Crab People Quotes

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I hate the uneducated and the ignorant. I hate the pompous and the phoney. I hate the jealous and the resentful. I hate the crabbed and mean and the petty. I hate all ordinary dull little people who aren't ashamed of being dull and little.
John Fowles (The Collector)
When a woman grabs my braids and says "How cute!" I crab her breast and say "How cute!" She never touches me again!
Russell Means (Where White Men Fear to Tread: The Autobiography of Russell Means)
I wouldn't go around telling people about these shocks of yours." "Why not?" Lex asked. "It's like announcing to the would you have crabs. It's embarrassing, and no one'll ever shake your hand again.
Gina Damico (Croak (Croak, #1))
You can crab over the morning paper and kick the shins of the guy in the next seat at the movies and feel mean and discouraged and sneer at the politicians but there are a lot of nice people in the world just the same.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
If we are so contemptibly selfish that we can’t radiate a little happiness and pass on a bit of honest appreciation without trying to get something out of the other person in return – if our souls are no bigger than sour crab apples, we shall meet with the failure we so richly deserve.
Dale Carnegie (How to Win Friends and Influence People)
One of the things I’ve learned about vision is people will grab it mentally or, have a crab mentality.
Onyi Anyado
I did it to protect my good reputation in case anyone ever caught me walking around with crab apples in my cheeks. With rubber balls in my hands I could deny there were crab apples in my cheeks. Everytime someone asked me why I was walking around with crab apples in my cheeks, I'd just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story, but I never knew if it got across or not, since its pretty hard to make people understand you when your talking to them with two crab apples in your cheeks.
Joseph Heller (Catch-22)
Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later, sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
Everyone in America is extremely concerned with hydration. Go more than five minutes without drinking, and you’ll surely be discovered behind a potted plant, dried out like some escaped hermit crab. When I was young no one would think to bring a bottle of water into a classroom. I don’t think they even sold bottled water. We survived shopping trips without it, and funerals. Now, though, you see people with those barrels that Saint Bernards carry around their necks in cartoons, lugging them into the mall and the movie theater, then hogging the fountains in order to refill them. Is that really necessary?
David Sedaris (Calypso)
Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray.
George R.R. Martin
Unlock joy in any situation! True understanding and mutual respect do not bridge blames, destructive, negative criticisms, false excuses and gossips. To express disappointments and ill-feelings are normal however to gossip around certain people and events in order to put another person down and destroy one's credibility is a form of bullying whether one expresses it publicly or privately. Beware of segregation, regionalism, individualism, discrimination, stereotyping, destructive criticism, false accusations, biased wrong assumptions, prejudice, senseless comparison and unwanted competition because life is much more meaningful to live for where there is unity and harmony.
Angelica Hopes
It didn't take long. In that despondent changeless heat the entire human content of the ship congealed into a massive drunkenness. People moved flabbily about like squid in a tank of tepid smelly water. From that moment on we saw, rising to the surface, the terrifying nature of white men, exasperated, freed from constraint, absolutely unbuttoned, their true nature, same as in the war. That tropical steam bath called forth the instincts as August breeds toads and snakes on the fissured walls of prisons. In the European cold, under gray, puritanical northern skies, we seldom get to see our brothers' festering cruelty except in times of carnage, but when roused by the foul fevers of the tropics, their rottenness rises to the surface. That's when the frantic unbuttoning sets in, when filth triumphs and covers us entirely. It's a biological confession. Once work and cold weather cease to constrain us, once they relax their grip, the white man shows you the same spectacle as a beautiful beach when the tide goes out: the truth, fetid pools, crabs, carrion, and turds.
Louis-Ferdinand Céline (Journey to the End of the Night)
I’m good at tailing people. I was an intelligence officer during World War I. My code name was the Crab." - Roderick Childermass
John Bellairs (The Curse of the Blue Figurine)
At this point there's something I should explain about myself, which is that I don't talk much, probably too little, and I think this has been detrimental to my social life. It's not that I have trouble expressing myself, or no more than people generally have when they're trying to put something complex into words. I'd even say I have less trouble than most because my long involvement with literature has given me a better-than-average capacity for handling language. But I have no gift for small talk, and there's no point trying to learn or pretend; it wouldn't be convincing. My conversational style is spasmodic (someone once described it as "hollowing"). Every sentence opens up gaps, which require new beginnings. I can't maintain any continuity. In short, I speak when I have something to say. My problem, I suppose - and this may be an effect of involvement with literature - is that I attribute too much importance to the subject. For me, it's never simply a question of "talking" but always a question of "what to talk about". And the effort of weighing up potential subjects kills the spontaneity of dialogue. In other words, when everything you say has to be "worth the effort", it's too much effort to go on talking. I envy people who can launch into a conversation with gusto and energy, and keep it going. I envy them that human contact, so full of promise, a living reality from which, in my mute isolation, I feel excluded. "But what do they talk about?" I wonder, which is obviously the wrong question to ask. The crabbed awkwardness of my social interactions is a result of this failing on my part. Looking back, I can see that it was responsible for most of my missed opportunities and almost all the woes of solitude. The older I get, the more convinced I am that this is a mutilation, for which my professional success cannot compensate, much less my "rich inner life." And I've never been able to resolve the conundrum that conversationalists pose for me: how do they keep coming up with things to talk about? I don't even wonder about it anymore, perhaps because I know there's no answer.
César Aira
One of the things I've learned about vision is people will grab it mentally or, have a crab mentality.
Onyi Anyado
[...] a morass of despair violence death with a thin layer of glass spread upon the surface where Love, a tiny crab with pincers and rainbow shell, walked delicately ever sideways but getting nowhere, while the sun [...] rose higher in the sky its tassels dropping with flame threatening every moment to melt the precarious highway of glass. And the people: giant pathworks of colour with limbs missing and parts of their mind snipped off to fit them into the outline of the free pattern.
Janet Frame (Faces in the Water)
Now then, Mr. Crab," said the zebra, "here are the people I told you about; and they know more than you do, who live in a pool, and more than I do, who live in a forest. For they have been travelers all over the world, and know every part of it." "There's more of the world than Oz," declared the crab, in a stubborn voice. "That is true," said Dorothy; "but I used to live in Kansas, in the United States, and I've been to California and to Australia--and so has Uncle Henry." "For my part," added the Shaggy Man, "I've been to Mexico and Boston and many other foreign countries." "And I," said the Wizard, "have been to Europe and Ireland." "So you see," continued the zebra, addressing the crab, "here are people of real consequence, who know what they are talking about.
L. Frank Baum (The Emerald City of Oz (Oz, #6))
In spite of all that is said, and more especially written, about the crabbed New Englander, New Englanders, like all ordinary people, are nice. Their manner of proffering a favor is sometimes on the crusty side, but that is much more often diffidence than surliness.
Louise Dickinson Rich (We Took to the Woods)
I would do anything – absolutely anything,’ he was thinking, ‘if only you would be nice to me. If you would be nice to me, I would gladly die for you this moment. It doesn’t really matter whether you know what I feel for you or not. Just be nice to me, then at least we shall be a little closer to each other, instead of so horribly far apart.’ At the same time Dai-yu was thinking: ‘Never mind me. Just be your own natural self. If you were all right, I should be all right too. All these manoeuvrings to try and anticipate my feelings don’t bring us any closer together; they merely draw us farther apart.’ The percipient reader will no doubt observe that these two young people were already of one mind, but that the complicated procedures by which they sought to draw together were in fact having precisely the opposite effect. Complacent reader! Permit us to remind you that your correct understanding of the situation is due solely to the fact that we have been revealing to you the secret, innermost thoughts of those two young persons, which neither of them had so far ever felt able to express.
Cao Xueqin (The Crab-Flower Club (The Story of the Stone #2))
Everyone in America is extremely concerned with hydration. Go more than five minutes without drinking, and you’ll surely be discovered behind a potted plant, dried out like some escaped hermit crab. When I was young no one would think to bring a bottle of water into a classroom. I don’t think they even sold bottled water. We survived shopping trips without it, and funerals. Now, though, you see people with those barrels that Saint Bernards carry around their necks in cartoons, lugging them into the mall and the movie theater, then hogging the fountains in order to refill them. Is that really necessary? I think as I stand behind them with an aspirin dissolving in my mouth, fuming.
David Sedaris (Calypso)
You don’t have to live your life tiptoeing around selfish, hidden-agenda-driven, crab-bucket, talk-behind-your-back, weasel people. You just don’t. At work, church, home or play — seek people who embody the future you want and surround yourself with loving influences. You deserve that circle of inclusion and influence, but it’s up to you to create it.
Richie Norton
You don’t have to live your life tiptoeing around selfish, hidden-agenda-driven, crab-bucket, talk-behind-your-back, weasel people. You just don’t.
Richie Norton
I’ve found myself leaving an event or a party paralysed with fear because of something that I’ve said, and spent the next couple of days worrying about what people would think of me. Of course, in reality, the hundred or so people who were at the event didn’t spend the hour after I left the party talking about me. Despite what I might believe, I am not the planet around which everyone else orbits.
Susan Calman (Cheer Up, Love: Adventures in Depression with the Crab of Hate)
Jokes can be handled in such a way that any reader who is not altogether lacking in discernment can scent something far more rewarding in them than in the crabbed and specious arguments of some people we know.
Erasmus (Praise of Folly)
The ball seems very successful,” she said neutrally. Silver glanced across the room with a smile of casual ownership. He scooped up a plate from the buffet, casually loaded it with a handful of crab pâté puffs, and offered it to her. “I should hope so,” he said. “I’ve invited all the best people. Lords, ladies, authors, ambassadors, debauchers, grave-robbers, perverts, sorcerers, courtesans, deranged scientists, and doll-makers. And a few innocent socialites, of course.
Genevieve Cogman (The Invisible Library (The Invisible Library, #1))
Often people who commit terrible acts are empathic and caring in other parts of their lives. One manifestation of this, often pointed out by those who want to mock vegetarians, was the concern that many Nazis had for nonhuman animals. Hitler famously loved dogs and hated hunting, but this was nothing compared to Hermann Göring, who imposed rules restricting hunting, the shoeing of horses, and the boiling of lobsters and crabs—and mandated that those who violated these rules be sent to concentration camps!
Paul Bloom (Against Empathy: The Case for Rational Compassion)
There’s an old parable about crabs pulling down any one of their own trying to escape from a pot of boiling water. There’s something to this. But more importantly, when you cultivate new habits, it’s best to be around people who have similar habits to help you reinforce them.
Anonymous
Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later; sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope. To hope is to gamble. It’s to bet on the future, on your desires, on the possibility that an open heart and uncertainty is better than gloom and safety. To hope is dangerous, and yet it is the opposite of fear, for to live is to risk.
Rebecca Solnit (Hope in the Dark: Untold Histories, Wild Possibilities)
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
Annie Dillard (Pilgrim at Tinker Creek)
I hate the uneducated and the ignorant. I hate the pompous and the phoney. I hate the jealous and the resentful. I hate the crabbed and mean and the petty. I hate all ordinary dull little people who aren't ashamed of being dull and little.I hate what G.P. calls the New People, the new-class people with their cars and their money and their tellies and their stupid vulgarities and their stupid crawling imitation of the bourgeoisie. I love honesty and freedom and giving. I love making, I love doing. I love being to the full, I love everything which is not sitting and watching and copying and dead at heart.
John Fowles (The Collector)
Why can’t people get along without criticizing one another?” Urashima shakes his head as he ponders this rudimentary question. “Never have the bush clover blooming on the beach, nor the little crabs who skitter o’er the sand, nor the wild geese resting their wings in yonder cove found fault with me. Would that human beings too were thus! Each individual has his own way of living. Can we not learn to respect one another’s chosen way? One makes every effort to live in a dignified and proper manner, without harming anyone else, yet people will carp and cavil and try to tear one down. It’s most vexing.
Osamu Dazai (Otogizōshi: The Fairy Tale Book of Dazai Osamu)
People say young love or love of the moment isn't real, but I think the only love is the first. Later we hear its fleeting recapitulations throughout our lives, brief echoes of the original theme in a work that increasingly becomes all development, the mechanical elaboration of a crab canon with too many parts.
Edmund White (A Boy’s Own Story (The Edmund Trilogy, #1))
When we do what we love, we nourish the soul of the world. When we do something else, something we don’t love, we run the risk not only of being very unhappy people, but of hurting other people as well, even peo- ple we supposedly love. In fact, we run the risk of never knowing love at all; that is, the kind of love that is separate from possession. If we don’t learn how to be quiet and attend to that whisper in each of us, if we fail to cultivate our own inner gift, we grow cold. Less kind. Quick to rush to blot out other people’s light. You might know this phenomenon as the crabs-in-a-bucket syndrome. We in Guam have had enough of that.
Julian Aguon, The Ocean Within
I suspect that self-deception is similar to its cousins, overconfidence and optimism, and as with these other biases, it has both benefits and disadvantages. On the positive side, an unjustifiably elevated belief in ourselves can increase our general well-being by helping us cope with stress; it can increase our persistence while doing difficult or tedious tasks; and it can get us to try new and different experiences. We persist in deceiving ourselves in part to maintain a positive self-image. We gloss over our failures, highlight our successes (even when they’re not entirely our own), and love to blame other people and outside circumstances when our failures are undeniable. Like our friend the crab, we can use self-deception to boost our confidence when we might not otherwise feel bold. Positioning ourselves on the basis of our finer points can help us snag a date, finish a big project, or land a job. (I am not suggesting that you puff up your résumé, of course, but a little extra confidence can often work in our favor.) On the negative side, to the extent that an overly optimistic view of ourselves can form the basis of our actions, we may wrongly assume that things will turn out for the best and as a consequence not actively make the best decisions. Self-deception can also cause us to “enhance” our life stories with, say, a degree from a prestigious university, which can lead us to suffer a great deal when the truth is ultimately revealed. And, of course, there is the general cost of deception. When we and those around us are dishonest, we start suspecting everyone, and without trust our lives become more difficult in almost every way.
Dan Ariely (The Honest Truth About Dishonesty: How We Lie to Everyone—Especially Ourselves)
But you know, the longer you listen to this abortion debate, the more you hear this phrase “sanctity of life”. You’ve heard that. Sanctity of life. You believe in it? Personally, I think it’s a bunch of shit. Well, I mean, life is sacred? Who said so? God? Hey, if you read history, you realize that God is one of the leading causes of death. Has been for thousands of years. Hindus, Muslims, Jews, Christians all taking turns killing each other ‘cause God told them it was a good idea. The sword of God, the blood of the land, vengeance is mine. Millions of dead motherfuckers. Millions of dead motherfuckers all because they gave the wrong answer to the God question. “You believe in God?” “No.” Boom. Dead. “You believe in God?” “Yes.” “You believe in my God? “No.” Boom. Dead. “My God has a bigger dick than your God!” Thousands of years. Thousands of years, and all the best wars, too. The bloodiest, most brutal wars fought, all based on religious hatred. Which is fine with me. Hey, any time a bunch of holy people want to kill each other I’m a happy guy. But don’t be giving me all this shit about the sanctity of life. I mean, even if there were such a thing, I don’t think it’s something you can blame on God. No, you know where the sanctity of life came from? We made it up. You know why? ‘Cause we’re alive. Self-interest. Living people have a strong interest in promoting the idea that somehow life is sacred. You don’t see Abbott and Costello running around, talking about this shit, do you? We’re not hearing a whole lot from Mussolini on the subject. What’s the latest from JFK? Not a goddamn thing. ‘Cause JFK, Mussolini and Abbott and Costello are fucking dead. They’re fucking dead. And dead people give less than a shit about the sanctity of life. Only living people care about it so the whole thing grows out of a completely biased point of view. It’s a self serving, man-made bullshit story. It’s one of these things we tell ourselves so we’ll feel noble. Life is sacred. Makes you feel noble. Well let me ask you this: if everything that ever lived is dead, and everything alive is gonna die, where does the sacred part come in? I’m having trouble with that. ‘Cuz, I mean, even with all this stuff we preach about the sanctity of life, we don’t practice it. We don’t practice it. Look at what we’d kill: Mosquitoes and flies. ‘Cause they’re pests. Lions and tigers. ‘Cause it’s fun! Chickens and pigs. ‘Cause we’re hungry. Pheasants and quails. ‘Cause it’s fun. And we’re hungry. And people. We kill people… ‘Cause they’re pests. And it’s fun! And you might have noticed something else. The sanctity of life doesn’t seem to apply to cancer cells, does it? You rarely see a bumper sticker that says “Save the tumors.”. Or “I brake for advanced melanoma.”. No, viruses, mold, mildew, maggots, fungus, weeds, E. Coli bacteria, the crabs. Nothing sacred about those things. So at best the sanctity of life is kind of a selective thing. We get to choose which forms of life we feel are sacred, and we get to kill the rest. Pretty neat deal, huh? You know how we got it? We made the whole fucking thing up! Made it up!
George Carlin (More Napalm and Silly Putty)
early childhood she had given her deepest trust, and which for half a century has suggested what she might do, think, feel, desire, and become, has suddenly fallen silent. Now, at last, all those books have no instructions for her, no demands—because she is just too old. In the world of classic British fiction, the one Vinnie knows best, almost the entire population is under fifty, or even under forty—as was true of the real world when the novel was invented. The few older people—especially women—who are allowed into a story are usually cast as relatives; and Vinnie is no one’s mother, daughter, or sister. People over fifty who aren’t relatives are pushed into minor parts, character parts, and are usually portrayed as comic, pathetic, or disagreeable. Occasionally one will appear in the role of tutor or guide to some young protagonist, but more often than not their advice and example are bad; their histories a warning rather than a model. In most novels it is taken for granted that people over fifty are as set in their ways as elderly apple trees, and as permanently shaped and scarred by the years they have weathered. The literary convention is that nothing major can happen to them except through subtraction. They may be struck by lightning or pruned by the hand of man; they may grow weak or hollow; their sparse fruit may become misshapen, spotted, or sourly crabbed. They may endure these changes nobly or meanly. But they cannot, even under the best of conditions, put out new growth or burst into lush and unexpected bloom. Even today there are disproportionately few older characters in fiction. The
Alison Lurie (Foreign Affairs)
Most people live in almost total darkness…people, millions of people whom you will never see, who don’t know you, never will know you, people who may try to kill you in the morning, live in a darkness which...if you have that funny terrible thing which every artist can recognize and no artist can define...you are responsible to those people to lighten, and it does not matter what happens to you. You are being used in the way a crab is useful, the way sand certainly has some function. It is impersonal. This force which you didn’t ask for, and this destiny which you must accept, is also your responsibility. And if you survive it, if you don’t cheat, if you don’t lie, it is not only, you know, your glory, your achievement, it is almost our only hope... Because only an artist can tell, and only artists have told since we have heard of man, what it is like for anyone who gets to this planet to survive it. What it is like to die, or to have somebody die; what it is like to be glad... The trouble is that although the artist can do it, the price that he has to pay himself and that you, the audience, must also pay, is a willingness to give up everything, to realize that although you spent twenty-seven years acquiring this house, this furniture, this position, although you spent forty years raising this child, these children, nothing, none of it belongs to you. You can only have it by letting it go. You can only take if you are prepared to give...It is a total risk of everything, of you and who you think you are, who you think you’d like to be, where you think you’d like to go...everything, and this forever, forever.
James Baldwin (The Cross of Redemption: Uncollected Writings)
While the West was developing a whole food abundance by-product industry ranging from “stay in shape” movements to armies of dietitians, Soviet people stood in lines, or used all kinds of irregular distribution systems, such as “gift sets” (podarochnye nabory) for employees of companies and organizations, to get access to high demand items varying from canned crab meat to even canned green peas and high-end cold cuts.
Andrei Martyanov (Disintegration: Indicators of the Coming American Collapse)
hands I could deny there were crab apples in my cheeks. Every time someone asked me why I was walking around with crab apples in my cheeks, I’d just open my hands and show them it was rubber balls I was walking around with, not crab apples, and that they were in my hands, not my cheeks. It was a good story. But I never knew if it got across or not, since it’s pretty tough to make people understand you when you’re talking to them with two crab apples in your cheeks.
Joseph Heller (Catch-22)
Behind the counter, owner-cook Jim Bo Sweeny darted from flipping crab cakes on the griddle to stirring a pot of creamed corn on the burner to poking chicken thighs in the deep fryer, then back again. Putting piled-high plates in front of customers in between. People said he could mix biscuit dough with one hand while filleting a catfish with the other. He offered up his famous specialty- grilled flounder stuffed with shrimp served on pimento-cheese grits- only a few times a year. No advertising needed; word got out.
Delia Owens (Where the Crawdads Sing)
Eventually Reacher and Chang crabbed one at a time down the aisle to the airplane door, and out to the jet bridge, and then out to the concourse, which was packed full of a thousand people either sitting and waiting or hustling fast in every direction. Reacher had the unknown man’s face front and center in his mind, like a Most Wanted photograph in the post office, and he scanned the crowds obliquely, in the corner of his eye, looking away, not thinking, trusting his instincts to snag the resemblance, if it was there.
Lee Child (Make Me (Jack Reacher, #20))
It is never easy for any leader to choose between differentiation and equality. You are condemned either way. When you treat everyone equally, you are considered just by majority as equality benefits below average people and they seem to always be in majority. At the same time, you are also condemned because you can’t produce results with people having a crab mentality. However, if you choose to reward the excellence and punish the non-performer, you achieve the desired results but get condemned for being unfair, unjust, cruel and Darwinian.
Awdhesh Singh
I’ve found that some unsuccessful people act the same way. They do all kinds of things to keep others from getting ahead, trying to prevent them from improving themselves or their situation. They use all kinds of devices to keep others in the basket with them: playing politics, promoting mediocrity, role-playing, and so on. But the good news is that if people try to do that, you don’t have to buy into their belief system. You can stay out of the basket by refusing to be a crab. You may have to face opposition and live through times of insecurity, but you’ll also experience freedom, increased potential, and satisfaction. Raise yourself up, and raise others with you. —
John C. Maxwell (The Maxwell Daily Reader: 365 Days of Insight to Develop the Leader Within You and Influence Those Around You)
The narrative was of a virgin (Virgo) who would bear the promised seed and pay the price of justice to overcome the “wounder of the heel” (Scorpio the scorpion). This promised one would be a conqueror (Sagittarius the archer), who would carry the weight of sins and bring living waters for his people (Aquarius the water-bearer). Those people would be blessed though bound (Pisces the fish). Their blessings would be consummated through a ram of sacrifice who would become a ruling leader (Taurus the bull), a king with two natures (Gemini the twins). He would hold his people fast in his grip (Cancer the crab), and would ultimately reign as king over the earth (Leo the lion).
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
War means endless waiting, endless boredom. There is no electricity, so no television. You can't read. You can't see friends. You grow depressed but there is no treatment for it and it makes no sense to complain — everyone is as badly off as you. It's hard to fall in love, or rather, hard to stay in love. If you are a teenager, you seem halted in time. If you are critically ill — with cancer, for instance — there is no chemotherapy for you. If you can't leave the country for treatment, you stay and die slowly, and in tremendous pain. Victorian diseases return — polio, typhoid and cholera. You see very sick people around you who seemed in perfectly good health when you last saw them during peacetime. You hear coughing all the time. Everyone hacks — from the dust of destroyed buildings, from disease, from cold. As for your old world, it disappears, like the smoke from a cigarette you can no longer afford to buy. Where are your closest friends? Some have left, others are dead. The few who remain have nothing new to talk about. You can't get to their houses, because the road is blocked by checkpoints. Or snipers take a shot when you leave your door, so you scurry back inside, like a crab retreating inside its shell. Or you might go out on the wrong day and a barrel bomb, dropped by a government helicopter, lands near you. Wartime looks like this.
Janine Di Giovanni (The Morning They Came for Us: Dispatches from Syria)
Strikes me that one-half or maybe two-thirds of the American people are the best fellows on earth--the friendliest and the most interested in everything and the jolliest. And I guess the remaining third are just about the worst crabs, the worst Meddlesome Matties, the most ignorant and pretentious fools, that God ever made. Male AND female! I'd be tickled to death to live in America IF. If we got rid of Prohibition, so a man could get a glass of beer instead of being compelled to drink gin and hootch. If we got rid of taking seriously a lot of self-advertising, half-educated preachers and editors and politicians, so that folks would develop a little real thinking instead of being pushed along by a lot of mental and moral policemen.
Sinclair Lewis (Dodsworth)
The shadows that descended over the ground outside were so long and distorted that they no longer bore any resemblance to the forms that created them. As though they had sprung forth in their own right, as though there existed a parallel reality of darkness, with dark-fences, dark-trees, dark-houses, populated by dark-people, somehow stranded here in the light, where they seemed so misshapen and helpless, as far from their element as a reef with seaweed and shells and crabs is from the receding water, one might imagine. Oh, isn’t that why shadows get longer and longer in the evening? They are reaching out for the night, this tidal water of darkness that washes over the earth to fulfill for a few hours the shadows’ innermost yearnings.
Karl Ove Knausgård (My Struggle: Book 3 (My Struggle #3))
Our meals, the dishes we're creating, bring on new sensations---an awakening of sorts for certain people, albeit nostalgia or something else. Food brings on emotions---and we're doing things right if we're bringing them out in people." "Food is about balance of flavors and textures and taste, not emotion." Charles grips my shoulders. "Kate, when you cook, how are you doing it? With anger or with love?" "Probably a little of both sometimes," I gasp. "What are you saying? People are eating my emotions? Like in that movie with Sarah Michelle Gellar? Simply Irresistible? She was a chef, like me, with a flailing restaurant, and there was a rich guy, like you. And a crab." He snickers. "This is real life, not the movies. And I have absolutely no idea what you're talking about.
Samantha Verant (The Spice Master at Bistro Exotique)
We were all, I thought, counting on the probability that, simply by living in a big North American city, we would be greeted as warriors on our arrival back home by those who knew us and those who didn’t alike. Greeted as champions. I was a champ for giving up the perks of living with family, among friends whose families had known mine for generations, among people familiar to me from primary school days. I lived now without the deep comfort of neighbours who cooked more food than they needed for themselves so that they could parcel it up and bring you some. I had left behind strangers who, passing on the street, bid each other good day, and people who put off their own chores to lend you a hand. I had given up all of this in the hope that I would no longer have to live a lie, that I could, at last, come into my authentic self. So on this particular occasion I had dressed as I always did, to announce my individuality and assert that I had indeed found authenticity. No one here needed to know the truth or to question whether such authenticity was achievable.
Shani Mootoo (Moving Forward Sideways Like a Crab)
I instantly saw something I admired no end. So while he was weighing my envelope, I remarked with enthusiasm: "I certainly wish I had your head of hair." He looked up, half-startled, his face beaming with smiles. "Well, it isn't as good as it used to be," he said modestly. I assured him that although it might have lost some of its pristine glory, nevertheless it was still magnificent. He was immensely pleased. We carried on a pleasant little conversation and the last thing he said to me was: "Many people have admired my hair." I'll bet that person went out to lunch that day walking on air. I'll bet he went home that night and told his wife about it. I'll bet he looked in the mirror and said: "It is a beautiful head of hair." I told this story once in public and a man asked me afterwards: "'What did you want to get out of him?" What was I trying to get out of him!!! What was I trying to get out of him!!! If we are so contemptibly selfish that we can't radiate a little happiness and pass on a bit of honest appreciation without trying to get something out of the other person in return - if our souls are no bigger than sour crab apples, we shall meet with the failure we so richly deserve.
Dale Carnegie (How to Win Friends & Influence People)
The renegade strand of hair nipped her eyes once more. With a swift, steady hand, Oscar pushed it away from her face. His fingertip left a trail of fire along her cheek. Camille reached up to help him tuck the strand back, and their fingers met. She knew for certain the flush had returned to her ears. Oscar dropped his arm and walked to the rail, wrapping his strong hands around the carved wood. “He is used to having things go his way,” Oscar said, his voice low and only for her ears. Camille moved to stand beside hm. “Have you always done everything he’s asked of you?” She was cautious not to come off sounding snide. His knuckles whitened as he gripped the rail tighter, as if to hold something back. Hold something in. “No.” She hadn’t expected him to give her an answer, and certainly not that one. “No? I don’t believe it. What have you done that’s gone against his wishes?” Oscar had been her father’s shadow since day one. He’d watched and obeyed William Rowen with the kind of devotion any eager apprentice would show his teacher. Oscar had been staring at the water, at the mounting churn of the waves. Now he shifted his eyes to her and fixed her with a look so strong and deep, she felt helpless beneath it. “He asked me to stop associating with you,” he answered, still hushed. Camille’s eyes watered with mortification and dread. Her father had spoken to Oscar, too. She wiped her sweaty palms on the hips of her trousers. “But clearly,” Oscar continued, leaning toward her, “I didn’t listen.” His gaze revolved out to the ocean again, releasing Camille. Air flowed back down her windpipe. This was beyond humiliation. Her father couldn’t do this. He couldn’t order people to stop speaking to her. “Why not?” she asked, her breath uneven from a cross of fury and the steadfast way Oscar had looked at her. “He could fire you.” He moved away from the rail. “If he wants to fire me for speaking to you, for looking at you…” He turned back to her on his way to the quarterdeck and held her gaze again. “Then I’ll risk it.” She watched in awe as Oscar took the helm from a sailor and placed himself behind the great spoked wheel. He’d risk everything he had to be able to speak with her, to just look at her. His bravery made her feel no taller than a hermit crab. She’d so quickly, dutifully, accepted her father’s request to set her focus solely on Randall. But she mattered to Oscar. She mattered, and that one truth made her wish she was brave enough to risk everything, too.
Angie Frazier (Everlasting (Everlasting, #1))
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.
Annie Dillard
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)
Acres of spice-covered almonds, blackberry and lavender honey, chocolate-covered cherries, their young saleswoman reaching forward with samples, her low-cut shirt selling more than fruit. The seafood shop, crabs lined up like a medieval armory, fish swimming through a sea of ice. Her ultimate goal was at the end of the aisle- a produce stand staffed by an elderly man who, some people joked, had been at the market since its beginning a hundred years before. George's offerings were the definition of freshness, corn kernels pillowing out of their husks, Japanese eggplant arranged like deep purple parentheses.
Erica Bauermeister (The Lost Art of Mixing)
At this point, cities were essentially like the corpse of a sperm whale that's fallen to the bottom of the lightless ocean. The only people who stayed were the human equivalent of the abyssal crabs who feasted on fetid blubber.
Edward W. Robertson (Captives (Breakers, #6))
Certainly prevents some believers from being compassionate, sympathetic, or even tolerant of others who are not as certain in their faith. Their arrogance turns them into the "frozen chosen," consciously or unconsciously excluding others from their cozy, believing world. This is the crabbed, joyless, and ungenerous religiosity that Jesus spoke against: spiritual blindness. There is a more subtle danger for this group: a complacency that makes one's relationship with God stagnate. Some people cling to ways of understanding their faith learned in childhood that might not work for an adult. For example, you might cling to a childhood notion of a God who will never let anything bad happen. When tragedy strikes, since your youthful image of God is not reflected in reality, you may abandon the God of your youth. Or you may abandon God completely. An adult life requires an adult faith. Think of it this way: you wouldn't consider yourself equipped to face life with a third-grader's understanding of math. Yet people often expect the religious instruction they had in grammar school to sustain them in the adult world. In his book A Friendship Like No Other, the Jesuit spiritual writer William A. Barry invites adults to relate to God in an adult way. Just as an adult child needs to relate to his or her parent in a new way, he suggest, so adult believers need to relate t God in new ways as they mature. Otherwise, one remains stuck in a childlike view of God that prevents fully embracing a mature faith.
James Martin (The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life)
It is with the [head louse and body louse] that we are chiefly concerned, and they are so closely related that, even now, by an occasional mésalliance resulting from the meetings of young people about the neck band, a body louse may go native and interbreed with a head louse. The crab louse we may neglect. He is probably of distinct generic origin and a creature that merits neither respect nor sympathy; not even terror.
Hans Zinsser (Rats, Lice, and History: A Chronicle of Pestilence and Plagues)
It is a wise thing to be polite; consequently, it is a stupid thing to be rude. To make enemies by unnecessary and wilful incivility, is just as insane a proceeding as to set your house on fire. For politeness is like a counter—an avowedly false coin, with which it is foolish to be stingy. A sensible man will be generous in the use of it.... Wax, a substance naturally hard and brittle, can be made soft by the application of a little warmth, so that it will take any shape you please. In the same way, by being polite and friendly, you can make people pliable and obliging, even though they are apt to be crabbed and malevolent. Hence politeness is to human nature what warmth is to wax.
Robert Greene (The 48 Laws of Power)
Gerald and I saw the Azore Islands, Talcahuano, Tumbez, San Francisco, and Nome from afar while the captain and officers rowed to shore for fresh food and fresh whalers. Even at Nome, not two days ago, Gerald and I watched the Alaskan town from the ship. We saw Talcahuano at night, the town alive with lights and torches. We heard music across the water. People celebrated an event on shore. We thought it might be a wedding. We imagined walking the clay, brick roads, ordering crabs and clams near the sea, sampling the local exotic fruits and plants growing in their vibrant colors and prickly skins, and of course, seducing the dark- skinned indigenous women emanating macadamia oil, musk, and leafy air. Merihim laughed at our children’s eyes and said to act like men, not like guttersnipes at a bakery window.
Lily H. Tuzroyluke (Sivulliq: Ancestor)
I had a cousin once, sure, who had a crab he swore had bred with chulls, but I didn’t think that was possible, even if it came up to my knees. So it was a big storming crab. But we couldn’t build a house on its back. That’s wild, velo. You deserve respect for living on a giant crab. Who lives on a crab? No regular people. Just people like you.” Lopen slowed them near the top, where the atrium finally ended, maybe a thousand feet in the air or more. It provided the best view out the window: an amazing field of snow-tipped mountains. Lopen could appreciate, from up here, how they all looked the same. One shouldn’t forget that they weren’t, sure, but there was a perspective from a distance—different from the up-close perspective. Up close, differences could chafe. But if you remembered that from far away you all looked the same . . . well, that was important too.
Brandon Sanderson (Dawnshard (The Stormlight Archive, #3.5))
So, dinner for thirty-five, forty people. Dagou flips through his notebook. All of his earlier plans now are meager and uninteresting, except for the fresh ducks brining in the refrigerator. Brenda has never eaten Peking duck. He imagines her biting into the finest, most crackling chestnut skin. Enjoying, in addition, a few banquet plates to keep it company. Cold chicken, and the hollow-hearted greens. Plus the stew he promised Winnie. And chicken. He's already reserved the chicken, but his mother believes in combining flavors, she believes in many meats. He has promised her seafood---he can go to the seafood truck. For shrimp to accompany. There must be a shrimp dish---shrimp with mounds of diced ginger and scallions, or salted shrimp in the shell---or both, perhaps. Also, a second seafood dish. To serve only shrimp would be petty and small. Shrimp themselves, so very small. What else? Fish, of course---he's been planning to have fish all along. Soft-shell crab? He imagines how Brenda will glow when he serves platter after platter of soft-shell crab. Of course, she's never tasted it---he knows this because every bit of Chinese food she's ever eaten came from his own hands. He imagines her crunching through the crisp shell.
Lan Samantha Chang (The Family Chao)
one of the cleanest, quickest, and most ecologically pure things to do with a body would be to put it in a big tide-pool full of Dungeness crabs, which apparently enjoy eating people as much as people enjoy eating crabs.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
And the most imaginative sign was the story of redemption that he embedded within the very structure of the twelve constellations that revolved around the earth. The narrative was of a virgin (Virgo) who would bear the promised seed and pay the price of justice (Libra) to overcome the “wounder of the heel” (Scorpio). This promised one would be a conqueror (Sagittarius the archer), who would be the scapegoat of atonement (Capricorn), and bring living waters for his people (Aquarius the water-bearer). Those people would be blessed though bound (Pisces the fish). Their blessings would be consummated through a ram of sacrifice (Aries) who would become a ruling leader (Taurus the bull), a king with two natures (Gemini the twins). He would hold his people fast in his grip (Cancer the crab), and would ultimately reign as king over the earth (Leo the lion). Yahweh’s enemies eventually subverted the original intent of the constellations and twisted the entire system into a form of idolatry that worshipped the stars instead of Yahweh as the determiner of destinies.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
Jeremiah declined, even though night fishing was his favorite. He was always trying to get people to go night fishing with him. That night he said he wasn’t in the mood. So they left, and Jeremiah stayed behind, with me. We watched TV and played cards. We spent most of the summer doing that, just us. We cemented things between us that summer. He’d wake me up early some mornings, and we would go collect shells or sand crabs, or ride our bikes to the ice cream place three miles away. When it was just us two, he didn’t joke around as much, but he was still Jeremiah. From that summer on I felt closer to Jeremiah than I did to my own brother. Jeremiah was nicer. Maybe because he was somebody’s little sibling too, or maybe just because he was that kind of person. He was nice to everybody. He had a talent for making people feel comfortable.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Our main problem over the past few days and weeks,’ he said, ‘has lain in trying to connect the various phenomena. In fact, there wasn’t any obvious connection until a jelly-like substance started to crop up. Sometimes it appeared in small quantities, sometimes in larger amounts, but always with the distinguishing characteristic that it disintegrated rapidly on contact with air. Unfortunately the discovery of the jelly only added to the mystery, given its presence in crustaceans, mussels and whales - three types of organism that could hardly be more different. Of course, it might have been some kind of fungus, a jellified version of rabies, an infectious disease like BSE or swine fever. But, if so, why would ships be disappearing or crabs transporting killer algae? There was no sign of the jelly on the worms that infested the slope. They were carrying a different kind of cargo - bacteria that break down hydrates and cause methane gas to rise. Hence the landslide and the tsunami. And what about the mutated species that have been emerging all over the world? Even fish have been behaving oddly. None of it adds up. In that respect, Jack Vanderbilt was right to discern an intelligent mind behind the chaos. But he overestimated our ability - no scientist knows anything like enough about marine ecology to be capable of manipulating it to that extent. People are fond of saying that we know more about space than we do about the oceans. It’s perfectly true, but there’s a simple reason why: we can’t see or move as well in the water as we can in outer space. The Hubble telescope peers effortlessly into different galaxies, but the world’s strongest floodlight only illuminates a dozen square metres of seabed. An astronaut in a spacesuit can move with almost total freedom, but even the most sophisticated divesuit won’t stop you being crushed to death beyond a certain depth. AUVs and ROVs are only operational if the conditions are right. We don’t have the physical constitution or the technology to deposit billions of worms on underwater hydrates, let alone the requisite knowledge to engineer them for a habitat that we barely understand. Besides, there are all the other phenomena: deep-sea cables being destroyed at the bottom of the ocean by forces other than the underwater slide; plagues of jellyfish and mussels rising from the abyssal plains. The simplest explanation would be to see these developments as part of a plan, but such a plan could only be the work of a species that knows the ocean as intimately as we do the land - a species that lives in the depths and plays the dominant role in that particular universe.
Frank Schätzing (The Swarm: A Novel)
The narrative was of a virgin (Virgo) who would bear the promised seed and pay the price of justice (Libra) to overcome the “wounder of the heel” (Scorpio). This promised one would be a conqueror (Sagittarius the archer), who would be the scapegoat of atonement (Capricorn), and bring living waters for his people (Aquarius the water-bearer). Those people would be blessed though bound (Pisces the fish). Their blessings would be consummated through a ram of sacrifice (Aries) who would become a ruling leader (Taurus the bull), a king with two natures (Gemini the twins). He would hold his people fast in his grip (Cancer the crab), and would ultimately reign as king over the earth (Leo the lion).
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
People think hermit crabs are cute, but I can't think of anything creepier. Some dead thing's shell, with legs poking out of it. Scuttling. Feeding on corpses. Living in a borrowed skin of death.
Nick Lake (Whisper to Me)
        The animal that has saved the most lives is the Saint Bernard. People believe that Saint Bernard’s used to carry small barrels of brandy in their collar to awaken and warm up people who got lost in snowy mountains. The barrel would weigh down the St. Bernard, slowing it down (last thing you need when someone is dying in the cold.) This isn’t even hypothetically possible. Brandy freezes quickly. Even if it didn’t, alcohol makes you feel warmer, but your body gets colder so it would be counter-productive. The horseshoe crab has saved the most human lives. These crabs (even though it’s more like a spider) have blood that clots around invading bacteria and viruses. This is used to test every single pharmaceutical drug. So every pill, injection, transfusion, and anesthetic you have ever had is all thanks to the horseshoe crab.
James Egan (The Mega Misconception Book (Things People Believe That Aren't True 5))
The editor of the journal, Crab Riley, found her story hard to believe, especially because she could not provide evidence of the children disappearing, and he was inclined to dismiss it as fantasy until he researched archives, where mention of the disappearances was indeed found in National Geographic Magazine.   ‘Teachers and school children descended and did not return. Search parties and excavations found no trace. After weeks, they were given up as dead,’ it said.   The article, by archaeologist William Griffith, also made mention of the skeletons found when the caves were first discovered too, although the number was far higher than had been realised by most.   ‘There were human bones to account for thirty thousand people. It was a “restaurant” I rather think, for Atlantean descendants.’   Could underground races of carnivorous species really dwell in the deep substrata below ground, coming up momentarily to snatch and feed off humans?   Interestingly, in some excellent research, Dustin Naef says there are over 700 caves and tunnels in Lava Beds National Park alone, and over 150 in the Marble Mountain area near Mount Shasta, with over thirty miles of tunnels mapped so far.
Stephen Young (Taken in the Woods)
The star prophecy that Belial alluded to had a long history of importance. When Yahweh had originally created the heavens and earth, he placed the constellations of stars and planets in the sky not merely for seasons but for signs to mankind. And the most imaginative sign was the story of redemption that he embedded within the very structure of the twelve constellations that revolved around the earth. The narrative was of a virgin (Virgo) who would bear the promised seed and pay the price of justice (Libra) to overcome the “wounder of the heel” (Scorpio). This promised one would be a conqueror (Sagittarius the archer), who would be the scapegoat of atonement (Capricorn), and bring living waters for his people (Aquarius the water-bearer). Those people would be blessed though bound (Pisces the fish). Their blessings would be consummated through a ram of sacrifice (Aries) who would become a ruling leader (Taurus the bull), a king with two natures (Gemini the twins). He would hold his people fast in his grip (Cancer the crab), and would ultimately reign as king over the earth (Leo the lion). Yahweh’s enemies eventually subverted the original intent of the constellations and twisted the entire system into a form of idolatry that worshipped the stars instead of Yahweh as the determiner of destinies.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
Look at the way things are now. Just a set of crab in barrel and all of a sudden one crab just appear with a jacket and tie and telling everybody that he is not a crab any more. Ridiculous little place with ridiculous little people.
Rabindranath Maharaj (The writer and his wife and other stories)
Most meals that came from the forest were brought by the women – fish, mushrooms, crab, bamboo shoots, some kuccha or the other. The staples, rice and millet, came from the land.
Madhu Ramnath (Woodsmoke and Leafcups: Autobiographical Footnotes to the Anthropology of the Durwa People)
The Sun was high up in the sky and it was very warm. Crabby the Crab carefully went around people and their belongings.
Dr. M.C. (Crabby the Crab)
And so how does Um-Helat exist? How can such a city possibly survive, let alone thrive? Wealthy with no poor, advanced with no war, a beautiful place where all souls know themselves beautiful . . . It cannot be, you say. Utopia? How banal. It’s a fairy tale, a thought exercise. Crabs in a barrel, dog-eat-dog, oppression Olympics—it would not last, you insist. It could never be in the first place. Racism is natural, so natural that we will call it “tribalism” to insinuate that everyone does it. Sexism is natural and homophobia is natural and religious intolerance is natural and greed is natural and cruelty is natural and savagery and fear and and and . . . and. “Impossible!” you hiss, your fists slowly clenching at your sides. “How dare you. What have these people done to make you believe such lies? What are you doing to me, to suggest that it is possible? How dare you. How dare you.” Oh, friend! I fear I have offended. My apologies. Yet . . . how else can I convey Um-Helat to you, when even the thought of a happy, just society raises your ire so? Though I confess I am puzzled as to why you are so angry. It’s almost as if you feel threatened by the very idea of equality. Almost as if some part of you needs to be angry. Needs unhappiness and injustice. But . . . do you? Do you?
N.K. Jemisin (How Long 'til Black Future Month?)
In the cold of winter, the wind blows the snow off the ground and waves of white come sweeping across our tiny stretch of lawn and hit the house in sprinklings of icy snow. Invisible streams of air seep through the cracks of the old windows and the smell of our rice-scented home swims in the currents of cold. Outside, the sound of police sirens resonates in the rippling, urgent winter winds. In the warmth of spring, the wind transforms the empty parking lot by the corner Laundromat into a field of fallen petals as crab apple trees release their blooms and the hard pavement feels the soft brush of tender, ephemeral beauty. Wet rain falls into shattered concrete and the pools of black water lie still for the pink and white and red petals to swim in. The wind carries the voices of laughing children into our house as we watch the petals sway to and fro in the dark puddles across our street. In the heat of hot summer, the green grass grows while the yellow dandelions die, and in the wake of their demise the wind carries their spirits and their seeds across open lots, rotting houses, small yards, littered avenues, and everywhere there are little parachutes of pollen floating away. Late into the night, we listen to the voices of friends and neighbors talking outside on their porches, hear the clinking of cans, turn our heads toward their laughter and their tears, and the wind loses its appeal for a season because the pull of people grows strong across the fertile green.
Kao Kalia Yang (The Song Poet: A Memoir of My Father)
She’d read somewhere that if you can’t put language around an experience or feeling it’s because it’s from your earliest childhood, before speech, when everything was inexplicable and overwhelming. She often felt that way when she was alone in a crowd of people. She’d look at their faces, and ideas would hover on the edge of her mind just out of sight. If she tried to capture them, they’d dig themselves deeper like sand crabs, glimpsed for a second as the feelings washed over her and then were gone.
Abbi Waxman (The Bookish Life of Nina Hill)
What Is sad .It is that out of all the talent, that is out there. People these days are entertained by people who talk bad and crab about other people. Even thou they laugh hard and loud. There will be an Increase of depression and suicides after. From those whom they were laughing at.
D.J. Kyos
Pyramidal phenomena occurred in cycles, without it ever being possible to determine precisely the timing of their appearance: for no one has ever been able to establish with certainty whather what happens is the future, or just the past moving backwards, like a crab. People ended up acccepting that maybe neither the past nor the future were what they were thought to be, since both could reverse their direction of travel, like trams at a terminus (p.119).
Ismail Kadare (The Pyramid)
We visited Gwangjang Market in one of Seoul's oldest neighborhoods, squeezing past crowds of people threading through its covered alleys, a natural maze spontaneously joined and splintered over a century of accretion. We passed busy ajummas in aprons and rubber kitchen gloves tossing knife-cut noodles in colossal, bubbling pots for kalguksu, grabbing fistfuls of colorful namul from overbrimming bowls for bibimbap, standing over gurgling pools of hot oil, armed with metal spatulas in either hand, flipping the crispy sides of stone-milled soybean pancakes. Metal containers full of jeotgal, salt-fermented seafood banchan, affectionally known as rice thieves, because their intense, salty flavor cries out for starchy, neutral balance; raw, pregnant crabs, floating belly up in soy sauce to show off the unctuous roe protruding out from beneath their shells; millions of minuscule peach-colored krill used for making kimchi or finishing hot soup with rice; and my family's favorite, crimson sacks of pollack roe smothered in gochugaru, myeongnanjeot.
Michelle Zauner (Crying in H Mart)
Marginalized people across the world, including African-Americans, call this phenomenon “crabs in a barrel.” Many of the slave rebellions or the later attempts at unionizing African-American laborers in the South were thwarted because of this phenomenon, people subverting those who tried to get out, the spies paid with an extra peck of privilege for forewarning the dominant caste of unrest. These behaviors unwittingly work to maintain the hierarchy that those betraying their brethren are seeking to escape.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Some way downriver from the waterfall, which was the second-highest anywhere on the Disc and had been discovered in the Year of the Revolving Crab by the noted explorer Guy de Yoyo,* *Of course, lots of dwarfs, trolls, native people, trappers, hunters and the merely badly lost had discovered it on an almost daily basis for thousands of years. But they weren't explorers and didn't count
Terry Pratchett
I peep through her ocean telescope and look up through the atmospheres. All this modern underwater architecture, lit up with bioluminescence. Condos, aqua resorts, plazas, lighted vac tubes connecting them all. Like a twenty-first century skyline flipped upside down and dropped into the ocean. Refuse drones designed to look like yeti crabs claw out of septic cubes and scurry to the surface, flexing their mechanical limbs. Everything is hydropowered, motion-powered, geo-powered. Sewage, heated and pressurized into biodiesel. Holographic ads circle their gilded prey, telling people they can somehow live forever while looking like a million bucks. The underwater city is always on, data-scavenging all our habits and using the info to create a more efficient place. An underwater panoramic, lubricated by the grease of America.
Chris McKinney (Midnight, Water City (The Water City Trilogy, #1))
Little by little, people who come to Crab forget who they are and eventually only recognise themselves as guests at Hotel Miramar. Firstly, their identification goes missing. Then their identity goes missing. People lose their minds here.
Jonathan Dunne (Hotel Miramar)
the emotion itself and the frustration of not being able to put it into words. She’d read somewhere that if you can’t put language around an experience or feeling it’s because it’s from your earliest childhood, before speech, when everything was inexplicable and overwhelming. She often felt that way when she was alone in a crowd of people. She’d look at their faces, and ideas would hover on the edge of her mind just out of sight. If she tried to capture them, they’d dig themselves deeper like sand crabs, glimpsed for a second as the feelings washed over her and then were gone.
Abbi Waxman (The Bookish Life of Nina Hill)
I refuse to bequeath my life’s work to a parade horse. I’m too vain to be flattered, too old to be ambitious, and I’m ugly as a crab. Percy’s quite the other way and there are enough witty men in Whitehall to prefer his sort to mine.
John Le Carré (The Karla Trilogy Digital Collection Featuring George Smiley: Tinker, Tailor, Soldier, Spy, The Honourable Schoolboy, Smiley's People)
Becoming a woman means losing a body almost indistinguishable from a boy’s in terms of strength and solidity and growing into one that is softer, more sexually inviting, but more vulnerable, too. For the first few years, you can feel like a hermit crab who has outgrown a shell it must then abandon, blindly scurrying for another. The armor you eventually take up is of a different sort. You can no longer credibly challenge the boys to an arm-wrestling match and expect to win. Forced to rely on subtler talents, you develop them. You learn to strike with a glance; you learn to soothe with one, too. If done right, you fill your quiver with words, humor, intrigue, and emotion. You’ll spend a lifetime learning when to deploy each to greatest effect—and when to forbear and offer none. But for Pete’s sake, whatever type of women young girls become, they should all listen to feminists of a prior era and stop taking sex stereotypes seriously. A young woman can be an astronaut or a nurse; a girl can play with trucks or with dolls. And she may find herself attracted to men or to other women. None of that makes her any less of a girl or any less suited to womanhood. Young women have more educational and career options today than they ever have. Remember to tell your daughter that. Tell her also that a woman’s most unique capacity—childbirth—is perhaps life’s greatest blessing. But whatever else you teach your daughter, remember to include something more. Tell her because the culture so often denies it. Tell her because people will try to make a victim of her. Tell her because it’s natural to doubt. Most of all, tell her because it’s true. She’s lucky. She’s special. She was born a girl. And being a woman is a gift, containing far too many joys to pass up.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.
Ashraful
Holdfast The dead are for morticians & butchers to touch. Only a gloved hand. Even my son will leave a grounded wren or bat alone like a hot stove. When he spots a monarch in the driveway he stares. It’s dead, I say, you can touch it. The opposite rule: butterflies are too fragile to hold alive, just the brush of skin could rip a wing. He skims the orange & black whorls with only two fingers, the way he learned to feel the backs of starfish & horseshoe crabs at the zoo, the way he thinks we touch all strangers. I was sad to be born, he tells me, because it means I will die. I once loved someone I never touched. We played records & drank coffee from chipped bowls, but didn’t speak of the days pierced by radiation. A friend said: Let her pretend. She needs one person who doesn’t know. If I held her, I would have left bruises, if I undressed her, I would have seen scars, so we never touched & she never had to say she was dying. We should hold each other more while we are still alive, even if it hurts. People really die of loneliness, skin hunger the doctors call it. In a study on love, baby monkeys were given a choice between a wire mother with milk & a wool mother with none. Like them, I would choose to starve & hold the soft body.
Robin Beth Schaer
To tell the truth, Okei had known what was happening to her brother. Being close to him she was fully aware of each incident that gradually drove her brother’s feelings into an inescapable corner. With a woman’s acute insight, she understood it better than he himself. She felt as keenly as if she were the one directly involved what ultimately happens to the love of people in their circumstances. What befell her brother engraved indelible traces in the deepest recesses of Okei’s heart.
Takiji Kobayashi (The Crab Cannery Ship: and Other Novels of Struggle)
3 Reasons Why You Should Visit Galapagos Islands Are you have been planning to spend their vacation in most of the beautiful place in the world. Then the Galapagos Islands is one of the most beautiful places in the world. The famous archipelago in the Pacific Ocean is a demand and desired destination for travelers all around the world. The Galapagos isn’t probably the easiest and cheapest accessible place in the world but still attracts huge numbers of visitors, although there is a limit on how many people can arrive in the Galapagos. These are not budget-friendly travel destination Islands, but there are some ways how to arrange your week in paradise from cruising the living onboard and archipelago to making the day trip from one of the islands. You have most already heard or read all superlatives Galapagos Island can offer many visitors. But if you hesitate if the time and money will be worth it, we’ve put a list of three reasons why we should visit the Galapagos Islands. After reading these reasons, we believe that there won’t be any hesitation. The Galapagos Legend should be on every traveler. Pristine beaches You come to Galapagos Island to see fantastic wildlife but firstly mention the beaches. The stretches of fine white sand are on every island, and although you won’t have that much time to relax and lay down here just because of that there is so much to do, so we are looking at you sea lions only walking on those beaches from one to another end is a great unforgettable experience. Never expect deck chairs, bars, or umbrellas beaches on the Galapagos have nothing familiar with those touristy and crowded places form travel catalogs. Wildlife When we think and talk about the Galapagos Islands, we have a suspicion that the wildlife would be something marvelous and unique. What we never know was that these superlatives would get a new dimension on the Galapagos. All the wildlife animal species from iguanas, birds, tortoises, sea lions crabs to fish are incredible, and nothing can make you on their natural behavior that is dissimilar from the animal's behavior we know from our countries. The Galapagos animals never feel fear human at all, so you can get close to them and take images of a lifetime. Island hikes There are many designed ways on islands of Galapagos that will help you to walk through a unique landscape and will also help you to understand the evaluation process better, evaluation of not only the islands but also of the flora and fauna which live here in unbelievable symbiosis. The hikes are short, so visitors are allowed to walk on the island on their own so that you want a certified guide to show you around. Hikes were one of the best activities we did on the Galapagos as it combined the exploration of almost barren volcanic islands and watching wildlife. Galapagos Legend help you plan the trip you have dreamed about. You can choose onshore activities that cater to your interests, from a wildlife safari to a side trip to the fabulous annual Carnival in Rio, Brazil. As you stay on shore before and after your trip, you have the option of staying at a delightful boutique-style hotel or in a 5-star hotel setting.
ajdoorscomau
Cap'n, who ran the boat dock when he wasn't asleep on the pure with a bottle of beer in his hand, was just pushing off in his dinghy to check his crab pots. Michele decided he didn't know much about kids or he would have asked them if they had permission to head out to sea at dusk. Of course it was hard for them to ask John when he had gone to Belhaven to pick up some people who had come over on the ferry from Ocracoke to see the play.
Carole Marsh (The Mystery of Blackbeard the Pirate (Real Kids! Real Places! Book 3))
Starters Corn chowder with red peppers and smoked Gouda $8 Shrimp bisque, classic Chinatown shrimp toast $9 Blue Bistro Caesar $6 Warm chèvre over baby mixed greens with candy-striped beets $8 Blue Bistro crab cake, Dijon cream sauce $14 Seared foie gras, roasted figs, brioche $16 Entrées Steak frites $27 Half duck with Bing cherry sauce, Boursin potato gratin, pearls of zucchini and summer squash $32 Grilled herbed swordfish, avocado silk, Mrs. Peeke's corn spoon bread, roasted cherry tomatoes $32 Lamb "lollipops," goat cheese bread pudding $35 Lobster club sandwich, green apple horseradish, coleslaw $29 Grilled portabello and Camembert ravioli with cilantro pesto sauce $21 Sushi plate: Seared rare tuna, wasabi aioli, sesame sticky rice, cucumber salad with pickled ginger and sake vinaigrette $28 *Second Seating (9:00 P.M.) only Shellfish fondue Endless platter of shrimp, scallops, clams. Hot oil for frying. Selection of four sauces: classic cocktail, curry, horseradish, green goddess $130 (4 people) Desserts- All desserts $8 Butterscotch crème brûlée Mr. Smith's individual blueberry pie à la mode Fudge brownie, peanut butter ice cream Lemon drop parfait: lemon vodka mousse layered with whipped cream and vodka-macerated red berries Coconut cream and roasted pineapple tart, macadamia crust Homemade candy plate: vanilla marshmallows, brown sugar fudge, peanut brittle, chocolate peppermints
Elin Hilderbrand (The Blue Bistro)
Even as others in the lowest caste try to escape the basement, those left behind can tug at the ones trying to rise. Marginalized people across the world, including African-Americans, call this phenomenon “crabs in a barrel.” Many of the slave rebellions or the later attempts at unionizing African-American laborers in the South were thwarted because of this phenomenon, people subverting those who tried to get out, the spies paid with an extra peck of privilege for forewarning the dominant caste of unrest. These behaviors unwittingly work to maintain the hierarchy that those betraying their brethren are seeking to escape.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
I shouldn't do it if I were you, Doctor No. They're a tenacious lot of people in my Service. If anything happens to me and the girl, you'll find Crab Key's a very small and naked little island.
Ian Fleming (Dr. No)
Some of the people who looked askance at our plans were dear to us. I can’t think of them as crabs. They were surprised and perhaps hurt and, maybe some of them, a little unsure about their own choices. It’s that confirmation bias thing again: People want to believe the choices they’ve made about where and how they live are right, and sometimes the easiest way to do that is by deciding that all other choices are wrong. If we were choosing to leave life in Atlanta behind, did that mean we thought everyone who stayed was making the wrong choice? No, but it’s typical for the human brain to react that way.
Mary Laura Philpott (I Miss You When I Blink: Essays)
Standing up, I promptly scream as what feels like a pound of wet sand falls out of my bikini bottoms. It must have worked itself in there while we were sitting in the sea. “Hahahaha!” Paige cracks up laughing. “It looks like you pooed yourself!” “Yes, thanks, Paige--” “It really does! It totally looks like you--” “Thanks, I think we all get the point!” I dash into the sea as fast as I can, more gobs of wet sand tumbling down my legs, looking and feeling almost exactly like--well, like poo. When I’m waist-deep, I pull the bottoms down and shake and scrape out a big handful of sand. Without any hesitation, I throw it directly at Paige. To my great satisfaction, it lands bang in her cleavage. “Hey! You have poo on your boobs!” I say happily. “Aah!” Taking this in the spirit in which it’s meant, Paige scoops it out and hurls it back at me. I jump back, giggling, as she crab walks deeper into the sea, stands up, and starts fishing handfuls of sand out of her own bottoms to throw at me. We’re both laughing now, not aiming to hurt or hit the other one in the face, just letting off steam, and it feels wonderful. The stress, the tension, the perpetual worrying about who I am fade away; I realize that negotiating with Paige on Kelly’s behalf has helped too. Remember this, I tell myself. Looking after other people. Visiting somewhere new. Splashing around in the sea, throwing wet sand at another girl’s boobs as you both scream with laughter. These are all really good ways to distract yourself from freaking out about things you can’t do anything about. Up above, on his tower, the lifeguard’s standing up and looking down at us, hands on his hips. Laughing too. “Vai bionda!” he’s calling. “Go blondie!” Paige hears it too, and understands--she’s called “bionda” here so much it might as well be her name. Turning around, she waves at him flirtatiously, which distracts her enough that I can bend down into the waves, grab a fresh handful of wet sand, and chuck it so it splatters all over her back. She screams, the lifeguard laughs harder, and people look in our direction, Paige hamming it up hugely, loving the attention. Boys start drifting over; she’s a magnet, and she adores it.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
We flew into the small airfield in Monrovia where we were met by Jimmy, Captain Duffy’s assistant. It didn’t take long, driving on the back streets to get to the city hospital. Jimmy carefully avoided many of the potholes that pockmarked the wet streets but without seatbelts it was a bumpy ride that I wouldn’t want to repeat! One German and two Liberian doctors along with some orderlies shared the responsibilities of running the hospital. A few local nurses and attendants completed the staff. These few people were all they had to do everything, and I guess the hospital was lucky to have them. One of the attendants wearing a bloodstained shirt accompanied us on our way to the morgue. As he opened the large swinging door I was hit by an unmistakable sweet pungent odor of death that nearly caused me to throw up right there on the spot. Not having as much as a handkerchief to keep out the smell, I simply covered my nose and mouth with my hand and followed the attendant into the metal building. It took a moment for my eyes to adjust from the still bright afternoon sun to the dark interior of the shed, but as they did, I witnessed a sight I can never forget. In the heat of this building were a few bloated, decaying naked cadavers lying on planks, with hundreds of flies swarming around them. If they didn’t have sheets for the living, it couldn’t be expected that there would be any for the dead. Turning on the single lightbulb hanging over a stainless-steel tray table with a corpse on it, allowed us to see the room better. The naked body directly in front of me, with its mutilated head propped up by a block of wood, was startling and is still vivid to this day. Although a part of his skull was crushed in, I could see where crabs had been eating the side of his face. Despite this mutilation I could instantly tell that it was Olaf. His ashen face had a stubble growth on it and the grey, gaping, bloodless wound on his forehead showed that he had either been in a terrible accident or murdered! There was no doubt as to what had happened to Olaf and I knew that it wasn’t an accident. Murder was commonplace in Liberia, especially in Monrovia.
Hank Bracker
Marginalized people across the world, including African-Americans, call this phenomenon “crabs in a barrel.” Many of the slave rebellions or the later attempts at unionizing African-American laborers in the South were thwarted because of this phenomenon, people subverting those who tried to get out, the spies paid with an extra peck of privilege for forewarning the dominant caste of unrest.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Never give attention to the critics around you because they are the people with a crab mentality rather work on your dream purpose being focused then you can make a huge difference in many lives and build your own legacy of excellence sooner or later.
Dhiraj Kumar Raj (Attracting A Specific Person: How to Use the Law of Attraction to Manifest a Specific Person, Get Back Your Ex and Manifest a Vibrant Relationship.)
It’s only the Russkies who quit working the moment the time’s up, even if there are frigging shoals of fish right under their noses. With that kind of attitude, no wonder Russia got to be such a fucked up country. Japanese men must never act like that!” Some of the men ignored his speech, thinking: “The asshole’s lying.” But the majority swallowed the manager’s suggestion that the Japanese were truly an outstanding people. And they felt somewhat consoled by the notion that their cruel daily sufferings seemed to have something heroic about it.
Takiji Kobayashi (The Crab Cannery Ship: and Other Novels of Struggle)