Coyote Sayings And Quotes

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Some things you just can't quite put into words, and not speaking them is the only and best way to say them.
Dan Gemeinhart (The Remarkable Journey of Coyote Sunrise)
Coyote, who is the creator of all of us, was sitting on his cloud the day after he created Indians. Now, he liked the Indians, liked what they were doing. This is good, he kept saying to himself. But he was bored. He thought and thought about what he should make next in the world. But he couldn't think of anything so he decided to clip his toenails. ... He looked around and around his cloud for somewhere to throw away his clippings. But he couldn't find anywhere and he got mad. He started jumping up and down because he was so mad. Then he accidentally dropped his toenail clippings over the side of the cloud and they fell to the earth. They clippings burrowed into teh ground like seeds and grew up to be white man. Coyote, he looked down at his newest creation and said, "Oh, shit.
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
Love is the same as being lost,' says Jacques to the dark. 'Except you don't care that you're lost.
Jedediah Berry (The Coyote Road: Trickster Tales)
Tam Lin says rabbits give up when they're caught by coyotes [...]. He says they consent to die because their animals and can't understand hope. But humans are different. They fight against death no matter how bad things seem, and sometimes, even when everything's against them, they win.
Nancy Farmer (The House of the Scorpion (Matteo Alacran, #1))
There are no truths, Coyote,” I says. “Only stories.
Thomas King (Green Grass, Running Water)
But, the truth does a lot more good most of the time if folks have the nerve to say it out loud, even if it hurts. Especially if it hurts, maybe.
Dan Gemeinhart (The Remarkable Journey of Coyote Sunrise)
So,” he said, shaking his head. “I’m too much for you. You should have said something. We might be married, Mercy, but no still means no.” I widened my eyes at him. “I just haven’t wanted to hurt your feelings.” “When I give you that little nudge, hmm?” His voice took on a considering air. “Come to think of it, I’m feeling a little nudge coming on right now.” “Now?” I whispered in horrified tones. I looked up toward Jesse’s room. “Think of the children.” He tilted his head as if to listen, then shook it. “They won’t hear anything from there.” He started slowly down the stairs. “Think of Darryl, Zack, Lucia, and Joel,” I said earnestly. “They’ll be scarred for life.” “You know what they say about werewolves,” he told me gravely, stepping down to the ground. I broke and ran—and he was right on my tail. Figuratively speaking, of course. I don’t have a tail unless I’m in my coyote shape.
Patricia Briggs (Fire Touched (Mercy Thompson, #9))
There was this thing, this chaos inside me. And it had a noise, a howling. That’s what it was. I was nothing more than a dog or a coyote or any other animal in pain. And even then I was trying to speak. But my words weren’t any use in the face of the terrible wind that was escaping from my heart. I guess it was from my heart. It hurt so bad. Why did it hurt so bad?
Benjamin Alire Sáenz (He Forgot to Say Goodbye)
Maybe it’s not a lesson so much as it’s a magic trick. You can make a little girl into anything if you say the right words. Take her apart until all that’s left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you’re lucky. If that’s what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what’s said to you, doing what’s done to you, copying until it comes so natural that even when you’re all alone you keep on cawing hello pretty bird at the dark.
Catherynne M. Valente (Six-Gun Snow White)
The Old Ones say you can feel your spirit during a Vision Quest.
Dianne Harman (Blue Coyote Motel (Coyote #1))
Tam Lin says rabbits give up when they're caught by coyotes," Matt said after he'd calmed enough to trust his voice. "He says they consent to die because they're animals and can't understand hope. Hit humans are different.. They fight against death no matter how bad things seem, and sometimes, even when everything's against them, they win." "Yeah. About once in a million years," said Chacho. "Twice in a million," said Matt. "There's who of us." "You are one dumb bunny," said Chacho, but he stopped crying.
Nancy Farmer (The House of the Scorpion (Matteo Alacran, #1))
Robert Pinkerton used to say that a lie was like a dead coyote. The longer you leave it, the more it smells.
Anthony Horowitz (Moriarty (Sherlock Holmes, #2))
Scientists say there is a noise that snowflakes make when they land on water, like the wail of a coyote; the sound reaches a climax and then fades away, all in about one ten-thousandth of a second.
Craig Johnson (The Cold Dish (Walt Longmire, #1))
He had a Chinese symbol tattooed on the crook of his arm. He says it means ‘peace’ but I’m almost positive it really means ‘cigarette’ or ‘coyote’.
Kimberly Russell (The Adoration of Emma Wylde)
Who was she to say that God did not use the coyote’s teeth to chew His gifts?
Luis Alberto Urrea (The Hummingbird's Daughter)
Robert Pinkerton used to say that a lie was like a dead coyote. The longer you leave it, the more it smells. - Frederick Chase
Anthony Horowitz (Moriarty (Horowitz's Holmes, #2))
Who was to say that God did not use the coyote’s teeth to eat His gifts?
Luis Alberto Urrea (The Hummingbird's Daughter)
All you gave me is reasons why anybody might love her-heck why I might love her if I met her. You didn't say anything about why you love her.
Dan Gemeinhart (The Remarkable Journey of Coyote Sunrise)
Saw you with my brother." His gaze moves over me. "Guess that explains your attraction to me-he looks just like me." His cocky grin fading when I roll my eyes in reponse. "Well,you sure spend a lot of time thinking about me-searching for me-don't you,Santos?" he says,determined to make me admit the ridiculous. "Don't flatter yourself,Coyote. It's an occupational hazard.Purely job related.
Alyson Noel (Fated (Soul Seekers, #1))
Not all things speak with a human tongue-an ability to speak the Languages of Creation. Communion in the body of silence-the voice of the Land is in our language. Coyote prayer says: 'Take it. I give it to you.
Lisa King (Dark Queens and Their Quarry: Poems: Boneshadows of Motherskin: 2017-2019 & Hot Rod Butterfly: 2000-2014)
So much easier to say, 'The devil made him do it,' than to face up to something much more horrifying: somebody, a person just like you, decided to do evil. And enjoys it.
Minister Faust (The Coyote Kings of the Space-Age Bachelor Pad)
It is true what they say: without an audience, a storyteller is just some guy talking to himself.
Ivan E. Coyote (The Slow Fix)
He's dead, Walt. Like you always say, 'Buried in a shallow grave and shit off a cliff by a coyote.
Craig Johnson (Land of Wolves (Walt Longmire, #15))
Now I was pretty good at playing Rodeo. I'd been doing it for years. But he was a tricky bird to play. You could say that learning to play Rodeo was like learning to play a guitar, if the guitar had thirteen strings instead of six and three of them were out of tune and two of them were yarn and one of them was wired to an electric fence. He's a handful, is what I'm saying.
Dan Gemeinhart (The Remarkable Journey of Coyote Sunrise)
Cold wind,” I began. He looked at me as if I’d said something important. Then he said, “It’s more than wind,” and stared ahead of him again. “Maybe,” I said. I didn’t get his drift, but if he wanted to talk, “maybe” shouldn’t stop him. “It’s a lot more,” he said, as if I’d contradicted him. “You can’t go hunting men like coyotes after rabbits and not feel anything about it. Not without being like any other animal. The worst animal.” “There’s a difference; we have reasons.” “Names for the same thing,” he said sharply. “Does that make us any better? Worse, I’d say. At least coyotes don’t make excuses.
Walter Van Tilburg Clark (The Ox-Bow Incident)
Look,” said Whiskey Jack. “This is not a good country for gods. My people figured that out early on. There are creator spirits who found the earth or made it or shit it out, but you think about it: who’s going to worship Coyote? He made love to Porcupine Woman and got his dick shot through with more needles than a pincushion. He’d argue with rocks and the rocks would win. “So, yeah, my people figured that maybe there’s something at the back of it all, a creator, a great spirit, and so we say thank you to it, because it’s always good to say thank you. But we never built churches. We didn’t need to. The land was the church. The land was the religion. The land was older and wiser than the people who walked on it. It gave us salmon and corn and buffalo and passenger pigeons. It gave us wild rice and walleye. It gave us melon and squash and turkey. And we were the children of the land, just like the porcupine and the skunk and the blue jay.
Neil Gaiman (American Gods)
What happened?" he asks,voice laced with concern. "I..." I merged with a cockroach-caught a ride next to your twin's Calvin Klein underwear label-and after I watched him play with a demon coyote and snack on bloodied bits that could've been either animal or human, he fed glowing, white orbs to the walking dead-then crushed me under the hell of his boot... "I'm not sure," I say,willing my head to feel better,to stop spinning, and a moment later it does. "I guess I passed out,or something..." I cringe,hating the lie but knowing there's no way I could ever present him the truth. I start to stand,pretending not to notice when he offers a hand. "I need to call my ride." I fumble for my phone, reluctant to bother Paloma and Chay at this hour,but they're pretty much my only real option. "Don't be silly.I'll drive you." Dace follows me out of the stall,watching as I call Paloma's number,then Chay's-face scrunching in confusion when they both fail to answer.It doesn't make any sense. "Daire-why won't you let me help you?" he says.My name on his lips sounding just like ti did in the dream. Our eyes meeting in the mirror,mine astonished, his chagrined,when he adds, "Yeah,I asked around.Uncovered your real name. So shoot me." And when he smiles,when he smiles and runs a nervous hand through his glossy,dark hair-well,I'm tempted to shake my head and refuse him again. Maybe he goes by the name of Whitefeather, but technically,he's still a Richter.A good Richter-a kind Richter-still,I need to do what I can to avoid him.To ignore that irresistible stream of kindness and warmth that swarms all around him. Need to cleanse myself of those dreams once and for all.We are not bound.Nor are we fated.I'm a Seeker-he's the spawn of a Richter-and my only destiny is to stop his brother from...whatever it is that he's doing. But,more immediately,I need to get home.And there's no denying I could do a lot worse than catching a ride with gorgeous Dace Whitefeather.
Alyson Noel (Fated (Soul Seekers, #1))
So, here’s how it’s going to be,” she continues. “The doctor says I’ve only got a few months to live.” Tucker’s mouth flies open and panic distorts her features. She rises slowly from the couch and stumbles toward the front door. Opening it, she goes into Ella’s front yard. Ella makes a move to go after her when suddenly she hears a cry from outside that makes her blood turn cold. It sounds as if someone has taken the scream of a screech owl and the howl of a coyote and mixed them in hell. Ella has a memory of reading The Hound of the Baskervilles as a child and trying to imagine what the eerie howl of the hound must have sounded like. Now she is certain she knows what it sounded like and why even the intrepid Sherlock Holmes was unnerved upon hearing it.
David Johnson (An Unexpected Frost)
Coyote was inside the belly of the giant, and he didn’t even know it. He was completely unaware that he was trapped. I think that’s what grandma was trying to say.” “You could also argue that Coyote was the only one who wasn’t trapped.” I shrugged, knowing that Samuel’s grandmother’s interpretation of the legend had reminded him of me. My stomach twisted at the knowledge, and I was suddenly eager to turn the tables on him. “Coyote had no trouble getting out – but he knew he couldn’t leave everyone else behind.” “Hmm. I should have known you’d see it that way.” Samuel reached out and brushed his fingertips down my cheek. “I feel like I’m back on the bus, trying to keep up. You were always two steps ahead of me.” “Would it make you feel better if we arm wrestled?” I poked at him, “I’m sure I wouldn’t stand a chance.” I was relieved to turn the conversation in a different direction. Samuel laughed out loud
Amy Harmon (Running Barefoot)
You can make a little girl into anything if you say the right words. Take her apart until all that’s left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you’re lucky. If that’s what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what’s said to you, doing what’s done to you, copying until it comes so natural that even when you’re all alone you keep cawing hello pretty bird at the dark.
Catherynne M. Valente (Six-Gun Snow White)
I’m drunk,” she mutters. “I can already feel the hangover.” “Thraxa’s good at making it feel like a moral obligation to keep pace.” “Ten credits says we have to scrape Sevro off the patio tomorrow.” “Poor Goblin. All spirit, no body mass.” She laughs. “I put him and Victra in the west wing so we can actually get some sleep. Last time, I woke up in the middle of the night thinking a coyote was caught in the air recycler. I swear, at the pace they’re going they’ll be able to single-handedly populate Pluto in a few years.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
I turned my back on Coyote without saying another word. He didn’t want to know what I was going to do with those granny panties. Surprisingly, Granuaile did. “Sensei, what were you going to do with those marshmallows and panties?” she whispered as we walked together. “I mean, I’m sure it had to be dire, but it just didn’t sound as threatening as the potential havoc a monkey could wreak on his sack.” “There was more to that recipe,” I admitted. “He cut me off before I could get to the Icy Hot and the gopher snake.” “Ew. What would you do with that?” “I will leave it to you as an exercise.” I
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
Tuesday was often mistaken for a coyote. When they were out on walks, people would regularly stop their cars to ask him why he was walking a coyote. He would inform them that she wasn’t a coyote, merely a dog. Sometimes, they would laugh at them; sometimes, they would argue. Sometimes, they would insist on knowing what she was, as if they might trick Sam into admitting that he had lied and Tuesday was a coyote. Sometimes, they would seem angry, as if Tuesday and Sam were deliberately trying to make fools of them. For her part, Tuesday seemed unaware that she was the cause of so much controversy. “People,” Sam would say to Tuesday, shaking his head.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.
Michael Grant (Light (Gone, #6))
Ever since he'd given up money, certain people had called him a freeloader, a parasite. (As one comment-thread malapropist put it: "Do you Believe you are smooching off others?") They demanded to know what he was giving back. To which Suelo asked, Who says you need to give something back? What does a raven give? What does a barnacle give, or a coyote? In his view, every living thing gave plenty, merely by existing. But from a strictly materialistic view, his critics had an excellent point. A raven contributes nothing, except of course his own corpse, which will feed some other being. Now Suelo was dying, and he offered his body to the ravens, the coyotes, the ringtails, the mice, the ants.
Mark Sundeen (The Man Who Quit Money)
I do not believe any person is born knowing how to be human. Everyone has to learn their letters and everyone has to learn how to be alive. . . . . Maybe it's not a lesson so much as it's a magic trick. You can make a little girl into anything if you say the right words. Take her apart until all that's left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you're lucky. If that's what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what's said to you, doing what's done to you, copying until it comes so natural that even when you're all alone, you keep on cawing __hello, pretty bird__ at the dark.
Catherynne M. Valente (Six-Gun Snow White)
The Desert A weary eye may see endless wastes stretching beyond the horizon, but the trained eye sees a story hiding in every grain of sand. A coiling tower of Babel rises from a rattler's knots, their tongues forking in the shade of a gopher's den. Sounds of birds on mesquite trees mix with cricket chirps, displaced at night by a coyote's howl carried on wings of shifting sands. Listen closely and you'll hear her pup's plaintive whimpers until she returns. The desert sky becomes a festival of stars, entertaining an exclusive audience of sidewinders, Gila monsters, scorpions and horned toads. Sun rises over the blackened mountains greeted by a whip-tailed lizard who bobs its head, saying, 'this is my piece of paradise, keep out.' The desert is no empty place, but heaven's own retreat filled with amazing grace.
Beryl Dov
Red caught her hand and lifted it from his mouth and held it gently. “Say, ‘You’re a polecat, Red Dawson.’ Tell me I’m a mangy, growly old bear. Tell me I’m a sneakin’, low-down coyote. Tell me I’m as mean as a rattler and as cantankerous as Buck and as stubborn as an ox. Say it or admit you’re a liar and a coward, Mrs. Dawson. Tell me I’m a—” “All those animals,” Cassie interrupted, “are put here by God for the exact purpose they serve.” Rather sharply she added, “You’re the problem.” Cassie seemed to realize what she’d said, and she pulled back a step. She’d have covered her mouth again if Red hadn’t held tight to her hand. Red grinned for a second. Then he tipped his head back and laughed out loud. It was a full belly laugh, and when he looked back at her, his eyes were damp from laughing and he had to wipe them. “Why, Cassandra Dawson, I do believe you just insulted me.
Mary Connealy (Montana Rose (Montana Marriages #1))
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
Quickly I find another surprise. The boys are wilder writers — less careful of convention, more willing to leap into the new. I start watching the dozens of vaguely familiar girls, who seem to have shaved off all distinguishing characteristics. They are so careful. Careful about their appearance, what they say and how they say it, how they sit, what they write. Even in the five-minute free writes, they are less willing to go out from where they are — to go out there, where you have to go, to write. They are reluctant to show me rough work, imperfect work, anything I might criticize; they are very careful to write down my instructions word by word. They’re all trying themselves on day by day, hour by hour, I know — already making choices that will last too unfairly long. I’m surprised to find, after a few days, how invigorating it all is. I pace and plead for reaction, for ideas, for words, and gradually we all relax a little and we make progress. The boys crouch in their too-small desks, giant feet sticking out, and the girls perch on the edge, alert like little groundhogs listening for the patter of coyote feet. I begin to like them a lot. Then the outlines come in. I am startled at the preoccupation with romance and family in many of these imaginary futures. But the distinction between boys and girls is perfectly, painfully stereotypical. The boys also imagine adventure, crime, inventions, drama. One expects war with China, several get rich and lose it all, one invents a time warp, another resurrects Jesus, another is shot by a robber. Their outlines are heavy on action, light on response. A freshman: “I grow populerity and for the rest of my life I’m a million air.” [sic] A sophomore boy in his middle age: “Amazingly, my first attempt at movie-making won all the year’s Oscars. So did the next two. And my band was a HUGE success. It only followed that I run the country.” Among the girls, in all the dozens and dozens of girls, the preoccupation with marriage and children is almost everything. They are entirely reaction, marked by caution. One after the other writes of falling in love, getting married, having children and giving up — giving up careers, travel, college, sports, private hopes, to save the marriage, take care of the children. The outlines seem to describe with remarkable precision the quietly desperate and disappointed lives many women live today.
Sallie Tisdale (Violation: Collected Essays)
Of course, she didn’t remember them; she’d never been introduced to them. Only knew them as Tallskinnyblonde and the rest. She felt like seaweed dragged on a line but managed to smile and say hello. This was the opportunity for which she’d waited. Here she was standing among the friends she wanted to join. Her mind fought for words, something clever to say that might interest them. Finally, two of them greeted her coolly and turned abruptly away, the others following quickly like a school of minnows finning down the street. “Well, so here we are,” Chase said. “I don’t want to interrupt anything. I’ve just come for supplies, then back home.” “You’re not interrupting. I just ran into them. I’ll be out on Sunday, like I said.” Chase shifted his feet, fingered the shell necklace. “I’ll see you then,” she said, but he’d already turned to catch the others. She hurried toward the market, stepping around a family of mallard ducks waddling down Main Street, their bright feet surprisingly orange against the dull pavement. In the Piggly Wiggly, pushing the vision of Chase and the girl from her head, she rounded the end of the bread aisle and saw the truant lady, Mrs. Culpepper, only four feet away. They stood there like a rabbit and a coyote caught together in a yard fence. Kya was now taller than the woman and much more educated, though neither would have thought of that. After all the running, she wanted to bolt, but stood her ground and returned Mrs. Culpepper’s stare. The woman nodded slightly, then moved on.
Delia Owens (Where the Crawdads Sing)
Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives. ‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.
Samantha Hunt (The Dark Dark)
I’ve put down half a pitcher of water by the time she comes to take my order. She fills another pitcher and sets it in front of me, standing with her pen in her hand, distracted, waiting for me to order. It’s early afternoon and well north of 100 degrees. Perusing the menu, I comment on the heat. “Man, it’s hot out there.” Setting her order pad down on the counter, crossing her arms, tapping the back of her pen against her lower lip, she looks out the window at my bike leaning there. Her eyes drift to mine with that look women can give men. You know the look, the one that says, “I’m wondering if you’re trying to act dumb, or if you really might be that dumb.” Not necessarily mean, just curious. I smile sheepishly beneath the pressure of the question behind her look. Every man reading these words knows exactly what I’m talking about here. You get the look, so you know you’ve said or done something really stupid, but you don’t have a clue what it is you’ve done or said that is so outrageously idiotic. Which just makes it worse. She sees all this wash across my face, and a small smile plays at the corners of her face. Still tapping the pen against her lower lip, she brings her elbows down to rest on the bar, leaning in a little closer to me, as if letting me in on her secret. “Honey, it’s June. It’s the hottest month in the Sonoran Desert.” Pausing, she looks again at my bicycle leaning against her window. “You’re riding a bicycle across the black asphalt in the hottest desert in the hottest month.” She pauses there, looking into my eyes, raising one eyebrow, letting me know a question is coming. “What, exactly, did you expect?” Hmmm. Good point. I might have heard those words whispered to me by the desert itself earlier today. “Right,” I say, closing the menu and handing it to her, keeping my eyes on hers. “I’ll take the burger.” We smile at each other as she takes the menu.
Neil M. Hanson (Pilgrim Wheels: Reflections of a Cyclist Crossing America)
I don’t have any interest in helping you keep your job,” I say, shifting my weight onto my heels, suddenly tired and resigned. “But I promise to do what I can to keep you from being fired over false pretenses. If you get thrown out of here, it’ll be your fault, not mine, and not Mr. Dade’s.” “You say that now—” “—and I’ll say it tomorrow.” I turn and pull open the door. “Good night, Asha. Go home and get some sleep.” “I’m not tired.” “Then go to the park and pull the wings off butterflies,” I say with a sardonic smile. “That seems like the kind of thing you would enjoy.” She smiles back, shakes her head. “Butterflies are too weak.” “Then shoot a coyote, whatever,” I suggest. “But your work day’s over. We all need our rest and if I’m going to be a dictator, I’m going to try to be a benevolent one.
Kyra Davis (Binding Agreement (Just One Night, #1.3))
He opened his mouth to say whatever Blake-ish thing he was going to say, but we were at the drinks table and this girl named Tina was throwing a bottle around like she was in the cast of Coyote Ugly.
Heather Demetrios (I'll Meet You There)
Okay, I thought wolves had packs. Do you have a pack?” “Not in the traditional sense.” “Sorry, Nick, but when it comes to werewolves, I don’t know what the traditional sense is.” “I don’t run with other wolves.” I nod. I wait. I finally give up and say, “So you run with . . .” He winces. “Coyotes. But they have some wolf DNA.” It’s hard not to smile. “You are alpha at least, right?” “Of course I’m alpha.” He almost growls at me.
Carrie Jones (Need (Need, #1))
You don't have to do this, Dakota. Nothing that man has to say to you is of any consequence. You already know his song.
Ann Simko (Fallen (Coyote Moon, #1))
They sat in silence until the howl of a distant coyote made her shiver. "He sings for his mate," Cade reassured her. "Does he think the sound of his loneliness will attract her?" Lily asked wryly. "I'm sure it is the beauty of his song." His voice contained almost a hint of a chuckle. "I'm sure that's what he thinks." Her scoffing hid an undertone of bitterness, and Cade was silent for a while. "Men often hide their fears with actions," he finally said. By this time, the anger of the day had leeched out of her and into the cold stone. Wrapping her arms around her knees and resting her head upon them, Lily reluctantly gave his statement some thought. Cade had a way of saying things that made sense, even when she didn't want to admit it. "I suppose a man who wasn't afraid would be a fool. I just find it hard to imagine someone like you being afraid." Cade's low laugh wasn't amused. "Because of my size or because of my birth?" Lily considered this. "Both, I suppose. To me, Indians are like the wolves, fearless of anything. All I have seen or heard of them is the damage they have done. And your size makes you seem invulnerable, even though that is ridiculous. A bullet knows nothing of size. Perhaps it is your attitude. You look as if you scorn everything, even death." "I do not mean to give that impression. And warriors aren't fearless. As you say, only fools are without fear. They are just better at disguising their feelings. If Clark takes his band of men against the Indians as he threatens, he will find old men and women and children. Ride with him, and you will see their fear." Lily didn't ask how he knew of Ollie's plans. Half the ranch could have heard his shouting. Instead, she asked, "How do you know what he will find? Have you seen them?" "They are related to my father's tribe. Their fathers and sons were massacred by Comanches several years ago, and many others were lost in epidemics. They try to live by raising squash and corn and fishing from the river. They mean no harm. This land has been theirs for centuries. They do not understand the difference since the white man's coming." "I do not know how to stop Ollie," Lily murmured. Somehow she was disappointed that Cade had brought her out here to tell her this. He could have said as much in the morning in the middle of the yard. "I know how to stop him. Just tell me if you learn when he is to leave." "We don't need any more bloodshed." Lily rearranged her legs in preparation for rising. Cade caught her arm, and he was suddenly very near, hovering over her, his dark face dangerously near. "There will be no bloodshed." Perhaps
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Female say Pack Leader stop,” Pack Leader said angrily. “What?” Caine could make no sense of it till he saw Diana striding up, dark hair flying, eyes furious. “I told this filthy beast to stop,” Diana said, barely controlled. “Stop what?” Caine demanded. “They’re still attacking the kids,” Diana said. “We’ve won. Sam is dead. Call them off, Caine.” Caine turned his attention back to the battle between Drake and the monster. “They’re coyotes,” Caine said coldly. Diana flew at him. “You’ve lost your mind, Caine. This has to stop. You’ve won. This has to stop.” “Or what, Diana? Or what?” Caine demanded. “Go get Lana. I’m hurt. Pack Leader, do what you want.” “Maybe this is why your mother abandoned you,” Diana said savagely. “Maybe she could see that you weren’t just bad, you were twisted and sick and evil.
Michael Grant (Gone (Gone, #1))
My first rule is not to say or do anything too gender-specific, and to just let the stranger in question continue believing I am whatever gender they assume me to be, the catch being, of course, that I am quite often not certain just which gender box I should continue to help them make me fit into. This can get tricky quickly.
Ivan E. Coyote (The Slow Fix)
The road clung to the spine of the ridge, sidewinding in sinuous loops toward the blue smokes of Smoky Mountain where deposits of coal, ignited by lightning some long-gone summer afternoon a thousand—ten thousand?—years before, smoldered beneath the surface of the mountain’s shoulders. There seemed to be no pursuit. But why should there be? They hadn’t done anything wrong. So far they had done everything right. Down on the alkali flats where only saltbush, cholla and snakeweed grew, they met a small herd of baldface cows ambling up to the higher country. Beef on the hoof, looking for trouble. What Smith liked to call “slow elk,” regarding them with satisfaction as a reliable outdoor meat supply in hard times. How did they survive, these wasteland cattle? It was these cattle which had created the wasteland. Hayduke and Smith dallied several times to get out the old pliers and cut fence. “You can’t never go wrong cuttin’ fence,” Smith would say. “Especially sheep fence.” (Clunk!) “But cow fence too. Any fence.” “Who invented barbed wire anyhow?” Hayduke asked. (Plunk!) “It was a man named J. F. Glidden done it; took out his patent back in 1874.” An immediate success, that barbwire. Now the antelope die by the thousands, the bighorn sheep perish by the hundreds every winter from Alberta down to Arizona, because fencing cuts off their escape from blizzard and drought. And coyotes too, and golden eagles, and peasant soldiers on the coils of concertina wire, victims of the same fat evil the wide world over, hang dead on the barbed and tetanous steel. “You can’t never go wrong cuttin’ fence,” repeated Smith, warming to his task. (Pling!) “Always cut fence. That’s the law west of the hundredth meridian. East of that don’t matter none. Back there it’s all lost anyhow. But west, cut fence.” (Plang!)
Edward Abbey (The Monkey Wrench Gang)
The night is the frenetic fox darting across a roadway in a flash of orange. It is being tailed by the police for a whole fucking mile, with both hands firmly wrapped about the steering wheel. It is spying a shooting star blinking across the horizon, and everybody saying did- you-see-that. The bustling truck-stops. and the blotter- dark nights, when driving safely seems difficult. The fush-fush of cars speeding ahead in an overpass highway. The bloated raccoon knocking the garbage cans over and the waddling lamp-eyed possum strolling past, within a few feet even, as you sit on the front porch and smoke. It is drunken talk at 1 AM, conversation of substance, depth and style, when all errant ideas are concocted. It is fanning motor-heat lathering the chest and skinny legs in the cold car. Sudden, abrupt episodes of fatigue that make you retire to bed earlier than usual. This is the night given to snapshot, light-bath revelations that sends one running for notepad and pen, and repeating, out loud, the premise over and over as you stride. The night is a strange, curdling scream at 3 am, wondering if it is a cat, a coyote, a baby.
Claudio Constantine (Tropic of Wonder)
Emily and I are lying out on towels. She is so thin, I can make out every rib, the sternum, the knobby bulges of her shoulders. Her hair is golden and thick, though, which is how I know I’m dreaming. It was so brittle toward the end. I want to lie here even though I’m not sure if beside me Emily is alive or dead. When a coyote is hit on Pacific Coast Highway, the carcass will decay for weeks until all that’s left is bones and fur. I can wait, I’m willing to wait. The sun is warm, and maybe if we lie here long enough the tide will rise and the current will drag us out, maybe the sea will accept us back into it. My phone vibrates and drops onto the floor, waking me. I’ve fallen asleep in my clothes. It’s not yet eleven. I have a voice mail from Guy. It’s startling to hear his voice, casual and familiar, telling me that Mom is doing well, the production too. He doesn’t ask me to call, but I don’t want to be alone, thinking of that hideous death. How could I have known it would be quick? Paul had only called a few weeks earlier to say Emily was coming home from the hospital, that hospice had been arranged. I brought a tuna casserole, without peas, which was how Emily liked it when she was little. But she was already in a drug-induced sleep by then. Paul and the caregivers administering liquid morphine every two hours. So thin, I remember saying to Paul, who looked at me bewildered. She’s been thin for months, he said. They asked if I wanted to rub lotion into her hands, put a warm washcloth on her face. She knows you’re here, someone said. I did not want to see her die. I did not want to touch her body. Downstairs I microwaved the casserole and sat and ate it with Hannah while we watched cartoons. Guy doesn’t answer the first time, so I call again. A third time. “Pricilla, what time is it there?” I can hear car horns; a radio being turned down. I imagine he’s on a freeway stuck in traffic and I feel a twinge of homesickness. “Not that late.” I open the bedroom window.
Liska Jacobs (The Worst Kind of Want)
That might be the story of Riverside. Tying to fit in with the big boys by accommodating their oversized posteriors. ... That's how we say it. We say, 'This is a horsey area.' ... That means go slow. We have feed stores and tack shops and desert, a really beautiful desert. It's the desert that has me here in 909. Technically, the Badlands is chaparral. The hills are filled with sage, wild mustard, fiddleheads and live oaks. Bobcats, meadowlarks, geckos, horned lizards, red tailed hawks, kestrels, coach whip snakes, king snakes, gopher snakes. Rattlesnakes and coyotes. We don't see rain for seven months of the year and when we do we often flood. In the spring, the hillsa re green. They are layered and gorgeous. This is in contrast to the rest of the year when the hills are brown and ochre and layered and gorgeous. ~ 909, Percival Everett
Gayle Wattawa (Inlandia: A Literary Journey Through California's Inland Empire (California Legacy))
I wasn’t sure. Maybe something angry. I would be bitter if I was a Navajo to have anything in my territory named after Colonel John Macrae Washington. It’s like naming a mountain pass in Israel after Adolf Hitler.” “The colonel was a scoundrel,” Leaphorn agreed. “But I don’t let the nineteenth century worry me.” Bourebonette laughed. “If you don’t mind my saying so, that’s typically Navajo. You stay in harmony with reality. Being bitter about the past isn’t healthy.” “No,” Leaphorn said. “It’s not.
Tony Hillerman (Coyote Waits (Leaphorn & Chee #10))
The howl, Doc, not the silence of the lambs, the howl stays with me, I hear it, I scream, I raise my arms to the sky, I try, Doc, I try to defend myself, to protect my soul. Auntie Badeea used to say that jackals have howled at the innocent moon for aeons because they mourn the fact that they are not eternal, that when Death with his pale eyes comes for them they will be no more, unlike us who climb up Jacob's ladder to Heaven in God's embrace or fall to Satan's fiery Hell. I don't think so, Doc, I disagree. Jackals howl because we don't. The howl has been traveling for thousands of years, from the beginning of time, when Adam and Eve tasted the fruit and Satan triumphed and his son, Death, was born, when loss became our intimate, across deserts and seas the howl moves, loaded with dust and grime and brine, searching for souls to remind them to grieve, but we pay little attention, always avoiding, always moving forward, our souls filled with termite holes that the howl passes through, only whistling. Lost we are, so the jackals and coyotes, the wolves red and gray, howl for us, howl at the baby-faced moon.
Rabih Alameddine (The Angel of History)
Were you following me?” she asked, hugging her knees and watching her supper cook. “Yes,” Caleb answered in his direct way. He sat down across from Lily, and the firelight did a primitive dance over his features. “I wanted to see how you could get by on your own.” He didn’t need to tell Lily that she’d failed the test miserably; she knew, and her pride had been stripped as bare as the supper rabbit. “I thought I could reach Tylerville, at least, before nightfall.” Somewhere in a nearby copse of pine trees an owl hooted, and in the distance coyotes howled at the rising moon. Caleb glanced toward Dancer, who was grazing a few yards away. “You might have made it if you hadn’t bought such a fool horse.” Lily felt called upon to defend Dancer, even though she privately agreed. “He’s pretty,” she said after taking several moments to search her mind for something favorable to say. Caleb stood up to turn the rabbit on its spit. “Look how far that got you.” “I suppose your horse could make better time.” “Without a doubt,” the major answered. “As it is, we’re both stuck here for the night, so there isn’t much sense in arguing.” Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
How am I supposed to feed you?” Drake demanded. “Darkness say to coyote: don’t kill human. Did not say don’t eat dead human.” Drake laughed with a certain delight. This Pack Leader was definitely a smarter animal than the original one.
Michael Grant (Fear (Gone, #5))
A coyote wailed, the sound sending a shiver up Loretta’s spine. She cocked an ear, listening. “I hope that’s what it sounds like and not an Injun,” Mrs. Cortwell whispered. “It’s likely a coyote,” Mrs. Spangler replied. “Look at that there moon, would ya? Of course, it’s a good moon for killin’, too. A Comanche moon, my man calls it.” The fire popped, and Mrs. Shaney leaped. “Lawzy, my nerves is frayed.” The coyote yipped again, his cry trailing skyward, mournful and lonely. Loretta stood up, her heartbeat quickening. “What is it?” Mrs. Spangler cried. Mrs. Cortwell pressed a hand to her throat. “Oh, Lord. It is Injuns!” She jumped to her feet. “Matthew! Matthew Cortwell, where’d you git off to? There’s Injuns out there!” “They won’t hurt you,” Loretta said softly. “Just stay calm, Mrs. Cortwell.” “It’s fine for you to say, you Comanche slut!” Loretta spun on her heel and left the fire. Alerted by Mrs. Cortwell’s cries, Uncle Henry came out from the buckboard and intercepted her. “Don’t even think it, Loretta Jane.” “That’s Hunter out there, Uncle Henry.” “You don’t know that. You wanna part with you hair, girl?” He seized her arm. “Not only that, but you gotta think about us and how it looks.” Several other men gathered around. Loretta glanced at their taut faces, feeling trapped. She heard the coyote again. Hunter. “I’m going. He’s out there calling me, and I’m going.
Catherine Anderson (Comanche Moon (Comanche, #1))
As she left the wagons far behind, she felt more alone than she ever had in her life. Moonlight bathed the flats. Loretta turned in a slow circle but saw no one. If Hunter was out here, why didn’t he show himself? The call of the coyote trailed skyward again. Loretta whirled toward the sound and ran toward the rise. As she crested the slope, Hunter loomed up out of the shadows, tall and dark, his hair drifting in the wind. His upper chest and shoulder were crisscrossed with torn strips of cloth. Calico and muslin. Slowing her footsteps, she walked toward him a ways, then stopped. Did he even want her as his woman now? So much had happened since they last saw each other. So much pain and grief. His face was in shadow, so she could read nothing in his expression. When Loretta drew to a halt several feet away from him, Hunter’s heart skipped a beat, then started racing. Peering at her through the silvery darkness, he saw a tosi woman in tosi clothing, her pale skin and golden hair illuminated by the light of the Comanche moon. Just as the prophecy had foretold, they stood on a high place, she on the land of the tosi tivo, while he, Comanche to his bones, stood on the land of the People. A great distance divided them, a distance much harder to bridge than the few feet between them. Hunter ached with things he longed to say, but none of them seemed enough. He realized then that the great canyon filled with blood wasn’t a chasm in the earth but one in their hearts. There was an ache in Loretta’s eyes that cut clear through him. He knew the same ache was in his own. His father, Maiden of the Tall Grass, her parents. So many were lost to them. “Are you all right?” she asked. Hunter was weak from loss of blood. His shoulder felt as if it had a red-hot coal buried in it. “I am well. You came, yes? There is much we must talk about.
Catherine Anderson (Comanche Moon (Comanche, #1))
Calling to Measure It’s an obsession now, this matching And measuring, comparing, for instance, The coral-violet of the inner lip Of a queen conch to the last rim of dusk On the purple-flowering raspberry To the pure indigo of the bird-voiced Tree frog’s twittering tongue, then converting The result to an accepted standard Of rose-scarlet gradations. It’s difficult to say which is greater- The brevity of the elk’s frosty bellow Or the moments of fog sun-lifted Through fragrances of blue spruce Or the fading flavor in one spoonful Of warm chocolate rum. I mark out space by ten peas Strung on a string. The pane perimeter Of my window, for instance, is twenty-eight Lengths, twelve lengths over. Seventy pea-strings stretch from bed To door, Four go round my neck. My longing for you is more painful Than the six-times folding, doubling And doubling, of a coyote’s Most piercing cry, more inconsolable Than a whole night of moonlight blinded By thunderclouds, more constant Than black at the center of a cavern Stone below leagues of granite. I gauge my cold by the depth Of stillness in the pod heart of a frozen Wren. I time my breath by the faltering Leaves of aspen in wind. I count the circles Of my dizziness by the spreading rings Of rain-lassos on the pond, by the repeating Bell chimes of the corridor clock, By the one unending ring of the horizon. Where is the tablet, where the rule, where The steel weights, the balance, the book, Properly to make measure of a loss So grand and deep I can spread and stitch it To every visible star I name- Arcturus, Spica, Vega, Regulus- in this dark Surrounding dark surrounding dark?
Pattiann Rogers (Quickening Fields (Penguin Poets))
What I can hear are occasional coyotes and a constant chorus of “Baby the Rain Must Fall” from the jukebox in the Snake Room next door, and if I were also to hear those dying voices, those Midwestern voices drawn to this lunar country for some unimaginable atavistic rites, rock of ages cleft for me, I think I would lose my own reason. Every now and then I imagine I hear a rattlesnake, but my husband says that it is a faucet, a paper rustling, the wind. Then he stands by a window, and plays a flashlight over the dry wash outside.
Joan Didion (Slouching Towards Bethlehem: Essays)
Like most children of her era, she’d been taught to believe that the genome—the sequence of base pairs expressed in the chromosomes in every nucleus of the body—said everything there was to say about the genetic destiny of an organism. A small minority of those DNA sequences had clearly defined functions. The remainder seemed to do nothing, and so were dismissed as “junk DNA.” But that picture had changed during the first part of the twenty-first century, as more sophisticated analysis had revealed that much of that so-called junk actually performed important “roles in the functioning of cells by regulating the expression of genes. Even simple organisms, it turned out, possessed many genes that were suppressed, or silenced altogether, by such mechanisms. The central promise of genomics—that by knowing an organism’s genome, scientists could know the organism—had fallen far short as it had become obvious that the phenotype (the actual creature that met the biologist’s eye, with all of its observable traits and behaviors) was a function not only of its genotype (its DNA sequences) but also of countless nanodecisions being made from moment to moment within the organism’s cells by the regulatory mechanisms that determined which genes to express and which to silence. Those regulatory mechanisms were of several types, and many were unfathomably complex. Had it not been for the sudden intervention of the Agent, the biologists of Old Earth would have devoted at least the “remaining decades of the century to cataloging these mechanisms and understanding their effects—a then-new science called epigenetics. Instead of which, on Cleft, in the hands of Eve Moira and the generations of biologists she reared, it became a tool. (...) Thousands of years later, epigenetics was sufficiently well understood to be programmed into the DNA of some of the newly created species that would be let loose on the surface of New Earth. And one of the planks in the Get It Done platform was to use epigenetics for all it was worth. So rather than trying to sequence and breed a new subspecies of coyote that was optimized for, and that would breed true in, a particular environment, the GID approach was to produce a race of canines that would, over the course of only a few generations, become coyotes or wolves or dogs—or something that didn’t fit into any of those categories—depending on what happened to work best. They would all start with a similar genetic code, but different parts of it would end up being expressed or suppressed depending on circumstances. And no particular effort would be made by humans to choose and plan those outcomes. They would seed New Earth and see what happened. If an ecosystem failed to “take” in a particular area, they “they would just try something else. In the decades since such species had been seeded onto New Earth, this had been going on all the time. Epigenetic transformation had been rampant. Still, when it led to results that humans saw, and happened to find surprising, it was known as “going epi.
Neal Stephenson (Seveneves)
Instead, whenever I get home from the road, I cook. Nothing fancy. Comfort food: stews, shepherd’s pie, potato salad, red curry, roast chicken. Then I make chicken soup with the bones. Like, really good chicken soup. I eat some and freeze the rest. I deliver it to friends with new babies or head colds or deadlines or final exams or breast cancer. A fairly wide selection of East Vancouver residents owe me my Tupperware back. “Shut up and show up,” my grandma Pat once said to me after her neighbour’s husband died and she was making her a pot of macaroni and cheese. “That’s what your great-grandmother Monica used to say during the Depression.
Ivan E. Coyote (Rebent Sinner)
I should go out on the radio with it. Must be a slow day for the media—getting more what’s-happening calls from reporters than I am getting service calls from citizens. They all want to do something on the first one, the actress on Mulholland. You know, a death-of-a-Hollywood-dream story. And they’d probably jump all over this latest call, too.” “Yeah, what is it?” “A citizen up in Laurel Canyon. On Wonderland. He just called up and said his dog came back from a run in the woods with a bone in its mouth. The guy says it’s human—an arm bone from a kid.” Bosch almost groaned. There were four or five call outs like this a year. Hysteria always followed by simple explanation: animal bones. Through the windshield he saluted the two body movers from the coroner’s office as they headed to the front doors of the van. “I know what you’re thinking, Harry. Not another bone run. You’ve done it a hundred times and it’s always the same thing. Coyote, deer, whatever. But listen, this guy with the dog, he’s an MD. And he says there’s no doubt. It’s a humerus. That’s the upper arm bone.
Michael Connelly (City Of Bones (Harry Bosch, #8; Harry Bosch Universe, #11))
Over each of the nine holes was a strong, spine-armed sentinel for ever on guard and absolutely unbuyable, so that if at any time the Coyote – the Satan of the little prairie-folk – should appear among the moonlight dancers, each could dash homeward and enter by a handy door, sure that there would be standing by that door a fearless, well-armed warden, who would say to the Coyote, in a language he would well understand, “Stop! Keep off, or I’ll spear you!
Ernest Thompson
You ready to see some wolves?” Ryan asks. He sounds like a proud parent. I nod. The only live red wolves I’d seen previously were display animals on exhibit at the Museum of Life and Science in Durham, North Carolina, and the North Carolina Zoo in Asheboro. I hope up and we stroll to a nearby pen, where two male red wolves pace nervously. It is hard to look at a leggy red wolf and not escape the thought that these animals are built to run. Their legs appear proportionally longer than those of a gray wolf. The brothers before me are about five feet long, if you include the tail. Burnt-umber red spreads out from their ears to their shoulders. Their muzzles look long and strong, their chest and waist are less heavyset than a gray wolf’s, and their tail is less bushy. “They look like they’re all legs,” I say. “They are a little more leggy than a coyote is, in comparison to their frame,” Ryan says. “Especially in summer, when their coat is shorter. It makes them look a lot longer and leaner.” Even though the brothers run along the fence in repetitive circles, they barely make a sound. I stand five feet away and yet can’t hear them pant. The sound of leaves stirring under their paws barely registers. Their movements are anxious, yet silent. We move on to the next pen, which holds a breeding pair and a three-month-old pup. We tiptoe around a corner to a break in the privacy screen. I peek through and see a male jammed against the back corner. He presses his body against the fence’s metal weave. The female paces furiously about ten feet in front of him. They stare at us. She paces back and forth, back and forth. Their pup spots us and then bolts along the far wall. He scrambles with his chest low to the ground, like a spooked house cat. He wriggles nose first between the fence and his dad, his ears pressed back. The little guy clasps his tail against his anus. “I can’t believe they’re so afraid of us,” I say. “Yeah, even the ones that grow up in captivity often do not ever lose their fear of people,” Ryan says. “It’s just some basic wild instinct that they maintain, that they haven’t lost.” Even though these animals are fed three times a week by human hands, they still get agitated when a person approaches. As I watch, the three-month-old puppy pushes deeper into his dad’s side. I feel guilty that our presence is causing such unease; then Ryan, along with the biting deer flies, prods us to move on.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
It is never certain for her that the wolves will answer each Wednesday. I wonder for a moment why they do. Surely they know that these are just a bunch of humans trying to speak wolf. Surely they smell us, a group of sixty people cloaked in lotions, colognes, insecticides, and deodorant - announcing our odiferous presence to an animal whose world is ordered by scent - standing in the woods a mere few hundred yards away. Surely they heard our engines as we arrived. Surely they could hear that our pitch is off, that we are an imitation. Yet they accept this and play along. Why? Wolves, it turns out, will howl to a variety of stimuli, including the sirens of emergency responder vehicles. In the late 1960s, when researchers discovered that the red wolf was nose-diving into extinction, they played electronic sirens in southeastern Texas coastal marshes and plains to elicit howls from wild canids. From the howls, they made probable identifications of red wolves and possible hybrids. Coyote vocalizations often have a series of broken yips and barns and emanate at a comparatively higher frequency, whereas red wolves will howl at lower frequencies that start “deep and mournful” but may break off into yapping like a coyote, according to a report authored in 1972 by two trappers, Glynn Riley and Roy McBride, who were employed by the federal government. Early surveyors noted, too, that the red wolves were more likely to howl in good weather and less likely to respond in rainy or overcast weather. Confined to their facility, perhaps the red wolves of Sandy Ridge howl to humans because it gives them a way to communicate with living beings outside their fence. Who knows: maybe they are simply telling us to bugger off and go away. Or, as frightened as they are of seeing a human, perhaps howling to a group of them on a dark night is more palatable since they do not have to look at us or be gawked at in turn. Perhaps howling is a way of reaching out on their own terms, in their own language, through which they can proclaim their space and their place on the land - their way of saying, “Even though I’m in here, behind this fence, I own this place.” Or maybe they just want to remind us that this land had been theirs for millennia before we invaded and claimed it. In the dark of night, I fantasize that their howls are calling out: “All this was ours. This was ours.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
We only have red wolves here at Sandy Ridge now,” Ryan says. “Summer is our slow season. But by fall, this place will be packed with wolves and coyotes.” “Why do you hold coyotes here?” I ask. “If we know one is holding a territory, we trap it, sterilize it and put a radio collar on it,” Ryan explains. “They stay here at Sandy Ridge while they recover, and then we release them back to their territory.” By sterilizing coyotes that set up territories in the red wolf recovery area and then tracking them, the red wolf biologists protect the red wolf’s unique genome from hybridization with coyotes. But a sterile coyote doesn’t solve the red wolf’s propensity for running with and mating with coyotes. It only prevents conception. It is an elaborate birth-control scheme to ensure the survival of an endangered species. One of the quirks of the genus Canis is that the various species within it can interbreed and produce fertile offspring. Historically, hybridization of the last wild red wolves with coyotes was the single biggest threat that prompted the FWS to begin capturing the last wolves for breeding in captivity. When the first red wolves were reintroduced to Alligator River in 1987, the nearest coyotes were 500 miles west. Experts thought it would take them eight to ten years to pad their way to the coast - plenty of time, they thought, for red wolves to build up a big population and keep the invading coyotes at bay. But coyotes soon infiltrated the red wolf’s recovery area in the early 1990s. Suddenly, the Red Wolf Recovery Program had a problem on its hands: red wolves were once again hybridizing with coyotes. “Why don’t you just trap all the coyotes out of the recovery area?” I ask. “Even if we could remove them all, then more coyotes would likely just come in and take their territories,” Ryan replies. Plus, the team simply doesn’t have the manpower to trap all of the coyotes off the peninsula, though they put significant effort into patrolling certain areas to keep coyotes out. Coyotes are too adaptive and elusive for a large-scale trapping program to work permanently. In one of their biological quirks, coyotes are known to have more offspring survive to adulthood when their population is persecuted through lethal control efforts. The rascals can live on practically nothing, and they are prolific breeders to boot.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
If you ask a Navajo about Coyote, the Coyote of our legends, you’ll get all sorts of answers. Some will tell you he’s funny, some’ll say he’s tricky. Everyone will agree he’s trouble. Coyotes are bad omens. Old-timers say if a coyote crosses your path, turn back. Forget your journey.
B.B. Griffith (The Coyote Way (Vanished, #3))
How she loved us all, no matter who we were, no matter what we did, her whole band of misfits. I am so proud of you, she would say.
Ivan E. Coyote (Tomboy Survival Guide)
ANTHROPOCENE PASTORAL BY Catherine Pierce In the beginning, the ending was beautiful. Early spring everywhere, the trees furred Pink and white, lawns the sharp green That meant new. The sky so blue it looked Manufactured. Robins. We’d heard The cherry blossoms wouldn’t blossom This year, but what was one epic blooming When even the desert was an explosion Of verbena? When coyotes slept deep in orange Poppies. One New Year’s Day we woke To daffodils, wisteria, onion grass wafting Through the open windows. Near the end, We were eyeletted. We were cottoned. We were sundressed and barefoot. At least It’s starting gentle, we said. An absurd comfort, We knew, a placebo. But we were built like that. Built to say at least. Built to reach for the heat Of skin on skin even when we were already hot, Built to love the purpling desert in the twilight, Built to marvel over the pink bursting dogwoods, To hold tight to every pleasure even as we Rocked together toward the graying, even as We held each other, warmth to warmth, And said, sorry, I’m sorry, I’m so sorry while petals Sifted softly to the ground all around us.
Ayana Elizabeth Johnson (All We Can Save: Truth, Courage, and Solutions for the Climate Crisis)
But, hey, the truth does a lot more good most of the time if folks have the nerve to say it out loud, even if it hurts.
Dan Gemeinhart (The Remarkable Journey of Coyote Sunrise)
Grandpa would go for strolls alone through the pastures where meadowlarks and grasshoppers flew like broken-winged birds, where rabbits constructed their havens, and where thick-coated coyotes and red-tailed foxes sniffed and searched them out.
James Russell Lingerfelt (The Mason Jar)
D’you think you might be able to find your way?” “Of course we can,” Liv told her. “Guess we’ll have to have that lunch and massage some other time.” “Sure thing.” Dayna promised. She flashed Liv a wicked grin. “I’ll say hi to Temo for you.” She mounted Champagne in one smooth motion and rode away, leading the other horses. Heading off in the opposite direction, Sophie squirmed in her saddle as if a burr of jealousy was stuck under her jeans. Did Shane just forget about her when he was with Cheyenne and Hailey? She hadn’t had a chance to tell him about the coyote’s attack on Diego’s colt. He could at least have said goodbye instead of speeding off that way in his truck. She’d never seen him drive. Up to now he’d always appeared at the Lucky Star Ranch riding Navajo. I like him a hundred times better on horseback, Sophie thought.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
We have to get the rest of the herd in before we lose any more horses.” “I’m going to look anyway,” Sophie insisted. “I have to find out what happened to Bando.” She wasn’t going to break down--wasn’t going to cry until she knew for sure, until she saw with her own eyes that the colt was dead. She thought of their promise to her grandmother to look after the horses while she was away. How could they let Gran down so totally and how could they say, “We think his bones are somewhere on the side of the canyon, but we don’t know for sure”?
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
Are those the girls you met at Dayna Regis’s spa?” Jess asked as she and Liv left the store. “The dark one’s Cheyenne and the blonde one is Hailey. They’re both fifteen.” Liv nodded. “I don’t think I exactly warmed up our friendship but at least I didn’t let them walk all over me.” “Liv!” Her mother stopped walking and stared at her. “What did you say?” “Not much.” Liv grinned again. “I just told them Shane was probably going to stay with us this week and then I invited them to come visit.” “I see.” Jess frowned. “But it seems to me Shane has enough troubles right now without a bunch of girls fighting over him.” “I know, Mom, but I couldn’t help it,” Liv shrugged. “Those girls act like they own him--especially Cheyenne. She claims to be some kind of cousin, but she’s not really related to Shane.” “Seriously, Liv. Shane’s our friend. I wouldn’t want to see him embarrassed.” “Don’t worry.” Liv shrugged. “I don’t think Shane will even notice. He’s got more important things to worry about.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
We came to see you,” Cheyenne was speaking only to Shane. “I want you to come back to town with me. I’m sure you’d be more comfortable with your own family. Can’t these here twins look after Navajo?” Shane shook his head. “Can’t discuss it right now,” he muttered. “Have to look for a lost colt out in Wild Horse Creek canyon.” “Oh! Is that why you’re all saddled up? We could help,” Cheyenne said. “Couldn’t we, Dayna? We’re very experienced ridin’ in this country.” For a second, Dayna looked unsure of what to say. Then she tossed back her pigtails. “I guess we could. For an hour or two. I’d have to be home before dark.” But we don’t want you, Liv wanted to shriek. She knew Dayna didn’t care about the little colt. She was just volunteering to look for Bando to please Cheyenne.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
Dayna, wait,” she called ahead. “I hear Tux up there.” She pointed at the tumbled rocks. She saw Dayna slowly turn Champagne and head back at a slow walk. “Why would Shane’s dog go up there?” she drawled. “Maybe he found Bando.” Liv tried to keep the sarcasm out of her voice. “Isn’t that what we’re all trying to do?” “I don’t hear any barking,” Dayna said doubtfully. Liv blew out an exasperated breath. “Well, I heard him. Are you coming with me to look, or not?” “Oh all right, but this is a total waste of time,” she heard Dayna mutter behind her. “We’re never gonna find that colt alive.” “Don’t be so sure.” Liv called over her shoulder as she leaned forward to help Cactus Jack climb over the stony surface. “These Spanish horses have survival skills your fancy palominos could only wish for.” Dayna caught up. “That’s a laugh.” She shrugged. “My dad says your grandparents’ horses are just scruffy little leftovers from the past. The herd is down to, what? Thirty-three horses now and it’s gonna keep shrinking. So much for their survival skills.” “We can build it up again. And there are thirty-four horses if we can find Bando.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
I’m sorry I said what I did when Cheyenne--wanted you to go with her,” she mumbled as they rode toward Coyote Canyon. “It wasn’t my business.” “Oh, Cheyenne.” Shane’s thin face twisted into a scowl. “She’s always after me to be some kind of family to her, or boyfriend, I don’t know what.” He turned in his saddle to look at Sophie. “If I was lookin’ for a girlfriend, which I’m not, but if I was…well, never mind.” Sophie gulped. What had Shane been going to say? That he wouldn’t choose Cheyenne, that maybe he’d choose her if she were older? Shane went on, “But if it was family I wanted, it wouldn’t be my aunt’s. It would be your grandparents, and your mom and Liv and you.” “It would?” Sophie felt a huge weight lifted from her shoulders. The sun seemed to sparkle on the dry dusty desert as they rode along. Shane hadn’t said anything about his own father, but this wasn’t the time to ask. “That’s okay with me.” She tried to sound casual. “I--we can be your good friends--like family.” “That’s fine.” Shane gave her a shy grin.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
As they tramped in, Temo turned from the big stone barbecue with a long grilling fork in his hand. He froze at the sight of Dayna. Once more, it was as though the two of them were alone in the sunny ramada with its roof of woven grass and the light filtering through on their faces. No one else mattered. A short woman with her hair piled on her head hurried from behind the barbecue with a platter of tacos in her hand. “Temo, aren’t you going to introduce me to your new friends?” she asked with a smile. “Temo, what is wrong? Are you sick?” “No, Madre,” Temo muttered, but he still couldn’t take his eyes off Dayna. Dayna’s mother, Brenda Regis, picked that exact moment to stride in from the spa. “Howdy, everybody,” she crooned. “Hope you’re all hungry as coyotes.” She glanced at her daughter, who was still gazing at Temo with lovesick eyes. “Dayna, what’s the matter with you, honey?” She looked Dayna up and down, then her eyes went to Temo, and then to Temo’s mother. The two women stiffened. Say something, Sophie prayed silently to Dayna. Order Temo around in that bossy voice of yours. Quick, before your mother and his mother figure this out. But Dayna stood stunned, incapable of speech. Sophie gave Liv a nudge. “Follow my lead,” she whispered and then in a louder voice shouted, “Hey, is this a good time to break the piñata?” She dived forward to snatch the long fork from Temo’s hand. “Whee!” she shouted. “Fun! Come on, everybody. Let’s see what’s inside!” She poked at the paper horse. Liv grabbed a barbecue brush and bashed at it too. Cheyenne and Hailey joined in with shouts of glee. The paper horse flew to pieces, scattering small objects and cactus candy all over the picnic table. Some fell into the punch bowl with a splash. More landed in the salad plate. Laughter and confusion broke the spell of tension in the air as they all dived for the piñata’s. Dayna snapped out of her trance. “Look what I’ve got!” She held up a plastic whistle, then blew a shrill note. “Time to eat, everybody.” Temo turned back to the barbecue. The spell was broken, the danger past. His mother, Marita, gave him another frightened glance, but went on laying food on the table. Dayna’s mother picked a piece of candy out of her hair and said, “Well! We usually break the piñata after the meal, but I suppose it doesn’t really matter.
Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))