“
Every couple needs to argue now and then. Just to prove that the relationship is strong enough to survive. Long-term relationships, the ones that matter, are all about weathering the peaks and the valleys.
”
”
Nicholas Sparks (Safe Haven)
“
I'm oxygen and he's dying to breathe.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.
”
”
John Steinbeck
“
Hello, Harry" said George, beaming at him. "We thought we heard your dulcet tones."
"You don't want to bottle up your anger like that, Harry, let it all out," said Fred, also beaming. "There might be a couple of people fifty miles away who didn't hear you.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Every couple has ups and downs, every couple argues, and that’s the thing—you’re a couple, and couples can’t function without trust.
”
”
Nicholas Sparks (At First Sight (Jeremy Marsh & Lexie Darnell, #2))
“
Some things are destined to be -- it just takes us a couple of tries
to get there.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
I wonder how many people don't get the one they want, but end up with the one they're supposed to be with.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
We should meet in another life, we should meet in air, me and you.
”
”
Sylvia Plath
“
I stabbed you. With a massive sword. You caught on fire."
His lips twitched, almost imperceptibly. "Okay, so maybe our problems aren't like other couples.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
If we listened to our intellect we'd never have a love affair. We'd never have a friendship. We'd never go in business because we'd be cynical: "It's gonna go wrong." Or "She's going to hurt me." Or,"I've had a couple of bad love affairs, so therefore . . ." Well, that's nonsense. You're going to miss life. You've got to jump off the cliff all the time and build your wings on the way down.
”
”
Ray Bradbury
“
You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.
She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.
You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
”
”
Rosemarie Urquico
“
I miss him in so many ways, but right now I miss him in the way you always miss someone when you're single among a room full of couples.
”
”
Emily Giffin (Baby Proof)
“
It is not the gentle kiss of a couple on a first date, nor is it the kiss of a man driven by simple lust. He kisses me with the desperation of a dying man who believes the magic of eternal life is in this kiss.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
It was strange, really. A couple months ago, I had thought I couldn’t live without him. Apparently I could.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
Relationships dont always make sense. Especially from the outside
”
”
Sarah Dessen (Along for the Ride)
“
I know my heart will never be the same
But I'm telling myself I'll be okay
”
”
Sara Evans
“
Worry a little bit every day and in a lifetime you will lose a couple of years. If something is wrong, fix it if you can. But train yourself not to worry: Worry never fixes anything.
”
”
Ernest Hemingway
“
What would you do if I kissed you right now?"
I stared at his beautiful face and his beautiful mouth and I wanted nothing more than to taste it. "I would kiss you back.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
A great marriage is not when the 'perfect couple' comes together. It is when an imperfect couple learns to enjoy their differences.
”
”
Dave Meurer
“
Why is it that the right people never wind up together? Why are people so afraid to leave a relationship, even if they know it's a bad one?
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The vampire stared at me, his mouth slack as Ghastek assessed his options. I took a couple of forms from my desk, put them into the vamp's mouth, and pulled them up by their edges.
"What are you doing?" Ghastek asked.
"My hole puncher broke."
"You have no respect for the undead.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
You want me as much as I want you. And all I want is you."
My tongue warred with my mind. "Today," I whispered.
Noah stood slowly, his body skimming mine as he rose. "Today. Tonight. Tomorrow. Forever.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
You know, I thought about that a lot these last couple of years," She says in a choked voice. "About who was there for you. Who held your hand while you grieved for all that you'd lost?
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.
”
”
Ira Glass
“
Love like rain, can nourish from above, drenching couples with soaking joy. But sometimes, under the angry heat of life, love dries on the surface and must nourish from below, tending to its roots, keeping itself alive.
”
”
Mitch Albom (The Five People You Meet in Heaven)
“
Oh, God, the lovebirds,” Magnus said, pulling the pillow off his face. “I hate happy couples.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
How're we getting to King's Cross tomorrow, Dad?" asked Fred as they dug into a sumptuous pudding.
"The Ministry's providing a couple of cars," said Mr. Weasley.
Everyone looked up at him.
"Why?" said Percy curiously.
"It's because of you, Perce," said George seriously. "And there'll be little flags on the hoods, with HB on them-"
"-for Humongous Bighead," said Fred.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple years you're satisfied that no matter what goes wrong, at least you've got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug. Then you're trapped in your lovely nest, and the things you used to own, now they own you.
”
”
Chuck Palahniuk (Fight Club)
“
My point is, there are a lot of people in the world. No one ever sees everything the same way you do; it just doesn't happen. So when you find one person who gets a couple of things, especially if they're important ones... you might as well hold on to them. You know?
”
”
Sarah Dessen (Lock and Key)
“
The sweetest part of being a couple is sharing your life with someone else.
But my life, evidently, had not been good enough to share.
”
”
Charlaine Harris (Club Dead (Sookie Stackhouse, #3))
“
Peeta, you were supposed to wake me after a couple of hours," I say.
"For what? Nothing's going on here," he says. "Besides, I like watching you sleep. You don't scowl. Improves your looks a lot."
This, of course, brings on a scowl that makes him grin.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
you're an expert at sorry and keeping the lines blurry
”
”
Taylor Swift
“
Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
Love like rain, can nourish from above, drenching couples with a soaking joy. But sometimes under the angry heat of life, love dries on the surface and must nourish from below, tending to its roots keeping itself alive.
”
”
Paulo Coelho (By the River Piedra I Sat Down and Wept)
“
You could start a fire with the heat between you two."
"You're mistaking bitter animosity for heartfelt affection.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Even on my weakest days
I get a little bit stronger
”
”
Sara Evans
“
So I placed my heart under lock and key
To take some time, and take care of me
But I turn around and you're standing here
”
”
Deborah Cox
“
Over time, any deception destroys intimacy, and without intimacy couples cannot have true and lasting love.
”
”
Bonnie Eaker Weil (Financial Infidelity: Seven Steps to Conquering the #1 Relationship Wrecker)
“
and then I decided I was a lemon for a couple of weeks.
”
”
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
“
I feel like Cinderella sitting in the middle of the road with a pumpkin and a couple of mice, while Prince Charming charges off to rescue some other chick.
”
”
Cynthia Hand (Unearthly (Unearthly, #1))
“
Inseparable as sibs—strained as a couple.
”
”
Andri E. Elia (Borealis: A Worldmaker of Yand Novel)
“
It’s like when you’re excited about a girl and you see a couple holding hands, and you feel so happy for them. And other times you see the same couple, and they make you so mad. And all you want is to feel happy for them because you know that if you do, then it means you’re happy, too.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Mary fought a savage impulse to slam the door on the couple. But they were too interesting to ignore in the circumstances of the murder. She caught sight of Richard spitting out a mouthful of hair.
”
”
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
“
One's not half of two; two are halves of one.
”
”
E.E. Cummings
“
misgivings, n.
Last night, I got up the courage to ask you if you regretted us.
"There are things I miss," you said. "But if I didn't have you, I'd miss more.
”
”
David Levithan (The Lover's Dictionary)
“
There have been five great kisses since 1642 B.C...(before then couples hooked thumbs.) And the precise rating of kisses is a terribly difficult thing, often leading to great controversy.... Well, this one left them all behind.
”
”
William Goldman (The Princess Bride)
“
I’d mentioned this odd wardrobe choice to Adrian a couple of weeks ago:
“Isn’t Dimitri hot?”
Adrian’s response hadn’t been entirely unexpected:
“Well, yeah, according to most women, at least.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
You asked why I couldn't forgive you," Nick said, very quietly, and I jumped a little. "It was because you were the love of my life, Harper. And you didn't want to be. That's hard to let go.
”
”
Kristan Higgins (My One and Only)
“
Max: "Okay guys, I had a couple thoughts I wanted to go over with you."
Iggy: (pretends to snore loudy)
Max: (throws another pinecone at him)
Iggy: "Quit throwing things at me!"
Max: "Glad you could join us.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
I hate you," I muttered.
Noah smiled wider. "I know.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Making love, she'd always believed, was more than simply a pleasurable act between two people. It encompassed all that a couple was supposed to share: trust & commitment, hopes & dreams, a promise to make it through whatever the future might bring.
”
”
Nicholas Sparks (Nights in Rodanthe)
“
We kiss all the time." I clear my throat, then add, "We just...do it in private."
"A smug expression crosses his face. "I don't buy it for a second, 'cause if you were my girlfriend and a stud like me was livin' in your house, I'd kiss you in front of the guy every chance I got as a reminder."
"A reminder of w-w-what?"
"That you were mine.
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
Argh!" Thalia pushed me, and a shock went through my body that blew me backward ten feet into the water. Some of the campers gasped. A couple of the Hunters stifled laughs.
"Sorry!" Thalia said, turning pale. "I didn't mean to—"
Anger roared in my ears. A wave erupted from the creek, blasting into Thalia's face and dousing her from head to toe.
I stood up. "Yeah," I growled. "I didn't mean to, either."
Thalia was breathing heavily.
"Enough!" Chiron ordered.
But Thalia held out her spear. "You want some, Seaweed Brain?"
Somehow, it was okay when Annabeth called me that — at least, I'd gotten used to it — but hearing it from Thalia was not cool.
"Bring it on, Pinecone Face!
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
You smell good," he whispered into my neck. He was warm against me. Instinctively, I arched back into him and smiled.
"Really?"
"Mmm-hmm. Delicious. Like bacon.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
I was going to kiss him, and I was going to regret it. But at that moment, I couldn't bring myself to care.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
In my whole life, I have known no wise people (over a broad subject matter area) who didn't read all the time -- none, zero. You'd be amazed at how much Warren reads--and at how much I read. My children laugh at me. They think I'm a book with a couple of legs sticking out.
”
”
Charles T. Munger (Poor Charlie's Almanack: The Wit and Wisdom of Charles T. Munger)
“
He shook his head, examining the wound again. “It's not frostbitten,“ he muttered. “It'll blister, but you should be fine. You might only lose a couple fingers.“
I glanced at him sharply, but he was smirking. For a moment, I was speechless. Good God, the Ice Prince was making jokes now; the world must be ending.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
I was warned about you, you know."
And with that half-smile that wrecked me, Noah said, "But you're here anyway.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?”
Sam let go of my hands to get his wallet and took out some bills. “Six years.”
I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species.
Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age."
Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.”
The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
You once said you loved me. Do you still?"
My sister is watching this exchange between us. She smiles warmly at me, giving me the strength to tell him the truth. "I never stopped loving you. Even when I tried desperately to forget you. I couldn't.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Why don’t you just pretend that the asshole dropped dead? You can’t call or write to a dead man. Put a couple of candles in front of his picture, say a few Hail Marys, and get it over with.
”
”
Isabel Lopez (Isabel's Hand-Me-Down Dreams)
“
Everyone thinks you've been kidnapped," he said. "We've been scouring the ship. When Coach Hedge finds out- oh, gods, you've been here all night?"
"Frank!" Annabeth's ears were as red as strawberries. "We just came down here to talk. We fell asleep. Accidentally. That's it."
"Kissed a couple of times," Percy said.
Annabeth glared at him. "Not helping!
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Over everything, I choose you
”
”
Marissa Meyer (Heartless)
“
Love...no such thing.
Whatever it is that binds families and married couples together, that's not love. That's stupidity or selfishness or fear. Love doesn't exist.
Self interest exists, attachment based on personal gain exists, complacency exists. But not love. Love has to be reinvented, that’s certain.
”
”
Arthur Rimbaud (A Season in Hell and The Drunken Boat)
“
Sometimes I reread my favorite books from back to front. I start with the last chapter and read backward until I get to the beginning. When you read this way, characters go from hope to despair, from self-knowledge to doubt. In love stories, couples start out as lovers and end as strangers. Coming-of-age books become stories of losing your way. Your favorite characters come back to life.
”
”
Nicola Yoon (Everything, Everything)
“
I've been burdened with blame trapped in the past for too long, I'm moving on
”
”
Rascal Flatts
“
You could move.' ---"Dear Abby" responds to a reader who complained that a gay couple was moving in across the street and wanted to know what he could do to improve the quality of the neighborhood.
”
”
Abigail Van Buren
“
Ten long trips around the sun since I last saw that smile, but only joy and thankfulness that on a tiny world in the vastness, for a couple of moments in the immensity of time, we were one.
”
”
Ann Druyan
“
What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?
”
”
George Eliot (Adam Bede)
“
I'm not sure if there's one right place I'm supposed to be, he said, but I know a couple of wrong places I'd give a second try in a heartbeat.
”
”
Brian Andreas
“
In my rush, I hadn’t tied my shoelaces. Noah was now tying them for me.
He looked up at me through his dark fringe of lashes and smiled. The expression on his face melted me completely. I knew I had the goofiest grin plastered on my lips, and didn’t care.
“There,” he said as he finished tying the laces on my left shoe. “Now you won’t fall.”
Too late.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Thought I couldn't live without you
It's gonna hurt when it heals too
Even though I really love you
I'm gonna smile cause I deserve to
Quickly I'm learning to love again
All I know is I'mma be ok
”
”
Leona Lewis
“
Clary," he said. "You saved my life."
"I stabbed you. With a massive sword. You caught on fire."
His lips twitched imperceptibly. "Okay," he said. "So maybe our problems aren't like other couples.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
All my adult life I've felt drawn to ask long-married couples how they were able to stay together. All of them said the same thing: "We worked hard at it.
”
”
Randy Pausch (The Last Lecture)
“
The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom the emotion is a stranger, who can no longer pause to wonder and stand wrapped in awe, is as good as dead —his eyes are closed. The insight into the mystery of life, coupled though it be with fear, has also given rise to religion. To know what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty, which our dull faculties can comprehend only in their most primitive forms—this knowledge, this feeling is at the center of true religiousness.
”
”
Albert Einstein (Living Philosophies)
“
You know why people pair up into couples? Because being a human is fucking terrifying. But it's a hell of a lot easier if you're not doing it by yourself.
”
”
Alice Oseman (Loveless)
“
How little of permanent happiness could belong to a couple who were only brought together because their passions were stronger than their virtue.
”
”
Jane Austen (Pride and Prejudice)
“
The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black in America and you fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable. It’s true. I speak from experience.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
Because I’ve got a lot more terms of endearment to use. Honey pie. Sugarplum. Bread pudding."
“Why are they all high-calorie foods?
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Over the last couple of years, the photos of me when I was a kid... well, they've started to give me a little pang or something - not unhappiness, exactly, but some kind of quiet, deep regret... I keep wanting to apologize to the little guy: "I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.
”
”
Nick Hornby (High Fidelity)
“
Writing is seduction. Good talk is part of seduction. If not so, why do so many couples who start the evening at dinner wind up in bed?
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
Just reflecting on the fact that when the Universe punches you in the teeth, it never just lets you fall down. It kicks you in the ribs a couple of times and dumps mud on your head.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
It's a lazy Saturday afternoon, there's a couple lying naked in bed reading Encyclopediea Brittannica to each other, and arguing about whether the Andromeda Galaxy is more 'numinous' than the Ressurection. Do they know how to have a good time, or don't they?
”
”
Carl Sagan
“
I've never created a riot before. I did cause a brawl at the last formal. A large number of young women there actually arrived with the expectation of seducing me into matrimony, and a couple of their mothers came to blows. It was hilari—I mean, dreadful. Simply dreadful.
”
”
Ilona Andrews (On the Edge (The Edge, #1))
“
Whether or not the couple ends up together at the end of a book doesn’t determine whether that book has a happy ending or not. As long as the two people end up happy, it doesn’t really matter if they end up happy together.
”
”
Colleen Hoover (November 9)
“
She stood in his kitchen, watching him toy with the ring in his lip. It wasn't quite that he was biting it, but sucking it into his mouth. He did that when he was concentrating. It isn't sexy. He's not sexy. But he was, and she was staring at him like a fool. "wow" she whispered (.....)"Wow, huh?" His voice was low, husky. His chair creaked as he stood. His footsteps seemed strangely loud as he closed the couple yards between them. Then he was beside her. "I can work with wow
”
”
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
“
Wait," I said as Noah slipped a book from a shelf and headed toward the door. "Where are you going?"
"To read?"
But I don't want you to.
"But I need to go home," I said, my eyes meeting his. "My parents are going to kill me."
"Taken care of. You're at Sophie's house."
I loved Sophie.
"So I'm...staying here?"
"Daniel's covering for you."
I loved Daniel.
"Where's Katie?" I asked, trying to sound casual.
"Eliza's house."
I loved Eliza.
"And your parents?" I asked.
"Some charity thing."
I loved charity.
"So why are you going to read when I'm right here?
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
I’m not a warrior or a goddess,” I said at last.
Adrian leaned closer. “As far as I’m concerned, you’re both.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Annabeth,” he said hesitantly, “in New Rome, demigods can live their whole lives in peace.”
Her expression turned guarded. “Reyna explained it to me. But, Percy, you belong at Camp Half-Blood. That other life—”
“I know,” Percy said. “But while I was there, I saw so many demigods living without fear: kids going to college, couples getting married and raising families. There’s nothing like that at Camp Half-Blood. I kept thinking about you and me…and maybe someday when this war with the giants is over…”
It was hard to tell in the golden light, but he thought Annabeth was blushing. “Oh,” she said…
“I’m sorry,” he said. “I just…I had to think of that to keep going. To give me hope. Forget I mentioned—”
“No!” she said. “Gods, Percy, that’s so sweet.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I want to try with someone who loves me enough to try with me. I want to grow old looking at the same face every morning. I want to grow old looking at the same face every night at the dinner table. I want to be one of those old couples you see still holding hands and laughing after fifty years of marriage. That's what I want. I want to be someone's forever.
”
”
Rachel Gibson (The Trouble With Valentine's Day (Chinooks Hockey Team, #3))
“
Do you know what it's like to love someone so much, that you can't see yourself without picturing her? Or what it's like to touch someone, and feel like you've come home? What we had wasn't about sex, or about being with someone just to show off what you've got, the way it was for other kids our age. We were, well, meant to be together. Some people spend their whole lives looking for that one person. I was lucky enough to have her all along.
”
”
Jodi Picoult (The Pact)
“
Oh, so that's why you're up here. For a pity party."
"This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress.
He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
On the 16th of Febuary 1312, when Isabella was aged sixteen years, the couple were at their hunting lodge when Edward suddenly took Isabella into his arms and began to kiss her and pay her a lot of attention, slowly and tenderly.
”
”
Michael G. Kramer (Isabella Warrior Queen)
“
He read a lot. He used a lot of big words. I think maybe part of what got him into trouble was that he did too much thinking. Sometimes he tried too hard to make sense of the world, to figure out why people were bad to each other so often. A couple of times I tried to tell him it was a mistake to get too deep into that kind of stuff, but Alex got stuck on things. He always had to know the absolute right answer before he could go on to the next thing.
”
”
Jon Krakauer (Into the Wild)
“
What's with what you're wearing?" Griggs asks while we stand outside waiting for the others.
"It's pretty hideous, isn't it?" I say.
"Don't force me to look at it," he says. "It's see-through."
That kills conversation for a couple of seconds.
”
”
Melina Marchetta (On the Jellicoe Road)
“
I’ve had a tense couple of days. And I’ve got to tell you, burning someone’s face off sounds like a great way to relax.
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
He wasn't the type for displays of affection, either verbal or not. He was disgusted by couples that made out in the hallways between classes, and got annoyed at even the slightest sappy moments in movies. But I knew he cared about me: he just conveyed it more subtly, as concise with expressing this emotion as he was with everything else. It was in the way he'd put his hand on the small of my back, for instance, or how he'd smile at me when I said something that surprised him. Once I might have wanted more, but I'd come around to his way of thinking in the time we'd been together. And we were together, all the time. So he didn't have to prove how he felt about me. Like so much else, I should just know.
”
”
Sarah Dessen (The Truth About Forever)
“
I took a deep breath, and shut the bedroom door behind me. Even though we'd put each other through hell, we'd found heaven. Maybe that was more than a couple of sinners deserved, but I wasn't going to complain.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
Take my hand and we'll make it - I swear
”
”
Jon Bon Jovi (The Best of Bon Jovi / Cross Road)
“
love wasn't possible in just a couple of days. Love could be set in motion quickly, but true love needed time to grow into something strong and enduring. Love was, above all, about commitment and dedication and a belief that spending years with a certain person would create something greater than the sum of what the two can accomplish separately.
”
”
Nicholas Sparks (True Believer (Jeremy Marsh & Lexie Darnell, #1))
“
But you're so busy changing the world
Just one smile can change all of mine
”
”
Jack Johnson
“
Are you sure that being like everybody else will make you happy?"
"I don't know any other way."
"Let me show you."
And then we're kissing. Or at least, I think we're kissing—I've only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn't like anything I've ever seen, or imagined, or even dreamed: this is like music or dancing but better than both.
”
”
Lauren Oliver (Delirium (Delirium, #1))
“
If he can't handle you at your worst then he does not deserve you at your best. Real love means seeing beyond the words spoken out of pain, and instead seeing a person's soul.
”
”
Shannon L. Alder (300 Questions LDS Couples Should Ask Before Marriage)
“
Look again at that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there--on a mote of dust suspended in a sunbeam.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
I sneaked out to his house a couple times in the middle of the night to watch over him while he slept, just in case, I don't know, his comic book collection decided to spontaneously combust. This was dumb and admittedly creepy in an Edward Cullen kind of way.
”
”
Cynthia Hand (Hallowed (Unearthly, #2))
“
Will put his hand on Nico's shoulder. "Nico, we need to have another talk about your people skills."
"Hey, I'm just stating the obvious. If this is Apollo, and he dies, we're all in trouble."
Will turned to me. "I apologize for my boyfriend."
Nico rolled his eyes. "Could you not―"
"Would you prefer special guy?" Will asked. "Or significant other?"
"Significant annoyance, in your case," Nico grumbled
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
He had heard about talking to plants in the early seventies, on Radio Four, and thought it was an excellent idea. Although talking is perhaps the wrong word for what Crowley did.
What he did was put the fear of God into them.
More precisely, the fear of Crowley.
In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn't look quite as good as the others, and he would carry it around to all the other plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it. . . "
Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat.
The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
If relationships were hard, mariage was even harder... it seemed like most couples struggled. It went with the territory. What did Nana always say? Stick two different people with two different sets of expectations under one roof and it ain't always going to be shrimp and grits on Easter.
”
”
Nicholas Sparks (The Lucky One)
“
I love snow for the same reason I love Christmas: It brings people together while time stands still. Cozy couples lazily meandered the streets and children trudged sleds and chased snowballs. No one seemed to be in a rush to experience anything other than the glory of the day, with each other, whenever and however it happened.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very private, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes."
I heard the smile in his voice. "You want me bad.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
I twisted my arm to curl him behind me and he unfolded there, the two of us snuggled like quotation marks in his room full of words.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
The silence between us stretched out, but it wasn't awkward. Sometimes there are people you can be quiet with, and you never feel the need to fill the gap with meaningless chit-chat. I'd only become that close to a couple people in my hometown, and I'd always thought it took years. Lucas and I were already there.
”
”
Claudia Gray (Evernight (Evernight, #1))
“
She loves you," the Prince cried. "She loves you still and you love her, so think of that--think of this too: in all this world, you might have been happy, genuinely happy. Not one couple in a century has that chance, not really, no matter what the storybooks say, but you could have had it, and so, I would think, no one will ever suffer a loss as great as you.
”
”
William Goldman (The Princess Bride)
“
I feel like I owe him something, and I hate owing people. Maybe if I had thanked him at some point, I'd be feeling less conflicted now. I thought about it a couple of times, but the opportunity never seemed to present itself. And now it never will. Because we're going to be thrown into an arena to fight to the death. Exactly how am I supposed to work in a thank-you in there? Somehow it just won't seem sincere if I'm trying to slit his throat.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Baby?” he called and he felt her eyes on him.
“Yeah?” she replied, her sweet voice soft, another tone he was getting used to and this was because the last couple of days it had started to come at him often.
“Do me a favor?”
“Sure.”
“In a second, I’m gonna pull over, get out my gun and give it to you. When I do, shoot me with it.”
“What?” she whispered.
“I’m facin’ another hour and a half of your music. I’d rather be dead.”
Silence then, “Shut up.
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
When you're in love, the world is brighter. Sunnier. The air smells flowerier, and your hair is silkier, and suddenly you find yourself smiling at babies and strangers and old couples walking down the beach holding hands.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
You want to take me to a movie?" I asked.
"Well, not really," he said. "What I really want is for you to be my girlfriend. But I thought saying that might scare you off.
”
”
Sarah Dessen (What Happened to Goodbye)
“
He is the cheese to my macaroni.
”
”
Diablo Cody (Juno: The Shooting Script)
“
Did you… Did you just kiss me?” He sounded puzzled, and maybe a little out of breath. His lips were full and plump and… God. Kissed. There was simply no way Olive could get away with denying what she had just done.
Still, it was worth a try.
“Nope.”
Surprisingly, it seemed to work.
“Ah. Okay, then.” Carlsen nodded and turned around, looking vaguely disoriented. He took a couple of steps down the hallway, reached the water fountain - maybe where he’d headed in the first place.
Olive was starting to believe that she might actually be off the hook when he halted and turned back with a skeptical expression.
“Are you sure?
”
”
Ali Hazelwood (The Love Hypothesis)
“
Our eyelashes brushed like they would weave together by themselves, turning us into one wild thing. I say, “I think I missed you before I met you even.
”
”
Francesca Lia Block
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
New Rule: Gay marriage won't lead to dog marriage. It is not a slippery slope to rampant inter-species coupling. When women got the right to vote, it didn't lead to hamsters voting. No court has extended the equal protection clause to salmon. And for the record, all marriages are “same sex” marriages. You get married, and every night, it's the same sex.
”
”
Bill Maher (New Rules: Polite Musings from a Timid Observer)
“
because being with you makes perfect sense
”
”
Tim McGraw
“
I wrote about the person I love most, my older brother, Noah. We don't live together so I wrote what I imagine he does when we're not together."
"And what is that?" prodded the stout man.
"He's a superhero who saves people in danger, because he saved me and my brother from dying in a fire a couple of years ago. Noah is better than Batman." The crowd chuckled.
"I love you, too, lil'bro.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
You’re joking, right?”
“No. I’ve been living here for a while—like a couple of years with my roommate. You know, the fucktard who put poor Raphael outside.”
“Hey!” the guy yelled from inside their apartment. “I have a name. It’s Señor Fucktard!
”
”
J. Lynn (Wait for You (Wait for You, #1))
“
The others had taken Valek's return in stride, although Janco made a comment about Valek's lack of hair. 'You ever notice how couples start to look alike?' he asked.
In a deadpan, Valek replied, 'Yes. In fact I was just thinking how much you and Topaz resemble each other. It's uncanny.
”
”
Maria V. Snyder (Fire Study (Study, #3))
“
This is about all the bad days in the world. I used to have some little bad days, and I kept them in a little box. And one day, I threw them out into the yard. "Oh, it's just a couple little innocent bad days." Well, we had a big rain. I don't know what it was growing in but I think we used to put eggshells out there and coffee grounds, too. Don't plant your bad days. They grow into weeks. The weeks grow into months. Before you know it you got yourself a bad year. Take it from me. Choke those little bad days. Choke 'em down to nothin'. They're your days. Choke 'em!
”
”
Tom Waits
“
Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Roosevelt’s eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they haven’t time to read.
”
”
David McCullough
“
For the first twenty years of my life, I rocked myself to sleep. It was a harmless enough hobby, but eventually, I had to give it up. Throughout the next twenty-two years I lay still and discovered that after a few minutes I could drop off with no problem. Follow seven beers with a couple of scotches and a thimble of good marijuana, and it’s funny how sleep just sort of comes on its own. Often I never even made it to the bed. I’d squat down to pet the cat and wake up on the floor eight hours later, having lost a perfectly good excuse to change my clothes. I’m now told that this is not called “going to sleep” but rather “passing out,” a phrase that carries a distinct hint of judgment.
”
”
David Sedaris (Me Talk Pretty One Day)
“
Because you let our love just fall apart
You no longer have my heart
”
”
Boyz II Men
“
It was as if they had leapt over the arduous cavalry of conjugal life and gone straight to the heart of love. They were together in silence like an old married couple wary of life, beyond the pitfalls of passion, beyond the brutal mockery of hope and the phantoms of disillusion: beyond love. For they had lived together long enough to know that love was always love, anytime and anyplace, but it was more solid the closer it came to death.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
Depression is a painfully slow, crashing death. Mania is the other extreme, a wild roller coaster run off its tracks, an eight ball of coke cut with speed. It's fun and it's frightening as hell. Some patients - bipolar type I - experience both extremes; other - bipolar type II - suffer depression almost exclusively. But the "mixed state," the mercurial churning of both high and low, is the most dangerous, the most deadly. Suicide too often results from the impulsive nature and physical speed of psychotic mania coupled with depression's paranoid self-loathing.
”
”
David Lovelace (Scattershot: My Bipolar Family)
“
When one is alone, imperfection must be endured every minute of the day; a couple, however, does not have to put up with it. Aren’t our eyes made to be torn out, and our hearts for the same purpose? At the same time it’s really not that bad; that’s an exaggeration and a lie, everything is exaggeration, the only truth is longing. But even the truth of longing is not so much its own truth; it’s really an expression for everything else, which is a lie. This sounds crazy and distorted, but it’s true. Moreover, perhaps it isn’t love when I say you are what I love the most - you are the knife I turn inside myself, this is love. This, my dear, is love.
”
”
Franz Kafka (Letters to Milena)
“
Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves.
”
”
Anaïs Nin
“
On my fifth trip to France I limited myself to the words and phrases that people actually use. From the dog owners I learned "Lie down," "Shut up," and "Who shit on this carpet?" The couple across the road taught me to ask questions correctly, and the grocer taught me to count. Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. "Is thems the thoughts of cows?" I'd ask the butcher, pointing to the calves' brains displayed in the front window. "I want me some lamb chop with handles on 'em.
”
”
David Sedaris (Me Talk Pretty One Day)
“
Sometimes they were together so often that it felt as though they really were a couple; sometimes weeks and months would go by before they saw each other. But even as alcoholics are drawn to the state liquor store after a stint on the wagon, they always came back to each other.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium, #1))
“
Have you kissed many boys before?" he asked quietly.
His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption."
Noah laughed, the sound low and husky. "Girls, then?"
"No."
"Not many girls? Or not many boys?"
"Neither," I said. Let him make of that what he would.
"How many?"
"Why—"
"I am taking away that word. You are no longer allowed to use it. How many?"
My cheeks flushed, but my voice was steady as I answered. "One."
At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear.
"He was doing it wrong.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
I think every person who is single should have a dog. I think the government should step in and intervene: If you're not married or coupled up, whether you've been dumped or divorced or widowed or whatever, they should require you to proceed immediately to the pound nearest you and select an animal companion.
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
I miss everything about you
Can't believe that I still want you
And after all the things we've been through
”
”
Colbie Caillat
“
How dare you say it's nothing to me?
Baby, you're the only light I ever saw.
”
”
John Mayer (Continuum Music by John Mayer Guitar Tablature Songbook | Rock Guitar Sheet Music Book for Students Teachers and Adult Learners | Authentic TAB Arrangements for Practice Lessons Performance and Study)
“
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
I choose you," he said very softly, "Max."
Then his hard, rough hand tenderly cuppoed my chin, and suddenly his mouth was on mine, and every synapse in my brain shorted out.
We had kissed a couple of times before, but this was different. This time, I squelched my immediate, overwhelming desire to run away screaming. I closed my eyes and put my arms around him despite my fear. Then somehow we slid sideways so we were lying in the cool sand. I was holding him fiercely, and he was kissing me fiercely, and it was...just so, so intensely good. Once I got past my usual, gut-wrenching terror, there was a long, sweet slide into mindlessness, when all I felt was Fang, and all I heard was his breathing, and all I could think was "Oh, God, I want to do this all the time.
”
”
James Patterson (Max (Maximum Ride, #5))
“
After another half second, he's locked me in a bear hug, crushing me into his chest and lifting my feet a couple inches off the ground as I kick furiously with my heels, twisting my head back and forth, snapping at his forearm with my teeth.
And the whole time his lips tickling the delicate skin of my ear. "Cassie. Don't. Cassie..."
"Let...me...go."
"That's been the whole problem. I can't.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
I figured I could read more than five pages tonight since I'd been deprived for the last couple of days. When I finished the fifteenth, I discovered I was three pages from the next chapter. Might as well end with a clean break. After I was done, I sighed and leaned back, feeling decadent and spent. Pure bliss. Books were a lot less messy than orgasms.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
time made me stronger, you're no longer on my mind
”
”
Boyz II Men
“
Is there any point asking what you're going to make me do on Sunday?'
'Not really.'
Okay. 'Is there any point asking what you're going to do to me?'
He grinned wickedly. 'Not really.'
Fabulous. 'Does it involve the use of a safe word?'
'That will depend entirely on you.' Noah moved impossibly closer, just inches away. A few freckles disappeared into the scruff on his jaw. 'I'll be gentle,' Noah added. My breath caught in my throat as he looked at me from beneath those lashes, ruining me.
I narrowed my eyes at him. 'You're evil.'
In response, Noah smiled, and raised his finger to gently tap the tip of my nose. 'And you're mine,' he said, then walked away.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Tack grinned.
"You know," I started, "it's annoying when you grin all know-it-all."
"This isn't my know-it-all grin, Red. This is my I'm gonna get me some later grin."
I felt a couple of quivers that were on the high end of pleasant scale.
Still, I shared. "That's even more annoying."
"Don't know why since me gettin' some means you're gonna get some.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
Why be alone when we can be together baby
You can make my life worthwhile
And I can make you start to smile
”
”
Mr. Big
“
As we curve around into the loop of the City Circle, I can see that a couple of other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from Distric 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
”
”
Suzanne Collins
“
Thermodynamic miracles... events with odds against so astronomical they're effectively impossible, like oxygen spontaneously becoming gold. I long to observe such a thing.
And yet, in each human coupling, a thousand million sperm vie for a single egg. Multiply those odds by countless generations, against the odds of your ancestors being alive; meeting; siring this precise son; that exact daughter... Until your mother loves a man she has every reason to hate, and of that union, of the thousand million children competing for fertilization, it was you, only you, that emerged. To distill so specific a form from that chaos of improbability, like turning air to gold... that is the crowning unlikelihood. The thermodynamic miracle.
But...if me, my birth, if that's a thermodynamic miracle... I mean, you could say that about anybody in the world!.
Yes. Anybody in the world. ..But the world is so full of people, so crowded with these miracles that they become commonplace and we forget... I forget. We gaze continually at the world and it grows dull in our perceptions. Yet seen from the another's vantage point. As if new, it may still take our breath away. Come...dry your eyes. For you are life, rarer than a quark and unpredictable beyond the dreams of Heisenberg; the clay in which the forces that shape all things leave their fingerprints most clearly. Dry your eyes... and let's go home.
”
”
Alan Moore (Watchmen)
“
But mostly, I missed watching you two together; I missed watching you watch him, and him watch you; I missed how thoughtful you were with each other, missed how thoughtlessly, sincerely affectionate you were with him; missed watching you listen to each other, the way you both did so intently.
”
”
Hanya Yanagihara (A Little Life)
“
Married?" she practically screeched, not sounding all that pleased, which left him feeling a little offended. "We're not getting married."
He snorted at that. "I may have let you have your naughty little way with me for the past couple of months, but that doesn't mean I'm going to allow you to keep treating me like some dirty little boy toy. If you want to live with me then I expect you to put a ring on my finger," he said, holding up his left hand and wiggling his ring finger to punctuate his words.
”
”
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
“
Richard wrote a diary entry in his head.
Dear Diary, he began. On Friday I had a job, a fiancée, a home, and a life that made sense. (Well, as much as any life makes sense). Then I found an injured girl bleeding on the pavement, and I tried to be a Good Samaritan. Now I've got no fiancée, no home, no job, and I'm walking around a couple of hundred feet under the streets of London with the projected life expectancy of a suicidal fruitfly.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
Wow,” said Adrian. He sat down on the bed and tested its bounciness, giving it a nod of approval. “This is amazing. What do you think, buttercup?”
“I have no words,” I said honestly.
He patted the spot beside him. “Want to try it out?
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
We have a long way to go to
being the perfect couple, we certainly don’t live the fairy tale marriage, he
doesn’t shower me with rose petals and fly me to Paris on weekends but
when I get my hair cut, he notices. When I dress up to go out at night, he
compliments me. When I cry, he wipes my tears. When I feel lonely, he
makes me feel loved. And who needs Paris, when you can get a hug?
”
”
Cecelia Ahern (Love, Rosie)
“
I laughed as I twisted to face him and raised my arm to hit in one move. He caught my wrist and my laugh caught in my throat. A mischievous grin curved my mouth as I raised my other hand to hit him. He reached over me and caught that wrist too, gently pinning my arms above my head as he straddled my hips. The space between us boiled my blood.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
Uriah drops his tray next to me. It is loaded with beef stew and chocolate cake. I stare at the cake pile.
“There was cake?” I say, looking at my own plate, which is more sensibly stocked than Uriah’s.
“Yeah, someone just brought it out. Found a couple boxes of the mix in the back and baked it,” he says. “You can have a few bites of mine.”
“A few bites? So you’re planning on eating that mountain of cake by yourself?”
“Yes.” He looks confused. “Why?”
“Never mind.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
You guys know about vampires? … You know, vampires have no reflections in a mirror? There’s this idea that monsters don’t have reflections in a mirror. And what I’ve always thought isn’t that monsters don’t have reflections in a mirror. It’s that if you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves. And growing up, I felt like a monster in some ways. I didn’t see myself reflected at all. I was like, “Yo, is something wrong with me? That the whole society seems to think that people like me don’t exist?" And part of what inspired me, was this deep desire that before I died, I would make a couple of mirrors. That I would make some mirrors so that kids like me might see themselves reflected back and might not feel so monstrous for it.
”
”
Junot Díaz
“
Face it, you stupid little cookie maker,” Jenks said, almost sounding fond, “in the last couple of days you’ve seen what it’s like to be in a family, with all the touchy tempers and irritation that goes on. Now you get to see the other side, where we do stupid stuff for each other just because we like you. Rache is the little sister. Ivy’s the big sister. I’m the uncle from out of state, and you’re the rich nephew no one likes but we put up with you anyway because we feel sorry for you. Just let me help, huh? It won’t kill you.
”
”
Kim Harrison (Pale Demon (The Hollows, #9))
“
We would be outnumbered a couple hundred to two, by something worse than Erasers. I had no idea if the rest of the Flock would be able to help.
It was pretty much a suicide mission.
Again.
'There is one bright side to this,' said Fang.
'Yeah? What's that?' The new and improved Erasers would mutilate us before they killed us?
He grinned at me so unexpectedly that I forgot to flap for a second and dropped several feet. 'You looove me,' he crooned smugly. Holding his arms out wide, he added, 'You love me this much.'
My shriek of appalled rage could probably be heard in California, or maybe Hawaii.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Listen: I am ideally happy. My happiness is a kind of challenge. As I wander along the streets and the squares and the paths by the canal, absently sensing the lips of dampness through my worn soles, I carry proudly my ineffable happiness. The centuries will roll by, and schoolboys will yawn over the history of our upheavals; everything will pass, but my happiness , dear, my happiness will remain,in the moist reflection of a street lamp, in the cautious bend of stone steps that descend into the canal's black waters, in the smiles of a dancing couple, in everything with which God so generously surrounds human loneliness.
”
”
Vladimir Nabokov (Selected Letters, 1940-1977)
“
My nails dug into his back, and he trailed his lips down the edge of my chin, down the center of my neck. He kept going until he reached the bottom of the dress’s V-neck. I let out a small gasp, and he kissed all around the neckline, just enough to tease.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.'
Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.'
'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.'
Spook rushed over and fetched Breeze a cup of wine.
'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.'
Spook frowned. 'Niceing the not on the playing without.'
'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.'
Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.'
'Riding the rile of the rids to the right,' Spook said with a nod.
'What are you two babbling about?' Breeze said testily.
'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.'
'Ever wasing the doing of this,' Kelsier agreed.
'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.'
Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.'
Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
Lately I can't help wanting us
to be like other people.
For example, if I were a smoker,
you'd lift a match to the cigarette
just as I put it between my lips.
It's never been like that
between us: none of that
easy chemistry, no quick, half automatic
flares. Everything between us
had to be learned.
Saturday finds me brooding
behind my book, all my fantasies
of seduction run up
against the rocks.
Tell me again
why you don't like
sex in the afternoon?
No, don't tell me--
I'll never understand you
never understand us, America's strangest
loving couple: they never
drink a bottle of wine together
and rarely look at each other.
Into each other's eyes, I mean.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
It is a terrible error to let any natural impulse, physical or mental, stagnate. Crush it out, if you will, and be done with it; or fulfil it, and get it out of the system; but do not allow it to remain there and putrefy. The suppression of the normal sex instinct, for example, is responsible for a thousand ills. In Puritan countries one inevitably finds a morbid preoccupation with sex coupled with every form of perversion and degeneracy.
”
”
Aleister Crowley (Moonchild)
“
Hurt people hurt people. We are not being judgmental by separating ourselves from such people. But we should do so with compassion. Compassion is defined as a "keen awareness of the suffering of another coupled with a desire to see it relieved." People hurt others as a result of their own inner strife and pain. Avoid the reactive response of believeing they are bad; they already think so and are acting that way. They aren't bad; they are damaged and they deserve compassion. Note that compassion is an internal process, an understanding of the painful and troubled road trod by another. It is not trying to change or fix that person.
”
”
Will Bowen (Complaint Free Relationships: How to Positively Transform Your Personal, Work, and Love Relationships)
“
So,” I demanded, trying to sound confident, “where can we find this trod to New Orleans?”
“The frost giant ruins,” Ash replied, looking thoughtful. “Very close to Mab’s court.” At Puck’s glare, he shrugged and offered a tiny, rueful smirk. “She goes to Mardi Gras every year.”
I pictured the Queen of the Unseelie Court flashing a couple of drunken partygoers, and giggled uncontrollably. All three shot me a strange look. “Sorry,” I gasped, biting my lip. "Still kind of giddy, I guess.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
I know this goes without saying, but Stonehenge really was the most incredible accomplishment. It took five hundred men just to pull each sarsen, plus a hundred more to dash around positioning the rollers. Just think about it for a minute. Can you imagine trying to talk six hundred people into helping you drag a fifty-ton stone eighteen miles across the countryside and muscle it into an upright position, and then saying, 'Right, lads! Another twenty like that, plus some lintels and maybe a couple of dozen nice bluestones from Wales, and we can party!' Whoever was the person behind Stonehenge was one dickens of a motivator, I'll tell you that.
”
”
Bill Bryson (Notes from a Small Island)
“
You put in expired contacts?” He sounded personally offended
“Just a little expired.”
“What’s ‘a little’?”
“I don’t know. A few years?”
“What?” His consonants were sharp and precise. Crisp. Pleasant.
“Only a couple, I think.”
“Just a couple of years?”
“It’s okay. Expiration dates are for the weak.”
A sharp sound - some kind of snort. “Expiration dates are so I don’t find you weeping in the corner of my bathroom.”
Unless this dude was Mr. Stanford himself, he really needed to stop calling it his bathroom.
”
”
Ali Hazelwood (The Love Hypothesis)
“
Let me tell you about love, that silly word you believe is about whether you like somebody or whether somebody likes you or whether you can put up with somebody in order to get something or someplace you want or you believe it has to do with how your body responds to another body like robins or bison or maybe you believe love is how forces or nature or luck is benign to you in particular not maiming or killing you but if so doing it for your own good. Love is none of that. There is nothing in nature like it. Not in robins or bison or in the banging tails of your hunting dogs and not in blossoms or suckling foal. Love is divine only and difficult always. If you think it is easy you are a fool. If you think it is natural you are blind. It is a learned application without reason or motive except that it is God. You do not deserve love regardless of the suffering you have endured. You do not deserve love because somebody did you wrong. You do not deserve love just because you want it. You can only earn - by practice and careful contemplations - the right to express it and you have to learn how to accept it. Which is to say you have to earn God. You have to practice God. You have to think God-carefully. And if you are a good and diligent student you may secure the right to show love. Love is not a gift. It is a diploma. A diploma conferring certain privileges: the privilege of expressing love and the privilege of receiving it. How do you know you have graduated? You don't. What you do know is that you are human and therefore educable, and therefore capable of learning how to learn, and therefore interesting to God, who is interested only in Himself which is to say He is interested only in love. Do you understand me? God is not interested in you. He is interested in love and the bliss it brings to those who understand and share the interest. Couples that enter the sacrament of marriage and are not prepared to go the distance or are not willing to get right with the real love of God cannot thrive. They may cleave together like robins or gulls or anything else that mates for life. But if they eschew this mighty course, at the moment when all are judged for the disposition of their eternal lives, their cleaving won't mean a thing. God bless the pure and holy. Amen.
”
”
Toni Morrison (Paradise (Beloved Trilogy, #3))
“
I love all the girls who have my song on their myspaces. I love the people who come to my shows and put the pictures on here. I love the people at those shows who sing along with me. I love reading your stories in emails, some so touching they've given me chills. I love every single person who has wanted my autograph, because for the life of me I never really thought it would mean something to someone for me to write my name down. I love the little girls who stand in line with their mothers like I used to do. That was me. I love the couple who danced to my song at their wedding. Every comment, letter, and message. I love people who listen to the radio. I love every single person who is reading this, because you've let me into your life.
I love you all so much, I just wanted you to know.
”
”
Taylor Swift
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
They had no conversation together, no intercourse but what the commonest civility required. Once so much to each other! Now nothing! There had been a time, when of all the large party now filling the drawing-room at Uppercross, they would have found it most difficult to cease to speak to one another. With the exception, perhaps, of Admiral and Mrs. Croft, who seemed particularly attached and happy, (Anne could allow no other exception even among the married couples) there could have been no two hearts so open, no tastes so simliar, no feelings so in unison, no countenances so beloved. Now they were as strangers; nay, worse than strangers, for they could never become aquainted. It was a perpetual estrangement.
”
”
Jane Austen (Persuasion)
“
For [erotically intelligent couples], love is a vessel that contains both security and adventure, and commitment offers one of the great luxuries of life: time. Marriage is not the end of romance, it is the beginning. They know that they have years in which to deepen their connection, to experiment, to regress, and even to fail. They see their relationship as something alive and ongoing, not a fait accompli. It’s a story that they are writing together, one with many chapters, and neither partner knows how it will end. There’s always a place they haven’t gone yet, always something about the other still to be discovered.
”
”
Esther Perel (Mating in Captivity: Reconciling the Erotic and the Domestic)
“
You know I love you, right?” The urge to kiss her goodbye was so strong that I almost broke our rules.
She smiled, beautiful and golden in the late morning light. “Not as much as I love you.”
“Oh, man. This is my dream come true: having an ‘I love you more’ debate. Here, I’ll start. I love you more. Your turn.”
Sydney laughed and opened the door. “I’ve taken debate classes. You’d lose to my logic.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
People like me are aware of their so-called genius at ten, eight, nine. . . . I always wondered, ``Why has nobody discovered me?'' In school, didn't they see that I'm cleverer than anybody in this school? That the teachers are stupid, too? That all they had was information that I didn't need? I got fuckin' lost in being at high school. I used to say to me auntie
``You throw my fuckin' poetry out, and you'll regret it when I'm famous, '' and she threw the bastard stuff out. I never forgave her for not treating me like a fuckin' genius or whatever I was, when I was a child. It was obvious to me. Why didn't they put me in art school? Why didn't they train me? Why would they keep forcing me to be a fuckin' cowboy like the rest of them? I was different
I was always different. Why didn't anybody notice me? A couple of teachers would notice me, encourage me to be something or other, to draw or to paint - express myself. But most of the time they were trying to beat me into being a fuckin' dentist or a teacher
”
”
John Lennon
“
I should like to see any power of the world destroy this race, this small tribe of unimportant people, whose history is ended, whose wars have all been fought and lost, whose structures have crumbled, whose literature is unread, whose music is unheard, whose prayers are no longer uttered. Go ahead, destroy this race. Let us say that it is again 1915. There is war in the world. Destroy Armenia. See if you can do it. Send them from their homes into the desert. Let them have neither bread nor water. Burn their houses and their churches. See if they will not live again. See if they will not laugh again. See if the race will not live again when two of them meet in a beer parlor, twenty years after, and laugh, and speak in their tongue. Go ahead, see if you can do anything about it. See if you can stop them from mocking the big ideas of the world, you sons of bitches, a couple of Armenians talking in the world, go ahead and try to destroy them.
”
”
William Saroyan
“
There was so much I should have told you. I just didn't have time. I didn't know. I didn't know I'd have to say: A sword doesn't hold an edge on its own, you sack of Ninth House garbage. I didn't know I'd have to say, if you dip a sword into melty bone, the metal gets more pitted than an iron mine, you cross-patched necromantic shit.
I think the main thing I should have said was, You sawed open your skull rather than be beholden to someone. You turned your brain into soup to escape anything less than 100 percent freedom. You put me in a box and buried me rather than give up your own goddamned agenda.
Harrowhark, I gave you my whole life and you didn't even want it.
Actually, scratch that, the main thing I should have said was, SQUATS ARE A START, OR A COUPLE OF STAR JUMPS, THEY'RE NOT DIFFICULT.
”
”
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
“
Tohrment spoke. "Bella's brother called. He's tabled the sehelusion request and asked that she stay here for a couple of days."
Z jacked his head up. "Why?"
"He didn't give a reason-" Tohr's eye's narrowed on Z's face. "Oh... my God."
"What the fuck are you looking at?"
Phury pointed to the antique mirror hanging on the wall next to the double doors. "See for yourself."
Zsadist marched across the room, ready to give them all hell. Bella was what mattered-
His mouth went lax at his reflection. With a shaky hand he reached out to the eyes in the old-fashioned leaded glass. His irises were no longer black. They were yellow. Just like his twin's.
"Phury?" he said softly. "Phury... what happened to me?"
As the male came up behind him, his brother's face appeared right beside Z's. And then Wrath's dark reflection showed up in the mirror, all long hair and sunglasses. Then Rhage's star-fallen beauty. And Vishous's Sox cap. And Tohrment's brush cut. And Butch's busted nose.
One by one they reached out and touched him, their big hands gently on his shoulders.
"Welcome back, my brother," Phury whispered.
Zsadist stared at the males who were behind him. And the oddest thought that if he were to let himself go limp and fall backward... they would catch him.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
I want you, Elsie. All the time. I think of you. All. The. Fucking. Time. I’m distracted. I’m shit at work. And my first instinct, the very first time I saw you, was to run away. Because I knew that if we’d start doing this, we would never stop. And that’s exactly how it is. There is no universe in which I’m going to let you go. I want to be with you, on you, every second of every day. I think – I dream of crazy things. I want you to marry me tomorrow so you can go on my health insurance. I want to lock you in my room for a couple of weeks. I want to buy groceries based on what you like. I want to play it cool, like I’m attracted to you and not obsessed out of my mind, but that’s not where I’m at. Not at all. And I need you to keep us in check. I need you to pace us, because wherever it is that we’re going… I’m here. I’m already right here.
”
”
Ali Hazelwood (Love, Theoretically)
“
all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father?
hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth.
that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer.
you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about.
last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.
”
”
Warsan Shire
“
With a few swift steps, Adrian stood in front of me again. The wall was only a couple inches behind me, and I had nowhere to go. He made no threatening moves, but he did clasp my hands and hold them to his chest while leaning down to me.
“No, you will listen. For once, you’re going to hear something that doesn’t fit into your neat, compartmentalized world of order and logic and reason. Because this isn’t reasonable. If you’re terrified, believe me—this scares the hell out of me, too. You asked about Rose? I tried to be a better person for her—but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don’t even know it. You have no clue how beautiful you are or how brightly you shine.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
Raffin appeared again, a floor above her, on the balconied passageway that ran past his workrooms. He leaned over the railing and called down to her. "Kat!"
"What is it?"
"You look lost . Have you forgotten the way to your rooms?"
"I'm stalling."
"How long will you be? I'd like to show you a couple of my new discoveries."
"I've been told to make myself pretty for dinner."
He grinned. "Well in that case, you'll be ages."
His face dissolved into laughter, and she tore a button from one of her bags an hurled it at him. He squealed and dropped to the floor, and the button hit the wall right where he'd been standing. When he peeked back over the railing, she stood in the courtyard with her hands on her hips, grinning. "I missed on purpose," she said.
"Show off! Come if you have time." He waved, and turned into his rooms.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
contiguous, adj.
I felt silly for even mentioning it, but once I did, I knew I had to explain.
"When I was a kid, "I had this puzzle with all fifty states on it--you know, the kind where you have to fit them all together. And one day I got it in my head that California and Nevada were in love. I told my mom, and she had no idea what I was talking about. I ran and got those two pieces and showed it to her--California and Nevada, completely in love. So a lot of the time when we're like this"--my ankles against the backs of your ankles, my knees fitting into the backs of your knees, my thighs on the backs of your legs, my stomach against your back, my chin folding into your neck--"I can't help but think about California and Nevada, and how we're a lot like them. If someone were drawing us from above as a map. that's what we'd look like; that's how we are."
For a moment, you were quiet. And then you nestled in and whispered.
"Contiguous."
And I knew you understood.
”
”
David Levithan (The Lover's Dictionary)
“
Noah's eyes held my face. I swallowed hard. The juxtaposition of him sitting in a room full of people while staring at no one but me was overwhelming. Something shifted inside of me at the intimacy of us, eyes locked amid the scraping of twenty graphite pencils on paper.
I shaded his face out of nothingness. I smudged the slope of his neck and darkened his delinquent mouth, while the lights accented the right angle of his jaw against the cloudy sky outside. I did not hear the bell. I did not hear the other students rise and leave the room. I did not even notice that Noah no longer sat at the stool.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
In a culture which holds the two-parent patriarchal family in higher esteem than any other arrangement, all children feel emotionally insecure when their family does not measure up to the standard. A utopian vision of the patriarchal family remains intact despite all the evidence which proves that the well-being of children is no more secure in the dysfunctional male-headed household than in the dysfunctional female-headed household. Children need to be raised in loving environments. Whenever domination is present love is lacking. Loving parents, be they single or coupled, gay or straight, headed by females or males, are more likely to raise healthy, happy children with sound self-esteem. In future feminist movement we need to work harder to show parents the ways ending sexism positively changes family life. Feminist movement is pro-family. Ending patriarchal domination of children, by men or women, is the only way to make the family a place where children can be safe, where they can be free, where they can know love
”
”
bell hooks (Feminism Is for Everybody: Passionate Politics)
“
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.
The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately:
I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us."
And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real.
Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
Adrian tipped my face up toward his and kissed me. Like always, the world around me stopped moving. No, the world became Adrian, only Adrian. Kissing him was as mind-blowing as ever, full of that same passion and need I had never believed I’d feel. But today, there was even more to it. I no longer had any doubt about whether this was wrong or right. It was a culmination of a long journey . . . or maybe the beginning of one.
I wrapped my arms around his neck and pulled him closer. I didn’t care that we were out in public. I didn’t care that he was Moroi. All that mattered was that he was Adrian, my Adrian. My match. My partner in crime, in the long battle I’d just signed on for to right the wrongs in the Alchemist and Moroi worlds. Maybe Marcus was right that I’d also signed myself up for disaster, but I didn’t care. In that moment, it seemed that as long as Adrian and I were together, there was no challenge too great for us.
I don’t know how long we stood there kissing. Like I said, the world around me was gone. Time had stopped. I was awash in the feel of Adrian’s body against mine, in his scent, and in the taste of his lips. That was all that mattered right now.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
OK, now let’s have some fun. Let’s talk about sex. Let’s talk about women. Freud said he didn’t know what women wanted. I know what women want. They want a whole lot of people to talk to. What do they want to talk about? They want to talk about everything.
What do men want? They want a lot of pals, and they wish people wouldn’t get so mad at them.
Why are so many people getting divorced today? It’s because most of us don’t have extended families anymore. It used to be that when a man and a woman got married, the bride got a lot more people to talk to about everything. The groom got a lot more pals to tell dumb jokes to.
A few Americans, but very few, still have extended families. The Navahos. The Kennedys.
But most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it’s a woman. The woman gets one more person to talk to about everything, but it’s a man.
When a couple has an argument, they may think it’s about money or power or sex, or how to raise the kids, or whatever. What they’re really saying to each other, though, without realizing it, is this:
“You are not enough people!”
I met a man in Nigeria one time, an Ibo who has six hundred relatives he knew quite well. His wife had just had a baby, the best possible news in any extended family.
They were going to take it to meet all its relatives, Ibos of all ages and sizes and shapes. It would even meet other babies, cousins not much older than it was. Everybody who was big enough and steady enough was going to get to hold it, cuddle it, gurgle to it, and say how pretty it was, or handsome.
Wouldn't you have loved to be that baby?
”
”
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
“
People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.
”
”
Bret Easton Ellis (Less Than Zero)
“
He was the kind of young man whose handsome face has brought him plenty of success in the past and is now ever-ready for a new encounter, a fresh-experience, always eager to set off into the unknown territory of a little adventure, never taken by surprise because he has worked out everything in advance and is waiting to see what happens, a man who will never overlook any erotic opportunity, whose first glance probes every woman's sensuality, and explores it, without discriminating between his friend's wife and the parlour-maid who opens the door to him. Such men are described with a certain facile contempt as lady-killers, but the term has a nugget of truthful observation in it, for in fact all the passionate instincts of the chase are present in their ceaseless vigilance: the stalking of the prey, the excitement and mental cruelty of the kill. They are constantly on the alert, always ready and willing to follow the trail of an adventure to the very edge of the abyss. They are full of passion all the time, but it is the passion of a gambler rather than a lover, cold, calculating and dangerous. Some are so persistent that their whole lives, long after their youth is spent, are made an eternal adventure by this expectation. Each of their days is resolved into hundreds of small sensual experiences - a look exchanged in passing, a fleeting smile, knees brushing together as a couple sit opposite each other - and the year, in its own turn, dissolves into hundreds of such days in which sensuous experience is the constantly flowing, nourishing, inspiring source of life.
”
”
Stefan Zweig (The Burning Secret and other stories)
“
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives.
To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates.
'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic.
They've served their purpose.
Nature is unsentimental.
Death is built in.
”
”
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Human)
“
My name is Kvothe, pronounced nearly the same as "quothe." Names are important as they tell you a great deal about a person. I've had more names than anyone has a right to. The Adem call me Maedre. Which, depending on how it's spoken, can mean The Flame, The Thunder, or The Broken Tree.
"The Flame" is obvious if you've ever seen me. I have red hair, bright. If I had been born a couple of hundred years ago I would probably have been burned as a demon. I keep it short but it's unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire.
"The Thunder" I attribute to a strong baritone and a great deal of stage training at an early age.
I've never thought of "The Broken Tree" as very significant. Although in retrospect, I suppose it could be considered at least partially prophetic.
My first mentor called me E'lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them.
But I was brought up as Kvothe. My father once told me it meant "to know."
I have, of course, been called many other things. Most of them uncouth, although very few were unearned.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep.
You may have heard of me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
From this distant vantage point, the Earth might not seem of particular interest. But for us, it's different. Consider again that dot. That's here, that's home, that's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam.
The Earth is a very small stage in a vast cosmic arena. Think of the rivers of blood spilled by all those generals and emperors so that, in glory and triumph, they could become the momentary masters of a fraction of a dot. Think of the endless cruelties visited by the inhabitants of one corner of this pixel on the scarcely distinguishable inhabitants of some other corner, how frequent their misunderstandings, how eager they are to kill one another, how fervent their hatreds.
Our posturings, our imagined self-importance, the delusion that we have some privileged position in the Universe, are challenged by this point of pale light. Our planet is a lonely speck in the great enveloping cosmic dark. In our obscurity, in all this vastness, there is no hint that help will come from elsewhere to save us from ourselves.
The Earth is the only world known so far to harbor life. There is nowhere else, at least in the near future, to which our species could migrate. Visit, yes. Settle, not yet. Like it or not, for the moment the Earth is where we make our stand.
It has been said that astronomy is a humbling and character-building experience. There is perhaps no better demonstration of the folly of human conceits than this distant image of our tiny world. To me, it underscores our responsibility to deal more kindly with one another, and to preserve and cherish the pale blue dot, the only home we've ever known.
”
”
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
Dear Max -
You looked so beautiful today. I'm going to remember what you looked like forever.
...
And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy.
But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right.
Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it.
The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray.
I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while.
...
You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet.
...
At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you.
But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock.
Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again.
Please make us only go through this once.
...
I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
...
You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without.
...
Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it.
Good-bye, my love.
Fang
P.S. Tell everyone I sure will miss them
”
”
James Patterson
“
A song of despair
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
”
”
Pablo Neruda
“
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force."
"Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?"
The man who'd spoken arched an eyebrow. "I wasn't talking to him."
"You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics?
"What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now.
The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands.
My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—"
That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home.
[...]
Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away.
Dimitri.
"Don't touch her," he growled.
There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me.
"Stay back," he ordered me. "They aren't laying a hand on you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?
Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.
O: It’s a rather ghettoized genre.
P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.
O: It’s certainly regarded as less than serious fiction.
P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.
Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
(Pauses) That was a bloody good answer, though I say it myself.
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Terry Pratchett