Hop Into Spring Quotes

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You’ll find out it’s little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it’s full of flavors, full of a lot of things growing. You’ve time to seek and find. I know, you’re after the broad effect now, I suppose that’s fit and proper. But you got to look at grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well, and good. Right now such things are bothersome to you, and I wonder if it isn’t because you never learned to use them. If you had your way you’d pass a law to abolish all the little jobs, the little things. But then you’d leave yourselves nothing to do between the big jobs and you’d have a devil of a time thinking up things? Cutting grass and pulling weeds can be a way of life.
Ray Bradbury (Dandelion Wine)
Alex hopped onto the four-poster bed. He bounced up and down, grinning as the springs squeaked. "What are you doing?" I asked. "Making noise." He leaned over and rifled through Randolph's nightstand drawer. "Let's see. Cough drops. Paper clips. Some wadded-up Kleenex that I am not going to touch. And ..." He whistled. "Medication for bowel discomfort! Magnus, all this bounty belongs to you!" "You're a strange person." "I prefer the term fabulously weird.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
The weather here is windy, balmy, sometimes wet. Desert springtime, with flowers popping up all over the place, trees leafing out, streams gushing down from the mountains. Great time of year for hiking, camping, exploring, sleeping under the new moon and the old stars. At dawn and at evening we hear the coyotes howling with excitement - mating season. And lots of fresh rabbit meat hopping about to feed the young ones with.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
Lines Written In Early Spring I heard a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran; And much it grieved my heart to think What man has made of man. Through primrose tufts, in that green bower, The periwinkle trailed its wreaths; And 'tis my faith that every flower Enjoys the air it breathes. The birds around me hopped and played, Their thoughts I cannot measure:-- But the least motion which they made It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament What man has made of man?
William Wordsworth
in Just- spring          when the world is mud- luscious the little lame balloonman whistles          far          and wee and eddieandbill come running from marbles and piracies and it's spring when the world is puddle-wonderful the queer old balloonman whistles far          and          wee and bettyandisbel come dancing from hop-scotch and jump-rope and it's spring and           the                     goat-footed balloonMan          whistles far and wee
E.E. Cummings (Tulips & Chimneys)
Bill, when you're my age, you'll find out it's the little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it's full of flavors, full of a lot of things growing. You've time to seek and find.
Ray Bradbury (Dandelion Wine)
That's the trouble with your generation,' said Grandpa. 'Bill, I'm ashamed of you, you a newspaperman. All the things in life that were put here to savor, you eliminate. Save time, save work, you say.' He nudged the grass trays disrespectfully. 'Bill, when your'e my age, you'll find out it's the little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it's full of flavors, full of a lot of things growing. You've time to seek and find. I know--you're after the broad effect now, and I suppose that's fit and proper. But for a young man working on a newspaper, you got to look for grapes as well as watermelons. You greatly admire skeletons and I like fingerprints; well and good. Right now such things are bothersome to you, and I wonder if it isn't because you've never learned to use them. If you had your way you'd pass a law to abolish all the little jobs, the little things. But then you'd leave yourselves nothing to do between the big jobs and you'd have a devil of a time thinking up things to do so you wouldn't go crazy. Instead of that, why not let nature show you a few things? Cutting grass and pulling weeds can be a way of life, son.
Ray Bradbury (Dandelion Wine)
Spring is such a hopeful time on the island, and despite the pall that continues to hover over our nation, I find it impossible to resist. The air is still chilly as a well-digger's ear first thing in the morning, but as the hours pass it hints at the warmth to come in later months. As the days become longer, the rains change. They are less punishing and more promising, bringing out the native grasses and glimpses of green on the trees. Then there are the little families of deer, grazing as if the entire island is a spring buffet, and wild rabbits are hopping everywhere.
Kim Fay (Love & Saffron)
We’ll hop home, as we hares have done since time immemorial.
Leen Lefebre (Ebba, the first Easter Hare (SPRING) (FOUR SEASONS , #2))
I am. You should always be a little afraid of what the mountains are capable of doing. We’re nothing to them, a speck on the ground. A flea trying to hop to the top of a man’s head.
Sarah Morgenthaler (Enjoy the View (Moose Springs, Alaska #3))
funeral wreath for the queen.” He sat in the clear space between the bank and the first line of trees and bent a pine bough into a circle, tying it with a piece of wet string from the castle. And because it looked cold and green, he picked spring beauties from the forest floor and wove them among the needles. He put it down in front of him. A cardinal flew down to the bank, cocked its brilliant head, and seemed to stare at the wreath. P. T. let out a growl which sounded more like a purr. Jess put his hand on the dog to quiet him. The bird hopped about a moment more, then flew leisurely away. “It’s a sign from the Spirits,” Jess said quietly. “We made a worthy offering.” He walked slowly, as part of a great procession, though only the puppy could be seen, slowly forward carrying the queen’s wreath to the sacred grove.
Katherine Paterson (Bridge to Terabithia)
All the things in life that were put here to savor, you eliminate. Save time, save work, you say.” He nudged the grass trays disrespectfully. “Bill, when you’re my age, you’ll find out it’s the little savors and little things that count more than big ones. A walk on a spring morning is better than an eighty-mile ride in a hopped-up car, you know why? Because it’s full of flavors, full of a lot of things growing. You’ve time to seek and find.
Ray Bradbury
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman (A Shropshire Lad)
The houses reminded me of hopeful homely girls on a Friday night, hopping bars in spangly tops, packs of them where you assumed at least one might be pretty, but none were, and never would be. And here was Magda’s house, the ugliest girl with the most accessories, frantically piled on. The front yard was spiked with lawn ornaments: gnomes bouncing on wire legs, flamingos on springs, and ducks with plastic wings that circled when the wind blew. A forgotten cardboard Christmas reindeer sat soggy in the front garden, which was mostly mud, baby-fuzz patches of grass poking through intermittently.
Gillian Flynn (Dark Places)
Pan and the Cherries I RECOGNIZED him by his skips and hops, And by his hair I knew that he was Pan. Through sunny avenues he ran, And leapt for cherries to the red tree-tops. Upon his fleece were pearling water drops Like little silver stars. How pure he was! And this was when my spring was arched with blue. Now, seeing a cherry of a smoother gloss, He seized it, and bit the kernel from the pulp. I watched him with great joy ... I came anigh ... He spat the kernel straight into my eye. I ran to kill Pan with my knife! He stretched his arm out, swirled-- And the whole earth whirled! Let us adore Pan, god of all the world!
Paul Fort
Victor Noir. He was a journalist shot by Pierre Bonaparte," St. Clair says, as if that explains anything. He pulls The Hat up off his eyes. "The statue on his grave is supposed to help...fertility." "His wang us rubbed shiny," Josh elaborates. "For luck." "Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?" "Really?" I ask. "Shiny wang?" "Very," St. Clair says. "Now that's something I've gotta see." I gulp my coffee dregs, wipe the bread crumbs from my mouth, and hop up. "Where's Victor?" "Allow me." St. Clair springs up to his feet and takes off. I chase after him. He cuts through a stand of bare trees, and I crash through the twigs behind him. We're both laughing when we hit the pathway and run smack into a guard. He frowns at us from underneath his military-style cap. St. Clair gives an angelic smile and a small shrug. The guard shakes his head but allows us to pass. St. Clair gets away with everything. We stroll with exaggerated calm, and he points out an area occupied with people snapping pictures.We hang back and wait our turn. A scrawny black cat darts out from behind an altar strewn with roses and wine bottles,and rushes into the bushes. "Well.That was sufficiently creepy. Happy Halloween." "Did you know this place is home to three thousand cats?" St. Clair asks. "Sure.It's filed away in my brain under 'Felines,Paris.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Greenery Juniper, Oracle Oak and Hop Tree, California Buckeye, and Elderberry. Pacific Dogwood and the pale green Eucalyptus, Quaking Aspen and Flannelbush. raw, sprouting, lush green love green with envy green with youth green with early spring olive, emerald, avocado, greenlight ready, set, GO! greenhouse, greenbelts, ocean kelp, cucumber, lizard, lime and forest green, spruce, teal, and putting green. green-eyed, verdant, grassy, immature green and leafy green half-formed tender, pleasant, alluring temperate freshly sawed vigorous not ripe yet promising greenbriar, greenbug, green dragon greenshanks running along the ocean's edge greenlings swimming greenlets singing greengage plums green thumbs greenhorns and greenflies- how on earth amid sage swells kelly hillsides and swirls of firs did I ever find that green of hers? holly, drake, and brewster green, pistachio, shamrock, serpentine terre verde, Brunswick, tourmaline, lotus, jade, and spinach green: start to finish lowlands to highs no field, no forest, no leaf, no blade can catch the light or trap the shade; no earthly tones will ever rise to match the green enchantment of her eyes.
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
Clay’s heart was beating fast. Peril tilted her head at Starflight. “He is smart,” she said. “Just like you said. I guess I could do that.” She sounded like she wasn’t entirely convinced. “If you’re really sure you want to escape tonight.” “Of course we are,” Tsunami said, springing to her feet. “Let’s get out of here.” “But Sunny —” Starflight said. “We hide somewhere and wait until Peril can free her tomorrow,” Tsunami said. “And Glory,” Clay said. “We have to save Glory, too.” “Glory?” Peril’s brow creased in a frown. “The RainWing. Queen Scarlet’s new artwork,” Clay said. “Oh,” Peril said. “Her. She’s very beautiful.” She narrowed her eyes at Clay, which confused him. “Let’s run away now and worry about that later,” Tsunami said. “Is there somewhere we can hide?” Peril snapped her wings open. “Below the waterfall. There’s a cave only I know about.” She turned, nearly smacking Clay with her tail, and hopped over the pool into the fire. Clay watched in amazement as she wrapped her claws around two of the black rocks and picked them up. She stepped into the tunnel, and the fire from the rocks went with her, blazing around her talons. Carefully she piled the fire on the rock floor outside until there was a gap big enough for the dragonets to jump through. Tsunami went first, and then Clay, and then Starflight. When they were all out in the tunnel, Peril rebuilt the wall of fire across the cave entrance. “There,” she said with satisfaction. “Now she’ll have no idea how you got out.” “Can you get these off our wings?” Starflight whispered, pointing to the bindings. Peril gave him a hard look. “Maybe,” she said. “But maybe I’ll wait until I know you won’t leave without saying good-bye.” “We wouldn’t leave without our friends,” Clay promised. She scowled. “Which way to the waterfall?” Tsunami asked. Peril nodded up the tunnel and slithered off, leading the way. “Stop making her mad,” Tsunami hissed in Clay’s ear as they followed. “Me?” he said, genuinely surprised. “What did I do?” “Well, you’re a handsome idiot,” she said affectionately. “And I’ll tell you later.” Which didn’t clear things up at all. Shortly
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
He moves through the white glare of a Key West afternoon in that curious, rolling, cantilevered, ball-of-the-foot, and just-off-kilter gait that suggests a kind of subtle menace. He’s on dense and narrow and aromatic streets bearing people’s first names—Olivia, Petronia, Thomas, Emma, Angela, Geraldine. He’s Tom Sawyer on a Saturday in Hannibal, tooting like a steamboat, rid now of Aunt Polly’s clutches, left to his own devices, not to show back home until the sun is slanting in long bars. He’s Jake Barnes on a spring morning in Paris, when the horse chestnut trees are in bloom in the Luxembourg gardens. Jake is expert at shortcutting down the Boul’Mich’ to the rue Soufflot, where he hops on the back platform of an S bus, and rides it to the Madeleine, and then jumps off and strolls along the boulevard des Capucines to l’Opéra, where he then turns in at his building and rides the elevator up to his office to read the mail and sit at the typewriter and prepare a few cables for his newspaper across the Atlantic. “There was the pleasant early-morning feel of a hot day,” is the way Jake’s creator, living in this different region of light, had said it at the start of chapter 5 of The Sun Also Rises.
Paul Hendrickson (Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961)
There is a show tonight in the Highwood, John. There will be all sorts of people to play music there. We must go tonight to the Highwood, john. we'll breathe in the music and the cold-starred air. * And Cornelius has taken down the moon - hasn't he? - with gleam-of-eye and giddying snout and his touch on the wheel is delicate as the spring, here a soft tip, there a glanced tap for each swerve of the road as it runs the country and turns. Oh this is the knack of it - John can see clearly now - the carefree life, and he envies him the spring. And before we know it, John? The summer proper will be in on top of us and the woods will be whispering. Fuck the whispering woods, Cornelius. Just get me to my fucking island. But he is snagged again; he turns helplessly. How'd you mean, about the woods? Cornelius beams - There are things we can't describe, he says. Go on? What we see around us is only at the ten per cent level, John. Of? The reality. And what's the leftover? Unseen. How'd you mean? Well, he says. The way sometimes you'd walk across a field and a sense of elation would come over you. Are you with me? Okay... You're half risen from the skin. the feet are not touching the stones. The little heart is about to hop out of your chest from the sheer fucken joy. And the strange thing about it? Go on. That patch of happiness could be floating around the field for the last ten years. Or for the last three hundred and fifty years. Out of love that was had there or a child that was playing or an old friend that was found again after a long time lost. Whatever it was, it caused a great happy feeling and it was left there in the field. You're after walking into it. And for half a minute you're lifted and soaring but then you're out the far side again and back into your own poor stride and woes. You'd find a sadness just the same? Or an evil, John. Or a blackness. Or terror, John, or fucken terror, because there's plenty of terror in the world. Always was and has been. A soft whisper - I mean take a look out the window. A sweep of the arm for the greys and sea-greens of the moonful hills, the pale night as they pass by - I mean why'd you think I've the fucken foot down, John?
Kevin Barry (Beatlebone)
Boys will be boys, and ballplayers will always be arrested adolescents at heart. The proof comes in the mid-afternoon of an early spring training day, when 40 percent of the New York Mets’ starting rotation—Mike Pelfrey and I—hop a chain-link fence to get onto a football field not far from Digital Domain. We have just returned from Dick’s Sporting Goods, where we purchased a football and a tee. We are here to kick field goals. Long field goals. A day before, we were all lying on the grass stretching and guys started talking about football and field-goal kickers, and David Wright mentioned something about the remarkable range of kickers these days. I can kick a fifty-yard field goal, Pelfrey says. You can not, Wright says. You don’t think so? You want to bet? You give me five tries and I’ll put three of them through. One hundred bucks says you can’t, David says. This is going to be the easiest money I ever make. I am Pelf’s self-appointed big brother, always looking out for him, and I don’t want him to go into this wager cold. So I suggest we get a ball and tee and do some practicing. We get back from Dick’s but find the nearby field padlocked, so of course we climb over the fence. At six feet two inches and 220 pounds, I get over without incident, but seeing Pelf hoist his big self over—all six feet seven inches and 250 pounds of him—is much more impressive. Pelf’s job is to kick and my job is to chase. He sets up at the twenty-yard line, tees up the ball, and knocks it through—kicking toe-style, like a latter-day Lou Groza. He backs up to the twenty-five and then the thirty, and boots several more from each distance. Adding the ten yards for the end zone, he’s now hit from forty yards and is finding his range. Pretty darn good. He insists he’s got another ten yards in his leg. He hits from forty-five, and by now he’s probably taken fifteen or seventeen hard kicks and reports that his right shin is getting sore. We don’t consider stopping. Pelf places the ball on the tee at the forty-yard line: a fifty-yard field goal. He takes a half dozen steps back, straight behind the tee, sprints up, and powers his toe into the ball … high … and far … and just barely over the crossbar. That’s all that is required. I thrust both my arms overhead like an NFL referee. He takes three more and converts on a second fifty-yarder. You are the man, Pelf, I say. Adam Vinatieri should worry for his job. That’s it, Pelf says. I can’t even lift my foot anymore. My shin is killing me. We hop back over the fence, Pelf trying to land as lightly as a man his size can land. His shin hurts so much he can barely put pressure on the gas pedal. He’s proven he can hit a fifty-yard field goal, but I go into big-brother mode and tell him I don’t want him kicking any more field goals or stressing his right leg any further. I convince him to drop the bet with David. The last thing you need is to start the season on the DL because you were kicking field goals, I say. Can you imagine if the papers got ahold of that one? The wager just fades away. David doesn’t mind; he gets a laugh at the story of Pelf hopping the fence and practicing, and drilling long ones.
R.A. Dickey (Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball)
Lottie had devised three or four different walks, each lasting approximately an hour. This morning she chose the one that began along Hill Road, crossed through a medieval oak and hazel forest, and passed the source of a local spring called the Wishing Well. It was a cool, damp morning typical of the beginning of May, and Lottie drew in deep breaths of the earth-scented air. Dressed in a gown with loose ankle-lemgth skirts, her feet shod in sturdy mid-calf boots, Lottie trod energetically away from Westcliff Manor. She followed a sandy track that led into the forest, while natterjack toads hopped out of the path of her oncoming boots. The trees rustled overhead, the wind carrying the cries of nuthatches and whitethroats. A huge, ungainly buzzard flapped its way toward the nearby bogs in search of breakfast.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Y'all know that little gal Kelly Crawford that works down at Tuckers?" Tuckers Jiffy Lube was the only gas station and mechanical shop in town. Jena Lynn's face contorted in disapproval. "You referring to that scantily clad girl who runs the register?" I asked as Jena Lynn hopped up to retrieve the coffeepot. "That's the one." Betsy curled up her lip in disgust. "That girl is barely legal!" I was outraged. "I know! I'm going to tell her granny. She'll take a hickory switch to the girl when she finds out what she's been up to. She was all over Darnell." Betsy wiped her nose with the back of her hand. She was right about that. Her granny wasn't the type to spare the rod; she parented old-school style. Jena Lynn's tone rose as she stirred raw sugar into her coffee. "You caught them?" "Well, I called him after what happened with poor Mr. Ledbetter---" We shook our heads. "---told him I was going to be late 'cause I was taking that extra shift. Guess he thought late meant real late 'cause when I got home, they we're rootin' around on my couch, the one my meemaw gave me last spring when she had her house redecorated." We sat in stunned silence. "I threw his junk out last night. And when he still didn't budge from the TV"---she paused for effect---"I set it all on fire, right there in the front yard." She leaned back and crossed her arms over her expansive chest. "That's harsh." Sam stacked his empty plates. "Maybe it wasn't Darnell's fault." Jena Lynn and I gave him a disapproving glare. He appeared oblivious to his offense, and the moron had the audacity to reach into the container for a cream cheese Danish. "Sam, if you value that scrawny hand of yours, I'd pull it out real slow or you'll be drawing back a nub," Betsy warned. "Sheesh!" Sam jerked backward. It was obvious he didn't doubt her for a second. He marched toward the kitchen and dropped the plates in the bus tub with a loud thud. "He should know better. You don't touch a gal's comfort food in a time of crisis," I said, and my sister nodded in agreement. Jena Lynn patted Betsy on the arm. "Ignore him, Bets. He's a man." I stood. "And if I may be so bold as to speak for all the women of the world who have been unfortunate enough to be in your shoes, we applaud you." A satisfied smile spread across Betsy's lips. "Thank you." She took a little bow. "That's why my eyes look like they do. Smoke got to me." She leaned in closer. "I threw all his high school football trophies into the blaze while he was hollering at me. The whole neighborhood came out to watch." I chuckled. The thought of Darnell Fryer running around watching all his belongings go up in smoke was hilarious. I wished I'd been there. "Did anyone try to step in and help Darnell?" "Hell nah. He owes his buddies so much money from borrowing to pay his gambling debts, the ones that came out brought their camping chairs and watched the show while tossing back a few cold ones." She got up from the counter to scoop a glass full of ice and filled it with Diet Coke from the fountain. "Y'all, I gotta lose this weight now I'm back on the market." Betsy was one of a kind.
Kate Young (Southern Sass and Killer Cravings (Marygene Brown Mystery, #1))
Root Beer For each gallon of water to be used, take hops, burdock,  yellow dock, sarsaparilla, dandelion, and spikenard roots, bruised, of each 1/2 oz.; boil about 20 minutes, and strain while hot, add 8 or 10 drops of oils of spruce and sassafras mixed in equal proportions, when cool enough not to scald your hand, put in 2 or 3 table-spoons of yeast; molasses 2/3 of a pint, or white sugar 1/2 lb. gives it about the right sweetness. Keep these proportions for as many gallons as you wish to make. You can use more or less of the roots to suit your taste after trying it; it is best to get the dry roots, or dig them and let them get dry, and of course you can add any other root known to possess medicinal properties desired in the beer. After all is mixed, let it stand in a jar with a cloth thrown over it, to work about two hours, then bottle and set in a cool place. This is a nice way to take alternatives, without taking medicine. And families ought to make it every Spring, and drink freely of it for several weeks, and thereby save, perhaps, several dollars in doctors' bills. Source: Dr. Chase's Recipes: or, Information
Julie Hutchins (Civil War Era Recipes)
What was I saying? I was waxing poetic and working toward pretentious, if I recall. Oh, yes, the smell of a fine, fall football Saturday. Spring is such a girl. She gets credit for love, hope, renewal, and the dream of what might be. Summer is all, ‘Hey dude, it’s warm; let’s party.’ It’s truly the fraternity brother of the four seasons. Fall, to me, seems like the bad-ass who is about to hop on his Harley and drive off into the sunset because he’s not going to listen to that bitch winter go on and on about how nobody likes her and the snow drifts make her look fat.
Brian D. Meeks (Underwood, Scotch, and Wry)
When do you want me to leave, Frank?” His head whipped around. “Leave?” He seemed panicked. And yet today he’d been . . . Well, he’d been confusing. “I just thought . . .” He clasped his hands behind his back. “Of course. You need to go. I understand. We can manage.” He crisscrossed the room, stopped to finger the clock on the mantel. “But the children seem to have taken to you. I’d hate for them to have another loss right now.” I hopped up from my place, suddenly eager to make him understand. “It’s fine if I stay for a while. It really is. I . . .” The words died in my throat. I couldn’t explain. Relief seemed to flood his face, calming the flutters in my chest. I’d told God I’d wait right here until He showed me what to do next. And I intended to do just that—if Frank would let me. “I don’t want to impose. I know you’ve been here three months already.” His face mirrored James’s again as he ran a hand through his dark hair and blew out a long breath. “I’m not sure I can manage it all on my own. Not yet. But if you can stay for a while longer, maybe until after spring planting, I’d be mighty grateful.
Anne Mateer (Wings of a Dream)
Kotov looked like an abandoned statue on the beach in the Plaza de Cataluna. The spring was at is height and the warm un bathed the city. The adviser, with his face slightly raised, was receiving the heat like a lizard slothful from the rays that were injecting him with life. He had even taken off his jacket and the printed kerchief he regularly wore after Ramon sat down at his side. 'What a marvelous country!' he said at last, and smiled. 'I could live here for the rest of my life.' 'Despite the Spaniards?' 'Precisely because of you. Where I come from, the people are like stones. You are all flowers. My country smells like smoked herring and hops; here it smells of olive oil and wine.' 'Your pals say we're primitive and practically dumb.' 'Don't pay too much attention to those lunatics. They confuse ideology with mysticism, and they are no more than walking machines - worse still, they're fanatics. Here they make themselves look tough, but you should see them when Moscow calls for them... Na khuy. They shit themselves. Don't look to them as an example; you don't want to be like them. You can be so much more.' p. 162
Leonardo Padura (El hombre que amaba a los perros)
Once his new study was furnished, he went down the hall and borrowed the roofer’s hammer and five nails. The Count had not wielded a hammer since he was a boy at Idlehour when he would help Tikhon, the old caretaker, repair the fencing in the first weeks of spring. What a fine feeling it had been to bring the hammer down squarely on the head of a nail, driving it through a plank into a fence post as the impact echoed in the morning air. But on the very first stroke of this hammer what the Count squarely hit was the back of his thumb. (Lest you have forgotten, it is quite excruciating to hammer the back of your thumb. It inevitably prompts a hopping up and down and the taking of the Lord’s name in vain.)
Amor Towles (A Gentleman in Moscow)
THE FELLOWSHIP OF THE RING "Many that live deserve death. And some that die deserve life." "Do not meddle in the affairs of Wizards, for they are subtle and quick to anger." "Go not to the Elves for counsel, for they will say both no and yes." "Hey dol! merry dol! ring a dong dillo! Ring a dong! hop along! fal lal the willow! Tom Bom, jolly Tom, Tom Bombadillo!" "No black man shall pass my doors, while I can stand on my legs." "All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king." "One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the Darkness bind them." "A deadly sword, a healing hand, a back that bent beneath its load; a trumpet-voice, a burning brand, a weary pilgrim on the road. A lord of wisdom throned he sat, swift in anger, quick to laugh; an old man in a battered hat who leaned upon a thorny staff.
J.R.R. Tolkien
The way he learned to sing was by imitating the songbirds: their warbles and whistles, their scolds. Before his stroke he'd been able to imitate certain notes and melodies of their calls, but never whole songs. I was sitting under the umbrella with him, in early March-March second, the day the Texas Declaration of Independence had been signed, when Grandfather began to sing. A black-and-white warbler had flown in right in front of us and was sitting on a cedar limb, singing-relieved, I think, that we weren't owls. Cedar waxwings moved through the brush behind it, pausing to wipe the bug juice from their bills by rubbing their beaks against branches (like men dabbing their mouths with napkins after getting up from the table). Towhees were hopping all around us, scratching through the cedar duff for pill bugs, pecking, pecking, pecking, and still the vireo stayed right there on that branch, turning its head sideways at us and singing, and Grandfather made one deep sound in his throat-like a stone being rolled away-and then he began to sing back to the bird, not just imitating the warbler's call, but singing a whole warbler song, making up warbler sentences, warbler declarations. Other warblers came in from out of the brush and surrounded us, and still Grandfather kept whistling and trilling. More birds flew in. Grandfather sang to them, too. With high little sounds in his throat, he called in the mourning doves and the little Inca doves that were starting to move into this country, from the south, and whose call I liked very much, a slightly younger, faster call that seemed to complement the eternity-becking coo of the mourning dove. Grandfather sang until dark, until the birds stopped answering his songs and instead went back into the brush to go to roost, and the fireflies began to drift out of the bushes like sparks and the coyotes began to howl and yip. Grandfather had long ago finished all the tea, sipping it between birdsongs to keep his voice fresh, and now he was tired, too tired to even fold the umbrella. .... I was afraid that with the miracle of birdsong, it was Grandfather's last night on earth-that the stars and the birds and the forest had granted him one last gift-and so I drove slowly, wanting to remember the taste, smell, and feel of all of it it, and to never forget it. But when I stopped the truck he seemed rested, and was in a hurry to get out and go join Father, who was sitting on the porch in the dark listening to one of the spring-training baseball games on the radio.
Rick Bass (The Sky, The Stars, The Wilderness)
Sometimes, when I thought of the amount of hatred dwelling in Poland, I was surprised to see that the grass was still green, that the trees still flourished their leaves against a blue sky. And yet they did. It is a terrible irony of war, that nature itself does not rebel when man turns against his brother. I have seen nightmares take place on beautiful spring days. The birds can hop from one branch to another, tipping their heads and honing their small beaks against the bark while a child dies in the bud below.
Irene Gut Opdyke (In My Hands: Memories of a Holocaust Rescuer)
I’m not sure why people use that metaphor about springs when they are happy or excited. It seems a bit peculiar to me. Most springs are weight-bearing springs. They are not explosive activity springs. So, I’m just not quite sure where the metaphor comes from. Maybe it relates to rabbits hopping and people thinking they looked like a spring when they hopped? I don’t know. All that I know is that the saying applied to me this morning.
Dr. Block (Diary of a Surfer Villager, Books 1-5 (Diary of a Surfer Villager #1-5))
Set new-furniture rules. I think it best not to keep your puppy on the furniture around a new baby, but if you wait to spring this rule on your pup after the baby’s home, the puppy may feel confused or anxious. Keep a short freedom line on your puppy, and if they hop on the furniture, gently guide them off, reminding them to Go to Your Place. Remember that shouting or shoving them off is interactive and suggestive of a game.
Sarah Hodgson (Puppies For Dummies)
Every spring I listen for them, wait to hear that cuckoo, cuckoo noise they make. I just really—I just loved those little birds, y’know. I’d be haulin’ manure and they’d be there hopping up and down … Their heads would turn to follow me and I swear they’d go all the way around. … Jeez, it was sad when they didn’t show up that year. I wonder why.” He looked up at us, hoping for some kind of explanation, and we just repeated what he already knew: it was the same all over.
Trevor Herriot (Grass, Sky, Song: Promise and Peril in the World of Grassland Birds)
THE FELLOWSHIP OF THE RING "Many that live deserve death. And some that die deserve life." "Do not meddle in the affairs of Wizards, for they are subtle and quick to anger." "Go not to the Elves for counsel, for they will say both no and yes." "Hey dol! merry dol! ring a dong dillo! Ring a dong! hop along! fal lal the willow! Tom Bom, jolly Tom, Tom Bombadillo!" "No black man shall pass my doors, while I can stand on my legs." "All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king." "One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the Darkness bind them." "A deadly sword, a healing hand, a back that bent beneath its load; a trumpet-voice, a burning brand, a weary pilgrim on the road. A lord of wisdom throned he sat, swift in anger, quick to laugh; an old man in a battered hat who leaned upon a thorny staff.” "The Balrog reached the bridge. Gandalf stood in the middle of the span, leaning on the staff in his left hand, but in his other hand Glamdring gleamed, cold and white. His enemy halted again, facing him, and the shadow about it reached out like two vast wings. It raised the whip, and the thongs whined and cracked. Fire came from its nostrils. But Gandalf stood firm. ‘You cannot pass,’ he said. The orcs stood still, and a dead silence fell. ‘I am a servant of the Secret Fire, wielder of the flame of Anor. You cannot pass. The dark fire will not avail you, flame of Udûn. Go back to the Shadow! You cannot pass.’ The Balrog made no answer. The fire in it seemed to die, but the darkness grew. It stepped forward slowly on to the bridge, and suddenly it drew itself up to a great height, and its wings were spread from wall to wall; but still Gandalf could be seen, glimmering in the gloom; he seemed small, and altogether alone: grey and bent, like a wizened tree before the onset of a storm. From out of the shadow a red sword leaped flaming. Glamdring glittered white in answer. There was a ringing clash and a stab of white fire. The Balrog fell back, and its sword flew up in molten fragments. The wizard swayed on the bridge, stepped back a pace, and then again stood still. ‘You cannot pass!’ he said. With a bound the Balrog leaped full upon the bridge. Its whip whirled and hissed. ‘He cannot stand alone!’ cried Aragorn suddenly and ran back along the bridge. ‘Elendil!’ he shouted. ‘I am with you, Gandalf!’ ‘Gondor!’ cried Boromir and leaped after him. At that moment Gandalf lifted his staff, and crying aloud he smote the bridge before him. The staff broke asunder and fell from his hand. A blinding sheet of white flame sprang up. The bridge cracked. Right at the Balrog’s feet it broke, and the stone upon which it stood crashed into the gulf, while the rest remained, poised, quivering like a tongue of rock thrust out into emptiness. With a terrible cry the Balrog fell forward, and its shadow plunged down and vanished. But even as it fell it swung its whip, and the thongs lashed and curled about the wizard’s knees, dragging him to the brink. He staggered and fell, grasped vainly at the stone, and slid into the abyss. ‘Fly, you fools!’ he cried, and was gone.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Unmistakably, the wild land of the Lake District acted for good upon Coleridge. As he moved between the crags and cataracts, over the fells and the moors, and through the pathless wilds, a sense of joy - joy, the 'beautiful and beauty-making power' as he had longingly called it during the dark spring of 1802 - began to seep back into him. Walking over soft mossy ground on the slopes of Red Pike - 'a dolphin-shaped Peak of a deep red' that rises to the south-west of Buttermere - he gave 'many a hop, skip, & jump'. Up on the mountains that year, he found not the 'Darkness & Dimness & a bewildering Shame, and Pain that is utterly Lord over us' which had characterised his depression, but instead, a 'fantastic Pleasure, that draws the Soul along swimming through the air in many shapes, even as a Flight of Starlings in a Wind!
Robert Macfarlane (The Wild Places)
Our teachers and troubadours stuffed our minds with the tales of our fathers - Aristotle and Arthur, Christ and Chretien. Our swordmasters swelled our thews with the steps and strikes of our fathers' fathers. Our thoughts tread again the paths first cut by our forebears' minds. Thus we hop and hew in the image of our fathers, and the fathers of our fathers. How might we then count ourselves new men, and not but shades of elder days, fleshed afresh in gaudy youth? Do we martyr ourselves upon knighthood's altar of our volition, or does some greater mind print its thumb upon us and so mold us into familar shape? What will lies within? What choice? Are we men, or the echoes of men, seeded once and springing forever from the same tired earth, watered forevermore by chivalry's iron unguent?
Graham Thomas Wilcox (Contra Amatores Mundi: A Gothic Fantasy)