Court Room Quotes

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I’m thinking,” he said, following the flick of my tongue over my bottom lip, “that I look at you and feel like I’m dying. Like I can’t breathe. I’m thinking that I want you so badly I can’t concentrate half the time I’m around you, and this room is too small for me to properly bed you. Especially with the wings.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Why should I bother defending myself," Nesta said with lethal cold, "to a male who is so puffed up on his own sense of importance there's barely enough space in the room for his enormous head?
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget.
James Baldwin (Giovanni’s Room)
I didn’t know how long my sisters and I lay there together, just like we had once shared that carved bed in that dilapidated cottage. Then—back then, we had kicked and twisted and fought for any bit of space, any breathing room. But that morning, as the sun rose over the world, we held tight. And did not let go.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
For with my intuition I knew that this man was repeating a pattern over and over again: courting a woman with his intelligence and sympathy, claiming her emotionally; then, when she began to claim in return, running away. And the better a woman was, the sooner he would begin to run. I knew this with my intuition, and yet I sat there in my dark room, looking at the hazed wet brilliance of the purple London night sky, longing with my whole being.
Doris Lessing (The Golden Notebook)
Busybody.” Az took a bite. “You let her suck your cock in the middle of the dining room. At a table I’m currently using to eat my dinner. I’d say that entitles me to an opinion.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
But as soon as darkness enveloped the room, my sobs hit in full—great, gasping pants that shuddered through me, flowing out the open windows, and into the starry, snow-kissed night.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
If he didn't walk away when I voiced what I wanted: him. Not the High Lord, not the most powerful male in Pyrthian's history. Just....him. The person who had sent music into that cell; who had picked up that knife in Amarantha's throne room to fight for me when no one else dared, and who had kept fighting for me every day since, refusing to let me crumble and disappear into nothing.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Perhaps everybody has a garden of Eden, I don't know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
James Baldwin
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned. "Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please." Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine. The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing. I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward. I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back. He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him. He smirked, sitting down against a wall. "I figured that would get you to stop crying." "It was disgusting." I wiped my face again. "Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting." "Get out." "As usual, your gratitude is overwhelming.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Like many faeries she knew, he was sculpture-perfect, but instead of being wrought of shadows like those in her court, this faery had a tangled feel to him. Shadow and radiance. He didn‘t look much older than her, until she saw the arrogance in his posture. Then, he reminded her of Irial, of Bananach, of Keenan, of the faeries who walked through courts and crowds confident that they could slaughter everyone in the room. Like chaos in a glass cage.
Melissa Marr (Radiant Shadows (Wicked Lovely, #4))
If he hadn’t been kissing me, if he hadn’t shown up and interrupted us, I would have gone out into that throne room covered in smudged paint. And everyone—especially Amarantha—would have known what I’d been up to. It wouldn’t have taken much to figure out whom I’d been with, especially not once they saw the paint on Tamlin. I didn’t want to consider what the punishment might have been. Regardless of his motives or his methods, Rhysand was keeping me alive. And had done so even before I set foot Under the Mountain.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
But I wouldn’t sit in my room, couldn’t allow myself to mourn and mope and weep and sleep. So I would venture out, even if it was an agony…
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
He loves me, and I reward his love by forcing on him something he hates. In the evening, after we dance, he rarely returns to the throne; he dances with others or moves from place to place through the room. The court thinks he is trying to be gracious, sharing his attention. Only I see that he moves always to the empty spot and the court always moves after him. He is like a dog trying to escape his own tail. He indulged himself in one brief moment of privacy, and almost died of it. Relius, he hates being king.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
It takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
James Baldwin (Giovanni’s Room)
They're safe,'' he said. "And you're not made of glass". He swept me up in his arms. I laughed. "And I'm not made of glass." He carried me into our room and kicked the door shut behind us.
Sherwood Smith (Court Duel (Crown & Court, #2))
Maybe you should...go." "Why? You seemed so insistent that I train you." "I can't concentrate with you around," I admitted "And go... far. I can feel you from a room away." A suggestive curve shaped his lips.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There in the first row of seats in the court room, sitting with Tate, were Jumpin' and Mabel. Folks had made a stir when they walked in with Tate and sat downstairs in the "white area." But when the bailiff reported this to Judge Sims, still in his chambers, the judge told him to announce that anybody of any color or creed could sit anywhere they wanted in his courtroom, and if somebody didn't like it, they were free to leave. In fact, he'd make sure they did.
Delia Owens (Where the Crawdads Sing)
She leaned forward, looking utterly inhuman, and I fought the urge to run screaming from the throne room. "I have heard of your exploits, Meghan Chase, " the queen rasped, narrowing her eyes. "Did you not think I would find out? You tricked a prince of the Unseelie Court into following you into the Iron Realm. You made him fight your enemies for you. You bound him to a contract that nearly killed him. My precious boy, almost lost to me forever, because of you. How do you think that makes me feel?" Mab's smile grew more predatory, as my stomach twisted in fear.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Spell-Cleaver. That was his title. She surveyed him with her usual disdain. But Helion gave her the same bow he’d offered me—though his smile was edged with enough sensuality that even my heart raced a bit. No wonder the Lady of Autumn hadn’t stood a chance. “I don’t think we were introduced properly earlier,” he crooned to Nesta. “I’m—” “I don’t care,” Nesta said with a snap of her wrist, striding right past him and up to my side. “I’d like a word,” she said. “Now.” Cassian was biting his knuckle to keep from laughing—at the utter surprise and shock on Helion’s face. It wasn’t every day, I supposed, that anyone of either sex dismissed him so thoroughly. I threw the High Lord a semi-apologetic glance and led my sister out of the room.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
All I wanted was to return to - to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened, and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Duly noted.” Rhys yanked open the drawers and pulled out my undergarments. He dangled the bits of midnight lace and chuckled. “I’m surprised you didn’t demand Nuala and Cerridwen buy you something else.” I stalked to him, snatching the lace away. “You’re drooling on the carpet.” I slammed the bathing room door before he could respond.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
If you were mean to your parents, they'd give you a good belt in the gob and send you flying across the room.
Frank McCourt
want to draw you,” I said. “As my birthday present to me.” His smile was positively feline. I added, flipping open my sketchbook and turning to the first page, “You said once that nude would be best.” Rhys’s eyes glowed, and a whisper of his power through the room had the curtains parting, flooding the space with midmorning sunshine. Showing every glorious naked inch of him sprawled across the bed, illuminating the faint reds and golds of his wings. “Do your worst, Cursebreaker.” My very blood sparking, I pulled out a piece of charcoal and began.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
First of all, this goes no further than this room." "Agreed," she said quickly. Anthony looked pointedly at Simon. "Of course," he replied. "Mother would be devastated if she learned the truth." "Actually," Simon murmured, "I rather think your mother would applaud our ingenuity, but since you have quite obviously known her longer, I bow to your discretion." Anthony shot him a frosty look. "Second, under no circumstances are the two of you to be alone together. Ever." "Well, that should be easy," Daphne said, "as we wouldn't be allowed to be alone if we were courting in truth, anyway." Simon recalled their brief interlude in the hall at Lady Danbury's house, and found it a pity that he wasn't to be allowed any more private time with Daphne, but he recognized a brick wall when he saw one, especially when said wall happened to be named Anthony Bridgerton. So he just nodded and murmured his assent. "Third—" "There is a third?" Daphne asked.             "There would be thirty if I could think of them," Anthony growled.                                        "Very well," she acceded, looking most aggrieved. "If you must.
Julia Quinn (The Duke and I (Bridgertons, #1))
He ended up in the dead center of the room, with Andrew on one side of him and Matt on the other. His thoughts should have kept him up all night, but with his friends this close Neil couldn't worry about anything. Neil studied Andrew's face until he couldn't keep his eyes open anymore. He dreamed of facing his father on an Exy court, and in his dream the Foxes won.
Nora Sakavic (The King's Men (All for the Game, #3))
I look at you and feel like I'm dying. Like I can't breathe. I'm thinking that I want you so badly I can't concentrate half the time I'm around you, and this room is too small for me to properly bed you.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The room behind me was dark. 'Thief,' intoned a lovely voice in the blackness... 'You have seen my twin,' the Weaver hissed softly-- with a hint of wonder. 'I smell him on you.'... Somewhere deep in the room, I FELT her move. Felt her stand. And take a step toward me. 'What are you,' the Weaver breathed.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
If you want the best evidence of just how strong our democracy is, come into the courtroom.
Michael Ponsor (The Hanging Judge)
If Feyre can't be bothered to listen to orders, then I can't be held accountable for the consequences." "Accountable?" I sputtered, placing my hands flat on the table. "You cornered me in the hall like a wolf with a rabbit!" Lucien propped an arm on the table and covered his mouth with has hand, his russet eye bright. "While I might have been not myself, Lucien and I both told you to stay in your room," Tamlin said, so calmly that I wanted to rip out my hair. I couldn't help it. Didn't even try to fight the red-hot temper that razed my senses. "Faerie pig!" I yelled, and Lucien howled, almost tipping back in his chair. At the sight of Tamlin's growing smile, I left.
Sarah J. Maas
The Jesus freaks were the worst. While the ‘Suicide Solution’ case was going through the courts they followed me around everywhere. They would picket my shows with signs that read, ‘The Anti-Christ Is Here’. And they’d always be chanting: ‘Put Satan behind you! Put Jesus in front of you!’ One time, I made my own sign – a smiley face with the words ‘Have a Nice Day’ – and went out and joined them. They didn’t even notice. Then, just as the gig was about to start, I put down the sign, said, ‘See ya, guys,’ and went back to my dressing room.
Ozzy Osbourne (I Am Ozzy)
Nobody can stay in the garden of Eden," Jacques said. And then: "I wonder why." ... Everyone, after all, goes the same dark road--and the road has a trick of being most dark, most treacherous, when it seems most bright--and it's true that nobody stays in the garden of Eden. ... Perhaps everybody has a garden of Eden, I don't know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another type of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of the pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
James Baldwin (Giovanni’s Room)
Take a nice, long look at your future, reaper. You'll soon be burning as fuel for hundreds of tiny fires." Tod laughed out loud. "If that's your way of saying I'm hot, rest assured, I already know." He spread his arms, inviting Avari and his monstrous court to look him over. "But I'm going to have to keep lighting up the room with my dazzling personality, because you couldn't scrape enough fat off me to fill even one of your sick-ass human candles. And, based on the crowd behind you, I'm guessing most of your friends look better in the dark anyway.
Rachel Vincent (With All My Soul (Soul Screamers, #7))
Anger is always reserved for someone else. And yet, I've been in a room with a woman who escaped a war, who lost her father in ethnic cleansing, whose mother burned her hair, whose cousin raped her. "What right do I have to be angry, when I'm alive? she said. Anger is a privilege of the truly broken, and yet I've never met a woman who was broken enough that she allowed herself to be angry. An angry woman must answer for herself. The reasons for her anger must be picked over, examined, and debated. My anger must stand the scrutiny of the court of law, of evidentiary procedures. I must prove it comes from somewhere justified and not just because one time some man touched my sister. Or because one time some man touched some woman and will continue on and on.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
No Tank Tops, the sign had said at Youth Guidance. Because it was presumed the parents didn’t know better than to show up to court looking like hell. The sign might have said Your Poverty Reeks.
Rachel Kushner (The Mars Room)
We walked down the back stairwell into the garden where the old breakfast table used to be. 'This was my father's spot. I call it his ghost spot. My spot used to be over there, if you remember.' I pointed to where my old table used to stand by the pool. 'Did I have a spot?' he asked with a half grin. 'You'll always have a spot.' I wanted to tell him that the pool, the garden, the house, the tennis court, the orle of paradise, the whole place, would always be his ghost spot. Instead, I pointed upstairs to the French windows of his room. Your eyes are forever there, I wanted to say, trapped in the sheer curtains, staring out from my bedroom upstairs where no one sleeps these days. When there's a breeze and they swell and I look up from down here or stand outside on the balcony, I'll catch myself thinking that you're in there, staring out from your world to my world, saying, as you did on that one night when I found you on the rock, I've been happy here. You're thousands of miles away but no sooner do I look at this window than I'll think of a bathing suit, a shirt thrown on on the fly, arms resting on the banister, and you're suddenly there, lighting up your first cigarette of the day—twenty years ago today. For as long as the house stands, this will be your ghost spot—and mine too, I wanted to say.
André Aciman (Call Me by Your Name)
Louis XI (1423-1483), the great Spider King of France, had a weakness for astrology. He kept a court astrologer whom he admired, until one day the man predicted that a lady of the court would die within eight days. When the prophecy came true, Louis was terrified, thinking that either the man had murdered the woman to prove his accuracy or that he was so versed in his science that his powers threatened Louis himself. In either case he had to be killed. One evening Louis summoned the astrologer to his room, high in the castle. Before the man arrived, the king told his servants that when he gave the signal they were to pick the astrologer up, carry him to the window, and hurl him to the ground, hundreds of feet below. The astrologer soon arrived, but before giving the signal, Louis decided to ask him one last question: “You claim to understand astrology and to know the fate of others, so tell me what your fate will be and how long you have to live.” “I shall die just three days before Your Majesty,” the astrologer replied. The king’s signal was never given. The man’s life was spared. The Spider King not only protected his astrologer for as long as he was alive, he lavished him with gifts and had him tended by the finest court doctors. The astrologer survived Louis by several years, disproving his power of prophecy but proving his mastery of power.
Robert Greene (The 48 Laws of Power)
The question is banal but one of the real troubles with living is that living is so banal. Everyone, after all, goes the same dark road — and the road has a trick of being most dark, most treacherous, when it seems most bright — and it’s true that nobody stays in the garden of Eden...Perhaps everybody has a garden of Eden, I don’t know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
James Baldwin
The one place where a man ought to get a square deal is in a court-room, be heany colour of the rainbow, but people have way to carrying their resentments right into a jury box.
Harper Lee
He's the same in the court-room as he is on the public streets.
Harper Lee (York Notes: To Kill a Mockingbird)
I turned. Rhysand leaned against the archway into the sitting room, arms crossed, wings nowhere to be seen, dressed in his usual immaculate black jacket and pants. And as those violet eyes met mine, as that familiar half smile faded
Sarah J. Maas
Stroking Feyre's cold hand, Nesta spoke into the timeless, frozen room, 'You loved me when no one else would. You never stopped. Even when I didn't deserve it, you loved me, and fought for me, and...' Nesta looked at Feyre's face, Death a breath away from claiming it. She didn't stop the tears that ran down her cheeks as she squeezed Feyre's slender hand tighter. 'I love you, Feyre.' She had never said the words aloud. To anyone. 'I love you,' Nesta whispered. 'I love you.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
There were no hateful voices in her head. Only the knowledge that her friends lay behind her, behind the line she'd drawn in the earth, and she would not cede that line to these males. She would not fail her friends. She had no room for fear in her heart. Only calm. Determination. And love.
Sarah J. Maas
Down here in the street, there is a lot less of the law and a lot more personalities. Everyone has found their way around the particular law that influences their endeavors. No one absolutely adheres to the guidelines of the one true law. Everyone is just trying to get by; there’s no room or time for the law or the courts; everyone finds their own way. That’s how things get done, you get yours best you can and I get mine best I can, but sometimes we can get at crossed purposes with each other and then we sort it out ourselves. We don’t call the police, we don’t file a legal suit; we negotiate, we butt heads, but we resolve the issue. That’s what you are seeing Tom, how the real world goes around. Now have a drink, relax and see our other side of life.
Michael Deeze (The Deathbed Confessions (Thomas Quinn Mysteries Book 1))
What is the point. That is what must be borne in mind. Sometimes the point is really who wants what. Sometimes the point is what is right or kind. Sometimes the point is a momentum, a fact, a quality, a voice, an imitation, a thing that is said or unsaid. Sometimes it's who's at fault, or what will happen if you do not move at once. The point changes and goes out. You cannot be forever watching for the point, or you lose the simplest thing: being a major character in your own life. But if you are, for any length of time, custodian of the point-- in art, in court, in politics, in lives, in rooms-- it turns out there are rear-guard actions everywhere. To see a thing clearly, and when your vision of it dims, or when it goes to someone else, if you have a gentle nature, keep your silence, that is lovely. Otherwise, now and then, a small foray is worthwhile. Just so that being always, complacently, thoroughly wrong does not become the safest position of them all. The point has never quite been entrusted to me.
Renata Adler (Speedboat)
We all create an outward self with which to face the world, and some people come to believe that is what they truly are. So they people the world with doctors who are nothing outside of the consulting-room, and judges who are nothing when they are not in court, and business men who wither with boredom when they have to retire from business, and teachers who are forever teaching. That is why they are such poor specimens when they are caught without their masks on. They have lived chiefly through the Persona.
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
The locker rooms were clean when we departed because I asked the players to pick up after themselves. I believe this is just common courtesy. Somebody’s going to have to clean it up, and I see no reason why it shouldn’t be the person who messed it up.
John Wooden (Wooden: A Lifetime of Observations and Reflections On and Off the Court)
I shook my head, smiling in spite of myself, and gave him a kiss on the cheek. Adrian. My husband. If anyone had told me a year ago that I'd be married, I would've said they were joking. If they'd told me I'd be married to a vampire, I would've said they were delusional. Looking at Adrian now, I felt a surge of love well up within me, despite our earlier tension. I could no longer imagine a life without him in it. It was impossible. Could I imagine a life with him that didn't involve us being trapped in a suite of rooms with his mother while both our people reviled us and made plans against us? Definitely. There were any number of futures I'd love to have for us, but his was our current path until something spectacular happened. Outside, the Court's gates, my people wanted to imprison me. Inside them, his people wanted to assault him. At least in this suite, we were safe. Most importantly, we were together.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Immortal strength—more a curse than a gift. I’d dented and folded every piece of silverware I’d touched for three days upon returning here, had tripped over my longer, faster legs so often that Alis had removed any irreplaceable valuables from my rooms (she’d been particularly grumpy about me knocking over a table with an eight-hundred-year-old vase), and had shattered not one, not two, but five glass doors merely by accidentally closing them too hard. Sighing
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
My sisters had been living in the House of Wind since they’d arrived in Velaris. They did not leave the palace built into the upper parts of a flat-topped mountain overlooking the city. They did not ask for anything, or anyone. So I would go to them. Lucien was waiting in the sitting room when Rhys and I came downstairs at last, my mate having given the silent order for them to return. Unsurprisingly, Cassian and Azriel were casually seated in the dining room across the hall, eating lunch and marking every single breath Lucien emitted. Cassian smirked at me, brows flicking up. I shot him a warning glare that dared him to comment. Azriel, thankfully, just kicked Cassian under the table. Cassian gawked at Azriel as if to declare I wasn’t going to say anything while I approached the open archway into the sitting room, Lucien rising to his feet.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight. My faery with a soul. He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist. And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder. He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
I do think your brother grows more peculiar every day,' I complain to Edward when he comes to my rooms in Whitehall Palace to escort me to dinner. 'Which one?' he asks lazily. 'For you know I can do nothing right in the eyes of either. You would think they would be glad to have a York on the throne and peace in Christendom, and one of the finest Christmas feasts we have ever arranged; but no: Richard is leaving court to go back north as soon as the feast is over, to demonstrate his outrage that we are not slogging away in a battle with the French, and George is simply bad tempered.
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
It had been nine months since Riko Moriyama and Kevin Day stood in the same room together, nine months since Riko destroyed Kevin's hand, and now they were reunited on live television. The audience cheered their hearts out, delighted by Kathy's surprise, but they weren't quite loud enough to drown out Kevin's soft voice at Neil's side. The words sounded like a desperate prayer.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
You could have ruled the world with your power,' he said carefully. 'I don't want to rule the world.' Her eyes were unguarded in a way he had never seen. Mate, she had called him. 'What do you want?' Cassian managed to ask, voice rasping. She smiled, and damn if it wasn't the loveliest thing he'd ever seen. 'You.' 'You've had me from the moment you met me.' She tucked a strand of hair behind an arched ear. 'I know.' He brushed a kiss over her mouth. But Nesta said, 'I want a disgustingly ornate mating ceremony. He laughed, pulling away. 'Really?' 'Why not?' 'Because I'll never hear the end of it from Azriel and Mor.' Or the Illyrians. Nesta considered. Then pulled something out of her pocket. A small biscuit, swiped from a tray in the birthing room. 'Then here. Food. From me to you, my mate. That's the official ritual, isn't it? The sharing of food from one mate to the other?' He choked. 'These are my two options? A frilly mating ceremony or a stale biscuit?' Her face filled with such true light, it nearly stole the breath from him. 'Yes.' So Cassian laughed again, and folded her fingers around the pathetic biscuit, leaning to whisper in her ear, 'We'll make a coronation of it, Nes.' 'I already have a crown,' she said. 'I just want you.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
James Baldwin (Giovanni’s Room)
Perhaps everybody has a garden of Eden, I don’t know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
James Baldwin (Giovanni’s Room)
Last time I danced in these rooms it was the Christmas feast and I was wearing a dress of silk as rich as Queen Anne’s own, made to the same pattern as the queen’s, as if to force a comparison between her and me—her junior by ten years; and her husband the king, Richard, could not take his eyes off me. The whole court knew that he was falling in love with me and that he would leave his old sick wife to be with me. I danced with my sisters, but he saw only me. I danced before hundreds of people, but only for him.
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5))
Inside the room it was dark now, the florescent light behind my father flickering so slightly it lit only the most obvious masses in the room. My sister was in a chair pulled up alongside the bed, her head resting on the side of it with her hand extended out to touch my father. My father, deep under, was lying on his back. My mother could not know that I was there with them, that here were the four of us, so changed now from the days when she tucked Lindsey and me into bed and went to make love to her husband, our father. Now she saw the pieces. She saw that my sister and father, together, had become a piece. She was glad of it. I had played a hide-and-seek game of love with my mother as I grew up, courting her attention and approval in a way that I had never had to with my father. I didn't have to play hide-and-seek anymore. As she stood in the darkened room and watched my sister and father, I knew one of the things that heaven meant. I had a choice, and it was not to divide my family in my heart. ~pg 154; Susie's family and heaven
Alice Sebold (The Lovely Bones)
The Unknown Travelers Lugged to the gray arbor, I have climbed this snow-stone on my face, My stick, but what, snapped the avalanche The air filled with slowly falling rocks Breathed in deeply--arrived, The white room, a table covered With a towel, mug of ice--fear Among the legs of a chair, the ashman, Purple and gray she starts upright in her chair.
John Ashbery (The Tennis Court Oath)
In the evening, after we dance, he rarely returns to the throne; he dances with others or he moves from place to place through the room. The court thinks he is trying to be gracious, sharing his attention. Only I see that he moves always toward the empty spot and the court moves always after him. He is like a dog trying to escape its own tail. He indulged himself in one brief moment of privacy and almost died of it. Relius, he hates being king.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
If Pakistani cities were caricatures, most would be easy to draw. Lahore is corpulent and languid, stretched out in a shalwar kameez, twirling its moustache over a greasy breakfast. Islamabad cuts a more clipped figure, holding court in a gilded drawing room, proffering Scotch and political whispers. Peshawar wears a turban or a burka, scuttling among the stalls of an ancient bazaar. But Karachi is harder to sketch. It has too many faces: the shiny-shod businessman, rushing to the gym; the hardscrabble labourer who sends his wages to a distant village; the slinky young socialite, kicking off her heels as she bends over a line of cocaine.
Declan Walsh (The Nine Lives of Pakistan: Dispatches from a Precarious State)
The relevant question is not whether back then a few extraordinary individuals could overcome a system strongly weighted against them or whether today an admittedly far greater number requiring far less talent can succeed. The real question is whether it's harder for the people in this audience to succeed be they extraordinary, average, or below average. If it is, and I think it obvious that it is, then that's untenable in a country that purports to provide equal opportunity for all. Now of course you'll dispute my claim that it is more difficult to succeed for them. You say the battle's over. I say not only is it not over but you yourself are stationed on the frontline of the battle and have been all these years. This room and the criminal justice system as a whole is the frontline. This is where modern-day segregation lives on.
Sergio de la Pava (A Naked Singularity)
It's not pretty and perfect I am feeling today. Not in the mood for soft and contained. Not light or well-behaved or sugary sweet. No. I'm not willing to round off my sharp edges or make safe the danger zones. Not for you. Not for anyone, really. There's no room in me for gentle today. It's explore at your own risk, full on howl time. Oh, I can make nice. And I do. You'll only get past the surface if I deem you worthy. But my inner landscape? It's pure wilderness, darling, and the wolves are running. The moon went dark last night, loves, and something crashed and spiraled so something else could rise. It's time for music that courts the shadows and for dancing that sheds skin. Creation is calling and my muse, she likes it rough. Are you with me? Good. Now we can begin...
Jeanette LeBlanc
Jodi cut to the point: The United States had a system for muting sexual harassment claims, which often enabled the harassers instead of stopping them. Women routinely signed away the right to talk about their own experiences. Harassers often continued onward, finding fresh ground on which to commit the same offenses. The settlements and confidentiality agreements were almost never examined in law school classrooms or open court. This was why the public had never really understood that this was happening. Even those in the room with long histories of covering gender issues had never fully registered what was going on.
Jodi Kantor (She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement)
As a poor person, I was not accustomed to looking past the month, week, or sometimes hour. I compartmentalized my life the same way I cleaned every room of every house—left to right, top to bottom. Whether on paper or in my mind, the problems I had to deal with first—the car repair, the court date, the empty cupboards—went at the top, on the left. The next pressing issue went next to it, on the right. I’d focus on one problem at a time, working left to right, top to bottom. That shortsightedness kept me from getting overwhelmed, but it also kept me from dreaming.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
You used to be able to spot an ain't-shit man a lot easier. At pool halls and juke joints, speakeasies and rent parties and sometimes in church, snoring in the back pew. The type of man our brothers warned us about because he was going nowhere and he would treat us bad on the way to that nowhere. But nowadays? Most of these young men seem ain't-shit to us. Swaggering around downtown, drunk and swearing, fighting outside nightclubs, smoking reefer in their mamas' basements. When we were girls, a man who wanted to court us sipped coffee in the living room with our parents first. Nowadays, a young man fools around with any girl who's willing and if she gets in trouble - well, you just ask Luke Sheppard what these young men do next. A girl nowadays has to get nice and close to tell if her man ain't shit and by then, it might be too late. We were girls once. It's exciting, loving someone who can never love you back. Freeing, in its own way. No shame in loving an ain't-shit man, long as you get it out of your system good and early. A tragic woman hooks into an ain't-shit man, or worse, lets him hook into her. He will drag her until he tires. He will climb atop her shoulders and her body will sag from the weight of loving him. Yes, those are the ones we worry about.
Brit Bennett (The Mothers)
The room behind me was dark. "Thief," intoned a lovely voice in the blackness. "You do know," Ianthe tittered from outside the cottage, her steps slowing into a walk, "that we'll have to kill whoever is inside there with you. Selfish of you, Feyre." I panted, holding the door open, making sure they couldn't see me on the other side. "You have seen my twin," the Weaver hissed softly- with a hint of wonder. "I smell him on you." Outside, Ianthe and the guard grew closer. Closer and closer. Somewhere deep in the room, I felt her move. Felt her stand. And take a step toward me. "What are you," the Weaver breathed. "Feyre, you can be quite tedious," Ianthe said. Right outside. I could barely make out her pale robes through the crack between the door and the threshold. "Do you think you can ambush us in there? I saw your shield. You're drained. And I do not think your glowing trick will help." The Weaver's dress rustled as she crept closer in the gloom. "Who did you bring, little wolf? Who did you bring to me?" Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it. "Dinner," I said to the Weaver, whirling around the door- to it's outside face. And let go of the handle. Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room. Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her. I was already hurtling for the trees when the guards and Ianthe began screaming.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.
James Baldwin (Giovanni’s Room)
It is easy to think that the Church has a lot of different objects—education, building, missions, holding services. Just as it is easy to think the State has a lot of different objects—military, political, economic, and what not. But in a way things are much simpler than that. The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden—that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time. In the same way the Church exists for nothing else but to draw men into Christ, to make them little Christs. If they are not doing that, all the cathedrals, clergy, missions, sermons, even the Bible itself, are simply a waste of time.
C.S. Lewis (Mere Christianity)
I wanted to tell him that the pool, the garden, the house, the tennis court, the orle of paradise, the whole place, would always be his ghost spot. Instead, I pointed upstairs to the French windows of his room. Your eyes are forever there, I wanted to say, trapped in the sheer curtains, staring out from my bedroom upstairs where no one sleeps these days. When there’s a breeze and they swell and I look up from down here or stand outside on the balcony, I’ll catch myself thinking that you’re in there, staring out from your world to my world, saying, as you did on that one night when I found you on the rock, I’ve been happy here. You’re thousands of miles away but no sooner do I look at this window than I’ll think of a bathing suit, a shirt thrown on on the fly, arms resting on the banister, and you’re suddenly there, lighting up your first cigarette of the day—twenty years ago today. For as long as the house stands, this will be your ghost spot—and mine too, I wanted to say.
André Aciman (Call Me by Your Name)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
What is that bruise?” Lucien demanded. I pointed with my fork to Tamlin. “Ask him. He did it.” Lucien looked from Tamlin to me and then back again. “Why does Feyre have a bruise on her neck from you?” he asked with no small amount of amusement. “I bit her,” Tamlin said, not pausing as he cut his steak. “We ran into each other in the hall after the Rite.” I straightened in my chair. “She seems to have a death wish,” he went on, cutting his meat. The claws stayed retracted but pushed against the skin above his knuckles. My throat closed up. Oh, he was mad—furious at my foolishness for leaving my room—but somehow managed to keep his anger on a tight, tight leash. “So, if Feyre can’t be bothered to listen to orders, then I can’t be held accountable for the consequences.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Unsettled by the sudden appearance of Captain Quire within her court, Gloriana resolved to forego all frivolous entertainments and shun the more unnecessary pleasures. Yet, the queen reasoned, this surely did not apply to healthful exercise, such as riding in the royal park. Nor could she refuse to spend the remainder of the afternoon in quiet seclusion, lying face down upon a cushioned bench in her private dressing room while gentle Lady Mary rubbed all the soreness from her muscles. Such occupations were safe, and harmless. It was only afterwards, when she was sleeping deeply, that Captain Quire came to her in a dream.
Michael Moorcock (Gloriana, or The Unfulfill'd Queen)
Kevin's expression was indecipherable. Whatever it was, it didn't look particularly happy. "This is going to be a very long season." "I told you I wasn't ready." "You also said you wouldn't play with me, but here you are. [...] If you won't play with me, you'll play for me," Kevin said. "You're never going to get there on your own, so give your game to me." "Where is there?" Neil asked. [...] Kevin reached up and covered Neil's eyes with his free hand. "Forget the stadium," Kevin said. "Forget the Foxes and your useless high school team and your family. See it the only way it really matters, where Exy is the only road to take. What do you see?" [...] That thought was sombering, as it put him right back to square one and the fact that Neil Josten was a fleeting existence. It was cruel to even dream he could stay like this, but Kevin had escaped, hadn't he? Somehow he'd left that bloody room behind at Edgar Allan and become this, and Neil wanted the same so bad he could taste it. "You," Neil said at last. [...] "Tell me I can have your game." [...] "Take it." "Neil understands," Kevin said, dropping his hand and sending Andrew a pointed look. "Congratulations are in order, I suppose! Since I have non to give, I will tell the others to respond appropriately." Andrew pushed himself to his feet and swallowed more whiskey on the way up. "[...] As it is, I might puke from all the fanaticism going around.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
For every group, malevolence is always somewhere else. Maybe we understand at this point in history that it can occur at night in darkened rooms where small children sleep. However, surely not in academia. Surely lying and deception do not occur among people who go to conferences, who write books, who testify in court, and who have PhDs. At one point I complained to a Florida judge that I was astonished to an expert witness lying on the stand [about child sexual abuse research]. I thought one had to tell the truth in court. I thought if someone didn't, she didn't get her milk and cookies. I thought God came down and plucked someone right out of the witness stand if he lied in court. I thought a lying expert witness would step out of court and get hit by a bus. A wiser woman than I, the judge's answer was, “Silly you." Confessions of a Whistle-Blower: Lessons Learned Author: Anna C. Salter. Ethics & Behavior, Volume 8, Issue 2 June 1998
Anna C. Salter
Andrea exploded out of the staircase, her eyes huge. “Someone broke into Curran’s private quarters in the Keep and welded his weight bench together. They also melted the lock on the room where he entertains his women. Was it you?” “He’s making a big deal about never expecting me to behave like a shapeshifter. So I did.” “Are you out of your mind?” It’s not polite to lie to your best friend. “It’s a possibility.” “You challenged him. The whole Keep is talking about it. He’ll have to retaliate. He’s a cat, Kate, which means he’s weird, and he never courted anyone that way. There is no telling what he’ll do. He doesn’t operate in the same world you do. He might blow up your house because he thinks it’s funny.” I waved my arm. “It doesn’t matter. He didn’t get it.” Andrea shook her blond head. “Oh no. He got it.” “How do you know?” “Your office smells like him.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
What did she say to you?" "Nothing." "Oh, great. I have to try to get you out of this mess after you hit a girl for nothing," he whispered angrily. "Josephine, don't waste my time. You don't seem like a violent type. She had to have said something to rile you. "I just don't like her. She's vain. She puts her hair all over my books when she sits in front of me in class." "So you hit her?" "No ... yes." "A girl puts her hair all over your books, so you break her nose?" "Well, I don't think it's broken, personally." "Doctor Kildare, we are not here to give a medical opinion. I want to know what she said to you." "God," I yelled exasperated. "She said something to upset me, okay?" "What? That you were ugly? That you smell? What?" I looked horrified. "I'm not ugly. I don't smell." He sighed and took off his glasses, sitting down in front of me and pulling my chair towards him. "I was just asking for a reason." "Never mind," I said. "That creep out there wants -you to pay for his daughter's nose-job. Because of that nose-job she will be a famous model one day and you'll be working in a fast-food chain because you couldn't finish your Higher School Certificate due to expulsion. Now tell me what she said." "There's nothing wrong with a fast-food chain," I said, thinking of my McDonald's job. "I'm really getting pissed off now, Josephine. You called me out of work for this and you won't tell me why." "Just go," I said, as he stood up and paced the room. "I'll defend myself in court." He groaned and looked up to the ceiling pulling his hair. "God save me from days like this," he begged. "Go," I yelled. "Okay. Let him win. He's a creep. Creeps always win," he said walking to the door. "But don't think you're going to make it in a court room, young lady. If you can't be honest, don't expect to stand up in a court room and defend honesty." "She called me a wog, amongst other things," I said, finally. "I haven't been called one for so long. It offended me. It made me feel pathetic." "Did you provoke her?" "Yes. I called her a racist pig due to some things she was saying." "Is she one?" "God, yes. The biggest.
Melina Marchetta (Looking for Alibrandi)
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I once read that if the folds in the cerebral cortex were smoothed out it would cover a card table. That seemed quite unbelievable but it did make me wonder just how big the cortex would be if you ironed it out. I thought it might just about cover a family-sized pizza: not bad, but no card-table. I was astonished to realize that nobody seems to know the answer. A quick search yielded the following estimates for the smoothed out dimensions of the cerebral cortex of the human brain. An article in Bioscience in November 1987 by Julie Ann Miller claimed the cortex was a "quarter-metre square." That is napkin-sized, about ten inches by ten inches. Scientific American magazine in September 1992 upped the ante considerably with an estimated of 1 1/2 square metres; thats a square of brain forty inches on each side, getting close to the card-table estimate. A psychologist at the University of Toronto figured it would cover the floor of his living room (I haven't seen his living room), but the prize winning estimate so far is from the British magazine New Scientist's poster of the brain published in 1993 which claimed that the cerebral cortex, if flattened out, would cover a tennis court. How can there be such disagreement? How can so many experts not know how big the cortex is? I don't know, but I'm on the hunt for an expert who will say the cortex, when fully spread out, will cover a football field. A Canadian football field.
Jay Ingram (The Burning House : Unlocking the Mysteries of the Brain)
Just when I despaired -- she was there, filling me as a melody fills a cottage. I was with her, running beside the Acis when we were a child. I knew the ancient villa moated by a dark lake, the view through the dusty windows of the belvedere, and the secret space in the odd angle between two rooms where we sat at noon to read by candlelight. I knew the life of the Autarch's court, where poison waited in a diamond cup. I learned what it was for one who had never seen a cell or felt a whip to be a prisoner of the torturers, what dying meant, and death. I learned that I had been more to her than I had ever guessed, and at last fell into a sleep in which my dreams were all of her. Not memories merely -- memories I had possessed in plenty before. I held her poor, cold hands in mine, and I no longer wore the rags of an apprentice, nor the fuligin of a journeyman. We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters.
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The great are deceived if they imagine they have appropriated ambition and vanity to themselves. These notable qualities flourish as notably in a country church and churchyard as in the drawing room or in the closet. Schemes have indeed been laid in the vestry, which would hardly disgrace the conclave. Here is a ministry, and here is an opposition. Here are plots and circumventions, parties and factions equal to those which are to be found in courts. Nor are the women here less practiced in the highest feminine arts than their fair superiors in quality and fortune. Here are prudes and coquettes; here are dressing and ogling, falsehood, envy, malice, scandal -- in short everything which is common to the most splendid assembly or politest circle.
Henry Fielding (The History of Tom Jones, a Foundling)
But Amarantha rolled her eyes and slouched in her throne. “Shatter him, Rhysand.” She flicked a hand at the High Lord of the Summer Court. “You may do what you want with the body afterward.” The High Lord of the Summer Court bowed—as if he’d been given a gift—and looked to his subject, who had gone still and calm on the floor, hugging his knees. The male faerie was ready—relieved. Rhys slipped a hand out of his pocket, and it dangled at his side. I could have sworn phantom talons flickered there as his fingers curled slightly. “I’m growing bored, Rhysand,” Amarantha said with a sigh, again fiddling with that bone. She hadn’t looked at me once, too focused on her current prey. Rhysand’s fingers curled into a fist. The faerie male’s eyes went wide—then glazed as he slumped to the side in the puddle of his own waste. Blood leaked from his nose, from his ears, pooling on the floor. That fast—that easily, that irrevocably … he was dead. “I said shatter his mind, not his brain,” Amarantha snapped. The crowd murmured around me, stirring. I wanted nothing more than to fade back into it—to crawl back into my cell and burn this from my mind. Tamlin hadn’t flinched—not a muscle. What horrors had he witnessed in his long life if this hadn’t broken that distant expression, that control? Rhysand shrugged, his hand sliding back into his pocket. “Apologies, my queen.” He turned away without being dismissed, and didn’t look at me as he strode for the back of the throne room. I fell into step beside him, reining in my trembling, trying not to think about the body sprawled behind us, or about Clare—still nailed to the wall. The crowd stayed far, far back as we walked through it. “Whore,” some of them softly hissed at him, out of her earshot; “Amarantha’s whore.” But many offered tentative, appreciative smiles and words—“Good that you killed him; good that you killed the traitor.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
My blood stopped at the voice that drawled from behind me. At the scent that hit me, awoke me. My friends began smiling. I turned. Rhysand leaned against the archway into the sitting room, arms crossed, wings nowhere to be seen, dressed in his usual immaculate black jacket and pants. And as those violet eyes met mine, as that familiar half smile faded... My face crumpled. A small, broken noise cracked from me. Rhys was instantly moving, but my legs had already given out. The foyer carpet cushioned the impact as I sank to my knees. I covered my face with my hands while the past month crashed into me. Rhys knelt before me, knee to knee. Gently, he pulled my hands away from my face. Gently, he took my cheeks in his hands and brushed away my tears. I didn't care that we had an audience as I lifted my head and beheld the joy and concern and love shining in those remarkable eyes. Neither did Rhys as he murmured, 'My love,' and kissed me. I'd no sooner slid my hands into his hair than he scooped me into his arms and stood in one smooth movement. I pulled my mouth from his, glancing toward a pallid Lucien, but Rhysand said to our companions without so much as looking at them, 'Go find somewhere else to be for a while.' He didn't wait to see if they obeyed. Rhys winnowed us up the stairs, and launched into a steady, swift walk down the hallway.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
To be yourself is in many ways, is to be inconvenient to others. Only placaters and appeasers get along with other people all the time and that's not really getting along with anyone. That's just self erasure. To be alive, to be in a relationship is to constantly court inconvenience to others and out of that inconvenience can come enormous growth. I simply work as an imperasist. Empiricism comes first. So, I speak things that are inconvenient to others but, true for me. I observe their response. It's incredibly easy to find out the truth in your relationships. All you do is speak the truth. You speak the truth about what's on your mind to those around you and their true natures will be revealed in about 5 seconds. You have honesty in your relationships. You speak the truth about your experience, thought's, and feelings in your relationships and then you do not control how other people respond. Your as honest as can be and you simply observe how they respond. It's like that spray you use to see the lasers in the room. Honesty reveals everything. OK So, if these people constantly sacrifice my happiness, security, and mental health for the sake of their petty emotional selfish needs then I could choose to stay in those relationships if I want. I mean, I could choose to continue to hire an employee who steals from me everyday. I just have to be aware that he's stealing from me everyday.
Stefan Molyneux
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
Daniel Nayeri (Everything Sad Is Untrue)
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Baudelaire" When I fall asleep, and even during sleep, I hear, quite distinctly, voices speaking Whole phrases, commonplace and trivial, Having no relation to my affairs. Dear Mother, is any time left to us In which to be happy? My debts are immense. My bank account is subject to the court’s judgment. I know nothing. I cannot know anything. I have lost the ability to make an effort. But now as before my love for you increases. You are always armed to stone me, always: It is true. It dates from childhood. For the first time in my long life I am almost happy. The book, almost finished, Almost seems good. It will endure, a monument To my obsessions, my hatred, my disgust. Debts and inquietude persist and weaken me. Satan glides before me, saying sweetly: “Rest for a day! You can rest and play today. Tonight you will work.” When night comes, My mind, terrified by the arrears, Bored by sadness, paralyzed by impotence, Promises: “Tomorrow: I will tomorrow.” Tomorrow the same comedy enacts itself With the same resolution, the same weakness. I am sick of this life of furnished rooms. I am sick of having colds and headaches: You know my strange life. Every day brings Its quota of wrath. You little know A poet’s life, dear Mother: I must write poems, The most fatiguing of occupations. I am sad this morning. Do not reproach me. I write from a café near the post office, Amid the click of billiard balls, the clatter of dishes, The pounding of my heart. I have been asked to write “A History of Caricature.” I have been asked to write “A History of Sculpture.” Shall I write a history Of the caricatures of the sculptures of you in my heart? Although it costs you countless agony, Although you cannot believe it necessary, And doubt that the sum is accurate, Please send me money enough for at least three weeks.
Delmore Schwartz
Oak puts a hand on my arm. I startle. 'You all right?' he asks. 'When they first took me from the mortal world to the Court of Teeth, Lord Jarel and Lady Nore tried to be nice to me. They gave me good things to eat and dressed me in fancy dresses and told me that I was their princess and would be a beautiful and beloved queen,' I tell him, the words slipping from my lips before I can call them back. I occupy myself with searching deeper in the closet so I don't have to see his face as I speak. 'I cried constantly, ceaselessly. For a week, I wept and wept until they could bear it no more.' Oak is silent. Though he knew me as a child, he never knew me as that child, the one who still believed the world could be kind. But then, he had sisters who were stolen. Perhaps they had cried, too. 'Lord Jarel and Lady Nore told their servants to enchant me to sleep, and the servants did. But it never lasted. I kept weeping.' He nods, just a little, as though more movement might break the spell of my speaking. 'Lord Jarel came to me with a beautiful glass dish in which there was flavoured ice,' I tell him. 'When I took a bite, the flavour was indescribably delicious. It was as though I were eating dreams.' 'You will have this every day if you cease you're crying,' he said. 'But I couldn't stop. 'Then he came to me with a necklace of diamonds, as cold and beautiful as ice. When I put it on, my eyes shone, my hair sparkled, and my skin shimmered as though glitter had been poured over it. I looked wondrously beautiful. But when he told me to stop crying, I couldn't. 'Then he became angry, and he told me that if I didn't stop, he would turn my tears to glass that would cut my cheeks. And that's what he did. 'But I cried until it was hard to tell the difference between tears and blood. And after that, I began to teach myself how to break their curses. They didn't like that. 'And so they told me I would be able to see the humans again- that's what they called them, the humans- in a year, for a visit, but only if I was good. 'I tried. I choked back tears. And on the wall beside my bed, I scratched the number of days in the ice. 'One night I returned to my room to find the scratches weren't the way I remembered. I was sure it had been five months, but the scratches made it seem as though it had been only a little more than three. 'And that was when I realised I was never going home, but by then the tears wouldn't come, no matter how much I willed them. And I never cried again.' His eyes shone with horror.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
The Canonization" For God's sake hold your tongue, and let me love, Or chide my palsy, or my gout, My five gray hairs, or ruined fortune flout, With wealth your state, your mind with arts improve, Take you a course, get you a place, Observe his honor, or his grace, Or the king's real, or his stampèd face Contemplate; what you will, approve, So you will let me love. Alas, alas, who's injured by my love? What merchant's ships have my sighs drowned? Who says my tears have overflowed his ground? When did my colds a forward spring remove? When did the heats which my veins fill Add one more to the plaguy bill? Soldiers find wars, and lawyers find out still Litigious men, which quarrels move, Though she and I do love. Call us what you will, we are made such by love; Call her one, me another fly, We're tapers too, and at our own cost die, And we in us find the eagle and the dove. The phœnix riddle hath more wit By us; we two being one, are it. So, to one neutral thing both sexes fit. We die and rise the same, and prove Mysterious by this love. We can die by it, if not live by love, And if unfit for tombs and hearse Our legend be, it will be fit for verse; And if no piece of chronicle we prove, We'll build in sonnets pretty rooms; As well a well-wrought urn becomes The greatest ashes, as half-acre tombs, And by these hymns, all shall approve Us canonized for Love. And thus invoke us: "You, whom reverend love Made one another's hermitage; You, to whom love was peace, that now is rage; Who did the whole world's soul contract, and drove Into the glasses of your eyes (So made such mirrors, and such spies, That they did all to you epitomize) Countries, towns, courts: beg from above A pattern of your love!
John Donne
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter. The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself. Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen! You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world. At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972. A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'? I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!" They asked me to play the record over and over again.
Jung Chang (Wild Swans: Three Daughters of China)
I had to keep my hands clenched at my sides to avoid wiping my sweaty palms on the skirts of my gown as I reached the dining room, and immediately contemplated bolting upstairs and changing into a tunic and pants. But I knew they’d already heard me, or smelled me, or used whatever heightened senses they had to detect my presence, and since fleeing would only make it worse, I found it in myself to push open the double doors. Whatever discussion Tamlin and Lucien had been having stopped, and I tried not to look at their wide eyes as I strode to my usual place at the end of the table. “Well, I’m late for something incredibly important,” Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished. I could feel the full weight of Tamlin’s undivided attention on me—on every breath and movement I took. I studied the candelabras atop the mantel beside the table. I had nothing to say that didn’t sound absurd—yet for some reason, my mouth decided to start moving. “You’re so far away.” I gestured to the expanse of table between us. “It’s like you’re in another room.” The quarters of the table vanished, leaving Tamlin not two feet away, sitting at an infinitely more intimate table. I yelped and almost tipped over in my chair. He laughed as I gaped at the small table that now stood between us. “Better?” he asked. I ignored the metallic tang of magic as I said, “How … how did you do that? Where did it go?” He cocked his head. “Between. Think of it as … a broom closet tucked between pockets of the world.” He flexed his hands and rolled his neck, as if shaking off some pain. “Does it tax you?” Sweat seemed to gleam on the strong column of his neck. He stopped flexing his hands and set them flat on the table. “Once, it was as easy as breathing. But now … it requires concentration.” Because of the blight on Prythian and the toll it had taken on him. “You could have just taken a closer seat,” I said. Tamlin gave me a lazy grin. “And miss a chance to show off to a beautiful woman? Never.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Rhys lunged against his hold, but Amren stepped to their side and hissed, 'Listen.' Nesta whispered, 'I give it all back.' Her shoulders heaved as she wept. Rhys began shaking his head, his power a palpable, rising wave that would destroy them all, destroy the world if it meant Feyre was no longer in it, even if he only had seconds to live beyond her, but Amren grabbed the nape of his neck. Her red nails dug into his golden skin. 'Look at the light.' Iridescent light began flowing from Nesta's body. Into Feyre. Nesta kept holding her sister. 'I give it back. I give it back. I give it back.' Even Rhys stopped fighting. No one moved. The lights glimmered down Feyre's arm. Her legs. It suffused her ashen face. Began to fill the room. Cassian's Siphons guttered, as if sensing a power far beyond his own, beyond any of theirs. Tendrils of light drifted between the sisters. And one, delicate and loving, flowed towards Mor. To the bundle in her arms, setting the silent babe within glowing bright as the sun. And Nesta kept whispering, 'I give it back. I give it all back.' The iridescence filled her, filled Feyre, filled the bundle in Mor's arms, lighting his friend's face so the shock on it was etched in stark relief. 'I give it back,' Nesta said, one more time, and Mask and Crown tumbled from her head. The light exploded, blinding and warm, a wind sweeping past them, as if gathering every shard of itself out of the room. Ans as it faded, dark ink splashed upon Nesta's back, visible through her half-shredded shirt, as if it were a wave crashing upon the shore. A bargain. With the Cauldron itself. Yet Cassian could have sworn a luminescent, gentle hand prevented the light from leaving her body altogether. Cassian didn't fight Rhys this time as he raced to the bed. To where Feyre lay, flush with colour. No more blood spilling between her legs. Feyre opened her eyes. She blinked at Rhys, and then turned to Nesta. 'I love you, too,' Feyre whispered to her sister, and smiled. Nesta didn't stop her sob as she launched herself onto Feyre and embraced her.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I was in love with Feyre,' Rhys said quietly, 'long before she ever returned the feeling.' Lucien crossed his arms. 'How fortunate that you got what you wanted in the end.' I closed my eyes for a heartbeat. Cassian and Azriel stilled, waiting for the order. 'I will only say this once,' warned the High Lord of the Night Court. Even Lucien flinched. 'I suspected Feyre was my mate before I ever knew she was involved with Tamlin. And when I learned of it... If it made her happy, I was willing to step back.' 'You came to our house and stole her away on her wedding day.' 'I was going to call the wedding off,' I cut in, taking a step toward Lucien. 'You knew it.' Rhysand went on before Lucien could snap a reply. 'I was willing to lose my mate to another male. I was willing to let them marry, if it brought her joy. But what I was not willing to do was let her suffer. To let her fade away into a shadow. And the moment that piece of shit blew apart his study, the moment he locked her in that house...' His wings ripped from him, and Lucien started. Rhys bared his teeth. My limbs turned light, trembling at the dark power curling in the corners of the room. Not fear- never fear of him. But at the shattered control as Rhys snarled at Lucien. 'My mate may one day find it in herself to forgive him. Forgive you. But I will never forget how it felt to sense her terror in those moments.' My cheeks heated, especially as Cassian and Azriel stalked closer, those hazel eyes now filled with a mix of sympathy and wrath. I had never talked about it to them- what had gone on that day Tamlin had destroyed his study, or the day he'd sealed me inside the manor. I'd never asked Rhys if he'd informed them. From the fury rippling from Cassian, the cold rage seeping from Azriel... I didn't think so. Lucien, to his credit, didn't back away a step. From Rhys, or me, or the Illyrians. The Clever Fox Stares Down Winged Death. The painting flashed in my mind. 'So, again, I will say this only once,' Rhys went on, his expression smoothing into lethal calm, dragging me from the colours and light and shadows gathering in my mind. 'Feyre did not dishonour or betray Tamlin. I revealed the mating bond months later- and she gave me hell for it, don't worry. But now that you've found your mate in a similar situation, perhaps you will try to understand how it felt. And if you can't be bothered, then I hope you're wise enough to keep your mouth shut, because the next time you look at my mate with that disdain and disgust, I won't bother to explain it again, and I will rip out your fucking throat.' Rhys said is so mildly that the threat took a second to register. To settle in me like a stone plunked into a pool. Lucien only shifted on his feet. Wary. Considering. I counted the heartbeats, debating how much I'd interfere if he said something truly stupid, when he at last murmured, 'There is a longer story to be told, it seems.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
She shut her eyes against the realisation rising within her like a tidal wave. It would sweep away everything in its path once she admitted it. Consume her entirely. The thought was enough for her to straighten and wipe away her tears. 'I can't accept this.' 'It was made for you,' he smiled softly. She couldn't bear that smile, his kindness and joy, as she corrected. 'I will not accept it.' She placed the orb back in its box and handed it to him. 'Return it.' His eyes shuttered. 'It's a gift, not a fucking wedding ring.' She stiffened. 'No, I'll look to Eris for that.' He went still. 'Say that again.' She made her face cold, the only shield she had against him. 'Rhys says Eris wants me for his bride. He'll do anything we want in exchange for my hand.' The Siphons atop Cassian's hands flickered. 'You aren't considering saying yes.' She said nothing. Let him believe the worst. He snarled. 'I see. I get a little too close and you shove me away again. Back to where it's safe. Better to marry a viper like Eris than be with me.' 'I am not with you,' she snapped. 'I am fucking you.' 'The only thing fit for a bastard-born brute, right?' 'I didn't say that.' 'You don't need to. You've said it a thousand times before.' 'Then why did you bother to cut in at the ball?' 'Because I was fucking jealous!' he roared, wings splaying. 'You looked like a queen, and it was painfully obvious that you should be with a princeling like Eris and not a low-born nothing like me! Because I couldn't stand the sight of it, right down to my gods-damned bones! But go ahead, Nesta. Go ahead and fucking marry him and good fucking luck to you!' 'Eris is the brute,' she shot back. 'He is a brute and a piece of shit. And I would marry him because I am just like him!' The words echoed through the room. His pained face gutted her. 'I deserve Eris.' Her voice cracked. Cassian panted, his eyes still lit with fury- and now with shock. Nesta said hoarsely. 'You are good, Cassian. And you are brave, and brilliant, and kind. I could kill anyone who has ever made you feel less than that- less than what you are. And I know I'm a part of that group, and I hate it.' Her eyes burned, but she fought past it. 'You are everything I have never been, and will never be good enough for. Your friends know it, and I have carried it around with me all this time- that I do not deserve you. The fury slid from his face. Nesta didn't stop the tears that flowed, or the words that tumbled out. 'I didn't deserve you before the war, or afterward, and I certainly don't now.' She let out a low, broken laugh. 'Why do you think I shoved you away? Why do you think I wouldn't speak to you?' She put a hand on her aching chest. 'After my father died, after I failed in so many ways- denying myself of you...' She sobbed. 'It was my punishment. Don't you understand that?' She could barely see him through her tears. 'From the moment I met you, I wanted you more than reason From the moment I saw you in my house, you were all I could think about. And it terrified me. No one had ever held such power over me. And I am still terrified that if I let myself have you... it will be taken away. Someone will take it away, and if you're dead...' She buried her face in her hands. 'It doesn't matter,' she whispered. 'I do not deserve you, and I never, ever will.' Utter silence filled the room. Such silence that she wondered if he'd left, and lowered her hands to see if he was there. Cassian stood before her. Tears streaming down his beautiful, perfect face. She didn't balk from it, letting him see her like this: her most raw, most base self. He'd always seen all of her, anyway. He opened his mouth and tried to speak. Had to swallow and try again. Nesta saw all the words in his eyes, though. The same ones she knew lay in her own.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room
Jennifer L. Armentrout (Deity (Covenant, #3))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)