Cousins Missing Quotes

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I shall be much obliged to you, cousin, if you will refrain from telling my sisters that she has a face like a horse!’ ‘But, Charles, no blame attaches to Miss Wraxton! She cannot help it, and that, I assure you, I have always pointed out to your sisters!’ ‘I consider Miss Wraxton’s countenance particularly well-bred!’ ‘Yes, indeed, but you have quite misunderstood the matter! I meant a particularly well-bred horse!’ 'You mean, as I am perfectly aware, to belittle Miss Wraxton!' 'No, no! I am very fond of horses!' Sophy said earnestly. Before he could stop himself he found that he was replying to this. 'Selina, who repeated the remark to me, is not fond of horses, however, and she—' He broke off, seeing how absurd it was to argue on such a head. 'I expect she will be, when she has lived in the same house with Miss Wraxton for a month or two,' said Sophy encouragingly.
Georgette Heyer (The Grand Sophy)
The truth is that I’ve spent all my life with my binoculars trained on the Maybe Islands, a pristine place of fantasy that is really no better than the razor-rocks of misery. Maybe if I had stayed on the farm… maybe if I hadn’t gone with Spike… maybe if I could have lived more peaceably… maybe if I’d met the right person years ago, maybe if I hadn’t done this, or that or, its cousin, the other. Maybe, baby, the promised land was there and I missed it. Look at it glittering in the light. But the truth is I am inventing the maybe. I can only make the choices I make, so why torture myself with what I might have done, when all I can handle is what I have done. The Maybe Islands are hostile to human life.
Jeanette Winterson (The Stone Gods)
Dale's family is like that. Let the Law come within twenty yards of them, and every male over the age of six--uncles, brother, father, cousins--starts lying his fool head off. Dale says it's genetic. Miss Lana says that's poppycock.
Sheila Turnage (Three Times Lucky (Mo & Dale Mysteries, #1))
From "Grimm: Bad Teeth (#2.1)" (2012) Monroe: Yeah, no, totally. I mean, family reunions can be brutal. Our last one, we lost two cousins and a sheep dog. Rosalee Calvert: Okay. Monroe: No one missed the cousins, you know.
Jacob Grimm
She thought about her cousins in Oklahoma, which was odd, since she'd never spent much time with them. She didn't even know them very well. Now she was sorry about that.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Hey, Grandlibby?” I asked. “What’s a ‘turn-on’?” She paled visibly, looking mildly ill. “Well,” she said…struggling for words, “it’s…um…the things that make you happy, I suppose?” I turned to my cousin. “My turn-ons are Rainbow Brite and unicorns.” Michelle smiled back, her two front teeth missing. “My turn-ons are Monchhichis. And Tubble Gum.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
They were natural storytellers and beautiful singers; innately charming people who treated us like long-lost cousins.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
You have to move back home, Andy," Hilo said quietly. "I've missed you." Anden had been waiting to hear those words come out of his cousin's mouth for years. Now, however, he felt no great relief or happiness - only the sort of heaviness that comes from wanting something for so long that the final achievement of it is a loss - because the waiting is over and the waiting has become too much a part of oneself to let go of easily.
Fonda Lee (Jade War (The Green Bone Saga, #2))
What do you say to furthering our cousinly relationship by a drive in the Park this afternoon?
Margaret Westhaven (Miss Dalrymple's Virtue (Harlequin Regency Romance Series 1, #21))
Always practical and to the point!" said St. Clare, his face breaking out into a smile. "You never leave me any time for general reflections, Cousin; you always bring me short up against the actual present; you have a kind of eternal now, always in your mind." "Now is all the time I have anything to do with," said Miss Ophelia.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Do you mind not intoning the responses, Jeeves?" I said. "This is a most complicated story for a man with a headache to have to tell, and if you interrupt you'll make me lose the thread. As a favour to me, therefore, don't do it. Just nod every now and then to show that you're following me." I closed my eyes and marshalled the facts. "To start with then, Jeeves, you may or may not know that Mr Sipperley is practically dependent on his Aunt Vera." "Would that be Miss Sipperley of the Paddock, Beckley-on-the-Moor, in Yorkshire, sir?" "Yes. Don't tell me you know her!" "Not personally, sir. But I have a cousin residing in the village who has some slight acquaintance with Miss Sipperley. He has described her to me as an imperious and quick-tempered old lady. ... But I beg your pardon, sir, I should have nodded." "Quite right, you should have nodded. Yes, Jeeves, you should have nodded. But it's too late now.
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
Loss is a cousin of loneliness. They intersect and overlap, and so it’s not surprising that a work of mourning might invoke a feeling of aloneness, of separation. Mortality is lonely. Physical existence is lonely by its nature, stuck in a body that’s moving inexorably towards decay, shrinking, wastage and fracture. Then there’s the loneliness of bereavement, the loneliness of lost or damaged love, of missing one or many specific people, the loneliness of mourning.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
I said, Quiet!" Tiffany was so much startled by this peremptory reminder that she gasped, and stood staring up at the Nonesuch as though she could not believe that he was speaking not to his cousin, but actually to her. She drew in her breath audibly, and clenched her hands. Miss Trent cast a look of entreaty at sir Waldo, but he ignored it. He strolled up to the infuriated beauty, and pushed up her chin. "Now, you may listen to me, my child!" he said sternly. "You are becoming a dead bore, and I don't tolerate bores. Neither do I tolerate noisy tantrums. Unless you want to be soundly smacked, enact me no ill-bred scenes!" There was a moment's astonished silence. Laurence broke it, seizing his cousin's hand, and fervently shaking it. "I knew you was a right one!" he declared. "A great gun, Waldo! Damme, a Trojan!
Georgette Heyer (The Nonesuch)
Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch — He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways. “NOT MY DAUGHTER, YOU BITCH!” Mrs. Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. “OUT OF MY WAY!” shouted Mrs. Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. “No!” Mrs. Weasley cried as a few students ran forward, trying to come to her aid. “Get back! Get back! She is mine!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I’ve killed you?” taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. “When Mummy’s gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A few seconds more and the Negress will sing. It seems inevitable, so strong is the necessity of this music: nothing can interrupt it, nothing which comes from this time in which the world has fallen; it will stop by itself, as if by order. If I love this beautiful voice it is especially because of that: it is neither for its fulness nor its sadness, rather because it is the event for which so many notes have been preparing, from so far away, dying that it might be born. And yet I am troubled; it would take so little to make the record stop: a broken spring, the whim of Cousin Adolphe. How strange it is, how moving, that this hardness should be so fragile. Nothing can interrupt it yet it can break it. The last chord has died away. In the brief silence which follows I feel strongly that there is, that SOMETHING HAS HAPPENED. Silence. "SOME OF THESE DAYS YOU'LL MISS ME HONEY
Jean-Paul Sartre (Nausea)
Juniper doesn’t follow all the details—she stopped going to Miss Hurston’s one-room schoolhouse at ten because after her sisters left there was no one to make her go—but she understands what Miss Stone is asking. She’s asking: Aren’t you tired yet? Of being cast down and cast aside? Of making do with crumbs when once we wore crowns? She’s asking: Aren’t you angry yet? And oh, Juniper is. At her mama for dying too soon and her daddy for not dying sooner. At her dumbshit cousin for getting the land that should have been hers. At her sisters for leaving and herself for missing them. At the whole Saints-damned world. Juniper feels like a soldier with a loaded rifle, finally shown something she can shoot. Like a girl with a lit match, finally shown something she can burn.
Alix E. Harrow (The Once and Future Witches)
I was not the equal of my cousins in athletic ability or good looks, but I'd like to think God evened the score by granting me a modicum of common sense, which sometimes seems to be sadly missing in most descendants of Walter Kaminski, who have shown a tendency to live for the moment and think with their peckers.
Robin Yocum (A Brilliant Death)
To Miss Cooper Cousin, Conscious of the Charming Character which in every Country, and every Clime in Christendom is Cried, Concerning you, with Caution and Care I Commend to your Charitable Criticism this Clever Collection of Curious Comments, which have been Carefully Culled, Collected and Classed by your Comical Cousin The Author
Jane Austen (Catharine and Other Writings)
If possible, please introduce her to worthy men. She must marry while she is in London. If she returns, Fanny will force her to marry the fool. Please protect my daughter as I have never been able to. Edward, find her someone worthy of my kind, intelligent daughter. I am enclosing permission to sign marriage contracts for both of my eldest daughters. I have included a letter for Lizzy when she becomes engaged. She cannot return unless she is married. I am sorry that I will miss her wedding, please give her away to a worthy man who will respect and love her. If she does not marry, please send her to the New World. I would prefer that she leaves England than returns and marries my cousin.
Tiffany Ward (Gardiner’s Business Investors: A Pride and Prejudice Variation)
Well," said Miss Ophelia, "do you think slavery right or wrong?" "I'm not going to have any of your horrid New England directness, cousin," said St. Clare, gayly.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
People can have many cousins and of all sorts, Miss Cathy, without being any the worse for it; only they needn't keep their company, if they be disagreeable and bad.
Emily Brontë (Whutering Heights)
It was an operation that Dr. Maturin had carried out at sea before, always in the fullest possible light and therefore on deck, and many of them had seen him do so. Now they and all their mates saw him do it again: they saw Joe Plaice's scalp taken off, his skull bared, a disc of bone audibly sawn out, the handle turning solemnly; a three-shilling piece, hammered into a flattened dome by the armourer, screwed on over the hole; and the scalp replaced, neatly sewn up by the parson. It was extremely gratifying - the Captain had been seen to go pale, and Barret Bonden too, the patient's cousin - blood running down Joe's neck regardless - brains clearly to be seen - something not to be missed for a mint of money - instructive, too - and they made the most of it.
Patrick O'Brian
I will walk my sweet little cousin out,” Chris announced. He came up behind me to tug on my hair and laughed when I smacked his hand away. “Just trying to make up for all the years I missed out on.” “Before
Karen Lynch (Refuge (Relentless, #2))
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
Anthony Marra (A Constellation of Vital Phenomena)
Even their mother missed them—and how much more their tender-hearted cousin, who wandered about the house, and thought of them, and felt for them, with a degree of affectionate regret which they had never done much to deserve!
Jane Austen (Mansfield Park)
You would think no harm in a child's caressing a large dog, even if he was black; but a creature that can think, and reason, and feel, and is immortal, you shudder at; confess it, cousin. I know the feeling among some of you northerners well enough. Not that there is a particle of virtue in our not having it; but custom with us does what Christianity ought to do,—obliterates the feeling of personal prejudice. I have often noticed, in my travels north, how much stronger this was with you than with us. You loathe them as you would a snake or a toad, yet you are indignant at their wrongs. You would not have them abused; but you don't want to have anything to do with them yourselves. You would send them to Africa, out of your sight and smell, and then send a missionary or two to do up all the self-denial of elevating them compendiously. Isn't that it?" "Well, cousin," said Miss Ophelia, thoughtfully, "there may be some truth in this.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Mr Lavenham just asked if you were still importuning Eustacie to marry you.’ ‘Why should I be doing anything of the sort?’ ‘On account of her being an heiress,’ explained Sarah. Sir Tristram said dryly: ‘Of course. I should have thought of that. I trust neither of you will hesitate to vilify my character whenever it seems expedient to you to do so.’ ‘No, of course we shall not,’ Miss Thane assured him. ‘But you do not mind, mon cousin, do you?’ ‘On the contrary, I am becoming quite accustomed to it. But I am afraid even your imagination must fail soon. I have been in swift succession a tyrant, a thief and a murderer, and now a fortune-hunter. There is really nothing left.’ ‘Oh!’ said Ludovic gaily, ‘we have acquitted you of theft and murder, you know.’ ‘True,’ Shield retorted. ‘But as your acquittals are invariably accompanied by fresh and more outrageous slanders, I almost dread the moment when you acquit me of fortune-hunting.
Georgette Heyer (The Talisman Ring)
I have yet to learn that a governess’s life is adventurous!’ he said. ‘I should be grateful to you if you would tell me the truth!’ ‘Come, come, sir!’ said Miss Thane pityingly, ‘it must surely be within your knowledge that the eldest son of the house always falls in love with the governess, and elopes with her in the teeth of all opposition?’ Sir Tristram drew a breath. ‘Does he?’ he said. ‘Yes, but not, of course, until he has rescued her from an oubliette, and a band of masked ruffians set on to her by his mother,’ said Miss Thane matter-of-factly. ‘She has to suffer a good deal of persecution before she elopes.’ ‘I am of the opinion,’ said Sir Tristram with asperity, ‘that a little persecution would do my cousin a world of good!
Georgette Heyer (The Talisman Ring)
Augustine, sometimes I think you are not far from the kingdom,” said Miss Ophelia, laying down her knitting, and looking anxiously at her cousin. “Thank you for your good opinion; but it’s up and down with me,—up to heaven’s gate in theory, down in earth’s dust in practice.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Would you like to dance?" I knew I had frosting on my nose. Alex leaned over and wuped it off with his thumb. "Well?" I could only nod. I had a full mouth, too. I stood up, swallowed, and accepted the napkin he was holding. "You're here." "I'm here," he agreed, like it hadn't been a ridiculous thing to say. "I am crashing your sister's wedding. Hope she won't mind." "She won't mind." He was wearing a tux. A real tux, complete with bow tie and silk lapels. I stroked one. "I'm guessing this isn't a rental." He squirmed a little. "No, it's mine. Nice dress." I looked down at the snug purple monstrosity my sister had chosen. At least it had a mandarin collar and some sleeves. "It's a cheongsam," she'd announced proudly. "It's Eggplant Ho Lee Mess" was Frankie's take. My pear-shaped cousin Vanessa got strapless. Now she looked like an eggplant. "You look beautiful," Alex said, but the corner of his mouth was twitching. "Well,you look like...like..." I sighed. "Okay, you look really really good." Then, again, "You're here." "I'm here." "Why?" "I missed you," he said simply. "It's only been four days." "A very,very long four days. But your e-mail helped." He reached for my hand. "Now,are we dancing or not?" We did, and it wasn't as complicated as I'd thought it might be. I stood on my toes, he bent down a little, and we fit together pretty well. The song ended way too soon. "So," Alex said. "So." "We can stay here if you want to...or if you have to. But I have another suggestion. Let's go watch the sun rise." It sounded like a good idea to me. Except... "It's ten o'clock. And it's freezing out there." "Trust me," he said. "okay.
Melissa Jensen (The Fine Art of Truth or Dare)
This same library is my den — the only corner of the Hall-house where I am safe from my … cousins. They never venture there, I suppose for fear the folios should fall down and crack their skulls; for they will never affect their heads in any other way... — Miss Diana Vernon
Walter Scott (Rob Roy, Volume 01)
Charles, this is crazy! Did you come in your curricle? What if it should begin to rain again? I shall be drenched!’‘Then you will be well-served!’ retorted her unchivalrous cousin. ‘Charles!’ uttered Sophy, shocked. ‘You cannot love me!’ Mr Rivenhall pulled the door to behind them, and in a very rough fashion jerked her into his arms, and kissed her. ‘I don’t: I dislike you excessively!’ he said savagely. Entranced by these lover-like words, Miss Stanton-Lacy returned his embrace with fervour, and meekly allowed herself to be led off to the stables.
Georgette Heyer (The Grand Sophy)
Miss Bingley! The tradesman's daughter who is always presuming on my poor cousin's invitations to his friend? How interesting. My cousin has told me of you, Miss Bingley. You and that seminary that taught you how to catch husbands. Did they teach you anything else, such as how to greet your betters?
Caroline Cartier (Not Without Affection: A Pride and Prejudice Variation)
When I had been in Mr. Pocket’s family a month or two, Mr. and Mrs. Camilla turned up. Camilla was Mr. Pocket’s sister. Georgiana, whom I had seen at Miss Havisham’s on the same occasion, also turned up. she was a cousin—an indigestive single woman, who called her rigidity religion, and her liver love.
Charles Dickens (Great Expectations)
It is fairly safe to say that there were only three topics of conversation at present in Sittaford. One was the murder, one was the escape of the convict, and the other was Miss Emily Trefusis and her cousin. Indeed at a certain moment, four separate conversations were going on with her as their main theme.
Agatha Christie (The Sittaford Mystery)
Oh, my poor Sparrow!’ he said, mocking her. ‘Never have I encountered so heartrending a sight! A job-horse?’ ‘No,’ replied Phoebe. ‘My cousin Anne’s favourite mount. A very safe, comfortable ride for a lady, Duke.’ ‘I beg your pardon! I have not seen him show his paces, of course.’ She cast him a glance of lofty scorn. ‘He has none. He has a very elegant shuffle, being just a trifle tied in below the knee.’ ‘But such shoulders!’ Gravity deserted her; she burst into laughter, which made Miss Mary Ingham turn her head to look at her in wondering reproof, and said: ‘Oh, dear, did you ever set eyes on such a flat-sided screw?
Georgette Heyer (Sylvester or The Wicked Uncle)
Miss me?" she asks with her usual wryness, tossing her backpack on the floor and dropping down on the bed beside me like she comes over all the time. "I feel like a rebel just knowing you. Everyone keeps asking me if you really lit Brooklyn on fire." I arch a brow. "On fire?" Catherine pumps up a pillow beneath her head. "The actual event has gotten a bit exaggerated." Her lips twitch. "Maybe I had something to do with that." "Nice. Thanks." "No problem." "So I guess I'm pretty much done for at school." For the first time, it matters to me. If I'm to stay here and make a go of it, it wouldn't hurt to have a few friends. To not be a social outcast. Especially since it seems pretty important for Tamra's success at school, too. "Are you kidding? You're a hero." Her lips twist with a smile. "I think you've got a shot at homecoming queen next fall." I give a short laugh, and then her words sink. Next fall. Might I be here then? With Will? It's almost too sweet to believe. "So," Catherine beings, picking at the loose paper edging my spiral. "Rutledge was absent today." "Yeah?" I try for nonchalance. "Yeah." She stretches the word, her blue-green eyes cutting meaningfully into mine. "And his cousins were around, so he's not off somewhere with them. I wonder..." She cocks her head, her long, choppy bangs, sliding low across her forehead. "Wherever could he have been?" I shrug and pick at the flaking tip of my pencil. She continues, "I know where Xander thinks he was." My gaze swings back to her face. "Xander talked to you?" "I know, right? Can my days as a pariah be coming to an end?" "Where does he think Will was?" "With you, of course.
Sophie Jordan (Firelight (Firelight, #1))
All I ask is that you appear with your sisters to be introduced—but in Miss Elizabeth’s gown, with your hair fixed like hers, without your spectacles since you obviously do not need them in company. Since my cousin knows nothing save the second-eldest sister is handsome, we will challenge him to identify which sister is the handsome one who is not blond.
Wade H. Mann (Eavesdroppers Never Hear: A Pride and Prejudice Variation (Pride and Prejudice Variations))
Miss Grandison arose and saluted my cousin; who look’d at Sir Charles with reverence, as well as gratitude; at Miss Grandison with delight; and at me with eyes lifted up. And, after a little struggle for  speech; How shall I bear this goodness! said she — This indeed is bringing good out of evil! — Did I not say, my cousin, that I was fallen into the company of angels?
Samuel Richardson (Complete Works of Samuel Richardson)
There will be some difficulty in our way, Mrs. Norris,” observed Sir Thomas, “as to the distinction proper to be made between the girls as they grow up: how to preserve in the minds of my daughters the consciousness of what they are, without making them think too lowly of their cousin; and how, without depressing her spirits too far, to make her remember that she is not a Miss Bertram.
Jane Austen (Mansfield Park)
I worried we’d miss each other,” Arin said. “I went to your villa first, but was told you had come here.” “Where’ve you been?” Cheat was in an ugly mood. “Scouting the mountain pass.” When this deepened Cheat’s frown, Ain added, “Since that’s the path the reinforcements will probably take.” “Of course. Obviously.” “And I know just what to do to them.” A glimmer stole into Cheat’s face. Arin sent for Sarsine, and when she came, he asked her to bring Kestrel. “I need her opinion.” Sarsine hesitated. “But--” Cheat wagged a finger at her. “I’m sure you run this house well, but can’t you see that your cousin’s bursting at the seams with a plan that might save our hides? Don’t bore him with domestic details, like who’s squabbling with whom…or whether your special charge isn’t feeling social. Just get the girl.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Suddenly, I missed Jenna so much that it was almost a physical ache. I wanted to hold her hand, and hear her say something that would make this whole situation funny instead of incredibly screwed up. Archer would’ve been nice, too. He probably would’ve raised an eyebrow in that annoying/hot way he had, and made a dirty joke about Elodie possessing me. Or Cal. He wouldn’t say anything, but just his presence would make me feel better. And Dad- “Sophie,” Mom said, shaking me out of my reverie. “I don’t…I don’t even know how to start explaining all of this to you.” She looked at me, her eyes red. “I meant to, so many times, but everything was always so…complicated. Do you hate me?” I took a deep breath. “Of course not. I mean, I’m not thrilled. And I totally reserve the right to angst over all this later. But honestly, Mom? Right now, I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.” She chuckled, a choked and watery sound. “I missed you so much, Soph.” We hugged, my face against her collarbone. “I want the whole story, though,” I said, my words muffled. “All of it on the table.” She nodded. “Absolutely. After we talk to Aislinn.” Pulling back, I grimaced. “So how exactly are you related to her? Are you guys like, cousins?” “We’re sisters.” I stared at her. “Wait. So you’re like, a Brannick Brannick? But you don’t even have red hair.” Mom got off the bed, twisting her ponytail into a bun. “It’s called dye, Soph. Now, come on. Aislinn is already in a mood.” “Yeah, picked up on that,” I muttered, shoving the covers off and standing up
Rachel Hawkins (Spell Bound (Hex Hall, #3))
It was in a swampy village on the lagoon river behind the Turner Peninsula that Pollock's first encounter with the Porroh man occurred. The women of that country are famous for their good looks - they are Gallinas with a dash of European blood that dates from the days of Vasco da Gama and the English slave-traders, and the Porroh man, too, was possibly inspired by a faint Caucasian taint in his composition. (It's a curious thing to think that some of us may have distant cousins eating men on Sherboro Island or raiding with the Sofas.) At any rate, the Porroh man stabbed the woman to the heart as though he had been a mere low-class Italian, and very narrowly missed Pollock. But Pollock, using his revolver to parry the lightning stab which was aimed at his deltoid muscle, sent the iron dagger flying, and, firing, hit the man in the hand. He fired again and missed, knocking a sudden window out of the wall of the hut. The Porroh man stooped in the doorway, glancing under his arm at Pollock. Pollock caught a glimpse of his inverted face in the sunlight, and then the Englishman was alone, sick and trembling with the excitement of the affair, in the twilight of the place. It had all happened in less time than it takes to read about it. ("Pollock And The Porroh Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
Thanks for getting me out of there,” I murmur, lacing my fingers around my knees, and looking up at him on his step. “Yeah. You looked a little green. “ “I don’t handle crowds too well. I’ve always been that way, I guess.” “You might get in trouble,” he warns, staring at me in that strange, hungry way that unravels me. He strokes his bottom lip with a finger. For a flash of a second, his eyes look strange. Different. All glowing irises and thin dark pupils. Almost drake-like. I blink to clear my vision. His eyes are normal again. Just my imagination in overdrive. I’m probably projecting missing home and Az—everything--onto him. “Pep rallies are mandatory,” he continues. “A lot of people saw you leave. Teachers included.” “They saw you leave, too,” I point out. He leans to the side, propping an elbow on one of the steps behind him. “I’m not worried about that. I’ve been in trouble before.” He smiles a crooked grin and holds up crossed fingers. “The principal and I are like this. The guy loves me. Really.” Laughter spills from me, rusty and hoarse. His grin makes me feel good. Free. Like I’m not running from anything. Like I could stay here in this world, if only I have him. The thought unsettles me. Sinks heavily in my chest. Because I can’t have him. Not really. All he can ever be for me is a temporary fix. “But you’re worried I’ll get in trouble?” I try not to show how much this pleases me. I’ve managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. “Why do you care? I’ve ignored you for days.” His smile fades. He looks serious, mockingly so. “Yeah. You got to stop that.” I swallow back a laugh. “I can’t.” “Why?” There’s no humor in his eyes now, no mockery. “You like me. You want to be with me.” “I never said—” “You didn’t have to.” I inhale sharply. “Don’t do this.” He looks at me so fiercely, so intently. Angry again. “I don’t have friends. Do you see me hang with anyone besides my jerk cousins? That’s for a reason. I keep people away on purpose,” he growls. “But then you came along . . .” I frown and shake my head. His expression softens then , pulls at some part of me. His gaze travels my face, warming the core of me. “Whoever you are, Jacinda, you’re someone I have to let in.
Sophie Jordan (Firelight (Firelight, #1))
Yes and I had heard it before. But what is that to me? If there is no other objection to my marrying your nephew, I shall certainly not be kept from it by knowing that his mother and aunt wished him to marry Miss de Bourgh. You both did as much as you could in planning the marriage. Its completion depended on others. If Mr. Darcy is neither by honour or inclination confined to his cousin, why not is he to make another choice? And if I am that choice, why may not I accept him?
Jane Austen (Pride and Prejudice)
Home,” Mason confirmed. “I got a letter from Great Aunt Heloise. Uncle Zeke passed away over the weekend without designating an heir. That means the ranch reverts back to her. She thinks we’ll do a better job running it than Darren will.” Darren, their first cousin, wasn’t known for his responsible behavior and he hated ranching. Mason, on the other hand, loved it. He had missed the ranch, the cattle, the Montana sky and his family’s home ever since they’d left it twelve years ago.
Cora Seton (The Navy SEAL's E-Mail Order Bride (The Heroes of Chance Creek, #1))
So tea was over, I thought, already missing the spell of that moment when my uncle and I had opened the door to find everyone already seated in the living room, the sun just barely set over the horizon, and everyone hurrying to make room for us. Sitting quietly next to my parents, my cousins, my aunts and uncles, everyone's thighs cozily glued to mine, I knew that even if I disliked almost everyone in this room, it was good to be with them, good to hear the ritual hubbub of tea, good to look and be looked at.
André Aciman (Out of Egypt: A Memoir)
The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Chemistry is an overused word. I prefer ‘fit’, that indefinable sensation when a man takes your arm as you move through a door, or leans into you to light your cigarette. (I gave up smoking for Cary and sometimes I still miss it.) Fit is an understanding between bodies: that you’ve been designed the same way, that you speak each other’s language, and fluently. It’s all about physical compatibility and has nothing to do with whether you’ll last or even have anything to talk about afterwards; fit is no relation to the brain, and only a distant cousin of the heart.
Kylie Ladd (After the Fall)
Miss Mackintosh waved her arms wildly. "Oh, please stop, and let me guess," she cried. "I shall go crazy with joy if I'm right. It was an old Peerage, and so she found that Lady Deal was Helena Herman--" "Whom she had seen ten years ago at a music hall as a male impersonator," cried Diva. "And didn't want to know her," interrupted Miss Mackintosh. "Yes, that's it, but that is not all. I hope you won't mind, but it's too rich. She saw you this morning coming out of your house in your bath-chair, and was quite sure that you were that Lady Deal." The three ladies rocked with laughter. Sometimes one recovered, and sometimes two, but they were re-infected by the third, and so they went on, solo and chorus, and duet and chorus, till exhaustion set in. "But there's still a mystery," said Diva at length, wiping her eyes. "Why did the Peerage say that Lady Deal was Helena Herman?" "Oh, that's the last Lady Deal," said Miss Mackintosh. "Helena Herman's Lord Deal died without children and Florence's Lord Deal, my Lady Deal, succeeded. Cousins." "If that isn't a lesson for Elizabeth Mapp," said Diva. "Better go to the expense of a new Peerage than make such a muddle. But what a long call we've made. We must go.
E.F. Benson (Miss Mapp (Lucia, #2))
Much as Joanne disliked needlework, she was quite good at it, for she had been well taught. But hearing the remark from her governess's lips was almost more than the child could bear. And as for childish games - "Cousin Ambrose has been teaching me to play chess," she said in her curiously deep voice. "And we sometimes play cribbage and ecarte." "Still, at your age, there is so much to learn that I think we must dedicate this hour to sewing each night. And now, tell me, what is your favourite lesson?" Joanne eyed the lady for a moment. Then, "Latin and 'cello," she said sweetly. She was not disappointed. Miss Mercier's face fell. "Latin? Oh my dear, I am very sorry to hear that. Latin is essential for boys, of course; but I cannot think it necessary for a girl in your position. But you cannot have gone very far in it yet?" "We were doing the Aenid at school when I left," said Joanne briskly. "Fourth book. And Caesar, of course. I've learnt Latin for years." "My dear child, you mustn't exaggerate. That is most unladylike. I suppose you began two years ago? You cannot call two years "years" in the sense you did." "I didn't. I began Latin when I was seven. My father taught me." This was worse than Miss Mercier had expected.
Elinor M. Brent-Dyer (The Lost Staircase)
Miss McClure...” he had been talking while her mind drifted off. She brought her gaze back to his face, trying to focus on the flinty stare and thin line of his lips. “Sorry, I was distracted. And can’t you call me Bryn?” “I’ll try, but generally I prefer a more formal approach in business dealings. It keeps the relationship clear.” “Like, you in charge, the other person in submission?” The words popped out before she edited herself. Her eyes grew large as she watched his face go through a change of expression. A slight smile hovered at the corner of his mouth. “Yes, something like that. Might I get a refill?” He held up his empty glass.
Lizzie Ashworth (Hers to Choose (Cannon Cousins, #1))
The Florida side of my family is huge. People married young. Were Fruitful. Multiplied. As a kid a family fish fry might see 50 gather in someone's First District yard. A great-uncle frying mullet. Adults in the shade as kids played. Games of tag with complex rules. Jumping Live Oak roots. Flinging Chinaberries. You'd limp to the shade bruised and breathless. Hear a story about a cousin caught stealing hogs. Quickly get sent away – "Go play! This is Grown People Business!" We'd head back out. Climb trees. Make palm frond swords. Years passed. I grew up and found that most of those relatives were gone. I had missed the Grown People Business.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
If only Cousin West were with us,” Pandora said wistfully... “I miss him too,” Cassandra said. “Oh, I don’t miss him,” Pandora told her impishly, “I was just thinking that we could buy more things if he were here to help carry the packages.” “We’ll set aside the items you choose,” Devon said, “and have them sent to Ravenel House tomorrow.” “I want you both to remember,” Kathleen told the twins, “the pleasure of shopping lasts only until it’s time to settle the bill.” “But we won’t have to do that,” Pandora pointed out. “All the bills go to Lord Trenear.” Devon grinned. “I’ll remind you of this conversation when there’s no money left to buy food.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
What would the poor and lowly do, without children?" said St. Clare, leaning on the railing, and watching Eva, as she tripped off, leading Tom with her. "Your little child is your only true democrat. Tom, now is a hero to Eva; his stories are wonders in her eyes, his songs and Methodist hymns are better than an opera, and the traps and little bits of trash in his pocket a mine of jewels, and he the most wonderful Tom that ever wore a black skin. This is one of the roses of Eden that the Lord has dropped down expressly for the poor and lowly, who get few enough of any other kind." "It's strange, cousin," said Miss Ophelia, "one might almost think you were a professor, to hear you talk.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Grandma I’ve been writing in names that are missing, the ones I know, which is by no means all of them. That’s what happens, you see. First, there’s no need to write who they are, because everyone knows that’s Great-Aunt Sophia or Cousin Rudi, and then only some of us know, and already we’re asking, ‘Who’s that with Gertrude?’ and ‘I don’t remember this man with the little dog’, and you don’t realise how fast they’re disappearing from being remembered … Wilma It’s still an amazing thing to me, to know the faces of the dead! I can remember Grandpa Jakobovicz’s tobacco-stained whiskers, but his wife died giving birth to Poppa before there were photographs, so now no one knows what she looked like any more than if she’d been some kind of rumour. Grandma Everyone was mad to have a photograph when I was a girl, it was like a miracle and you had to go to a photographer’s to pose for him … wedding couples, soldiers in their first uniforms, children in front of painted scenery … and, always, women dressed up for the carnival ball, posing with a Greek pillar. Later, when we had a camera, there were too many pictures to keep in the album, holiday pictures with real scenery, swimming pictures, pictures of children in dirndl pinafores and lederhosen, like little Austrians. Here’s a couple waving goodbye from the train, but who are they? No idea! That’s why they’re waving goodbye. It’s like a second death, to lose your name in a family album.
Tom Stoppard (Leopoldstadt)
I’m sorry for my brother, miss,” he said, lowering his eyes. “His behavior is inexcusable.” I stared at the tall, darkly cloaked man, my back stiffening. “Elm—my cousin—told me Emory had been drinking. I came to be sure all was well.” At my silence, the man raised his gaze, observing me for the first time. Like his younger brother, his eyes were gray and stood out brilliantly against smooth copper skin. He watched me down a long, formidable nose, his eyes searching my face. My breath faltered, a shiver crawling up my spine. Unmistakably handsome, he stood like one of the statues in his uncle’s garden—cold and smooth as stone. He did not introduce himself. He did not have to. I knew who he was. Ravyn Yew. The King’s eldest nephew. My father’s successor—Captain of the Destriers.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him. That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company. He took his time turning and once he did, he started at the shoes. They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin. He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts. He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so fucking much.” Just for instance.
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
Cash misses his wife with a blank pain in his chest, and he misses his sisters and cousins, who have known him since he was a strong, good-looking boy. Everyone back there remembers, or if they are too young, they've been told. The old ones get to hang on the sweet, perfect past. Cash was the best at climbing trees; his sister Letty won the story bees. The woman who married Letty's husband's brother, a beauty named Sugar, was spotted one time drinking a root beer and had her picture in LIFE magazine. They all know. Now she has thin hair and a humped back but she's still Sugar, she gets to walk around Heaven, Oklahoma, with everybody thinking she's pretty and special. which she is. That's the trouble with moving away from family, he realizes. You lose your youth entirely, you have only the small tired baggage that is carried within the body.
Barbara Kingsolver (Pigs in Heaven (Greer Family, #2))
Ben is Ryder’s cousin--second cousin, to be specific--and one of his best friends, even though they couldn’t be any more different. Ben is sweet, thoughtful. Kind. Whereas Ryder, well…I’ll tell you about Ryder. He’s the star quarterback of our Division 1A state-championship football team. Top student in our class, and he doesn’t even have to work at it. He plays the piano like some kind of freaking prodigy, and I wouldn’t be surprised if he composed sonatas or something in his spare time. Oh, and did I mention that he’s gorgeous? Of course he is. Six foot four, two hundred ten pounds of swoon-worthy good looks. Spiky dark hair, chocolate brown eyes, and full-on dimples. And his future? Right now half the SEC is courting him hard, and the other half is wishing they were. It’s a foregone conclusion that he’ll play for Ole Miss--Mississippi’s golden boy, kept right here at home.
Kristi Cook (Magnolia (Magnolia Branch, #1))
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
I now pronounce you husband and wife. I hadn’t considered the kiss. Not once. I suppose I’d assumed it would be the way a wedding kiss should be. Restrained. Appropriate. Mild. A nice peck. Save the real kisses for later, when you’re deliciously alone. Country club girls don’t make out in front of others. Like gum chewing, it should always be done in private, where no one else can see. But Marlboro Man wasn’t a country club boy. He’d missed the memo outlining the rules and regulations of proper ways to kiss in public. I found this out when the kiss began--when he wrapped his loving, protective arms around me and kissed me like he meant it right there in my Episcopal church. Right there in front of my family, and his, in front of Father Johnson and Ms. Altar Guild and our wedding party and the entire congregation, half of whom were meeting me for the first time that night. But Marlboro Man didn’t seem to care. He kissed me exactly the way he’d kissed me the night of our first date--the night my high-heeled boot had gotten wedged in a crack in my parents’ sidewalk and had caused me to stumble. The night he’d caught me with his lips. We were making out in church--there was no way around it. And I felt every bit as swept away as I had that first night. The kiss lasted hours, days, weeks…probably ten to twelve seconds in real time, which, in a wedding ceremony setting, is a pretty long kiss. And it might have been longer had the passionate moment not been interrupted by the sudden sound of a person clapping his hands. “Woohoo! All right!” the person shouted. “Yes!” It was Mike. The congregation broke out in laughter as Marlboro Man and I touched our foreheads together, cementing the moment forever in our memory. We were one; this was tangible to me now. It wasn’t just an empty word, a theological concept, wishful thinking. It was an official, you-and-me-against-the-world designation. We’d both left our separateness behind. From that moment forward, nothing either of us did or said or planned would be in a vacuum apart from the other. No holiday would involve our celebrating separately at our respective family homes. No last-minute trips to Mexico with friends, not that either of us was prone to last-minute trips to Mexico with friends. But still. The kiss had sealed the deal in so many ways. I walked proudly out of the church, the new wife of Marlboro Man. When we exited the same doors through which my dad and I had walked thirty minutes earlier, Marlboro Man’s arm wriggled loose from my grasp and instinctively wrapped around my waist, where it belonged. The other arm followed, and before I knew it we were locked in a sweet, solidifying embrace, relishing the instant of solitude before our wedding party--sisters, cousins, brothers, friends--followed closely behind. We were married. I drew a deep, life-giving breath and exhaled. The sweating had finally stopped. And the robust air-conditioning of the church had almost completely dried my lily-white Vera.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The Monday before we left on our trip, I wrote a note to Bonnie Clarke, Patrick’s teacher, telling her Patrick would be missing school on Friday, November 8. I said only that we would be visiting friends in Washington. While Patrick waited in the car-pool line, Mrs. Clarke had asked him whom he was going to see, expecting him to name cousins or other relatives. He had replied, “My mom and I are going to visit Diana.” When I arrived, Mrs. Clarke said, “This is so cute. You won’t believe what Patrick just told me. He said you two were going to see Diana. It couldn’t possibly be true!” Patrick and I both thought Mrs. Clarke was an exceptional teacher, but I was a little miffed that she would think he was fibbing. While I normally never talked about Diana, I couldn’t let it pass. I explained, “Patrick never lies. We are, in fact, going to visit Diana. She was his nanny while we lived in London.” Mrs. Clarke apologized quickly and exclaimed, “Oh! So you’re that American family. I had no idea.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Marxism, I conceded, had its intellectual and philosophical and ethical glories, but they were in the past. Something of the heroic period might perhaps be retained, but the fact had to be faced: there was no longer any guide to the future. In addition, the very concept of a total solution had led to the most appalling human sacrifices, and to the invention of excuses for them. Those of us who had sought a rational alternative to religion had reached a terminus that was comparably dogmatic. What else was to be expected of something that was produced by the close cousins of chimpanzees? Infallibility? Thus, dear reader, if you have come this far and found your own faith undermined—as I hope—I am willing to say that to some extent I know what you are going through. There are days when I miss my old convictions as if they were an amputated limb. But in general I feel better, and no less radical, and you will feel better too, I guarantee, once you leave hold of the doctrinaire and allow your chainless mind to do its own thinking.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Our sizable group was scattered among three different tables, and because the restaurant was a bit noisy, the kids’ table didn’t hear Alan lead us in the blessing. So Miss Kay went over to their table and led Mia and her cousins in their own prayer, thanking God for the food and asking Him to watch over Mia the next morning. After she finished, she asked the girls if they wanted to add anything. Mia said that she did. They all bowed their heads while Mia prayed for Mrs. Cathy, a dear friend of ours who was recovering from a recent mastectomy and undergoing chemotherapy for stage two breast cancer. Miss Kay came over to me and Jase with tears in her eyes, recounting what Mia had prayed. “I just assumed she was going to pray for herself, but she prayed for Cathy instead.” When I told Miss Kay that we pray for Cathy each night at bedtime, Kay said, “Well, I guess Mia thought there was no reason that this night should be any different.” She also mentioned that she asked Mia if she was nervous about the next day. “Not really” was Mia’s response. “But what do you feel?” Miss Kay asked her. “Nothing. I just don’t feel anything, really.” I guess I would interpret her response simply as Mia being at peace.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
The move to London was followed by two results of great importance for Elizabeth Barrett. In the first place, her health, which had never been strong, broke down altogether in the London atmosphere, and it is from some time shortly after the arrival in Gloucester Place that the beginning of her invalid life must be dated. On the other hand, residence in London brought her into the neighbourhood of new friends; and although the number of those admitted to see her in her sick-room was always small, we yet owe to this fact the commencement of some of her closest friendships, notably those with her distant cousin, John Kenyon, and with Miss Mitford, the authoress of ‘Our Village,’ and of a correspondence on a much fuller and more elaborate scale than any of the earlier period. To this, no doubt, the fact of her confinement to her room contributed not a little; for being unable to go out and see her friends, much of her communication with them was necessarily by letter. At the same time her literary activity was increasing. She began to contribute poems to various magazines, and to be brought thereby into connection with literary men; and she was also employed on the longer compositions which went to make up her next volume of published verse.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
You poor dear. I can hardly endure it when my brothers are staying at the town house. They’re always causing some trouble or another.” “Oh, yes, and you never cause any trouble,” Oliver teased. “Never mind the shooting match where you brought three men to blows over whose rifle you should deign to use. Or the spectacle you made of yourself when you dressed as a man to enter a match. Or-“ “You can shoot a rifle, Lady Celia?” Maria leaned forward. “How did you learn? I’ve always wanted to myself, but Papa and my cousins refused to show me how a rifle works. Could you teach me?” “No!” Oliver and Freddy said in unison. Then Oliver added, “Absolutely not.” Lord Gabriel leaned close. “I’d be happy to teach you, Miss Butterfield.” “Stay out of this, Gabe,” Oliver growled. “Bad enough you taught Celia. Maria already has enough weapons at her disposal.” His grandmother arched one eyebrow. “Pray tell, what sort of weapons do you mean?” Oliver paused, then gave a lazy smile. “Why, her beauty, of course. That weapon is devastating enough.” “It won’t stop a scoundrel from manhandling a woman,” Lady Minerva put in. “As if you know anything about that,” Lord Jarret pointed out. “Just because the heroines in your books get manhandled with nauseating regularity doesn’t mean the average woman does.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' comming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms", not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember abouut the fifth time I ever went on `Wise Child'. I subbbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I sais they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio goin full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.
J.D. Salinger (Franny and Zooey)
Once she did contrive to push him away, but the boy had the greater pleasure in getting upon her back again directly. "Walter," said she, "get down this moment. You are extremely troublesome. I am very angry with you." "Walter," cried Charles Hayter, "why do you not do as you are bid? Do not you hear your aunt speak? Come to me, Walter, come to cousin Charles." But not a bit did Walter stir. In another moment, however, she found herself in the state of being released from him; some one was taking him from her, though he had bent down her head so much, that his little sturdy hands were unfastened from around her neck, and he was resolutely borne away, before she knew that Captain Wentworth had done it." Her sensations on the discovery made her perfectly speechless. She could not even thank him. She could only hang over little Charles, with most disordered feelings. His kindness in stepping forward to her relief -- the manner -- the silence in which it had passed -- the little particulars of the circumstance -- with the conviction soon forced on her by the noise he was studiously making with the child, that he meant to avoid hearing her thanks, and rather sought to testify that her conversation was the last of his wants, produced such a confusion of varying, but very painful agitation, as she could not recover from, till enabled by the entrance of Mary and the Miss Musgroves to make over her little patient to their cares, and leave the room. She could not stay.
Jane Austen (Persuasion)
Really, was everyone aboard this ship slightly mad? Much of Arsenic's initial conversation with the decklings was beginning to make sense. All the crew seemed, in a word, eccentric. Mr. Tarabotti smiled. "Too late, little cousin. I stay here. You done almost? You maybe do not wish late, no? Your father, he will throw a fop." Miss Tunstell said, "Throw a fit, I think you mean, Rodrigo." "Si?" "Yes. He is a fop, but he throws a fit." The captain interrupted, "Yes yes. Soon. But this is more important." "Si?" Mr Tarabotti shrugged and left. He said something in Italian to someone waiting in the hallway as he closed the door. Arsenic turned to look curiously at the cheerful captain. "He tried to kill you?" "Obviously he wasn't successful." Arsenic nodded. Obviously. "My mother would say that shows a lack of follow-through." The captain grinned. "Your mother sounds logical." Miss Tunstell added, although not critically, "And a little bloodthirsty." It was a fair assessment. "You've no idea," replied Arsenic, because it seemed they really didn't. The captain wrinkled her nose. "Old cousin Roddy there is not so bad. He's been reformed through excessive reading. Percy was in charge of extensive literary recuperation efforts." Arsenic smiled at Professor Tunstell, not quite sure what to make of this explanation, but knowing that books could be good medicine. The man dipped his head and blushed. The two ladies looked at him as if he'd done the most unusual thing ever.
Gail Carriger (Reticence (The Custard Protocol, #4))
Celia realized she'd shocked Mr. Pinter when his thick black brows drew together in a frown. His lean form seemed even more rigid than usual, and his angular features-the arrow of a nose and bladed jaw-even more stark. IN his severe morning attire of black serge and white linen, he radiated male disapproval. But why? He knew she was the only "hellion" left unmarried. Did he think she would let her brothers and sisters lose their inheritance out of some rebellious desire to thwart Gran's ultimatum? Of course he did. He'd been so kind and considerate during her recitation of the dream that she'd almost forgotten he hated her. Why else were his eyes, gray as slate after a storm, now so cold and remote? The blasted fellow was always so condescending and sure of himself, so...so... Male. "Forgive me, my lady," he said in his oddly raspy voice, "but I was unaware you had any suitors." Curse him for being right. "Well, I don't...exactly. There are men who might be interested but haven't gone so far as to offer marriage." Or even to show a partiality to her. "And you're hoping I'll twist their arms so they will?" She colored under his piercing gaze. "Don't be ridiculous." This was the Mr. Pinter she knew, the one who'd called her "a reckless society miss" and a "troublemaker." Not that she cared what he thought. He was like her brother's friends, who saw her as a tomboy because she could demonstrate a rifle's fine qualities. And like Cousin Ned. Scrawny bitch with no tits-you don't have an ounce of anything female on you. Curse Ned to hell.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
What do human beings contribute, Suwelo was thinking morosely, as he waited one afternoon for Miss Lissie to appear. Her story about the animal cousins had moved him and each day he found himself more conscious of his own nonhuman “relatives” in the world. The bees contributed honey, but not really—it was taken from them. What, he now wondered, did the bees eat themselves; surely they didn’t make honey for human beings. It was the flowers that contributed honey to both bees and people, the flowers that were always giving something: beauty, cheerfulness, pollen, and seeds. They did not care who saw them, who, they gave to. And on his feet, Suwelo also realized, with disgust, he was wearing moccasins made of leather. What a euphemism, “leather.” A real nonword. Nowhere in it was concealed the truth of what leather was. Something’s skin. And his tortoiseshell glasses. He took them off and peered shortsightedly at them, holding them at arm’s length. But they were imitation tortoiseshell. Plastic, probably. But this made him even gloomier, for he knew the only reason for imitation anything was that the source of the real thing had dried up. There were probably no more tortoises left to kill. And what, anyway, of plastic? It was plentiful, cheap. But even it came from somewhere. Of what was plastic made? What died? He knew it was a product of petroleum, of oil, and so he assumed plastic was made out of the very lifeblood of the planet. When all the oil was drained, he imagined the planet quaking and shrinking in on itself, like an orange that has been sucked to death.
Alice Walker (The Temple of My Familiar)
It’s just a devilish odd coincidence. I shared a boat – and a carriage – with Balcourt’s sister and cousin." "I didn’t realise he had a sister." "Well, he does." Richard abruptly pushed away his empty bowl. "What a great stroke of luck! Could you use the acquaintance with the sister to discover more about Balcourt’s activities?" "That," Richard said grimly, "is not an option." Geoff eyed him quizzically. "I realise that any sister of Balcourt’s is most likely repugnant at best, but you don’t need to propose to the girl. Just flirt with her a bit. Take her for a drive, call on her at home, use her as an entrée into the house. You’ve done it before." "Miss Balcourt is not repugnant." Richard twisted in his chair, and stared at the door. "What the devil is keeping supper?" Geoff leant across the table. "Well, if she’s not repugnant, then-what’s the – ah." "Ah? Ah? What the deuce do you mean by ‘ah’? Of all the nonsensical…" "You" – Geoff pointed at him with fiendish glee – "are unsettled not because you find her repugnant, but because you find her not repugnant." Richard was about to deliver a baleful look in lieu of a response, when he was saved by the arrival of the footman bearing a large platter of something covered with sauce. Richard leant forward and speared what looked like it might once have been part of a chicken, as the footman whisked off with his soup dish. "Have some," Richard suggested to Geoff, ever so subtly diverting the conversation to culinary appreciation. "Thank you." Undiverted, Geoff continued, "Tell me about your Miss Balcourt." "Leaving aside the fact that she is by no means my Miss Balcourt" – Richard ignored the sardonic stare coming from across the table – "the girl is as complete an opposite to her brother as you can imagine. She was raised in England, somewhere out in the countryside. She’s read Homer in the original Greek—" "This is serious," murmured Geoff. "Is she comely?" "Comely?" "You know, nice hair, nice eyes, nice…" Geoff made a gesture that Richard would have expected more readily from Miles.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
When trying to understand why people acted in a certain way, you might use a short checklist to guide your probing: their knowledge, beliefs and experience, motivation and competing priorities, and their constraints. •​Knowledge. Did the person know something, some fact, that others didn’t? Or was the person missing some knowledge you would take for granted? Devorah was puzzled by the elderly gentleman’s resistance until she discovered that he didn’t know how many books could be stored on an e-book reader. Mitchell knew that his client wasn’t attuned to narcissistic personality disorders and was therefore at a loss to explain her cousin’s actions. Walter Reed’s colleagues relied on the information that mosquitoes needed a two- to three-week incubation period before they could infect people with yellow fever. •​Beliefs and experience. Can you explain the behavior in terms of the person’s beliefs or perceptual skills or the patterns the person used, or judgments of typicality? These are kinds of tacit knowledge—knowledge that hasn’t been reduced to instructions or facts. Mike Riley relied on the patterns he’d seen and his sense of the typical first appearance of a radar blip, so he noticed the anomalous blip that first appeared far off the coastline. Harry Markopolos looked at the trends of Bernie Madoff’s trades and knew they were highly atypical. •​Motivation and competing priorities. Cheryl Cain used our greed for chocolate kisses to get us to fill in our time cards. Dennis wanted the page job more than he needed to prove he was right. My Procter & Gamble sponsors weren’t aware of the way the homemakers juggled the needs for saving money with their concern for keeping their clothes clean and their families happy. •​Constraints. Daniel Boone knew how to ambush the kidnappers because he knew where they would have to cross the river. He knew the constraints they were operating under. Ginger expected the compliance officer to release her from the noncompete clause she’d signed because his company would never release a client list to an outsider.
Gary Klein (Seeing What Others Don't: The Remarkable Ways We Gain Insights)
One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my mind. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.
J.D. Salinger (Franny and Zooey)
One other thing. And that's all. I promise you. But the thing is, you raved and you bitched when you came home about the stupidity of audiences. The goddam `unskilled laughter' coming from the fifth row. And that's right, that's right - God knows it's depressing. I'm not saying it isn't. But that's none of your business, really. That's none of your business, Franny. An artist's only concern is to shoot for some kind of perfection, and *on his own terms*, not anyone else's. You have no right to think about those things. I swear to you. Not in any real sense, anyway. You know what I mean?" ... The voice at the other end came through again. "I remember about the fifth time I ever went on `Wise Child'. I subbed for Walt a few times when he was in a cast - remember when he was in the case? Anyway. I started bitching one night before broadcast. Seymour'd told me to shine my shoes just as I was going out the door with Waker. I was furious. The studio audience were all morons, the announcer was a moron, the sponsors were morons, and I just damn well wasn't going to shine my shoes for them, I told Seymour. I said they couldn't see them anyway, where we sat. He said to shine them anyway. He said to shine them for the Fat Lady. I didn't know what the hell he was talking about, but he had a very Seymour look on his face, and so I did it. He never did tell me who the Fat Lady was, but I shined my shoes for the Fat Lady every time I ever went on the air again - all the years you and I were on the program together, if you remember. I don't think I missed more than one just a couple of times. This terribly clear, clear picture of the Fat Lady formed in my time. I had her sitting on this porch all day, swatting flies, with her radio going full-blast from morning till night. I figured the heat was terrible, and she probably had cancer, and - I don't know. Anyway, seemed goddam clear why Seymour wanted me to shine my shoes when I went on air. It made *sense*." ... "... Let me tell you something now, buddy ... Are you listening?" ... "I don't care where an actor acts. It can be in summer stock, in can be over a radio, it can be over television, it can be in a goddam Broadway theatre, complete with the most fashionable, most well-fed, most sunburned-looking audience you can imagine. But I'll tell you a terrible secret - Are you listening to me? *There isn't anyone out there who isn't Seymour's Fat Lady.* That goddam cousins by the dozens. There isn't anyone *any*where that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know - listen to me, now - *don't you know who that Fat Lady really is?*... Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy.
J.D. Salinger (Franny and Zooey)
It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.” The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.” His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.” “No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.” “Still, it was very wrong of me to-“ “Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.” That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“ “And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.” “That does sound tempting,” she shot back. “As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.” “As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.” “Freddy!” Maria cried. “What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.” “I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?” “And keep from being hanged,” Freddy pointed out. “Let’s not forget that.” “Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.” She glowered at him. “I never let him out of it. he’s the reason I’m here.” “So you say.” That inflamed her temper. “Now see here, you insufferable, arrogant-“ “Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
If they weren’t cousins,” Iris said in that dry tone Hugh was coming to realize was uniquely hers, “that would have been very romantic.” Hugh looked at her. “I said if they weren’t cousins,” she protested. “Anyway, he’s so desperately in love with Miss Wynter he would not notice if an entire naked harem fell from the ceiling.” “Oh, he’d notice,” Hugh said, since he was quite sure that Iris was trying to be provoking. “He just wouldn’t do anything about it.” As Hugh walked into the dining room with the wrong woman on his arm, it occurred to him that he, too, wouldn’t do anything about it. If a naked harem fell from the ceiling.
Julia Quinn (The Sum of All Kisses (Smythe-Smith Quartet, #3))
Win's sense of unease grew as evening settled over the house. She stayed in the parlor with her sisters and Miss Marks until Beatrix had tired of reading. The only relief from Win's growing tension was in watching the antics of Beatrix's ferret, Dodger, who seemed enamored of Miss Marks, despite-or perhaps because of-her obvious antipathy. He kept creeping up to the governess and trying to steal one of her knitting needles, while she watched him with narrowed eyes. "Don't even consider it," Miss Marks told the hopeful ferret with chilling calm. "Or I'll cut off your tail with a carving knife." Beatrix grinned. "I thought that only happened to blind mice, Miss Marks," "It works on any offending rodent," Miss Marks returned darkly. "Ferrets are not rodents, actually," Beatrix said. "They're classified as mustelidae. Weasels. So one might say the ferret is a distant cousin of the mouse." "It's not a family I'd care to become closely acquainted with," Poppy said. Dodger draped himself across the arm of the settee and pinned a love-struck gaze on Miss Marks, who ignored him.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Cultists. They’re like cockroaches. We humans are incredibly fine-tuned by evolution for the task of spotting coincidences and causal connections. It’s a very useful talent that dates back to the bad old days on the savannah (when noticing that there were lion prints by the watering hole and then cousin Ugg went missing, and today there are more lion prints and nobody had gone missing yet, was the kind of thing that could save your skin). But once we developed advanced lion countermeasures like stone axes and language, it turned into our secret curse. Because, you see, when we spot coincidences we assume there’s an intentional actor behind them
Charles Stross (The Fuller Memorandum (Laundry Files, #3))
Lizzy Reid is the younger sister of Captain Alex Reid, hero of Book VI, The Betrayal of the Blood Lily. She’s also sister to Jack Reid, the double agent known as the Moonflower. Agnes Wooliston is first cousin to Miss Amy Balcourt, heroine of Book I, The Secret History of the Pink Carnation. More important, she’s the youngest sister of Miss Jane Wooliston, aka the Pink Carnation. Add up three adventurous sixteen-year-olds, two deadly spies, and one very lax headmistress, and you have the potential for a great deal of trouble …
Lauren Willig (The Mischief of the Mistletoe (Pink Carnation, #7))
When I saw my cousins with their dads, I might have missed having a father who could do daddy stuff with me. But I resolved early that maybe that kind of daddy love just wasn’t meant for me.
Jada Pinkett Smith (Worthy: An Impactful Biography with a Powerful Message, Empower Yourself Today)
you are back in your grandmother’s attic looking at photographs of people you don’t know, ladies in floral print dresses, wearing feathered and veiled hats; men with cigarettes, leaning against automobiles, thumbs through their belt loops; an empty railroad depot, the tracks heading away to a landscape of bare trees, the rail yard littered with handcarts and piles of sooty snow, and you hear your mother calling you to lunch, but you are curious about this missing snapshot, the four triangular corner mounts forming a dark rectangle. Who removed the photo from the album and why? And who is the purloined ghost? And at that moment you realize that secrets lie all around you, that the world is so much larger than you had imagined, and that you are a part of it, and that this is a world of loss, and that all of these people whose names are penned on the borders of the photographs, whose smiles and shadows have been preserved, these people named Eustache and Marie, Walter, Pamille, Theona, Grace, Emma, Cousin Butchie, Big Fred, Little Fred, that all of them were tillers in the garden where the flower of you now blooms.
John Dufresne (Deep in the Shade of Paradise: A Novel)
As far as he can tell, his father’s days are unvarying: roll the cart through the stacks, place a book in its spot, repeat. Back in the shelving room, another cart will be waiting. Sisyphean, his father said, when he first began. He used to teach linguistics; he loves books and words; he is fluent in six languages, can read another eight. It’s he who told Bird the story of Sisyphus, forever rolling the same stone up a hill. His father loves myths and obscure Latin roots and words so long you had to practice before rattling them off like a rosary. He used to interrupt his own sentences to explain a complicated term, to wander off the path of his thought down a switchback trail, telling Bird the history of the word, where it came from, its whole life story and all its siblings and cousins. Scraping back the layers of its meaning.
Celeste Ng (Our Missing Hearts)
Romantic love is absolutely a maggot,” he countered, glancing back at his cousin once more. “It will inevitably spoil whatever it has infected.” “With such romantic sentiments, one must wonder at your difficulty in ensnaring Miss Lethbridge,” Searle said cuttingly. “I would have expected her to be swooning at your feet by now. Whatever is the matter with her?” “To the devil with you,” he said without heat. “You do not think me fool enough to call love a maggot to her directly, do you? Despite my opinion of such an impossible emotion, I will not lie to her. I am who I am, and she knows it. Indeed, I expect that is the reason for her reluctance.” “Her reluctance or her refusal?” Searle was knowing. Damn him. “Both,” he bit out.
Scarlett Scott (Duke of Debauchery (Sins and Scoundrels, #5))
On a snow-covered hill high in Transylvania, Solomon Macaroni lay in a coffin. Heart beating rapidly, he was very much alive. And the snow-covered hill happened to be inside the largest, most famous and oldest family home in all of Romania – the home of Solomon’s uncle, Dracula. Uncle Dracula, a five-thousand-year-old vampire, lived there with his six children. And, for the next ninety-nine years, while his parents were on a round-the-world cruise, so did Solomon. He’d been quite put out by this arrangement at first. For starters, Solomon was only five hundred and fifty-three, the equivalent of about eleven in human years. And second of all, his prankster cousins weren’t the easiest vampires to live with. But, after a rocky start, Solomon had stopped missing his parents so much and had decided to embrace his time in Uncle Dracula’s weird and wonderful home. ‘Ve have the indoor beach,’ Uncle Dracula had declared
Ashleigh Barton (Solomon Macaroni and the Vampire Vacation)
That kid was annoying. Besides, he survived.” “Missing a toe.” “You don’t need ten,” she said. “I have a cousin with four. She does just fine.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
Funny, ain’t it? My cousin-in-law over to Marco, the one helped lynch that colored feller some years back cause they give him a white man’s job in the clam cannery? That cousin never missed a meal till the mornin he never come down to eat his breakfast. Died peaceful in his sleep at home after a nice long life. How do you figure that one, Colonel? You reckon God just thundered down, ‘All is forgiven, Boy, cause you ain’t nothin but a redneck idjit that never knowed no better. It’s them ones like your cousin Bill that knowed better and turned away that I am abominatin in My sight.’ ” Bill shook his head. “I never did commit a crime against a black man and darn glad of it but I never done nothin for ’em neither, not even when I had the chance. You reckon that’s why I feel so bad about Henry? Because I knew better?” House lifted his hand to shield his eyes from the westering sun that fired the windshield.
Peter Matthiessen (Shadow Country)
Funny, ain’t it? My cousin-in-law over to Marco, the one helped lynch that colored feller some years back cause they give him a white man’s job in the clam cannery? That cousin never missed a meal till the mornin he never come down to eat his breakfast. Died peaceful in his sleep at home after a nice long life. How do you figure that one, Colonel? You reckon God just thundered down, ‘All is forgiven, Boy, cause you ain’t nothin but a redneck idjit that never knowed no better. It’s them ones like your cousin Bill that knowed better and turned away that I am abominatin in My sight.’ ” Bill shook his head. “I never did commit a crime against a black man and darn glad of it but I never done nothin for ’em neither, not even when I had the chance. You reckon that’s why I feel so bad about Henry? Because I knew better?
Peter Matthiessen (Shadow Country)
I wouldn’t return to my childhood for a minute,” Otávio had gone on absorbed, no doubt thinking about the days of his cousin Isabel and sweet Lídia. “Not for a single instant.” “Me neither,” Joana had hastened to reply, “not for a second. I don’t miss it, you see?” And at this moment she declared out loud, slowly, enthralled, “I don’t miss it, because I have my childhood more now than when it was happening . . .
Clarice Lispector (Near to the Wild Heart)
The smoke was heavy in the frigid air. Bitter in my throat. I leaned against the railing, stared out at the city: crawling traffic, flashing lights, darkness hanging over New York without a promise of sunrise to come. I was reminded of the nights we’d stood on this same balcony, a drink in Massimo’s hand, ice clinking against his teeth. Tonio exhaling long spirals of gray smoke into the neon-tinted night. Rubbing oil out of my palm, smoking one of Tonio’s cigarettes and taking drinks when my cousin offered them. I was reminded of last night when we’d stood in the courtyard outside the ballroom, blood on Massimo’s face and acrid smoke in the air. Ice water dripping from Tonio’s hand. And a shadow in the golden light spilling from the doorway. I missed Lorel, and Massimo, and the people we’d once been. Though maybe we’d always been the people we were now, just buried beneath layers. Regardless, I thought Mamma and Papa wouldn’t recognize the girl standing here now on a dark New York balcony, smoking one last cigarette, blood and oil in the creases of her hands.
Abigail C. Edwards (And We All Bled Oil)
It was, I saw, a local letter with a typewritten address. I opened it before the two with London postmarks, since one of them was a bill and the other from a rather tiresome cousin. Inside, printed words and letters had been cut out and gummed to a sheet of paper. For a minute or two I stared at the words without taking them in. Then I gasped. Joanna, who was frowning over some bills, looked up.
Agatha Christie (The Moving Finger (Miss Marple #4))
falling in love, a first kiss, the late teenage years, full of possibilities. I miss my family, my mama, my papa, my little sister, my lovely cousin Elena. The joy of a hug. Human contact. The anguish is a twist in my chest, a rock in my belly.
Susanna Beard (The Perfect Neighbour)
People have been dropping like flies,” I said to Dan. “Every time I look up, there’s a missed call. Tammy, Chunk, my cousin, my father. It’s all so strange. This year feels like a dream. The first time I start really dealing with my grief about Chet, it feels like death is knocking on my door. I keep losing things that I love, and I now know what people mean when they say they’ve had a rough year.
Chelsea Handler (Life Will Be the Death of Me: . . . and You Too!)
But when my ex opens the door, her somber expression and baggy sweats do not suggest we’re about to roll around naked. Nor does the toddler asleep on the bed behind her. I’m frozen as Janelle wraps her arms around me in a hug. “I’ve missed you,” she coos in a baby voice. I would not consider myself the paragon of virtue, but there’s no way I’m doing kinky shit with my ex while a kid sleeps a few feet away. I’ve never seen her baby before. When I found out Janelle’s new guy had knocked her up, I did my best to eradicate thoughts of her from my life. It was too painful to see her move on when she’d promised me that future. I only vaguely inquire about her through my cousin Bianca when I plan trips home so I can avoid my ex. As I take a good long look at the sleeping bundle, I stop breathing. Ernest has blond hair. And Janelle has light brown. My eyes are lasered on the kid, who has thick, black hair. Much like mine. Sweat breaks out on my body, and a giant lump forms in my throat. I cough. “What the fuck is going on?” Janelle wrings her hands, tears forming in her eyes. “That’s what I wanted to talk to you about. Why I needed to do this in person. It’s long overdue.” But like all truly messed-up things in my life, I know the answer to my question before the words are out of her mouth. “She’s yours, Ben.” 3 BEN A suffocating, twisting blackness spreads through me as I stare at this woman I once loved.
Lex Martin (Tight Ends & Tiaras (Varsity Dads #2))
For Ethan, words carried secrets, the stories of how they came to be, all their past selves. He would find the mysterious ways they connected, tracing their family tree back to pinpoint the unlikeliest cousins. It was proof that despite the chaos around them, there was logic and order to the world; there was a system, and that system could be deciphered. She loved this about him, this unshakable belief that the world was a knowable place. That by studying its branches and byways, the tracks it had rutted in the dust, you could understand it. For her the magic was not what words had been, but what they were capable of: their ability to sketch, with one sweeping brushstroke, the contours of an experience, the form of a feeling. How they could make the ineffable effable, how they could hover a shape before you for an eyeblink, before it dissolved into the air. And this, in turn, was what he loved about her—her insatiable curiosity about the world, how for her it could never be fully unraveled, it held infinite mysteries and wonders and sometimes all you could do was stand agape, rubbing your eyes, trying to see properly. Holed up in the apartment, they read, pulling one dictionary or another from the shelf and poring over it, stretched across the futon, one’s head pillowed on the other’s thigh. Reading passages aloud, dissecting meanings, each of them digging: she mining words like precious gems, arranging them around the outlines of the world; he excavating the layers fossilized within. All the traces of people trying to explain the world to themselves, trying to explain themselves to each other. Testify had its roots in the word for three: two sides and a third person, standing by, witnessing. Author originally meant one who grows: someone who nurtured an idea to fruition, harvesting poems, stories, books. Poet, if you traced back far enough, came from the word for to pile up—the earliest, most basic, form of making.
Celeste Ng (Our Missing Hearts)
We’ll never make it three months. Do you have any of the details worked out?” “Well,” she said. “Sure. Some.” He leaned toward her and smiled pleasantly. “Care to share?” “What would you like to know?” “Well, there’s nothing to suggest we have a high-risk pregnancy, but it’s pretty common for the mothers of twins to go on bed rest for a while to delay labor while they grow and get stronger. And when babies come, it’s often early and fast. And taking care of them as newborns is pretty demanding. Also, you have a financial situation that’s giving you some stress. And—” “Okay, okay,” she said. “Sheesh. I’m not too worried about bed rest, I’m in good health and I have Vanni and Mel. John Stone is watching real close for early and fast. My mom will come as soon as they arrive and—” “So will mine,” he said, and she actually grabbed her belly. “What?” “Oh yeah. We can hold her off for a week, maybe, but these are her grandchildren and she’s never missed a grandchild’s debut.” “Have you told her?” she asked, aghast. “Not yet,” he said, twirling a little spaghetti around his fork. “But I have to do that. It’s going to be hard enough to explain not telling her sooner and making sure she had a chance to meet you. They’re not just our children, Ab. They have grandparents, great-grandparents, aunts, uncles, cousins…et cetera…on my side of this family as well as yours.” “Oh God,” she said, dropping her fork. “I don’t feel so good.” He just laughed lightly. “Relax. Nothing to worry about. They’re fantastic people and you’ll be real happy to have them in your life, I guarantee it.” “But won’t they think… I mean, we’re not married and—” He shrugged, got up and fetched himself a beer from the old refrigerator, using the underside of his heavy class ring to pop the top. “I’m sure they’ve heard of things like this before. A man and woman, not married, having children. But telling my family is just one item on this list. Abby, the list is long. We have so many things to work through before you go into labor. And not all that much time to do it.” She
Robyn Carr (Paradise Valley)
Fern hadn't been asked to the big dance. Bailey hadn't asked anyone either. He had joked that he didn't want to make any girl dread going to her prom. He'd said it with a smile, but there was a flash of something mournful in his face. Self-pity wasn't Bailey's style, and his comment surprised Fern. So she asked Bailey if he would go with her. It was Prom, and they could sit home and sulk that they didn't have dates or they could go together. They were cousins, and it was completely lame, but being uncool was better than missing out. And it wasn't like going to Prom together would cause any image problems. They were both the epitome of lame–literally in Bailey's case, figuratively in Fern's. It wouldn't be a night for romance, but Fern had a dress for her Prom and a date too, even if it wasn't a conventional one.
Amy Harmon (Making Faces)