Air Turbulence Quotes

We've searched our database for all the quotes and captions related to Air Turbulence. Here they are! All 88 of them:

We meant to temporarily disable her," Ian said. "Just a drop. But Natalie slipped during air turbulence. Before we could warn your nose-ringed nanny, she drenched us. Luckily, she allowed us to retrieve the antidote from our carry-on." "That's kindness," Amy said. "I made them agree to give me all their cash," Nellie explained. "That's bribery," Natalie grumbled.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
Just before the Clear Air Turbulence went back into warp and its crew sat down at the table, the ship expelled the limp corpse of Zallin. Where it had found a live man in a suit, it left a dead youth in shorts and a tattered shirt, tumbling and freezing while a thin shell of air molecules expanded around the body, like an image of departing life.
Iain Banks (Consider Phlebas (Culture, #1))
Why after the dust settles, someone has to come by and blow at it, stirring it up into the air again?
Anthony Liccione
There's a gentle sigh which descends like billowing silk upon the soul that accepts its coming death. It's a gentle pocket of air in the turbulence of everyday life... the silk settles around you as if it has been drifting towards the earth forever and has finally found it's target. The flag of defeat has been mercifully dropped and, in this action, the loss is not so bad. Defeat itself is defeated by the embrace of defeat, and death is swallowed up in victory.
Andrew Davidson (The Gargoyle)
I Hear the sledges with the bells - Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells - From the jingling and the tinkling of the bells. II Hear the mellow wedding bells - Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! - From the molten - golden notes, And all in tune, What a liquid ditty floats To the turtle - dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! - how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells - Of the bells, bells, bells, bells, Bells, bells, bells - To the rhyming and the chiming of the bells! III Hear the loud alarum bells - Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor Now - now to sit, or never, By the side of the pale - faced moon. Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear, it fully knows, By the twanging, And the clanging, How the danger ebbs and flows; Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells - Of the bells - Of the bells, bells, bells, bells, Bells, bells, bells - In the clamor and the clanging of the bells! IV Hear the tolling of the bells - Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people - ah, the people - They that dwell up in the steeple, All alone, And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone - They are neither man nor woman - They are neither brute nor human - They are Ghouls: - And their king it is who tolls: - And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells: - Of the bells: Keeping time, time, time In a sort of Runic rhyme, To the throbbing of the bells - Of the bells, bells, bells: - To the sobbing of the bells: - Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells - Of the bells, bells, bells - To the tolling of the bells - Of the bells, bells, bells, bells, Bells, bells, bells, - To the moaning and the groaning of the bells.
Edgar Allan Poe
I was no longer a vacant mind, an abstracted gaze, but the turbulent fragrance of the waving grain, the intimate smell of the heather moors, the dense heat of noon or the shiver of twilight; I was heavy; yet I was as vapour in the blue airs of summer and knew no bounds.
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
The back of the seat in front of Richards was a revelation in itself. There was a pocket with a safety handbook in it. In case of air turbulence, fasten your belt. If the cabin loses pressure, pull down the air mask directly over your head. In case of engine trouble, the stewardess will give you further instructions. In case of sudden explosive death, hope you have enough dental fillings to insure identification.
Stephen King (The Running Man)
When you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union - each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an air-liner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you tread lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such discovery was the province of fools who really believed it was possible for one mind to really know another.
Stephen King (Pet Sematary)
Where do songs go when you cease to hear them? Where does the turbulence of the air disappear after thousands of birds flap their wings homeward at eventide? Where are the cries of the Rajput women who spatter their red palm prints on the wall and leap into the flames of johar? Where is my childhood, my catapult, my broken slate, my first parrot, my youth and first sin and all those that followed, where is my old age and the first time I saw the woman from Merta? Ask Gambhiree. She knows it all.
Kiran Nagarkar (Cuckold)
For me, walking in a hard Dakota wind can be like staring at the ocean: humbled before its immensity, I also have a sense of being at home on this planet, my blood so like the sea in chemical composition, my every cell partaking of air. I live about as far from the sea as is possible in North America, yet I walk in a turbulent ocean. Maybe that child was right when he told me that the world is upside-down here, and this is where angels drown.
Kathleen Norris (Dakota: A Spiritual Geography)
Louis stared at her, nonplussed. He more than half suspected that one of the things which had kept their marriage together when it seemed as if each year brought the news that two or three of their friends' marriages had collapsed was their respect of the mystery--the half-grasped but never spoken idea that maybe, when you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union, that each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an airliner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another.
Stephen King (Pet Sematary)
The world isn't ending. You are just experiencing turbulence. The plane is safe. The pilot is good. You're in the right seat of life. You just hit a patch of bumpy air. Wait. It will pass.
Regina Brett (God Never Blinks: 50 Lessons for Life's Little Detours)
Olive Wellwood told no stories about Goldthorpe, or the Gullfoss mine. She had packed away the slag-heaps and winding-gear, the little house in Morton Row, with its dark uninhabited parlour, its animated kitchen and pocket-sized garden, the ever-present stink of the ash pits across the yards, and the grime that floated onto the strips of lace curtain. She had packed it away in what she saw in her mind as a roped parcel, in oiled silk, with red wax seals on the knots, which a woman like and unlike herself carried perpetually over a windswept moor, sometimes on her head, sometimes held before her on two arms, like the cushion on which the regalia lie at coronations. This vision was not a story. The woman never arrived, and the parcel was never opened. The weather was grey and the air was turbulent. When Olive Wellwood found her mind heading in that direction, she was able to move imaginary points on an imaginary rail and shunt her mind away from “there” and back to Todefright, with its penumbra of wild woods and flying elementals.
A.S. Byatt (The Children's Book)
Ralph found himself remembering times in his life when he’d hit the emotional equivalent of a cold spot while swimming or clear air turbulence while flying. You’d be cruising along through your day, sometimes feeling great, sometimes just feeling okay, but getting along and getting it done . . . and then, for no apparent reason at all, you’d go down in flames and crash. A sense of What the hell’s the use would slide over you – unconnected to any real event in your life at that moment but incredibly powerful all the same – and you felt like simply creeping back to bed and pulling the covers up over your head.
Stephen King (Insomnia)
All right,” Malcolm said. “Let’s go back to the beginning.” He paused, staring at the ceiling. “Physics has had great success at describing certain kinds of behavior: planets in orbit, spacecraft going to the moon, pendulums and springs and rolling balls, that sort of thing. The regular movement of objects. These are described by what are called linear equations, and mathematicians can solve those equations easily. We’ve been doing it for hundreds of years.” “Okay,” Gennaro said. “But there is another kind of behavior, which physics handles badly. For example, anything to do with turbulence. Water coming out of a spout. Air moving over an airplane wing. Weather. Blood flowing through the heart. Turbulent events are described by nonlinear equations. They’re hard to solve—in fact, they’re usually impossible to solve. So physics has never understood this whole class of events. Until about ten years ago. The new theory that describes them is called chaos theory.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
I began to relax into it. To love it. To love the caress of the notes, vibrating in my throat, the exhilaration of setting them free, letting them sail into the air. The best kind of flying—no seat belts, no turbulence, only clear blue skies
Susanna Hoffs (This Bird Has Flown)
I began to relax into it. To love it. To love the caress of the notes, vibrating in my throat, the exhilaration of setting them free, letting them sail into the air. The best kind of flying—no seat belts, no turbulence, only clear blue skies.
Susanna Hoffs (This Bird Has Flown)
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
The country was passing through turbulent times. British Raj was on its last legs. The World War had sucked the juice out of the British economy. Britain neither had the resources nor the will to hold on to a country the size of India. Sensing the British weakness and lack of resources to rule, different leagues of Indians sniffed different destinies in the air following the imminent exit of the British: a long stretch of Nehru Raj, Hindu Raj extending from Kashmir to Kerala not seen since Emperor Ashoka in third-century BCE before the emperor himself renounced Hinduism and turned a non-violent Buddhist, a Muslim-majority state carved out of two shoulders of India with a necklace-like corridor running through her bosom along Grand Trunk Road, balkanisation of the country with princes ruling the roost, and total chaos. From August 1946 onwards, chaos appeared to be the most likely destiny as it spurted in Bengal, Bihar, and United Provinces, ending in the carnage of minority communities at every place. The predicament of British government was how to cut their losses and run without many British casualties before the inevitable chaos spread to the whole country. The predicament of Muhammad Ali Jinnah, the leader of the Muslim League, was how to achieve his dream of Muslim-majority Pakistan carved out of India before his imminent demise from tuberculosis he suffered from, about which—apart from his doctor—only a handful of his closest relations and friends knew about. The predicament of Jawaharlal Nehru, the heir apparent of the Congress Party anointed by Gandhiji, was how to attain independence of the country followed by Nehru Raj while Gandhiji, a frail 77-year-old at the time, was still alive, for God only knew who would be the leader of the party once Gandhiji’s soul and his moral authority were dispatched to heaven, and Nehru couldn’t possibly leave the crucial decision in the hands of a God he didn’t particularly believe in. Time was of the essence to all the three.
Manjit Sachdeva (Lost Generations)
The enemy is noise. By noise I mean not simply the noise of technology, the noise of money or advertising and promotion, the noise of the media, the noise of miseducation, but the terrible excitement and distraction generated by the crises of modern life. Mind, I don't say that philistinism is gone. It is not. It has found many disguises, some highly artistic and peculiarly insidious. But the noise of life is the great threat. Contributing to it are real and unreal issues, ideologies, rationalizations, errors, delusions, nonsituations that look real, nonquestions demanding consideration, opinions, analyses in the press, on the air, expertise, inside dope, factional disagreement, official rhetoric, information—in short, the sounds of the public sphere, the din of politics, the turbulence and agitation that set in about 1914 and have now reached an intolerable volume.
Saul Bellow
And the bubbles of light again rose and fell, and in their disordered, irregular, turbulent maze, mingled with the wan moonlight. And now from these globules themselves as from the shell of an egg, monstrous things burst out; the air grew filled with them; larvae so bloodless and so hideous that I can in no way describe them except to remind the reader of the swarming life which the solar microscope brings before his eyes in a drop of water - things transparent, supple, agile, chasing each other, devouring each other - forms like nought ever beheld by the naked eye. As the shapes were without symmetry, so their movements were without order. In their very vagrancies there was no sport; they came round me and round, thicker and faster and swifter, swarming over my head, crawling over my right arm, which was outstretched in involuntary command against all evil beings. ("The House And The Brain")
Edward Bulwer-Lytton (Reign of Terror Volume 2: Great Victorian Horror Stories)
What seems dangerous often is not—black snakes, for example, or clear-air turbulence. While things that just lie there, like this beach, are loaded with jeopardy. A yellow dust rising from the ground, the heat that ripens melons overnight—this is earthquake weather. You can sit here braiding the fringe on your towel and the sand will all of a sudden suck down like an hourglass. The air roars. In the cheap apartments onshore, bathtubs fill themselves and gardens roll up and over like green waves. If nothing happens, the dust will drift and the heat deepen till fear turns to desire. Nerves like that are only bought off by catastrophe.
Amy Hempel
I think about that story a lot now. People in a boat, waiting, terrified, while implacable, unsmiling men, irresistibly strong, seize …. Maybe the person next to you, maybe you, and with no warning at all, with time only for a quick intake of air you are pitched into freezing, turbulent water and salt and darkness to drown.
Tony Kushner (Millennium Approaches (Angels in America, #1))
We know, however, that the mind is capable of understanding these matters in all their complexity and in all their simplicity. A ball flying through the air is responding to the force and direction with which it was thrown, the action of gravity, the friction of the air which it must expend its energy on overcoming, the turbulence of the air around its surface, and the rate and direction of the ball's spin. And yet, someone who might have difficulty consciously trying to work out what 3 x 4 x 5 comes to would have no trouble in doing differential calculus and a whole host of related calculations so astoundingly fast that they can actually catch a flying ball. People who call this "instinct" are merely giving the phenomenon a name, not explaining anything. I think that the closest that human beings come to expressing our understanding of these natural complexities is in music. It is the most abstract of the arts - it has no meaning or purpose other than to be itself. Every single aspect of a piece of music can be represented by numbers. From the organization of movements in a whole symphony, down through the patterns of pitch and rhythm that make up the melodies and harmonies, the dynamics that shape the performance, all the way down to the timbres of the notes themselves, their harmonics, the way they change over time, in short, all the elements of a noise that distinguish between the sound of one person piping on a piccolo and another one thumping a drum - all of these things can be expressed by patterns and hierarchies of numbers. And in my experience the more internal relationships there are between the patterns of numbers at different levels of the hierarchy, however complex and subtle those relationships may be, the more satisfying and, well, whole, the music will seem to be. In fact the more subtle and complex those relationships, and the further they are beyond the grasp of the conscious mind, the more the instinctive part of your mind - by which I mean that part of your mind that can do differential calculus so astoundingly fast that it will put your hand in the right place to catch a flying ball- the more that part of your brain revels in it. Music of any complexity (and even "Three Blind Mice" is complex in its way by the time someone has actually performed it on an instrument with its own individual timbre and articulation) passes beyond your conscious mind into the arms of your own private mathematical genius who dwells in your unconscious responding to all the inner complexities and relationships and proportions that we think we know nothing about. Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it's never been out of it.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
From then on he would make two or three trips a week to similar premises – bookstores, crystal shops, candle parlours, short-let niche operations selling a mix of pop-cultural memorabilia and truther merchandise from two or three generations ago – which had flourished along the abandoned high streets of the post-2007 austerity, run by a network of shabby voters hoping to take advantage of tumbling rents. Their real obsession lay in the idea of commerce as a kind of politics, expression of a fundamental theology. They had bought the rhetoric without having the talent or the backing. The internet was killing them. The speed of things was killing them. They were like old-fashioned commercial travellers, fading away in bars and single rooms, exchanging order books on windy corners as if it was still 1981 – denizens of futures that failed to take, whole worlds that never got past the economic turbulence and out into clear air, men and women in cheap business clothes washed up on rail platforms, weak-eyed with the brief energy of the defeated, exchanging obsolete tradecraft like Thatcherite spies.
M. John Harrison (The Sunken Land Begins to Rise Again)
Lindbergh did as he was asked, wrote the report, and presented in it the most frightening scenario imaginable: “For the first time in history a nation has the power either to save or to ruin the great cities of Europe. Germany has such a preponderance of war planes that she can bomb any city in Europe with comparatively little resistance. England and France are far too weak in the air to protect themselves.
David Nasaw (The Patriarch: The Remarkable Life and Turbulent Times of Joseph P. Kennedy)
when you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union, that each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an airliner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another.
Stephen King
Until as late as the early 1950s a round-trip aeroplane ticket from Australia to England cost as much as a three-bedroom suburban home in Melbourne or Sydney. With the introduction by Qantas of larger Lockheed Super Constellation airliners in 1954, prices began to fall, but even by the end of the decade travelling to Europe by air still cost as much as a new car. Nor was it a terribly speedy or comfortable service. The Super Constellations took three days to reach London and lacked the power or range to dodge most storms. When monsoons or cyclones were encountered, the pilots had no choice but to put on the seat-belt signs and bounce through them. Even in normal conditions they flew at a height guaranteed to produce more or less constant turbulence. (Qantas called it, without evident irony, the Kangaroo Route.) It was, by any modern measure, an ordeal.
Bill Bryson (In a Sunburned Country)
Things changed after that between me and Mark. I stopped being mortified that people might mistake me for one of his acolytes. I was his Boswell, don’t you know. I interviewed him about his childhood—his father was a psychiarist in Beverly Hills. I cataloged the contents of his van. I followed him around at work, sitting in while he examined patients. He had been a bit of a prodigy when we were in college. After his father developed a tumor, Mark, who was pre-med, started studying cancer with an intensity that convinced many of his friends that his goal was to find a cure in time to save his father. As it turned out, his father didn’t have cancer. But Mark kept on with his cancer studies. His interest was not in fact in oncology—in finding a cure—but in cancer education and prevention. By the time he entered medical school, he had created, with another student, a series of college courses on cancer and coauthored The Biology of Cancer Sourcebook, the text for a course that was eventually offered to tens of thousands of students. He cowrote a second book, Understanding Cancer, that became a bestselling university text, and he continued to lecture throughout the United States on cancer research, education, and prevention. “The funny thing is, I’m not really interested in cancer,” Mark told me. “I’m interested in people’s response to it. A lot of cancer patients and suvivors report that they never really lived till they got cancer, that it forced them to face things, to experience life more intensely. What you see in family practice is that families just can’t afford to be superficial with each other anymore once someone has cancer. Corny as it sounds, what I’m really interested in is the human spirit—in how people react to stress and adversity. I’m fascinated by the way people fight back, by how they keep fighting their way to the surface.” Mark clawed at the air with his arms. What he was miming was the struggle to reach the surface through the turbulence of a large wave.
William Finnegan (Barbarian Days: A Surfing Life)
Don't you think...doesn't it seem sometimes like life is like a plane?...And we're all piloos, you know, of our own planes. When things are going smoothly then we're, like, on autopilot, but sometimes things get a little, well, turbulent and then we have to land the plane on our own..."What about the air traffic control?"...Well, sure. Sometimes the guy is helpful, but maybe he's drunk?...Or maybe there's this big fog so you just put your hands on the controls and look for the runway lights and do your best. On your own.
Gayle Friesen (The Isabel Factor)
The wind rose, whipping at Gregori's solid form, lashing his body,ripping at the waves of black hair so that it streamed around his face. His expression was impassive, the pale silver eyes cold and merciless, unblinking and fixed on his prey. The attack came from sky and ground simultaneously; slivers of sharpened wood shot through the air on the wild winds,aimed directly at Gregori. The wolves leapt for him,eyes glowing hotly in the night. The army of the dead moved relentlessly forward, pressing toward Gregori's lone figure. His hands moved, a complicated pattern drected at the approaching army;then he was whirling, a flowing wind of motion beautiful to the eye,so fast that he blurred. Yelps and howls accompanied bodies flying through the air. Wolves landed to lie motionless at his feet. His expression never changed. There was no hint of anger or emotion,no sign of fear,no break in concentration. He simply acted as the need arose. The skeletons were mowed down by a wall of flame, an orange-red conflagration that rose in the night sky and danced furiously for a brief moment. The army withered into ashes, leaving only a pile of blackened dust that spewed across the street in the ferocious onslaught of the wind. Savannah felt Gregori wince, the pain that sliced though him just before he shut out all sensation.She whirled to face him and saw a sharpened stake portruding from his right shoulder. Even as she saw it, Gregori jerked it free.Blood gushed,spraying the area around him.Just as quickly it stopped,as if cut off midstream. The winds rose to a thunderous pitch, a whirling gale of debris above their heads like the funnel cloud of a tornado. The black cloud spun faster and paster,threatening to suck everything and everyone up into its center where the malevolent red eye stared at them with hatred. The tourists screamed in fear,and even the guide grabbed for a lamppost to hang on grimly.Gregori stood alone,the winds assaulting him,tearing at him, reaching for him.As the whirling column threatened him from above, sounding like the roar of a freight train, he merely clapped his hands, then waved to send a backdraft slamming into the dark entity.The vampire screamed his rage. The thick black cloud sucked in on itself with an audible soumd, hovering in the air, waiting, watching, silent. Evil.No one moved.No one dared to breathe. Suddenly the churning black entity gathered itself and streamed across the night sky,racing away from the hunter over the French Quarter and toward the swamp.Gregori launched himself into the air,shape-shifting as he did so,ducking the bolts of white-hot energy and slashing stakes flying in the turbulant air.
Christine Feehan (Dark Magic (Dark, #4))
He more than half suspected that one of the things which had kept their marriage together when it seemed as if each year brought the news that two or three of their friends’ marriages had collapsed was their respect of the mystery—the half-grasped but never spoken idea that maybe, when you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union, that each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full-fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an airliner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you trod lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such a discovery was the province of fools who really believed it was possible for one mind to know another.
Stephen King (Pet Sematary)
There were formerly horizons within which people lived and thought and mythologized. There are now no more horizons. And with the dissolution of horizons we have experienced and are experiencing collisions, terrific collisions, not only of peoples but also of their mythologies. It is as when dividing panels are withdrawn from between chambers of very hot and very cold airs: there is a rush of these forces together. And so we are right now in an extremely perilous age of thunder, lightning, and hurricanes all around. I think it is improper to become hysterical about it, projecting hatred and blame. It is an inevitable, altogether natural thing that when energies that have never met before come into collision—each bearing its own pride—there should be turbulence. That is just what we are experiencing; and we are riding it: riding it to a new age, a new birth, a totally new condition of mankind—to which no one anywhere alive today can say that he has the key, the answer, the prophecy, to its dawn. Nor is there anyone to condemn here (”Judge not, that you may not be judged!”). What is occurring is completely natural, as are its pains, confusions, and mistakes.
Joseph Campbell (Myths to Live By)
These narratives are interesting in and of themselves, but Nelson isn’t just airing her feelings out. She’s bent on using these experiences as ways of prying the culture open, of investigating what it is that’s being so avidly defended and policed. Binaries, mostly: the overwhelming need, to which the left is no more immune than the right, for categories to remain pure and unpolluted. Gay people marrying or becoming pregnant, individuals migrating from one gender to another, let alone refusing to commit to either, occasions immense turbulence in thought systems that depend upon orderly separation and partition, which is part of the reason that the trans-rights movement has proved so depressingly threatening to certain quarters of feminist thought.
Olivia Laing (Funny Weather: Art in an Emergency)
That done, we could finally relax about the baggage and start seriously to worry about the state of the plane, which was terrifying. The door to the cockpit remained open for the duration of the flight and might actually have been missing entirely. Mark told me that Air Merpati bought their planes second-hand from Air Uganda, but I think he was joking. I have a cheerfully reckless view of this kind of air travel. It rarely bothers me at all. I don’t think this is bravery, because I am frequently scared stiff in cars, particularly if I’m driving. But once you’re in an airplane, everything is completely out of your hands, so you may as well just sit back and grin manically about the grinding and rattling noises the old wreck of a plane makes as the turbulence throws it around the sky. There’s nothing you can do.
Douglas Adams (Last Chance to See)
The techno-political thriller and the romance novel serve as antidotes to the imagination rather than stimulants to it. For this reason they make for ideal reading in airports and airplanes. They effectively shut down the imagination by doing all its work for it. They leave the spirit or the soul—and ambiguity, for that matter—out of the equation. By shutting down the imagination, genre novels perform a useful service to the anxious air traveler by reducing his or her ability to speculate. For the most part, people on airplanes, and here I include myself, would rather not use their speculative imaginations at all; one consequence of this situation is that great poetry is virtually unreadable during turbulence, when the snack cart has been put away and the seat belts fastened. Enough anxiety is associated with air travel without Rainer Maria Rilke’s Sonnets to Orpheus making it worse.
Charles Baxter (The Art of Subtext: Beyond Plot)
Natural examples of chaotic dynamical systems include the earth’s atmosphere and the vibrations of virtually all sources of musical sound, such as the scrape of a bow on the strings or the turbulent flow of air from the player’s lips over the fipple of a flute. Small differences in initial conditions can be amplified by such systems to such an extent that any error in measuring the initial conditions can render any long-range forecast of system behavior wildly inaccurate, even if there is no further disturbance to the system. The weather from day to day is never exactly the same. Notes played on a flute, though they may sound alike, are never exactly the same. Our ears gloss over these differences, hearing sound categorically. But if we wish to understand the precise mechanism of a dynamical system so as to accurately predict its behavior over time, the initial conditions must be known exactly.
Gareth Loy (Musimathics: The Mathematical Foundations of Music (The MIT Press Book 1))
Despite the gloom she could make out enough of his finely chiseled features to fleetingly rethink the CPR issue. The man was a knock out, with cheek bones sharp enough to cut cheese on, an arrow straight nose, a strong jaw, and a well cut mouth that subjected both cruelty and sensuality. He stirred groaning softly, hands flailing as if he was searching for something. Mary moved out the way as he rolled towards her coming to rest on his back. As she lent over him to get another look dark eyelashes flickered, opened. His eyes were pale and striking, something flashing in them like lightning cutting through turbulent storm clouds. A pair of fey owlish brows slanted down in to a perplexed frown as he stared up at her. Mary let out a startled yelp when she was grabbed, and then rolled beneath a larger body, his heavy weight, her arms pinioned above her in just one of his large hands. Her hat yanked off and her features quickly scanned. Outrage quickly turned in to fear. The glacial scrutiny made her tremble as if an arctic wind had caressed her body, not that the shear brute strength the stranger wielded alone was not frightening enough. “I’m just trying to help you.” Mary breathed, fighting down the rising panic as his gaze bored in to her. “You must have fallen of your bike.” She had worked Crown defense long enough to have encountered more then a few clients who were nothing more then malicious, ill tempered, brutal thugs. This man Mary knew on an intuitive level was far more dangerous, because he was a killer, because he was devoid of all those things. There was a detachment to his inspection of her, considering if she was pray or a pet. Not human. Something deeply buried stirred. An ancestral memory whispered through her mind like the scent of wood smoke on the night air, instinctive as the fear of the falling, and things that lurked in the dark.
D.M. Alexandra
Ballad of the Moon" For Conchita García Lorca Moon came to the forge in her petticoat of nard The boy looks and looks the boy looks at the Moon In the turbulent air Moon lifts up her arms showing — pure and sexy —  her beaten-tin breasts Run Moon run Moon Moon If the gypsies came white rings and white necklaces they would beat from your heart Boy will you let me dance —  when the gypsies come they’ll find you on the anvil with your little eyes shut Run Moon run Moon Moon I hear the horses’ hoofs Leave me boy! Don’t walk on my lane of white starch The horseman came beating the drum of the plains The boy at the forge has his little eyes shut Through the olive groves in bronze and in dreams here the gypsies come their heads riding high their eyelids hanging low How the night heron sings how it sings in the tree Moon crosses the sky with a boy by the hand At the forge the gypsies cry and then scream The wind watches watches the wind watches the Moon Poetry (July/August 2016)
Federico García Lorca
He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one. Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other. He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too. Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons. He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon. p. 282-3
Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
Everybody stand back," Pat bellowed in a voice definitely more manly than girly. The Vamps flew around and squealed like girls. "It's gonna get stinky." "Oh my hell," Dima sputtered as she pulled me back toward the house. "Are they going to kill my father with anal acoustics?" "Very nice," I said as I pitched a throwing star at some incoming bad guys, removing a head and making the others duck for cover. "I'm impressed. I will accept that gross pun and raise you a booty belch, anal salute, cheek squeak and sphincter siren." "I'm going to be ill, but I will counter your offer with a butt bazooka, a crack splitter, Horton hears a poo, and a nice bout of rectal turbulence," she shot back as she beheaded something flying low over her head. Thankfully it wasn't a Vamp. "Can I play?" Hank asked. "Of course," I told him. "Panty burp, roar from the rear, air tulip, and ass ripper," he added proudly. "I will marry you," I said with a grin. "Your disgusting mind matches my own. And you deserve my friendship,
Robyn Peterman (Some Were In Time (Shift Happens #2))
Revenged with hate on my own proud inanities. In the mild end of the afternoon, later, at the waterside in Woods Hole, waiting for the ferry, he looked through the green darkness at the net of bright reflections on the bottom. He loved to think about the power of the sun, about light, about the ocean. The purity of the air moved him. There was no stain in the water, where schools of minnows swam. Herzog sighed and said to himself, "Praise God - praise God." His breathing had become freer. His heart was greatly stirred by the open horizon; the deep colors; the faint iodine pungency of the Atlantic rising from weeds and mollusks; the white, fine, heavy sand; but principally by the green transparency as he looked down to the stony bottom webbed with golden lines. Never still. If his soul could cast a reflection so brilliant, and so intensely sweet, he might beg God to make such use of him. But that would be too simple. But that would be too childish. The actual sphere is not clear like this, but turbulent, angry. A vast human action is going on. Death watches. So if you have some happiness, conceal it. And when your heart is full, keep your mouth shut also.
Saul Bellow (Herzog)
As information processing machines, our ability to process data about the external world begins at the level of sensory perception. Although most of us are rarely aware of it, our sensory receptors are designed to detect information at the energy level. Because everything around us - the air we breathe, even the materials we use to build with, are composed of spinning and vibrating atomic particles, you and I are literally swimming in a turbulent sea of electromagnetic fields. We are part of it. We are enveloped within in, and through our sensory apparatus we experience what is. Each of our sensory systems is made up of a complex cascade of neurons that process the incoming neural code from the level of the receptor to specific areas within the brain. Each group of neurons along the cascade alters or enhances the code, and passes it on to the next set of cells in the system, which further defines and refines the message. By the time the code reaches the outermost portion of our brain, the higher levels of the cerebral cortex, we become conscious of the stimulation. However, if any of the cells along the pathway fail in their ability to function normally, then the final perception is skewed away from normal reality.
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
All of the combat was stirring up the magic. It filled the air like steam. But that wasn’t all. There was magic in the trampled grass of the courtyard, in trees surrounding the fort like sentinels, and in the moon and starlight streaming down from the sky. It was all swirling down into the courtyard and down into the earth. There was more magic available than Raziel could have possibly taken in. But that didn’t mean he couldn’t try. Raziel drew in everything he could, pulling magic from every direction. It was like trying to continuously inhale without exhaling. He burst into sweat as his whole body began to burn with the effort of containing the magic. The air around him was swirling, turbulent and constantly shifting directions. Soon it felt like his veins were filled with liquid fire and thunder pounded in his head. When he couldn’t take anymore, he began to force the energy up his shoulder and down his arm into his right hand. Everywhere the magic left felt like it was freezing, but his arm felt like it was being dipped in molten metal. Raziel opened his eyes to find his hand engulfed in a blazing ball of blue light. Hoeru was transfixed by it. There were a few gremlin bodies on the ground nearby, but they weren’t attacking anymore. They were running from the light Raziel held.
Rick Fox (Fate's Pawn)
Mathematical analysis and computer modelling are revealing to us that the shapes and processes we encounter in nature -the way that plants grow, the way that mountains erode or rivers flow, the way that snowflakes or islands achieve their shapes, the way that light plays on a surface, the way the milk folds and spins into your coffee as you stir it, the way that laughter sweeps through a crowd of people — all these things in their seemingly magical complexity can be described by the interaction of mathematical processes that are, if anything, even more magical in their simplicity. Shapes that we think of as random are in fact the products of complex shifting webs of numbers obeying simple rules. The very word “natural” that we have often taken to mean ”unstructured” in fact describes shapes and processes that appear so unfathomably complex that we cannot consciously perceive the simple natural laws at work.They can all be described by numbers. We know, however, that the mind is capable of understanding these matters in all their complexity and in all their simplicity. A ball flying through the air is responding to the force and direction with which it was thrown, the action of gravity, the friction of the air which it must expend its energy on overcoming, the turbulence of the air around its surface, and the rate and direction of the ball's spin. And yet, someone who might have difficulty consciously trying to work out what 3 x 4 x 5 comes to would have no trouble in doing differential calculus and a whole host of related calculations so astoundingly fast that they can actually catch a flying ball. People who call this "instinct" are merely giving the phenomenon a name, not explaining anything. I think that the closest that human beings come to expressing our understanding of these natural complexities is in music. It is the most abstract of the arts - it has no meaning or purpose other than to be itself.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
Les brumes s’épaississent sur les cimes du Šar. Les versants se dressent face à Emina, implacables dans le jour déclinant. Les paroles de Feti ricochent en elle, par-dessus la musique qu’il met plus fort dans la voiture. Elles traversent le scherzo du violon dont les volutes tournoient entre eux, alors qu’ils arrivent à Tetovo. Elles dissipent le sourd espoir qui l’a menée ici, au-delà du désir de renouer avec le frère d’Yllka. Elle mesure l’ampleur de son rêve, de ce qu’elle n’a dit à personne là-bas en Allemagne. Ils auraient passé leur bras autour de ses épaules. Ils l’auraient entourée d’une affection mêlée de pitié… Oui, dans l’outremer des montagnes, elle croit apercevoir la trace d’Yllka. Les empreintes fines d’un oiseau sur un sentier couvert de sable. Elles conduiraient à une maison de montagne qui sentirait le bois et le foin à la fin de l’été. Parce qu’Yllka se serait réfugiée quelque part ici. Elle y attendrait Emina, sa fille, Alija, son fils, depuis toutes ces années. Elle-même mue par la conviction que ses enfants finiront par la rejoindre. Car comment pourrait-elle savoir où ils vivent aujourd’hui, si même ils vivent encore ? Comment ? Et c’est la raison de son silence. Il ne peut en être autrement. Preuve de vie ou de mort, Emina ne s’en ira pas d’ici sans l’avoir obtenue. « Je peux juste te parler d’elle. Celle qu’elle fut ici. Ma sœur, ta mère… » Des mots qui lacèrent le ciel très loin au-dessus d’elle. Feti gare sa voiture le long de la rue bordée d’immeubles. S’il se trompait… Si Yllka n’avait pas pu le retrouver lui non plus ? Les feuillages des arbres flamboient sur les trottoirs. Des traînées couleur de fer assombrissent les nuages au-dessus des immeubles. Ils se creusent d’un vaste cratère noirâtre. Des choucas évoluent par centaines sur la ville, alors que le soleil descend à l’horizon. Ils s’insinuent dans les invisibles couloirs ouverts par de secrètes turbulences. Leur vacarme secoue les airs, assourdit Emina. Elle est sur le point de flancher, rattrapée par le lieu et les cris des oiseaux.
Cécile Oumhani (Le café d'Yllka)
The truth is, the vanity of protective parents that I cited to the court goes beyond look-at-us-we’re-such-responsible-guardians. Our prohibitions also bulwark our self-importance. They fortify the construct that we adults are all initiates. By conceit, we have earned access to an unwritten Talmud whose soul-shattering content we are sworn to conceal from “innocents” for their own good. By pandering to this myth of the naïf, we service our own legend. Presumably we have looked the horror in the face, like staring into the naked eye of the sun, blistering into turbulent, corrupted creatures, enigmas even to ourselves. Gross with revelation, we would turn back the clock if we could, but there is no unknowing of this awful canon, no return to the blissfully insipid world of childhood, no choice but to shoulder this weighty black sagacity, whose finest purpose is to shelter our air-headed midgets from a glimpse of the abyss. The sacrifice is flatteringly tragic. The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. To this day, some of my most intense sexual memories date back to before I was ten, as I have confided to you under the sheets in better days. No, they have sex, too. In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its suppression is the true collusion of adulthood, the pact we make, the Talmud we protect.
Lionel Shriver (We Need to Talk About Kevin)
The traditional hospital practice of excluding parents ignored the importance of attachment relationships as regulators of the child’s emotions, behaviour and physiology. The child’s biological status would be vastly different under the circumstances of parental presence or absence. Her neurochemical output, the electrical activity in her brain’s emotional centres, her heart rate, blood pressure and the serum levels of the various hormones related to stress would all vary significantly. Life is possible only within certain well-defined limits, internal or external. We can no more survive, say, high sugar levels in our bloodstream than we can withstand high levels of radiation emanating from a nuclear explosion. The role of self-regulation, whether emotional or physical, may be likened to that of a thermostat ensuring that the temperature in a home remains constant despite the extremes of weather conditions outside. When the environment becomes too cold, the heating system is switched on. If the air becomes overheated, the air conditioner begins to work. In the animal kingdom, self-regulation is illustrated by the capacity of the warm-blooded creature to exist in a broad range of environments. It can survive more extreme variations of hot and cold without either chilling or overheating than can a coldblooded species. The latter is restricted to a much narrower range of habitats because it does not have the capacity to self-regulate the internal environment. Children and infant animals have virtually no capacity for biological self-regulation; their internal biological states—heart rates, hormone levels, nervous system activity — depend completely on their relationships with caregiving grown-ups. Emotions such as love, fear or anger serve the needs of protecting the self while maintaining essential relationships with parents and other caregivers. Psychological stress is whatever threatens the young creature’s perception of a safe relationship with the adults, because any disruption in the relationship will cause turbulence in the internal milieu. Emotional and social relationships remain important biological influences beyond childhood. “Independent self-regulation may not exist even in adulthood,” Dr. Myron Hofer, then of the Departments of Psychiatry and Neuroscience at Albert Einstein College of Medicine in New York, wrote in 1984. “Social interactions may continue to play an important role in the everyday regulation of internal biologic systems throughout life.” Our biological response to environmental challenge is profoundly influenced by the context and by the set of relationships that connect us with other human beings. As one prominent researcher has expressed it most aptly, “Adaptation does not occur wholly within the individual.” Human beings as a species did not evolve as solitary creatures but as social animals whose survival was contingent on powerful emotional connections with family and tribe. Social and emotional connections are an integral part of our neurological and chemical makeup. We all know this from the daily experience of dramatic physiological shifts in our bodies as we interact with others. “You’ve burnt the toast again,” evokes markedly different bodily responses from us, depending on whether it is shouted in anger or said with a smile. When one considers our evolutionary history and the scientific evidence at hand, it is absurd even to imagine that health and disease could ever be understood in isolation from our psychoemotional networks. “The basic premise is that, like other social animals, human physiologic homeostasis and ultimate health status are influenced not only by the physical environment but also by the social environment.” From such a biopsychosocial perspective, individual biology, psychological functioning and interpersonal and social relationships work together, each influencing the other.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
They had witnessed the flowing winds of the Vorrh, long, singing currents of turbulence that flew and rippled between the contoured ground and the vast canopy of still leaves. Its profound, limited hurricane was still in their lungs, the cleanest air ever breathed; sharp as lime, soft as new snow.
Brian Catling (The Vorrh (The Vorrh Trilogy, #1))
Just before the Clear Air Turbulence went back into warp and its crew sat down at table, the ship expelled the limp corpse of Zallin. Where it had found a live man in a suit, it left a dead youth in shorts and a tattered shirt, tumbling and freezing while a thin shell of air molecules expanded around the body, like an image of departing life.
Iain M. Banks (Consider Phlebas (Culture, #1))
Observatories are built on mountains to raise them above the thick, turbulent lower levels of the atmosphere. In principle, the higher the telescope the better. In practice, the expense of building mountain roads and the severity of high-altitude weather inspires a willingness to compromise. Mauna Kea Observatory in Hawaii, which may be the highest observatory that will ever be built on Earth, stands at nearly 14,000 feet, where gale-force winds are common and the air so thin that higher brain functions are impaired by lack of oxygen. Astronomers quartered halfway down the mountain write themselves childishly simple instructions they hope their muddled brains will be able to obey when they go up to the dome to observe.
Timothy Ferris (The Red Limit: The Search for the Edge of the Universe)
Birds can’t fly. That’s why they have wings. To help them fly.” She pointed to Damian. “He can’t fly. That’s why he has wings. Because he can’t fly.” My brain squealed in pain. “I don’t understand.” The sprite was clearly frustrated and unsure of how to proceed. “How do you fly now?” “I just call the wind and push myself along.” A dozen wind sprites gaped at me, utterly horrified. “You what?” “I use lift?” I responded, completely at a loss. The sprite came close, and spoke in calm, reassuring tones, as if to a very stupid person. “You are a djinn. You are like us. You are like the wind. The wind doesn’t need lift. The wind doesn’t have wings. The wind is.” I was exasperated. “Fine. So how does the wind go where it wants to go?” “The wind decides where it wants to go and goes. It is the wind. This is the wind’s world.” “You’re going to have to explain.” The sprite flitted around me. “Where do you want to go? Just choose.” I picked a point in the sky and strained my muscles. Nothing happened. “Well?” The sprite raised her eyebrows. “I’m trying!” “Decide what you want. Reach out. Draw it to you.” I thought of the sky. Then I thought of Rhiannon. Of the palace. Of the isle. Reaching forth with something inside of me, I pulled. The world came rushing toward me, and I exploded through the sky. The air shook as I passed, and I pulled as hard as I could. Shock waves curled around me. I was alone at first, and then surrounded by sprites, spiraling in a celestial dance. Reaching out to my right, I pulled again, turning at an impossible speed. I should have blacked out, but I was unfazed. The sprites followed, a second behind. I am of this realm. I’d been told that when I’d arrived, but now I understood. I was the wind. This whole time, I had been fighting against myself, yet my body was the sky. I was limitless. Looking back, Damian was a distant speck. Any farther, and I would lose sight of him forever. I turned back and pulled, soaring in a rage of turbulence. I overshot and had to try again, slowing myself as I approached. “Hell,” he said, otherwise speechless. I was electrified. Flying before had drained me. This filled me with power, and I felt as if I could explode.
Veronica Douglas (Wicked Wish (Dragon's Gift: The Storm #1))
Then I had him close his eyes and go inside and take the feeling of fear in his body and spin it once again a little bit faster and then turn it around and spin it backward until it softened. I told him to relax and to be comfortable and to open his eyes and look at the flexibility of the wing and to hear the sounds of the engines. I told him to see himself being able to fly smoothly, to look off at the clouds and realize that flying’s one of the safest things you can do. You’re more likely to be hit by a car crossing the street, so it was a good thing he wasn’t outside the plane. Instead, inside he was safe. Even if we hit a little clear air turbulence, it just meant that the plane was bouncing up.
Richard Bandler (Get the Life You Want: The Secrets to Quick and Lasting Life Change with Neuro-Linguistic Programming)
I am losing confidence in the reliability of air travel.
Steven Magee
What's amazing about speech is that when you're on the receiving end, listening to the noise that comes out of people's mouths, you instantaneously hear meaningful language. Yet speech is just sound, a semicontinuous buzz that fluctuates rapidly and regularly. Frequencies rise and fall, harmonics within the frequencies change their relationships to one another, air turbulence increases and dies away. It gets loud, and then it gets quiet.
Christine Kenneally (The First Word: The Search for the Origins of Language)
When I boarded the plane, I found to my surprise that Tatum had decided to return to Norman with the team rather than go to Maryland. .... When I saw Tatum on board, I had momentary regret that I had abandoned [my other flight]. I had no desire to spend several hours on the flight with him; I had learned from past encounters that he could talk endlessly, with exhausting intensity. Hoping to avoid him, I walked to the front end of the DC-4 and took a seat on the right side next to the window; but I had scarcely sat down when Tatum plumped down beside me. He spent the first few minutes telling me how unethical he thought I had been to offer one of his assistant coaches the head coaching job at OU before he resigned and only hours before his team was to compete in a bowl game. He was offended and hurt, he said, by such treatment. I listened patiently, with the unhappy thought that there would be several hours of such conversation before I could find relief at the journey's end. However, shortly after takeoff we ran into turbulent air. The plane rose over a series of updrafts and dropped violently between them. Tatum, who was not a good air traveler, soon began to feel the effects. When he stopped talking for a moment, I glanced at him and noticed that he had begun to turn a little pale. The paleness soon turned to a greenish cast, and I had a feeling that my problem might be solved. Finally, when he became noticeably ill, I signaled for a hostess and suggested to my sick friend that we remove the armrest between the two seats so that he could lie down. I would find a seat elsewhere. He accepted the suggestion, and when I left him he was in a semireclining position with his head on a pillow, holding a sick sack. We soon got out of the rough air, and I enjoyed most of the rest of the trip, visiting with as many members of the squad as I could.
George Lynn Cross (Presidents Can't Punt: The OU Football Tradition)
Tom grinned wide. “Aye… love,” said Tom. “Ye know, the difference between ye both is ye do have a heart. Ye might make my cock hard, but ye soften this.” Tom tapped two rough fingers against the spot over his heart. Jon had to laugh. “Gods, Tom… That was almost poetic,” he said, stroking his hand down Tom’s chest and tugging playfully at the big man’s chest hair. “Listen… The captain can beat the fuck out of you, and when you’re done, you can come to me, and I will kiss you better,” said Jon. Tom’s lips parted in response, and he stared at Jon with eyes suddenly darkened by desire and turbulent emotion. Tom’s arms tightened around Jon again, and when he licked his lips, his breathing had a shaky quality to it. “Gods, love,” was all the big man said, and Jon had to laugh. “You’d like that?” he asked, realizing the strange mastery over the powerful creature that held him. “Aye,” responded Tom, his voice barely a whisper. Jon’s heart beat double. They kissed again, only coming up for air when Jon had to beg off to relieve his bladder. When he came back and Tom lifted his arm again, Jon frowned, noticing something he hadn’t before.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Any animal that needs to breathe—such as whales and dolphins—would be hard-pressed to survive in the turbulent sea-air interface.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
The two events were probably unrelated, but both jolted Dave the way a sudden air pocket reminds nervous passengers that they’re soaring above the clouds in a pressurized metal tube.
Dan Sofer (A Love and Beyond)
Loretta closed her eyes and braced herself. Whatever it was the other Indian was saying, he was clearly arguing in her behalf. There hovered in the air a charged expectancy, turbulent, tingling along her nerve endings to the core of her, so that, for a suspended moment, she felt a peculiar sense of oneness with the man above her, perceiving his tumultuous emotions, his indecision, as if she were an integral part of him. He wanted to spill her blood with a primal ferocity, but something, perhaps the Almighty Himself, stayed his hand. Sensing reprieve, grasping for it with eager disbelief, she lifted her lashes in confusion to see the same emotion reflected in his cobalt eyes. He began to tremble, as if the lance weighed a thousand pounds. And suddenly she knew that as much as he longed to murder her, a part of him couldn’t, wouldn’t throw the lance. It made no sense. She could see nothing but hatred written on his chiseled face. He had surely killed hundreds of times and would kill again. Slowly he lowered his arm and stared at her as if she had bested him in some way. Then, so quickly she couldn’t be sure she saw it, pain flashed across his face. “So you’re sweet?” His smile dripped ice. “We shall see, woman, we shall see.
Catherine Anderson (Comanche Moon (Comanche, #1))
At the moment, mind is like a candle flame: unstable, flickering, constantly changing, fanned by the violent winds of our thoughts and emotions. The flame will only burn steadily when we can calm the air around it; so we can only begin to glimpse and rest in the nature of mind when we have stilled the turbulence of our thoughts and emotions
Sogyal Rinpoche (The Tibetan Book of Living and Dying)
Most of the water rushed downward, turning from blue to white as gravity mixed in air. But some defiant droplets splashed upward into a rainbow banner that proclaimed the nonconformists beautiful. While my eyes watched the water, and my body felt the misty edge, my ears filled with the noise of turbulent current. Loud and proud, the water was unapologetic
Sara Dykman
You were always the King of Much Too Late.' 'And you were always the Queen of my heart,' said Burnet, and held out his arms to her. For a second, Vanessa said nothing. Her angry profile was turned away; her dark hair shimmered silver. Burnet put his arms around her, and for a moment, she turned her face into the curve of his shoulder... Then the air gave a giant sob, as if rushing in to fill a space, and the interlaced pair dispersed into dazzling fragments. Millions of butterflies and moths exploded into the turbulence, fluttering madly to escape; bright wings torching the London smoke into a cacophony of colors. Golden-winged and orange-tipped; peacock-eyed and painted; speckled, stippled, spotted; striped; fretting the kaleidoscope air. And then, they slowly began to dissolve like smoke into the atmosphere.
Joanne Harris (The Moonlight Market)
Above, they were the colour of the sea’s deepest blue; below, like the soiled whiteness of shadowed chalk. In the turbulent air above the cliffs and shallows they soared for hours, hoping perhaps to lure away intruders from their nesting place. Invisible even in a telescope magnifying sixty times, even in purest summer sky, they drifted idly above the glittering Channel water. They had no song. Their calls were harsh and ugly. But their soaring was like an endless silent singing. What else had they to do? They were sea falcons now; there was nothing to keep them to the land. Foul poison burned within them like a burrowing fuse. Their life was lonely death, and would not be renewed. All they could do was take their glory to the sky. They were the last of their race.
J.A. Baker (The Peregrine)
The connections that Leonardo made across disciplines served as guides for his inquiries. The analogy between water eddies and air turbulence, for example, provided a framework for studying the flight of birds. “To arrive at knowledge of the motions of birds in the air,” he wrote, “it is first necessary to acquire knowledge of the winds, which we will prove by the motions of water.
Walter Isaacson (Leonardo da Vinci)
Every Israeli has a story,” Raz told us. The show they imagined became Fauda, and it first aired on Israel’s YES network in February 2015. (Fauda means “chaos” in Arabic,
Dan Senor (The Genius of Israel: The Surprising Resilience of a Divided Nation in a Turbulent World)
The bureaucracy of a big company like Citi often led to bad policies. Such a large firm is basically forced to make decisions for a whole organization that don’t necessarily apply well to the individual business units. Is it better, one wonders, to have uniformity of authority in decision making at the expense of flexibility? It was a demonstration of the challenges of size, the difficulty of managing a large business with hundreds of disparate units. In the mid-2000s, for example, the firm developed new rules for air travel, insisting that employees reach their destinations on the cheapest fares available, even if that meant multiple connections to get to smaller cities. Saving money was not a bad inclination in an industry notorious for profligacy, but there was no flexibility in the rule, and so my assistant, Angela Murray, was engaged in frequent battles to make sure I could arrive at out-of-town meetings on time. If I had a ten o’clock morning meeting in Omaha to discuss a deal with a potential $6 million fee, Citi still insisted on saving a few hundred bucks by booking me on a flight that arrived in the afternoon, which meant I would miss the meeting unless I traveled the day before. And because those cheaper flights often required an overnight stay, more work hours were wasted as well as any potential savings, since the firm would have to pay for a hotel and meals. I knew for a fact that the policy was revenue-negative.
Christopher Varelas (How Money Became Dangerous: The Inside Story of Our Turbulent Relationship with Modern Finance)
In many ways, the air is a reflection of our own inner selves. Just as the air can be calm and peaceful or turbulent and stormy, our own emotions can fluctuate between serenity and chaos. And just as the air can be polluted and contaminated, our own minds and bodies can become tainted with negative thoughts and harmful behaviors.
Y.S. Sankhyayan (Whispers of Serenity: Finding Peace in the Elegance of Nature)
There is no rest in self; there is no light in self, and where the flames of turbulent passions and the fires of consuming desires are rife, the cool airs of wisdom and peace are not felt.
James Allen (Mind is the Master: The Complete Treasury)
Outside, the events were moving with the same feverish speed as in the previous night. The voices of horror, fearful harangue and exhortations, soaked in Islamic fundamentalists’ terminology, filled the air. Crowds were being goaded to gather in mosques. People were being mobilised from villages, from outlying areas and from the heart of the city. No civil authority seemed to exist. The passivity was unbelievable. The Director-General of Police later on told me that it had taken him more than six hours to get the Deputy Inspector-General out from his house for duty.
Jagmohan (My Frozen Turbulence in Kashmir)
The people of Mexicali, a city that had expanded organically over the low alluvial plain at the river’s edge, waged a futile battle to protect themselves from the advancing cataract. In the end there was nothing for them to do but watch stoically as the flood chewed away at the riverbanks and coursed through their streets, devouring the town house by adobe house. On June 30 the main business district collapsed into the water, a dozen brick buildings swept away in a matter of hours while the townspeople stood transfixed under clouds of spray towering forty feet in the air. Before the flood was over, four-fifths of the town would be wiped out.
Michael A. Hiltzik (Colossus: The Turbulent, Thrilling Saga of the Building of the Hoover Dam)
When we have a child, we take a leap off a cliff into magical air. We never stand on solid ground again. The updrafts and the downdrafts in this air are like none other. We soar, we glide, then we hit turbulence and hold on tight until the storm breaks and a cool morning breeze lifts us onward. We learn fear that we’ve never known, joy that we’ve never felt, and uncertainty that knows no bounds. In that air we know the best in life, even if we collide at times with the worst.
Edward M. Hallowell (The Childhood Roots of Adult Happiness: Five Steps to Help Kids Create and Sustain Lifelong Joy)
The pilot tapped his GPS screen a few times until he found the nearest airport. "Closest airfields are north. The Virgin Islands.” “You crazy, man? They’re probably already tracking us on radar. DEA or the Coast Guard would probably be waiting for us...” Marco tapped on the touchscreen map. “What about this island over here? Says it’s got a private air strip. Small, but we could go there.” The pilot squinted down at the GPS chart. “I know that one. Some rich guy owns it, I think. He’ll probably have security guards.” Marco tapped the map again, changing the layering to show the satellite image. “The buildings are all on the northwest side of the island. It would take people time to get to the runway, even if they knew we were there. It’s been storming hard so they won’t be outside. We can land on goggles, keep the lights off. We’ll cut the engine as soon as we touch down. We only need ten, fifteen minutes at the most. I’ll check the oil and top us off, then we’ll take off before anyone has time to reach us.” The aircraft jolted as they flew through more turbulence. More lightning in the distance. “Fine,” said the pilot. Marco tapped on the GPS display screen. “There. Your waypoint is in.” The aircraft banked slowly left as the pilot turned them toward the private island.
Andrew Watts (Agent of Influence (The Firewall Spies, #2))
Hurry-Up Crowe. Yet there was something more, something intangible, that endowed Crowe with the ability to drive his crews at a clip that bowed to almost no obstacle, not a killing cold spell nor suffocating desert heat nor the boundaries of human endurance. Perhaps the secret was his ability to communicate a shared goal. Men choking on gasoline fumes in an underground tunnel nearly a mile long, or suspended on ropes two thousand feet in the air from the rim of a gorge, drills in hand, or sunk to their ankles in wet concrete under a remorseless desert sun might well question from time to time whether the work was worth the four or five dollars they earned for a punishing eight-hour shift. Frank Crowe made them understand the honor of participating in the creation of something eternal. “I’m proud that I had a hand in it,” said Tex Nunley, whose myriad jobs in Boulder Canyon included painting white crosses on solid rock walls to mark the center line of the tunnels the drillers were to drive through them. “Yes I am. I think it was a marvelous piece of work.
Michael A. Hiltzik (Colossus: The Turbulent, Thrilling Saga of the Building of the Hoover Dam)
Now, the dust in the room was the old man’s too – all tangled up with his own. If he thought about it, he could imagine them both swirling around, caught by the air con’s mechanical breeze, dragged through its vents and grilles, through all the rig’s pipework and out into the air. He could almost feel the real wind carrying them up over the fields, over the cushion of turbulence and out to the open water, the featureless sea, where all noise and trace of the farm diminished. But he tried not to think about it too much. All the dust got caught in the filters.
Ben Smith (Doggerland)
talk about their work, their families, their lives. He had always loved to talk, but now he learned to listen, and to listen intently, his head nodding in a welcoming way, with an air of sympathetic identification, an attentive posture and manner that would become a lifelong characteristic.
Doris Kearns Goodwin (Leadership: In Turbulent Times)
For me, walking in a hard Dakota wind can be like staring at the ocean: humbled before its immensity, I also have a sense of being at home on this planet, my blood so like the sea in chemical composition, my every cell partaking of air. I live about as far from the sea as is possible in North America, yet I walk in a turbulent ocean. Maybe that child was right when he told me that the world is upside-down here, and this is where angels drown. Listening to the voice of the sky, I wonder: how do we tell our tales, how can we hope to record them? I’d like to believe that deep in our bones the country people of Dakota, like poets, like monks, are, as Jean Cocteau once said of poetry, “useless but indispensable.
Kathleen Norris (Dakota: A Spiritual Geography (Dakotas))
As far as her parents could tell from their vantage point behind the spire, Psyche plummeted to her death. They never found her body, but that didn’t mean anything. It was a windy day, and they were too upset to launch a full-scale search. Besides, if Psyche hadn’t died, that meant the monster of the prophecy had taken her, which was even worse. The king and queen returned home, brokenhearted, convinced they would never see their beloved daughter and favorite tourism magnet again. The end. Not really. In the long run, Psyche would’ve suffered less if she had died, but she didn’t. As she fell from the rock, the winds swirled around her. Forty feet from the valley floor, they slowed her fall and lifted her up. “Hi,” said a disembodied voice. “I’m Zephyrus, god of the west wind. How ya doing today?” “Um…terrified?” said Psyche. “Great,” said Zephyrus. “So we have a short flight this morning, heading over to my master’s palace. Weather looks good. Maybe a little turbulence on our initial ascent.” “Your master’s palace?” “Please remember to keep your seat belt fastened, and don’t disable the smoke detectors in the lavatory.” “What language are you speaking?” Psyche demanded. “What are you talking—AHHH!” The west wind swept her away at a thousand miles an hour, leaving behind Psyche’s stomach and a trail of black flower petals. They touched down in a grassy valley blanketed with wildflowers. Butterflies flitted through the sunlight. Rising in the distance was the most beautiful palace Psyche had ever seen. “Thanks for flying with us today,” Zephyrus said. “We know you have a lot of options when choosing a directional wind, and we appreciate your business. Now, you’d better get going. He’ll be waiting.” “Who—?” But the air turned still. Psyche sensed that the wind god was gone.
Rick Riordan (Percy Jackson's Greek Heroes)
doubled over and an old bobble-hat was hanging down between his knees.  Jamie took another look to see if he was okay, and spotted an empty vodka bottle between his heels against the curb.  She sighed and dragged her eyes back to the man and woman sitting by the fence. They looked up at Roper and Jamie and stopped talking.  As they drew closer the pair got up and walked away quickly without another word, keen to avoid any questions that might have been directed at them. Jamie and Roper didn’t bother calling out, and neither were prepared to chase them down.  They were both in their forties, and neither of them were Grace.  Roper paused at the fence and put his foot on it, craning his neck to see under the bridge beyond.  Long green tendrils looped their way down the bank, the jagged bramble leaves twisting gently in the autumn air.  The sky overhead had turned turbulent and grey, bruised raw by the incoming winter.  Jamie shivered and stepped past Roper, who didn’t seem inclined to make his way onto the loose bank in his old slick-bottom Chelsea boots. Jamie didn’t have that trepidation. She looked back as she stepped over the stained blanket, her deeply-teased heel crunching in the loose stone.  Roper was grimacing, staring down at the bridge and the tents under it.  Jamie could see by the look on his face that he was hoping she’d not ask him to follow. Sounds of conversation were echoing up and a thin blanket of smoke was clinging to the girders above. Someone was warming themselves. Some faces had already appeared in the openings to the little makeshift huts and shelters, peering out at the two newcomers — at the two outsiders.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
He stood over his fallen enemy, fighting to control the beast in himself, the wild surge of triumph, the addicting rush of power that shook his body. He felt none of his earlier wounds, only sheer joy in the night, in his victory. The wildness in him grew dangerously, spread like molten fire. The wind whipped up and carried a scent. Raven. Mikhail’s blood surged hotly; his fangs ached, and hunger grew. He scented the humans, the one that had touched his lifemate. Bloodlust shook him, and the Carpathians stepped farther back as the power seemed to radiate from Mikhail’s body, as the need to kill nearly overwhelmed him. The wind swirled around him in a constant eddy, and Raven’s scent remained elusive and faint. Raven. His body clenched, burned. Raven. The wind whispered her name, and the turbulent storm raging in him began to ease. Mikhail’s mind reached for the light, the path back from the world of violence. “Destroy every evidence of this thing,” he snapped tersely, to no one in particular. He moved with blinding speed back inside the ruins of the vampire’s lair, materialized out of thin air, and loomed over Monique, who was holding Raven’s lifeless body in her arms, rocking her.
Christine Feehan (Dark Prince (Dark, #1))
Why is it that men want their own way in all things?” she asked, her tone exquisitely mild, but her blue eyes turbulently stormy. Player hoped this was one of those moments when a woman didn’t really want an answer. She wanted someone to listen. He did his best to look very interested in all she had to say. Any woman who floated teapots in the air commanded his respect. Jonas Harrington, whether he carried a gun or not, was crazy to annoy this woman on any level. The silence stretched between them until Player realized it was very possible Hannah required an answer. He cleared his throat. “You do realize I came to you because I totally fucked up my relationship with my woman, right? I don’t have a clue why men do half the bullshit things we do, Hannah. I came here to learn from you, not to advise you. I’m trying to get the brothers to ask a few questions so they don’t ruin what they have.” “You so deserve a cookie. They’re really good too. Take two.” Hannah beamed at him.
Christine Feehan (Reckless Road (Torpedo Ink, #5))
All that has happened let it flow in, all that flows in let it shape you, all that leaves let it go even if that crumbles you, let it all go, let it evaporate in the flames of Time. Don't regret any part of your life, any decision that you had once taken, because that's exactly what it needed to be like at that very moment to make you come this far in this exact space that you occupy now. Sometimes you would be happy with that present space and sometimes you won't, but when you find yourself distraught and broken in that state remind yourself that your journey is not over yet. Sometimes when you look back and see that in some parts of your Life, Life didn't treat you great, know that it isn't Life it is those few people and those chosen situations that Life had planned in chiselling you into your soul's very armour. Sometimes things that happen would never make sense but that's when you know that they are not meant to make sense and you accept them gracefully as a part of God's plans. That is when you learn to accept, in its absolute fullness. At times Life may look stagnant as if nothing makes sense and looking back you might like to put up questions before Life but then you have to keep going, one step at a time, seeping in every breath of air in a single moment, trying to nourish every bit of your soul and that is all around. Pain is immensely powerful and it can either ruin you entirely or form you into something beyond your imagination, but that only happens when you surrender to the summit of the pain and let it flow in each atom of your soul. Let your suffering absorb you into its shell, feel it, embrace it and above all cherish it. Not everyone is given the power to assemble a force so pure and so vulnerably strong. And then each time something comes with a face of anger, envy, fear or grief or anything that is disruptive you walk upon it gently with grace, a smile of calmness, the one that only the ocean finds to reduce the waves of a turbulent gust. That is the cost you have paid. Rather, that is the reward you have earned.
Debatrayee Banerjee
He was walking over toward the West Side, aimlessly at first, and then at times with the longing to do something to save those mistaken men from themselves forming itself into a purpose. Was not that what she meant when she bewailed her woman's helplessness? She must have wished him to try if he, being a man, could not do something; or if she did not, still he would try, and if she heard of it she would recall what she had said and would be glad he had understood her so. Thinking of her pleasure in what he was going to do, he forgot almost what it was; but when he came to a street-car track he remembered it, and looked up and down to see if there were any turbulent gathering of men whom he might mingle with and help to keep from violence. He saw none anywhere; and then suddenly, as if at the same moment, for in his exalted mood all events had a dream-like simultaneity, he stood at the corner of an avenue, and in the middle of it, a little way off, was a street-car, and around the car a tumult of shouting, cursing, struggling men. The driver was lashing his horses forward, and a policeman was at their heads, with the conductor, pulling them; stones, clubs, brickbats hailed upon the car, the horses, the men trying to move them. The mob closed upon them in a body, and then a patrol-wagon whirled up from the other side, and a squad of policemen leaped out and began to club the rioters. Conrad could see how they struck them under the rims of their hats; the blows on their skulls sounded as if they had fallen on stone; the rioters ran in all directions. One of the officers rushed up toward the corner where Conrad stood, and then he saw at his side a tall, old man, with a long, white beard, who was calling out at the policemen: "Ah, yes! Glup the strikerss—gif it to them! Why don't you co and glup the bresidents that insoalt your lawss, and gick your Boart of Arpidration out-of-toors? Glup the strikerss—they cot no friendts! They cot no money to pribe you, to dreat you!" The officer lifted his club, and the old man threw his left arm up to shield his head. Conrad recognized Lindau, and now he saw the empty sleeve dangle in the air over the stump of his wrist. He heard a shot in that turmoil beside the car, and something seemed to strike him in the breast. He was going to say to the policeman: "Don't strike him! He's an old soldier! You see he has no hand!" but he could not speak, he could not move his tongue. The policeman stood there; he saw his face: it was not bad, not cruel; it was like the face of a statue, fixed, perdurable—a mere image of irresponsible and involuntary authority. Then Conrad fell forward, pierced through the heart by that shot fired from the car. March heard the shot as he scrambled out of his car, and at the same moment he saw Lindau drop under the club of the policeman, who left him where he fell and joined the rest of the squad in pursuing the rioters. The fighting round the car in the avenue ceased; the driver whipped his horses into a gallop, and the place was left empty. March would have liked to run; he thought how his wife had implored him to keep away from the rioting; but he could not have left Lindau lying there if he would. Something stronger than his will drew him to the spot, and there he saw Conrad, dead beside the old man.
William Dean Howells (A Hazard of New Fortunes (Modern Library Classics))
The loss of his wife and mother on the same day became more than a catastrophic landmark in Theodore Roosevelt’s personal life: The brutal twist of fate reshaped his philosophy of leadership as well. It underscored the vulnerability, fragility, and mutability of all his endeavors, political and personal. Career objectives now seemed air-drawn, subject to dissolving or reversing in a moment’s time. Following that gruesome February day, chance—good luck and bad—would be deemed the trump card in his deck. This basic fatalism helps explain what might otherwise seem a haphazard choice of career opportunities during the next decade.
Doris Kearns Goodwin (Leadership: In Turbulent Times)
As an altitude researcher, I know the air turbulence is getting worse every year.
Steven Magee
I always keep my seat belt on when seated in an airplane, so I do not hit the ceiling as it suddenly drops like an extreme roller coaster!
Steven Magee
Perched on the side of the boat, he’d sniffed at the air as if for the first time, and studied the increasingly turbulent sky with eyes so devoid of fellow feeling that Einstein was reminded of the brown-shirted thugs he had seen in the news reels, strutting through the streets of Berlin, or driving in open cars past the burning ruins of the Reichstag that they had set ablaze. Off to the east,
Robert Masello (The Einstein Prophecy)
The four elements other than space—earth, water, air, and fire—create turbulence from time to time. If you depend on them for support, they’ll shake you and lead you back to the space element. Finding security in inner space is spirituality.
Ravi Shankar (Notes for the Journey Within: Essentials of the Art of Living)