Cowboys Game Quotes

Nash Hawthorne would probably tip his cowboy hat to Death herself.

Zebras are piano horses. I think about that when I’m swinging a golf club, and it brings a musical cowboy element to my game that another player might not be able to buy in a vending machine.

And you asked me to dance But I said, "Dancing is a dangerous game

Cowboy: ‘Come and see the barn.’ Visitor: ‘I’ve loved barns ever since I was a little girl.

All of this is not just a battle plan, it's a vacation too. For instance: you don't like the life you are living? Escape into another world by taking a lover. Men can't do this. When they take on a woman she becomes part of their life, but a woman gets to change lives with every man she sleeps with. In fact men are like magic flying carpets; you can visit different lands, become rich or poor without working, become religious by marrying a priest, become a cowboy by having an affair in Texas, join the political game by blowing the President, and tomorrow get high with a pop star. Society is a wonderful thing if you're a woman, you really can go anywhere so long as a man's first priority is to get laid, and that will never change.

Dancing is a dangerous game

Dating and getting to really know a woman is a different game. Kind of like the difference in Monopoly and Texas Hold 'Em.

Love is like a zebra refereeing a football game. I should know, because I am the rodeo cowboy riding that zebra.

Bullseye. The problem wasn’t Gerald, or the chair, or what the Rescue Services guys might think when they got down here and saw the situation. It wasn’t even the question of the telephone. The problem was the space cowboy; her old friend Dr. Doom.

What on earth is that?” Emilie looked puzzled. “Something to do with fireplace tools?” Lord James leaned in, his polite smile broadening to an honest grin. “It’s a card game the cowboys play in the Wild West,” he said. “Miss Churchill, you surprise me.

One of the things that I admired about Chris’s relationship with our kids was his insistence that each be his or her own person. Even when that meant rooting against his beloved Dallas Cowboys. Though in that case, there were limits. He and Bubba were watching a football game one Sunday, with Dallas playing the Philadelphia Eagles. Philadelphia started winning from the get-go. Decisively. And Bubba rooted for them. Loudly. Finally, Chris could take it no more. “Bubba, you can root for whoever you want,” he said at last. “But today, you’re going to do it in your head.

Grayson’s expression became, in a word, murderous. “He touches her when she doesn’t want to be touched. I saw the father do the same thing to Acacia—a hand on her shoulder, inching toward her neck.” There were slabs of granite softer than Grayson’s jaw at that moment. “The son is whiny,” he told them. “The father is dangerous.” “So we take him out.” Nash took off his second-favorite cowboy hat. Jameson smiled. Kent Trowbridge didn’t know what he’d gotten himself into. No one stood a chance against any two of the Hawthorne brothers, let alone all four. “What do we have to work with, Gray?

The conversation swings from the brothers Bush to the war in Iraq to the emerging rights of Muslim women to postfeminism to current cinema—Mexican, American, European (Giorgio goes spasmodically mad over Bu-ñuel), and back to Mexican again—to the relative superiority of shrimp over any other kind of taco to the excellence of Ana’s paella, to Ana’s childhood, then to Jimena’s, to the changing role of motherhood in a postindustrial world, to sculpture, then painting, then poetry, then baseball, then Jimena’s inexplicable (to Pablo) fondness for American football (she’s a Dallas Cowboys fan) over real (to Pablo) fútbol, to his admittedly adolescent passion for the game, to the trials of adolescence itself and revelations over the loss of virginity and why we refer to it as a loss and now Óscar and Tomás, arms over each other’s shoulders, are chanting poetry and then Giorgio picks up a guitar and starts to play and this is the Juárez that Pablo loves, this is the city of his soul—the poetry, the passionate discussions (Ana makes her counterpoints jabbing her cigarette like a foil; Jimena’s words flow like a gentle wave across beach sand, washing away the words before; Giorgio trills a jazz saxophone while Pablo plays bass—they are a jazz combo of argument), the ideas flowing with the wine and beer, the lilting music in a black night, this is the gentle heartbeat of the Mexico that he adores, the laughter, the subtle perfume of desert flowers that grow in alleys alongside garbage, and now everyone is singing— México, está muy contento, Dando gracias a millares… —and this is his life—this is his city, these are his friends, his beloved friends, these people, and if this is all that there is or will be, it is enough for him, his world, his life, his city, his people, his sad beautiful Juárez… —empezaré de Durango, Torreón y Ciudad de

Musk burst in carrying a sink and laughing. It was one of those visual puns that amuses him. “Let that sink in!” he exclaimed. “Let’s party on!” Agrawal and Segal smiled. Musk seemed amazed as he wandered around Twitter’s headquarters, which was in a ten-story Art Deco former merchandise mart built in 1937. It had been renovated in a tech-hip style with coffee bars, yoga studio, fitness room, and game arcades. The cavernous ninth-floor café, with a patio overlooking San Francisco’s City Hall, served free meals ranging from artisanal hamburgers to vegan salads. The signs on the restrooms said, “Gender diversity is welcome here,” and as Musk poked through cabinets filled with stashes of Twitter-branded merchandise, he found T-shirts emblazoned with the words “Stay woke,” which he waved around as an example of the mindset that he believed had infected the company. In the second-floor conference facilities, which Musk commandeered as his base camp, there were long wooden tables filled with earthy snacks and five types of water, including bottles from Norway and cans of Liquid Death. “I drink tap water,” Musk said when offered one. It was an ominous opening scene. One could smell a culture clash brewing, as if a hardscrabble cowboy had walked into a Starbucks.

too. -In the Jets Super Bowl III win over the Colts, Matt Snell would put together the first 100 yard rushing game in Super Bowl history when he carried the ball 30 times for 121 yards and a touchdown. -Singer Aaron Neville was the first person to sing the national anthem at two different Super Bowls. He first did it at Super Bowl XXIV in New Orleans and then did it again at Super Bowl XL in Detroit. -Quarterback Joe Namath won the MVP Award of Super Bowl III without even throwing a touchdown pass. -At one point in Super Bowl XLI the Colts called eight straight rushing plays and all of them were hand offs to running back Dominic Rhodes. --Cowboys running back Duane Thomas was the

The door clicked. She inhaled a tiny gasp. "You should use the deadbolt." "I was expecting you," she said. "I was afraid you might change your mind." "No, Reid. I haven't changed my mind. No games, right?" His hot gaze raked slowly up and down her body. He doffed his hat and tossed it on the chair. "You're a sight for sore eyes, Haley Cooper. His voice was low and husky, inciting tiny ripples deep inside her sex. He was in tight control, but his desire was palpable, like some powerful force that was about to unleash. He extended his hand. She approached with an intentional slow and seductive sway of her hips, shivering again as their gazes met and held. Oh dear God. All the foreplay she needed was right there, reflected in his blue eyes.

That’s what the FBI can never understand—that what Paulie and the organization offer is protection for the kinds of guys who can’t go to the cops. They’re like the police department for wiseguys. For instance, say I’ve got a fifty-thousand-dollar hijack load, and when I go to make my delivery, instead of getting paid, I get stuck up. What am I supposed to do? Go to the cops? Not likely. Shoot it out? I’m a hijacker, not a cowboy. No. The only way to guarantee that I’m not going to get ripped off by anybody is to be established with a member, like Paulie. Somebody who is a made man. A member of a crime family. A soldier. Then, if somebody fucks with you, they fuck with him, and that’s the end of the ball game. Goodbye. They’re dead, with the hijacked stuff rammed down their throats, as well as a lot of other things. Of course problems can arise when the guys sticking you up are associated with wiseguys too. Then there has to be a sit-down between your wiseguys and their wiseguys. What usually happens then is that the wiseguys divide whatever you stole for their own pockets and send you and the guy who robbed you home with nothing. And if you complain, you’re dead.

I don’t play games to get women naked.” My heart thumps harder in my chest. I take a breath. “What do you do to get them naked?” He stares at me so long; I forget to draw breath. Everything grows fuzzy as the room blurs until I can’t see anything but his face. With an animalistic growl, he pulls me into his arms and kisses me so hard the floor shifts underneath me. I moan softly as his hands travel up my back until he’s gripping the back of my head. Bliss surges through my body as I slide my hands over his muscled arms, and feel his skin rise at my touch. He shifts his weight and pulls back, looking flustered as he stares at me. “I shouldn’t have done that. Sorry,” he says. But I’m not. I’m not sorry at all. When he moves, I grip his shoulders so he can’t move. “If you hadn’t done it, I would have,” I whisper. My stomach flutters as I wrap my arms around his neck and pull him towards me. “Do it again.” There may be hell to pay if we get caught, but if he keeps kissing me like I’m his, I really don’t give a damn. Just for the weekend, I can be someone else. Someone without a care. Someone who lives in the moment and forgets about all the work waiting for me. Inside this cabin, in this beautiful place, with a man who sets my skin aflame, I can be as raw and as honest as I want.

Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.

Ian rested his hands behind his head. “I’m already picturing myself in the Sterling luxury suite at Soldier Field, right above the fifty-yard line.” Both the lawyer and pragmatic woman in Brooke felt the need to manage her CEO’s expectations. “You’re getting way ahead of yourself here, Ian. In fact, I think you just lapped yourself.” “A man can dream, Brooke.” She chuckled. “Who are you kidding? You barely use our suites at Wrigley Field and the United Center.” He waved this off. “Yeah, but football’s different. If we get this deal with the Bears, you better believe my butt will be at Soldier Field for every home game.” He saw her fighting back a grin. “What?” “I just wonder what it is about men and football,” Brooke said. Sure, because of her job she could hold her own when it came to talking sports, but—wow—had her eyes been opened when she’d been down in Dallas, negotiating the Cowboys deal. Those men didn’t just love football, they lived football. “Is it a warrior-metaphor kind of thing? The idea that the strongest, toughest men of the region strap on their armor and step onto the battlefield to face off against the strongest, toughest opponents?” “As a matter of fact, that’s exactly what it is.” “I see. And remind me: in what century did it become customary for one’s army to be attended at the battle ground by hot girls with spanky pants and pom-poms? Was that a tradition Napoleon started?” Brooke pretended to muse. “Or maybe it was Genghis Khan.” “You scoff at America’s sport. I have fired people for less.” Brooke threw Ian a get-real look. “No, you haven’t. You don’t fire anyone without trotting down to my office and asking me first whether you’ll get sued. And then I’m always the one that has to fire them, anyway.” “Because you do it with such charm,” Ian said with a grin

What did it look like?” “My watch? It was silver. Not expensive or anything. Just a regular watch.” “Shiny?” “I guess.” “Raccoons.” Determined not to say anything stupid for at least the next ten minutes, she considered his single-word statement. Raccoons? Okay. He probably hadn’t started a word-association game, so what did he mean? Going with the safest response, she cautiously repeated, “Raccoons?” “They like shiny things. Take off with them whenever they can.” “You’re saying a raccoon stole my watch?” “Probably.” She really wanted to point out that they couldn’t possibly tell time, but knew instinctively that was a bad idea. “Can I get it back?” “Sure. If you can find it.” Could she? She glanced around at the underbrush, the trees, the stream. “Is it safe for me to go exploring?” she asked. “You’re not likely to be attacked by raccoons, but you’ll probably get lost, fall down a ravine, break your leg and starve to death. But if the watch is that important to you, have at it.” She felt herself deflating. “You don’t like me much, do you?” she asked sadly. She half expected Zane to stalk away, but instead he exhaled and shook his head. “Sorry.” She blinked. “What?” “I said I’m sorry.” Had the earth stopped turning, or had the taciturn hunky cowboy standing in front of her just apologized? “I--you--” She paused for breath. “That’s okay. I guess it was a stupid question.” “No. It was a reasonable question under the circumstances.” He shoved his hands into his pockets. “I get a little sarcastic sometimes.” “Let’s call it a dry sense of humor.” He half nodded in acknowledgement. “You’ll never find them, and even if you did, your watch would probably be all broken up and rusty from them dunking it in the water. Don’t leave out anything they’ll take. Shiny jewelry, another watch.” “I don’t have another watch. Not with me.” “You need to know the time?” “Just when the meals are.” “Cookie rings a bell.” “Really? Just like in the movies?” “Yeah.” One corner of his mouth turned up as he spoke. It wasn’t exactly a smile, but it was close enough to get her breathing up to Mach 3. “Come on,” he said. “It’s nearly time for lunch.” He started back toward the camp. Phoebe followed him happily. “You think the raccoons could ever learn to tell time?” she asked. He glanced at her. “You’re kidding, right?” “Maybe I have a dry sense of humor, too.” “City girl.” He was probably insulting her, but the way he said the word made her feel almost tall and, if not blonde, then certainly highlighted. “I think Rocky likes me,” she confided. “I’m sure he does.

Months later, Time magazine would run its now infamous article bragging about how it had been done. Without irony or shame, the magazine reported that “[t]here was a conspiracy unfolding behind the scenes” creating “an extraordinary shadow effort” by a “well-funded cabal of powerful people” to oppose Trump.112 Corporate CEOs, organized labor, left-wing activists, and Democrats all worked together in secret to secure a Biden victory. For Trump, these groups represented a powerful Washington and Democratic establishment that saw an unremarkable career politician like Biden as merely a vessel for protecting their self-interests. Accordingly, when Trump was asked whom he blames for the rigging of the 2020 election, he quickly responded, “Least of all Biden.” Time would, of course, disingenuously frame this effort as an attempt to “oppose Trump’s assault on democracy,” even as Time reporter Molly Ball noted this shadow campaign “touched every aspect of the election. They got states to change voting systems and laws and helped secure hundreds of millions in public and private funding.” The funding enabled the country’s sudden rush to mail-in balloting, which Ball described as “a revolution in how people vote.”113 The funding from Democratic donors to public election administrators was revolutionary. The Democrats’ network of nonprofit activist groups embedded into the nation’s electoral structure through generous grants from Democratic donors. They helped accomplish the Democrats’ vote-by-mail strategy from the inside of the election process. It was as if the Dallas Cowboys were paying the National Football League’s referee staff and conducting all of their support operations. No one would feel confident in games won by the Cowboys in such a scenario. Ball also reported that this shadowy cabal “successfully pressured social media companies to take a harder line against disinformation and used data-driven strategies to fight viral smears.” And yet, Time magazine made this characterization months after it was revealed that the New York Post’s reporting on Hunter Biden’s corrupt deal-making with Chinese and other foreign officials—deals that alleged direct involvement from Joe Biden, resulting in the reporting’s being overtly censored by social media—was substantially true. Twitter CEO Jack Dorsey would eventually tell Congress that censoring the New York Post and locking it out of its Twitter account over the story was “a mistake.” And the Hunter Biden story was hardly the only egregious mistake, to say nothing of the media’s willful dishonesty, in the 2020 election. Republicans read the Time article with horror and as an admission of guilt. It confirmed many voters’ suspicions that the election wasn’t entirely fair. Trump knew the article helped his case, calling it “the only good article I’ve read in Time magazine in a long time—that was actually just a piece of the truth because it was much deeper than that.

War is a dumb game thought out by men when they become too old to play cowboys and crooks.

I do show jumping—fancy white pants and horses imported from Europe—so while I know horses, cowboys are still a new ball game for me. But goddamn. What a ballgame it is.

The cowboy’s face turned a bright shade of red. Whether it was from the booze or not, Clay couldn’t tell. He puffed out his chest, like a game bird ready to warn off a rival. “Now, I can tell you ain’t from around here and I don’t know how it’s done with your lot. Otherwise, you’d have known who you were speaking to. In Fairpoint, the polite thing to do is accept a man’s offer when he goes out of his way to buy you a drink. It sounds like you’re saying you’re too good for us, old timer. I reckon the way you were staring makes me think you’ve got a problem.” The other men took that as their cue to edge closer. If he wanted to, Clay could’ve tried to defuse the situation. The cowboy’s arrogance stirred a primal urge within him, a need for violence made sharper by the alcohol in his system. “I’m speaking to a nobody in some godsforsaken town in the ass end of the world. There’s nothing good about me, boy. So, do yourself a favour and walk away. Or you and the rest of them peckerwoods will be picking your teeth up off the floor.

I do show jumping—fancy white pants and horses imported from Europe—so while I know horses, cowboys are still a new ball game for me. But goddamn. What a ballgame it is. Cade sits on a dark horse, speckled with gray—a beautiful blue roan color with black mane and tail—which perfectly matches his black cowboy hat, signature bicep-hugging black T-shirt, and black leather chaps over worn jeans. He’s seated comfortably in the saddle. Leather-gloved hands on the horn of his saddle, hip popped comfortably, with a toothpick hanging out the side of his mouth and an amused smirk on his lips. He’s so fucking hot.

Outlaw Nation [Verse] There's a storm in D.C. now, can't see the light, Biden's dropped the reins, runnin' from the fight, Kamala's in the spotlight, dancin' on a stage, Trump's rollin' back in, full of fury and rage. [Verse 2] Folks down in the heartland, feelin' all the strain, Politicians playin' games, drivin' us insane, Farmers in the fields, can't catch a break, Factories closin' down, livelihoods at stake. [Chorus] Outlaw nation, we're fightin' to survive, Caught in the crossfire, just tryin' to stay alive, The rich gettin' richer, while we pay the price, Outlaw nation, it's time to stand and rise. [Verse 3] Main street's empty now, dreams turned to dust, Kids askin' questions, who can we trust? Grandpa's on the porch, with a tear in his eye, Reminiscin' 'bout the days, when the flag flew high. [Bridge] It's a tangled web they weave, in them fancy suits, But out in the country, we're stickin' to our roots, With a six-string guitar and a bottle of truth, Outlaw nation, we're fightin' for the youth. [Chorus] Outlaw nation, we're fightin' to survive, Caught in the crossfire, just tryin' to stay alive, The rich gettin' richer, while we pay the price, Outlaw nation, it's time to stand and rise.

Just think of all the myths predominantly white Western culture has been primed to believe in: Christopher Columbus's "discovery" of the New World, the origins of Thanksgiving, the Lost Cause, the American Cowboy, capitalism, the War on Christmas. Years, sometimes centuries later, what were once facts have hardened in the cultural imagination into something other than what they originally were, having morphed and become about as reliable as a phrase passed along in the midst of a game of telephone. They've become convenient tales of bravado and pride, frequently in service of upholding white supremacy.

Yes Dear [Verse] Well, I’ve been known to raise some hell, ride the wind, and chase the storms, But when it comes to you, my lady, I find myself reborn. All the wild ways of my youth seem to fade to gray, ‘Cause when you speak, darlin', there ain't much to say but... [Chorus] Yes dear, you’re right dear, I ain't gonna argue at all, A happy wife makes a happy home, that's the truth, y’all. Damn woman, I loved you first, and that means I’m right dear, But when you're smiling at me, well, it all becomes so clear. [Verse 2] Outlaws and rebels, that's what folks used to call my name, Running whiskey through the night, playing a dangerous game. But then you came into my life, all calm and fierce, Now every morning starts with "Yes dear," whispered in my ears. [Chorus] Yes dear, you’re right dear, I ain't gonna argue at all, A happy wife makes a happy home, that's the truth, y’all. Damn woman, I loved you first, and that means I’m right dear, But when you're smiling at me, well, it all becomes so clear. [Bridge] Now the only fight I want is fighting for your love, Your laughter echoes in my heart, fits like a flawless glove. And every time you say I’m wrong, I shrug and pull you near, Cause it’s worth it just to keep you happy, always saying, "Yes dear." [Verse 3] I might be an outlaw still, but you’re the sheriff of my heart, Together we ride this life, never apart. So let them talk of wild men tamed by love's sweet song, I'll just smile and say, "Yes dear," no matter what goes wrong.

Be You [Verse] Standin' at the crossroads burnin' in the sun Dust in my boots heart on the run Grit in my teeth fire in my veins Be who you are don't play no games [Verse 2] Voices in the dark shadows on the wall Be the change you wish to see stand tall False love fades but truth stays bright Better hated for real than loved in the night [Chorus] Be who you are shout from the hills Be who you are shake off them chills Sing your song loud bang on those drums Be who you are let the wild winds hum [Verse 3] Roads twist and turn dreams take flight Stars burn bright in the cold Cold night Chains of the world break 'em down Be who you are find your own crown [Bridge] Feel the heartbeat thunder in your chest Rumble through the night never settle for less Voices might whisper they might scream Be who you are chase your wildest dream [Chorus] Be who you are shout from the hills Be who you are shake off them chills Sing your song loud bang on those drums Be who you are let the wild winds hum

Outlaw Prairie Thunder [Verse] This old town's got nothing left, storefronts boarded tight, Once was a place of hope and pride, now lost to endless night. Biden's bowed out gracefully, Kamala's on parade, Trump's stirring up the winds of change, on a roaring train of rage. [Verse 2] Folks around these parts are weary, they’re standing in the sun, Fighting for the scraps they get, wondering if help will come. Saw old man Jenkins cry today, says he can't stand the weight, Bank just took his family farm, he's cursing his cruel fate. [Chorus] Oh, where’s the heart of this country, when our leaders just play the game? Trading blows on TV screens, while we live with loss and pain. Oh, America’s torn at the seams, can’t find trust or grace, In this outlaw prairie thunder, we’re all part of the race. [Verse 3] Mama's working double shifts, just to pay the rent, Daddy's out there driving trucks, all his money's spent. Kids are dreaming 'bout a life, where they ain't gotta fight, These backroads tell a story, of a million restless nights. [Bridge] Brother's in the army now, they sent him overseas, Fighting for a notion, that he barely believes. Sister’s waiting tables, barely getting by, As the politicians holler, and the flags of freedom fly. [Chorus] Oh, where’s the heart of this country, when our leaders just play the game? Trading blows on TV screens, while we live with loss and pain. Oh, America’s torn at the seams, can’t find trust or grace, In this outlaw prairie thunder, we’re all part of the race.

Chiefs Kingdom Anthem October 3, 2024 at 11:04 AM (Verse 1) We’re gearing up on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, The crowd’s on fire, the lights are bright. (Chorus) Arrowhead’s rocking, what a sight, Three-peat to the Super Bowl, feels so right. Kansas City Chiefs, let’s go, let’s go, In Chiefs Kingdom, we steal the show. (Verse 2) From the tailgates to the final play, Red and gold, we’re here to stay. With every touchdown, the crowd goes wild, In this heartland, we’re running miles. (Chorus) Arrowhead’s rocking, what a sight, Three-peat to the Super Bowl, feels so right. Kansas City Chiefs, let’s go, let’s go, In Chiefs Kingdom, we steal the show. (Bridge) Through the highs and the lows, we stand tall, With our team, we’ve got it all. From the first snap to the final score, In Chiefs Kingdom, we roar for more. (Chorus) Arrowhead’s rocking, what a sight, Three-peat to the Super Bowl, feels so right. Kansas City Chiefs, let’s go, let’s go, In Chiefs Kingdom, we steal the show. (Outro) Kansas City, we’re proud and strong, In Chiefs Kingdom, we all belong. With Mahomes and Kelce, leading the way, We’re the Chiefs, and we’re here to stay.

A horn honked. And honked. And honked. Dad’s signal that the waiting game was finished. I took a final glance at the dead cowboy’s fixed eyes and bloody shirt and hurried down the steps, out of the barn, and toward the waiting stagecoach, certain of only one thing—this was going to be the best summer vacation ever.

hand

Have you ever tried a role-playing game?” Richard asked me one day over lunch. “I don't know if that's any of your business, pervert.” Richard sneered. “Not sex, idiot. It's a kind of game.” “You mean like, what, Dungeons and Dragons? Wearing a cloak and pretending to cast magic spells with elves? No, I've never done that.” “I'm not talking about pretending to be a elf, dummy. Not every role-playing game is about dragons and gnomes. Some of them are about secret agents, or commandos, or anything else you can think of. A role-playing game is a natural evolution from cops and robbers or cowboys and indians into something much more structured and codified. The principle, however, is the same. A scenario creator posits a challenge, and the participants offer up ways in which they would overcome the challenge, with the creator acting as a referee, determining success or failure.” “If I checked under your bed, I wouldn't find a wizard's hat and a magic wand, would I?” Richard flicked a cracker crumb at me. “It is a tool for training your mind to approach situations analytically, and quickly find a solution to the problem.” “Okay, you win, Bilbo Baggins. Give me a challenge.

I am nervous about this game. The Cowboys’ best player, quarterback Tony Romo, is not going to play because he has a broken finger. The Cowboys ought to be able to win without Tony Romo because the St. Louis Rams are terrible, but I am still nervous.

intimidation game

games?” The man gave a jaunty tip of his straw cowboy hat. She hadn’t known she’d be expected to attend

You know, Rick, I want to dislike you, but I can’t find a damn thing about you not to like. You’re successful, you’re well-spoken and well-rounded, you can talk about football and never tire of my shots at your sorry-ass Cowboys. You can play one hell of a game of basketball, you get along well with my brood despite their not-so-PC thoughts, you come from a good and stable home, and most importantly, you treat my daughter like she’s the center of your universe.” “she is the center of My universe, Sir. I’ll let the cheap shot about the Cowboys go for now,” I replied, chuckling.

As an assistant coach at Picayune High School, he helped a team that had gone 0–10 the year before…to go 0–10 again. “With all my expertise in coaching,” he wrote, “we came close to winning a game.

**Verse 1:** When the storms roll in, and the skies turn black, I plant my feet, ain't no turning back. The winds may howl, the floods may rise, But I've got a fire that never dies. **Chorus:** Resilience, it's my middle name, Through the thunder and the rain. I bend, I don't break, I stand tall, With resilience, I'll weather it all. **Verse 2:** Life's thrown curves, knocked me off my track, But like a boomerang, I always come back. Scars on my skin, stories they tell, Of a survivor's heart that knows no farewell. **Chorus:** Resilience, it's the song I sing, In the face of everything. I bend, I don't break, I stand tall, With resilience, I'll outlast it all. **Bridge:** There's a strength that grows, with every fall, A voice that rises, above it all. I'm not just a number, I'm not just a name, I'm resilience, in this life's game. **Chorus:** Resilience, it's the path I choose, With every challenge, I refuse to lose. I bend, I don't break, I stand tall, With resilience, I'll conquer it all. **Outro:** So let the records show, let the story be told, Of a spirit unbroken, a will untold. With resilience, I'm uncontainable, Unstoppable, and unbreakable. May this song inspire strength and determination in anyone facing adversity. Keep standing tall!

**"Rise Above"** (Verse 1) Neon lights and pickup trucks, I'm moving fast, kicking up dust. Life's a game, sometimes it's rough, but I've got dreams, they're enough. (Pre-Chorus) They say I'm just a small-town kid, chasing stars, on the grid. But I've got fire in my soul, I'm on a roll, I'm in control. (Chorus) 'Cause I'm stronger than that, I'm the comeback kid, With every breakdown, I've got more to give. I'll turn the whispers into my soundtrack, Watch me shine, 'cause I'm stronger than that. (Verse 2) I've seen the highs, I've felt the lows, but here I stand, ready to go. With every word they throw my way, I'll build my castle, I'll make my play. (Pre-Chorus) So let 'em talk, let 'em spin their tales, I'm rising up, I will not fail. With every rumor, I'll just laugh, I'm unbreakable, I'm stronger than that. (Chorus) Yeah, I'm stronger than that, I've got the heart of a lion, Turning setbacks into moments to rely on. I'll light up the stage, no holding back, I'm the headline act, 'cause I'm stronger than that. (Bridge) Sometimes life's a storm, a relentless attack, But I'm the eye of the hurricane, I've got my own back. With a smile on my face, I'll tip my hat, I'm not just surviving, I'm stronger than that. (Chorus) I'm stronger than that, I'm the hero in my story, Turning pain into power, into glory. I'll take the stage, this is where I'm at, Singing loud and proud, I'm stronger than that. (Outro) So here's to the fighters, the dreamers in black, We're all in this together, we're on the right track. With every chord, we'll combat, The noise of the world, 'cause we're stronger than that.

Boogie Woogie to the Superbowl New Country, Rock and roll August 18, 2024 at 9:00 AM (Verse 1) We’re gearing up on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

Boogie Woogie to the Superbowl August 18, 2024 at 9:00 AM (Verse 1) We’re gearing up on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

Chiefs Kingdom Forever” (Verse 1) We’re Kansas City Chiefs fans born and raised, True and blue, we stand amazed, Mahomes and Kelce, leading the way, With their trick plays, they light up the day. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Verse 2) From Arrowhead to the big stage, Our team’s the best, we set the gauge, With every pass and every run, We’re in it till the game is won. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Bridge) Through the highs and the lows, In the rain, in the snow, We’re Chief fans till the end, With our team, we’ll always stand. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Outro) So raise your voices, let it be known, In Chiefs Kingdom, we’ve found our home, Mahomes and Kelce, leading the way, We’re Chiefs fans, come what may.

Go Chiefs, Go!” September 5, 2024 at 1:54 PM (Verse 1) Every Sunday afternoon, it’s the same old scene, She’s in the kitchen, saying she don’t like the game. But when the Chiefs hit the field, she’s rooting for the other team, I just shake my head and smile, it’s always the same. (Chorus) Go Chiefs, go! Three-peat to the Super Bowl, She can cheer for whoever, but my heart’s painted red and gold. Go Chiefs, go! We’re on a winning roll, No matter what she says, I’m shouting loud and bold. (Verse 2) She’s got her reasons, says it’s just a game of men, But I see that twinkle in her eye when the touchdowns begin. She’s pretending not to care, but I know she’s having fun, Even if she’s cheering for the other side, I know I’ve won. (Chorus) Go Chiefs, go! Three-peat to the Super Bowl, She can cheer for whoever, but my heart’s painted red and gold. Go Chiefs, go! We’re on a winning roll, No matter what she says, I’m shouting loud and bold. (Bridge) Maybe one day she’ll wear that red and gold, But until then, I’ll keep cheering, never getting old. She’s my number one fan, even if she won’t admit, Together we’ll watch the game, every single bit. (Chorus) Go Chiefs, go! Three-peat to the Super Bowl, She can cheer for whoever, but my heart’s painted red and gold. Go Chiefs, go! We’re on a winning roll, No matter what she says, I’m shouting loud and bold. (Outro) So here’s to the Chiefs, and here’s to my girl, We’ll keep this rivalry going, it’s our little world. Go Chiefs, go! Three-peat to the Super Bowl, With her by my side, it’s the best story ever told.

(Verse 1) We’re gearing up, on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

Boogie Woogie to the Superbowl” (Verse 1) We’re gearing up, on game day, Kansas City Chiefs, ready to fight. With Mahomes and Kelce, we’re on a roll, Boogie woogie to the Super Bowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Verse 2) The crowd’s on fire, the lights are bright, Arrowhead’s rocking, what a sight. With every pass and every throw, Boogie woogie to the Superbowl. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Bridge) From the first down to the final play, We’re bringing the heat, come what may. With Mahomes leading, and Kelce too, There’s nothing this team can’t do. (Chorus) We’re gonna boogie woogie to the Super Bowl, Twist and shout, we’re on a roll. Three in a row, we’re gonna show, Kansas City Chiefs, let’s go, let’s go! (Outro) So raise your voices, let 'em hear, Kansas City Chiefs, this is our year. With every cheer and every goal, Boogie woogie to the Superbowl.

True to Myself" September 10, 2024 at 12:04 PM Verse 1: I make mistakes, I’m out of control, Sometimes I’m wild, sometimes I’m bold, I’ve got a heart that’s hard to tame, But I’m not afraid to play the game. Chorus: It’s better to be hated for what you are, Than to be loved for what you’re not, by far, I’ll stand my ground, I’ll be my own man, Living life the way I can. Verse 2: I’ve been down roads that led to pain, But I’d do it all over again, I’d rather be real, face the storm, Than hide away, try to conform. Chorus: It’s better to be hated for what you are, Than to be loved for what you’re not, by far, I’ll stand my ground, I’ll be my own man, Living life the way I can. Bridge: So here’s to the ones who walk alone, Who find their way, make their own home, We might be rough, we might be scarred, But we’re true to ourselves, and that’s our guard. Chorus: It’s better to be hated for what you are, Than to be loved for what you’re not, by far, I’ll stand my ground, I’ll be my own man, Living life the way I can. Outro: I make mistakes, I’m out of control, But I’ve got a heart, and I’ve got a soul, I’ll keep on living, come what may, True to myself, every single day.

Go Chiefs, Go!” September 6, 2024 at 11:19 AM (Verse 1) Every gameday, it’s the same old scene, She’s in the kitchen, saying she don’t like the game. But when the Chiefs hit the field, she’s rooting for the other team, I just shake my head and smile, it’s always the same. (Chorus) Go Chiefs, go! Three-peat to the Super Bowl, She can cheer for whoever, but my heart’s painted red and gold. Go Chiefs, go! We’re on a winning roll, No matter what she says, I’m shouting loud and bold. (Verse 2) She’s got her reasons, says it’s just a stupid game. But I see that twinkle in her eye when the touchdowns begin. She’s pretending not to care, but I know she’s having fun, Even if she’s cheering for the other side, I know I’ve won. (Chorus) Go Chiefs, go! Three-peat to the Super Bowl, She can cheer for whoever, but my heart’s painted red and gold. Go Chiefs, go! We’re on a winning roll, No matter what she says, I’m shouting loud and bold. (Bridge) Maybe one day she’ll wear that red and gold, But until then, I’ll keep cheering, never getting old. She’s my number one fan, even if she won’t admit, Together we’ll watch the game, every single bit. (Chorus) Go Chiefs, go! Three-peat to the Super Bowl, She can cheer for whoever, but my heart’s painted red and gold. Go Chiefs, go! We’re on a winning roll, No matter what she says, I’m shouting loud and bold. (Outro) So here’s to the Chiefs, and here’s to my girl, We’ll keep this rivalry going, it’s our little world. Go Chiefs, go! Three-peat to the Super Bowl, With her by my side, it’s the best story ever told.

Wild Love Ride September 21, 2024 at 8:26 AM Verse 1: I saw you standing by the old oak tree, With a smile that could set my heart free. But then you turned and walked away, Left me wondering what to say. Chorus: I love you, I hate you, I like you, I hate you, I love you, This rollercoaster ride, I can’t see through. One minute we’re dancing in the moonlight, The next we’re fighting till the break of daylight. Verse 2: We share a bottle of whiskey, under the stars, Talking 'bout dreams and old battle scars. But then the silence cuts like a knife, In this crazy game of love and strife. Chorus: I love you, I hate you, I like you, I hate you, I love you, This rollercoaster ride, I can’t see through. One minute we’re dancing in the moonlight, The next we’re fighting till the break of daylight. Bridge: Maybe it’s the way we are, wild and free, Two old souls in a tangled melody. But no matter how hard we fight, I can’t let go, it just feels right. Chorus: I love you, I hate you, I like you, I hate you, I love you, This rollercoaster ride, I can’t see through. One minute we’re dancing in the moonlight, The next we’re fighting till the break of daylight. Outro: So here’s to us, in this crazy ride, With love and hate standing side by side. I love you, I hate you, I like you, I hate you, I love you, In this wild, wild love, we’ll see it through.

Forsaking the Night August 5, 2024 at 9:41 AM [Verse] I see you standing there, a smile that could light up the sky, Your eyes are calling me, but I just pass by. You're so tempting but I got one at home who loves me, So I'll tip my hat and walk away, where I'm supposed to be. [Verse 2] The bar's full of laughter, the band plays a hopeful tune, Yet here I am torn between this moment and my truth. Whiskey whispers secrets that it shouldn't say, But I'll head on home, 'cause it's her name that I pray. [Chorus] I chose her love, every single night and day, Though your eyes glimmer, it's a game I won't play. I got someone waiting, she's my heart, my light, So I'll walk away from you, forsaking the night. [Verse 3] The nights are always long when my mind starts to wander, Thinking about the road not taken, makes my heart grow fonder. But love ain't a gamble, it's a promise that I made, I'll stay true to her, no matter how we're swayed. [Bridge] It's a battle inside, but my heart never lies, I find my faith in her, under these country skies. This world keeps spinning, but my love stays firm, I'd rather be in her arms than in any other woman's charm. [Chorus] I chose her love, every single night and day, Though your eyes glimmer, it's a game I won't play. I got someone waiting, she's my heart, my light, So I'll walk away from you, forsaking the night.

Spammers and Scammers [Verse] Woke up this mornin' with an email surprise, "Congrats, you’ve won!” Oh, ain't that a prize, Click the link, give your info, they say, But I smelled a rat from a mile away. [Verse 2] Scammers in shadows, lurkin' online, Promisin' riches and love so divine, But I'm not foolin', I know their game, One click away from financial shame. [Chorus] Spammers and scammers, they're all over the net, They’ll steal your money and break your heart, you bet, So if you get a message, remember this song, We're callin' out the tricksters, they ain't winning, they’re wrong. [Verse 3] Got a DM from a prince in despair, Send him cash and he’ll show you he cares, But I ain't buyin' his sob story plot, Keep your jewels, buddy, and your royal yacht. [Chorus] Spammers and scammers, they're all over the net, They’ll steal your money and break your heart, you bet, So if you get a message, remember this song, We're callin' out the tricksters, they ain't winning, they’re wrong. [Bridge] Ain't no free lunch or sudden windfalls, If it sounds too good, you know what’s the call, We’re savvy folks in this digital age, Not a fool to fall for another fake page.

Freedom's Call [Verse 1] The wind's whisperin' warnings, the sky's turnin' grey, Our freedoms are vanishin', slippin' away, From the hills to the valleys, each small-town street, They'll take what we cherish unless we rise to our feet. [Verse 2] The big shots in charge, they just don't seem to care, Leadin' us blindly to who knows where, But we ain't just pawns in their twisted game, If you stand, I will too, let's fan this flame. [Chorus] If you don’t get active, if you don’t take a stand, They’ll take all you love with an iron-clad hand, Demand better, my friend, from those who lead you, Or the chains of control will bind me and you. [Verse 3] There's dust on the fields and rust on the plow, Work hard for our keep, but it's harder now, Politics and power play tricks with our lives, Hold tight to your values, keep freedom alive. [Verse 4] From the honky-tonks down to the church hall pews, The heart of our country beats strong and true, Let's raise up our voices, let liberty ring, For the land that we love, let's all dare to dream. [Chorus] If you don’t get active, if you don’t take a stand, They’ll take all you love with an iron-clad hand, Demand better, my friend, from those who lead you, Or the chains of control will bind me and you.

said they didn’t like my tone. I wasn’t contrite enough, nor had I learned my lesson. Ralph Norman of South Carolina kept repeating that his problem with me was my attitude: “You’ve just got such a defiant attitude!” John Rutherford of Florida said I was just too recalcitrant and hadn’t learned from my mistakes. Then he accused me of not “riding for the brand.” I’m sure Rutherford thought he was being clever quoting a cowboy phrase to lecture me about loyalty. “John,” I reminded him, “our ‘brand’ is the US Constitution.” A couple of my male colleagues were so enraged by my unwillingness to apologize that they got themselves really worked up and seemed on the verge of tears as they lectured me. I tried to follow what the most emotional members were saying, but it wasn’t always easy. Mike Kelly of Pennsylvania, for example, seemed angry because I had released a statement before I voted. In an effort to describe how upset he was, he said, “It’s like you’re playing in the biggest game of your life and you look up and see your girlfriend sitting on the opponent’s side!” These were grown men. This was 2021. I was standing at the podium at the front of the auditorium thinking, You’ve got to me kidding me. Other female members started yelling, “She’s not your girlfriend!” “Yeah,” I said, “I’m not your girlfriend.

Verse 1: I gave you my heart, you tore it apart, Every word you said was just a lie, I tried to hold on, but now I see, You were never the one for me. Pre-Chorus: I can’t be with someone who takes pleasure in my pain, Someone who can’t love me, it’s driving me insane. Chorus: I need to break free, find my own way, No more tears, no more games to play, I deserve someone who loves me true, Not someone who finds joy in making me blue. Verse 2: You said you loved me, but it was all a show, Behind your smile, a darkness I didn’t know, I won’t be your victim, not anymore, I’m walking away, closing this door. Pre-Chorus: I can’t be with someone who takes pleasure in my pain, Someone who can’t love me, it’s driving me insane. Chorus: I need to break free, find my own way, No more tears, no more games to play, I deserve someone who loves me true, Not someone who finds joy in making me blue. Bridge: I’ll find the strength to move on, In the light of a brand new dawn, No more shadows, no more lies, I’ll spread my wings and learn to fly. Chorus: I need to break free, find my own way, No more tears, no more games to play, I deserve someone who loves me true, Not someone who finds joy in making me blue. Outro: I cannot be with someone who takes pleasure in my pain, Someone who can’t love me, it’s driving me insane.

General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever

I am in competition with no one. I have no desire to play the game of being better than anyone. I am simply trying to be better than the person I was yesterday.

This woman completely throws off my game.

If you are skinny, you are on drugs. If you are fat, you need to lose weight. If you drink, you are an alcoholic. If you get dressed up, you are conceited. If you dress down, you’ve let yourself go. If you speak your mind, you are rude. If you don’t say anything, you are snobbish. If you are sociable, you’re a party animal. If you stay to yourself, you are detached. You can’t do anything without being criticized. We live in a society where people can’t survive if they are not judging the next person. Let’s build each other up. We are all the best we can, in the same game called life.

Call me... And ten glorious digits followed. Game. On.

I’ve increasingly found that people never truly tire of playing games and dressing up, no matter how many years pass. Our lies now are just more sophisticated; our words to deceive, more eloquent. From cowboys and Indians, doctors and nurses, to husband and wife, we’ve never stopped pretending.

Saddle horses lined the hitching-rails as far as Brite could see. Canvas-covered wagons, chuck-wagons, buckboards, vehicles of all Western types, stood outside the saddle horses. And up one side and down the other a procession ambled in the dust. On the wide sidewalk a throng of booted, belted, spurred men wended their way up or down. The saloons roared. Black-sombreroed, pale-faced, tight-lipped men stood beside the wide portals of the gaming-dens. Beautiful wrecks of womanhood, girls with havoc in their faces and the look of birds of prey in their eyes, waited in bare-armed splendor to be accosted. Laughter without mirth ran down the walk. The stores were full. Cowboys in twos and threes and sixes trooped by, young, lithe, keen of eye, bold of aspect, gay and reckless. Hundreds of cowboys passed Brite in that long block from the hotel to the intersecting street. And every boy gave him a pang. These were the toll of the trail and of Dodge. It might have been the march of empire, the tragedy of progress, but it was heinous to Brite. He would never send another boy to his death.

Moving into our small American housing enclave above the city were the families of American officers stationed in Saigon, and the free-ranging game of Cowboys and Indians that we boys in the neighborhood had previously played was renamed Green Berets and Viet Cong. It didn’t actually change the game that much, except that in the past the Indians sometimes won, and in the new version the Viet Cong never did.

Frankie spun around, and couldn’t believe his tired eyes. Standing there – like a cowboy in the old Western movies Frankie’s dad often fell asleep in front of – was none other than Drew Bird. The Guard With The Scar had moved next to the Close-But-Not-Close-Enough-Emperor, and Frankie saw him translate Drew’s question. The toffee-toothed figure on the stage grinned as he replied. ‘He wants to know what game you suggest,’ said Ping, her voice weak. Instantly, Drew Bird produced the old dirty bottle from behind his back; the exact one that had been tossed into the South China Sea on behalf of Alfie Fish, found by Oscar Bugg on a war-torn Japanese beach in 1945, and then brought to Frankie Fish in Australia by the mystery-hunting Texan twins – and then half-filled with river water just days earlier. If Drew was feeling nervous, he certainly didn’t show it. Arms folded, head tilted to one side, Drew asked his next question, which made Frankie gasp in shock. ‘Do you know anything about bottle-flipping, Close-But-Not-Quite-Emperor dude?

Some people hate me because I’m real to myself. "I don’t have to pretend to be something I’m not. "I won’t put up with foolish games and I don’t talk crap behind someone's back , I deliver it to there face .

Attack the value of public lands as a national birthright, reduce their worth in the public eye, diminish the institutions that protect the land, cut down their authority, bring them into disrepute, undermine public confidence, neuter enforcement, create a climate of uncertainty and disorder, demoralize the land managers--this is the long game now being played.

There is a certain primitive attraction in it,” Bondi said, “but what about the future? Are we to spend the rest of our lives shooting animals, chewing skins, hiding out from game wardens and county sheriffs?

All around me are guys who have been groomed to do this for a decade or more, and here I am, a guy who got here because one Sunday afternoon the Panama Oeste Cowboys needed somebody to finish a game.

boom rolls over the terrain but stops sharply in a close-ended way, as if jerked back. A hit is blunt and solid like an airborne grunt. When the sound is heard and identified, it isn’t easily forgotten. When Wyoming Game Warden Joe Pickett heard the sound, he was building a seven-foot elk fence on the perimeter of a rancher’s haystack. He paused, his fencing pliers frozen in midtwirl. Then he stepped back, lowered his head, and listened. He slipped the pliers into the back pocket of his jeans and took off his straw cowboy hat to wipe his forehead with a bandanna. His red uniform shirt stuck to his chest, and he felt a single, warm trickle of sweat crawl down his spine into his Wranglers. He waited. He had learned over the years that it was easy to be fooled by sounds of any kind outside, away from town. A single, sharp crack heard at a distance could be a rifle shot, yes, but it could also be a tree falling, a branch snapping, a cow breaking through a sheet of ice in the winter, or the backfire of a motor. “Don’t confirm the first gunshot until you hear the second” was a basic tenet of the outdoors. Good poachers knew that, too. It tended to improve their aim. In a way, Joe hoped he wouldn’t hear a second shot. The fence wasn’t done, and if someone was shooting, it was his duty to investigate.

You Cheated on Us" December 19, 2024 at 1:54 PM Verse 1: It's so hard to forget the pain, You didn't just break my heart, you left a stain. You didn't just cheat on me, you cheated on us, Now I'm left here, picking up the pieces Chorus: Why do you keep coming back if you're not gonna stay? You play with my heart like it's just a game. Every time you leave, it feels the same, Why do you keep coming back if you're not gonna stay? Verse 2: Memories of us, they haunt my nights, Your promises were just empty words. You didn't just hurt me, you tore us apart, Now I'm left here, mending my heart. Chorus: Why do you keep coming back if you're not gonna stay? You play with my heart like it's just a game. Every time you leave, it feels the same, Why do you keep coming back if you're not gonna stay? Bridge: I deserve more than your fleeting love, I need someone who won't give up. So if you're not here to stay, Please just walk away. Chorus: Why do you keep coming back if you're not gonna stay? You play with my heart like it's just a game. Every time you leave, it feels the same, Why do you keep coming back if you're not gonna stay? Outro: It's so hard to forget the pain, But I'll find the strength to love again. You didn't just cheat on me, you cheated on us, But I'll rise above, and I'll be enough.