Cousins Are Fake Quotes

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Every life has a soundtrack. There is a tune that makes me think of the summer I spent rubbing baby oil on my stomach in pursuit of the perfect tan. There's another that reminds me of tagging along with my father on Sunday morning to pick up the New York Times. There's the song that reminds me of using fake ID to get into a nightclub; and the one that brings back my cousin Isobel's sweet sixteen, where I played Seven Minutes in Heaven with a boy whose breath smelled like tomato soup. If you ask me, music is the language of memory.
Jodi Picoult (Sing You Home)
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
As he watched Joe stand, blazing, on the fire escape, Sammy felt an ache in his chest that turned out to be, as so often occurs when memory and desire conjoin with a transient effect of weather, the pang of creation. The desire he felt, watching Joe, was unquestionably physical, but in the sense that Sammy wanted to inhabit the body of his cousin, not possess it. It was, in part, a longing--common enough among the inventors of heroes--to be someone else; to be more than the result of two hundred regimens and scenarios and self-improvement campaigns that always ran afoul of his perennial inability to locate an actual self to be improved. Joe Kavalier had an air of competence, of faith in his own abilities, that Sammy, by means of constant effort over the whole of his life, had finally learned only to fake.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
I was in the land of fakes and frauds and phonies—I felt like saying “Howdy cousin,” to everybody who walked by.
Gary Reilly (Ticket To Hollywood (Asphalt Warrior, #2))
But the Bible was better than those other spinach-colored Classic books that spent most of their time flossing with long sentences about pastures and fake sunsets and white dudes named Spencer. I didn't hate on spinach, fake sunsets, or white dudes named Spencer, but you could just tell that whoever wrote the sentences in those books never imagined they'd be read by Grandma, Uncle Relle, LaVander Peeler, my cousins, or anyone I'd ever met.
Kiese Laymon (Long Division)
In the 80s a Tennessee cousin decided he wanted to be a pro-wrestler. There was no real need to train or prepare back then. They just had him arrive a bit early to learn all he needed to know. After showing him a few tricks to sell the action he was handed a fake blood capsule. Fans liked to see the match end in blood. But that cousin was there to fight. Wrestling was real. The bell rang and punches were thrown. "Dirty" Dick Slater split my cousin's head open with an elbow. The match ended in blood as the crowd cheered. Anything can be real for a single night.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
My aversion to over-packing and its uptight cousin, over-planning, stems from the belief that neither tendency is a fake problem. These are not amusing tics. They are not superfluous reflections on the personality of the packer, but profound ones. They suggest a dubiousness of other lifestyles (racist), a conviction that the world won’t have what you need (princess), and a lack of faith that you’ll continue being human when it doesn’t (misanthrope). Plus, you’ll probably have to check your bags. And how hard is it, really? It’s just the one planet. I think by now we can all agree that the foundation of world travel goes something like “bring a cardigan.
Sloane Crosley (Up the Down Volcano)
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this. I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do. I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first. Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me. Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?" This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain. No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball. I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper? "You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically. I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it." Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Bruno, this is my friend Pippa. Pippa, my cousin Bruno.” Bruno. The in-with-the-wrong-crowd Bruno. Divinely and supernaturally gorgeous Bruno. And he just winked at me. Not good. He closes the distance between us in two long strides of his tight white pants and says “Piacere!”--which I remember from my phrase book means “pleased to meet you”--before taking ahold of my shoulders and kissing each of my cheeks. His lips are on my cheeks. I catch a glimpse of myself in the mirror and want to die. It’s physically impossible for a face to be any redder. I try to say “Piacere!” back but only a squeaky noise escapes my lips. I raise my shirt just enough to hide behind and fake a coughing fit, waving with the other hand for him to leave the room. He laughs and mutters something in Italian as he walks off. Chiara closes the door. Way to make a great first impression on the sexy Italian. “What did you say to him?” I ask when I’ve recovered the ability to speak. “I told him that he should knock on doors that are closed. That you are American and do not lie on the beach with le tette out. You are private.” “Le tette? What’s that?” My face pinks again. “My boobs?” “Si.” She sprawls across the bottom bunk. “I think it is sweet. Leaves room for the imagination.” “Um…thanks.” I finish getting dressed. “What did he say?” She laughs. “He said, ‘She will one day.’” My nose scrunches at the thought of baring it all on a beach towel in a foreign country, with Bruno and other guys who look like Bruno watching. I shudder. “Doubtful. There are some parts of me the sun just wasn’t meant to see.” Chiara rolls to her side and looks at me. “So you have never been swimming without clothes on?” “Skinny-dipping?” I smile as I stow my dirty clothes into my suitcase. “Well, the moon can handle those parts of me just fine.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I need your help, West,” he said quietly. His brother took his time about replying. “What would you have me do?” “Go to Eversby Priory.” “You would trust me around the cousins?” West asked sullenly. “I have no choice. Besides, you didn’t seem particularly interested in any of them when we were there.” “There’s no point in seducing innocents. Too easy.” West folded his arms across his chest. “What is the point of sending me to Eversby?” “I need you to manage the tenants’ drainage issues. Meet with each one individually. Find out what was promised, and what has to be done--” “Absolutely not.” “Why?” “Because that would require me to visit farms and discuss weather and livestock. As you know, I have no interest in animals unless they’re served with port wine sauce and a side of potatoes.” “Go to Hampshire,” Devon said curtly. “Meet with the farmers, listen to their problems, and if you can manage it, fake some empathy. Afterward I want a report and a list of recommendations on how to improve the estate.” Muttering in disgust, West stood and tugged at his wrinkled waistcoat. “My only recommendation for your estate,” he said as he left the room, “is to get rid of it.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You got three kids, three deadbeat baby daddies. How in the hell are you going to be able to attend college while managing a broken home? her mother asked. A couple of her aunts and cousins asked that same question. Even a few fake ass friends dared to ask. But her grandmother did not. Nisey, her grandmother would call her, you got to make the most outta the sunshine even when it’s raining. Grandma, Denise remembered saying with a chuckle, there isn’t any sunshine when it rains. When the devil is beating his wife, there is, she would clap back. Grandma was the truth, a continuous lesson to be learned. And not once would she ever allow her Nisey to think her goals weren’t achievable. Grandma just wished her encouragement would lead her grandbaby into the arms of a good man. Ha! A good man? What did that even entail? God knew Denise had her fair share of so-called “good men.” Today’s good men were just as needy as most women, if not more so. And the ones who weren’t needy wanted to save you. She didn’t like that shit. She didn’t want that shit. What she wanted was a man who knew his role, not some grown-ass child who had less intelligence than her ten-year old son. She didn’t need another mouth to feed. She didn’t need another cheating-ass nigga with empty pockets and a small package. Love no longer existed. Not the way it had for her grandparents. Not even the way it had when she was in high school. Situationships, not relationships. Love was no longer good poetry. Today, love was nothing more than bad literature in a poorly written romance novel, sold at truck stops on Route 66, between don’t-want-a-nigga and don’t-need-a-nigga road.
D.E. Eliot (Ruined)
Bloodline by Stewart Stafford Stuart Richards, 5,001st in line to the British throne, A distant cousin of the king but hitherto unknown, He dreamt of the crown and his fair queen's hand, But there was no baiting the hook unless he had a plan. He chose to eliminate the competition, stood before him, Through a dark celebration, they'd never know what hit them, He sent out invitations to the 5, 000 heirs, Promising vast feasting, with music and fanfare He built a fake house front with a door and a sign, That said: "Welcome to the party. Now, kindly form a line." Behind the door, there awaited a cliff face and a fall, A master of deception, his warm smile greeted them all. He stood at the front door with a charming bow, And, welcoming each guest, he said: "In you go now!" He watched them disappear as they stepped through the door, Counting steps to ascension, lemmings queued up for more. Backslapping himself, inner cackling at his scheme, Imagining himself as king - glory rained down, it seemed, But his Machiavellian plotting had a monstrous flaw, One thing he'd forgotten that greedy eyes never saw. The king was still alive, and he was not amused, He got wind of this plot and responded unconfused, He sent his guards to arrest him for sedition in a fury, They swept him off his feet, planting him before a jury. Put on trial for treason - the verdict was most guilty, Execution set, he had the neck to beg for mercy, But the king was not budging and barked: "Off with his head!" An Axeman's reverse coronation, he joined the fallen dead. Halting 2,986th in line to the British throne, A distant cousin of the king, headless spirit flown, In jealous craving, dispossessed as ruler of the land, Crowned pride came before a fallen plan. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
My eyes roved over each and every one of the horses, approximating their age and probably stage in training, assessing their form and temperament and noting their reproductive potential. Eventually it dawned on me that silence had fallen. I turned toward Grayden to offer some excuse, but to my surprise, he was gazing at me with affection and sympathy in his green eyes. He smiled and produced a small box, which he extended to me. “What’s this?” I asked, thoroughly confused. He shrugged. “A token of friendship. I would be honored if you would accept it.” Curiously, I took the box from his hand. Anticipating jewelry, I prepared for a show of fake enthusiasm. Such a gift would be a sweet gesture, and undoubtedly beautiful, but I was not one for baubles. The box did contain jewelry, but not of the type I supposed. On a lovely chain of gold hung a small, golden horse, head high, legs outstretched in a gallop. I looked at Grayden, stupefied, although I didn’t need to feign my pleasure. “As I said, your uncle told me of your love for horses,” he explained almost shyly. “That it was a love you shared with your father.” “But I…I don’t understand. What are you…?” Seeing how flustered I was, he reached out and took my hand. “I’m not asking for anything, Shaselle. I just…I think you’re used to being seen as a problem. Maybe it’s presumptuous of me to say that, but your family apologized for so many things about you that I can’t help drawing the conclusion.” Not sure how to react, I opted to remain silent. “I think you’re only a problem for those people who are trying to turn you into something you’re not.” “A lady?” I wryly suggested, regaining my sense of humor. I leaned back on the fence, certain he would agree. “No,” he said, and there was conviction in his voice. “They need to stop trying to turn a free spirit into a traditional wife.” I couldn’t move, couldn’t speak. Could he truly believe what he was saying? Men played games to placate women. But I knew of no man other than my father who would enjoy seeing a horse pendant around the neck of the woman he was courting. “I do have a question for you,” Grayden said, leaning against the fence next to me. He hesitated, obviously uncertain about where our relationship stood. “The Harvest Festical is approaching. If you have no other plans to attend, would you consider accompanying me?” My eyes again filled with tears. There was no good reason--why should I be breaking down now, when Grayden was being so understanding, so tolerant of my eccentricities? “Come,” he said softly. “I’ll take you back to your cousin.” I let him escort me into the house, feeling like an ungrateful fool. I hadn’t even thanked him for his gift, and I desperately wanted to do so. But I couldn’t conjure the words to convey how I was feeling, and so I murmured farewell at the door.
Cayla Kluver (Sacrifice (Legacy, #3))
I’d just have to lie. I didn’t think I’d be struck dead if I told one itty-bitty lie. Perhaps a flat tire, an unforeseen gas leak in my apartment, the death of my third cousin twice removed? Of course, I could no longer use any of these excuses, due to the fact that they actually happened, and all in a short span of two weeks.
Caitlin McKenna (My Big Fake Irish Life)
Prove what? That you are insecure pathetic waste of a woman chasing down a man who clearly doesn't want any part of your fake ass world. By the way, I was never "the job".
Clotilde Martinez (Moura Enchanted (Cousins & Friends 1))
I managed to get Caleb to give me a copy of the spreadsheet, and let’s just say that my horror at the names that are on it knows no bounds. All three of my sisters, for starters, plus James and Caleb’s two cousins and mum’s ninety-six-year-old next-door neighbour. The mind boggles—although it does explain some of the comments they’ve made over the years.
Louisa Masters (Fake It 'Til You Make It)
Beau caught me staring and winked. I bit my bottom lip to keep from laughing. A sharp elbow nudged me in the ribs, causing me to gasp and spin around to find the person who belonged to the boney arm. Lana was smiling innocently at me. “You’re being obvious,” she hissed, keeping a fake smile on her face. Her meaning, however, sunk in. “I need to go to the car and get my phone. My mom’s probably called me ten times by now,” Lana announced. “I’ll go with you,” I quickly replied, glancing up at Sawyer, who seemed pleased I was being nice to my cousin. I used to seek out this sort of approval from him, but now it annoyed me. If I didn’t like my cousin, I’d stomp on her foot just to piss him off. Once we were safely out of the clearing and headed for the car, Lana stopped walking and turned to glare at me. “You’ve about ten minutes or so to get yourself together before your knight in shining armor comes looking for us. I’m going to go get my phone and make a few calls.” I frowned. “What do you mean?” “I mean you need to stop openly flirting with Beau while the entire football team is around to witness it. It’s like you two think you’re the only ones out there. We all have eyes, you know.” She spun around and headed deeper into the pecan orchard and toward the parked cars. “She’s got a point, but it’s my fault.” Beau’s voice should have startled me, but it didn’t. Somehow I knew he’d find a way to get me alone. “Yes, it probably is,” I said teasingly as I turned around to meet his gaze. Beau took a step toward me and ran his hand through his hair, muttering a curse. “I want to rip his damn arms off his body, Ash. Sawyer, who I’d do anything for. I want to hurt him. If he touches you again in front of me, I’m going to crack. I can’t take this.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
A young guy walked up to him with an exaggerated swagger, his jeans riding low, his CK underwear showing - or fake ones, an a replacing the e in Klein. "You really the Baptist's cousin?" the guy said, squinting at him, giving Joshua a onceover like Malik had. If anything, he resembled both guards, just with a neck. He was also younger and skinnier, with a nose ring and a nest of short dreads flopping over his eyes, the back and sides closely cropped. "Yes," Joshua replied, glancing at the bullseye tattoo circling what looked like a tracheotomy scar. The guy touched the base of his throat, noticing the attention. "You're tall like him, got that crazy look too, like you've smoked too many Bible blunts." "Izzy!" Nico yelled, looking horrified. Izzy sniggered. "I mean no harm," he said, his smile saying otherwise.
M. A. Plume (Joshua’s Cross)
My mother said Nora was a good enough skier to know when a crash was coming. When Nora knew she was crashing, she would find a guy and take him down with her. It was how she liked to fall, with a young man under her; it was always a hotshot skier, the same type of dickhead who reminded her of her cousin Henrik. Nora—on the verge of losing her balance—would suddenly crouch down and tackle a skier she’d found offensive, her strong arms wrapped around his hips. I saw Nora knock guys out of their bindings; I saw her separate skiers from their goggles and gloves. Huge hunks of snow slid down the slope, dislodged by the force of their fall. The guy always landed under Nora, cushioning her fall. The tackled skier would be screaming or gasping in pain—or he would lie unmoving, as if dead. You could tell when Nora wondered if she’d killed someone; she pulled off her ski hat (later, her helmet) and pressed her ear to the unmoving skier’s cold lips. “I can hear or feel if the fucker’s breathing,” Nora told me. “You can’t fake not breathing, Adam—not for long.
John Irving (The Last Chairlift)