Covered Bridge Quotes

Policemen and security guards wear hats with a peak that comes down low over their eyes. Apparently this is for psychological reasons. Eyebrows are very expressive and you appear a lot more authoritative if you keep them covered up. The advantage of this is that it makes a lot harder for cops to see anything more than six foot off the ground. Which is why painting rooftops and bridges is so easy.

I’m saying your name in the grocery store, I’m saying your name on the bridge at dawn. Your name like an animal covered with frost, your name like a music that’s been transposed, a suit of fur, a coat of mud, a kick in the pants, a lungful of glass, the sails in wind and the slap of waves on the hull...

The painting showed a hairless, oppressed creature with a head like an inverted pear, its hands clapped in horror to its ears, its mouth open in a vast, soundless scream. Twisted ripples of the creature's torment, echoes of its cry, flooded out into the air surrounding it; the man or woman, whichever it was, had become contained by its own howl. It had covered its ears against its own sound. The creature stood on a bridge and no one else was present; the creature screamed in isolation. Cut off by - or despite - its outcry.

[Slitscan's audience] is best visualized as a vicious, lazy, profoundly ignorant, perpetually hungry organism craving the warm god-flesh of the anointed. Personally I like to imagine something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It's covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth, Laney, no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote. Or by voting in presidential elections.

I read a lot. I listen a lot. I think a lot. But so little remains. The books I read, their plots, their protagonists fade. The university lectures that I had found pretty impressive on first hearing, have faded away. Now I am listening to one on Pirandello. Names of people, books, cities. They are already fading away. Even the titles of films I’ve seen recently — they have already faded. Authors of thousands of books I’ve read... All that remains are the colours of their bindings, their covers. I don’t remember much about Beauty and the Beast, but I remember clearly, vividly the hear of the day as we were crossing the Rhine bridge, to see the film. Everything that I see, or red, or listen to, connects, translates into moods, bits of surroundings, colors. No, I am not a novelist. No precision of observation, detail. With me, everything is mood, mood, or else —simply nothingness.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

The city was asleep on its right side and shaking with violent nightmares. Long puffs of snoring came out of the chimneys. Its feet were sticking out because the clouds did not cover it altogether. There was a hole in them and the white feathers were falling out. The city had untied all its bridges like so many buttons to feel at ease. Wherever there was a lamplight the city scratched itself until it went out.

She doesn’t burn bridges, she covers them in gypsy flowers and feather kisses, then strolls along her merry way. Too heavy to carry grudges, she leaves love and hope droplets wherever she goes.

And I know I make the same mistakes every time. Bridges burn, I never learn. At least I did one thing right. I’m laughing with my lover, making forts under covers, trust him like a brother. - Call It What You Want

Perhaps my grandfather was right, perhaps I was spoiled in the bud by the books I read. But it is ages since books have claimed me. For a long time now I have practically ceased to read. But the taint is still there. Now people are books to me. I read them from cover to cover and toss them aside. I devour them, one after the other. And the more I read, the more insatiable I become. There is no limit to it. There could be no end, and there was none, until inside me a bridge began to form which united me again with the current of life from which as a child I had been separated.

Look, it is snowing! Oh, I must go out! Amsterdam asleep in the white night, the dark jade canals under the little snow-covered bridges, the empty streets, my muted steps--there will be purity, even if fleeting, before tomorrows mud.See the huge flakes drifting against the windowpanes. It must be the doves, surely. They finally make up their minds to come down, the little dears; they are covering the waters and the roofs with a thick layer of feathers; they are fluttering at every window. What an invasion! Lets hope they are bringing good news.

I know all about bridges like that one. I know all about roads that can only be found with the mind. One of them is how I find my way to Christmasland. There is the Night Road, and the train tracks to Orphanhenge, and the doors to Mid-World, and the old trail to the Tree House of the Mind, and then there is Victoria’s wonderful covered bridge.

To covered bridges in the late afternoon, or, better yet, on warm red mornings.

Just back from canal ride on bike. Went really well until someone threw an egg at me from a bridge. Or maybe it was a bird which went into sudden labour. Will clean off egg, not do Boris Bikes any more and go to Obesity Clinic on bus. At least will be alive and clean when sitting on arse instead of dead and covered in egg.

Down through the druid wood I saw Wildman join with Cleaver Creek, put on weight, exchange his lean and hungry look for one of more well-fed fanaticism. Then came Chichamoonga, the Indian Influence, whooping along with its banks war-painted with lupine and columbine. Then Dog Creek, then Olson Creek, then Weed Creek. Across a glacier-raked gorge I saw Lynx Falls spring hissing and spitting from her lair of fire-bright vine maple, claw the air with silver talons, then crash screeching into the tangle below. Darling Ida Creek slipped demurely from beneath a covered bridge to add her virginal presence, only to have the family name blackened immediately after by the bawdy rollicking of her brash sister, Jumping Nellie. There followed scores of relatives of various nationalities: White Man Creek, Dutchman Creek, Chinaman Creek, Deadman Creek, and even a Lost Creek, claiming with a vehement roar that, in spite of hundreds of other creeks in Oregon bearing the same name, she was the one and only original...Then Leaper Creek...Hideout Creek...Bossman Creek...I watched them one after another pass beneath their bridges to join in the gorge running alongside the highway, like members of a great clan marshaling into an army, rallying, swelling, marching to battle as the war chant became deeper and richer.

Perhaps it is this story that is a bridge over the void, and as it advances it flings forward news and sensations and emotions to create a ground of upsets both collective and individual in the midst of which a path can be opened while we remain in the dark about many circumstances both historical and geographical. I clear my path through the wealth of details that cover the void I do not want to notice and I advance impetuously...

Who is that trip-trapping upon my bridge?' Miss Davies spoke in the low, growling tones of the troll in the story. Some of the little ones covered their mouths and giggled, but most only watched her solemnly, accepting the voice of the troll as they accepted the voices of their dreams, and their grave eyes reflected the eternal fascination of the fairy tale: would the monster be bested . . . or would it feed?

Sure, I hung out around Red Witch Bridge in the middle of the night, but that was in the cover of the trees with an urban legend and a baseball bat as weapons.

He smiled at the sudden image of Prometheus tossing cars from one side of the bridge to the other to build his barrier. He heard the tiny tinkle of glass and wondered if being tossed across the Golden Gate Bridge by an Elder was covered by insurance.

I don't want you stashing yourself away with your Smolny friends tonight," Maman said. "I want to see you dancing with lots of handsome young princes and grand dukes." I rolled my eyes and stared out the window at the snow-covered city. I resolved to dance with the ugliest and the poorest men in the ballroom--if they should ask me.

I know all about roads that can only be found with the mind. One of them is how I find my way to Christmasland. There is the Night Road, and the train tracks to Orphanhenge, and the doors to Mid-World, and the old trail to the Tree House of the Mind, and then there is Victoria’s wonderful covered bridge.

Ashes, Nolan. You're covered in the ashes of burned bridges; because of things left unsaid. Or maybe the times someone said too much.

In Suruga stands Mount Fuji, which I used to see in the West from the province where I grew up. There is no mountain like it in the world. It has the most unusual shape and seems to have been painted deep blue, its thick cover of unmelting snow gives the impression that the mountain is wearing a white jacket over a dress of deep violet.

Some things last, she thought. Rocks, rivers, old covered bridges. And some things don’t last. Hot August nights and everything they bring with them. They elude us, so we go on without them, eventually we die and there is no sign of us.

As he crossed Grattan Bridge he looked down the river towards the lower quays and pitied the poor stunted houses. They seemed to him a band of tramps, huddled together along the riverbanks, their old coats covered with dust and soot, stupefied by the panorama of sunset and waiting for the first chill of night bid them arise, shake themselves and begone.

Personally I like to imagine something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It’s covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth, Laney, no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote. Or by voting in presidential elections.

persistent, flowing through fallen shadows, excavating tunnels, drilling silences, insisting, running under my pillow, brushing past my temples, covering my eyelids with another, intangible skin made of air, its wandering nations, its drowsy tribes migrate through the provinces of my body, it crosses, re-crosses under the bridges of my bones, slips into my left ear, spills out from my right, climbs the nape of my neck, turns and turns in my skull, wanders across the terrace of my forehead, conjures visions, scatters them, erases my thoughts one by one with hands of unwetting water, it evaporates them, black surge, tide of pulse-beats, murmur of water groping forward repeating the same meaningless syllable, I hear its sleepwalking delirium losing itself in serpentine galleries of echoes, it comes back, drifts off, comes back, endlessly flings itself off the edges of my cliffs, and I don’t stop falling and I fall

A rumbling began from somewhere in the direction of the Ice Court. “Oh, Saints, please let that be Jesper,” she pleaded as they pulled themselves over the lip of the gorge and looked back at the bridge festooned with ribbons and ash boughs for Hringkalla. “Whatever is coming, it’s big,” said Matthias. “What do we do, Kaz?” “Wait,” he said as the sound grew louder. “How about ‘take cover?’” Nina asked, bouncing nervously from foot to foot. “‘Have heart?’ ‘I stashed twenty rifles in this convenient shrubbery?’ Give us something.

He glanced back. Two images became impressed in his memory. One was of a collapsible lifeboat slipping from the ship, still sheathed in its protective cover; the other, of Captain Turner in full dress uniform still on the bridge as the Lusitania began its final dive.

The stone basin was crusted with ice now. The courtyard security light illuminated its depths, and as he leaned over it he could make out the fiery glints of goldfish beneath the surface. There, beneath the cover of the ice, their flickering lives went on. He wanted to know how they did it, how they withstood the slowing of their hearts, the chilling of their blood, through the long darkness of winter.

My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .

Railroads have eaten up all the capital and covered Russia like spiderwebs, so that perhaps in another fifteen years or so one may even be able to take a ride somewhere. Bridges burn only rarely, while towns burn down regularly, in established order, by turns, during the fire seasons.

When it gets dark, it's only because god has tucked me in a cleft of the rock and covered me, protected, with His hand? In the pitch, I feel like I'm falling, sense the bridge giving way, God long absent. In the dark, the bridge and my world shakes, cracking dreams. But maybe this is true reality: It is in the dark that God is passing by. the bridge and our lives shake not because God has abandoned, but the exact opposite: God is passing by. God is in the tremors. Dark is the holiest ground, the glory passing by. In the blackest, God is closest, at work, forging His perfect and right will. Though it is black and we can't see and our world seems to be free-falling and we feel utterly alone, Christ is most present to us, I-beam supporting in earthquake.

Did the proposal go well? Was it romantic? Did you surprise her? I can’t believe you didn’t tell me you were going to do it.” Clary smacked Simon on the arm. “Did you have roses? Izzy loves roses.” “It was on impulse,” Simon said. “An impulse proposal. We were on the Brooklyn bridge. Izzy had just snipped the head off a Shax demon.” “Covered in ichor, she had never appeared to you more luminous?” said Jace. “Something like that,” said Simon. “That’s the most Shadowhunterish thing I’ve ever heard,” said Clary.

Fog is somewhere under the Golden Gate Bridge waiting to eat us all, but it’s staying there, invisible, for the time being, waiting for the right hour to cover and consume us.

The bridge is covered with ice, sparkling beneath the last few valiant stars as dawn heaves its way over the horizon.

Communication is the only bridge that can resolve the conflict and cover up the distance between two perspectives.

Two weeks of false starts, of too much cloud cover, of strong wind, of last minute mechanical doubts.

There wasn’t an iota of Information Ministry training that covered tripartite negotiations from the bridge of a Fleet flagship, where one of the negotiating parties wasn’t even human and one of the others wasn’t Teixcalaanli, and none of the parties were Information agents except the negotiator. She should write a procedure manual. If she lived long enough to be that bored.

Here undoubtedly lies the chief poetic energy:—in the force of imagination that pierces or exalts the solid fact, instead of floating among cloud-pictures. To glory in a prophetic vision of knowledge covering the earth, is an easier exercise of believing imagination than to see its beginning in newspaper placards, staring at you from the bridge beyond the corn-fields; and it might well happen to most of us dainty people that we were in the thick of the battle of Armageddon without being aware of anything more than the annoyance of a little explosive smoke and struggling on the ground immediately about us.

The greatest tie of all is language . . . Words are the only things that last forever. The most tremendous monuments or prodigies of engineering crumble under the hand of time. The Pyramids moulder, the bridges rust, the canals fill up, grass covers the railway track; but words spoken two or three thousand years ago remain with us now, not as mere relics of the past, but with all their pristine vital force.

The greatest tie of all is language . . . Words are the only things that last forever. The most tremendous monuments or prodigies of engineering crumble under the hand of time. The Pyramids moulder, the bridges rust, the canals fill up, grass covers the railway track; but words spoken two or three thousand years ago remain with us now, not as mere relics of the past, but with all their pristine vital force.’204

there is no partition: only feet soles covered in soil, watching yellow kites crisscross a blue sky. singing in the language of joy, holding a thousand moons in their palms, an open land calling out your name: home

All at once, in his dangerous position, Ćorkan felt himself separated from his companions. He was now like some gigantic monster above them. His first steps were slow and hesitating. His heavy clogs kept slipping on the stones covered with ice. It seemed to him that his legs were failing him, that the depths below attracted him irresistibly, that he must slip and fall, that he was already falling. But his unusual position and the nearness of great danger gave him strength and hitherto unknown powers. [...] Instead of walking, he began to dance, he himself did not know how, as free as if he had been on a wide green field and not on that narrow and icy edge. All of a sudden he felt himself light and skilful as a man sometimes in dreams. His heavy and exhausted body felt without weight. The drunken Ćorkan danced and floated above the depths as if on wings. [...] His dance bore him onward where his walk would never have borne him- No longer thinking of the danger of the possibility of a fall, he leapt from one leg to the other and sang with outstretched arms as accompanying himself on a drum.

Unless you're in an early seventies-era Eagles cover band, a founding member of a religious cult, or sleeping under a bridge in Seattle, lose the beard and get a haircut. Power doesn't have time for any form of hirsute hipster self expression.

Here’s the thing about falling for someone who’s already given up; there’s no promise of tomorrow. There aren’t any words of comfort that can be said, no glimpse of a positive change. Every moment, every thought could be their last. It’s like you’re helplessly walking into quicksand, waiting for the muck to cover your mouth and eyes until you can no longer find a way to breathe. No, it’s more like jumping from a high bridge without the promise of water underneath. And I fucking hate heights.

New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.

Approaching Em’s cottage, especially at night, always enchanted him. It was like walking into those fairy tales he’d read by flashlight under his bedcovers, full of rose-covered cottages and small stone bridges, glowing hearths and content couples hand in hand. His relieved father had thought he was reading Playboy but instead he was doing something infinitely more pleasurable and dangerous. He was dreaming of the day he’d create this fairy-tale world for himself, and he’d succeeded, at least in part. He had himself become a fairy. And as he looked at Em’s cottage, its buttery light beaconing, he knew he’d walked right into the book he’d used to comfort himself when the world seemed cold and hard and unfair. Now he smiled and walked toward the house, carrying his Christmas Eve offering.

Though he could not remember how he had been injured or how long he had been unconcious, his first thought was to call the office and find someone to cover his shifts. He had a busy week of beating people to a bloody pulp, and his victims weren't going to punch themselves in the face. He couldn't leave his bosses in the lurch. He was evil, but he was professional. Perhaps it was his dedication to his work that had built him such an impressive resume: fifteen broken jaws, fifty-seven legs, a hundred arms, and more noses than he could count. He had knocked out thousands of teeth, pushed a few people off bridges, and once buried a guy in concrete up to his neck. He had been nominated for the Goon of the Year nine times by OUCH (Organization of United Criminals and Henchman), and had won its highest honor, the Brass Knuckle, seven times. At the office, he showed up early and left late. He ate his lunch on the job, frequently beating people as he ate his peanut-butter-and-jelly sandwiches. You didn't get on the FBI's Ten Most Wanted list by taking a sick day!

Walking back across the St-Esprit bridge, to the ghetto I'd instinctively gravitated toward, I mentally erected a more appropriate statue on the square. It would depict an unknown Sephardic Jew, kneeling over a stone tripod covered with crushed cacao beans destined for a cup of chocolate for one of the gentiles of Bayonne. It would be a symbolic piece, executed in smooth, chocolate-hued marble, and dedicated to all the other forgotten heroes--coffee-drinking Sufi dervishes, peyote-eating Native Americans, Mexican hemp-smokers--who, throughout history, have faced the wrath of all the sultans, drug czars, and Vatican clerics who have resorted to any spurious pretext to squelch one of the most venerable and misunderstood of human drives: the desire to escape, however briefly, everyday consciousness.

You think I don’t know that? Something inside me fucking died when I saw you lying there, covered in blood.” I reach for Calista, taking her face between my hands and forcing her to look up at me. “I don’t think you realize what that did to me, how it’s still killing me.

Once we were on the other side, the driver spoke up. “You know, that bridge we just crossed is covered with IEDs,” he said, “bombs planted by Daesh in case the Iraqis or the Americans try to retake Mosul. I hate driving over it. I feel like it could explode at any moment.

The worst of the graffiti in Bassey Park – much of it coolly logical anti-gay statements such as KILL ALL QUEERS and AIDS FROM GOD YOU HELLBOUND HOMOS!! – was sanded off the benches and wooden walls of the little covered walkway over the Canal known as the Kissing Bridge.

Key Rabbit, allow me to bore you with a comparison of your wife and a beautiful woman," I said. "In the morning a beauty must lie in bed for three or four hours gathering strength for another mighty battle with Nature. Then, after being bathed and toweled by her maids, she loosens her hair in the Cascade of Teasing Willows Style, paints her eyebrows in the Distant Mountain Range Style, anoints herself with the Nine Bends of the River Diving-water Perfume, applies rouge, mascara, and eye shadow, and covers the whole works with a good two inches of the Powder of the Nonchalant Approach. Then she dresses in a plum-blossom patterned tunic with matching skirt and stockings, adds four or five pounds of jewelry, looks in the mirror for any visible sign of humanity and is relieved to find none, checks her makeup to be sure that it has hardened into an immovable mask, sprinkles herself with the Hundred Ingredients Perfume of the Heavenly Spirits who Descended in the Rain Shower, and minces with tiny steps toward the new day. Which, like any other day, will consist of gossip and giggles.

If you leave within the hour, you can make it by nightfall. With this rain, I wouldn't wait longer. The stream is close to covering the bridge already." Sophia had to smile. "Anxious to get rid of me?" "Aye.I'm tried of seeing your long face over the breakfast table." She laughed a little. "Red,I don't understand. Why are you so insistent about this?" "Because if anyone knows the cost of lost opportunities, it's me. Sometimes you have to grab life by the horns and ride it,even if it tries to throw you. I don't want to see you spending the rest of your life wincing every time you say this man's name.

Monet Refuses the Operation" Doctor, you say that there are no halos around the streetlights in Paris and what I see is an aberration caused by old age, an affliction. I tell you it has taken me all my life to arrive at the vision of gas lamps as angels, to soften and blur and finally banish the edges you regret I don’t see, to learn that the line I called the horizon does not exist and sky and water, so long apart, are the same state of being. Fifty-four years before I could see Rouen cathedral is built of parallel shafts of sun, and now you want to restore my youthful errors: fixed notions of top and bottom, the illusion of three-dimensional space, wisteria separate from the bridge it covers. What can I say to convince you the Houses of Parliament dissolve night after night to become the fluid dream of the Thames? I will not return to a universe of objects that don’t know each other, as if islands were not the lost children of one great continent. The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and changes our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end.

This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.

corruption is defined in narrow terms to nail the poor deluded fool who slips a £20 note inside the cover of their passport before handing it to the Border Force officer who is checking travel documents with a CCTV camera looking over her shoulder. There’s nothing corrupt about the government minister who announces new and impossible performance targets for a hitherto just-about-coping agency that manages transport infrastructure, drives it into a smoking hole in the ground, and three years later retires and joins the board of the corporation that subsequently took over responsibility for maintaining all the bridges on behalf of the state—for a tidy annual fee, of course. After all, the minister is a demonstrable expert on the ownership and management of bridges, and there’s no provable link between their having set up the agency for failure and their subsequently being granted a nonexecutive directorship that gets them their share of the rental income from the privatized bridge, is there?

Yes,” I whisper. “This is my home because you’re here.” “You’re my home.” He lightly taps my chest, just above my heart. “This is where I want to be.” I cover his hand with mine, flattening it against my skin. “You are.” He nods, but retracts his hand and squeezes his eyes shut as though he’s in pain. “Callie?” he says, his voice strained.

Resolution of the conflict between black and white women cannot begin until all women acknowledge that a feminist movement, which is both racist and classist, is a mere sham, a cover up for women’s continued bondage to materialistic, patriarchal principles, and passive acceptance of the status quo. The sisterhood that is necessary for the making of feminist revolution can be achieved only when all women disengage themselves from the hostility, jealousy, and competition with one another that has kept us vulnerable, weak, and unable to envision new realities. That sisterhood cannot be forged by the mere saying of words. It is the outcome of continued growth and change. It is a goal to be reached, a process of becoming. The process begins with action. With the individual woman’s refusal to accept any set of myths, stereotypes, and false assumptions that deny the shared commonness of her human experience. That deny her capacity to experience the unity of all life. That deny her capacity to bridge gaps created by racism, sexism or classism. That deny her ability to change. The process begins with the individual woman’s acceptance that American women, without exception, are socialized to be racist, classist, and sexist in varying degrees. And that labeling ourselves feminists, does not change the fact that we must consciously work to rid ourselves of the legacy of negative socialization.

I always felt that someone, a long time ago, organized the affairs of the world into areas that made sense-catagories of stuff that is perfectible, things that fit neatly in perfect bundles. The world of business, for example, is this way-line items, spreadsheets, things that add up, that can be perfected. The legal system-not always perfect, but nonetheless a mind-numbing effort to actually write down all kinds of laws and instructions that cover all aspects of being human, a kind of umbrella code of conduct we should all follow. Perfection is crucial in building an aircraft, a bridge, or a high-speed train. The code and mathematics residing just below the surface of the Internet is also this way. Things are either perfectly right or they will not work. So much of the world we work and live in is based upon being correct, being perfect. But after this someone got through organizing everything just perfectly, he (or probably a she) was left with a bunch of stuff that didn't fit anywhere-things in a shoe box that had to go somewhere. So in desperation this person threw up her arms and said, 'OK! Fine. All the rest of this stuff that isn't perfectible, that doesn't seem to fit anywhere else, will just have to be piled into this last, rather large, tattered box that we can sort of push behind the couch. Maybe later we can come back and figure where it all is supposed to fit in. Let's label the box ART.' The problem was thankfully never fixed, and in time the box overflowed as more and more art piled up. I think the dilemma exists because art, among all the other tidy categories, most closely resembles what it is like to be human. To be alive. It is our nature to be imperfect. The have uncategorized feelings and emotions. To make or do things that don't sometimes necessarily make sense. Art is all just perfectly imperfect. Once the word ART enters the description of what you're up to , it is almost getting a hall pass from perfection. It thankfully releases us from any expectation of perfection. In relation to my own work not being perfect, I just always point to the tattered box behind the couch and mention the word ART, and people seem to understand and let you off the hook about being perfect a go back to their business.

Bruce Wayne Carmody had been unhappy for so long that it had stopped being a state he paid attention to. Sometimes Wayne felt that the world had been sliding apart beneath his feet for years. He was still waiting for it to pull him down, to bury him at last. His mother had been crazy for a while, had believed that the phone was ringing when it wasn’t, had conversations with dead children who weren’t there. Sometimes he felt she had talked more with dead children than she ever had with him. She had burned down their house. She spent a month in a psychiatric hospital, skipped out on a court appearance, and dropped out of Wayne’s life for almost two years. She spent a while on book tour, visiting bookstores in the morning and local bars at night. She hung out in L.A. for six months, working on a cartoon version of Search Engine that never got off the ground and a cocaine habit that did. She spent a while drawing covered bridges for a gallery show that no one went to. Wayne’s father got sick of Vic’s drinking, Vic’s wandering, and Vic’s crazy, and he took up with the lady who had done most of his tattoos, a girl named Carol who had big hair and dressed like it was still the eighties. Only Carol had another boyfriend, and they stole Lou’s identity and ran off to California, where they racked up a ten-thousand-dollar debt in Lou’s name. Lou was still dealing with creditors. Bruce Wayne Carmody wanted to love and enjoy his parents, and occasionally he did. But they made it hard. Which was why the papers in his back pocket felt like nitroglycerin, a bomb that hadn’t exploded yet.

This positive-thinking stuff is crap," she said to me one evening as I sat on her hospital bed. "But then, so is negative thinking. They both cover up reality—which is that we just don't know what is going to happen. That's the reality we have to live with. But it is easy to see why people take refuge in optimism or pessimism. They both give you an answer. But the truth is that we just don't know. What a hard truth that is!

Labienus first tried, under cover of a line of mantlets, to make a causeway across the marsh on a foundation of fascines and other material. Finding this too difficult, he silently quitted his camp some time after midnight and retraced his steps to Metlosedum, a town of the Senones situated like Lutetia on an island in the river. He seized some fifty boats, quickly lashed them together to form a bridge, and sent troops across to the island.

Inclusion safety: Are you prepared to cross the threshold of inclusion, bridge differences, and invite others into your society? 2. Learner safety: Are you prepared to encourage others to learn? 3. Contributor safety: Are you prepared to give others the autonomy to contribute and deliver results? 4. Challenger safety: And finally, are you prepared to cross the threshold of innovation and provide air cover for others to challenge the status quo and innovate?

On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma

All those years of lurid magazine covers showing extremely nubile females being menaced in three distinct colors by assorted monstrosities; those horror movies, those invasion-from-outer-space novels, those Sunday supplement fright splashes—all those sturdy psychological ruts I had to re-track. Not to mention the shudders elicited by mention of 'worms,' the regulation distrust of even human "furriners,” the superstitious dread of creatures who had no visible place to park a soul. ("Betelgeuse Bridge)

5-4-10 Tuesday 8:00 A.M. Made a large batch of chili and spaghetti to freeze yesterday. And some walnut fudge! Relieved the electricity is still on. It’s another beautiful sunny day with fluffy white clouds drifting by. The last cloud bank looked like a dog with nursing pups. I open the window and let in some fresh air filled with the scent of apple and plum blossoms and flowering lilacs. Feels like it’s close to 70 degrees. There’s a boy on a skate board being pulled along by his St. Bernard, who keeps turning around to see if his young friend is still on board. I’m thinking of a scene still vividly displayed in my memory. I was nine years old. I cut through the country club on my way home from school and followed a narrow stream, sucking on a jawbreaker from Ben Franklins, and I had some cherry and strawberry pixie straws, and banana and vanilla taffy inside my coat pocket. The temperature was in the fifties so it almost felt like spring. There were still large patches of snow on the fairways in the shadows and the ground was soggy from the melt off. Enthralled with the multi-layers of ice, thin sheets and tiny ice sickles gleaming under the afternoon sun, dripping, streaming into the pristine water below, running over the ribbons of green grass, forming miniature rapids and gently flowing rippling waves and all the reflections of a crystal cathedral, merging with the hidden world of a child. Seemingly endless natural sculptures. Then the hollow percussion sounds of the ice thudding, crackling under my feet, breaking off little ice flows carried away into a snow-covered cavern and out the other side of the tunnel. And I followed it all the way to bridge under Maple Road as if I didn't have a care in the world.

No wind stirred the scene, and the pluming smoke billowed and roiled at its own whim. The plain near the bridge had been flattened by the passage of so many horses and men that it was nothing more than a flat field between the high banks of the river and the verge of a narrow band of trees that demarked fallow fields to the west. There was no shelter on this plain—it was exposed ground that Dietrich had hoped to cover swiftly before his Mongol pursuers could get within arrow range. His goal had been the bridge, but that hope died in his breast as soon as he realized where the smoke was coming from.

Man is not ... of fixed and enduring form. He is ... an experiment and a transition. He is nothing else than the narrow and perilous bridge between nature and spirit. His innermost destiny drives him on to the spirit and to God. His innermost longing draws him back to nature ... man ... is a bourgeois compromise That man is not yet a finished creation but rather a challenge of the spirit; a distant possibility dreaded as much as desired; that the way towards it has only been covered for a very short distance and with terrible agonies and ecstasies even by those few for whom it is the scaffold today and the monument tomorrow

Theon returned to the Great Keep through a covered stone walkway, the echoes of his footsteps mingling with the ceaseless rumble of the sea below. To get to the Sea Tower on its crooked pillar, he had to cross three further bridges, each narrower than the one before. The last was made of rope and wood, and the wet salt wind made it sway underfoot like a living thing. Theon’s heart was in his mouth by the time he was halfway across. A long way below, the waves threw up tall plumes of spray as they crashed against the rock. As a boy, he used to run across this bridge, even in the black of night. Boys believe nothing can hurt them, his doubt whispered. Grown men know better.

Every week or so, a gay kid somewhere jumps off a bridge or slashes his wrists. I am told that a boy near here hanged himself because his father could not accept who he was. On television, I listen to the things they say, the right-wingers, and fundamentalists, and all the people who consolidate their power by hurting other people. I want to cover up the ears of kids and say, “Do not take it in.” I took it in. I really did. I heard everything that people in the world around me said about who I was. It hurt me, but I thought I had no right to say anything because I was wrong. I didn’t know what silence would cost, how it would change my life. It takes a long time to outrun the things that the world drills into you. Our

So in a different version of my life, I had a bicycle. My father gave it to me when I was a little girl. And I could use this bicycle to find lost things. I would ride it across an imaginary covered bridge, and the bridge would always take me wherever I needed to go. Like once my mother lost a bracelet and I rode my bike across this bridge and came out in New Hampshire, forty miles away from home. And the bracelet was there, in a restaurant called Terry’s Primo Subs. With me so far?” “Imaginary bridge, superpowered bike. Got it.” “Over the years I used my bicycle and the bridge to find all kinds of things. Missing stuffed animals or lost photos. Things like that. I didn’t go ‘finding’ often. Just once or twice a year. And as I got older, even less. It started to scare me, because I knew it was impossible, that the world isn’t supposed to work that way. When I was little, it was just pretend. But as I got older, it began to seem crazy. It began to frighten me.” “I’m surprised you didn’t use your special power to find someone who could tell you there was nothing wrong with you,” Lou said. Her eyes widened and lit with surprise, and Lou understood that in fact she had done just that. “How did you—” she began. “I read a lot of comics. It’s the logical next step,” Lou said. “Discover magic ring, seek out the Guardians of the Universe. Standard operating procedure. Who was it?” “The bridge took me to a librarian in Iowa.” “It would be a librarian.

During my time at Eton, I led regular nighttime adventures, and word spread. I even thought about charging to take people on trips. I remember one where we tried to cross the whole town of Eton in the old sewers. I had found an old grill under a bridge that led into these four-foot-high old brick pipes, running under the streets. It took a little nerve to probe into these in the pitch black with no idea where the hell they were leading you; and they stank. I took a pack of playing cards and a flashlight, and I would jam cards into the brickwork every ten paces to mark my way. Eventually I found a manhole cover that lifted up, and it brought us out in the little lane right outside the headmaster’s private house. I loved that. “All crap flows from here,” I remember us joking at that time.

My intention all along had been to get my wakeboarding legs back this first day. Maybe I'd do tricks when we went out the next day. I didn't want to get too cocky and bust ass in front of Sean. But as I got more comfortable and forgot to care, I tried a few standbys-a front flip, a scarecrow. There was no busting of ass. So I tried a backroll. And landed it solidly. Now I got cocky. I did a heelside backroll with a nosegrab. This meant that in the middle of the flip, I let go of the rope handle with one hand, reached down, and grabbed the front of the board. It served no purpose in the trick except to look impressive, like, This only appears to be a difficult trick. I have all the time in the world. I will grab the board. Yawn. And I landed it. This was getting too good to be true. My brother swung the boat around just before we reached the graffiti-covered highway bridge that spanned the lake. Cameron had spray-painted his name and his girlfriend’s name on the bridge, alongside all the other couples’ names and over the faded ones. My genius brother had tried to paint his own name but ran out of room on that section of bridge. McGULLICUDD Y Sean wisely never painted his girlfriends’ names. He would have had to change them too often. For my part, I was very thankful that when most of this spray-painting action was going on last summer, I was still too short to reach over from the pile and haul myself up on the main part of the bridge. I probably had the height and the upper body strength now, and I prayed none of the boys pointed this out. Then I’d have to spray-paint LORI LOVES SEAN on the bridge. And move to Canada.

Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.

We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.

Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.

But now, in a new century and a different time, that great middle class is on the ropes. All across the country, people are worried—worried and angry. They are angry because they bust their tails and their income barely budges. Angry because their budget is stretched to the breaking point by housing and health care. Angry because the cost of sending their kid to day care or college is out of sight. People are angry because trade deals seem to be building jobs and opportunities for workers in other parts of the world, while leaving abandoned factories here at home. Angry because young people are getting destroyed by student loans, working people are deep in debt, and seniors can’t make their Social Security checks cover their basic living expenses. Angry because we can’t even count on the fundamentals—roads, bridges, safe water, reliable power—from our government. Angry because we’re afraid that our children’s chances for a better life won’t be as good as our own. People are angry, and they are right to be angry. Because this hard-won, ruggedly built, infinitely precious democracy of ours has been hijacked. Today

There is an apocryphal esoteric tale about the Christos that very much applies to this situation. One day the Christos and His closest students were walking across a bridge. Spiritually, bridges represent a way to 'cross over,' a means to arrive at a great truth, and a means to overcome obstacles. Bridges are an isthmus between life and death, a liminal (in-between) experience. While walking across the bridge, suddenly the Apostles rushed the Christos to one side of the bridge, indicating that they did not want Him to see something. The Christos demanded that the Apostles move out of the way and allow Him to see what they were hiding. The Christos looked down and saw that the Apostles had been hiding a dead dog that was in an advanced state of decay and putrefaction. Rather than covering His nose and turning away, instead the Christos knelt down and regarded the dog. Then he turned his gaze toward the Apostles and said, 'Look at the beautiful white teeth of this dog.' The Christos was teaching His Apostles that it is important to notice what is admirable and beautiful even in what most people would regard as repulsive.

Evie felt queer and light-headed as she stood facing St. Vincent. The moment he slid the ring onto her finger, her heart began beating much too fast, setting off reckless currents of something that was neither eagerness or fear, but a new emotion that heightened her senses unbearably. There was no word for it, this feeling. Tension gripped her while the pounding of her pulse refused to abate. Their hands flattened together, his fingers much longer than hers, his palm smooth and hot. His head inclined slightly, his face covering hers. Although he was expressionless, a hint of color had glazed the high planes of his cheekbones and crossed the bridge of his nose. And his breath was faster than usual. Surprised by the realization that she had already come to know something as intimate as the normal rhythm of his breathing, Evie averted her gaze. She saw the blacksmith taking a length of white ribbon from one of his daughters, and she flinched a little as he looped it firmly around their joined wrists. A wordless murmur tickled her ear, and she felt St. Vincent's free hand come up to the side of her neck, stroking her as if she were a nervous animal. She relaxed at his touch, while his fingertips moved over her skin with sensitive lightness.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

At first it seemed to be no more than a chance ray of light beamed into the vestibule by the shifting of a tree-bough between house and street lamp, but as we kept our eyes glued to it we saw that it was a form - a tall, attenuated, skeletally-thin form moving stealthily in the shadow. Slowly the thing emerged from the gloom of the doorway, and despite the warning I had had, I felt a prickling sensation at the back of my neck just above my collar, and a feeling as of sudden chill ran through my forearms. It was tall, as we had been told, fully six feet from its bare-boned feet to hairless, parchment-covered skull; and the articulation of its skeleton could be seen plainly through the leathery skin that clung to the gaunt, staring bones. The nose was large, high-bridged and haughty, like the beak of a falcon or eagle, and the chin was prominent beneath the brownish sheath of skin that stretched drum-tight across it. The eyes were closed and showed only as twin depressions in the skull-like countenance, but the mummified lips had retracted to show a double line of teeth in a mirthless grin. Its movements were irregular and stiff, like the movements of some monstrous mechanical doll or, as Edina Laurace had expressed it, like a marionette worked by unseen wires. But once it had emerged from the doorway it moved with shocking quickness. Jerkily, and with exaggeratedly high knee-action, it crossed the lawn, came to the sidewalk, turned on its parchment-soled feet as if on a pivot, and started after de Grandin. ("The Man In Crescent Terrace")

The Brook Alfred Tennyson By Alfred Tennyson more Alfred Tennyson I come from haunts of coot and hern, I make a sudden sally And sparkle out among the fern, To bicker down a valley. By thirty hills I hurry down, Or slip between the ridges, By twenty thorpes, a little town, And half a hundred bridges. Till last by Philip's farm I flow To join the brimming river, For men may come and men may go, But I go on for ever. I chatter over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever. I wind about, and in and out, With here a blossom sailing, And here and there a lusty trout, And here and there a grayling, And here and there a foamy flake Upon me, as I travel With many a silvery waterbreak Above the golden gravel, And draw them all along, and flow To join the brimming river For men may come and men may go, But I go on for ever. I steal by lawns and grassy plots, I slide by hazel covers; I move the sweet forget-me-nots That grow for happy lovers. I slip, I slide, I gloom, I glance, Among my skimming swallows; I make the netted sunbeam dance Against my sandy shallows. I murmur under moon and stars In brambly wildernesses; I linger by my shingly bars; I loiter round my cresses; And out again I curve and flow To join the brimming river, For men may come and men may go, But I go on for ever.

Helene was a person who had never been able to ask for help, and she couldn't ask for help now. She turned north and started walking toward her home, many miles away in San Rafael. It took her almost eight hours to reach there. After a short time her feet began to hurt, so she took off the heels and throw them away. As she walked on, her nylons tore and her feet began to bleed. She passed buildings that had collapsed, stumbled over rubble, waded through streets filled with filthy water from the fire-fighting efforts. Dirty, sweaty, and disheveled, she walked down the Marina to the Golden Gate Bridge and crossed it into the next county. She reached her home sometime after midnight and knocked on her own front door. It was opened by her fiance, who had never before seen her with her hair uncombed. Without a word, he took her into his arms, kicked the door closed, covered her dirty, tearstained face with kisses, and made love to her right there on the floor. Helene is a very intelligent person but she could not understand why she had never met this ardent lover before. When she asked him, he said simply, 'I was always afraid of smearing your lipstick.' She tells me that now when she begins to relapse into her former perfectionism, she remembers the look of love in her fiance's eyes when he opened the door. She had been looked at by men all of her life but she had never seen that expression in a man's eyes before. At the heart of any real intimacy is a certain vulnerability. It is hard to trust someone with your vulnerability unless you can see in them a matching vulnerability and know that you will not be judged. In some basic way it is our imperfections and even our pain that draws others close to us.

Excerpt from Storm’s Eye by Dean Gray With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed. “Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed. Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could. He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross. Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.

The Night-Song, the immortal plaint of one who, thanks to his superabundance of light and power, thanks to the sun within him, is condemned never to love. It is night: now do all gushing springs raise their voices. And my soul too is a gushing spring. It is night: now only do all lovers burst into song. And my soul too is the song of a lover. Something unquenched and unquenchable is within me, that would raise its voice. A craving for love is within me, which itself speaketh the language of love. Light am I: would that I were night! But this is my loneliness, that I am begirt with light. Alas, why am I not dark and like unto the night! How joyfully would I then suck at the breasts of light! And even you would I bless, ye twinkling starlets and glow-worms on high! and be blessed in the gifts of your light. But in mine own light do I live, ever back into myself do I drink the flames I send forth. I know not the happiness of the hand stretched forth to grasp; and oft have I dreamt that stealing must be more blessed than taking. Wretched am I that my hand may never rest from giving: an envious fate is mine that I see expectant eyes and nights made bright with longing. Oh, the wretchedness of all them that give! Oh, the clouds that cover the face of my sun! That craving for desire! that burning hunger at the end of the feast! They take what I give them; but do I touch their soul? A gulf is there 'twixt giving and taking; and the smallest gulf is the last to be bridged. An appetite is born from out my beauty: would that I might do harm to them that I fill with light; would that I might rob them of the gifts I have given:—thus do I thirst for wickedness. To withdraw my hand when their hand is ready stretched forth like the waterfall that wavers, wavers even in its fall:—thus do I thirst for wickedness. For such vengeance doth my fulness yearn: to such tricks doth my loneliness give birth. My joy in giving died with the deed. By its very fulness did my virtue grow weary of itself. He who giveth risketh to lose his shame; he that is ever distributing groweth callous in hand and heart therefrom. Mine eyes no longer melt into tears at the sight of the suppliant's shame; my hand hath become too hard to feel the quivering of laden hands. Whither have ye fled, the tears of mine eyes and the bloom of my heart? Oh, the solitude of all givers! Oh, the silence of all beacons! Many are the suns that circle in barren space; to all that is dark do they speak with their light—to me alone are they silent. Alas, this is the hatred of light for that which shineth: pitiless it runneth its course. Unfair in its inmost heart to that which shineth; cold toward suns,—thus doth every sun go its way. Like a tempest do the Suns fly over their course: for such is their way. Their own unswerving will do they follow: that is their coldness. Alas, it is ye alone, ye creatures of gloom, ye spirits of the night, that take your warmth from that which shineth. Ye alone suck your milk and comfort from the udders of light. Alas, about me there is ice, my hand burneth itself against ice! Alas, within me is a thirst that thirsteth for your thirst! It is night: woe is me, that I must needs be light! And thirst after darkness! And loneliness! It is night: now doth my longing burst forth like a spring,—for speech do I long. It is night: now do all gushing springs raise their voices. And my soul too is a gushing spring. It is night: now only do all lovers burst into song. And my soul too is the song of a lover.

I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE

Looking down over the railing, Prince Nesvitsky could see the splashing low waves of the fast-moving Enns as they rippled and swirled, chasing each other and crashing against the bridge-supports. Then looking back along the bridge he saw the same kind of formless living tidal wave of soldiers, with their covered shakos,7 knapsacks, bayonets, long muskets, and beneath the shakos the broad faces and sunken cheeks of men reduced to an apathetic weariness, their legs tramping across the boards of the bridge through a thick layer of sticky mud. Sometimes amid the featureless waves of soldiers, like a fleck of white foam on the waves of the Enns, an officer in his cloak would wriggle through, his face looking quite different from those of the soldiers around him. Sometimes, like a splinter of wood borne on the current, an individual would be swirled across the bridge amid the waves of infantrymen – a hussar walking without his horse, an orderly or a civilian. Sometimes a baggage-wagon belonging to a company commander or some other officer would struggle across like a floating log, hemmed in on all sides, piled up high and draped with leather covers.

Cassandra,” Falco murmured. He reached up and twisted all her hair into one of his hands, pulling it slightly as he held it behind her head. His lips made their way across her cheek and her jaw and her brow bone. His other hand caressed her left leg through her cotton stocking. His fingers followed the repeating diamond pattern embossed into her leather garter and then stroked the soft skin just above it. Cass felt transported by his touch, his soft voice, and the mist rising off the canals. Everything felt otherworldly. It was a dream or a hallucination. Any moment now she’d wake up tucked beneath her covers with Slipper snuggled against her chest. Just let go. The batèla floated beneath a bridge. A man shrouded in darkness hung over its edge, leering at her. Cass sat up suddenly, wrapping the rough blanket up around her shoulders. She looked back toward the bridge. No one was there. “What’s wrong?” Falco asked. “I thought I saw someone. Hanging over the bridge. Watching.” “Probably just some deviant. Not lucky enough to have the company of a beautiful woman.” Falco moved to kiss Cass again. But fear was drumming through her. It sharpened her focus, and made reality come slamming back. Cass put her hand out. “Wait. We have to stop, to slow down.” Falco sighed. “You’re right,” he said, running both hands through his hair. “Sometimes I think--well, I fear that you shouldn’t trust me.” “Why?” Cass asked. Holding her lantern high in the air, she looked back toward the bridge again, but it was still deserted. “Because I don’t trust myself around you.” Falco’s voice turned soft again. He ran the knuckles of his right hand down the side of her face. “Who knows what I might do?” Cass blushed. “Who knows what I might let you do?” The words just slipped out, but she didn’t want to take them back. She didn’t want to hide any longer. Falco pulled her close to him, positioning her back against his chest. He wrapped his arms around her slender waist and leaned his chin on her left shoulder, his jawbone against her cheek. “Your beauty lights up the darkest night,” he said. “I could paint an entire chapel just for you. Maybe I will someday.

Cass felt transported by his touch, his soft voice, and the mist rising off the canals. Everything felt otherworldly. It was a dream or a hallucination. Any moment now she’d wake up tucked beneath her covers with Slipper snuggled against her chest. Just let go. The batèla floated beneath a bridge. A man shrouded in darkness hung over its edge, leering at her. Cass sat up suddenly, wrapping the rough blanket up around her shoulders. She looked back toward the bridge. No one was there. “What’s wrong?” Falco asked. “I thought I saw someone. Hanging over the bridge. Watching.” “Probably just some deviant. Not lucky enough to have the company of a beautiful woman.” Falco moved to kiss Cass again. But fear was drumming through her. It sharpened her focus, and made reality come slamming back. Cass put her hand out. “Wait. We have to stop, to slow down.” Falco sighed. “You’re right,” he said, running both hands through his hair. “Sometimes I think--well, I fear that you shouldn’t trust me.” “Why?” Cass asked. Holding her lantern high in the air, she looked back toward the bridge again, but it was still deserted. “Because I don’t trust myself around you.” Falco’s voice turned soft again. He ran the knuckles of his right hand down the side of her face. “Who knows what I might do?

Which is to say, Laney, anything that might be of interest to Slitscan’s audience. Which is best visualized as a vicious, lazy, profoundly ignorant, perpetually hungry organism craving the warm god-flesh of the anointed. Personally I like to imagine something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It’s covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth, Laney, no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote. Or by voting in presidential elections.

The Minotaur comes and goes. He has for centuries. And there have been many bridges. The Minotaur pauses, as he walks, midway through the covered bridge that serves, in more ways than one, as the entrance to Old Scald Village. He rests his heavy snout against one of the wooden trusses. The Minotaur likes this portal, both ingress and egress, a breach in the terribly human construct of time.

In a way, Trump’s mistreatment of the media had done Hillary a favor by freeing her of the decorum of a traditional campaign. But it also meant the reporters who spent their days trying to cover and explain Hillary to the American public never got to bridge, as one reporter who traveled with the first lady in the 1990s put it, the “disconnect between the kind of person you could convey or are in private and amongst us on these trips, so much sense of humor, very warm and engaging in what we see on television or in the news.” How could we communicate Hillary’s “funny, wicked, and wacky” side to voters if we never saw it for ourselves?

Two other applicants were talking in the corner of the room. Normally Hope would’ve disregarded the distant chatter, but she had distinctly heard the phrase “Krom’s Canyon.” She swiveled her head to look at them. A fairly good-looking guy in a shirt-and-tie combination just casual enough to look much better than any truly formal clothes ever could was talking with a woman who was working her hardest to look like she was radiating a sexy librarian vibe by accident. “The way you had to work back and forth across the bridges with limited cover, taking out psychos blocking your path while the turret at the end of the canyon tried to gun you down, was just epic. It’s probably my favorite map in the entire series, even though it’s in my least favorite of the games. The writing was just so much better from two onward, though around five it started losing steam again.” Borderlands, Hope thought. They’re talking about the Borderlands games. Why can’t I be over there, talking games with them, instead of being stuck with, um, Bill Murray in Caddyshack. What was that character’s name? Carl something? Hmm. Well, I bet I know who’ll know.

Two other applicants were talking in the corner of the room. Normally Hope would’ve disregarded the distant chatter, but she had distinctly heard the phrase “Krom’s Canyon.” She swiveled her head to look at them. A fairly good-looking guy in a shirt-and-tie combination just casual enough to look much better than any truly formal clothes ever could was talking with a woman who was working her hardest to look like she was radiating a sexy librarian vibe by accident. “The way you had to work back and forth across the bridges with limited cover, taking out psychos blocking your path while the turret at the end of the canyon tried to gun you down, was just epic. It’s probably my favorite map in the entire series, even though it’s in my least favorite of the games. The writing was just so much better from two onward, though around five it started losing steam again.” Borderlands, Hope thought. They’re talking about the Borderlands games. Why can’t I be over there, talking games with them.

I close my eyes and say a prayer, That tonight you’ll be held. I lift you up to the spare pair Of shoulders that can’t be felled. Tonight, as you sleep, I pray your worries are wiped away. May you wake up and not weep, For joy will come in the day. Let the bridge cover your worries, Let the rain wash away the fear. Let the shoulders hold your furies. Let the sunshine bring you cheer. Shoulders holding you high. Arms shielding you from danger. May you never have to cry, On top of the mountainous glacier.

Sleeping alone was another luxurious pleasure that should have been depressing but wasn’t. I got to hog the covers, sprawl across the whole mattress, use all the pillows, and move around as much as I wanted without worrying about disturbing anyone else. No one snored in my ear or talked in his sleep. No one woke me up. No one stole the covers or accidentally nudged me with his leg or got up and creaked the floorboards on the way to the bathroom. After my satisfying solitary dinner, I was the captain of my bed, the master of my sleep. But even so, I longed for a bedmate—the urge became stronger and stronger as the months went on. I became tired of the blue hour, cooking for one, eating everything all by myself, watching the cars streaming over the bridge, and daydreaming about falling in love.

From seasonal splashes near Trewsbury European eels migrate upstream; Myriad carp, redfin perch, brook lamprey, Dragonflies, mosquitoes, wee midges, Pale cormorant, herring gulls, wagtails, Swans glide round woodland tapestry, Braided channel islands rest alone, Arched medieval stone slab bridges, Tree lines fête ash, alder, chestnut, beech. Floodplains, tangled sedge reedbeds, Owls speed above tree-covered islets, Teaming alluvium water-meadows Growing lavender, iris, marigold.

know that building’s been empty for a year,” Daisy said uneasily, “but how—?” “Sh! Watch! Now!” The looming building seemed to blur or fuzz for a moment. Then it was as if the lake’s bright ripples had invaded the old glass a hundred yards away. Wavelets chased themselves up and down the gleaming walls, became higher, higher … and then suddenly the glass cracked all over to tiny fragments and fell away, to be followed quickly by fragmented concrete and plastic and plastic piping, until all that was left was the nude steel framework, vibrating so rapidly as to be almost invisible against the gleaming lake. Daisy covered her ears, but there was no explosion, only a long-drawn-out low crash as the fragments hit twenty floors below and dust whooshed out sideways. “Spectacular!” Fay summed up. “Knew you’d enjoy it. That little trick was first conceived by the great Tesla during his last fruity years. Research discovered it in his biog—we just made the dream come true. A tiny resonance device you could carry in your belt-bag attunes itself to the natural harmonic of a structure and then increases amplitude by tiny pushes exactly in time. Just like soldiers marching in step can break down a bridge, only this is as if it were being done by one marching ant.” He