Yves Saint Laurent (designer) Quotes

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Speaking of high-end shoe designers, in 2011 it was fascinating to see the design company of Christian Louboutin try to stop the company Yves Saint Laurent from producing high heels with red soles, claiming that Louboutin was the originator of the red sole. Louboutin lost, and I was glad. He was not the first person to paint a sole, and I am wary of patenting a color, like Tiffany blue. Why should we grant that entire history to Louboutin and say there are no predecessors and should be no successors?
Tim Gunn (Tim Gunn's Fashion Bible)
For myself, I wouldn't have lifted a finger to own a Rolex, a pair of Nikes or a BMW Z3; in fact, I had never succeeded in identifying the slightest difference between designer goods and non-designer goods. In the eyes of the world, I was clearly wrong. I was aware of this: I was in a minority, and consequently in the wrong. There had to be a difference between Yves Saint-Laurent shirts and other shirts, between Gucci moccasins and Andre moccasins. I was alone in not perceiving this difference; it was an infirmity which I could not cite as grounds for condemning the world. Does one ask a blind man to set himself up as an expert on post-impressionist painting? Through my blindness, however involuntary, I set myself apart from a living human reality powerful enough to incite both devotion and crime. These youths, through their half-savage instincts, undoubtedly discerned the presence of beauty; their desire was laudable, and perfectly in keeping with social norms; it was merely a question of rectifying the inappropriate way in which it was expressed.
Michel Houellebecq
Designers, models and muses all came seeking attention at the Flore. There, bathed in the sunlight, were Betty Catroux, Loulou de la Falaise and Clara Saint, the female triumvirate of the most powerful and seductive fashion designer in Paris,Yves Saint Laurent.Yves himself was rarely seen at the Flore, although
Alicia Drake (The Beautiful Fall: Fashion, Genius, and Glorious Excess in 1970s Paris)
Within the tiny changing space (four poles draped with fancy velvet) hung a dozen fabulous couture gowns from internationally well-known designers such as Christian Dior, Givenchy, Chanel, Yves Saint Laurent, Valentino and Emanuel Ungaro. I was in seventh heaven having this rare and unexpected opportunity to study and scrutinize these exquisite designer dresses. I turned every garment inside out to see how they were sewn, beaded and constructed. That day, floating in a parade boat along other vessels in the middle of the Grand Canal in historic Venezia, my fashion schooling had begun. It was the first day of my professional fashion education.
Young (Initiation (A Harem Boy's Saga Book 1))