Covenant Movie Quotes

We had no idea what waited ahead of us, other than the big, fat unknown, and most likely a big, fat kick in the face. The gravity of that was killing me-killing us I squared my shoulders. "Release the Kraken!" Several sets of eyes settled on me. "What?" I gave a lopsided shrug. "I've always wanted to yell that since I saw that movie. Seemed like the perfect moment.

Now, I bought us a movie to watch, the one that has sparkly vampires in it.

You're too important, too special to throw everything away for a pure." Seth sighed, dropping his hands to mine. "Now, I brought us a movies to watch, the one that has sparkly vampires in it. I thought you'd be down for that.

The Covenant of the Arc is the screenwriting law that says: Every single character in your movie must change in the course of your story. The only characters who don’t change are the bad guys. But the hero and his friends change a lot.

Elizabeth feared that because of her looks, she was doomed to meet men with unreasonably high self-images and no depth, the kind that dogged movie actresses and models. Men who were superficial to begin with, and existentially boring in that which they sought, and thus ultimately unsatisfying and unworthy of respect of interest.

squared my shoulders. “Release the Kraken!” Several sets of eyes settled on me. “What?” I gave a lopsided shrug. “I’ve always wanted to yell that since I saw that movie. Seemed like the perfect moment.” Aiden laughed. “See! That’s why I love him,” I told the group. “He laughs at the stupid crap that comes out of my mouth.” In response, Aiden leaned over and pressed his lips against my temple. “Keep talking about loving me,” he murmured, “and we’re going to scar some of these guys for life.” I

We need a full coven...nine women...twelve's better. Do you have any friends?" Characters, Aunt Jett and Aunt Frances to character, Sally Owens, from the movie "Practical Magic".

We deal with so many nightmares on a regular basis. When I’m watching a horror movie, there’s a pattern, a sense of control in them. I’m just an observer, not having to deal with any of the repercussions. It’s a nice dream to think monsters play by the rules, that they’ve got a pattern you can unlock and follow. Real life’s messy, and the chaos leaves you devastated in the wake.

The most well known theory concerning the whereabouts of the Ark, made famous by the movie Raiders of the Lost Ark, places it in the ruins of the ancient city of Tanis in Egypt. This theory proposes that the Ark was plundered by the Egyptians shortly after Solomon’s death. According to the Old Testament, the pharaoh Sheshonq I of Egypt attacked Jerusalem, raided the Temple, and plundered its treasures (1 Kgs 14:26). Sheshonq I established Tanis as the new Egyptian capital, and so it is here that Indiana Jones discovers the lost Ark in Steven Spielberg’s movie.

For members of a particular religious community, the sense of obligation takes a specific form when it comes to their commitment to each other. In the movie Shall We Dance?, Richard Gere plays a bored middle-aged attorney who surreptitiously takes up ballroom dancing. His wife, played by Susan Sarandon, becomes suspicious at his renewed energy and vitality. She hires a private detective, who discovers the dance studio and reports the news. She decides to let her husband continue dancing undisturbed. In the scene where she meets the private detective in a bar to pay his fee and end the investigation, they linger over a drink and discuss why people marry in the first place. The detective, whose countless investigations into infidelity have rendered him cynical about marriage, suggests that the desire to marry has something to do with hormones and passing fancy. She disagrees. The reason we marry, she insists, is that “we need a witness to our lives. There’s a billion people on the planet. . . . I mean, what does any one life really mean? But in a marriage, you’re promising to care about everything. The good things, the bad things, the terrible things, the mundane things . . . all of it, all of the time, every day. You’re saying ‘Your life will not go unnoticed because I will notice it. Your life will not go un-witnessed because I will be your witness.’ ” The sacramental bond that unites two people in a marriage or committed relationship is known as a covenant. A covenant—the word means mutual agreement—is a promise to bear witness to the life of another: the good things, the bad things, the terrible things, the mundane things. At its heart, the relationship among members of a religious community is covenantal as well. As with marriage, the relationship also includes other dimensions, such as friendship and perhaps financial and/or legal partnership. But the defining commitment that members of a religious community make to each other arises from their calling—their covenantal duty—to bear witness to each other’s lives: the lives they now lead and the lives they hope to lead in the future, and the world they now occupy and the world they hope to occupy in the future.

Traditionally, both Lent and Advent are penitential seasons—not times of overflowing celebrations. This is not something we have sought to cultivate at all, even though we do observe a basic church calendar, made up of what the Reformers called the five evangelical feast days. Our reluctance to adopt this kind of penitential approach to these seasons of the year is not caused by ignorance of the practice. It is a deliberate attempt to lean in the other direction. I want to present three arguments for a rejection of this practice of extended penitential observance. First, if we were to adopt this practice, we would be in worse shape than our Old Covenant brethren, who had to afflict their souls only one day out of the year. Why would the time of anticipation of salvation be so liturgically celebratory, while the times of fulfilled salvation be so liturgically glum? Instead of establishing a sense of longing, it will tend to do the reverse. Second, each penitential season keeps getting interrupted with our weekly Easters. Many who relate exciting movies they have seen to others are careful to avoid “spoilers.” Well, these feasts we have, according to God’s ordinance every seven days, spoil the penitential mood. And last, what gospel is implicitly preached by the practice of drawing out the process of repentance and forgiveness? It is a false gospel. Now I am not saying that fellow Christians who observe their church year in this way are preaching a false gospel, but I am saying that lex orandi lex credendi—the law of prayer is the law of faith, and over time, this liturgical practice will speak very loudly to our descendants. If we have the opportunity to speak to our descendants, and we do, then I want to tell them that the joy of the Lord is our strength.

She took a step back. Hugh was a big man, but the cape, the helmet, the armor, it made him look giant. “You look like a villain in some fantasy pre-Shift movie,” she told him. “Some dread lord about to conquer.” “Dread lord,” he said. “I like that.

It's definitely not like in the books or movies. There are no cool schools to learn about magic, there are no known covens, or sisterhoods of three, or any of that.

a very old computer on top—the ‘90s kind, with a blocky monitor and a processing unit that was literally the size of a large box. I’d only seen one in movies. They’d already become exhibits in science museums.

Jake turned back to face her with a smile of his own. His features were striking, like a movie star meets president of a motorcycle club.