Courtesy Demands Quotes

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You can demand courtesy but you have to earn respect.
Lawrence Goldstone
If I am a pawn in someone else's chess game, you better believe I am going to demand an explanation before being shoved at some rook. I'll play my part, damn it, but I want the courtesy of being asked for my consent!
Thomm Quackenbush (Danse Macabre (Night's Dream, #2))
Blonde hair and black hair are the two poles of human nature. Black hair signifies virility, courage, frankness, activity, whereas blonde hair symbolises femininity, tenderness, weakness, and passivity. Therefore a blonde is in fact doubly a woman. A princess can only be blonde. That's also why, to be as feminine as possible, women dye their hair yellow- but never black" "I'm curious about how pigments exercise their influence over the human soul", said Bertlef doubtfully. "it's not a matter of pigments. A blonde unconsciously adapts herself to her hair. Especially if the blonde is a brunette who dyes her hair yellow. She tries to be faithful to her hair colour and behaves like a fragile creature, a shallow doll, she demands tenderness and service, courtesy and alimony, she's incapable of doing anything for herself, all refinement on the outside and coarseness on the inside. If black hair became a universal fashion, life on this world would clearly be better. It would be the most useful social reform ever achieved.
Milan Kundera (Farewell Waltz)
There came a time when she was no longer a petite woman that courtesy demanded they hear out; instead, she became the woman who might actually save them.
Robin Oliveira (My Name is Mary Sutter (Mary Sutter #1))
A local white bootlegger, idling under the store awning, accosted Major Stem. “Why’d you call that damned nigger woman ‘Mrs. Shaw’?” he demanded. In those days, white Southerners did not use courtesy titles for their black neighbors. While it was permissible to call a favored black man “Uncle” or “Professor”—a mixture of affection and mockery—he must never hear the words “mister” or “sir.” Black women were “girls” until they were old enough to be called “auntie,” but they could never hear a white person, regardless of age, address them as “Mrs.” or “Miss” or “Ma’am.” But Major Stem made his own rules.
Timothy B. Tyson (Blood Done Sign My Name: A True Story)
In a very real sense, it was a game, the very subtle and entirely serious game of comparative rank which is played by all social animals. It is the method by which individuals arrange themselves—horses in a herd, wolves in a pack, people in a community—so that they can live together. The game pits two opposing forces against each other, both equally important to survival: individual autonomy and community welfare. The object is to achieve dynamic equilibrium. At times and under certain conditions individuals can be nearly autonomous. An individual can live alone and have no worry about rank, but no species can survive without interaction between individuals. The ultimate price would be more final than death. It would be extinction. On the other hand, complete individual subordination to the group is just as devastating. Life is neither static nor unchanging. With no individuality, there can be no change, no adaptation and, in an inherently changing world, any species unable to adapt is also doomed. Humans in a community, whether it is as small as two people or as large as the world, and no matter what form the society takes, will arrange themselves according to some hierarchy. Commonly understood courtesies and customs can help to smooth the friction and ease the stress of maintaining a workable balance within this constantly changing system. In some situations most individuals will not have to compromise much of their personal independence for the welfare of the community. In others, the needs of the community may demand the utmost personal sacrifice of the individual, even to life itself. Neither is more right than the other, it depends on the circumstances; but neither extreme can be maintained for long, nor can a society last if a few people exercise their individuality at the expense of the community.
Jean M. Auel (The Mammoth Hunters (Earth's Children, #3))
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
329 Leisure and Idleness. - There is an Indian savagery, a savagery peculiar to the Indian blood, in the manner in which the Americans strive after gold: and the breathless hurry of their work- the characteristic vice of the New World-already begins to infect old Europe, and makes it savage also, spreading over it a strange lack of intellectuality. One is now ashamed of repose: even long reflection almost causes remorse of conscience. Thinking is done with a stop-watch, as dining is done with the eyes fixed on the financial newspaper; we live like men who are continually " afraid of letting opportunities slip." " Better do anything whatever, than nothing "-this principle also is a noose with which all culture and all higher taste may be strangled. And just as all form obviously disappears in this hurry of workers, so the sense for form itself, the ear and the eye for the melody of movement, also disappear. The proof of this is the clumsy perspicuity which is now everywhere demanded in all positions where a person would like to be sincere with his fellows, in intercourse with friends, women, relatives, children, teachers, pupils, leaders and princes,-one has no longer either time or energy for ceremonies, for roundabout courtesies, for any esprit in conversation, or for any otium whatever. For life in the hunt for gain continually compels a person to consume his intellect, even to exhaustion, in constant dissimulation, overreaching, or forestalling: the real virtue nowadays is to do something in a shorter time than another person. And so there are only rare hours of sincere intercourse permitted: in them, however, people are tired, and would not only like " to let themselves go," but to stretch their legs out wide in awkward style. The way people write their letters nowadays is quite in keeping with the age; their style and spirit will always be the true " sign of the times." If there be still enjoyment in society and in art, it is enjoyment such as over-worked slaves provide for themselves. Oh, this moderation in "joy" of our cultured and uncultured classes! Oh, this increasing suspiciousness of all enjoyment! Work is winning over more and more the good conscience to its side: the desire for enjoyment already calls itself " need of recreation," and even begins to be ashamed of itself. " One owes it to one's health," people say, when they are caught at a picnic. Indeed, it might soon go so far that one could not yield to the desire for the vita contemplativa (that is to say, excursions with thoughts and friends), without self-contempt and a bad conscience.-Well! Formerly it was the very reverse: it was "action" that suffered from a bad conscience. A man of good family concealed his work when need compelled him to labour. The slave laboured under the weight of the feeling that he did something contemptible :- the "doing" itself was something contemptible. "Only in otium and bellum is there nobility and honour:" so rang the voice of ancient prejudice !
Friedrich Nietzsche (The Gay Science with a Prelude in Rhymes and an Appendix of Songs)
And then now a very strange argument indeed ensues, me v. the Lebanese porter, because it turns out I am putting this guy, who barely speaks English, in a terrible kind of sedulous-service double-bind, a paradox of pampering: viz. the The-Passenger’s-Always-Right-versus-Never-Let-A-Passenger-Carry-His-Own-Bag paradox. Clueless at the time about what this poor little Lebanese man is going through, I wave off both his high-pitched protests and his agonized expression as mere servile courtesy, and I extract the duffel and lug it up the hall to 1009 and slather the old beak with ZnO and go outside to watch the coast of Florida recede cinematically à la F. Conroy. Only later did I understand what I’d done. Only later did I learn that that little Lebanese Deck 10 porter had his head just about chewed off by the (also Lebanese) Deck 10 Head Porter, who’d had his own head chewed off by the Austrian Chief Steward, who’d received confirmed reports that a Deck 10 passenger had been seen carrying his own luggage up the Port hallway of Deck 10 and now demanded rolling Lebanese heads for this clear indication of porterly dereliction, and had reported (the Austrian Chief Steward did) the incident (as is apparently SOP) to an officer in the Guest Relations Dept., a Greek officer with Revo shades and a walkie-talkie and officerial epaulets so complex I never did figure out what his rank was; and this high-ranking Greek guy actually came around to 1009 after Saturday’s supper to apologize on behalf of practically the entire Chandris shipping line and to assure me that ragged-necked Lebanese heads were even at that moment rolling down various corridors in piacular recompense for my having had to carry my own bag. And even though this Greek officer’s English was in lots of ways better than mine, it took me no less than ten minutes to express my own horror and to claim responsibility and to detail the double-bind I’d put the porter in—brandishing at relevant moments the actual tube of ZnO that had caused the whole snafu—ten or more minutes before I could get enough of a promise from the Greek officer that various chewed-off heads would be reattached and employee records unbesmirched to feel comfortable enough to allow the officer to leave; 42 and the whole incident was incredibly frazzling and angst-fraught and filled almost a whole Mead notebook and is here recounted in only its barest psychoskeletal outline.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
I have time for only one drink,” Jordan said, glancing at the ormolu clock on the opposite wall. “I’ve promised Alexandra to stand at her side at a ball tonight and beam approvingly at a friend of hers.” Whenever Jordan mentioned his wife’s name, Ian noted with amusement, the other man’s entire expression softened. “Care to join us?” Ian shook his head and accepted his drink from the footman. “It sounds boring as hell.” “I don’t think it’ll be boring, precisely. My wife has taken it upon herself to defy the entire ton and sponsor the girl back into the ranks. Based on some of the things Alexandra said in her note, that will be no mean feat.” “Why is that?” Ian inquired with more courtesy than interest. Jordan sighed and leaned his head back, weary from the hours he’d been working for the last several weeks and unexcited at the prospect of dancing attendance on a damsel in distress-one he’d never set eyes on. “The girl fell into the clutches of some man two years ago and an ugly scandal ensued.” Thinking of Elizabeth and himself, Ian said casually, “That’s not an uncommon occurrence, evidently.” “From what Alex wrote me, it seems this case is rather extreme.” “In what way?” “For one thing, there’s every chance the young woman will get the cut direct tonight from half the ton-and that’s the half that will be willing to acknowledge her. Alex has retaliated by calling in the heavy guns-my grandmother, to be exact, and Tony and myself, to a lesser degree. The object is to try to brave it out, but I don’t envy the girl. Unless I miss my guess, she’s going to be flayed alive by the wagging tongues tonight. Whatever the bastard did,” Jordan finished, downing his drink and starting to straighten in his chair, “it was damaging as hell. The girl-who’s purported to be incredibly beautiful, by the way-has been a social outcast for nearly two years.” Ian stiffened, his glass arrested partway to his mouth, his sharpened gaze on Jordan, who was already starting to rise. “Who’s the girl?” he demanded tautly. “Elizabeth Cameron.” “Oh, Christ!” Ian exploded, surging out of his chair and snatching up his evening jacket. “Where are they?” “At the Willington’s. Why?” “Because,” Ian bit out, impatiently shrugging into his jacket and tugging the frilled cuffs of his shirt into place, “I’m the bastard who did it.” An indescribable expression flashed across the Duke of Hawthorne’s face as he, too, pulled on his evening jacket. “You are the man Alexandra described in her note as an ‘unspeakable cad, vile libertine,’ and ‘despoiler of innocents’?” “I’m all that and more,” Ian replied grimly, stalking toward the door with Jordan Townsende beside him. “You go to the Willingtons’ as quickly as you can,” he instructed. “I’ll be close behind you, but I’ve a stop to make first. And don’t, for God’s sake, tell Elizabeth I’m on my way.” Ian flung himself into his coach, snapped orders to his driver, and leaned back, counting minutes, telling himself it couldn’t possibly be going as badly for her as he feared it would. And never once did he stop to think that Jordan Townsende had no idea what motives could possibly prompt Elizabeth Cameron’s “despoiler” to be bent on meeting her at the Willington’s ball.
Judith McNaught (Almost Heaven (Sequels, #3))
In the spring of 1940, when the Nazis overran France from the north, much of its Jewish population tried to escape the country towards the south. In order to cross the border, they needed visas to Spain and Portugal, and together with a flood of other refugees, tens of thousands of Jews besieged the Portuguese consulate in Bordeaux in a desperate attempt to get that life-saving piece of paper. The Portuguese government forbade its consuls in France to issue visas without prior approval from the Foreign Ministry, but the consul in Bordeaux, Aristides de Sousa Mendes, decided to disregard the order, throwing to the wind a thirty-year diplomatic career. As Nazi tanks were closing in on Bordeaux, Sousa Mendes and his team worked around the clock for ten days and nights, barely stopping to sleep, just issuing visas and stamping pieces of paper. Sousa Mendes issued thousands of visas before collapsing from exhaustion. 22. Aristides de Sousa Mendes, the angel with the rubber stamp. 22.​Courtesy of the Sousa Mendes Foundation. The Portuguese government – which had little desire to accept any of these refugees – sent agents to escort the disobedient consul back home, and fired him from the foreign office. Yet officials who cared little for the plight of human beings nevertheless had a deep reverence for documents, and the visas Sousa Mendes issued against orders were respected by French, Spanish and Portuguese bureaucrats alike, spiriting up to 30,000 people out of the Nazi death trap. Sousa Mendes, armed with little more than a rubber stamp, was responsible for the largest rescue operation by a single individual during the Holocaust.2 The sanctity of written records often had far less positive effects. From 1958 to 1961 communist China undertook the Great Leap Forward, when Mao Zedong wished to rapidly turn China into a superpower. Intending to use surplus grain to finance ambitious industrial projects, Mao ordered the doubling and tripling of agricultural production. From the government offices in Beijing his impossible demands made their way down the bureaucratic ladder, through provincial administrators, all the way down to the village headmen. The local officials, afraid of voicing any criticism and wishing to curry favour with their superiors, concocted imaginary reports of dramatic increases in agricultural output. As the fabricated numbers made their way back up the bureaucratic hierarchy, each official exaggerated them further, adding a zero here or there with a stroke of a pen. 23.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Our culture prides itself on the quality of our hospitality and courtesy. And of course we are entitled to demand that the tongue be cut out of anyone who impugns our honor, or that of any member of our family.” The flicker of his smile did not reach his eyes.
Jane Johnson (The Tenth Gift)
As hospitality demanded the invitation, courtesy demanded acceptance,
Patricia Potter (The Scottish Highland Series: Beloved Impostor, Beloved Stranger, and Beloved Warrior)
The problem with mastering the Hustle was there was really no place to practice, except the place where mastery was demanded.
Mike Matson (Courtesy Boy: A True Story of Addiction)
demand the same rights to control access as the caretaker of Blackwell Keep.” “Your contentment is irrelevant,” Marat said. “The arrangement cannot be altered.” “Except by mutual agreement between the caretakers,” Celebrant said smoothly. “We won’t change the arrangement,” Kendra said. Celebrant glared at her for a long moment. “Then we may find ourselves in conflict. If I were to become the sole caretaker, the power to come and go from Wyrmroost would reside with me. You have been warned.” “Are the applicants acceptable?” Marat asked. Celebrant drew his head near Kendra and Seth again, sniffing one, then the other. Kendra held still and kept her gaze away from his eyes. Celebrant swung his head over to Marat. “I will accept the candidates on one condition,” Celebrant said. “Make it official right now. Give up your post and instate them as caretakers immediately. Otherwise I will deny them the opportunity.” “Normally we verify our choice with Lord Dalgorel of the Fair Folk,” Marat said. “That is a matter of courtesy, not necessity,” Celebrant said. “Dalgorel has no power to veto our selection. It will be as
Brandon Mull (Dragonwatch (Dragonwatch #1))
elections might not have been so acute. But by June 2021, all of that had changed. Powerful shareholders had listened to Biden’s rhetoric. Not only had the pandemic lockdowns of the previous year wreaked havoc on demand, but Exxon itself had undergone a transformation, courtesy of shareholders—
Jason Chaffetz (The Puppeteers: The People Who Control the People Who Control America)
My demands? Just 2 – Sanity and courtesy.
James Goss (Haterz)
Where exactly do you think you’re taking Miss Waterhouse?” Kat demanded, her blue eyes flashing. “And on what grounds?” “Please step aside, Ma’am,” said the officer on the left with mechanical courtesy. “We are simply fulfilling the orders on the papers we have just served to Miss Waterhouse. And we’re taking her to the Human/Kindred Relations building for her claiming ceremony.” “Her what?” Sophia exclaimed, her green eyes wide with distress. “Her claiming ceremony, where she will meet the Kindred warrior who has chosen her as a bride,” the other officer explained patiently. “Miss Olivia Waterhouse has been drafted.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
What would you like? You are a guest. Courtesy demands I offer you something, even if you and your friends have ruined my life.
Tad Williams (Sea of Silver Light (Otherland, #4))
Henceforth He demands that all such conventions should cease; that we should be entirely open and honest with Him, that we should display ourselves as we really are -- that we should lay aside, in a word, all those comparatively harmless make-believes and courtesies, and be utterly real.
Robert Hugh Benson (Friendship of Christ: Exploring the Humanity of Jesus Christ)
I demand the same rights to control access as the caretaker of Blackwell Keep.” “Your contentment is irrelevant,” Marat said. “The arrangement cannot be altered.” “Except by mutual agreement between the caretakers,” Celebrant said smoothly. “We won’t change the arrangement,” Kendra said. Celebrant glared at her for a long moment. “Then we may find ourselves in conflict. If I were to become the sole caretaker, the power to come and go from Wyrmroost would reside with me. You have been warned.” “Are the applicants acceptable?” Marat asked. Celebrant drew his head near Kendra and Seth again, sniffing one, then the other. Kendra held still and kept her gaze away from his eyes. Celebrant swung his head over to Marat. “I will accept the candidates on one condition,” Celebrant said. “Make it official right now. Give up your post and instate them as caretakers immediately. Otherwise I will deny them the opportunity.” “Normally we verify our choice with Lord Dalgorel of the Fair Folk,” Marat said. “That is a matter of courtesy, not necessity,” Celebrant said. “Dalgorel has no power to veto our selection. It will be as
Brandon Mull (Dragonwatch (Dragonwatch #1))
Associating with Benjamin was fraught with considerable difficulties, though on the surface these seemed insignificant in view of his consummate courtesy and willingness to listen. He always was surrounded by a wall of reserve, which could be recognized intuitively and was evident to another person even without Benjamin’s not infrequent efforts to make that area noticeable. These efforts consisted above all in a secretiveness bordering on eccentricity, a mystery-mongering that generally prevailed in everything relating to him personally, though it sometimes was breached unexpectedly by personal and confidential revelations. There were primarily three difficult requirements. The first was respect for his solitude; this was easy to observe, for it was dictated by a natural sense of limits. I soon realized that he appreciated this respect, a sine qua non for associating with him, and that it heightened his trust. The observance of the second requirement was particularly easy for me: his utter aversion to discussing the political events of the day and occurrences of the war. Some reviewers of the Briefe expressed astonishment at the fact that the published letters contain no reference to the events of the First World War (which, after all, so decisively influenced our generation) and blamed the editors (I was the one responsible for this period) for an incomprehensible omission or, worse, censorship. The fact of the matter is that in those years anyone who wished to have a closer association with Benjamin either had to share this attitude (as I did) or respect it. ...The third requirement, that of overlooking his secretiveness, often demanded a real effort, because there was something surprising, even ludicrous, about such secretiveness in someone as sober, as melancholy as Benjamin. He did not like to give the names of friends and acquaintances if he could avoid it. When circumstances of his life were mentioned, there frequently was attached an urgent request for absolute secrecy; more often than not this made very little sense. Gradually, but even then only partially, this secretiveness (which by that time others had noticed as well) began to dissipate, and Benjamin began to speak of people without the accompanying stamp of anonymity, at least when he had initiated the discussion. It was in keeping with this aversion that he tried to keep his acquaintances separate; for a time this was more effective with me, who came from another environment—Zionist youth—than it was with those from the same sphere as he, namely members of the German-Jewish intelligentsia. Only occasionally did it turn out that we had mutual acquaintances, such as the poet Ludwig Strauss or the philosopher David Baumgardt. Other friends and acquaintances of his I did not meet until years later, from 1918 on, some of them only after 1945. In short, then, to associate with Benjamin took a great deal of patience and consideration—qualities that were by no means natural to my temperament and that, to my own surprise, I was able to muster only in my association with him.
Gershom Scholem
I extended both my apparently empty hands, my invisible strangling cord writhing into position in my left, an unseen Logrus death bolt riding my right. It was one of those times when courtesy demanded professional standards.
Roger Zelazny (Blood of Amber (The Chronicles of Amber, #7))
Take time to be Courteous. Courtesy lightens the burdens of toil. Courtesy demands respect. Courtesy is a little brother to Opportunity and follows her around through the hours of the busy day. Courtesy always leads a man higher up.
Napoleon Hill (The Prosperity Bible: The Greatest Writings of All Time on the Secrets to Wealth and Prosperity)
The courteous and chivalric attitude is one of endless patience and utter selflessness in the man, involving the extinction of his own will and the sacrifice of his own being to the will of the woman as a superior being. Courtesy demands of the man complete acceptance of the fact that the object of his worship is wholly unattainable; self-indulgence in the pains of love, an emotional exhibitionism and masochism—all features of modern love-romanticism which here occur for the first time. The lover as longing and renouncing, love as something to which attainment and fulfilment are irrelevant and which is even enhanced by its negative character, a ‘love of the remote’ without any tangible or even any clearly defined object—all this ushers in the history of modern poetry.
Arnold Hauser (The Social History of Art, Volume 1: From Prehistoric Times to the Middle Ages)
Tell me your name. It was a command, and Raven felt compelled to obey it. She forced her mind to go blank, to be a slate wiped clean. It hurt, sent darts of pain through her head, made her stomach clench. He was not going to take what she would have given freely. Why do you fight me when you know I am the stronger? You hurt yourself, wear yourself out, and in the end I will win anyway. I feel the toll that this way of communicating takes on you. And I am capable of commanding your obedience on a much different level. Why do you force what I would have given, had you simply asked? She held her breath, feeling his puzzlement. I am sorry, little one. I am used to getting my way with the least amount of effort. Even at the expense of simple courtesy? Sometimes it is more expedient. She punched the pillow. You need to work on your arrogance. Simply because you possess power does not mean you have to flaunt it. You forget, most humans cannot detect a mental push. That isn’t an excuse to take away free will. And you don’t use a push anyway; you issue a command and demand compliance. That’s worse, because it makes people sheep. Isn’t that closer to the truth? You reprimand me. There was an edge to his thoughts this time, as if all that male mockery was wearing thin. Don’t try to force me. This time there was menace, a quiet danger lurking in his voice. I would not try, little one. Be assured I can force your compliance. His tone was silky and ruthless. You’re like a spoiled child wanting your own way. She stood up, hugging the pillow to her protesting stomach. I’m going downstairs to dinner. My head is beginning to pound. You can go soak your head in a bucket to cool off. She wasn’t lying; the effort to fight him on his level was making her sick. She edged cautiously toward the door, afraid he would stop her. She would feel safer if she was among people. Your name, please, little one. It was asked with grave courtesy. Raven found herself smiling in spite of everything. Raven. Raven Whitney. So, Raven Whitney, eat, rest. I will return at eleven for our chess match.
Christine Feehan (Dark Prince (Dark, #1))
Some might question whether there is still any need for an essayist such as Montaigne. Twenty-first century people, in the developed world, are already individualistic to excess, as well as entwined with one another to a degree beyond the wildest dreams of a sixteenth-century winegrower. His sense of the “I” in all things may seem a case of preaching to the converted, or even feeding drugs to the addicted. But Montaigne offers more than an incitement to self-indulgence. The twenty-first century has everything to gain from a Montaignean sense of life, and, in its most troubled moments so far, it has been sorely in need of a Montaignean politics. It could use his sense of moderation, his love of sociability and courtesy, his suspension of judgement, and his subtle understanding of the psychological mechanisms involved in confrontation and conflict. It needs his conviction that no vision of heaven, no imagined Apocalypse, and no perfectionist fantasy can ever outweigh the tiniest of selves in the real world. It is unthinkable to Montaigne that one could ever ”gratify heaven and nature by committing massacre and homicide, a belief universally embraced in all religions.” To believe that life could demand any such thing is to forget what day-to-day existence actually is. It entails forgetting that, when you look at a puppy held over a bucket of water, or even at a cat in the mood for play, you are looking at a creature that looks back at you. No abstract principles are involved; there are only two individuals, face to face, hoping for the best from one another.
Sarah Bakewell (How to Live: A Life of Montaigne in One Question and Twenty Attempts at an Answer)
Mrs. demands respect for her parents, even if they belittle Mr., yet refuses to offer the same courtesy to his parents.
Viyaanaha (Mr. - Untold story of husbands)