Cousins Birthday Quotes

We've searched our database for all the quotes and captions related to Cousins Birthday. Here they are! All 22 of them:

Three days later, just as I set off for work, the postman handed me a letter. I opened it on the bus, thinking it might be an early birthday card from some distant cousin. It read, in computer- ized text: Dear Clark, This is to show you that I am not an entirely selfish arse. And I do appreciate your efforts. Thank you. Will I laughed so hard the bus driver asked me if my lottery numbers had come up.
Jojo Moyes (Me Before You (Me Before You, #1))
unaccustomed to the ambushes of family life, and perhaps it is just as well that I can offer her little of that life. I would like to give her more. I would like to promise her that she will grow up with a sense of her cousins and of rivers and of her great-grandmother’s teacups, would like to pledge her a picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday, but we live differently now and I can promise her nothing like that. I give her a xylophone and a sundress from Madeira, and promise to tell her a funny story.
Joan Didion (Slouching Towards Bethlehem: Essays)
Liza Hempstock, who had been Bod's friend for the last six years, was different in another way; she was less likely to be there for him when Bod went down to the nettle patch to see her, and on the rare occasions when she was, she would be short-tempered, argumentative and often downright rude. Bod talked to Mr Owens about this, and after a few moments' reflection, his father said, "It's just women, I reckon. She liked you as a boy, probably isn't sure who you are now you're a young man. I used to play with one little girl down by the duck pond every day until she turned about your age, and then she threw an apple at my head and did not say another word to me until I was seventeen." Mrs Owens stiffened. "It was a pear I threw," she said, tartly, "and I was talking to you again soon enough, for we danced a measure at your cousin Ned's wedding, and that was but two days after your sixteenth birthday." Mr Owens said, "Of course you are right, my dear." He winked at Bod, to tell him that it was none of it serious. And then mouthed "Seventeen" to show that, really, it was.
Neil Gaiman (The Graveyard Book)
They say that February is the shortest month, but you know they could be wrong. Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes it's a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April's nose. However more abbreviated than it's cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behavior that grows quickly old. February is pitiless, and it's boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine's Day. It was no accident that our ancestors pinned Valentine's day on February's shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed. Except to the extent that it "tints the buds and swells the leaves within" February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui holding both progress and contentment at bay. If February is the color of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you're small! Where you twice your tiresome length, few of us would survive to greet the merry month of May.
Tom Robbins
I would like to give her more. I would like to promise her that she will grow up with a sense of her cousins and of rivers and of her great-grandmother’s teacups, would like to pledge her a picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday, but we live differently now and I can promise her nothing like that.
Joan Didion (Slouching Towards Bethlehem: Essays)
I let them do some simple arithmetic. In a group of one hundred people, how many assholes are there? How many fathers who humiliate their children? How many morons whose breath stinks like rotten meat but who refuse to do anything about it? How many hopeless cases who go on complaining all their lives about the non-existent injustices they’ve had to suffer? Look around you, I said. How many of your classmates would you be pleased not to see return to their desks tomorrow morning? Think about that one family member of your own family, that irritating uncle with his pointless, horseshit stories at birthday parties, that ugly cousin who mistreats his cat. Think about how relieved you would be - and not only you, but virtually the entire family - if that uncle or cousin would step on a landmine or be hit by a five-hundred-pounder dropped from a high altitude. If that member of the family were to be wiped off the face of the earth. And now think about all those millions of victims of all the wars there have been in the past - I never specifically mentioned the Second World War, I used it as an example because it’s the one that most appeals to their imaginations - and think about the thousands, perhaps tens of thousands of victims who we need to have around like we need a hole in the head. Even from a purely statistical standpoint, it’s impossible that all those victims were good people, whatever kind of people that may be. The injustice is found more in the fact that the assholes are also put on the list of innocent victims. That their names are also chiselled into the war memorials.
Herman Koch (The Dinner)
Teeth retracting, Lissianna pulled free of Greg Hewitt’s neck and glanced guiltily over her shoulder. The sight of Thomas and her mother staring at her wide-eyed from the doorway was enough to make her stand quickly, her hands moving to straighten her clothes and hair. “I cannot believe this!” Marguerite stomped into the room. “Sneaking around and unwrapping your gifts before your birthday like you’re twelve instead of two hundred! What were you thinking?” “Well, technically, it is her birthday, Aunt Marguerite,” Thomas pointed out as he closed the door. Lissianna tossed her cousin a grateful smile, but said, “I wasn’t sneaking around. I came up to get fresh stockings.” She scooped them up off the bed, and added, “And I didn’t unwrap him.” Marguerite stared pointedly at the floor. After glancing down to see the untied bow lying forgotten there, Lissianna grimaced, and admitted, “Okay, I did unwrap him, but only because he was upset, and I hated to leave him distressed.” She paused, then tilted her head, and said, “I take it Bastien’s arrival interrupted you before you could put the full whammy on him? He was upset about being kidnapped and wanted to be untied when I got here.” “I didn’t kidnap him,” Marguerite said with affront, then peered past Lissianna to Dr. Gregory Hewitt to say, “I didn’t kidnap you. I borrowed you.” -Marguerite, Thomas, & Lissianna
Lynsay Sands (A Quick Bite (Argeneau #1))
Emily My sneakers hit the pavement and my heart slams like the truck door behind me. "Watch it!" My cousin and best friend Erick hops out of the drivers' side, reprimanding me at the same time. Sensitive about his truck. "Sorry," I mutter. The dim, enclosed parking garage puts me on edge. It's a perfect place for vampires. But it's early afternoon, not their prime hunting time. The upscale Austin, Texas, mall parking lot is packed with sedans and trucks. I sling a motorcycle helmet into the bed of the truck, where it joins the massive four-wheeler we just spent an exhilarating morning breaking in. A gift for his eighteenth birthday a couple of months ago. For my eighteenth, I'm getting a night
Lacy Yager (Rival (Unholy Alliance #2))
It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
How many hopeless cases who go on complaining all their lives about the non-existent injustices they’ve had to suffer? Look around you, I said. How many of your classmates would you be pleased not to see return to their desks tomorrow morning? Think about that one member of your own family, that irritating uncle with his pointless, horseshit stories at birthday parties, that ugly cousin who mistreats his cat. Think about how relieved you would be – and not only you, but virtually the entire family – if that uncle or cousin would step on a landmine or be hit by a five-hundred-pounder dropped from a high altitude. If that member of the family were to be wiped off the face of the earth. And now think about all those millions of victims of all the wars there have been in the past – I never specifically mentioned the Second World War, I only used it as an example because it’s the one that most appeals to their imaginations – and think about the thousands, perhaps tens of thousands of victims who we need to have around like we need a hole in the head. Even from a purely statistical standpoint, it’s impossible that all those victims were good people, whatever kind of people that may be. The injustice is found more in the fact that the assholes are also put on the list of innocent victims. That their names are also chiselled into the war memorials.
Herman Koch (The Dinner)
reality when we are alone in your rooms without any witnesses … this dream is alone for you to know.” As Pakula notes, Vicky intelligently treated these fantasies (which continued until Willy turned seventeen) lightly in her answering letters, trying to direct her son’s passion toward his Hessian cousins. Just after their son’s eighteenth birthday, in 1877, Vicky and Fritz sent Willy to the University of Bonn. Both parents fervently hoped some of that institution’s accumulated centuries of academic merit might rub off on the future emperor. The experience would instead
Jerrold M. Packard (Victoria's Daughters)
When a Shanghainese person finds another Shanghainese in America, it’s like finding a best friend who has the same birthday and who also happens to be a long lost cousin.
Jimmy O. Yang (How to American: An Immigrant's Guide to Disappointing Your Parents)
Oh, come on, admit it. I’m the obscure, jolly cousin everyone assumes lives alone in a timber-framed cottage with a thriving herb garden and eleven cats. I’m also completely forgotten until needed. Except by you. You never missed a birthday or Christmas card. Thank you! -Gertie
Lynne Christensen (Aunt Edwina's Fabulous Wishes (The Aunt Edwina Series, #1))
Horrible — well, not all of them. My aunt and uncle and cousin are, though. Wish I’d had three wizard brothers.” “Five,” said Ron. For some reason, he was looking gloomy. “I’m the sixth in our family to go to Hogwarts. You could say I’ve got a lot to live up to. Bill and Charlie have already left — Bill was head boy and Charlie was captain of Quidditch. Now Percy’s a prefect. Fred and George mess around a lot, but they still get really good marks and everyone thinks they’re really funny. Everyone expects me to do as well as the others, but if I do, it’s no big deal, because they did it first. You never get anything new, either, with five brothers. I’ve got Bill’s old robes, Charlie’s old wand, and Percy’s old rat.” Ron reached inside his jacket and pulled out a fat gray rat, which was asleep. “His name’s Scabbers and he’s useless, he hardly ever wakes up. Percy got an owl from my dad for being made a prefect, but they couldn’t aff — I mean, I got Scabbers instead.” Ron’s ears went pink. He seemed to think he’d said too much, because he went back to staring out of the window. Harry didn’t think there was anything wrong with not being able to afford an owl. After all, he’d never had any money in his life until a month ago, and he told Ron so, all about having to wear Dudley’s old clothes and never getting proper birthday presents. This seemed to cheer Ron up.
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
To an outsider the birthday dinner would probably have seemed very dull. A working landowner and his wife; a female cousin with a mop of fair hair and a tanned skin who was practically never seen out of breeches and knew bulls inside out; a young man out of the army learning to farm, and an old estate agent; and splitting one bottle of champagne to drink the old agent’s health. But to anyone who knew Barsetshire it was the county in miniature with its tradition of work, its acceptance of the immutable law that practically all those who depended on one were in their different way lazy, incompetent, untruthful, grasping; but none the less their children to be helped while young and allowed when old to go on living at a very low rent or none at all in cottages that could have been let for enormous sums to outsiders. And their lives were devoted to Rushwater, which would use them, as it had used Mr. Macpherson, till their eyes were dim and their clothes hung loosely on the skeletons that lurked in them.
Angela Thirkell (The Duke's Daughter (Barsetshire Series))
The timepiece had been a birthday gift from Arian, his nineteen-year-old cousin in Tehran. It was plastered with pastoral steel and had the Faravahar hieroglyph sketched on it. This ancient pictogram was the symbol of a guardian angel. A remnant of a primeval daemon designed to protect the Persians. The clock’s circumference was decorated with the flowers of life and in the middle there was a scripture written in cuneiform that read Good Deeds, Good Thoughts & Good Words.
Soroosh Shahrivar (The Rise of Shams)
Aunt Laura had called my dad and asked if I could come over to celebrate my cousins’ birthdays. Kiley and Josh were born the same month and often had a combined “family” party. It was clear to both Dad and me that my aunt had pretty much invited just me. Not my dad. But I didn’t want to go in there alone. And Dad knew that.
Erin Fry (Losing It)
they had all met their personal Whites, those who had committed criminal obscenities on their watch and then walked away untouched by justice, leaving their obsessed ex-WG hunters heading into retirement with pilfered case files to pore over in their offices and basements at night, still making the odd unsanctioned follow-up call: to the overlooked counterman in the deli where the killer had had a coffee the morning of the murder, to the cousin upstate who had never been properly interviewed about that last phone conversation he had with the victim, to the elderly next-door neighbor who left on a Greyhound to live with her grandchildren down in Virginia two days after the bloodbath on the other side of the shared living room wall—and always, always, calling the spouses, children, and parents of the murdered: on the anniversary of the crime, on the victims’ birthdays, at Christmas, just to keep in touch, to remind those left behind that they had promised an arrest that bloody night so many years ago and were still on it.
Richard Price (The Whites)
D’aron the Daring, Derring, Derring-do, stealing base, christened D’aron Little May Davenport, DD to Nana, initials smothered in Southern-fried kisses, dat Wigga D who like Jay Z aw-ite, who’s down, Scots-Irish it is, D’aron because you’re brave says Dad, No, D’aron because you’re daddy’s daddy was David and then there was mines who was named Aaron, Doo-doo after cousin Quint blew thirty-six months in vo-tech on a straight-arm bid and they cruised out to Little Gorge glugging Green Grenades and read three years’ worth of birthday cards, Little Mays when he hit those three homers in the Pee Wee playoff, Dookie according to his aunt Boo (spiteful she was, misery indeed loves company), Mr. Hanky when they discovered he TIVOed ‘Battlestar Galactica,’ Faggot when he hugged John Meer in third grade, Faggot again when he drew hearts on everyone’s Valentine’s Day cards in fourth grade, Dim Dong-Dong when he undressed in the wrong dressing room because he daren’t venture into the dark end of the gym, Philadelphia Freedom when he was caught clicking heels to that song (Tony thought he was clever with that one), Mr. Davenport when he won the school’s debate contest in eighth grade, Faggot again when he won the school’s debate contest in eighth grade, Faggot again more times than he cared to remember, especially the summer he returned from Chicago sporting a new Midwest accent, harder on the vowels and consonants alike, but sociable, played well with others that accent did, Faggot again when he cried at the end of ‘WALL-E,’ Donut Hole when he started to swell in ninth grade, Donut Black Hole when he continued to put on weight in tenth grade (Tony thought he was really clever with that one), Buttercup when they caught him gardening, Hippie when he stopped hunting, Faggot again when he became a vegetarian and started wearing a MEAT IS MURDER pin (Oh yeah, why you craving mine then?), Faggot again when he broke down in class over being called Faggot, Sissy after that, whispered, smothered in sniggers almost hidden, Ron-Ron by the high school debate team coach because he danced like a cross between Morrissey and some fat old black guy (WTF?) in some old-ass show called ‘What’s Happening!!’, Brainiac when he aced the PSATs for his region, Turd Nerd when he hung with Jo-Jo and the Black Bruiser, D’ron Da’ron, D’aron, sweet simple Daron the first few minutes of the first class of the first day of college.
T. Geronimo Johnson (Welcome to Braggsville)
He underwent spontaneous viral amplification two months and six days after his ninth birthday. Posthumous examination of his corpse displayed a final body weight of sixty-two pounds, six ounces. Lisa took her own life. And me? I found a new career. One where I’m still allowed to tell the truth.   —From Another Point of True, the blog of Richard Cousins, April 21, 2040
Mira Grant (Feed (Newsflesh Trilogy, #1))
Like any good lawyer, Hoy is proficient at continuing to ask whatever question he wanted to ask before an objection gets sustained. He asks whether Aaron had a third celebration that year—the first being the one at the Spitfire and the second being the cake at home with Marie and the children—and Aaron says that yes, he did, the following weekend. “I share a birthday—a March birthday with Marie, my wife, and two of my cousins also have March birthdays.
Lisa Taddeo (Three Women)
She is an open and trusting child, unprepared for and unaccustomed to the ambushes of family life, and perhaps it is just as well that I can offer her little of that life. I would like to give her more. I would like to promise her that she will grow up with a sense of her cousins and of rivers and of her great-grandmother’s teacups, would like to pledge her a picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday, but we live differently now and I can promise her nothing like that.
Joan Didion (Slouching Towards Bethlehem)