my friend. Never let a woman guess exactly how interested you are.” Aubrey waved a hand at a waiter to bring another bottle, and as they drank it, he detailed his plan for winning the chorus girl. “It’s too bad you can’t join the fun, for I’m certain she has a friend,” Aubrey finished. “The gossips have it that your father is never without a lightskirt, so why should he object to you having one?” “Oh, not a lightskirt. Only the finest of the demimonde will do for the Earl of Chiswick.” Lucien drained his glass. “I’m meant to be on the road to Weybridge at first light—for the duke’s birthday, you know. A few hours’ sleep before I climb into a jolting carriage will not come amiss.” “Too late.” Aubrey tilted his head toward the nearest window. “Dawn’s breaking now, if I’m not mistaken. You won’t mind if I don’t come to see you off? Deadly dull it is, waving good-bye—and I’ve a mind for a hand or two of piquet before I go home.” Lucien walked from the club to his rooms in Mount Street, hoping a fresh breeze might help clear his head. The post-chaise Uncle Josiah had ordered for him was already waiting. The horses stamped impatiently, snorting in the cool morning air, and the postboys looked bored. Nearby, Lucien’s valet paced—but he
”
”
Leigh Michaels (The Birthday Scandal)
“
his abode looked like the creation of a campfire story. Its black walls stood six stories high. Scraps of worn paint peeled beneath the fingers of a sudden, foreboding wind that picked up the moment Ceony stepped foot onto the unpaved lane leading away from the main road. Three uneven turrets jutted up from the house like a devil’s crown, one of which bore a large hole in its east-facing side. A crow, or maybe a magpie, cried out from behind a broken chimney. Every window in the mansion—and Ceony counted only seven—hid behind black shutters all chained and locked, without the slightest glimmer of candlelight behind them. Dead leaves from a dozen past winters clogged the eaves and wedged themselves under bent and warped shingles—also black—and something drip-drip-dripped nearby, smelling like vinegar and sweat. The grounds themselves bore no flower gardens, no grass lawn, not even an assortment of stones. The small yard boasted only rocks and patches of uncultivated dirt too dry and cracked for even a weed to take root. The tiles composing the path up to the front door, which hung only by its top hinge, were cracked into pieces and overturned, and Ceony didn’t trust a single one of the porch’s gray, weathered boards to hold her weight long enough for her to ring the bell. “I’ve
”
”
Charlie N. Holmberg (The Paper Magician (The Paper Magician #1))
“
of black starlings burst from the maples lining the road. I flinched, sucking in a sharp breath of cold air and resisted the urge to drop to the cracked sidewalk. Surprise faded quickly and guilt churned deep within my gut. A sickening shame that was almost unbearable. So much regret. Angry at myself, I shoved the feeling aside. Emotions would only weaken me. A woman with gray hair who was walking her poodle next to me froze, her gaze pinned to the café. “My God, I think they’re being robbed!
”
”
Lori Brighton (The Mind Readers (Mind Readers, #1))
“
Although Vermont is frigid in the winter, its summertime shimmers. That’s stating the obvious to anyone who knows New England, but it was my brave new world. The mud season that begins in March and lasts well through May buffers one’s mind from winter’s ravages, so that, by the glorious day when neon-green leaf buds first appear on every tree, one can barely remember the bitter February winds streaming off the lake in great, frigid sloughs. Every year, the lake freezes solid around the shoreline, groaning and cracking under the push of the shifting wind, but, in the century-long life of Winloch, the winter had been heard only by the workingmen, men called in to plow the roads, or plumb frozen pipes, men who had the north country in their blood and the dried-up curl of French Canadian on their tongues.
”
”
Miranda Beverly-Whittemore (Bittersweet)
“
the road of this new life is very rocky and bumpy. We seem to go two steps forward, six back, eight forward, one back . . . It’s wearing, and wearying. But we are going somewhere. This new life, now humble and lowly, will burst forth into dazzling splendor one day. We who are in Christ are headed for a definite and assured destination. When Christ returns, when He resurrects dead believers and transforms living believers (1 Thess. 4:16–17), then we will fully bear His image, with no distortions or cracks or scars (1 Cor. 15:49). We will see Him, and that sight will utterly and finally transform us to His likeness (1 John 3:2). That glorious goal is set and assured the moment we are born again.
”
”
Dan Phillips (The World Tilting Gospel)
“
I flipped through Xuanzang's records almost 1400 years later, and thought that the written word was a fragile truth. His records were meticulous, but there was a vastness left unsaid. There were spools of thought that fell through the cracks and were swallowed by time. I hungered to know if he ever lost sight of is training, if on empty mountain roads loneliness crept into the sides of his mind till he thought he was mad, if in foreign marketplaces he succumbed to desire or greed or temper.
”
”
Mishi Saran
“
Saint Joseph, Michigan is a hamlet catered specifically to the tastes of rich, vacationing city folk. In the summer, these wealthy tourists haul their yachts out of storage and settle into their lakeside summer homes. When they aren’t oiling up on the beach, they flock to quaint ice cream parlors and overpriced clothing and art stores along Dove Street. Of course, none of the permanent residents of St. Joe can afford to buy anything from those boutiques, but we do get a little pleasure when yuppies get their stilettos stuck in the cracks of our brick-paved roads. Apart from the beach and movie theater, it’s our main source of entertainment.
”
”
Jennifer Brightside (The Local Color)
“
You and Dad are really the wrecking ball of all of our teenage runaway fantasies. Why couldn't you jerks go and be crack addicts or religious fanatics so we could have excuses to live on the wide open road? - email from Lily
”
”
Candace Allan (Text Me, Love Mom: Two Girls, Two Boys, One Empty Nest)
“
Once you were let into the Great Society of Sand Hill Road, you were given first crack at these miraculous enterprises at a small fraction of the cost to Wall Street investment bankers—never mind the general investing public.
”
”
Michael Lewis (The New New Thing: A Silicon Valley Story)
“
An integral part of a public offering is a “road show,” during which company leaders pitch their prospects to bankers and investment gurus. Brin and Page refused to see themselves as supplicants. According to Lise Buyer, the founders routinely spurned any advice from the experienced financial team they’d hired to guide them through the process. “If you told them you couldn’t do something a certain way, they would think you were an idiot,” she says. The tone of the road-show presentations was set early, as Brin and Page introduced themselves by first names, an opening more appropriate for bistro waiters than potential captains of industry. And of course they weren’t attired like executives—the day of their presentation of Google’s case to investors was one more in a lifetime of casual dress days for them. Google had prepared a video to promote the company, but viewers considered it amateurish. It was poorly lit and wasn’t even enlivened by the customary upbeat musical sound track. Though anyone who read the prospectus should have been prepared for that, some investors had difficulty with the heresy that Google was willing to forgo some profits for its founders’ idealistic views of what made the world a better place. On the video Brin cautioned that Google might apply its resources “to ameliorate a number of the world’s problems.” Probably the low point of the road show was a massive session involving 1,500 potential investors at the Waldorf-Astoria hotel in New York. Brin and Page caused a firestorm by refusing to answer many questions, cracking jokes instead. According to The Wall Street Journal, “Some investors sitting in the ballroom began speculating with each other whether the executives had spent any time practicing the presentation, or if they were winging it.” The latter was in fact the case—despite the desperate urging of Google’s IPO team, Page and Brin had refused to perform even a cursory run-through.
”
”
Steven Levy (In the Plex: How Google Thinks, Works, and Shapes Our Lives)
“
That was his biggest regret. He loved playing for a
living, loved hearing his songs on the radio, loved being on a stage and the road, but some days, he wouldn’t have minded going home every night to a sweet wife and a couple babies and fried chicken on the table. That was what Lindsey had taken from him. He’d fallen hard. He’d seen what his momma must’ve felt for his daddy, he’d felt his world crack right down the middle when the girl who had
become his everything ripped his heart out of his chest.
”
”
Jamie Farrell (Matched (Misfit Brides, #2))
“
Now, Tom had seemed like a decent guy when we watched him during track practice, and seeing that sign on the bulletin board had given us a clue that he had a good heart, too. But it was almost as if he knew we needed more convincing. And by the time we lost him—just a few streets away from our block—we were positive he couldn’t be the same guy who had robbed Speedy Jack’s. In fact, he turned out to be the nicest, most polite, most civic-minded boy I’ve ever seen. Here’s what we saw him do:
He spotted a dog wandering into the road and stopped to coax it onto the sidewalk.
He helped a little old lady across the street (really!), holding his hand up to stop traffic for her.
He hopped off his skateboard and bent down to tie a child’s shoe. The mother (whose arms were full of groceries) looked like she wanted to hug him.
He gave directions to a motorist, nodding politely at all her questions.
He picked up litter from the sidewalk and threw it into a trash can.
He stopped to admire a baby in its carriage.
It was while he was cooing over the baby that Sunny gave me a disgusted look. “Are we wasting our time, or what?” she asked.
I giggled. “Somehow I find it hard to believe he could swat a fly, much less hold up a store.”
When Tom finished with the baby, he straightened up, stepped back onto his skateboard, and zipped around a corner. We let him go. Sunny sighed. “He’ll make some girl a fine husband one day,” she said, with a straight face.
Then we cracked up.
We were still laughing about it a half hour later, when Jill and Maggie showed up at Sunny’s for our party-planning session. We told them all about “Saint Tom,” as we’d begun to call him.
”
”
Ann M. Martin (Dawn and the Halloween Mystery (Baby-Sitters Club Mystery, #17))
“
When the cracks split in the road are all you've seen, you either live it up or you don't live it down. So don't go giving up or let it bring you down.
”
”
dan nigro
“
Loading it up onto their computer they could then experiment with different road maps from Hobbiton to the Crack of Doom.
”
”
Ian Nathan (Anything You Can Imagine: Peter Jackson and the Making of Middle-earth)
“
Where the road was broken, its edges had cracked and meltd where the Technomancer had pulled her Tower from the earth, interrupting its symmetry.
”
”
Elizabeth Bear (All the Windwracked Stars (The Edda of Burdens, #1))
“
No matter how hopeless today feels, light is on the way, and it has less to do with what I do and everything to do with who God is. He is good. He is sovereign. If you’re in a season of pain, it might feel foreign for you to read those words. It might feel like a cruel joke to hear that light is making its way beneath the crack in your doorway. But it’s the truth. You might be praying for fruit right now, but perhaps God’s plan for today is the grain that will yield your harvest someday down the road.
”
”
Lina Abujamra (Fractured Faith: Finding Your Way Back to God in an Age of Deconstruction)
“
Down the road the voice of a child called out the adhan from the megaphone of a mosque’s citadel, and even with the static and the echo and the cracking of his pitch, it sounded so sweet in the fading light, with the fields darkening, and the crickets chirping their songs.
”
”
Jamil Jan Kochai (99 Nights in Logar)
“
We are kin, Sayan.” His voice cracked. Weak, as if every word fought through smoke and blood to shape itself. “We make ourselves kin, we do, as deep a truth as that I am my parents’ son, as deep a truth as that I am my brothers’ brother.” He had not been. Foundling, abandoned baby, claimed and loved. Truth. “We share a name, Sayan. My mother gave me your name and you blessed it. You’ve let me hide in you from my enemies. Held your hands over me so many times. Hold on to me now.” Words clearer now. Stronger. More certain. Feeling…truth, making a shape in the world. “I’m not a god, but what is a devil, Sayan? We warred against the Old Great Gods. We are powers to destroy gods of the earth. I’m not strong enough, whole enough, to stand against Jochiz. I’ve lost my own name. But I can be—” He hardly had words. Friend. Love. Brother. Where it mattered. In the heart, the soul. “You are my brother, I name you so, as you name me yours.” Tightened his grip on the god, illusion though that might be. Wrapped him, pulled him close, drowning brother, kin to kin, heart to heart, soul to soul. “Hold to me. Hide in me. Let me carry you.
”
”
K.V. Johansen (The Last Road)
“
Prepare drones," Metatron commanded. Nephilim grabbed her backpack and put it on the ground beside her feet. She opened it and revealed a black metallic cube. It made a soft click as it came to life. Within seconds it enfolded itself and turned into a flying drone—slightly resembling a black firefly—that was about the size of a small eagle. It hovered next to Nephilim's head, humming softly. Each one of the soldiers had unique drones, directly linked to their neural system. Some drones had flying capabilities, others resembled ground predators in the form of insects or mammals. To be able to simultaneously, mentally control a drone during actual combat was difficult, required years of practice, and brought the term multi-tasking to a whole new level. However, once mastered, it was an incredibly effective combat tool. Nephilim held still and waited for the commander to order the assault. She wasn't excited or scared that she was about to go into battle. Her artificially augmented heart didn't beat faster. Her lungs, securely sealed through a silicate membrane from any kind of poison or chemical warfare attack, didn't enhance their pace. Her mind was focused and clear. So were her ice-cold, artificially blue eyes, studying the target area. She came here to do her job, her duty. What she had been created for. The righteous thing. Furthermore, it was something she was very good at. Adriel had stated, prior to leaving Olympias, that they should be back by breakfast. The target area ahead was in shabby condition. Shacks and makeshift houses built in and around the ruins of old, overgrown industrial premises. The location was partly hidden by the remains of an old Highway bridge, its old asphalt cracked, with weeds growing everywhere, and some of its circling sidearms had collapsed. The ancient roads and self-made paths were covered with mud. It had been raining a lot, as it almost always did in this area. This was only one of the reasons why any sane person would never understand that people actually chose to live here. The small settlement was surrounded by some archaic plantations and little fields, hidden in between old buildings. Everything here was designed to stay unnoticed, to not be found. And yet they had been discovered. Eventually, all of them were. Metatron was right. These subjects here were completely oblivious of what was coming their way. Only a few guards were on duty, sitting on two of the old chimneys of the facility. They would have no chance to spot the attacking troops before sharpshooters took them out. After that, they would ambush those that remained in their sleep. Standard procedure, requiring a minimum of time, resources, and casualties. Nephilim's scanner showed one hundred twenty-six human life forms in the settlement. There wouldn't be any left when the sun rose in less than an hour. *** Jeff woke up from a bad dream. He couldn't remember what it was he had dreamt, but it had left him with this uneasy feeling
”
”
Anna Mocikat (Behind Blue Eyes (Behind Blue Eyes, #1))
“
When I speak, never look the other person in the eyes. I always look at my feet, my shoes, my shoe laces, at the pattern from the floor, the road, the chewing gum spit on the street and the cracks. I always bow my head. I never want to look up. The ground is for me the sky. I feel like a kite, fluttering.
”
”
Ren Hang (Journal of depression)
“
An ear-piercing shriek assaulted them as they returned to the main road and the heavy fog enveloped their surroundings. The torch extinguished, engulfing him in darkness. Something brushed against his shoulder and he flailed in every direction. Nothing. More red lightning flashed in the sky and lit the fog. Dozens of small silhouettes ran past. A loud crack of thunder reverberated through his bones. He covered his ears to drown out the noise, but the attempt was futile. The shrieking was inside his head.
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Bryan Caimi (The Unification of Paikmeriz (A Reign of Darkness, #1))
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Regret isn’t a strong enough motivator. They tell you to travel because if you don’t, you’ll regret it down the road. And so everyone did things that stemmed from a negative origin. Sex because I’ll get old. Dieting because I’ll get fat. Work because I’ll be poor. Success to prove my doubters wrong. But desire must derive from the action. It must be the thing that supplies us with a reason. The rest is negative fuel. We must jump over the crack in the cliff not because we’d regret never doing it, but because the other side of the rock calls to us. We must be drawn to the activity itself and let today lead us, rather than allow an invisible future do the haunting. We must live in additions. There’s a difference between “Oh, at least I don’t regret it” versus “Wow, that was a beautiful train I took.
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Kristian Ventura (The Goodbye Song)
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Look here, he says, what's the matter with you fellows? let's get cracking with this dump. Your road is bad; pave it. Better yet, build a paved road to every corner of the park; better yet, pave the whole damned place so any damn fool can drive anything anywhere is this a democracy or ain't it? Next, charge a good stiff admission fee; you can't let people in free; that leads socialism and regimentation. Next, get rid of all these homely rangers in their Smokey the Bear suits. Hire a crew of pretty girls, call them rangerettes, let them sell the tickets and give the campfire talks. And advertise, for godsake, advertise! How do you expect to get people in here if you don't advertise? Next, these here Arches light them up. Floodlight them, turn on colored, revolving lights -jazz it up, man, it's dead. Light up the whole place, all night long, get on a 24-hour shift, keep them coming, keep them moving, you got two hundred million people out there waiting to see your product-is this a free country or what the hell is it? Next your campgrounds, you gotta do something about your camp grounds, they're a mess. People can't tell where to park their cars or which spot is whose-you gotta paint lines, numbers, mark out the campsites nice and neat. And they're still building fires on the ground, with wood! Very messy, filthy, wasteful. Set up little grills on stilts, sell charcoal briquettes, better yet hook up with the gas line, install jets and burners. Better yet do away with the camp. grounds altogether, they only cause delay and congestion and administrative problems-these people want to see America, they're not going to see it sitting around a goddamned campfire; take their money, give them the show, send them on their way-that's the way to run a business....
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Edward Abbey (Desert Solitaire: A Season in the Wilderness)
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Every winter he'd be out here plowing with the big red blade mounted on the Ford, and when he was done opening up his drive, he'd by God get cracking on the neighbors' spreads down the road. Arnie and Ina, good Vikings from Minnesota. The Rays over to the east--they had a kid. Couldn't be trapped out here in snow. That's how America worked. Used to work. That was what made things function. It was all obvious come winter. Some folks wouldn't pitch in with a snow shovel if they saw a naked one-hundred-year-old lady out there struggling with a drift.
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Luis Alberto Urrea (The Water Museum)
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Why?’ ‘People use them as a security device, to keep a track of the kids, anything really. I think some insurance firms even give lower premiums if you have one. Spy more, pay less, that kind of thing.’ ‘Yeah, well, I’m guessing Kirsty had no idea it was there,’ Matt said. ‘You’d have to be looking for it to find it, if you know what I mean.’ They were less than a mile away now from Daryl. But that mile just couldn’t zip by quick enough. ‘We’re nearly back at the house,’ Harry said. ‘What about you and Jen?’ ‘We were just about to head over to speak with Adam’s brother,’ Matt said. ‘Just to check up on what he saw up on the moors, the lights and whatnot. Just wanted to get this development to you first.’ ‘Right,’ Harry said. ‘Good job. Well, you crack on with that, see what Gary has to say. But get a message through to Jadyn to contact Swift and tell him what we’re up to.’ ‘Will do, Boss.’ Harry told Jim to hang up. ‘We’re nearly there,’ he said, dropping speed now as they passed into a residential zone.
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David J. Gatward (Corpse Road (DCI Harry Grimm, #3))
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Mostly I’d Like to Be a Spiderweb
because in the rain I’d look like a cracked window
without a church to belong to. You could look
through me and see the world in front of us.
One time, my ex-lovers made a road of tongues for me.
I took my shoes off to feel the song a little better,
and cut a note short with each step.
I want to tell you how many churches
I’ve built to praise little things that deserve
more than their few seconds of existence.
Like the time I opened my door, smelled hibiscus
and knew you were home.
Like the time a child told me there was a god
And because he was smiling, I believed him.
Mostly, I’d like to be a spiderweb to feel you walk through.
To see if you’ll take me with you, despite the spider I bring.
— C.T. Salazar, from micro collection This Might Have Meant Fire: Poems, INCH quarterly (no. 39, Summer 2019)
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C.T. Salazar
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Knowing how to handle the negative leads to happiness, persistence, and the ability to handle life’s challenges. This can be seen clearly when we try to help our toddlers manage transitions, those that occur daily and bigger, one-time transitions as well. In doing so, you will set your child on the road to handling these hurdles throughout life. chapter seven Cracking the Code on Transitions Helping Toddlers Manage Change Three-year-old Annabelle is preparing a delicious Play-Doh meal she has carefully created, plates laid out on the floor all in a row, cups at each place, with bright red Play-Doh for the meal.
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Tovah P. Klein (How Toddlers Thrive: What Parents Can Do Today for Children Ages 2-5 to Plant the Seeds of Lifelong Success)
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As she talked and worked with Miriam, she pretended nothing bothered her. The dark inner silence grew, familiar and heavy, weighing her down inside. She shored up the cracks in her walls and girded herself for the coming attack. Yet every time she looked at Michael, she weakened. But the past kept catching up with her, no matter how far she ran. Sometimes she felt as though she were on a road and could hear the hard beat of the horses’ hooves coming, as though a coach were coming straight at her but she couldn’t get out of the way. In her mind she could see it racing toward her, and within it were Duke, Sally, Lucky, Duchess, and Magowan. And there on the high driver’s seat were Alex Stafford and Mama. And they were all going to run her down.
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Francine Rivers (Redeeming Love)
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Finally, he says, “What is the shortest distance between two points?” I look at him in the rearview mirror. “Swordfish.” “Come again?” “It’s a joke from an old movie. What’s the secret password? Swordfish.” “I see. Well, it is not swordfish this time. Would you like to know the answer?” “Sure.” I hit the accelerator. Feel the RPMs rumble from my feet and up into my chest as the Charger tears up the cracked desert road, leaving a gray cloud behind us. The Magistrate takes my Colt and puts one bullet in the chamber. Spins it and slams it shut. Puts the gun to his head and pulls the trigger. Nothing happens. He says, “The answer is death. In nothingness, distance has no meaning.” “But death isn’t nothingness. I’m dead and I’m here now.” He puts the Colt to my head. “Perhaps you are not dead enough.” “I still think ‘swordfish’ is a better answer.” “But you are not the one asking the question.” He pulls the trigger.
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Richard Kadrey (Hollywood Dead (Sandman Slim, #10))
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They’d left behind their stone houses in Caer Luel and beautiful white fountains, their red-tile roofs and straight roads, their perfectly round red bowls with pictures of dogs hunting deer around the rim, their exact corners and glass cups. And now the marble statues had lost their paint and stood melancholy white streaked with moss; tiles had blown off in storms and been patched with reed; men built fire sands directly on the cracked and broken remnants of once-brilliant mosaics.
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Nicola Griffith (Hild (The Hild Sequence, #1))
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...by the late 2000s, it seemed like a sucker's bet to try to make a living as an inventor in the classic sense, by creating useful and original things... the country's most famous inventors were inventing things of dubious merit, generating enormous wealth for a few by hawking gadgets to the many. In the San Francisco Bay Area, as America's coal-fired power plants continued to soak the atmosphere with gunk, as dysfunction snarled Congress and the roads and bridges chipped and cracked, as twelve million searched in vain for jobs and the economies of entire towns ran on food stamps, the best and brightest trilled about the awesomeness of their smartphone apps. Twitter, Facebook, Instagram, Angry Birds, Summly, Wavii: software to entertain, encapsulate, package, distract. Silicon Valley: a place that has made many useful things and created enormous wealth and transformed the way we live and where many are now working to build a virtual social layer atop the real corroding world.
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Jason Fagone (Ingenious: A True Story of Invention, Automotive Daring, and the Race to Revive America)
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I’d never been in love. Never wanted to be in love. Hell, I didn’t even know what love was. It was always something I’d heard about, not experienced, until I met a woman who cracked my ironclad defenses like no one had before. Someone who loved the rain and animals and Rocky Road ice cream on quiet nights. Someone who saw all my scars and ugliness and still found me worthy, and somehow, someway, she’d filled the cracks in a soul I never thought would be whole again. I might not know what love was, but I knew I was in love with Bridget von Ascheberg, to the point where even I—the man who was so good at denying himself anything good in life—couldn’t deny it.
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Ana Huang (Twisted Games (Twisted, #2))
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Life on the road isn't all it's cracked up to be. It's not all sex and drugs and rock and roll, whatever we tell you. Sometimes, if you're lucky, you may just find yourself staying with people who believe in revolution through squalor, holding your breath and pushing someone else's shit down a plughole with a stick.
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Steve Ignorant (The Rest is Propaganda)
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My voice gave way, as in those landslides you see in the news, filmed from a great height, when after a relentless rainfall everything shifts – houses, roads, lamp-posts, trees – a crack in the air, and the land pulls apart. I covered my mouth.
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Hisham Matar (My Friends)
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He sometimes talked about her as if her death were a jackknifed semi on the road ahead. Will viewed it more like the giant crack in their concrete driveway; he felt it, saw it, and walked over it every day, but it was too big and strange to fix.
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J. Ryan Stradal (Kitchens of the Great Midwest)
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A road sign up ahead. He veered off, crossing the Port-Jérôme industrial zone with his windows shut and the AC going full blast. Even so, the air smelled viscous, heavy with metal shavings and acid. Here, embedded in nature, the big names parceled out the empire of fossil fuels and oils. Total, Exxon Mobil, Air Liquide. The inspector drove nearly two miles in this magma of smokestacks, finally crossing past it into a quieter area, a full-on industrial wasteland. Frozen bulldozers shredded the landscape. He parked just short of the construction site, got out, and loosened his shirt collar. To hell with his jacket—he abandoned it on the passenger seat, along with the sports bag that contained his effects for the hotel. He stretched his legs, which cracked when he bent them. “Jesus…
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Franck Thilliez (Syndrome E)
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A sudden blast rang through the air, vibrating the glass windows. A flock of black starlings burst from the maples lining the road. I flinched, sucking in a sharp breath of cold air and resisted the urge to drop to the cracked sidewalk. Surprise faded quickly and guilt churned deep within my gut. A sickening shame that was almost unbearable. So much regret. Angry at myself, I shoved the feeling aside. Emotions would only weaken me. A woman with gray hair who was walking her poodle next to me froze, her gaze pinned to the café. “My God, I think they’re being robbed!” I didn’t respond but continued down the sidewalk, forced my feet forward as she fumbled with her cell phone. Taking in a deep breath, I slipped the ear buds of my iPod into my ears. Home. I had to make it home before I was late, before nerves got the better of me and I
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Lori Brighton (The Mind Readers (Mind Readers, #1))
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It’s kind of like—this is the road—this is how it is. If you don’t like it, get off the road.” “What happened?” “In the end?” He shook his head and sucked on his teeth. “In the end, younger, it happened like it was always gonna happen. We rolled a crack house, only this time the Tottenham boys were wise to it. They had a couple of mash men with blammers there themselves, waiting for us. Soon as we got in there, they pulled them out and started shooting the place up. I took out my strap and fired back. Didn’t know who I was shooting at. Bad things happened.
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Mark Dawson (The Cleaner (John Milton, #1))
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As we reached town, the truck bounced from the dirt road to the pavement, and something underneath made an ugly cracking sound.
“It’s been doing that,” Daniel said. “Just ignore it. Corey says he’ll take a look on the weekend.”
“Well, no matter how dire the situation, if my dad offers you a new truck, don’t do it. There’s a serious string attached.”
“Huh?” he said.
I told him what my dad had said. That got him laughing and as we pulled into the school parking lot, even the sight of Rafe waiting for me only made him roll his eyes.
We got out. I glanced at Daniel.
He sighed. “Go on.”
“You sound like you’re giving a five-year-old permission to play with an unsuitable friend.”
“If the shoe fits…”
I flipped him off.
“Watch it or I won’t marry you,” he said. “Truck or no truck.”
I laughed and jogged over to Rafe.
“Did he just say…?” Rafe began.
“Yes. And don’t ask.
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Kelley Armstrong (The Gathering (Darkness Rising, #1))
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When I rode along the Kinshasa Highway as a boy, it was a dusty, unpaved thread that wandered through the Rift Valley toward Lake Victoria, carrying not much traffic. It was a gravel road engraved with washboard bumps and broken by occasional pitlike ruts that could crack the frame of a Land Rover. As you drove along it, you would see in the distance a plume of dust growing larger, coming toward you: an automobile. You would move to the shoulder and slow down, and as the car approached, you would place both hands upon the windshield to keep it from shattering if a pebble thrown up by the passing car hit the glass. The car would thunder past, leaving you blinded in yellow fog. Now the road was paved and had a stripe painted down the center, and it carried a continual flow of vehicles. The overlanders were mixed up with pickup trucks and vans jammed with people, and the road reeked of diesel smoke. The paving of the Kinshasa Highway affected every person on earth, and turned out to be one of the most important events of the twentieth century. It has already cost at least ten million lives, with the likelihood that the ultimate number of human casualties will vastly exceed the deaths in the Second World War. In effect, I had witnessed a crucial event in the emergence of AIDS, the transformation of a thread of dirt into a ribbon of tar.
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Richard Preston (The Hot Zone)
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He also inherited my mother’s talent for selflessness. He gave his seat to a surly Candor man on the bus without a second thought. The Candor man wears a black suit with a white tie—Candor standard uniform. Their faction values honesty and sees the truth as black and white, so that is what they wear. The gaps between the buildings narrow and the roads are smoother as we near the heart of the city. The building that was once called the Sears Tower—we call it the Hub—emerges from the fog, a black pillar in the skyline. The bus passes under the elevated tracks. I have never been on a train, though they never stop running and there are tracks everywhere. Only the Dauntless ride them. Five years ago, volunteer construction workers from Abnegation repaved some of the roads. They started in the middle of the city and worked their way outward until they ran out of materials. The roads where I live are still cracked and patchy, and it’s not safe to drive on them. We don’t have a car anyway. Caleb’s expression is placid as the bus sways and jolts on the road.
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Veronica Roth (Divergent (Divergent, #1))
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They smelled of road dust and horses. He breathed it in like perfume. Best of all was the noise. Leather creaking. Men laughing. The fire cracked and spat. The women flirted. Someone even knocked over a chair. For the first time in a long while there was no silence in the Waystone Inn. Or if there was, it was too faint to be noticed, or too well hidden. Kote
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Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
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I told you,” he said in the darkness behind my lids. “So stubborn, all the time.”
“No. Sometimes I’m asleep. And anyway, you don’t know my life.”
He laughed. “Yeah, actually, I do. I know all about you.”
I scoffed. “Mm-hmm.”
“What? I do. I know you can eat a whole sleeve of Thin Mints by yourself.”
I snorted. “Who can’t?”
He went on. “I know your favorite thing is having your back scratched after you take off your bra. You’re in a better mood when you go to bed at eleven thirty and wake up at seven than when you go to bed at twelve thirty and wake up at eight. You like purple. You love the smell of carnations but hate it when guys buy you flowers because you think it’s a waste of money…”
I opened an eye and looked at him. He was talking to the window, watching the road.
“You like to argue when you think you might be wrong. When you know you’re right, you don’t bother. You hate sharing your food, but you pick at my plate every time. That’s why I always order extra fries.” He looked over at me and smiled. “And you’d rather give me shit for my driving than admit you get carsick when you’re on your phone. See?” He arched an eyebrow. “I know you.”
My heart felt like it might crack in half. He did know me. He’d been paying attention to me. And I knew him too. I knew him inside and out.
I could tell what work had been like by the set of his shoulders when he came over, and I knew it helped him to de-stress to talk to me about a bad call. I always listened, even though sometimes they were hard to hear.
When he got quiet, it meant he was tired. He’d choose pistachio ice cream at Baskin-Robbins every time, but at Cold Stone he got sweet cream instead. I knew he liked Stuntman, though he’d never admit it. And he secretly liked it when I gave him shit. I could tell by the sparkle in his eyes.
And I also knew he hoped he had more sons than daughters. That he liked the name Oliver for his first boy and Eva for his first girl. He planned on teaching all his kids to hunt and had a collection of camo baby clothes. He wanted to build the cribs himself from wood in the forest around his grandparent’s house in South Dakota.
He wanted no fewer than five children, and he planned for nine. And he hoped all his kids got the signature Copeland dimples and cowlick.
I hoped for that too. I wanted him to get all the things he dreamed about.
Yes. I knew him. I knew him well.
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Abby Jimenez (The Friend Zone (The Friend Zone, #1))
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This is the flip side of the soul-sucking cubicle-dweller jobs we assume are where dreams go to die. All those books aimed at convincing you to go follow your passion are based on the assumption that if you do so, your life will automatically be more fulfilling. But then let's say you become an entrepreneur or hit the road with your band or land a gig writing guidebooks that takes you all over the world. You can still discover that--gasp!--it's not all it's cracked up to be. Being fulfilled is all about the day-to-day details, and if that involves schlepping your instrument from one gig to another in order to cobble together a living, it may be that there is no piece of chamber music beautiful enough to save you from your misery. And then you have to be smart enough to change course instead of clinging to some idea of yourself or the thing you wanted.
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Rachel Friedman (And Then We Grew Up: On Creativity, Potential, and the Imperfect Art of Adulthood)
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On the breezy morning of March 31, 2017, a group of seven black-masked anarchists approached the headquarters of the neofascist Golden Dawn party near the Greek capital’s Larissa Station, a central train stop in the densely populated working-class borough of Kolonos. Armed with sledgehammers, sticks, and road flares, many of them donned motorcycle helmets in anticipation of a fight with the far-right Golden Dawn members. But on this morning, they met no resistance. The anti-fascists quickly smashed the windows, and threw flares into the office. Messages lambasting the Golden Dawn were spray-painted on the door. According to some accounts, those inside the office, unprepared for a confrontation, quickly fled. Security footage of the incident emerged in the local media within hours and went viral on social media.
In the video, taxis and other vehicles can be seen speeding past as a group of anarchists stayed back on the road to ensure they weren’t ambushed from behind. Within minutes, the group had smashed the windows of the office, battered the door, and left behind glass shards glimmering under the bright spring sky. Emanating from large holes, weblike cracks stretched across the window panes.
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Patrick Strickland (Alerta! Alerta!: Snapshots of Europe's Anti-fascist Struggle)
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I don’t fuck girls,” Stitch repeated. “Are you blind? I’m a fucking fag. I’ve always been. I couldn’t even fuck my wife properly. Why do you think she divorced me? This is some bullshit!” He kicked the broken window and cracked the wood with his boot.
Zak let out a long breath, his mouth pressing into a thin like. “Why didn’t you say anything? You never said you were gay. How could I know that?” he asked in a small voice. “I thought... that we were just buddies.”
Stitch walked up to him and cupped Zak’s face, digging his thumbs into his warm cheeks. “I don’t like to talk about this kind of shit. There is no other option for me. Either you’re in, or you’re not. We’re not ‘buddies’ and we never were. We’re not friends, we’re not mates. I see you as a… lover. Someone to get close to, someone I can be myself with. If you need to arrange to be exclusive, then it looks like this dog was barking up the wrong tree.”
Zak opened and closed his mouth, his shining blue eyes looking straight into Stitch’s soul. “I’ve never been with anyone like this.
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K.A. Merikan (Road of No Return: Hounds of Valhalla MC (Sex & Mayhem, #1))
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It was two o’clock in the afternoon, or what residents of the French Quarter called the crack of dawn.
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Lou Berney (November Road)
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This slice of life happened during the depression era, late 1920’s and early 1930’s in Hoboken, NJ. Will such hard times happen again as the “Rich get richer and the poor get poorer?”
“Fischer & Koenig’s factory building had been built in a wedge of filled-in land between the cliff side road of the palisades and the railroad tracks. Although some unwieldy power tools had already been invented, and were in use since the end of the nineteenth century, they were seldom used at home or in small factories such as the one where my father worked. As in most shops of that era, everything was custom-made. My father did almost everything by hand, including the staining, polishing and finishing work of furniture, tabletops and caskets. It was an era when things were still done the old-fashioned way. With jobs scarce and difficult to find, he worked long hours in the cold building with nothing more than an open steel drum outside the door, in which scrap wood was burned so that the workers could occasionally warm their hands. Under these horrid conditions, it didn’t take long for his nose to run, his hands to become raw and cracked, and his lips to become chapped. It seemed that he constantly had a cold and problems with his feet. Studying the faces of people back then, you could see the intense hardship in their weathered faces.
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Hank Bracker