Cowboy Carter Quotes

I want it all little firefly. I want a life I'm terrified to lose." Nash Carter

Europeans have always thought of U.S. presidents as either naive, as they did with Jimmy Carter, or as cowboys, as they did with Lyndon Johnson, and held them in contempt in either case.

He leaned in a bit. I'm not here to steal your covers, darlin'. Or your heart. I don't have to meet your mother--but I'd love to take some of your time.

What do you men wear (to swim)?" Laughter glinted in his green eyes and he slanted her a mischievous grin. "Since Mrs. Carter came here to live, we swim in old pants cut off at the knees." Warmth crept up her cheeks. Bad enough to think of a bare-chested Nick swimming in the pool without thinking of him naked.

Gavin ran back into the house with a toy gun, cowboy hat and sheriff’s badge stuck to his shirt. "Bad boys, bad boys, whatcha gonna do, whatcha gonna do when they cut your wiener," Gavin sang as he pointed his gun at random objects. "Wow, cops have gotten pretty hardcore lately," Carter muttered.

When the furnace was completed, we figured it would require several days to dry, so as to be fit for use, and during this time I concluded to visit Killisnoo and buy a few luxuries as well as a bottle of Carter’s Little Liver Pills, as I pretended to need some medicine.

Shortly after the burial of the woman, I got sick with a burning fever. Late in the evening I started for Lamy Junction, the nearest store, a distance of 12 miles, to get a bottle of Carter’s little liver pills, my favorite remedy when feeling badly. I secured a room in the Harvey hotel and taking a dose of pills, went to bed for the night. Next morning I felt worse and was burning up with fever. Still

Cossacks, and Arabs huddled in nearby fields while the cowboys rounded

General Sherman praised the shows as "wonderfully realistic and historically reminiscent." Reviews and the show's own publicity always stressed its "realism." There is no doubt it was more realistic, visually and in essence, than any of the competing Wild Wests. There were four other Wild West shows that year: Adam Forepaugh had one, Dr. A. W. Carver another; there was a third called Fargo's Wild West and one known as Hennessey's Wild West. Cody criticized all their claims and their use of the words "Wild West." He had copyrighted the term according to an act of Congress on December 22, 1883, and registered a typescript at the Library of Congress on June 1, 1885. The copyright title read: The Wild West or Life among the Red Man and the Road Agents of the Plains and Prairies-An Equine Dramatic Exposition on Grass or Under Canvas, of the Adventures of Frontiersmen and Cowboys. Additional copy was headed BUFFALO BILL'S "WILD WEST" PRAIRIE EXHIBITION AND ROCKY MOUNTAIN SHOW, A DRAMATIC-EQUESTRIAN EXPOSITION OF LIFE ON THE PLAINS, WITH ACCOMPANYING MONOLOGUE AND INCIDENTAL MUSIC THE WHOLE INVENTED AND ARRANGED BY W.F. CODY W.F. CODY AND N. SALSBURY, PROPRIETORS AND MANAGERS WHO HEREBY CLAIM AS THEIR SPECIAL PROPERTY THE VARIOUS EFFECTS INTRODUCED IN THE PUBLIC PERFORMANCES OF BUFFALO BILL'S "WILD WEST" Although the show's first year under enlarged and reorganized management had not been a financial success, at least one good thing had come from it. Also showing in New Orleans that winter had been the Sells Brothers Circus. One of its performers who had wandered over to visit the Wild West lot was Annie Oakley. The story of Annie Oakley's life was so much in the American grain that it might have come from the pen of Horatio Alger Jr., the minister turned best-selling author, who chronicled the fictional lives of poor boys who made good. Ragged Dick: or, Street Life in New York, Ragged Tom, and Luck Moses then married Dan Brumbaugh, who died in an accident shortly afterward, leaving another daughter. When she was seven, Annie frequently fed the family with quail she had caught in homemade traps, much as young Will Cody had trapped small game. In an interview she once said: "I was eight years old when I made my first shot, and I still consider it one of the best shots I ever

I'm dying. Death by perfect p**sy. Someone write it on my headstone."-Nash Freaking Carter

Death by perfect p**sy. Someone better write it on my headstone." -Nash Carter

Memories of the Civil War played a part in the animosity between cowboys and townspeople. The drovers were primarily Texans; more than a

new cowboy": respectable, honest, good-hearted,

civilizing influences. Is it any wonder they ran wild as soon as they reached an oasis, however primitive? They were starved for pleasure, for feminine companionship, for fun, crude as it might have been. By welcoming cowboys into his show and giving them heroic parts to play, Buffalo Bill transformed

The most surprising supporter of the treaties outside the Senate was the Oscar-winning actor John Wayne, a conservative Republican and icon of cowboy integrity. Wayne’s first wife was Panamanian, and his next two were also Latinas, and he and Torrijos had become fishing buddies. He let Bob Pastor—Carter’s top aide on the issue—ghostwrite dozens of letters and articles in support of the treaties, many of which pointed out that “General Torrijos has never followed the Marxist line.” Wayne contacted every senator and, as he told the president, “all the people who write me hysterical letters.” When Wayne saw Reagan’s fund-raising letter attacking the treaties, he privately scolded his old friend: “Dear Ronnie,” he wrote. “I’ll show you point by God damn point in the treaty where you are misinforming people. This is not my point of view against your point of view. These are facts.”VII

Other acts that were precursors of the Wild West were a July 4 commemoration in Deer Trail, Colorado, in which one Emil Gardenshire was crowned "Champion Bronco Buster of the Plains," and another Fourth of July celebration in Cheyenne, Wyoming, in 1872, featuring the riding of an unruly steer. And certainly Cody's buffalo hunt with Grand Duke Alexis was a harbinger of things to come, as were his hunting trips with General Sheridan, James Gordon Bennett and their friends, as well as the Earl of Dunraven. All that was needed, then, was to put the right elements together. Cody realized that he needed to earn a lot of money to launch a big show, and he was too proud to ask his wealthy friends for funds. Then, in the spring of 1882, he met Nate Salsbury, when they both were playing in New York. Salsbury, who later became Cody's partner, claimed to have thought of the idea of the Wild West when returning from a tour of Australia with the Salsbury Troubadours in 1876. On the boat he had discussed the merits of Australian jockeys in comparison with American cow-boys and Mexican vaqueros with J. B. Gaylord, an agent for the Cooper and Bailey Circus. As a result, said Salsbury, "I began to construct a show in my mind that would embody the whole subject of horsemanship and before I went to sleep I had mapped out a show that would be constituted of elements that had never before been employed in concerted effort in the history of the show business." In the end, of course, Buffalo Bill's Wild West went well beyond horsemanship to embody features of the West that had not been part of Salsbury's plan. Several years later Salsbury "decided that such an entertainment must have a well known figure head to attract attention and thus help to quickly solve the problem of advertising a new idea. After careful consideration of the plan and scope of the show I resolved to get W.F. Cody as my central figure." When the two men finally met,