Cowboys And Indians Quotes

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A second floor window opened, and Kyle stuck his head and shoulders out so he could look down at us. “If you two are finished playing Cowboy and Indian out there, some of us would like to get their beauty sleep.” I looked at Warren. “You heard ‘um Kemo Sabe. Me go to my little wigwam and get ‘um shut-eye.” “How come you always get to play the Indian?” whined Warren, deadpan. “Cause she’s the Indian, white boy,” said Kyle.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
What do you think spies are: priests, saints, and martyrs? They’re a squalid procession of vain fools, traitors too, yes; pansies, sadists, and drunkards, people who play cowboys and Indians to brighten their rotten lives. Do you think they sit like monks in London balancing the rights and wrongs? I’d have killed Mundt if I could, I hate his guts; but not now. It so happens that they need him. They need him so that the great moronic mass that you admire can sleep soundly in their beds at night. They need him for the safety of ordinary, crummy people like you and me.
John le Carré (The Spy Who Came in from the Cold)
When boys played “guerrilla warfare,” which was their version of cowboys and Indians, the enemy side would have thorns glued onto their noses and say “hello” all the time.
Jung Chang (Wild Swans: Three Daughters of China)
What do you think spies are: priests, saints, and martyrs? They’re a squalid procession of vain fools, traitors too, yes; pansies, sadists, and drunkards, people who play cowboys and Indians to brighten their rotten lives. Do you think they sit like monks in London balancing the rights and wrongs?
John le Carré
The last time Wendell's mother had caught them playing cowboys and Indians, she'd read them a twenty-minute lecture on the history of Native American oppression, which had really put a damper on things. It was hard to have a thrilling shoot-out while yelling: 'I respect your position and hope that we can come to a mutually respectful conclusion!
Ursula Vernon (Revenge of the Horned Bunnies (Dragonbreath, #6))
I hung back at the curb, but it's hard to go unnoticed when you are a powder blue vintage convertible with a cowboy, an Indian, a brunette and a dog inside.
Craig Johnson (Kindness Goes Unpunished (Walt Longmire, #3))
There is nothing worse than the ambitions of a talentless person.
Joseph O'Connor (Cowboys & Indians)
The world's full of idiots, divas and assholes, mainly in Ireland. In Ireland, one cannot achieve anything if he is not a little wacky. That's a holy truth. It just simply cannot be otherwise.
Joseph O'Connor (Cowboys & Indians)
The American idea of sexuality appears to be rooted in the American idea of masculinity. Idea may not be the precise word, for the idea of one’s sexuality can only with great violence be divorced or distanced from the idea of the self. Yet something resembling this rupture has certainly occurred (and is occurring) in American life, and violence has been the American daily bread since we have heard of America. This violence, furthermore, is not merely literal and actual but appears to be admired and lusted after, and the key to the American imagination. All countries or groups make of their trials a legend or, as in the case of Europe, a dubious romance called ‘history.’ But no other country has ever made so successful and glamorous a romance out of genocide and slavery; therefore, perhaps, the word I am searching for is not idea, but ideal. The American IDEAL, then, of sexuality appears to be rooted in the American IDEAL of masculinity. This ideal has created cowboys and Indians, good guys and bad guys, punks and studs, tough guys and softies, butch and f****t, black and white. It is an ideal so paralytically infantile that is is virtually forbidden—as an unpatriotic act—that the American boy evolve into the complexity of manhood.
James Baldwin (The Price of the Ticket: Collected Nonfiction, 1948-1985)
My friend Kathy is the only person who'll be halfway honest with me. 'Did you ever see a cowboy film, where someone has been caught by the Indians and tied between two wild stallions, each pulling in opposite directions?' she asked. I nodded mutely. 'That's a bit what giving birth is like.
Marian Keyes (Under the Duvet: Shoes, Reviews, Having the Blues, Builders, Babies, Families and Other Calamities)
Suppose we were planning to impose a dictatorial regime upon the American people—the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on California’s shore, at the end of the open road. Shine, perishing republic.
Edward Abbey (Desert Solitaire)
It is as if the soul of the continent is weeping. Why does it weep? It weeps for the bones of the buffalo. It weeps for magic that has been forgotten. It weeps for the decline of poets. It weeps for the black people who think like white people. It weeps for the Indians who think like settlers. It weeps for the children who think like adults. It weeps for the free who think like prisoners. Most of all, it weeps for the cowgirls who think like cowboys.
Tom Robbins (Even Cowgirls Get the Blues)
Tom," she said, faintly, far away, "in the Southern Seas there's a day in each man's life when he knows it's time to shake hands with all his friends and say good-by and sail away, and he does, and it's natural-it's just his time. That's how it is today. I'm so like you sometimes, sitting through Saturday matinees until nine at night when we send your dad to bring you home. Tom, when the time comes that the same cowboys are shooting the same Indians on the same mountaintop, then it's best to fold back the seat and head for the door, with no regrets and no walking backward up the aisle. So, I'm leaving while I'm still happy and still entertained.
Ray Bradbury (Dandelion Wine)
Wendy Doniger, by the way, and as we shall see later in this book, compares the wanderings of the Vedic people to that of the cowboys who destroyed the Native Americans; and, for good measure, the Nazis during World War II.
Vamsee Juluri (Rearming Hinduism: Nature, Hinduphobia, and the Return of Indian Intelligence)
You’re gonna love it, buddy, it is your kinda town. You can walk into anywhere in your flip-flops, have a seat at a bar, and you’ll have a cowboy to the right of you, a lesbian to your left, an Indian on the other side, and a midget tendin bar. All you gotta be is yourself in that town.
Matthew McConaughey (Greenlights)
the American cowboy was born of Reconstruction and carried all the hallmarks of the strife of the immediate postwar years: he was a hardworking white man who started from nothing, asked for nothing, and could rise on his own. The reality was that about a third of all cowboys were men of color—black or Mexican, and sometimes Indian—and that few rose to prosperity.
Heather Cox Richardson (How the South Won the Civil War: Oligarchy, Democracy, and the Continuing Fight for the Soul of America)
Well, then,' said Peter, 'I guess we'll just have to find a cab.' Peter said this in the manner of a cowboy telling the womenfolk that, because of the avalanche, they were going to have to take the pass through Indian country. In fact, as Holly and Peter both knew, nothing could have been easier than finding a free cab, for at this hour they flowed steadily down the avenue. But if Peter were to regain some face by wrangling one, the fiction had to be kept up that this would be a challenging task. Will you try?' Holly asked Sure,' said Peter. He stepped off the curb, raised his hand, and a taxi pulled up in front of them about five seconds later. Thank goodness!' Holly said.
James Collins (Beginner's Greek)
The voices of all the lost, all the Indians, metis, hunters, Mounted Police, wolfers, cowboys, all the bundled bodies that the spring uncovered and the warming sun released into the stink of final decay; all the starving, freezing, gaunt, and haunted men who had challenged this country and failed; all the ghosts from smallpox-stilled Indian camps, the wandering spirits of warriors killed in their sleep on the borders of the deadly hills, all the skeleton women and children of the starving winters, all the cackling, maddened cannibals, every terrified, lonely, crazed, and pitiful outcry that these plains had ever wrung from human lips, went wailing and moaning over him, mingled with the living shouts of the foreman and the old-timer, and he said, perhaps aloud, remembering the legend of the Crying River, and the voices that rode the wind there as here, Qu’appelle? Qu’appelle?
Wallace Stegner (Collected Stories)
A cavalry of sweaty but righteous blond gods chased pesky, unkempt people across an annoyingly leaky Mexican border. A grimy cowboy with a headdress of scrawny vultures lay facedown in fiery sands at the end of a trail of his own groveling claw marks, body flattened like a roadkill, his back a pincushion of Apache arrows. He rose and shook his head as if he had merely walked into a doorknob. Never mind John Wayne and his vultures and an “Oregon Trail” lined with the Mesozoic buttes of the Southwest, where the movies were filmed, or the Indians who were supposed to be northern plains Cheyenne but actually were Navajo extras in costume department Sioux war bonnets saying mischievous, naughty things in Navajo, a language neither filmmaker nor audience understood anyway, but which the interpreter onscreen translated as soberly as his forked tongue could manage, “Well give you three cents an acre.” Never mind the ecologically incorrect arctic loon cries on the soundtrack. I loved that desert.
Ellen Meloy (The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest)
The whitewash of Kingdom of Heaven Kingdom of Heaven is a classic cowboys-and-Indians story in which the Muslims are noble and heroic and the Christians are venal and violent. The script is heavy on modern-day PC clichés and fantasies of Islamic tolerance; brushing aside dhimmi laws and attitudes (of which Ridley Scott has most likely never heard), it invents a peace-and-tolerance group called the “Brotherhood of Muslims, Jews and Christians.” But of course, the Christians spoiled everything. A publicist for the film explained, “They were working together. It was a strong bond until the Knights Templar caused friction between them.” Ah yes, those nasty “Christian extremists.” Kingdom of Heaven was made for those who believe that all the trouble between the Islamic world and the West has been caused by Western imperialism, racism, and colonialism, and that the glorious paradigm of Islamic tolerance, which was once a beacon to the world, could be reestablished if only the wicked white men of America and Europe would be more tolerant. Ridley Scott and his team arranged advance screenings for groups like the Council on American-Islamic Relations, making sure that sensitive Muslim feelings were not hurt. It is a dream movie for the PC establishment in every way except one: It isn’t true. Professor Jonathan Riley-Smith, author of A Short History of the Crusades and one of the world’s leading historians of the period, called the movie “rubbish,” explaining that “it’s not historically accurate at all” as it “depicts the Muslims as sophisticated and civilised, and the Crusaders are all brutes and barbarians. It has nothing to do with reality.” Oh, and “there was never a confraternity of Muslims, Jews and Christians. That is utter nonsense.
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
The secret to entering a compartment was to position oneself strategically at the corner of a door, squeezing in through the edges while the disembarking passengers rushed out through the door’s central area.
Pradeep Anand (An Indian in Cowboy Country: Stories from an Immigrant's Life)
Sandesh’s older sister had sworn to kill him if he touched this album,
Pradeep Anand (An Indian in Cowboy Country: Stories from an Immigrant's Life)
It’s all very well going around thinking you’re a cowboy, until you run into somebody who thinks he’s an Indian.
Kinky Friedman
He jumped in the bed and I closed the tailgate twice because, of course, the first time it didn’t line up. Vic rolled down the driver’s-side window of my truck. “You’re going to be all right up here playing cowboy with the Indians?
Craig Johnson (As The Crow Flies (Walt Longmire, #8))
Moving into our small American housing enclave above the city were the families of American officers stationed in Saigon, and the free-ranging game of Cowboys and Indians that we boys in the neighborhood had previously played was renamed Green Berets and Viet Cong. It didn’t actually change the game that much, except that in the past the Indians sometimes won, and in the new version the Viet Cong never did.
Scott Anderson (The Quiet Americans: Four CIA Spies at the Dawn of the Cold War—A Tragedy in Three Acts)
There is nothing more vengeful and determined in this world than a cowboy with sore balls, and Gerry soon found out. He also found that white people are good witnesses to have on your side since they have names, addresses, social security numbers, and work phones. But they are terrible witnesses to have against you, almost as bad as having Indians witness for you. ("Scales")
Louise Erdrich (The Red Convertible: Selected and New Stories, 1978-2008)
Will" Rogers, known as "Oklahoma's Favorite Son,” was born on November 4, 1879, in what was then considered Indian Territory. His career included being a cowboy, writer, vaudeville performer, movie star and political wit. He poked fun at politicians, government programs, gangsters and current events, in a home spun and folksy way, making him one of the most idolized people in America. He became the highest paid Hollywood movie star at the time. Will Rogers died on August 15, 1935 with his friend and pilot Wiley Post, when their small airplane crashed in Alaska. He once said that he wanted his tombstone to read "I joked about every prominent man of my time, but I never met a man I didn’t like.
Hank Bracker
What do you think spies are: priests, saints, and martyrs? They’re a squalid procession of vain fools, traitors too, yes; pansies, sadists, and drunkards, people who play cowboys and Indians to brighten their rotten lives.
John le Carré (The Spy Who Came in from the Cold)
Howdy, XO,” he drawled. The old west affectation common to everyone from the Mariner Valley annoyed Holden. There hadn’t been a cowboy on Earth in a hundred years, and Mars didn’t have a blade of grass that wasn’t under a dome, or a horse that wasn’t in a zoo. Mariner Valley had been settled by East Indians, Chinese, and a small contingent of Texans. Apparently, the drawl was viral.
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
The California Gold Rush, both the first and second one, had inflicted almost as much damage as the bounty. Stream channels where the Diggers fished had been disturbed or re-routed and blasting had damaged the habitat the Diggers fed on. In addition, foods the Diggers gathered from the land had been damaged or destroyed as the way was cleared for cattle, who ate one of the major source of Digger food: the acorn. Worse, as with all California tribes, contact with white men had led to new diseases for which the Indians had no immunity. The Nevada cowboy had speculated that the Sierra Diggers had once numbered perhaps ten-thousand, but that number had been whittled down to about one-thousand by the time the young man had left for Nevada.
Bobby Underwood (The Trail to Santa Rosa (The Wild Country #2))
What do you think spies are: priests, saints, and martyrs? They’re a squalid procession of vain fools, traitors too, yes; pansies, sadists, and drunkards, people who play cowboys and Indians to brighten their rotten lives. Do you think they sit like monks in London balancing the rights and wrongs? I’d have killed Mundt if I could, I hate his guts; but not now. It so happens that they need him.
John le Carré (The Spy Who Came in from the Cold)
saw clear as day what was going to happen: these white men would erase us. Not just me, but all of us. The noble and the wicked. Wager and Vikers. Lemuel and Caldwell. No history book would show us putting up the telegraph lines and guarding the stagecoaches, tracking Indians and making the West safe. Hell, they might not even show the armies of black cowboys that rode the Texas ranges. Or any of our boys who fought in the Rebellion. Solomon? Would they erase Solomon, too?
Sarah Bird (Daughter of a Daughter of a Queen)
Suppose we were planning to impose a dictatorial regime upon the American people — the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of trouble. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easy manipulated and dominated that scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within society by engaging in foreign wars; make support of these wars a test for loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots.
Edward Abbey (Desert Solitaire)
What do you think spies are: priests, saints, and martyrs? They're a squalid procession of vain fools, traitors too, yes; pansies, sadists, and drunkards, people who play cowboys and Indians to brighten their rotten lives. Do you think they sit like monks in London balancing their rights and wrongs?
John le Carré (The Spy Who Came In from the Cold (George Smiley, #3))
I’m tired of boys and their codes of honor. I’m tired of male bonding and secrecy. We are not kids playing cowboys and Indians. We’re not neighborhood children playing war.
Patricia Cornwell (From Potter's Field (Kay Scarpetta, #6))
Why does it weep? It weeps for the bones of the buffalo. It weeps for magic that has been forgotten. It weeps for the decline of poets. It weeps for the black people who think like white people. It weeps for the Indians who think like settlers. It weeps for the children who think like adults. It weeps for the free who think like prisoners. Most of all, it weeps for the cowgirls who think like cowboys.
Tom Robbins (Even Cowgirls Get the Blues)
At the door, he tipped his sombrero in farewell, which got a snicker from Avery. Then the Cowboy sashayed out of the office, wiggling his butt for the world to see.
Ann Greyson (Cowgirls & Indians)
But then they got to thinking — which was a mistake because they were run-of-the-mill Cowboys. They figured one of them was Sequoia. Like a Cherokee living among Apaches.
Ann Greyson (Cowgirls & Indians)
have grown up with racism all my life. When I was a child, watching cowboys and Indians on TV, I would root for the cavalry, not the Indians. It was that bad. I was that far toward my own destruction.”23
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
In our world, where a man had to prove himself every day, there was not much room for petty bigotries. A man was judged by his peers on the basis of his courage, his honor, and his abilities—and the color of his skin had little to do with those. The dogmas of the old states were rarely practiced in our world. In truth, the early westerners had much more in common with the Indians than many of them would have ever liked to admit. The Old West was full of colored men who left their mark. Beckwourth, Love, and Reeves were just a few of them, but there were more, many more. History may have chosen to forget, but those of us who lived it never will.
M.J. Hayes (Son of the Mountain)
India is a nation built by cowboys and pirates. There is no rule of law but rule of power and strength. I will take it from you if I am stronger than you. The mentality and mindset is clear.
Sheikh Gulzar...Akhand Bharat
The united men at the bottom of San Juan Heights now represented all of America: “Aristocrats from the east, cowboys from the west, millionaires, paupers, shyster lawyers, quack doctors, farmers, college professors, miners, adventurers, preachers, prospectors, socialists, journalists, clerks, Mormons, musicians, publicists, Jews, politicians, Gentiles, Mexicans, professed Christians, Indians, West Point graduates, wild men, Ivy League athletes, and thinkers.”12 They were from the North and they were from the South. They were from every part of the Union. They had one leader, Theodore Roosevelt.
Jon Knokey (Theodore Roosevelt and the Making of American Leadership)
coat
Nina McConigley (Cowboys and East Indians: Stories)
Have you ever tried a role-playing game?” Richard asked me one day over lunch. “I don't know if that's any of your business, pervert.” Richard sneered. “Not sex, idiot. It's a kind of game.” “You mean like, what, Dungeons and Dragons? Wearing a cloak and pretending to cast magic spells with elves? No, I've never done that.” “I'm not talking about pretending to be a elf, dummy. Not every role-playing game is about dragons and gnomes. Some of them are about secret agents, or commandos, or anything else you can think of. A role-playing game is a natural evolution from cops and robbers or cowboys and indians into something much more structured and codified. The principle, however, is the same. A scenario creator posits a challenge, and the participants offer up ways in which they would overcome the challenge, with the creator acting as a referee, determining success or failure.” “If I checked under your bed, I wouldn't find a wizard's hat and a magic wand, would I?” Richard flicked a cracker crumb at me. “It is a tool for training your mind to approach situations analytically, and quickly find a solution to the problem.” “Okay, you win, Bilbo Baggins. Give me a challenge.
Jack Badelaire (Killer Instincts)
you.’ Cullen leaned across the table. ‘The other three were bloody
Ed James (Cowboys and Indians (Scott Cullen Mysteries # 7))
There was something starkly different about him that separated him from other men, reflected even in his choice of horses. Every seasoned cowboy, and even some greenhorns, knew owning a white horse to be the quickest road to death. Easily seen from a great distance, it left a man vulnerable to ambush, as another could simply lie in wait along the trail with a rifle, and spot the rider from a long distance. It was considered suicide to take a white horse into Indian country.
Bobby Underwood (The Wild Country (The Wild Country #1))
Although the cowboy image is usually of a young white male, the reality is that an estimated one-third of them were black, Mexican, or Indian.
Nancy Weidel (Wyoming's Historic Ranches (Images of America: Wyoming))
Joseph Kearns as the Crazy Quilt Dragon. Hanley Stafford as Snapper Snitch the Crocodile. Howard McNear as Samuel the Seal and as Slim Pickins the Cowboy. Elvia Allman as Penelope the Pelican. Elliott Lewis as Mr. Presto the Magician. Lou Merrill as Santa Claus. Frank Nelson as Captain Tin Top. Cy Kendall as Captain Taffy the Pirate and as the Indian Chief. Gale Gordon as Weary Willie the Stork and as the Ostrich. Ted Osborne as Professor Whiz the Owl.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I’ve increasingly found that people never truly tire of playing games and dressing up, no matter how many years pass. Our lies now are just more sophisticated; our words to deceive, more eloquent. From cowboys and Indians, doctors and nurses, to husband and wife, we’ve never stopped pretending.
Cecelia Ahern (Thanks for the Memories)
Children happily played "cowboys and Indians" but stopped short of "masters and slaves.
Patty Limerick
From an early age children play 'cowboys and Indians', Nobody ever plays 'UN peacekeeping force'. (From: Kinderpraat)
A.J. Beirens
Guderian advocated the use of cunning, deception and fantasy, claiming that Red Indian-style action could be successful in fighting for streets, gardens and houses and that the Karl May stories about cowboys and Indians in the Wild West – much liked by Hitler – had proved useful as training manuals.106
Ian Kershaw (The End: The Defiance & Destruction of Hitler's Germany 1944-45)
As children, we played cowboys and Indians through the fields and forests, looking for foes as though being set upon was the worst we’d face. As children we found horseshoes, dusty hidden treasures buried in dirt, and we’d take them home and hang them on our walls alongside our Farrah and football posters. Innately we knew that someday we’d grow out of this, so mornings and afternoons we’d carry on, content, a real word in our small vocabulary.
Scott C. Holstad