Coward Lover Quotes

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Let him go, Julian. His entire body isn’t worth one molecule of yours. (Grace) (To Paul) Where I come from, we butchered worthless cowards like you just for practice. (Julian)
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
A wounded lover is more dangerous than a coward army.
M.F. Moonzajer (A moment with God ; Poetry)
I perceived now that there is a love deeper than theirs who seek only the happiness of their beloved. Would a father see his daughter happy as a whore? Would a woman see her lover happy as a coward?
C.S. Lewis
But I did feel the vertigo of death’s invitation, beckoning me towards the dark waters below. Only a newfound perspective and desire steadied my wavering soul. I came to realize, just in time, that suicide was far too easy – and obscenely cowardly – after someone I knew, not even half my age, had been through so much worse and still marched gloriously on.
Zack Love (Anissa's Redemption (The Syrian Virgin, #2))
I am convinced that God is love, this thought has for me a primitive lyrical validity. When it is present to me, I am unspeakably blissful, when it is absent, I long for it more vehemently than does the lover for his object; but I do not believe, this courage I lack. For me the love of God is, both in a direct and in an inverse sense, incommensurable with the whole of reality. I am not cowardly enough to whimper and complain, but neither am I deceitful enough to deny that faith is something much higher. I can well endure living in my way, I am joyful and content, but my joy is not that of faith, and in comparison with that it is unhappy.
Søren Kierkegaard (Fear and Trembling)
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
You’re a tough, fragile, brave, cowardly woman.
Samanthe Beck (Lover Undercover (McCade Brothers, #1))
You say you’re a coward, but it takes courage to say good-bye to everything and cross a threshold without any idea where it leads.
Isabel Allende (The Japanese Lover)
My dear Francis, books are not for cowards.
Nina George (The Little Village of Book Lovers)
If there were only some way of contriving that a state or an army should be made up of lovers and their loves, they would be the very best governors of their own city, abstaining from all dishonour, and emulating one another in honour; and when fighting at each other's side, although a mere handful, they would overcome the world. For what lover would not choose rather to be seen by all mankind than by his beloved, either when abandoning his post or throwing away his arms? He would be ready to die a thousand deaths rather than endure this. Or who would desert his beloved or fail him in the hour of danger? The veriest coward would become an inspired hero, equal to the bravest, at such a time; Love would inspire him.
Plato
I’ve been around the world twice, talked to everyone once, seen two whales fuck, been to three world fairs, and I even know a man in Thailand with a wooden cock. Push more peter, more sweeter and more completer than any other peter pusher around. I’m a hard bodied, hairy chested, rootin, tootin, shootin, parachutin, demolition double cap crimping, Frogman. “There ain’t nothing I can’t do, no sky too high, no sea to rough, no muff too tough. “Learnt a lot of lessons in my life, never shoot a large calibre man with a small calibre bullet. Drive all kinds of truck 2 bys, 4 bys, 6 bys, those big motherfuckers that bend and go tshhhh, tshhhh, when you step on the breaks. Anything in life worth doing, is worth overdoing, moderation is for cowards. I’m a lover, I’m a fighter, I’m a UDT Navy Seal Diver, I wine, dine, intertwine and sneak out the back door when the revealing is done. So, if you’re feeling froggy you better jump because this Frogman’s been there, done that, and is going back for more. Cheers Boys!
Stephen Makk (The Iranian Blockade (USS Stonewall Jackson #4))
If we fight alongside men we love, we do not fight for our lives or gold or glory or kings, but for each other. Death is less painful than watching a loved one die; and no fear is as great as being alone after the battle. And no man would appear as a coward in his lover's eyes.
W.A. Hoffman (Brethren (Raised by Wolves, #1))
Her ravings were so crowded with recriminations and insults and petitions, with weeping and caterwauling and wild expressions of love, that it seemed bewildering to Bob and Charley that Jesse remained there for minutes, let alone hours; yet he did. She was four inches taller than Jesse, a giant of a woman, but she made him seem even smaller, made him seem stooped and spiritless. She made him kiss her on the mouth like a lover and rub her neck and temples with myrtleberry oil as he avowed his affection for her and confessed his frailties and shortcomings.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
ask, Hath your house been burnt? Hath your property been destroyed before your face? Are your wife and children destitute of a bed to lie on, or bread to live on? Have you lost a parent or a child by their hands, and yourself the ruined and wretched survivor? If you have not, then are you not a judge of those who have. But if you have, and still can shake hands with the murderers, then you are unworthy of the name of husband, father, friend, or lover, and whatever may be your rank or title in life, you have the heart of a coward, and the spirit of a sycophant.
Thomas Paine (Common Sense)
you can still pass the violations over, then I ask, Hath your house been burnt? Hath your property been destroyed before your face? Are your wife and children destitute of a bed to lie on, or bread to live on? Have you lost a parent or a child by their hands, and yourself the ruined and wretched survivor? If you have not, then are you not a judge of those who have. But if you have, and still can shake hands with the murderers, then are you unworthy the name of husband, father, friend, or lover, and whatever may be your rank or title in life, you have the heart of a coward, and the spirit of a sycophant.
Thomas Paine (Common Sense)
Change is when new selves come into the foreground while others recede into forgotten landscapes. Maybe definition of having lived a full life is when every citizen in the hall of selves gets to take you for a spin, the commander the lover the coward the misanthrope the fighter the priest the moral guardian the immoral guardian the lover of life the hater of life the fool the judge the jury the executioner..
Steve Toltz
Contract Matrimony (The Sonnet) When I fall, I fall wholly - without a safety net of any kind. Prenups are an insult of love, all in fear of an imaginary night. Contract lovers are worse than contract killers, at least contract killers don't second guess their motive. Either love or don't, there's no second guessing - either marry or don't, there's no contract matrimony. Prenups are for juveniles, Clauses are for cowards. To seek escape in commitment, is an act of con, not love. Escapists have no right to love, Lovers have no need for escape. When you change exes like socks, It's a sickness, not a choice.
Abhijit Naskar (Dervis Vadisi: 100 Promissory Sonnets)
It is the very ones who accuse the Bible of corruption who are the true corruptors. You will see that they took select portions of Scripture and after they twisted it and laced it with deadly cyanide, they concocted a whole new Bible that they call the Qur’an and claim it is the final Word of God. Like their god, the accuser, the corruptors accuse the virtuous of corruption, the murderers accuse the innocent of murder, the haters accuse the righteous of hate, the warmongers accuse the peaceful of war, the lovers of death accuse those who love life with cowardice, while cowards who promote instant death are given the title of the brave. Murderers are martyrs, their funerals are weddings, and their victims are criminals unworthy of even a funeral. Their heaven is debauchery and their earth is a hell devoid of even the most innocent music or wedding dance. Everything is turned upside down.
Walid Shoebat (God's War on Terror: Islam, Prophecy and the Bible)
I am convinced that God is love; this thought has for me a pristine lyrical validity. When it is present to me I am unspeakably happy, when it is absent I yearn for it more intensely than the lover for the beloved; but I do not have faith; this courage I lack. God's love is for me, both in a direct and inverse sense, incommensurable with the whole of reality. I am not coward enough to whimper and moan on that account, but neither am I underhand enough to deny that faith is something far higher. I can very well carry on living in my manner, I am happy and satisfied, but my happiness is not that of faith and compared with that is indeed unhappy. I do not burden God with my petty cares, details don't concern me, I gaze only upon my love and keep its virginal flame pure and clear; faith is convinced that God troubles himself about the smallest thing. In this life I am content to be wedded to the left hand, faith is humble enough to demand the right; and that it is indeed humility I don't, and shall never, deny.
Johannes de Silentio (Fear and Trembling: Dialectical Lyric)
You’d have a better time without me.” It wasn’t a direct refusal. She folded her arms beneath the swell of her lovely bosom. “No, I won’t. And I don’t understand how you can expect me to face the gossips on my own.” “I don’t expect you to do anything. You seem to be the one with the expectations.” Oh, yes, this was good. Getting defensive was so manly of him. “Is it wrong of me to expect you to act like a husband?” “Plenty of husbands do not attend balls with their wives.” “Yes, but those wives generally find someone to keep them company later.” Heat rushed to Grey’s cheeks as the meaning of her words struck him. “Are you planning to take a lover, Rose?” “Of course not.” Rose regarded him as though he were a bothersome child. “I just want you to come with me. You are a duke, for heaven’s sake. You can tell them all to go to hell and get away with it. You have nothing to be afraid of.” She couldn’t seem to get further than that. She thought he was afraid. That he was a coward. That stung. No, that pissed him off. But how could he make her understand? “I’m not afraid of them, Rose.” Not really. “I just don’t want to be around those people. I don’t like them.” “You can’t dislike all of them.” All her disdain was missing was a good eye-rolling.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
So you were bored and decided to come looking for me?” He trailed a finger over the exposed part of her upper chest. “Something like that.” Blushing prettily, she brushed his hand away, but not before giving his fingers a squeeze. “Well, I’m busy, so unless you want to help Heather and me in our endeavors, you will have to find some way to amuse yourself.” Grey sighed. “All right, I’ll go, but only because I’m likely to ruin whatever beautification potions you two lovely witches are brewing.” Behind Rose, the maid Heather giggled. Grey grinned at Rose’s wide-eyed disbelief as she looked at first her maid and then him. “Have you always charmed women so easily?” Grey’s humor faded. “I’m afraid so.” And then softly, “It if offends you…” She shoved her palm into his shoulder. “Don’t be an idiot. Flirt with my maid all you want. But I don’t want to hear anything from you when I smile at the footmen.” God she was amazing. He slipped his arms around her, no caring that the maid could see, even though she made a great pretense of not looking. “Are you going out tonight?” Rose pushed against his chest. “Grey, I’m all sweat and grime.” “I don’t care. Answer me, are you going out?” She arched a brow. “Are you trying to get rid of me?” “No.” He held her gaze as he lowered his head, but he didn’t kiss her. He simply let the words drift across her sweet lips. “I’d keep you here every night if I could.” She shivered delicately. Christ, he could kiss her. He could make love to her right there. “All you have to do is ask.” “I won’t have you give up your society for me.” Something flickered in her dark eyes. “It wouldn’t be much of a sacrifice.” Because of the gossip? How long before she began to resent him for it? He could just push her away and be done with it-tell her to go out and find herself a lover, but he would rather carve up the rest of his face than do that. Instead, he took the coward’s route. He didn’t ask for an explanation. He didn’t want to know what she’d heart about him or what they’d said about her. He simply smiled and decided to take advantage of what time he had left. Because he loved having her with him, and spending what had always been lonely hours in company better than any he might have deserved or ever wished for. “You are sweaty and grimy,” he murmured in his most seductive tones. “And now I find I am as well. Shall we meet in the bath in, say, twenty minutes? I’ll scrub your back if you’ll scrub mine.” Of course, when she joined him later, and their naked bodies came together in the hot, soapy water, all thoughts of scrubbing disappeared. And so did-for a brief while-all of Grey’s misgivings. But he knew they’d be back.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
You can't be a lover OR a fighter. You must be both and fight like hell for what you love! Only a coward would not follow suit,
Kevin Pora
Poison is for weaklings, they say. The English poet Phineas Fletcher (1582-1650) may have been the first to coin the term “coward's weapon,” but the opinion has not dissipated in the centuries since; even a character in George R. R. Martin’s Game of Thrones recently sniped that poison was a gutless way to kill. Poison is sneaky, it’s slow, and you can poison someone without spilling a drop of their blood or awkwardly making eye contact with them midimpalement. As such, it doesn’t get a lot of cred for being scary. Poisoners simply don’t terrify people the way, say, disembowlers do. But that’s unfair, because poisoning requires advance planning and the stomach for a drawn-out death scene. You need to look into your victim’s trusting eyes day after day as you slowly snuff out their life. You have to play the role of nurse or parent or lover while you sustain your murderous intent at a pitch that would be unbearable for many of those who’ve shot a gun or swung a sword. You’ve got to mop up your victim’s vomit and act sympathetic when they beg for water. While they scream that their insides are on fire, you must steel yourself against the dreadful sight of encroaching death and give them another sip of the fatal drink. A coward’s weapon? Not so much. Poison is the weapon of the emotionless, the sociopathic, and the truly cruel.
Tori Telfer (Lady Killers: Deadly Women Throughout History)
I had awoken my strength. I would not endure humiliation at Albert’s hands again, whether personal or professional. If Albert didn’t appreciate the meek helpmate I had become in our latter years together—the failed physicist from whom he could pilfer ideas at will and the wife bendable at his beckoning—he positively loathed the return of the old Mileva in Berlin. And that was precisely who would greet him at the door when he returned from his cowardly flight to his lover, Elsa. The very thought of Elsa—all perfumed and dyed blond hair, exactly the sort of idle, pampered, bourgeois woman about which Albert used to complain—sickened me. Less because she had “stolen” Albert from me and more because of her perfidy. “Please, Mrs. Einstein, allow me to help you,” Elsa had said with an obsequious smile when the boys and I went to Berlin alone in the days after Christmas to find an apartment. Albert had sent her over to the hotel to “assist” us without my foreknowledge. Staring at the ruby-red smile painted upon her lips, I couldn’t speak. Her audacity coming here, seeking out the woman she’d betrayed, silenced me. Elsa, as she insisted we call her, continued regardless.
Marie Benedict (The Other Einstein)
When I Found Thee (The Sonnet) When I found thee, 40 inch chest turned 50. When I found thee, A savage mind realized humanity. When I found thee, A poor vagabond became a beacon. When I found thee, A cowardly heart became a lion. Every cunning tradesman says, The trade of love is sheer torment. I say, better love and be hurt, For wounds of love are a lover's ornament. You appeared, and I found hope in every corner. Even amidst all hell I saw paradise appear.
Abhijit Naskar (Woman Over World: The Novel)
Consent & Manhood (The Sonnet) Better deemed a coward than forward, For there is too much at stake. Stand ready to wait till infinity, Without violating her personal space. She's not your bonerville, Until she gives you consent. Remember, consent is the line, Between a baboon and a sapiens. Expose your feeling with your gestures, Earn her trust without forcing yourself. Keep your libido down, below your knee, Till you are asked to strip all restraint. It is no man that turns a beast at the sight of woman. Real Man is a father, friend and lover - all in one.
Abhijit Naskar (Esperanza Impossible: 100 Sonnets of Ethics, Engineering & Existence)
Standing at a distance ( Part 2 ) continued ............... Until then let time circle around her beauty, Let sunshine drape her and let the rain drops make her wet, I am sure someday she will realise my piety, What if not yet, not yet, Because I know someday it will be cloudy, When there is no sunshine, no moon and not even drops of rain, That day I shall not act cowardly, With no adversaries in the arena of love, I shall let her feel my pain, Perhaps then she will turn and wink her eyes, As soon as I shall close mine, To trap her in them under the bright skies, And be with her beauty hiding her from the rain drops, the Moon and the Sunshine, Then she shall live in my eyes, there forever to be, Atleast, now for me, there shall be no need to stand there and wait, Because now she seeks her beautiful form inside me, As for the Sun, the Moon and the raindrop, it will be there turn to wait, So I shall lie there with my eyes closed, To feel you with the eyes of my soul and heart, And as to you I shall have all my feelings disclosed, Then I shall let you depart, Now, if you forsake the Sun, the raindrop and the Moon too, And walk into my eyes once again, Then you truly love me too, And end my pain, Today the Sun was there, the Moon shone too, it rained as well, And suddenly she looked at me, & walked into the perceivable circle of my feelings, I could easily tell, And confessed, “this is where I forever wish to be!” Now the sunshine covers me and the moonlight seeks me, The raindrop kisses my skin, But now through me this world you see, Because now I am your destiny and your life’s final inn, And as we surge like waves of feelings, You flow within me and I keep kissing you, They wonder what are these love’s new dealings, Where I have become a part of you, and only you, So I let the Sunshine and Moonlight peer into my eyes, And ah their joy to be with you, And the hasty raindrop that falls from the skies, Once again kisses you, just you, And I close my eyes too, And I let you sleep within me, With nothing left to feel or do, Because now it is forever just you and me, The Sun, the Moon and the raindrop, Trapped in the eternity, Where the Sunshine, the Moonlight and the rain never stop, As we all lie willingly enslaved to you, and your beauty!
Javid Ahmad Tak (They Loved in 2075!)
The Dolour itself is invisible … all you ever see are cracks of fear and incomprehension where before all was seamless … thoughtless … certain. Soon you dwell in perpetual outrage, but are too fearful to voice it, because even though you know everything is the same, you no longer trust those you have loved to agree, so spiteful they have become! Their concern becomes condescension. Their wariness becomes conspiracy. “And so the Weal becomes the Dolour, so the Intact become the Erratic. Think on it, mortal King, the way melancholy is prone to make you cruel, impatient of weaknesses. Your soul slowly disassembles, fragments into disconnected traumas, losses, pains. A cowardly word. A lover’s betrayal. An infant’s last, laboured breath. And for the heroes among us, the heartbreak commensurate with their breathtaking glory …
R. Scott Bakker (The Great Ordeal (The Aspect-Emperor, #3))
self-exhortation, by which he means to “plead thyself from a clod to a flame; from a forgetful sinner and a lover of the world, to an ardent lover of God; from a fearful coward to a resolved Christian; from an unfruitful sadness to a joyful life; in a word, till thou hast pleaded thy heart from earth to heaven.
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
Less than a day has passed since I stood in this room and vowed to fight the Sleeping Prince. How sure of myself I was then, with Errin and Silas beside me; how righteous my anger was. It seemed so possible then, so simple. Silas would train the alchemists and their kin to fight and we’d all march on Lormere and defeat the Sleeping Prince. I thought we’d be like an avenging army in a story. I imagined people rallying to our cry, and that the fact we were on the side of good would assure our victory. And then Aurek came, with my lover at his side, and proved that I am not only still a coward, but still a naïve, stupid fool too. And I’m supposed to save us from the Sleeping Prince.
Melinda Salisbury (The Scarecrow Queen (The Sin Eater’s Daughter, #3))
Either love or don't, there's no second guessing - either marry or don't, there's no contract matrimony. Prenups are for juveniles, Clauses are for cowards. To seek escape in commitment, is an act of con, not love. Escapists have no right to love, Lovers have no need for escape. When you change exes like socks, It's a sickness, not a choice.
Abhijit Naskar (Dervis Vadisi: 100 Promissory Sonnets)
I never told anyone because I was so ashamed. I know I was a kid. But I was still a fucking coward. I hated myself for that. Then hating me turned into hating everything and everyone. But I don’t hate Camille.
Sophie Lark (Savage Lover (Brutal Birthright, #3))
During this wait too I retreat into my shell. I’m alone with sounds and sights, with my private questions marks and exclamation marks. It’s as though a huge deserted warehouse had opened its doors to me or I’d become my own museum and its only visitor after the guards have gone home to sleep and locked me in. I find fault with my acts, or the fewness of them, or the total lack of them, or their total ineffectiveness. I confront my faults like a courageous hero of the stage or make up hypocritical excuses for myself like any coward. I become a severe judge who refuses to accept the argument of the self, lovers, or relatives, and, in the same instant, I become the conniving, bribable judge who flees difficulties in favor of peace of mind. I open my small eyes to the ‘intellectual’s diseases’ that have taken root in my body. I say to myself, I’m just a poet.” (I Was Born There, I Was Born Here)
Mourid Barghouti
I am a coward when it comes to you," he said calmly. "I might not take my own life. But I am not strong enough to live in a world knowing you aren't there.
M.V. Kasi (The Devil’s Kiss)
Discussion Questions In the introduction, the author describes how she came to be a book girl. When did you realize you were a book girl? What people or circumstances contributed to your love of reading? In the introduction, the author identifies what she sees as the top three gifts of reading: it fills our hearts with beauty, gives us strength for the battle, and reminds us that we’re not alone. What gifts have you encountered from the reading life? In chapter 1, the author offers some guidelines about how to choose books and how to discern what constitutes good reading. How do you choose what book to read next? Are there people in your life whose recommendations you particularly resonate with? Have you ever found yourself in a reading slump? How did you get out of it? Are there certain books or types of books that help you when you’ve gotten out of the rhythm of reading? In chapter 2, the author gives suggestions for reading in fellowship. Do any of these recommendations resonate with you? Are there any that you’d like to begin to implement? In chapter 3, the author says, “We understand our worlds through the words we are given.” Can you think of a time when a passage from a book gave you empathy for or a deeper understanding of a person or situation in your life? The author gives her “Beloved Dozen” list in chapter 3. What titles would you include on your must-read list? In chapter 4, the author says, “A great book meets you in the narrative motion of your own life, showing you in vividly imagined ways exactly what it looks like to be evil or good, brave or cowardly, each of those choices shaping the happy (or tragic) ending of the stories in which they’re made.” In what ways have books shaped the story of your life? In chapter 5, the author describes the role literature played in making her faith her own: “Tolkien’s story helped me to recognize Scripture as my story, the one in whose decisive battles I was caught, the narrative that drew me into the conflict, requiring me to decide what part I would play: heroine, coward, lover, or villain.” What impact have books had on your faith and your discovery of self? Are there particular books or passages that have been especially meaningful to you on your spiritual journey? In chapter 7, the author describes how books gave her mutual ground on which to connect with her siblings. Have you ever had a similar experience of appreciating someone or identifying with them as a result of a shared reading experience? What mentors fostered a love of reading for you? Who are you passing along the gift of reading to? What books on the author’s books lists do you love too? What additional titles would you include? What books have you added to your to-read list after finishing this book?
Sarah Clarkson (Book Girl: A Journey through the Treasures and Transforming Power of a Reading Life)
Jacques has no honor,” she said. Ramon flexed his fingers as his squire slid a gauntlet into place. “Which is why I must ride against him. Only a baron has the right.” “I cannot bear to lose you.” Ramon waved his squire away. “I will join you in the yard.”The squire and his assistant gathered up the remaining pieces of armor and headed out of the chamber with them. Ramon came close again, sitting beside her and reaching out to smooth his fingers across her cheek. “As I cannot bear to lose you. As long as Jacques draws breath, you remain his target. I could never be worthy of you if I did not face this threat. Pray for me, tell me you understand, but do not ask me to be a coward. You could never love a coward.” And he wanted to be worthy of her love…
Mary Wine (A Sword for His Lady (Courtly Love, #1))
He absolutely was a coward. A weak coward whose dead had not been avenged, who had no voice, and whose body was nothing even a ten-year-old would envy.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
What is this “I” that human beings are so attached to? It’s pure romance, the greatest of fictions and confabulations. Can you hold it or taste it? Can you define it or even see it? “What am I?” asks a man. Oh, ho, a better question might be, “What am I not?” How often have you heard someone say, “I’m not myself today?” Or, “I didn’t mean to say that?” No? Ha, ha, here I am dancing, dancing—am I the movement and genius of my whole organism or merely the sense of selfness that occupies the body, like a beggar in a grand hotel room? Am I only the part of myself that is noble, kind, mindful and strong? Which disapproves and disavows the “me” that is lustful, selfish, and wild? Who am I? Ah, ah, “I am” says the man. I am despairing, I am wild, I do not accept that I am desperate and wild. Who does not accept these things? I am a boy, I am a man, I am father, hunter, hero, lover, coward, pilot, asarya and fool. Which “I” are you—Danlo the Wild? Where is your “I” that changes from mood to mood, from childhood to old age? Is there more to this “I” than continuity of memory and love of eating what you call nose ice? Does it vanish when you fall asleep? Does it multiply by two during sexual bliss? Does it die when you die—or multiply infinitely? How will you ever know? So, it’s so, you will try to watch out for yourself lest you lose your selfness. “But how do I watch?” you ask. Aha—if I am watching myself, what is the “I” that watches the watcher? Can the eye see itself? Then how can the “I” see itself? Peel away the skin of an onion and you will find only more skins. Go look for your “I”. Who will look? You will look. Oh, ho, Danlo, but who will look for you?
David Zindell (The Broken God (A Requiem for Homo Sapiens, #1))
If we fight alongside men we love, we do not fight for our lives or gold or glory or kings, but for each other. Death is less painful than watching a loved one die; and no fear is as great as being alone after the battle. And no man would appear as a coward in his lover’s eyes.
Anonymous
Holy hell,” I whispered as soon as we stepped into the hall leading to Killian’s court. My entire body shivered as it soaked up the energy twisting around us. If rage had a taste, it would be the poisonous nectar that hung in the air of Death House—bitter-sweet and deadly. It smelled like the inside of a used coffin and was just as dark. My skin prickled with a clammy cold sweat, goosebumps rolling over my skin. “There’s nothing holy about this place.” Julian pulled me closer. “I offer you a few words of wisdom in this hellish place. Do not cower here, Fiadh, not for anyone. This is not a place to look weak. Go in there like you own it. Respect is only earned through fear and dominance within these walls, and you don’t want to be seen as the only coward here. The moment they smell weakness, you’re nothing but prey in a room full of blood-thirsty predators.
Lanne Garrett (The Price of Magic: A Cursed Magic Novel)