Planting A Tree In Memory Quotes

I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich.

Nothing, in truth, can ever replace a lost companion. Old comrades cannot be manufactured. There is nothing that can equal the treasure of so many shared memories, so many bad times endured together, so many quarrels, reconciliations, heartfelt impulses. Friendships like that cannot be reconstructed. If you plant an oak, you will hope in vain to sit soon under its shade. For such is life. We grow rich as we plant through the early years, but then come the years when time undoes our work and cuts down our trees. One by one our comrades deprive us of their shade, and within our mourning we always feel now the secret grief of growing old. If I search among my memories for those whose taste is lasting, if I write the balance sheet of the moments that truly counted, I surely find those that no fortune could have bought me. You cannot buy the friendship of a companion bound to you forever by ordeals endured together.

My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.

For Someone Awakening To The Trauma of His or Her Past: For everything under the sun there is a time. This is the season of your awkward harvesting, When the pain takes you where you would rather not go, Through the white curtain of yesterdays to a place You had forgotten you knew from the inside out; And a time when that bitter tree was planted That has grown always invisibly beside you And whose branches your awakened hands Now long to disentangle from your heart. You are coming to see how your looking often darkened When you should have felt safe enough to fall toward love, How deep down your eyes were always owned by something That faced them through a dark fester of thorns Converting whoever came into a further figure of the wrong; You could only see what touched you as already torn. Now the act of seeing begins your work of mourning. And your memory is ready to show you everything, Having waited all these years for you to return and know. Only you know where the casket of pain is interred. You will have to scrape through all the layers of covering And according to your readiness, everything will open. May you be blessed with a wise and compassionate guide Who can accompany you through the fear and grief Until your heart has wept its way to your true self. As your tears fall over that wounded place, May they wash away your hurt and free your heart. May your forgiveness still the hunger of the wound So that for the first time you can walk away from that place, Reunited with your banished heart, now healed and freed, And feel the clear, free air bless your new face.

Know why I plant trees?" "No." "I like thinking that they'll be here long after I'm gone. All those fine memories pushing up to the sky.

I feel that there is much to be said for the Celtic belief that the souls of those whom we have lost are held captive in some inferior being, in an animal, in a plant, in some inanimate object, and thus effectively lost to us until the day (which to many never comes) when we happen to pass by the tree or to obtain possession of the object which forms their prison. Then they start and tremble, they call us by our name, and as soon as we have recognised them the spell is broken. Delivered by us, they have overcome death and return to share our life. And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die.

Creation seemed to come about in a sort of chain reaction. He did not worry about it; he was determinedly pursuing his task in all its simplicity; but as we went back towards the village I saw water flowing in Brooks that had been dry since the memory of man. This was the most impressive result of chain reaction that I had seen. These dry streams had once, long ago, run with water.

No, a home is not where your heart is, it’s where your effort is. It’s where you cook and eat and sleep and take pains to decorate. It’s where your memories are made and kept. It’s the photos on the mantel, the artwork on the walls, the blankets that you snuggle under, the trees and flowers that you plant and care for.

It is difficult to uproot fully grown plants; they become diseased and often perish. In Russia now they practise winter transplanting: a tree is dug up while it is in a dormant condition. In spring it comes back to life in a new place. A good method, especially as a tree has no memory.

A tree inhales and stills air’s fibrillating breath, holding it in wood, like a kami. Each year’s growth rings jackets the previous, capturing in layered derma precise molecular signatures of the atmosphere timbered memories. Wood emerges from relationship with air, catalyzed by the flash of electrons through membranes. Atmosphere and plant make each other; plant as temporary crystallization of carbon, air as product of 400 million years of forest breath. Neither tree nor air has a narrative, a telos of its own, for neither is its own.

I would like there to exist spaces that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthpalce, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories . . . Such places don't exist, and it's because they do'nt exist that space becomes a question, ceases to be self-evident, ceases to be incorporated, ceases to be appropriated. Space is a doubt: I have constantly to mark it, to designate it, It is never mine, never given to me, I have to conquer it. My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer reseble waht was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them. The words 'Phone directory available within' or 'Snacks served at any hour' will no longer be written up in a semi-circle in white porcelain letter on the window of the little café in the Rue Coquillière. Space melts like sand running through one's fingers. Time bears it away and leaves me only Shapeless shreds: To write: to try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs. Paris 1973-1974

People have rituals for communing with the dead, rituals that depend more on the idiosyncrasies of the individual than on the influence of culture. Some visit gravesites. Some talk to portraits, or mantelpiece urns. Some go to spots favored by the deceased during life, or mouth silent prayers in houses of worship, or have trees planted in memory in some far-off land. The common denominator, of course, is a sense beyond logic that the dead are aware of all this, that they can hear the prayers and witness the deeds and feel the ongoing love and longing. People seem to find that sense comforting. I don’t believe any of it. I’ve never seen a soul depart from a body. I’ve never been haunted by a ghost, angry or loving. I’ve never been rewarded or punished or touched by some traveler from the undiscovered country. I know as well as I know anything the dead are simply dead.

Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.

I would like there to exist places that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthplace, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories… My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer resemble what was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them… Space melts like sand running through one’s fingers. Time bears it away and leaves me only shapeless shreds: To write: To try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs.

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.

WhatsApp forwards about love and kindness. I wonder if on a Sunday morning all these enthusiastic do-gooders could send out truly helpful things like ‘11 cures for a hangover’ or ‘How to clean puke stains from your dress’. I have no such luck; all I get are strange messages like ‘Little memories can last for years’. Very useful when you are trying hard to forget all the embarrassing things you did the night before. Do I really need messages saying, ‘A little hug can wipe out a big tear’ or ‘Friendship is a rainbow’? There is also a message saying, ‘God blues you’, which I am trying to guess could mean that either God wants to bless me, rule me or make a blue movie with me. Has it ever happened that a murderer just before committing his crime gets a message stating, ‘Life is about loving’, and stops in his tracks, or a banker reads ‘No greater sin than cheating’, and quits his job? So, what do these messages really do? I think they allow lazy people to think that they are doing a good deed in the easiest possible manner by sending these daft bits of information out into the universe. Go out there! Sweep a pavement, plant a tree, feed a stray dog. Do something, anything; rather than just using your fingers to tap three keys and destroy 600 people’s brain cells in one shot. 11 a.m.: This is turning out to be a hectic day. The

There is genius in plants, look how they make herbs. There is genius in flowers, look how they make scents. There is genius in trees, look how they make fruits. There is genius in seeds, look how they make forests. There is genius in bees, look how they make honey. There is genius in birds, look how they make nests. There is genius in spiders, look how they make webs. There is genius in ants, look how they make colonies. There is genius in clouds, look how they make rain. There is genius in storms, look how they make rainbows. There is genius in stars, look how they make light. There is genius in galaxies, look how they make planets. There is genius in order, look how it makes structure. There is genius in space, look how it makes distance. There is genius in momentum, look how it makes force. There is genius in stillness, look how it makes silence. There is genius in time, look how it makes fate. There is genius in sound, look how it makes music. There is genius in movement, look how it makes energy. There is genius in nature, look how it makes life. There is genius in intelligence, look how it makes reason. There is genius in understanding, look how it makes insights. There is genius in intuition, look how they make choices. There is genius in wisdom, look how it makes judgments. There is genius in minds, look how they make thoughts. There is genius in hearts, look how they make desires. There is genius in souls, look how they make experiences. There is genius in cells, look how they make bodies. There is genius in children, look how they make tales. There is genius in youth, look how they make questions. There is genius in adults, look how they make answers. There is genius in elders, look how they make proverbs. There is genius in the past, look how it makes memories. There is genius in the present, look how it makes reality. There is genius in the future, look how it makes destinies. There is genius in life, look how it makes existence.

Old growth plants then begin to take on a much different character than their younger offspring. There are states of being that only come into play with age, and with the extensive development of expanded neural fields; the neuronal structure in an ancient redwood or old growth Artemisia absinthium is different from that in younger plants . . . so are the memories and life experiences held within that neuronal structure. Plants become wise, too, as they age. We are not the only ones capable of it. You can literally feel the difference such maturity brings in encountering old growth trees— the young just don’t have it.

A shared genetic past does not negate eons of separate evolution. While plants and humans maintain parallel abilities to sense and be aware of the physical world, the independent paths of evolution have led to a uniquely human capacity, beyond intelligence, that plants don't have: the ability to care. So the next time you find yourself on a stroll through a park, take a second to ask yourself: What does the dandelion in the lawn see? What does the grass smell? Touch the leaves of an oak, knowing that the tree will remember it was touched. But it won't remember you. You, on the other hand, can remember this particular tree and carry the memory of it with you forever.

To the residents of this small southern town, the past is more than history, it is ancestry. It is a compilation of family stories, told and retold, from one generation to the next. It’s old brown photographs framed in silver on the piano. It’s grandmother’s dishes and the family home and ancient trees planted ages ago that still shade the porch and scrape the knees of children who climb them. It’s stables that have never been without horses and hay and Jack Russell Terriers. It’s gardens that have their roots in the 1800s and their fresh-cut blossoms on this evening’s dinner table. It’s an unbroken thread of memories and families and love. And the distinction between past and present often becomes blurred, the past sometimes superimposed over the present in a decidedly unique way.

Remember how you played in these orchards as young girls?" Willo asked Deana and Sam. Deana turned to look at Sam, and the two smiled. "We do," they said at the same time. These orchards had been their playground as girls. Sam slowed even more and studied the orchards carefully. I ran, played hide-and-seek, caught fireflies, scaled trees, picked apples and peaches straight off the tree, launched pits from slingshots, and danced in the sprinkles here. Sam thought. Moreover, I learned about plants and science: I understood the seasons, when to plant trees and seeds, how to nurture them and protect them from insects, what to feed the deer in winter and the hummingbirds in summer. Sam again thought of her grandpa. If we're good to Mother Nature, she will be good to us, he always used to tell her. Same goes for people.

The hard part, evolutionarily, was getting from prokaryotic cells to eukaryotic ones, then getting from single-celled organisms to multicellular ones. Earth is around 4.5 billion years old, a timescale I simply cannot get my head around. Instead let’s imagine’s Earth’s history as a calendar year, with the formation of Earth being January 1 and today being December 31 at 11:59pm. The first life on Earth emerges around February 25. Photosynthetic organisms first appear in late March. Multicellular life doesn’t appear until August or September. The first dinosaurs like eoraptor show up about 230 million years ago, or December 13 in our calendar year. The meteor impact that heralds the end of the dinosaurs happens around December 26. Homo sapiens aren’t part of the story until December 31 at 11:48 pm. Agriculture and large human communities and the building of monolithic structures all occur within the last minute of this calendar year. The Industrial Revolution, two world wars, the invention of basketball, recorded music, the electric dishwasher, and vehicles that travel faster than horses all happen in the last couple of seconds. Put another way: It took Earth about three billion years to go from single-celled life to multicellular life. It took less than seventy million years to go from Tyrannosaurus rex to humans who can read and write and dig up fossils and approximate the timeline of life and worry about its ending. Unless we somehow manage to eliminate all multicellular life from the planet, Earth won’t have to start all over and it will be okay--- at least until the oceans evaporate and the planet gets consumed by the sun. But we`ll be gone by then, as will our collective and collected memory. I think part of what scares me about the end of humanity is the end of those memories. I believe that if a tree falls in the woods and no one is there to hear it, it does make a sound. But if no one is around to play Billie Holiday records, those songs won’t make a sound anymore. We’ve caused a lot of suffering, but we’ve also caused much else. I know the world will survive us – and in some ways it will be more alive. More birdsong. More creatures roaming around. More plants cracking through our pavement, rewilding the planet we terraformed. I imagine coyotes sleeping in the ruins of the homes we built. I imagine our plastic still washing up on beaches hundreds of years after the last of us is gone. I imagine moths, having no artificial lights toward which to fly, turning back to the moon.

In conjunction with his colleagues, Frantisek Baluska from the Institute of Cellular and Molecular Botany at the University of Bonn is of the opinion that brain-like structures can be found at root tips. In addition to signaling pathways, there are also numerous systems and molecules similar to those found in animals. When a root feels its way forward in the ground, it is aware of stimuli. The researchers measured electrical signals that led to changes in behavior after they were processed in a "transition zone." If the root encounters toxic substances, impenetrable stones, or saturated soil, it analyzes the situation and transmits the necessary adjustments to the growing tip. The root tip changes direction as a result of this communication and steers the growing root around the critical areas. Right now, the majority of plant researchers are skeptical about whether such behavior points to a repository for intelligence, the faculty of memory, and emotions. Among other things, they get worked up about carrying over findings in similar situations with animals and, at the end of the day, about how this threatens to blur the boundary between plants and animals. And so what? What would be so awful about that? The distinction between plant and animal is, after all, arbitrary and depends on the way an organism feeds itself: the former photosynthesizes and the latter eats other living beings. Finally, the only other big difference is in the amount of time it takes to process information and translate it into action. Does that mean that beings that live life in the slow lane are automatically worth less than ones on the fast track? Sometimes I suspect we would pay more attention to trees and other vegetation if we could establish beyond a doubt just how similar they are in many ways to animals.

Everything in Nature ran according to its own nature; the running of grass was in its growing, the running of rivers their flowing, granite bubbled up, cooled, compressed and crumbled, birds lived, flew, sang and died, everything did what it needed to do, each simultaneously running its own race, each by living according to its own nature together, never leaving any other part of the universe behind. The world’s Holy things raced constantly together, not to win anything over the next, but to keep the entire surging diverse motion of the living world from grinding to a halt, which is why there is no end to that race; no finish line. That would be oblivion to all. For the Indigenous Souls of all people who can still remember how to be real cultures, life is a race to be elegantly run, not a race to be competitively won. It cannot be won; it is the gift of the world’s diverse beautiful motion that must be maintained. Because human life has been give the gift of our elegant motion, whether we limp, roll, crawl, stroll, or fly, it is an obligation to engender that elegance of motion in our daily lives in service of maintaining life by moving and living as beautifully as we can. All else has, to me, the familiar taste of that domineering warlike harshness that daily tries to cover its tracks in order to camouflage the deep ruts of some old, sick, grinding, ungainly need to flee away from the elegance of our original Indigenous human souls. Our attempt to avariciously conquer or win a place where there are no problems, whether it be Heaven or a “New Democracy,” never mind if it is spiritually ugly and immorally “won” and taken from someone who is already there, has made a citifying world of people who, unconscious of it, have become our own ogreish problem to ourselves, our future, and the world. This is a problem that we cannot continue to attempt to competitively outrun by more and more effectively designed technological approaches to speed away from the past, for the specter of our own earth-wasting reality runs grinning competitively right alongside us. By developing even more effective and entertaining methods of escape that only burn up the earth, the air, animals, plants, and the deeper substance of what it should mean to be human, by competing to get ahead, we have created a brakeless competition that has outrun our innate beauty and marked out a very definite and imminent “finish” line. Living in and on a sphere, we cannot really outrun ourselves anyway. Therefore, I say, the entire devastating and hideous state of the world and its constant wounding and wrecking of the wild, beautiful, natural, viable and small, only to keep alive an untenable cultural proceedance is truly a spiritual sickness, one that will not be cured by the efficient use of the same thinking that maintains the sickness. Nor can this overly expensive, highly funded illness be symptomatically kept at bay any longer by yet more political, environmental, or social programs. We must as individuals and communities take the time necessary to learn how to indigenously remember what a sane, original existence for a viable people might look like. Though there are marvellous things and amazing people doing them, both seen and unseen, these do not resemble in any way the general trend of what is going on now. To begin remembering our Indigenous belonging on the Earth back to life we must metabolize as individuals the grief of recognition of our lost directions, digest it into a valuable spiritual compost that allows us to learn to stay put without outrunning our strange past, and get small, unarmed, brave, and beautiful. By trying to feed the Holy in Nature the fruit of beauty from the tree of memory of our Indigenous Souls, grown in the composted failures of our past need to conquer, watered by the tears of cultural grief, we might become ancestors worth descending from and possibly grow a place of hope for a time beyond our own.

I think part of what scares me about the end of humanity is the end of those memories. I believe that if a tree falls in the woods and no one is there to hear it, it does make a sound. But if no one is around to play Billie Holiday records, those songs really won't make a sound anymore. We've caused a lot of suffering, but we've also caused much else. I know the world will survive us—and in some ways, it will be more alive. More birdsong. More creatures roaming around. More plants cracking through our pavement, rewilding the planet we terraformed. I imagine coyotes sleeping in the ruins of the homes we built. I imagine our plastic still washing up on beaches hundreds of years after the last of us is gone. I imagine moths, having no artificial lights toward which to fly, turning back to the moon. There is some comfort for me in knowing that life will go on even when we don't. But I would argue that when our light goes out, it will be Earth's greatest tragedy, because while I know humans are prone to grandiosity, I also think we are by far the most interesting thing that ever happened on Earth. It's easy to forget how wondrous humans are, how strange and lovely.

I think part of what scares me about the end of humanity is the end of those memories. I believe that if a tree falls in the woods and no one is there to hear it, it does make a sound. But if no one is around to play Billie Holiday records, those songs really won't make a sound anymore. We've caused a lot of suffering, but we've also caused much else. I know the world will survive us—and in some ways, it will be more alive. More birdsong. More creatures roaming around. More plants cracking through our pavement, rewilding the planet we terraformed. I imagine coyotes sleeping in the ruins of the homes we built. I imagine our plastic still washing up on beaches hundreds of years after the last of us is gone. I imagine moths, having no artificial lights toward which to fly, turning back toward the moon. There is some comfort for me in knowing that life will go on even when we don't. But I would argue that when our light goes out, it will be Earth's greatest tragedy, because while I know humans are prone to grandiosity, I also think we are by far the most interesting thing that ever happened on Earth. It's easy to forget how wondrous humans are, how strange and lovely.

We kept our fingers crossed and eagerly scanned the newspapers and magazines for news of an engagement between Diana and Charles. Then, late in the morning of February 24, I answered the telephone in my bedroom and heard the voice of a friend in London… “Mary, it’s Dena. Your girl made it!” I knew she meant that Diana’s engagement to Prince Charles had just been announced. I gave a big shout and literally jumped for joy, banging my head on the low dormer ceiling. I couldn’t have been prouder of Diana if I’d been her mother. I was so happy for her I could have burst! I knew how desperately she had wished for this outcome. The past fall, she had told me that she would “simply die” if the romance didn’t work out. How wonderful that her dream had come true. Almost immediately, a mischievous picture popped into my mind of the future and royal Diana, scheduled for an official day of handshaking, ribbon cutting, or tree planting and wishing she could have a friend call to cancel those tedious engagements. As Princess of Wales, she would not be able to cancel on short notice, if at all, as she had when she was baby-sitting for me. I wondered how the lively, spontaneous, and very young Diana would adjust to her official duties. I felt a bit sorry for her as I dimly realized how rigid and structured her new life might be.

Did It Ever Occur to You That Maybe You’re Falling in Love? BY AILISH HOPPER We buried the problem. We planted a tree over the problem. We regretted our actions toward the problem. We declined to comment on the problem. We carved a memorial to the problem, dedicated it. Forgot our handkerchief. We removed all “unnatural” ingredients, handcrafted a locally-grown tincture for the problem. But nobody bought it. We freshly-laundered, bleached, deodorized the problem. We built a wall around the problem, tagged it with pictures of children, birds in trees. We renamed the problem, and denounced those who used the old name. We wrote a law for the problem, but it died in committee. We drove the problem out with loud noises from homemade instruments. We marched, leafleted, sang hymns, linked arms with the problem, got dragged to jail, got spat on by the problem and let out. We elected an official who Finally Gets the problem. … We watched carefully for the problem, but our flashlight died. We had dreams of the problem. In which we could no longer recognize ourselves. We reformed. We transformed. Turned over a new leaf. Turned a corner, found ourselves near a scent that somehow reminded us of the problem, In ways we could never Put into words. That Little I-can’t-explain-it That makes it hard to think. That Rings like a siren inside.

Things I know about Mr. Forkle His official name (for this identity, at least) is Mr. Errol L. Forkle, which he apparently chose because the initials spell out “elf,” and because the word “Forkle” can sometimes mean “disguise” in Norwegian. (I guess he used to spend a lot of time in Norway—no idea why.) The L stands for Loki, because he was kinda the source of some of the Loki myths—which is way too weird to think about. He claims he’s not my biological father (despite being listed that way on certain documents). Even if that’s true, he still helped create me. And he knows who my biological father is. And he refuses to tell me. He’s a super powerful Telepath. He loves to start sentences with “you kids.” He eats a lot of ruckleberries to disguise what he really looks like. He lies sometimes. Maybe all the time. Who knows? He was my annoying next-door neighbor in San Diego, always sitting in his yard rearranging his lawn gnomes (and apparently the gnomes were one of the ways he passed along messages to the Black Swan). He’s the one who triggered my abilities. And the one who stole my missing memories. And the one who planted the information in my brain. He also rescued me from the Neverseen after they kidnapped me. And probably a bunch of other stuff I don’t know about yet. He’s Magnate Leto. Also Sir Astin. I’m sure he has other identities too. I just haven’t figured out what they are yet. And… he secretly had an identical twin. Only one of them was registered (their parents didn’t want them to face the scorn of being a “multiple birth”), and they were sharing one life and switching places all the time. Sometimes I was talking to one brother, and sometimes I was talking to the other—or I was, until one of them died right in front of me in Lumenaria. I thought he was gone, but… then Granite brought us to Brumevale, and… there was the other Forkle. I still don’t really know how to process it. But I’m glad he’s still here, even if he’s a little more limited now that he can’t be two places at once. We planted a Wanderling for the Forkle-twin we lost near Trolltunga in Norway. The tree looks like it’s leaning a bit, waiting for its brother—but I’m selfishly hoping it grows alone for a really long time. Maybe forever.

Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?

Ode 11 My heart was pruned and its flower appeared, then grace sprang up in it, and my heart produced fruits for the Lord. For the Most High circumcised me by His Holy Spirit, then He uncovered my inward being towards Him, and filled me with His love. And His circumcising became my salvation, and I ran in the Way, in His peace, in the way of truth. From the beginning until the end I received His knowledge. And I was established upon the rock of truth, where He had set me. And speaking waters touched my lips from the fountain of the Lord generously. And so I drank and became intoxicated, from the living water that does not die. And my intoxication did not cause ignorance, but I abandoned vanity, And turned toward the Most High, my God, and was enriched by His favors. And I rejected the folly cast upon the earth, and stripped it off and cast it from me. And the Lord renewed me with His garment, and possessed me by His light. And from above He gave me immortal rest, and I became like the land that blossoms and rejoices in its fruits. And the Lord is like the sun upon the face of the land. My eyes were enlightened, and my face received the dew; And my breath was refreshed by the pleasant fragrance of the Lord. And He took me to His Paradise, wherein is the wealth of the Lord's pleasure. I beheld blooming and fruit-bearing trees, And self-grown was their crown. Their branches were sprouting and their fruits were shining. From an immortal land were their roots. And a river of gladness was irrigating them, And round about them in the land of eternal life. Then I worshipped the Lord because of His magnificence. And I said, Blessed, O Lord, are they who are planted in Your land, and who have a place in Your Paradise; And who grow in the growth of Your trees, and have passed from darkness into light. Behold, all Your laborers are fair, they who work good works, and turn from wickedness to your pleasantness. For the pungent odor of the trees is changed in Your land, And everything becomes a remnant of Yourself. Blessed are the workers of Your waters, and eternal memorials of Your faithful servants. Indeed, there is much room in Your Paradise. And there is nothing in it which is barren, but everything is filled with fruit. Glory be to You, O God, the delight of Paradise for ever. Hallelujah.

God is not a robot. He isn’t a comptroller of an accounting company trying to make things add up or work out. He is a being full of deep emotion, longing, and memories of what it used to be like. The incarnation therefore isn’t about an equation but about remembering what home used to be like and making a plan to get back there. Consider this reboot of the Genesis creation account. It may help you see God’s emotion a little better. First off, nothing … but God. No light, no time, no substance, no matter. Second off, God says the word and WHAP! Stuff everywhere! The cosmos in chaos: no shape, no form, no function—just darkness … total. And floating above it all, God’s Holy Spirit, ready to play. Day one: Then God’s voice booms out, “Lights!” and, from nowhere, light floods the skies and “night” is swept off the scene. God gives it the big thumbs up, calls it “day”. Day two: God says, “I want a dome—call it ‘sky’—right there between the waters above and below.” And it happens. Day three: God says, “Too much water! We need something to walk on, a huge lump of it—call it ‘land’. Let the ‘sea’ lick its edges.” God smiles, says, “Now we’ve got us some definition. But it’s too plain! It needs colour! Vegetation! Loads of it. A million shades. Now!” And the earth goes wild with trees, bushes, plants, flowers and fungi. “Now give it a growth permit.” Seeds appear in every one. “Yesss!” says God. Day four: “We need a schedule: let’s have a ‘sun’ for the day, a ‘moon’ for the night; I want ‘seasons’, ‘years’; and give us ‘stars’, masses of stars—think of a number, add a trillion, then times it by the number of trees and we’re getting there: we’re talking huge! Day five: “OK, animals: amoeba, crustaceans, insects, fish, amphibians, reptiles, birds, mammals … I want the whole caboodle teeming with a million varieties of each—and let’s have some fun with the shapes, sizes, colours, textures!” God tells them all, “You’ve got a growth permit—use it!” He sits back and smiles, says, “Result!” Day six: Then God says, “Let’s make people—like us, but human, with flesh and blood, skin and bone. Give them the job of caretakers of the vegetation, game wardens of all the animals.” So God makes people, like him, but human. He makes male and female.… He smiles at them and gives them their job description: “Make babies! Be parents, grandparents, great-grandparents—fill the earth with your families and run the planet well. You’ve got all the plants to eat from, so have all the animals—plenty for all. Enjoy.” God looks at everything he’s made, and says, “Fantastic. I love it!” Day seven: Job done—the cosmos and the earth complete. God takes a bit of well-earned R&R and just enjoys. He makes an announcement: “Let’s keep this day of the week special, a day off—battery-recharge day: Rest Day.”2 I’m not normally a paraphrase guy, but we always read the creation story like a textbook. I love this rendition because it captures the enthusiastic emotion that God felt about everything He created, especially humans. He loved it all. He loved us. Most of all, He loved the way things were.

Kids" You were a child Crawling on your knees toward it Making momma so proud But your voice is too loud We like to watch you laughing You pick the insects off plants No time to think of consequences [Chorus:] Control yourself Take only what you need from it A family of trees wanting to be haunted Control yourself Take only what you need from it A family of trees wanting to be haunted The water is warm But it's sending me shivers A baby is born Crying out for attention Memories fade Like looking through a fogged mirror Decisions too Decisions are made and not bought But I thought this wouldn't hurt a lot I guess not [Chorus x6]

It is not as cruel as it appears, Arisha.” “But all animals are the sacred creatures of Mother Earth,” she repeated back to him. His teaching flooded her memory. He had always stressed the holiness of animal life, even plants and insects. This seemed to be a violation of that sacred truth. “Yes, that is true. But some creatures are more sacred than others. Do you remember how we have talked about the nature of evil men?” “Yes.” She was realizing that not all of life was good and that some people wished to hurt others. “Well, many human beings are bad to Mother Earth. They cut down trees, kill and eat other animals and spoil the land. This is the price we must pay to appease the goddess Gaia. In a way it is really—justice.

spirits in the trees and plants. He explained that the earth with all its forests, lakes and rivers, and all the living things upon it was like one connected being and that being was the goddess. And it was man that ruined that harmony by raping Mother Earth. Man was like a plague on the earth that had to be cured, just like the plague that killed her uncle last year. He lay on his bed rotting away like a living corpse. It was a hideous memory, but it painted a picture she could understand. Humanity must be sacrificed for the benefit of the whole balance of life on Mother Earth. Gaia was well pleased.

When dawn breaks again, we'll say our farewells Our dreams become distant phantoms The times we were embraced In the light that chased you Relying on the warm winds Heralding spring, The wild plants start to dance Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days Under my eyelids still resides Vestiges of summer And those too-distant skies (it was warm) Holding hands, as we picked the flowers -- we sang Memories of that evening (I wasn't there) For three months from August The clouds fall under the sway of the moon And I awaken to the fact That you'll never come back I realize I'm alone I'll go on a journey to find you Now my memories within awaken And now I start to walk To wherever you are When dawn breaks again, we'll say our farewells Our dreams become distant phantoms The times we were embraced In the light that chased you Relying on the warm winds Heralding spring, The wild plants start to dance Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days It's seven o'clock Near you, beneath the cypress trees Your arm on my shoulders With you, a souvenir of the fragrant flowers we saw If the road leading to our reunion were there -- But that doesn't matter, you won't come back again Do you suppose -- Will these tears stop flowing ? The tailwinds scream The silence is broken Fearing nothing, I move on Carrying the golden flowers I'll see you, and I'll again know kindness (Now) The silence is broken Fearing nothing, I move on Carrying the golden flowers I'll see you, and I'll again know kindness Heralding spring, The wild plants start to dance Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days Heralding spring, We dance and samba Summer in Uji, Such dry, arabesque fields The round autumn moon, Risen in celebration Winter passes, And I again count the days When dawn breaks again, we'll say our farewells Our dreams become distant phantoms The times we were embraced In the light that chased you Relying on the warm winds

Ken sos tu? I am Rebecca (Rivka, Rebekah) from my mother’s mother and the wife of Isaac in the Bible. The name means “to tie firmly” or “to snare,” which is why—or so her mother used to tell her when she struggled at sewing—she could, with practice, become skilled with a needle and thread. I am Camayor, from my mother’s father, Behor Camayor of blessed memory, and also Cohen, high priests descended from the sons of Aaron, a name she feels she must live up to, though she’ll hide it as needed and may God forgive her. I am from the pomegranate tree my father planted at my birth, from my nuns in white habits, my staircase with the worn ninth tread, the candlelight reflected in my fingernails. I am a gypsy girl, because to have no home place had once seemed romantic and she could do the dance, just as she could climb ropes at gymnastics, rising and lowering at will. Or was it actually that home, back then, was everywhere?

Right now, the majority of plant researchers are skeptical about whether such behavior points to a repository for intelligence, the faculty of memory, and emotions. Among other things, they get worked up about carrying over findings in similar situations with animals and, at the end of the day, about how this threatens to blur the boundary between plants and animals. And so what? What would be so awful about that? The distinction between plant and animal is, after all, arbitrary and depends on the way an organism feeds itself: the former photosynthesizes and the latter eats other living beings. Finally, the only other big difference is in the amount of time it takes to process information and translate it into action. Does that mean that beings that live life in the slow lane are automatically worth less than ones on the fast track? Sometimes I suspect we would pay more attention to trees and other vegetation if we could establish beyond a doubt just how similar they are in many ways to animals.

Six million trees had been planted below, near the Bnei Brit Memorial Cave, a tree for every Holocaust victim, each one representing a person of ambition, hopes and dreams.

What we have lost by mowing down the forests around the world...is far more than big trees. We've squandered the genetic fitness of future forests. With humans high grading, cutting down the best trees time and again, the great irreplaceable trove of DNA that had been shaped and strengthened over millennia by surviving drought, disease, pestilence, heat, and cold -- the genetic memory--was also gone. The DNA that may be best suited for the tree's journey into an uncertain future on a warming planet has all but vanished, just when we need it most.

A tree is a memory keeper. Tangled beneath our roots, hidden inside our trunks, are the sinews of history, the ruins of wars nobody came to win, the bones of the missing. The water sucked up through our boughs is the blood of the earth, the tears of the victims, and the ink of truths yet to be acknowledged. Humans, especially the victims who hold the pen that writes the annals of history, have a penchant for erasing as much as documenting. It remains to us plants to collect the untold, the unwanted. Like a cat that curls up on its favourite cushion, a tree wraps itself around the remnants of the past.

Since 2011 cherry trees, a symbol of life and rebirth, have been planted in great numbers near Fukushima, in memory of those who died and to help resurrect neighbourhoods washed away during the tsunami.

Good memories are planted seeds you leave behind that grow into giant trees that one day offer you shelter from the glare of harsh days.

Good memories are planted seeds you leave behind that grow into giant trees that one day offer you shelter from the glare of harsh days.

A tree is a memory keeper. Tangled beneath our roots, hidden inside our trunks, are the sinews of history, the ruins of wars nobody came to win, the bones of the missing. The water sucked up through our boughs is the blood of the earth, the tears of the victims, and the ink of truths yet to be acknowledged. Humans, especially the victors who hold the pen that writes the annals of history, have a penchant for erasing as much as documenting. It remains to us plants to collect the untold, the unwanted. Like a cat that curls up on its favourite cushion, a tree wraps itself around the remnants of the past. When Lawrence Durrell, having fallen in love with Cyprus, decided to plant cypresses behind his house and took his spade to the soil, he found skeletons in his garden. Little did he know that this was by no means unusual. All around the world, wherever there is, or has ever been, a civil war or an ethnic conflict, come to the trees for clues, because we will be the ones that sit silently in communion with human remains.

You've got your alien abduction. Bigfoot abduction. Men in black. Genie wish gone awry. Interdimensional portal. Cursed Mesopotamian tablet. Sewer monster. Lake monster. Sea monster. Swamp monster. Killer clowns. Time paradox. Cults—you've got death cults, demon cults, occult cults, new age cults, basically any kind of cult. Witches. The giant Pacific octopus. Trapped on a ghost ship. Possessed. Possessed by a ghost ship—could happen. Knocked unconscious by genetically engineered mushroom spores. Genetically modified insect swarm. Genetically modified alligator. Lots of potential in the genetically modified space overall, really. Fell in a vat of invisible paint. Stolen by time thieves. Shrink ray on the highest setting. Unexpected wicker man festival. Psychically scrubbed from memory so you forget them as soon as you aren't looking at them. Mole men. Lizard men. Giant carnivorous pitcher plant. Giant carnivorous catfish. Bears. Got lost in Finland. Went hiking. Trapped in a TV show. Trapped in a haunted painting. Trapped in a mirror. Trapped in a snow globe. Trees. Not sure how they'd be involved but I always feel like we underestimate them. Moth man. Time loop. Wild hunt. Tax fraud. I could keep going.

Thus began the Third Age of the World, after the Eldest Days and the Black Years; and there was still hope in that time and the memory of mirth, and for long the White Tree of the Eldar flowered in the courts of the Kings of Men, for the seedling which he had saved Isildur planted in the citadel of Anor in memory of his brother, ere he departed from Gondor. The servants of Sauron were routed and dispersed, yet they were not wholly destroyed; and though many Men turned now from evil and became subject to the heirs of Elendil, yet many more remembered Sauron in their hearts and hated the kingdoms of the West. The Dark Tower was levelled to the ground, yet its foundations remained, and it was not forgotten. The Númenóreans indeed set a guard upon the land of Mordor, but none dared dwell there because of the terror of the memory of Sauron,

Diana was everything: crown and scepter, the rule of the land. Her daughter, in whose memory she would reside someday. Her child, the tree she had planted.

Blessing of The Land (at Planting or Harvest) God of the Universe, You made the heavens and the earth, So we do not call our home merely “planet earth.” We call it your Creation, a Divine Mystery, a Gift from Your Most Blessed Hand. The world itself is your miracle. Bread and vegetables from earth are thus also from heaven. Help us to see in our daily bread your presence. Upon this garden May your stars rain down their blessed dust. May you send rain and sunshine upon our garden and us. Grant us the humility to touch the humus, That we might become more human. That we might mend our rift from your Creation, That we might then know the sacredness of the gift of life— That we might truly experience life from the hand of God. For you planted humanity in a garden, and began our resurrection in a garden. Our blessed memory and hope lie in a garden. Thanks be to God, Who made the world teeming with variety, Of things on the earth, above, the earth, and under the earth. Thanks be to God, For the many kinds of plants, trees, and fruits, We celebrate. For the centipedes, ants, and worms, For the mice, marmots, and bats, For the cucumbers, tomatoes, and peppers We rejoice, That we find ourselves eclipsed by the magnitude Of generosity and mystery. Thanks be to God.

Funny how the mind worked, some memories slipping through the cracks, others firmly planted like ancient trees whose roots have taken hold.

for Falasteen the boy i adored at sixteen gifted me his keffiyeh feeling guilty for living when others were killed simply for existing i haven’t seen him in sixteen years but think of him often these days his grandmother’s purse still carrying keys to their home believing they’d return in weeks can it even be called a key if what it unlocked is no longer there? we’d sneak onto mall rooftops & pretend shooting only happened with stars! 'we have a duty of memory,' he said, 'so they’ll kill us all until only the soil is witness' how could i reply? i sat in my liquid silence today there are nurseries of martyrs they bomb babies for they fear enemies hiding between pacifiers & tiny wrists bomb hospitals because enemies hide in ICU bedpans bomb schools because enemies hide in children’s bags bomb the oldest mosques & churches because enemies hide in rosary beads & votive candles they bomb journalists because enemies are hiding under their PRESS vests & helmets bomb poets because enemies hide in pages of peace poems the elderly are bombed because enemies hide under their canes the disabled are bombed because they harbour enemies in their artificial limbs they raze & burn all the ancient trees because enemies make bombs from olives they bomb water treatment plants because enemies are now water & so it goes: justification provided exoneration granted business as usual & the boy I adored has green-grey eyes the colour of fig leaves we don’t speak but i wish to tell him 'i’m sorry the world is a blade i’m sorry home is blood & bones i’m sorry music is sirens & wails i’m sorry night is infinite' but the boy I adored has grey-green eyes the colour of forgotten ash

And how do trees register that the warmer days are because of spring and not late summer? The appropriate reaction is triggered by a combination of day length and temperature. Rising temperatures mean it's spring. Falling temperatures mean it's fall. Trees are aware of that as well. And that's why species such as oaks or beeches, which are native to the Northern Hemisphere, adapt to reversed cycles in the Southern Hemisphere if they are exported to New Zealand and planted there. And what this proves as well, by the way, is that trees must have a memory. How else could they inwardly compare day lengths or count warm days?

Estimated height in feet of a memorial tree planted for George Harrison that died in July after an attack by beetles : 15

The trees. Only a few of the Great Trees, of course, towering to the sky to keep memories of the stedding fresh.” His chair groaned as he shifted forward, gesturing with his hands, one of which still held the book. His eyes were brighter than ever, and his ears almost quivered. “Mostly they used the trees of the land and the place. You cannot make the land go against itself. Not for long; the land will rebel. You must shape the vision to the land, not the land to the vision. In every grove was planted every tree that would grow and thrive in that place, each balanced against the next, each placed to complement the others, for the best growing, of course, but also so that the balance would sing in the eye and the heart. Ah, the books spoke of groves to make Elders weep and laugh at the same time, groves to remain green in memory forever.

out different plants and trees growing around the hut. “This is sweet cane, for energy; the juice of the aloe plant, for its restorative effects; and mashed papaya, for revitalization and nutrients.” Meghan pulled her

My grandparents... planted their land up with trees, both those native... and exotics which stood in memory of the countries where they had lived.

Inheritance   My hands are worn and holding an aching memory of yesterday’s efforts to plant a tree that will live five hundred years. I was thinking it would be eleven or twelve generations from now, a child rooted of my line might look to see some splendid legacy still yearning into earth, still reaching for the sky, having once been pulled from a bucket and placed in the ground by hands aching to turn the world around.

Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008

People have rituals for communing with the dead, rituals that depend more on the idiosyncrasies of the individual than on the influence of culture. Some visit gravesites. Some talk to portraits, or mantelpiece urns. Some go to spots favored by the deceased during life, or mouth silent prayers in houses of worship, or have trees planted in memory in some far-off land. The common denominator, of course, is a sense beyond logic that the dead are aware of all this, that they can hear the prayers and witness the deeds and feel the ongoing love and longing. People seem to find that sense comforting.

I do not know if the seasons remember their history or if the days and nights by which we count time remember their own passing. I do not know if the oak tree remembers its planting or if the pine remembers its slow climb toward sun and stars. I do not know if the squirrel remembers last fall's gathering or if the bluejay remembers the meaning of snow. I do not know if the air remembers September or if the night remembers the moon. I do not know if the earth remembers the flowers from last spring or if the evergreen remembers that it shall stay so. Perhaps that is the reason for our births—to be the memory for creation. Perhaps salvation is something very different than anyone ever expected. Perhaps this will be the only question we will have to answer: "What can you tell me about September?" "September Meditation