Couple Poses Quotes

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Sydney: "You can be Jet if you want, but we are not posing as a couple again" Adrian: "Are you sure? Because I've got a lot more terms of endearment to use. Honey pie. Sugarplum. Bread pudding." Sydney: "Why are they all high-calorie foods? And bread pudding isn't really that romantic." Adrian: "Do you want me to call you celery stick instead? It just doesn't inspire the same warm and fuzzy feelings." - The Indigo Spell
Richelle Mead (The Indigo Spell (Bloodlines, #3))
I blew out a breath, took a couple steps back, and flopped in one of the battered chairs that line the wall, trying, with my casual pose, to defuse the situation. "Adam, I don't have a sense to be afraid of Sam in the state he's in now. I don't know why you think I'd be smart enough to be afraid of you.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
In previous centuries, the Church was the great controller, dictating morality, stifling free expression and posing as conservator of all great art and music. Instead we have TV, doing just as good a job at dictating fashions, thoughts, attitudes, objectives as did the Church, using many of the same techniques but doing it so palatably that no one notices. Instead of ‘sins’ to keep people in line, we have fears of being judged unacceptable by our peers (by not wearing the right shoes, not drinking the right kind of beer, or wearing the wrong kind of deodorant). Coupled with that fear is imposed insecurity concerning our own identities. All answers and solutions to these fears come through the television, and only through television. Only through exposure to TV can the new sins of alienation and ostracism be absolved.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
There’s only one hopeful chord in this cacophony, and it’s this girl I’m following. I know I could tell her to get a cab—I have a feeling she can more than afford it—but I like the idea of leaving with her and staying with her. She says good-bye to the club manager as we reach the door and are released onto the street. The sidewalk is full of smokers, talking or posing their way to ash. I get the nod from a couple of people I vaguely know. Ordinarily if I left with two hot girls, there’d also be some looks of admiration. Maybe it’s because of the clear anger between Norah and Caroline, or maybe it’s because they all think I’m gay—whatever the case, I get no more congratulations than a cabdriver does for picking up a fare.
David Levithan (Nick & Norah's Infinite Playlist)
disagreement based on LEGITIMATE IJTIHAD which does not create DISCORD or DISUNITY is a BLESSING for the UMMAH and an enrichment of ISLAMIC JURISPRUDENCE. Objective disagreement in itself poses no threat if it is coupled with TOLERANCE and is free of FANATICISM, ACCUSATIONS, and NARROW-MINDEDNESS.
يوسف القرضاوي (Uṣūl al Fiqh al Islāmī: Source Methodology in Islamic Jurisprudence)
Abby stood nervously before her Master in the classic submissive pose: fully nude, legs apart, wrists placed behind her back; deeply ashamed of her evident arousal. Worse, she had to recount in exact detail the proceedings of her last whipping. The whipping had been severe; as was the case with most of the clients she was commissioned to serve. Most of these clients were men, some were women, on occasion a couple, or even a group. Nevertheless her body reacted like that of a wanton whore as she retold of the sadistic punishments and extreme sexual use inflicted upon her body. How far would her Master push her with these ‘tests’? How far would Abigail go? How many times could she stand before him blushing; yet with that unmistakable tingle? Their relationship was surely headed for a collision course. Or was it?
Al Daltrey (Testing the Submissive)
One night he left the light on and just stared into space silently. “Every couple hours I would wake up, and he was just still sitting there, in the thinking man statue pose, just completely silent on the edge of the bed,” Grimes says. When she woke up that morning, he said to her, “I solved it.
Walter Isaacson (Elon Musk)
In monogamy, a romantic partner and a sexual partner are, almost by definition, the same person. Emotional intimacy and physical intimacy are so tightly entwined that some self-help books speak of "emotional infidelity" and encourage married couples not to permit each other to become too close to their friends. Advice columnists and television personalities will speak gravely of the dangers that "emotional affairs" pose to a monogamous marriage and ask, "Is emotional infidelity worse than sexual infidelity?" Monogamy can leave surprisingly little room for close friendships, much less nonsexual romances.
Eve Rickert (More Than Two: A Practical Guide to Ethical Polyamory)
It's the forties look," she says to George, hand on her hip, doing a pirouette. "Rosie the Riveter. From the war. Remember her?" George, whose name is not really George, does not remember. He spent the forties rooting through garbage bag heaps and begging, and doing other things unsuitable for a child. He has a dim memory of some film star posed on a calendar tattering on a latrine wall. Maybe this is the one Prue means. He remembers for an instant his intense resentment of the bright, ignorant smile, the well-fed body. A couple of buddies had helped him take her apart with the rusty blade from a kitchen knife they'd found somewhere in the rubble. He does not consider telling any of this to Prue.
Margaret Atwood (Wilderness Tips)
Cela pose un problème que...?" "Que tu ne sois pas juif? Pas le moins du tout, dit maman en riant. Ni mon mari ni moi n'accordons d'importance à la différence de l'autre. Bien au contraire, nous avons toujours pensé que'elle était passionnante et source de multiples bonheurs. Le plus important, quand on veut vivre à deux toute une vie, est d'etre sur que l'on ne s'ennuiera pas ensemble. L'ennui dans un couple, c'est lui qui tue l'amour. Tant que tu feras rire Alice, tant que tu lui donneras l'envie de te retrouver, alors que tu viens à peine de la quitter pour aller travailler, tant que tu seras celui dont elle partage les confidences et à qui elle aime aussi se confier, tant que tu vivras tes reves avec elle, meme ceux que tu ne pourras pas réaliser, alors je suis certaine que quelles que soient tes origines, la seule chose qui sera étrangère à votre couple sera le monde et ses jaloux.
Marc Levy (Les Enfants de la liberté)
I flipped quickly through the pages as I waited—made my family a jerky, imperfect movie. It struck me that my mother had compiled mostly a book of her father, Thomas, and me. Others make appearances: Ray, Dessa, the Anthonys from across the street, the Tusia sisters from next door. But my grandfather, my brother, and I are the stars of my mother’s book. Ma herself, camera-shy and self-conscious about her cleft lip, appears only twice in the family album. In the first picture, she’s one of a line of dour-faced schoolchildren posed on the front step of St. Mary of Jesus Christ Grammar School. (A couple of years ago, the parish sold that dilapidated old schoolhouse to a developer from Massachusetts who converted it into apartments.
Wally Lamb (I Know This Much Is True)
In the last week of April 2004, a handful of the Abu Ghraib photographs were broadcast on 60 minutes and published in The New Yorker, and within a couple of days they had been rebroadcast and republished pretty much everywhere on earth. Overnight, the human pyramid, the hooded man on the box, the young woman soldier with a prisoner on a leash, and the corpse packed in ice had become the defining images of the Iraq war...Never before had such primal dungeon scenes been so baldly captured on camera...But above all, it was the posing soldiers, mugging for their buddies' cameras while dominating the prisoners in trophy stances, that gave the photographs the sense of unruly and unmediated reality. The staging was part of the reality they documented. And the grins, the thumbs-up, the arms crossed over puffed-out chests—all this unseemly swagger and self-regard was the height of amateurism. These soldier-photographers stood, at once, inside and outside the events they recorded, watching themselves take part in the spectacle, and their decision not to conceal but to reveal what they were doing indicated that they were not just amateur photographers, but amateur torturers. So the amateurism was not merely a formal dimension of the Abu Ghraib pictures. It was part of their content, part of what we saw in them, and it corresponded to an aspect of the Iraq War that troubled and baffled nearly everyone: the reckless and slapdash ineptitude with which it had been prosecuted. It was an amateur-run war, a murky and incoherent war. It was not clear why it was waged; too many reasons were given, none had held up, and the stories we invented to explain it to ourselves hardly seemed to matter, since once it was started the war had become its own engine—not a means to an end but an end in itself. What had been billed as a war of ideas and ideals had been exposed as a war of poses and posturing.
Philip Gourevitch (Standard Operating Procedure)
I have spoken of reinventing marriage, of marriages achieving their rebirth in the middle age of the partners. This phenomenon has been called the 'comedy of remarriage' by Stanley Cavell, whose Pursuits of Happiness, a film book, is perhaps the best marriage manual ever published. One must, however, translate his formulation from the language of Hollywood, in which he developed it, into the language of middle age: less glamour, less supple youth, less fantasyland. Cavell writes specifically of Hollywood movies of the 1930s and 1940s in which couples -- one partner is often the dazzling Cary Grant -- learn to value each other, to educate themselves in equality, to remarry. Cavell recognizes that the actresses in these movie -- often the dazzling Katherine Hepburn -- are what made them possible. If read not as an account of beautiful people in hilarious situations, but as a deeply philosophical discussion of marriage, his book contains what are almost aphorisms of marital achievement. For example: ....'[The romance of remarriage] poses a structure in which we are permanently in doubt who the hero is, that is, whether it is the male or female who is the active partner, which of them is in quest, who is following whom.' Cary grant & Katherine Hepburn "Above all, despite the sexual attractiveness of the actors in the movies he discusses, Cavell knows that sexuality is not the ultimate secret in these marriage: 'in God's intention a meet and happy conversation is the chiefest and noblest end of marriage. Here is the reason that these relationships strike us as having the quality of friendship, a further factor in their exhilaration for us.' "He is wise enough, moreover, to emphasize 'the mystery of marriage by finding that neither law nor sexuality (nor, by implication, progeny) is sufficient to ensure true marriage and suggesting that what provides legitimacy is the mutual willingness for remarriage, for a sort of continuous affirmation. Remarriage, hence marriage, is, whatever else it is, an intellectual undertaking.
Carolyn G. Heilbrun (Writing a Woman's Life)
Grandma I’ve been writing in names that are missing, the ones I know, which is by no means all of them. That’s what happens, you see. First, there’s no need to write who they are, because everyone knows that’s Great-Aunt Sophia or Cousin Rudi, and then only some of us know, and already we’re asking, ‘Who’s that with Gertrude?’ and ‘I don’t remember this man with the little dog’, and you don’t realise how fast they’re disappearing from being remembered … Wilma It’s still an amazing thing to me, to know the faces of the dead! I can remember Grandpa Jakobovicz’s tobacco-stained whiskers, but his wife died giving birth to Poppa before there were photographs, so now no one knows what she looked like any more than if she’d been some kind of rumour. Grandma Everyone was mad to have a photograph when I was a girl, it was like a miracle and you had to go to a photographer’s to pose for him … wedding couples, soldiers in their first uniforms, children in front of painted scenery … and, always, women dressed up for the carnival ball, posing with a Greek pillar. Later, when we had a camera, there were too many pictures to keep in the album, holiday pictures with real scenery, swimming pictures, pictures of children in dirndl pinafores and lederhosen, like little Austrians. Here’s a couple waving goodbye from the train, but who are they? No idea! That’s why they’re waving goodbye. It’s like a second death, to lose your name in a family album.
Tom Stoppard (Leopoldstadt)
Here’s how one couple in marital therapy answered the Miracle Question posed by their therapist, Brian Cade of Sydney, Australia: WIFE: I’d be happy, feeling at ease at last. I’d be more pleasant to Bob, not jumping down his throat all the time. CADE: What will you do instead? WIFE: Well, there would be more understanding between us. We’d listen to what each other was saying. HUSBAND: Yes. At the moment, we don’t really listen to each other. We just can’t wait to get our own point in. CADE: How could you tell that the other was really listening? WIFE: In the face, I think. We’d perhaps make more eye contact. (Pauses, then laughs.) We’d nod in the right places. Yes. We’d both respond to what the other was saying rather than just attacking or ignoring it.
Chip Heath (Switch: How to Change Things When Change Is Hard)
The conditions that breed a disorganized attachment adaptation are not specific to CNM by any means, but I have seen a variation that is unique to CNM. There can be something very disorienting that happens for some new CNM couples who were first monogamous together and were accustomed to being each other’s main source of comfort, support and relief from distress. As the relationship opens, a partner’s actions with other people (even ethical ones that were agreed upon) can become a source of distress and pose an emotional threat. Everything that this person is doing with other people can become a source of intense fear and insecurity for their pre-existing partner, catapulting them into the paradoxical disorganized dilemma of wanting comfort and safety from the very same person who is triggering their threat response. Again, the partner may be doing exactly what the couple consented to and acting within their negotiated agreements, but for the pre-existing partner, their primary attachment figure being away, unavailable and potentially sharing levels of intimacy with another person registers as a debilitating threat in the nervous system. As someone in this situation simultaneously wants to move towards and away from one’s partner, the very foundation of their relationship and attachment system can begin to shudder, and people can begin acting out in ways that are destructive to each other and the relationship. When this happens, I recommend working with a professional to re-establish inner and outer safety.
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
I hadn’t stammered once, the whole time I’d been talking to Mrs. Gretton. S’pose it isn’t Hangman who causes it? S’pose it’s the other person? The other person’s expectations. S’pose that’s why I can read aloud in an empty room, perfectly, or to a horse, or a dog, or myself? (Or Mrs. Gretton, who might’ve been listening to a voice but I’m pretty sure it wasn’t mine.) S’pose there’s a time fuse lit when it’s a human listening, like a stick of Tom and Jerry dynamite? S’pose if you don’t get the word out before this fuse is burnt away, a couple of seconds, say, the dynamite goes off? S’pose what trigger’s the stammer’s the stress of hearing that fuse going ssssssss? S’pose you could make that fuse infinitely long, so that the dynamite’d never go off? How? By honestly not caring how long the other person’ll have to wait for me. Two seconds? Two minutes, no, two years. Sitting in Mrs. Gretton’s yellow room it seemed so obvious. If I can reach this state of not caring, Hangman’ll remove his finger from my lips.
David Mitchell (Black Swan Green)
If a mini-habit isn’t working, it’s probably just too big. Make it smaller and let it grow organically. Committing to one workout per day might not sound like much, but it can easily get lost in the whirlpool of daily living. Trim it down to something stupidly easy, quick, and unskippable: a couple of sets of body-weight exercises to failure or a 15-minute walk, for example. The mini-habit tool is incredibly versatile. You can apply it to just about any endeavor and immediately reap the benefits. For example… • Read five pages of the book you want to finish. • Write 50 words on your project. • Do 10 minutes of that exercise DVD. • Lift weights one day per week. • Practice your yoga poses for 5 minutes. • Follow your meal plan for one day. • Cook one new recipe per week. • Give one compliment per day. • Replace one cup of soda with water. You get the idea. So, what major, scary change do you want to make in your life? And what’s the stupidest, simplest action you can take every day to nudge the needle in that direction? There’s your breadcrumb of a mini-habit. Pick it up and see where the trail takes you.
Michael Matthews (Cardio Sucks: The Simple Science of Losing Fat Fast...Not Muscle (Muscle for Life))
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
Wow,” he says, looking around. “You’ve redecorated.” “When was the last time you were in here?” I search my memory, browsing through images of a much smaller, shaggy-haired Ryder in my room. Eight, maybe nine? “It’s been a while, I guess.” He moves over to my mirror, framed with photos that I’ve tacked up haphazardly on the white wicker frame. Mostly me, Morgan, and Lucy in various posed and candid shots. One of Morgan, just after being crowned Miss Teen Lafayette Country. A couple of the entire cheerleading squad at cheer camp. I see his gaze linger on one picture in the top right corner. Curious, I move closer, till I can see the photo in question. It was taken on vacation--Fort Walton Beach, at the Goofy Golf--several years ago. Nan and I are standing under the green T-Rex with our arms thrown around each other. Ryder is beside us, leaning on a golf club. He’s clearly in the middle of a growth spurt, because he looks all skinny and stretched out. I’d guess we’re about twelve. If you look through our family photo albums, you’ll probably find a million pictures that include Ryder. But this is the only one of him in my room. I’d kind of forgotten about it. But now…I’m glad it’s here. “Look how skinny I was,” he says. “Look how chubby I was,” I shoot back, noting my round face. “You were not chubby. You were cute. In that, you know, awkward years kind of way.” “Thanks. I think.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
A few years ago, a couple of young men from my church came to our home for dinner. During the course of the dinner, the conversation turned from religion to various world mythologies and we began to play the game of ‘Name That Character.” To play this game, you pick a category such as famous actors, superheroes or historical characters. In turn, each person describes events in a famous character’s life while everyone else tries to guess who the character is. Strategically you try to describe the deeds of a character in such a way that it might fit any number of characters in that category. After three guesses, if no one knows who your character is, then you win. Choosing the category of Bible Characters, we played a couple of fairly easy rounds with the typical figures, then it was my turn. Now, knowing these well meaning young men had very little religious experience or understanding outside of their own religion, I posed a trick question. I said, “Now my character may seem obvious, but please wait until the end of my description to answer.” I took a long breath for dramatic effect, and began, “My character was the son of the King of Heaven and a mortal woman.” Immediately both young men smiled knowingly, but I raised a finger asking them to wait to give their responses. I continued, “While he was just a baby, a jealous rival attempted to kill him and he was forced into hiding for several years. As he grew older, he developed amazing powers. Among these were the ability to turn water into wine and to control the mental health of other people. He became a great leader and inspired an entire religious movement. Eventually he ascended into heaven and sat with his father as a ruler in heaven.” Certain they knew who I was describing, my two guests were eager to give the winning answer. However, I held them off and continued, “Now I know adding these last parts will seem like overkill, but I simply cannot describe this character without mentioning them. This person’s birthday is celebrated on December 25th and he is worshipped in a spring festival. He defied death, journeyed to the underworld to raise his loved ones from the dead and was resurrected. He was granted immortality by his Father, the king of the gods, and was worshipped as a savior god by entire cultures.” The two young men were practically climbing out of their seats, their faces beaming with the kind of smile only supreme confidence can produce. Deciding to end the charade I said, “I think we all know the answer, but to make it fair, on the count of three just yell out the answer. One. Two. Three.” “Jesus Christ” they both exclaimed in unison – was that your answer as well? Both young men sat back completely satisfied with their answer, confident it was the right one…, but I remained silent. Five seconds ticked away without a response, then ten. The confidence of my two young friends clearly began to drain away. It was about this time that my wife began to shake her head and smile to herself. Finally, one of them asked, “It is Jesus Christ, right? It has to be!” Shaking my head, I said, “Actually, I was describing the Greek god Dionysus.
Jedediah McClure (Myths of Christianity: A Five Thousand Year Journey to Find the Son of God)
The act of going up into Full Arm Balance combines elements of physics and biomechanics. Joint rhythm couples with momentum, so that the body floats up into the pose with control. Begin in Downward Facing Dog Pose. Then step one foot forward, keeping the knee bent. This shifts the center of gravity and brings the weight forward into the hands, taking the arms into a more vertical position. Pause here if you are new to the pose. Get used to positioning the arm bones so that the mechanical and anatomical axes align with one another. Start to rock the weight over the hands in a 1-2-3 type of rhythm; then engage the thigh, buttocks, and lower back muscles to lift the back leg straight up onto the wall. Combine the momentum generated by rocking forward and back with the force of the spinal extensor muscles to lift the other leg.
Ray Long (Anatomy for Arm Balances and Inversions: Yoga Mat Companion 4)
She swallowed, blinked quickly a couple of times and it twisted his heart to know she was battling tears on his behalf. “So you’re going to what, sacrifice yourself? Stand out there and offer yourself up as human bait so they can bring him in—” Wade stepped up close and curved a hand around the back of her neck to silence her. She bit her lip and lowered her gaze, hitching in a ragged breath that tore through him. “It has to be me. Can you try to understand? The risk he poses outweighs everything else.” Even his life, if necessary. He tightened his fingers slightly, desperate to get through to her, to make her see why it had to be this way. But he hated leaving her, hated going with all this uncertainty left between them. He pushed out a breath and leaned his forehead against hers as the emotions bombarded him. Anxiety. Longing. An overwhelming sadness that this might be the last time he got to touch her. He didn’t know what to do with it all. “I never expected to fall for you,” he whispered, his throat tightening. Her head jerked back and she stared up at him with those huge green eyes swimming with tears. “I didn’t,” he insisted, feeling awed and bewildered at the realization that this woman meant so much to him. “You’ve made me feel things I never thought I’d—” He broke off, swallowing. Caressing her nape with his fingers, he cradled her cheek in his other hand and stared into her eyes. “It didn’t matter to me before if I lived or not, so long as I got him, but it’s different now. You matter to me, and I’m going to do everything in my power to come back for you. Okay?
Kaylea Cross (Danger Close (Bagram Special Ops, #4))
There's a big Alzheimer's benefit in a couple of weeks. A charity ball is right after that. We eat, we smile, we pose. No balls. None. I'm sorry to hear that. Have you talked to a doctor?
Susan Elizabeth Phillips (What I Did for Love (Wynette, Texas, #5))
Standing behind Georgie, Luke slipped his arms about her waist and pulled her back against him. She rested her hands on his. “She used my colored ribbon. Do you see it?” They faced her corner window, watching as the mama cardinal nosed the edges of her nest. It had taken her only three days to build it. The compact bowl was a masterpiece of twigs, rootlets, vines, and strips of bark. Interlaced within its siding was a frivolous piece of yellow-and-orange frippery. “I do,” he said. “Definitely gives it the woman’s touch.” She smiled. He had to admit the process was fascinating. The male had kept a close eye on his mate during construction, but didn’t offer any help. He wondered if it contributed at all once copulation had occurred, but wasn’t quite sure how to pose the question. “How long before she lays?” he asked. “Five or six days.” “Then how long before they hatch?” “Another twelve, give or take.” He rested his mouth against her hair and inhaled the flowery-cinnamon shampoo paste she used. “You going to name them?” She angled her head back. “I believe the most romantic couple’s names have already been taken.” Unable to resist, he gave her a soft kiss. “There’s Romeo and Juliet.” Scrunching her nose, she turned back around. “I don’t much care for the ending of that tale.” The female cardinal hopped to the edge of the ligustrum, then darted away in search of food. “Cleopatra and Caesar?” “No, I’m through glamorizing people who don’t deserve it.” He gave her a quick squeeze. “Then what about Queen Victoria and Prince Albert?” Her spine straightened. “Oh, I like that. And with the cardinals’ rich beautiful plumage, they deserve royal names.
Deeanne Gist (Love on the Line)
if there really is no way you can win, you never say it out loud. You assess why, change strategy, adjust tactics, and keep fighting and pushing till either you’ve gotten a better outcome or you’ve died. Either way, you never quit when your country needs you to succeed. As Team 5 was shutting down the workup and loading up its gear, our task unit’s leadership flew to Ramadi to do what we call a predeployment site survey. Lieutenant Commander Thomas went, and so did both of our platoon officers in charge. It was quite an adventure. They were shot at every day. They were hit by IEDs. When they came home, Lieutenant Commander Thomas got us together in the briefing room and laid out the details. The general reaction from the team was, “Get ready, kids. This is gonna be one hell of a ride.” I remember sitting around the team room talking about it. Morgan had a big smile on his face. Elliott Miller, too, all 240 pounds of him, looked happy. Even Mr. Fantastic seemed at peace and relaxed, in that sober, senior chief way. We turned over in our minds the hard realities of the city. Only a couple weeks from now we would be calling Ramadi home. For six or seven months we’d be living in a hornet’s nest, picking up where Team 3 had left off. It was time for us to roll. In late September, Al Qaeda’s barbaric way of dealing with the local population was stirring some of Iraq’s Sunni tribal leaders to come over to our side. (Stuff like punishing cigarette smokers by cutting off their fingers—can you blame locals for wanting those crazies gone?) Standing up for their own people posed a serious risk, but it was easier to justify when you had five thousand American military personnel backing you up. That’ll boost your courage, for sure. We were putting that vise grip on that city, infiltrating it, and setting up shop, block by block, house by house, inch by inch. On September 29, a Team 3 platoon set out on foot from a combat outpost named Eagle’s Nest on the final operation of their six-month deployment. Located in the dangerous Ma’laab district, it wasn’t much more than a perimeter of concrete walls and concertina wire bundling up a block of residential homes. COP Eagle’s
Marcus Luttrell (Service: A Navy SEAL at War)
There can be something very disorienting that happens for some new CNM couples who were first monogamous together and were accustomed to being each other’s main source of comfort, support and relief from distress. As the relationship opens, a partner’s actions with other people (even ethical ones that were agreed upon) can become a source of distress and pose an emotional threat. Everything that this person is doing with other people can become a source of intense fear and insecurity for their pre-existing partner, catapulting them into the paradoxical disorganized dilemma of wanting comfort and safety from the very same person who is triggering their threat response.
Jessica Fern (Polysecure: Attachment, Trauma and Consensual Nonmonogamy)
Such a virile, vital person, he was so different from the diverse gentlemen of her acquaintance who were watered-down versions of the male animal. He exhibited none of the fluff or posturing, none of the pretension or swaggering, that the others practiced ad nauseam, but then, he didn't need to preen or pose. With that invincible combination of attitude, demeanor, and temperament, rivals could only jealously envy him. And he was so bloody good-looking. An amazing body, coupled with a comely face and those mesmerizing sapphire eyes, ensured that he cut a swath wherever he went. Heads turned, women coveted, men begrudged. It almost wasn't fair to the members of his sex that he possessed so much, while the rest of them had been graced with so little.
Cheryl Holt (Total Surrender)
The invitation came from Studio Morra in Naples: Come and perform whatever you want. It was early 1975. With the scandalized reactions of the Belgrade press fresh in my mind, I planned a piece in which the audience would provide the action. I would merely be the object, the receptacle. My plan was to go to the gallery and just stand there, in black trousers and a black T-shirt, behind a table containing seventy-two objects: A hammer. A saw. A feather. A fork. A bottle of perfume. A bowler hat. An ax. A rose. A bell. Scissors. Needles. A pen. Honey. A lamb bone. A carving knife. A mirror. A newspaper. A shawl. Pins. Lipstick. Sugar. A Polaroid camera. Various other things. And a pistol, and one bullet lying next to it. When a big crowd had gathered at eight P.M., they found these instructions on the table: There are 72 objects on the table that one can use on me as desired. I am the object. During this period I take full responsibility. Duration: 6 hours (8pm - 2am) Slowly at first and then quickly, things began to happen. It was very interesting: for the most part, the women in the gallery would tell the men what to do to me, rather than do it themselves (although later on, when someone stuck a pin into me, one woman wiped the tears from my eyes). For the most part, these were just normal members of the Italian art establishment and their wives. Ultimately I think the reason I wasn’t raped was that the wives were there. As evening turned into late night, a certain air of sexuality arose in the room. This came not from me but from the audience. We were in southern Italy, where the Catholic Church was so powerful, and there was this strong Madonna/whore dichotomy in attitudes toward women. After three hours, one man cut my shirt apart with the scissors and took it off. People manipulated me into various poses. If they turned my head down, I kept it down; if they turned it up, I kept it that way. I was a puppet—entirely passive. Bare-breasted, I stood there, and someone put the bowler hat on my head. With the lipstick, someone else wrote IO SONO LIBERO—“I am free”—on the mirror and stuck it in my hand. Someone else took the lipstick and wrote END across my forehead. A guy took Polaroids of me and stuck them in my hand, like playing cards. Things got more intense. A couple of people picked me up and carried me around. They put me on the table, spread my legs, stuck the knife in the table close to my crotch. Someone stuck pins into me. Someone else slowly poured a glass of water over my head. Someone cut my neck with the knife and sucked the blood. I still have the scar. There was one man—a very small man—who just stood very close to me, breathing heavily. This man scared me. Nobody else, nothing else, did. But he did. After a while, he put the bullet in the pistol and put the pistol in my right hand. He moved the pistol toward my neck and touched the trigger. There was a murmur in the crowd, and someone grabbed him. A scuffle broke out. Some of the audience obviously wanted to protect me; others wanted the performance to continue. This being southern Italy, voices were raised; tempers flared. The little man was hustled out of the gallery and the piece continued. In fact, the audience became more and more active, as if in a trance. And then, at two A.M., the gallerist came and told me the six hours were up. I stopped staring and looked directly at the audience. “The performance is over,” the gallerist said. “Thank you.” I looked like hell. I was half naked and bleeding; my hair was wet. And a strange thing happened: at this moment, the people who were still there suddenly became afraid of me. As I walked toward them, they ran out of the gallery.
Marina Abramović
Yeah, well, I couldn’t ask people to go through what Michael did, so we dropped those kinds of stunts. But we were still fighting, doing underground stuff, right up until a couple of weeks ago. That’s when they decided there was only one way to stop me, I suppose, and they went for Gran.” “They what?” said Harry, Ron, and Hermione together. “Yeah,” said Neville, panting a little now, because the passage was climbing so steeply, “well, you can see their thinking. It had worked really well, kidnapping kids to force their relatives to behave, I s’pose it was only a matter of time before they did it the other way around. Thing was,” he faced them, and Harry was astonished to see that he was grinning, “they bit off a bit more than they could chew with Gran. Little old witch living alone, they probably thought they didn’t need to send anyone particularly powerful. Anyway,” Neville laughed, “Dawlish is still in St. Mungo’s and Gran’s on the run. She sent me a letter,
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Do you always just stand there gawping like tweedle dumb and tweedle dumber? I thought you were supposed to pose a challenge to the throne of Solaria?” “Actually we just want our inher-” Tory started but Mildred spoke loudly over her in her baritone voice. “You do realise the only reason you're at this party is because everyone wants to have a good laugh about how us Dragons are going to use you bony bodies as toothpicks after Darius and I ascend to our rightful place on the throne?” She moved closer, her head cocked and her mouth set into a sneer. “Why would anyone bow to a couple of Orderless, busty airheads?” My teeth locked together as anger bloomed in my chest. “I'm kinda fond of the busty part,” Caleb muttered and Seth fist bumped him. “We're not airheads-” I started, figuring I couldn't really deny the other two things - dammit. “And the only reason we're at this party is because Darius is helping out Tory in return. It's tit for tat.” “Darius would never give his tat for any of your tits!” she shrieked, smoke spewing from her nostrils. Tory burst out laughing, but I sensed the danger in Mildred's tone and hurriedly used what Professor Perseus had taught us, forcing a shield of air out around us. Fire streamed from Mildred's open mouth and deflected over the shield in a powerful display of red and gold sparks. My heart hammered wildly as Mildred grunted her fury then stormed past us and exited the room. She slammed the door with a wall-shaking bang and my shoulders dropped with relief. “Good thinking,” Tory said on a breath. Darius sunk down into a chair and dropped his head into his hands. His friends grouped around him, their mocking expressions falling away. Seth nuzzled against Darius's cheek and Max reached out, pressing his fingers to the back of his hand while Caleb started pacing back and forth in front of him. I sensed this was the right time to leave and we both slipped out of the room without a word. We moved away, lingering on the edge of the crowd as I eagerly hunted for another glass of champagne. If there was one way to get through this night, it started with alco and ended in hol. (Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Steve toyed with the idea of sending his doodles to the artist’s agent. Perhaps this was his life’s calling and he’d make a fortune drawing breasts. He kind of liked the idea. Hiring women to pose for him, that sort of thing. With that thought in mind he sketched a couple of ideas. He drew a torso and gave the woman four breasts with multiple nipples. He was just warming to his subject when Hallie glanced over at what he was doing, gasped and grabbed the program away from him. Giving him a pinched-lip look, she promptly crumpled it up.
Debbie Macomber (This Matter of Marriage)
There’s no distinction here between what a saint would describe and a Patrick who discovers love for the first time. He and Fran didn’t last as a couple beyond a year. Like everyone who has passed through the stage of infatuation, they had ego needs that weren’t the same. Settling down to love while negotiating the demands of “I, me, and mine” poses its own challenges. But Patrick learned the most valuable lesson of his life, that he was lovable and, along with this, that he could love.
Deepak Chopra (The Healing Self: Supercharge your immune system and stay well for life)
The inexorable search for a stanza of meaning hangs like a thundercloud over the troposphere of humankind’s prosaic existence. A dithering sense of loss engulfs us. Humankind’s unattainable desire to achieve a slice of perfection generates a suspenseful haze of doom. A lingering stab of incompleteness coupled with the tantalizing riddles of fate are inalterably interlinked and imbued in all thinking people’s tormented soul. This cross coalescence of unattainable longing melds with the mystic tinged edges of uncertainty, spawned by the unanswerable questions posed by fate, fomenting a dialectical dissonance that distinguishes and ultimately exemplifies the arc of humankind’s plaintive subsistence.
Kilroy J. Oldster (Dead Toad Scrolls)
After spending a couple months at Walter Reed, Kristi told a Washington Post reporter that, if someone had to get injured, she was glad it was her husband; she was convinced that together they were strong enough to face whatever challenges Fernandez’s disability posed.
Beth Linker (War's Waste: Rehabilitation in World War I America)
Once, I was having lunch with the president of another movie studio, who told me that his biggest problem was not finding good people; it was finding good ideas. I remember being stunned when he said that—it seemed patently false to me, in part because I’d found the exact opposite to be true on Toy Story 2. I resolved to test whether what seemed a given to me was, in fact, a common belief. So for the next couple of years I made a habit, when giving talks, of posing the question to my audience: Which is more valuable, good ideas or good people? No matter whether I was talking to retired business executives or students, to high school principals or artists, when I asked for a show of hands, the audiences would be split 50-50. (Statisticians will tell you that when you get a perfect split like this, it doesn’t mean that half know the right answer—it means that they are all guessing, picking at random, as if flipping a coin.) People think so little about this that, in all these years, only one person in an audience has ever pointed out the false dichotomy. To me, the answer should be obvious: Ideas come from people.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Smiling, she reached for the book. “I’d be happy to show it to you. It’s one of Arthur’s favorites.” Oh, what wicked fun. She was taunting him without mercy now, she realized, but his reaction was so entertaining— almost adorable —that she couldn’t help herself. When he said nothing, she plucked the book from his hands and flipped it to page forty, revealing a couple in a pose so erotic that even she raised a brow when she saw it again. She stepped closer, turning the book toward him as she tapped the illustration. “This is the one.” As he peered down at the picture, his eyes widened a fraction. She suppressed a grin as she sensed this very staid and proper vicar’s inability to look away, ensnared by his own carnal instincts. He examined the image for several seconds and then lifted his eyes to hers. Something unexpected— something primal — flashed in his expression then, and her knees wobbled and nearly buckled under the intensity of his gaze as it smoldered and bored into her soul. He gently tugged at the book, removing it from her grip, and in so doing, inadvertently brushed her fingers with his own. She wanted to pull away from him, but so help her, she could not break the contact, and suddenly, the tables turned. Suddenly, this was no longer her little game, her amusing trifle. Suddenly, it was very real. All humor vanished as she realized the joke was now very much on her.
Anna Durbin (King of Wands)
There you two are,” Nina calls. She offers a smile almost identical to Chiara’s when she’s up to something. Nina drops Tate’s hand and presses the power button on her point-and-shoot camera. She motions for Darren and me to get closer together, but we’re like rocks. “Come on, I want a picture,” she prompts. Darren doesn’t move, so I walk over to him and leave a few inches between us. Nina huffs and reaches for Darren’s arm, wrapping it behind my head and resting his hand on my shoulder. My bare shoulder! “Nina--” Darren starts to gripe. “Shut up, I’m giving you direction. You two are pathetic.” She stands by Tate again and takes a picture of us. “Smiling won’t kill you, doll.” “I am smiling,” I say through gritted teeth, Darren’s hand burning into my skin. She puts a fist on her hip and shifts her weight impatiently. “Not you. Him.” I turn to look at Darren, but he’s still holding on to me and my body sort of melts into his. He turns his face to mine too and I bite back a nervous laugh, which makes him crack a smile. “Finally,” Nina says as she takes a couple more pictures. My smile stretches ear to ear and I’m completely lost in Darren’s deep eyes. Nina’s still chattering on, probably asking us to change poses, but I don’t hear any of it and Darren doesn’t seem to either. It’s just us. Me and the boy I watched fall asleep last night. The same cute face I stared at until my eyes burned with heaviness and forced me to close them. The hand on my bare shoulder is the same one that still held a loose grip on mine this morning when I woke up. My head is light and my fingers shake, but I can’t stop smiling. He’s so close. All he has to do is lean-- “Where’s the mistletoe when you need it?” Nina’s voice cuts through my thoughts. His eyes dart to my lips for an instant and his smile falls. “I think you got enough pictures, Nina,” Darren says.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Sean told her about the question Rosie had posed while they were in the parking lot of the grocery. Franci had to lean against the counter, laughing so hard she was doubled over, yet trying to keep quiet lest Rosie come running soaking wet to the kitchen to see who would dare have fun without her. “Yeah, funny,” Sean said. “What would you have said?” She wiped her eyes. “Well, I have a special book about all that. It’s right about time to look at it together, but I didn’t know how to explain you to Rosie, so I’ve been putting it off. I guess I can go ahead with it now.” “A book? Come on!” “No, really. It talks about all the differences in the mommy’s and daddy’s bodies—it’s very cute. Sweet. Non-threatening.” She smiled at him. “If you’re very good, I’ll read it to you later.” “If you’re very good, I’ll show you how it’s done.” He leered at her. “By the way,” he said. “How was it done in this case? We were always very careful. Do you remember?” “Every detail,” she said, turning away from him to put away dishes. He turned her back. “Could I have a couple of details, please?” She took a breath. “Remember I used to go off the pill for a couple of months a year and your job was to be very good about the condoms? Well, there were a couple of times you got real worked up and just let it slide.” She shrugged. “It was as much my doing as yours. I was also a little worked up.” Silence enveloped them for a moment. He leaned forward and kissed her brow. “We were like that,” he whispered. “I’m not sorry about that. Big accident. Huge reward. She’s awesome.” Franci
Robyn Carr (Angel's Peak (Virgin River #10))
The dramatically different manner in which the couple responded to William’s injury publicaly underlined what those within their immediate circle have known for some time, the fairy-tale marriage between the Prince of Wales and Lady Diana Spencer is over in all but name. The breakdown of their marriage and the virtual collapse of their professional relationship is a source of sadness to many of their friends. This much discussed union which began with such high hopes has now reached an impasse of mutual recrimination and chilling indifference. The Princess has told friends that spiritually their marriage ended the day Prince Harry was born in 1984. The couple, who have had separate bedrooms at their homes for years, stopped sharing the same sleeping quarters during an official visit to Portugal in 1987. Little wonder then that she found a recent article in the Tatler magazine which posed the question: “Is Prince Charles too sexy for his own good” absolutely hilarious because of its unintentional irony.
Andrew Morton (Diana: Her True Story in Her Own Words)
Jake flattened the knife against the wall, filling the crevice. It was all he could do to smother a grin. He didn’t know which he’d enjoyed more, spending a couple hours alone with the kids or finding new ways to provoke Meridith. And to think he was getting paid. Maybe once she went back outside, the kids would come down and pretend to play a game at the kitchen bar while they talked. He could hear Meridith talking to them now, asking them about the game they’d supposedly been playing, acting all interested in their activities. If she really cared about them, she wouldn’t be ripping the kids from Summer Place just so she could go back and live happily ever after with her fiancé. And he was pretty sure that’s what she was planning. Their voices grew louder, then Jake saw them all descending the steps. Noelle led the pack, carrying her Uno cards, followed by the boys, then Meridith. Noelle winked on her way past. Little imp. The kids perched at the bar, and he heard the cards being shuffled. Dipping his knife into the mud, Jake sneaked a peek. Meridith was opening the dishwasher. Great. Ben kept turning to look at him, and Jake discreetly shook his head. Even though Meridith faced the other way, no need to be careless. “Noelle, you haven’t said anything about your uncle lately. He hasn’t e-mailed yet?” He felt three pairs of eyes on his back. He hoped Meridith was shelving something. Jake smoothed the mud and turned to gather more, an excuse to appraise the scene. Meridith’s back was turned. He gave the kids a look. “Uh, no, he hasn’t e-mailed.” “Or called or nothing,” Max added. Noelle silently nudged him, and Max gave an exaggerated shrug. What? “Well, let me know when he does. I don’t want to keep pestering you.” “Sure thing,” Noelle said, dealing the cards. Her eyes flickered toward him. “I was thinking we might go for a bike ride this evening,” Meridith said. “Maybe go up to ’Sconset or into town. You all have bikes, right?” “I forgot to tell you,” Noelle said. “I’m going to Lexi’s tonight. I’m spending the night.” “Who’s Lexi?” “A friend from church. You met her mom last week.” A glass clinked as she placed it in the cupboard. “Noelle, I’m not sure how things were . . . before . . . but you have to ask permission for things like this. I don’t even know Lexi, much less her family.” “I know them.” “Have you spent the night before?” “No, but I’ve been to her house tons of times.” He heard a dishwasher rack rolling in, another rolling out, the dishes rattling. “Why don’t we have her family over for dinner one night this week? I could get to know them, and then we’ll see about overnight plans.” “This is ridiculous. They go to our church, and her mom and my mom were friends!” Noelle cast him a look. See? she said with her eyes. Did Meridith think Eva would jeopardize her daughter’s safety? The woman was neurotic. Jake clamped his teeth together before something slipped out. “Just because they go to church doesn’t necessarily make them safe, Noelle. It wouldn’t be responsible to let you spend the night with people I don’t know. You never know what goes on behind closed doors.” “My mom would let me.” The air seemed to vibrate with tension. Jake realized his knife was still, flattened against the wall, and he reached for more mud. Noelle was glaring at Meridith, who’d turned, wielding a spatula. Was she going to blow it? To her credit, the woman drew a deep breath, holding her temper. “Maybe Lexi could stay all night with you instead.” “Well, wouldn’t that pose a problem for her family, since they don’t know you?” Despite his irritation with Meridith, Jake’s lips twitched. Score one for Noelle. “I suppose that would be up to her family.” He heard Noelle’s cards hit the table, her chair screech across the floor as she stood. “Never mind.” She cast Meridith one final glare, then exited through the back door, closing it with a hearty slam.
Denise Hunter (Driftwood Lane (Nantucket, #4))
The question everyone asked me before I went to Birobidzhan and after I returned was: Are there any Jews in the Jewish Autonomous Region? I posed it to Valery Gurevich, the deputy governor responsible for everything Jewish in the region, from the children's song-and-dance ensemble to the statues of imaginary shtetl figures all over the city - a series of illustrations to Sholem Aleichem stories cast in bronze. I felt ridiculous asking a Jew in Birobidzhan if there were Jews in Birobidzhan, but was a master at answering this question. His answer was "Well . . ." He tried to avoid giving me any figures at all - I had to fill them in later - but the gist of his story was this: Before the Soviet Union collapsed, the census placed the percentage of Jews in the Jewish Autonomous Region at a bit over four, which was about four times the percentage of Jews in the general population of the Soviet Union. In absolute figures, that was about nine thousand Jews. But these figures were based on answers people gave to the census taker, an official, in a country where if one had a choice (for example, if one of one's parents was not Jewish), one did not choose to call oneself Jewish. Just ten years before the last Soviet census, the percentage of Jews in the region's population had been three times higher - suggesting that it had been diluted by intermarriage but the number of people who had some Jewish roots was a lot higher than the official nine thousand. So it should come as no surprise that the number of people who emigrated to Israel when this became possible, at the turn of the 1990s, far exceeded the official number of Jews in Birobidzhan. And there were still some Jews left - a couple thousand, give or take as many. Of them, roughly five people - including Iosif Bekerman, Maria Rak, and Valery Gurevich - were engaged on an ongoing basis with Jewish culture. Of them, only one - Bekerman - spoke Yiddish. There were no Yiddish writers left in the Jewish Autonomous Region.
Masha Gessen (Where the Jews Aren't: The Sad and Absurd Story of Birobidzhan, Russia's Jewish Autonomous Region (Jewish Encounters Series))
There’s a note in there,” Paolo said, gesturing at the bundle. “I’m sure he’d rather you hear from him, not me.” He bowed slightly, his inky black hair falling forward to obscure part of his face. “Buona notte, Signorina Cassandra.” With that, he turned away, disappearing into the darkness in just a few long strides. Cass re-bolted the door. Her heart was still beating hard. She looked down at the wrapped square. It was about two feet by two feet and as thick as her wrist. Lighting a candle, she laid the bundle on the long wobbly table where the servants prepared food for the villa and took their own meals. She held her breath as she tugged at the coarse twine wrapped around the package. The muslin unfolded in layers, revealing a canvas beneath. A folded scrap of parchment fluttered to the kitchen floor. Cass barely noticed it. She was too busy staring at the painting. There she was on the divan in Tommaso’s studio. Just a couple of weeks had elapsed between now and then, but already it felt like years, like the dream of a different lifetime. Falco had captured her tiniest quirks on the canvas: the smattering of freckles across her cheeks, the unruly piece of hair behind her left ear that worked its way out of any arrangement. And her smile--Cass almost couldn’t believe it was real. She looked radiant, like she was experiencing true happiness for the first time. She remembered Falco’s soft touches as he posed her, how delirious she’d been each time his fingers grazed her skin. She remembered how excited she was at being alone with him, the endless possibilities, the countless dangers. Cass wished she could dive into the painting and go back to that night where she had felt love for the first time.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))