Counter Strike Quotes

...you expect me to fall on my back with my legs spread." "Not necessarily. ... You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.

Oh, hell,” Kelsier said. “There’s actually a God?” “Yes.” Kelsier decked him. It was a good, clean punch, thrown from the shoulder while he brought his other arm up to block a counter strike.

Lieutenant Linh said, “Thank you for this valuable information, it gives us an opportunity to take counter-measures to nullify the American attack! I have here, over a thousand young and inexperienced soldiers who are a bit fearful of the Americans. Our young soldiers are asking questions like, “Will an old carbine bullet kill a big American?” and “Would a bullet actually kill a big black American?” He went on to say, “I reassure them that their bullets will kill Americans if they strike at the right spot!” Later on, he was to say, “Four days later, the Americans came. We watched with heavy hearts as their helicopters endlessly were landing men.

The story, like all the best stories, split like an amoeba, forming an endless series of new stories and opinion pieces and speculative articles, each spawning its own counter chorus.

You expect me to fall on my back with my legs spread." "Not necessarily. ... You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.

Odysseus draped the towel over his shoulders and stretched his back. "You remember practicing with wooden swords? All the moves, the blocks, the counters, getting your footwork right, learning how to be in balance always?" "Of course you were a hard master." "And you recall the first time you went into a real fight, with blood being shed and the fear of death in the air?" "I do" "The moves are the same, but the difference is wider than the Great Green. Love is like that, Helikaon. You can spend time with a whore and laugh and know great pleasure. But when love strikes--- ah, the difference is awesome. You will find more joy in the touch of a hand or the sight of a smile than you could ever experience in a hundred nights of passion with anyone else. The sky will be more blue, the sun more bright. Ah, I am missing my Penelope tonight

[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.

This one, I guess," he says. I look over at the counter, he is looking back at me. He is holding a riding crop: "I'd like to try it out." There is a peculiar shift: from one second to the next I have become disoriented, I am on alien territory, in a foreign century. He walks a few steps to where I am half sitting on the desk, one foot on the floor, the other dangling. He pulls my skirt up my left leg, which is resting on the desk, steps back and strikes me across the inner thigh. The searing pain is an inextricable part of a wave of excitement; every cell in my body is awash with lust. It is silent in the small, dusty room. The clerks behind the counter have frozen. He slowly smooths down my skirt and turns to the older man, who is wearing a suit and still looks like an accountant, though a deep flush is spreading upward from his shirt collar. "This one will do.

And more will soon die in this war,” Aidas countered coolly. “Hel’s armies shall strike at your command, Bryce Quinlan.

What strikes me as people in diners rail at each other at the counter when before they ate in silence is not how imperiled they feel, but how safe. Only a country that feels invulnerable can afford political turmoil as entertainment. But

What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.

The dead man's companions at the counter started to their feet, but halted as Voynod with great aplomb turned to face them. "Take care, you dunghill cocks! Notice the fate of your fellow! He died by the power of my magic blade, which is of inexorable metal and cuts rock and steel like butter. Behold!" And Voynod struck out at a pillar. The blade, striking an iron bracket, broke into a dozen pieces. Voynod stood non-plussed, but the bravo's companions surged forward. "What then of your magic blade? Our blades are ordinary steel but bite deep!" And in a moment Voynod was cut to bits. The bravos now turned upon Cugel. "What of you? Do you wish to share the fate of your comrade?" "By no means!" stated Cugel. "This man was but my servant, carrying my pouch. I am a magician; observe this tube! I will project blue concentrate at the first man to threaten me!" The bravos shrugged and turned away. Cugel secured Voynod's pouch, then gestured to the landlord. "Be so good as to remove these corpses; then bring a further mug of spiced wine.

We activated a secure communications tunnel built into the Huawei 5G network installed on the island.

A pint of sweat, saves a gallon of blood.   George S. Patton

We have welcomed fundamentalist preachers into our cities and stood idly by as thousands of disaffected young people have been radicalized by their rantings. Worse, we have made almost not attempt to counter the proselytizing of the Medina Muslims. If we continue this policy of nonintervention in the culture war, we will never extricate ourselves from the actual battlefield. For we cannot fight an ideology solely with air strikes and drones or even boots on the ground. We need to fight it with ideas – with better ideas, with positive ideas. We need to fight it with an alternative vision.

This pandemic has inherited an habit in us of leaving behind a digital dust of who were are; what we are; how we are...to get snooped, pried and loathed upon. Just locking up phones for privacy and opening up feeling and emotions is like watching a pole dance in public - Oren Tamira

I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.

Differences between Catholic and Protestant countries did not incite rivalries between European states, or cause the growing sense of national identity and, sometimes, isolationism that was developing among the countries of Europe. These were happening anyway, for a complex variety of political and economic reasons. But religious differences did, at times, contribute to them—for example in Spain, where the inward-looking institutions of the Counter-Reformation seemed aimed at creating a nation of soldiers and ecclesiastics in great contrast to the outgoing, trade-based, profit-minded society of the Calvinist Netherlands. These generalizations hide many local variations—there were busy Spanish merchants, and contemplative, spiritual, people in many Protestant lands. But travelers across Europe remarked on the increasingly striking differences between nations.

Far from being ‘an effective counter-force to the fanatics’,[46] apathy plays in their favour: for under these conditions, ‘fanatics’ may easily be the only ones capable of mobilising public opinion. The prevalence of greyness brings out colours — whatever they may be. When political life is in decline, violence and terrorism appear as the only means of striking an anaesthetised public opinion with no power over legal procedures. Apathy is a real gift to extremism.

Why don't you make everybody an Alpha Double Plus while you're about it?" Mustapha Mond laughed. "Because we have no wish to have our throats cut," he answered. "We believe in happiness and stability. A society of Alphas couldn't fail to be unstable and miserable. Imagine a factory staffed by Alphas–that is to say by separate and unrelated individuals of good heredity and conditioned so as to be capable (within limits) of making a free choice and assuming responsibilities. Imagine it!" he repeated. The Savage tried to imagine it, not very successfully. "It's an absurdity. An Alpha-decanted, Alpha-conditioned man would go mad if he had to do Epsilon Semi-Moron work–go mad, or start smashing things up. Alphas can be completely socialized–but only on condition that you make them do Alpha work. Only an Epsilon can be expected to make Epsilon sacrifices, for the good reason that for him they aren't sacrifices; they're the line of least resistance. His conditioning has laid down rails along which he's got to run. He can't help himself; he's foredoomed. Even after decanting, he's still inside a bottle–an invisible bottle of infantile and embryonic fixations. Each one of us, of course," the Controller meditatively continued, "goes through life inside a bottle. But if we happen to be Alphas, our bottles are, relatively speaking, enormous. We should suffer acutely if we were confined in a narrower space. You cannot pour upper-caste champagne-surrogate into lower-caste bottles. It's obvious theoretically. But it has also been proved in actual practice. The result of the Cyprus experiment was convincing." "What was that?" asked the Savage. Mustapha Mond smiled. "Well, you can call it an experiment in rebottling if you like. It began in A.F. 473. The Controllers had the island of Cyprus cleared of all its existing inhabitants and re-colonized with a specially prepared batch of twenty-two thousand Alphas. All agricultural and industrial equipment was handed over to them and they were left to manage their own affairs. The result exactly fulfilled all the theoretical predictions. The land wasn't properly worked; there were strikes in all the factories; the laws were set at naught, orders disobeyed; all the people detailed for a spell of low-grade work were perpetually intriguing for high-grade jobs, and all the people with high-grade jobs were counter-intriguing at all costs to stay where they were. Within six years they were having a first-class civil war. When nineteen out of the twenty-two thousand had been killed, the survivors unanimously petitioned the World Controllers to resume the government of the island. Which they did. And that was the end of the only society of Alphas that the world has ever seen." The Savage sighed, profoundly. "The optimum population," said Mustapha Mond, "is modelled on the iceberg–eight-ninths below the water line, one-ninth above." "And they're happy below the water line?" "Happier than above it.

what is the actual role of Anarchism in the Russian revolution? It has become the sign of the common thief and plunderer; a large proportion of the innumerable thefts and acts of plunder of private persons are carried out under the name of 'Anarchist-Communism' - acts which rise up like a troubled wave against the revolution in every period of depression and in every period of temporary defensive. Anarchism has become in the Russian revolution, not the theory of the struggling proletariat, but the ideological sign-board of the counter-revolutionary lumpenproletariat, who, like a school of sharks, swarm in the wake of the battleship of the revolution. And therewith the historical career of Anarchism is well-nigh ended.

McDougall was a certified revolutionary hero, while the Scottish-born cashier, the punctilious and corpulent William Seton, was a Loyalist who had spent the war in the city. In a striking show of bipartisan unity, the most vociferous Sons of Liberty—Marinus Willett, Isaac Sears, and John Lamb—appended their names to the bank’s petition for a state charter. As a triple power at the new bank—a director, the author of its constitution, and its attorney—Hamilton straddled a critical nexus of economic power. One of Hamilton’s motivations in backing the bank was to introduce order into the manic universe of American currency. By the end of the Revolution, it took $167 in continental dollars to buy one dollar’s worth of gold and silver. This worthless currency had been superseded by new paper currency, but the states also issued bills, and large batches of New Jersey and Pennsylvania paper swamped Manhattan. Shopkeepers had to be veritable mathematical wizards to figure out the fluctuating values of the varied bills and coins in circulation. Congress adopted the dollar as the official monetary unit in 1785, but for many years New York shopkeepers still quoted prices in pounds, shillings, and pence. The city was awash with strange foreign coins bearing exotic names: Spanish doubloons, British and French guineas, Prussian carolines, Portuguese moidores. To make matters worse, exchange rates differed from state to state. Hamilton hoped that the Bank of New York would counter all this chaos by issuing its own notes and also listing the current exchange rates for the miscellaneous currencies. Many Americans still regarded banking as a black, unfathomable art, and it was anathema to upstate populists. The Bank of New York was denounced by some as the cat’s-paw of British capitalists. Hamilton’s petition to the state legislature for a bank charter was denied for seven years, as Governor George Clinton succumbed to the prejudices of his agricultural constituents who thought the bank would give preferential treatment to merchants and shut out farmers. Clinton distrusted corporations as shady plots against the populace, foreshadowing the Jeffersonian revulsion against Hamilton’s economic programs. The upshot was that in June 1784 the Bank of New York opened as a private bank without a charter. It occupied the Walton mansion on St. George’s Square (now Pearl Street), a three-story building of yellow brick and brown trim, and three years later it relocated to Hanover Square. It was to house the personal bank accounts of both Alexander Hamilton and John Jay and prove one of Hamilton’s most durable monuments, becoming the oldest stock traded on the New York Stock Exchange.

WHAT IS CALMNESS? Calmness is not a character trait, it’s simply a skill. You have to decide that it matters, that the quality of your presence would be better if you slowed yourself down and were really connected to people and the moment you are living in. Then you practise until gradually it becomes part of you. It benefits everyone around you – they feel peaceful and happy in your presence. It’s exactly what children need in a parent. And it benefits you – with less stress hormones, you live longer and feel better. Calmness is well worth cultivating. Calmness is made up of certain actions; breathing deeper, dropping your shoulders, settling your muscles, feeling your feet strongly planted on the ground, focusing your thoughts on the job in hand in a steady easy way, and not going off into panicked thoughts. Even just counting three or four breaths, in and out, will slow your heartbeat and calm your mind down. Calm people are actually doing these things automatically; when an emergency strikes they intentionally calm themselves more in order to counter the tendency to panic and do the wrong thing. Self-regulating your level of emotional arousal is an incredibly valuable skill for life. All you have to do is notice, am I calm? If not, breathe a couple of times consciously, feel your feet on the ground, and notice how, as the last burst of adrenaline clears away, the calmness response starts to kick in. Practise this for a few days, and soon the natural appeal of calmness will pull you more and more to that peaceful and steady place. Everything is better – the taste of food, the scent of flowers, the feel of the water in your shower, warm on your skin. You will find that time slows down, and you can think more in the pause before you open your mouth. And that has real benefits!

In the abstract you know that music exists and is beautiful. But don’t therefore pretend, when you hear Mozart, to go into raptures which you don’t feel. If you do, you become one of those idiotic music-snobs … unable to distinguish Bach from Wagner, but mooing with ecstasy as soon as the fiddles strike up. It’s exactly the same with God. The world’s full of ridiculous God-snobs. People who aren’t really alive, who’ve never done any vital act, who aren’t in any living relation with anything; people who haven’t the slightest personal or practical knowledge of what God is. But they moo away in churches, they coo over their prayers, they pervert and destroy their whole dismal existences by acting in accordance with the will of an arbitrarily imagined abstraction which they choose to call God. Just a pack of God-snobs. They’re as grotesque and contemptible as the music-snobs … but nobody has the sense to say so. The God-snobs are admired for being so good and pious and Christian. When they’re merely dead and ought to be having their bottoms kicked and their noses tweaked to make them sit up and come to life.

Meanwhile, all I wanted to say is that there are certain states of consciousness known to ascetics that are unknown to people who aren't ascetics.' 'No doubt. And if you treat your body in the way nature meant you to, as an equal, you attain to states of consciousness unknown to the vivisecting ascetics.' 'But the states of the vivisectors are better than the states of the indulgers.' 'In other words, lunatics are better than sane men. Which I deny. The sane, harmonious, Greek man gets as much as he can of both sets of states. He's not such a fool as to want to kill part of himself. He strikes a balance. It isn't easy of course; it's even damnably difficult. The forces to be reconciled are intrinsically hostile. The conscious soul resents the activities of the unconscious, physical, instinctive part of the total being The life of the one is the other's death and vice versa. But the sane man at least tries to strike a balance. The Christians, who weren't sane, told people that they'd got to throw half of themselves in the waste-paper basket. And now the scientists and business men come and tell us that we must throw away half of what the Christians left us. But I don't want to be three-quarters dead. I prefer to be alive, entirely alive. It's time there was a revolt in favour of life and wholeness.

They found Tharion on the couch with Ithan, the tv blasting the latest sports stats. Tharion munched on a piece of pizza, long legs sprawled out in front of him, bare feet on the coffee table. Ruhn might have stepped inside to grab a piece of that pizza had Bryce not gone still. A Fae sort of stillness, sizing up a threat. His instinct went to high alert, bellowing at him to defend, to attack, to slaughter any threat to his family. Ruhn suppressed it, held back by the shadows begging to be unleashed, to hide Bryce from sight. Ithan called over to them, “Pizza’s on the counter if you want some.” Bryce remained silent as fear washed over her scent. Ruhn’s fingers grazed the cool metal of the gun strapped to his thigh. “Your cat’s a sweetheart, by the way,” Ithan went on, not taking his focus from the TV as he stroked the white cat curled on his lap. Bryce slowly shut the door behind her. “He scared the shit out of me when he leapt onto the counter a few minutes ago, the bastard.” The wolf ran his fingers through the luxurious coat, earning a deep purr in response. The cat had stunning blue eyes. They seemed keenly aware as they fixed on Bryce. Ruhn’s shadows gathered at his shoulders, snakes waiting to strike. He subtly drew his gun. Behind her, a familiar ripple of ether-laced power kissed over her skin. A small reassurance as Bryce croaked, “That’s not a cat.” Hunt arrived at the apartment just in time to hear Bryce’s words through the shut front door. He was inside in a moment, lightning gathered at his fingers. “Oh, calm yourself,” the Prince of the Chasm said, leaping into the coffee table.

The No-name Rule In purely social situations, the difficulties are even more acute. There is no universal prescription of handshakes on initial introduction – indeed, they may be regarded as too ‘businesslike’ – and the normal business practice of giving one’s name at this point is also regarded as inappropriate. You do not go up to someone at a party (or in any other social setting where conversation with strangers is permitted, such as a pub bar-counter) and say ‘Hello, I’m John Smith,’ or even ‘Hello, I’m John.’ In fact, the only correct way to introduce yourself in such settings is not to introduce yourself at all, but to find some other way of initiating a conversation – such as a remark about the weather. The ‘brash American’ approach: ‘Hi, I’m Bill, how are you?’, particularly if accompanied by an outstretched hand and beaming smile, makes the English wince and cringe. The American tourists and visitors I spoke to during my research had been both baffled and hurt by this reaction. ‘I just don’t get it,’ said one woman. ‘You say your name and they sort of wrinkle their noses, like you’ve told them something a bit too personal and embarrassing.’ ‘That’s right,’ her husband added. ‘And then they give you this tight little smile and say, “Hello” – kind of pointedly not giving their name, to let you know you’ve made this big social booboo. What the hell is so private about a person’s name, for God’s sake?’ I ended up explaining, as kindly as I could, that the English do not want to know your name, or tell you theirs, until a much greater degree of intimacy has been established – like maybe when you marry their daughter. Rather than giving your name, I suggested, you should strike up a conversation by making a vaguely interrogative comment about the weather (or the party or pub or wherever you happen to be). This must not be done too loudly, and the tone should be light

In all these battles the Labour right has enormous reserves of political power. The Parliamentary Labour Party is overwhelmingly hostile to Jeremy Corbyn. Of the 232 Labour MPs no more than 20 can be relied on to back him. Back bench revolts, leaks, and public attacks by MPs opposed to the leadership are likely to be frequent. Some Labour left wingers hope that the patronage that comes with the leader’s position will appeal to the careerism of the right and centre MPs to provide Jeremy with the support he lacks. No doubt this will have some effect, but it will be limited. For a start it’s a mistake to think that all right wingers are venal. Some are. But some believe in their ideas as sincerely as left wingers believe in theirs. More importantly, the leading figures of the Labour right should not be seen as simply part of the Labour movement. They are also, and this is where their loyalty lies, embedded in the British political establishment. Commentators often talk as if the sociological dividing line in British politics lies between the establishment (the heads of corporations, military, police, civil service, the media, Tory and Liberal parties, etc, etc) on the one hand, and the Labour Party as a whole, the unions and the left on the other. But this is not the case. The dividing line actually runs through the middle of the Labour Party, between its right wing leaders and the left and the bulk of the working class members. From Ramsey MacDonald (who started on the left of the party) splitting Labour and joining the Tory government in 1931, to the Labour ‘Gang of Four’ splitting the party to form the SDP in 1981, to Neil Kinnock’s refusal to support the 1984-85 Miners Strike, to Blair and Mandelson’s neo-conservative foreign policy and neoliberal economic policy, the main figures of the Labour right have always put their establishment loyalties first and their Labour Party membership second. They do not need Jeremy Corbyn to prefer Cabinet places on them because they will be rewarded with company directorships and places in the Lords by the establishment. Corbyn is seen as a threat to the establishment and the Labour right will react, as they have always done, to eliminate this threat. And because the Labour right are part of the establishment they will not be acting alone. Even if they were a minority in the PLP, as the SDP founders were, their power would be enormously amplified by the rest of the establishment. In fact the Labour right today is much more powerful than the SDP, and so the amplified dissonance from the right will be even greater. This is why the argument that a Corbyn leadership must compromise with the right in the name of unity is so mistaken. The Labour right are only interested in unity on their terms. If they can’t get it they will fight until they win. If they can’t win they would rather split the party than unite with the left on the left’s terms. When Leon Trotsky analysed the defeat of the 1926 General Strike it was the operation of this kind of ‘unity’ which he saw as critical in giving the right the ability to disorganise the left. The collapse of the strike came, argued Trotsky, when the government put pressure on the right wing of the Labour movement, who put pressure on the left wing of the movement, who put pressure on the Minority Movement (an alliance of the Labour left and the Communist Party). And the Minority Movement put pressure on the CP…and thus the whole movement collapsed. To this day this is the way in which the establishment transmits pressure through the labour movement. The only effective antidote is political and organisational independence on the far left so that it is capable of mobilising beyond the ranks of the Labour Party and trade union bureaucracy. This then provides a counter-power pushing in the opposite direction that can be more powerful than the pressure from the right.

In no class of warfare,” C. E. Callwell had written a hundred years earlier, about the “small wars” of the nineteenth century, “is a well organized and well served intelligence department more essential than in that against guerrillas.” The same qualities that made intelligence so important when countering guerrillas then—the difficulty of finding the enemy, of striking him, and of predicting his next move and defending against it—were increased a hundredfold when trying to counter terrorists in the age of electronic communication and car bombs.

Joan burst out in laughter. “Haunted? Mr. McKenna, do you realize what you’re saying?” She took a step backward and put her hands on her hips. God, she looks amazing, he thought. In his mind he wanted to touch her and lift up the dress to feel the softness of her skin. Then he recovered. No, you can’t grab women by the pussy and— “Mr. McKenna!” Joan stated, and slapped him in the face. “What did I do?” he wondered. “You can’t grab us by the . . . well, you know bloody well what I mean!” Her nostrils widened. Richard touched his cheek, which slightly burned under his fingers. He didn’t realize he’d spoken aloud. But the damage was done. Two strikes, he thought. What happens at strike three wasn’t something he wanted to find out. He straightened his uniform and stood back from the counter. “Look, Joan. I didn’t mean anything by that. It’s just locker room talk.

An objection was made that judging by what had already been done to me, if we proceeded some of us would most certainly be killed. And several others, each in their own language, countered that the way we were living here, the way we were treated, we might as well be dead already, that things couldn't get worse. Things can always get worse, someone yelled from the back, when you reach hell there is always another hell underneath.

Our task is formidable. Democratic socialists must secure decisive majorities in legislatures while winning hegemony in the unions. Then our organizations must be willing to flex their social power in the form of mass mobilizations and political strikes to counter the structural power of capital and ensure that our leaders choose confrontation over accommodation with elites. This is the sole way we’ll not only make our reforms durable but break with capitalism entirely and bring about a world that values people over profit.

THE STRAIGHT RIGHT JOLT IS THROWN FROM THE SAME POSITION AS THE STRAIGHT LEFT. Stand in your normal punching position. Your relaxed right hand is half-opened, and the upper knuckle of the thumb is about four inches in front of your lips. Without any preliminary movement of the right hand, shoot it at the chin-high spot on the bag as you do the falling step. Neither pull back nor cock the right before throwing it. As you step in to explode the second knuckle of your upright fist against the bag, your chin should be partially protected by your left shoulder, left arm and left hand. Remember that your left hand opens to make a "knife blade," with the palm turned slightly toward your opponent. While the right fist is being thrown, the left hand and arm should stiffen for an instant in order to present a rigid barrier before the face in case an opponent attempts to strike with a countering right. The index knuckle of your opened left hand should remain about ten inches in front of your left eye as you step in. But the instant your right fist lands, your left hand should relax into its normal half-opened condition so that it will be ready to punch immediately, if necessary (Figure 13B). Straight punches for the body, with either hand, are begun and executed in the same manner as head punches. (Any change in position before the start would be a telltale.) When in motion, however, your fist turns so that the palm is down when the second knuckle explodes against the bag. Also, as you begin the body punch, you bend forward to slide under guarding arms and to make your own chin a less open target. As you practice those punches, keep your eyes wide open. Don't close your eyes as you step in. Focus your eyes on your target, YOU MUST KEEP YOUR EYES WIDE OPEN AT ALL TIMES WHEN YOU ARE FIGHTING OR BOXING.

If your intent is to throw a barrage of dozens of strikes, thinking that an accumulation of tens of strikes will drop the opponent, you have the wrong mindset. GM Maranga is one of the few short stick fighters with the right mindset. He counters with a single strike, but most importantly, his intent is to drop you with that strike. And trust me, he hits very hard. I have a saying: “My goal is not to hit the opponent, but to drop him. Hitting him is a means of achieving that goal.” It's not enough to hit him. It's not enough to hurt him. Getting him to yell “Ouch!” is not going to stop a meth addict with a blade. My aim is to shut him down. So if I'm hitting him but not incapacitating him, my strikes are ineffective. In my mind I am crushing his kneecap. I am fracturing his skull. If he raises an arm or stick to block, I am committed to blasting through it like a runaway dump truck. In my mind I am breaking any upraised arm.

Advantages of the ASP I have already explained how the ASP is advantageous with regard to its compactness and ease of carry, but there are other advantages. Carrying an impact weapon gives you the ability to counter a threat with less than lethal force, which may save you a long stint in prison. The compact ASP has advantages over the 28-inch stick of the traditional Filipino martial arts. When you are chest-to-chest against an opponent, it's difficult to hit him decisively with a 26-28 inch long stick. Filipino martial artists practice raising the arm and twisting the wrist to snap the tip into an opponent's head, but these flicking strikes can't be counted on to drop an attacker. Also, because of the stick's light weight, space and distance are needed to wind up and generate power. At very close range the short, heavy stick –such as a blackjack, sap, or an 8-inch steel bar-- is a better weapon. The striking tip of the ASP is made of steel, and the middle section is high-grade aluminum. This solid construction means that the ASP hits hard. The unexpanded ASP can be used like a metal yawara (palm stick), which is devastating in close. The Knife The second weapon in Steel Baton EDC is a knife carried at the neck. The knife should be compact and relatively light so that it is comfortable enough for neck carry. Get a light beaded chain that will break away, so that you aren't strangled with your own neck lanyard. The knife should have a straight handle without loops or fingerholes, because you want to be able to access the knife with either hand in an instant, without having to thread your fingers into holes or work to secure a grip. Avoid folding knives. You want a knife that you can draw in an instant. No matter how much you practice drawing and opening your knife, or even if you get an automatic (switchblade) or assisted opener, you will always be slower getting the folding knife open and into action, particularly under stress. Keep in mind that “under stress” may mean somebody socking you in the face repeatedly. Once again, you want open carry. Open carry is almost always legal and is more easily accessible if you are under attack. You can get a neodymium magnet and put it in the gap between the seam of your shirt, in between the buttons. The magnet will attract the steel blade of your knife so that the knife will stay centered and not flop around if you're moving. My recommended knives for neck carry are the Cold Steel Super Edge and the Cold Steel Hide Out. The Super Edge is small, light, and inconspicuous. It also comes in useful as a day-to-day utility tool, opening packages, trimming threads, removing tags, and so on. Get the Rambo knife image out of your mind. You only need a small knife to deter an attacker, because nobody wants to get cut. And if your life is on the line, you can still do serious damage with a small blade.

I had inherited from GM Estalilla's kabaroan a one-handed stick technique coupled with the staff grip bamboliya technique, and I was at an impasse, unable to progress or innovate any further. When I showed GM Maranga bamboliya technique he told me directly, “I don't like it. Let me show you what I would do.” He then held the stick in what I call “rifle grip,” with the right hand palm down and the left hand palm up. At first, rifle grip seemed all wrong, but the more I studied it I realized it was superior to staff grip in every application. Then I had a sudden insight—I could transition from bat grip to rifle grip and vice versa simply by sliding the left hand forward and back. That was the crucial concept in the development of Big Stick Combat. The Pop Up The pop up is a technique of GM Estalilla that enables the practitioner to transition from low guard to middle guard. Begin in low guard, with the right foot forward, both feet pointed straight ahead, the knees bent, and your shoulders squared to the opponent. Your aim is to lever the stick up so that it comes from its resting point on the ground just outside of your right foot up to your chest where your left hand can catch it. Rather than lift up with your right wrist or arm, the secret is to jerk your right elbow backward, which causes the end of the stick to arc upward off the ground. Place your left hand at your chest, palm out, to catch the stick as it swings upward. Once you have stopped the stick, rotate your left palm around to grip the stick so that your left thumb faces your chest. An important tip is to keep the end of the stick aligned with, and pointed at, the opponent's centerline. Rapier Thrust Execute the pop up, but the moment the stick hits your left palm, throw the end of the stick forward as your thrust with the right. Your left hand will slide along the stick until it comes to rest against the right hand—you are now in bat grip. One possible follow-up is to step forward, kicking low to the knee or groin with the rear left foot. As you kick with the left foot, throw the stick over your right shoulder in preparation for an overight strike, When your left foot plants, strike with an overight diagonal blow. The kick can serve as a counter to a disarm or to prevent an opponent from closing as you wind up for the overight. This technique can also be used as a means of closing the distance: rapier thrust, low level kick, then overight finishing blow. You can also execute the rapier thrust from middle guard. Don't get hung up on the middle guard as a stance, even though many styles use the middle guard as a fighting stance, GM Estalilla among them. Think of the middle guard as a transition point where you are defending yourself at close range.

It has been my extraordinary good fortune to find work that makes use of my strengths and doesn’t test my weaknesses. To this day, if you put me behind a busy sales counter, a meltdown would be imminent, for I can’t easily read new faces and shifting attention rapidly from one unfamiliar person to another overwhelms me. If I could choose to have one supernatural power, it would undoubtedly be invisibility, and yet I want and need public acknowledgment of my work. I suffer little stage fright when it comes to public speaking or appearances on radio or television—I’ve got those particular acts figured out—but unstructured participation in social gatherings remains agonizing, unless I know exactly what is expected from me. It would be easier for me to improvise an epic poem before a sellout crowd at Madison Square Garden than to approach an attractive stranger across the room and strike up a conversation.

If someone is attacking you, regardless of what technique they are attacking with, the highest probability of winning that encounter is to immediately attack that person with everything you’ve got. Kicks, knees, elbow strikes, open palm strikes, chops, punches, etc., thrown rapidly and with as much power you can generate. The key to this kind of defensive theory is that once you initiate your counter-attack, you don’t stop throwing techniques until your opponent is incapacitated. Some schools call this a “blitz” type of attack, which is borrowed from American football, but regardless of the name, it is a solid, proven method of counter-attacking. Finding yourself in the position of “getting jumped” by one or more thugs, for instance, would be a perfect example of utilizing this kind of counter-attack. Remember the action verses reaction gap we covered earlier? I suggest you should take some time and do a little research on what is known about this interaction. Action is always faster than reaction. That just makes common sense, doesn’t it? So, if you are waiting on your opponent to make the first move out of some archaic martial arts dogma about not striking first, then you are already behind before the fight starts. To win, you must cause your opponent to react rather that act. They must be the one that is a millisecond behind, always attempting to catch up to what is going on. You must become the initiator, but only after you have determined the level of force needed to control the situation. Once you have determined that, and it is very helpful to rehearse various scenarios prior to actually being involved in them, then it is a matter of always causing your opponent to react during that situation. This concept has been pressure tested numerous times, it works and works very effectively.

If someone is attacking you, regardless of what technique they are attacking with, the highest probability of winning that encounter is to immediately attack that person with everything you’ve got. Kicks, knees, elbow strikes, open palm strikes, chops, punches, etc., thrown rapidly and with as much power you can generate. The key to this kind of defensive theory is that once you initiate your counter-attack, you don’t stop throwing techniques until your opponent is incapacitated. Some schools call this a “blitz” type of attack, which is borrowed from American football, but regardless of the name, it is a solid, proven method of counter-attacking. Finding yourself in the position of “getting jumped” by one or more thugs, for instance, would be a perfect example of utilizing this kind of counter-attack.

The Tin Man Full of Bees" The spell erupts in wings—        glass-backed, a crownish    vellum, veins that tickle as they climb their way.        They charge, these chevrons,    motor-fuzzed, from the heart— or the chasm where the heart        would be if I were made    of meat instead of metal. I once loved a forest girl        who kissed me with a twister    in her lips, and god it felt like this. Counter-        clockwise, the opposite    of time. I am a hive: slip-stitch hornets, bumbles, sweats        and queens. Their stripes    the color of a morning fruit that sings as its citrus        bites. Gnaws and strikes, out my pipe. Once again—        by the witch’s wish—    in the hum I come alive. Sarah Crossland, 32 Poems. Volume 11 | Number 1 | Spring/Summer 2013  

Never wait to figure out which hand he is going to use. Deflect the hand that is the easiest for him to use in the fastest manner to reach you. You should execute your defense on his front hand and simultaneously execute a counterattack. To make your life easier, consider the following scenarios and their solutions: Consider you are standing where your left leg and left shoulder are closer to the opponent, and your opponent is standing with his left leg and left shoulder forward. You should always block or deflect his front hand, which is his left hand in this scenario, and simultaneously counterattack with your free hand. To block his hand, use your right hand, your back hand, to block while you counter strike with your front hand. 1.     The attacker and defender are standing in front of each other with the left sides of the body in front. 2.     As the attacker lunges with a left punch, defender deflects it with his right palm and counterattacks with a left punch. If, however, he is standing with his right leg and shoulder in front while you stand with your left leg and shoulder in front, you should block his right hand with your front hand (left hand), and counterattack with your back hand (right hand). In this scenario, you would need to cover the additional gap as you are using your rear hand to attack. From that distance, it would be more comfortable to attack the opponent’s rib area first. A second attack might be needed to finish the defense. Common sense should tell you to follow reversed instructions for reversed scenarios. 1.     The attacker is standing with his right side in front, while the defender remains in his previous position with left leg in front. 2. The attacker throws a right hand punch with his front hand. 3.     The defender blocks with his left hand and delivers a right punch to the opponent’s floating ribs.

Tactical Consideration in Strikes and Kicks Used in Attack and Defense When you have enough time to identify a dangerous scenario before it starts, the primary attacks are kicks and secondary attacks are punches. In the short range it is faster to reach with a punch than to shift the body’s weight up for a kick. In the long range it is faster to leap one step and lift the leg for a kick instead of leaping two steps. Therefore in the long range, kicks are considered to be primary attacks. If you block a fake kick, attack at the same time. If your opponent tries to punch you, he would not succeed since he would have closed a two-step gap before reaching you while you were moving to block his kick as he started to move. Since he initially planned to lunge two steps forward to close the gap, he would not expect you to meet him halfway and it would break his train of thought. Another tactical move would be to move forward and close the gap without immediately attacking, and waiting for the opponent to attack first so that you could follow with a block and counterattack. However, your opponent could preemptively kick as you try to move in. Krav Maga defense techniques are designed to automatically counter a kick with a follow-up hand strike. First, the right hand goes to the left shoulder before it strikes, therefore catching the outside of the forearm in any such possible attack. During training and practice of that particular defense, the student should practice the defense with all the possible follow-up scenarios as well. Reaction Time Consideration Remember that you are a human being and your skeleton is designed for use in a unique way. If you try to crawl like a snake, or walk like a monkey, you will never reach the speed and balance of your natural movement. Therefore as a Krav Maga fighter you have the upper hand. If a martial artist attempts to get into a particular stance, or makes an opening statement with a few threatening moves and screams, or tries to fake an attack, you should know by now that he is wasting his energy and attacks and you should really react to his initial standing position when he is about to close the range, or preemptively attack if you think he is serious about hurting you. At times ignoring a person at the right time but yet being ready to counter him with the right timing will discourage a bully through the messages your body and actions deliver. From a distance, you can see that his closest limb, according to the striking distance, is what you should be concerned about. Follow your training and counterattack by blocking only the closest limb. If he fakes his first move, it should not be a great concern. While he is doing this, you should block the fake attack and counterattack him at the same time. He should never be able to get to his second planned attack.

Then, nothing. The few seconds of memory stretched out as he considered

The most striking aspect of the “religious revival” of the 1950s, after all, had been the absence of devotion. Going to church then was more a social than a religious act. In the late sixties faith was expressed by not going to church.

An old man, thin as a rake, with cheap Clicks Pharmacy reading glasses perched on his nose, was leaning on the counter, paging through Die Burger newspaper. When he looked up, Leon involuntary took a step back. The man had the most intense blue eyes, strikingly contrasting his tanned bony skull. But it wasn’t the colour of the eyes that stopped Leon in his tracks, it was the expression on the man’s face. His eyes were limp, blank, incarcerated by an unfocused daze. He stared straight through Leon into, what felt to Leon as if into a vast abyss of nothingness.

Every soldier thinks something of the moral aspects of what he is doing. But all war is immoral and if you let that bother you, you're not a good soldier. Curtis LeMay

I am extraordinarily patient, provided I get my own way in the end. Margaret Thatcher

The devil hardly comes in like many of us expect. He knows we are aware of him. He comes in a very soft, subtle way, as the angel of light. Only those who are discerning can easily spot his tricks. He just wanted to counter what God said to this peaceful family. Woman, please, be sensitive and watch out. Whenever there is peace around, that is when you must be more prayerful. This is because the devil comes to strike when people are too relaxed.

Lottie left the room, her gown swishing and rustling as she moved. As she descended the grand staircase, she saw Nick waiting in the entrance hall, his body as tense as that of a panther about to strike. His broad-shouldered form was dressed to perfection in the formal scheme of a dark coat, silver waistcoat, and a charcoal silk necktie. With his dark brown hair neatly brushed and his face gleaming from a close shave, he was both virile and elegant. His head turned toward her, and suddenly his narrow-eyed impatience was replaced by an arrested expression. Lottie felt a rush of elation at the look in his eyes. She deliberately took her time about reaching him. “Do I look like a viscountess?” she asked. His lips quirked wryly. “No viscountess I’ve ever seen looks like you, Lottie.” She smiled. “Is that a compliment?” “Oh, yes. In fact…” Nick took her gloved hand and assisted her down the last step. He held her gaze compulsively, his fingers tightening around hers, and he answered her light question with a gravity that stunned her. “You are the most beautiful woman in the world,” he said huskily. “The world?” she repeated with a laugh. “When I say you’re beautiful,” he murmured, “I refuse to qualify the statement in any way. Except to add that the only way you could be more so is if you were naked.” She laughed at his audacity. “I am afraid that you will have to reconcile yourself to the fact that I’m going to remain fully clothed tonight.” “Until after the ball,” he countered. -Lottie & Nick

Human beings are the most adaptable animals on Earth. Human beings are the most intelligent animal, but there are a number of events that could wipe us out. Our vast intellect may not be enough to counter meteors, plagues,  weather changes, radiation, etc. One animal has survived all of these – the tardigrade. The tardigrade is a half-millimeter sized microorganism. So what makes the tardigrade so special? It’s the only animal to survive ALL five mass extinctions. It existed the same time as trilobites hundreds of millions of years ago and it’s still alive today. So how does it survive? To understand why it’s so strong, you need to understand what makes it weak. A tardigrade needs water. Lots of water.  If it stops drinking water for even a few minutes, it goes into a coma. When it’s in a coma, it’s practically indestructible. It’s so hard, you could smash it with a sledgehammer (and scientists have) and it didn’t leave a dent. It can withstand boiling heat, one degree above absolute zero, pressure six times stronger than the bottom of the ocean, meteor strikes, and radioactive fallout. It can even survive the depths of space. No one knows how long it can survive in this coma for but it’s been documented to last at least seventy years. If you give it a drop of water, it will come out of its coma within seconds and revert back to normal.

I just spoke to Jessica again.” “What do you mean, again?” Win sighed impatiently. He hated explanations. “If they are planning to jump you tonight, it is logical to assume it will be by her loft.” “Right.” “Ergo, I called her ten minutes ago. I told her to keep an eye out for anything unusual.” “And?” “An unmarked white van parked across the street,” Win answered. “No one got out.” “So it appears they are going to strike,” Myron said. “Yes,” Win said. “Should I preempt it?” “How?” “I could disable the car following you.” “No,” Myron said. “Let them make their move and see where it leads.” “Pardon?” “Just back me up. If they grab me, I may be able to get to the boss.” Win made a noise. “What?” Myron asked. “You complicate the simple,” Win said. “Would it not be easier to simply take out the two in the car? We could then make them tell us about their boss.” “It’s that ‘make them’ part I have trouble with.” “But of course,” Win countered. “A thousand pardons for my lack of ethics. Clearly it is far wiser to risk your own life than to make a worthless goon feel momentary discomfort.” Win

I, too, was taken aback by this turn of events. I was speechless. My mind raced to find a possible answer. Finally, I muttered apathetically, “If I’m to be a kept boy, I’ll expect to be housed in a luxury penthouse, not in a run-of-the mill flat. “Secondly, I’ll want a top-of-the-line sports car –a Ferrari or a Lamborghini, not a city car. “Last but not least, I’ll insist on a healthy remuneration to keep me in a princely style.”               Andy stared at me as if I was a whoreson, while Uncle James broke out in comedic exuberance. Shocked by my uncle’s boisterous outburst, my lover gaped, not knowing what to make of my guardian. “You can take the boy out of China, but you can’t take China out of the boy,” the Englishman vociferated hilariously.               My chaperone scrutinized my uncle, wondering if the man had lost his mind. He waited for James’ laughter to subside. “What are you talking about?” he expressed.               I twittered, “In the event that you’ve lost your mind, sir, I’m not from China. I’m from Malaya.”               James iterated enthusiastically, “Nevertheless, you, young man, are Chinese. Having dealt with Chinese businessmen for most of my life, you are a true-to-form Chinese.” He resumed, “Like the Hong Kong Chinese I’ve dealt with over the years you are an excellent negotiator. You’ve inherited your parents’ genetic ability to strike an optimum bargain to your advantage.” He paused. “In all seriousness, I think your counter-suggestions may be just the ammunition you’ll need to fend off Mossey. That is, if you desire to forgo his offer,” he opined.               Quick-witted Andy responded cheerfully, “What an awesome idea. I’ll be more than happy to draft the counter-proposal for you, my lovely one.” For the most part, I’d been a silent observer of this imprudent frivolity. I answered calmly, after giving the matter some thought, “I’ll sleep on this and have answers for you before our return to Daltonbury Hall.

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But perhaps more striking is what I found after interviewing dozens of women senators, former senators and their aides over the past several months: Even today, the women of the Senate are confronted with a kind of floating, often subtle, but corrosive sexism, a sense of not belonging that is both pervasive and so counter to the narrative of real, if stubbornly slow, progress that many are reluctant to acknowledge this persistent secret.

Many labor leaders are aware that the global economy is robbing communities of control over our own destiny (former AFL-CIO president Lane Kirkland said as much during the anti-NAFTA struggle), but they do not link up with local communities to struggle against NAFTA and other legislation, because they do not understand or accept that the struggle to rebuild and control our communities is the wave of the future.9 That is why they are on the defensive and behind the eight ball in so many struggles, for example, the recent Detroit newspaper strike. On the other hand, as so often happens, it is right-wing reactionaries like the Militiamen and Pat Buchanan who have their fingers on the pulse of the people. Attacking these groups for their reactionary politics will only increase their defenders and supporters. As we wrote back in the early 1970s, “we must not allow our thought to be paralyzed by fear of repression and fascism. One must always think realistically about the dangers, but in thinking about the counter-revolution a revolutionist must be convinced that it is a ‘paper tiger.’”10 What we need to do instead is encourage groups of all kinds and all ages to participate in creating a vision of the future that will enlarge the humanity of all of us and then, in devising concrete programs on which they can work together, if only in a small way, to move toward their vision. In this unique interim time between historical epochs, this is how we can elicit the hope that is essential to the building of a movement and unleash the energies that in the absence of hope are turned against other people or even against oneself. That is why more and more I have been conducting and urging others to conduct visioning workshops using this basic format. When people come together voluntarily to create their own vision, they begin wishing it to come into being with such passion that they begin creating an active path leading to it from the present. The spirit and the way to make the spirit live coalesce. Instead of seeing ourselves only as victims, we begin to see ourselves as part of the continuing struggle of human beings, not only to survive but to evolve into more human human beings.

We encounter this sometimes in our own circles today, as believers often feel obliged to smile in public even if they collapse at home in private despair. Calvin counters, “Such a cheerfulness is not required of us as to remove all feeling of bitterness and pain.” It is not as the Stoics of old foolishly described “the great-souled man”: one who, having cast off all human qualities, was affected equally by adversity and prosperity, by sad times and happy ones—nay, who like a stone was not affected at all. . . . Now, among the Christians there are also new Stoics, who count it depraved not only to groan and weep but also to be sad and care-ridden. These paradoxes proceed, for the most part, from idle men who, exercising themselves more in speculation than in action, can do nothing but invent such paradoxes for us. Yet we have nothing to do with this iron philosophy which our Lord and Master has condemned not only by his word, but also by his example. For he groaned and wept both over his own and others’ misfortunes. . . . And that no one might turn it into a vice, he openly proclaimed, “Blessed are those who mourn.”35 Especially given how some of Calvin’s heirs have confused a Northern European “stiff upper lip” stoicism with biblical piety, it is striking how frequently he rebuts this “cold” philosophy that would “turn us to stone.”36 Suffering is not to be denied or downplayed, but arouses us to flee to the asylum of the Father, in the Son, by the Spirit. It is quite unimaginable that this theology of the cross will top the best-seller lists in our “be good–feel good” culture, but those who labor under perpetual sorrows, as Calvin did, will find solidarity in his stark realism: Then only do we rightly advance by the discipline of the cross when we learn that this life, judged in itself, is troubled, turbulent, unhappy in countless ways, and in no respect clearly happy; that all those things which are judged to be its goods are uncertain, fleeting, vain, and vitiated by many intermingled evils. From this, at the same time, we conclude that in this life we are to seek and hope for nothing but struggle; when we think of our crown, we are to raise our eyes to heaven. For this we must believe: that the mind is never seriously aroused to desire and ponder the life to come unless it is previously imbued with contempt for the present life.37

Pissed off by the lies, misrepresentations, and outright horseshit, I decided it was time to strike back. It was time to reclaim the Constitution. Besides, if the Righties were wrong about everything else—like health care, climate change, and the corporate tax rate—they had to be wrong about the Constitution. First, I did my homework. I read the Constitution and the amendments; perused The FederalistV and Madison’s notes taken during the Constitutional Convention; surveyed the lives of the Founders and FramersVI; looked over the Supreme Court opinions of Antonin Scalia and Clarence Thomas; and even tried to digest Glenn Beck’s The Original Argument, Mark Levin’s The Liberty Amendments, and Dr. Ben Carson’s A More Perfect Union—three of the best over-the-counter sleep aids on the market. To find out how the mind of a strict constructionist works, I also dipped into Ted Cruz’s autobiography, A Time for Truth, a faith-based romance novel in which the hero falls in love with himself at an early age.

I pulled my hair up in a messy ponytail upon leaving the bedroom and didn’t change from my blue and white shorts and red tank top I wore to bed the night before (Go, USA!). The shirt is tight and the shorts are short, but I'm completely comfortable. Graham is presently glaring at me like he doesn’t like me too much, so I'm thinking he is not comfortable with my outfit—or he still isn't over last night. I don't think he's ever been so angry with me before—well, except for maybe that time I accidentally put salt in his girlfriend's coffee instead of sugar. I pour myself a cup of coffee, showing him my back. And I wait. He doesn't make me wait long. His voice is brittle as he snaps, “Do you have to dress like that?” “I always dress like this. You never seemed to care before.” I give my behind an extra wiggle just to irritate him. I know I've succeeded when something thumps loudly against the tabletop. “I think you should dress like that more often,” Blake immediately replies. “Did anyone ask you?” is Graham's hotheaded comeback. “In fact, I think you’re wearing too many clothes. You should remove some.” A low growl leaves Graham. When I finally face the Malone boys, it is to find them staring one another down from across the small table. Graham’s wearing a white t-shirt and black shorts; his brother is in jeans and a brown shirt. Their coloring is so different, as are their features, but they are both striking in appearance, and their expressions currently mimic one another’s. “Graham, you're being an ass,” I calmly inform him. He grabs a piece of toast off his plate and whips it at me. I duck and it lands in the sink. To say I’m surprised would be an understatement. Toast throwing now? This is what our friendship has resorted to? “I will not live with someone who throws toast at me in anger,” I announce, setting my untouched cup of coffee on the counter. Blake snorts, covering his mouth with the back of his hand as he turns his attention to the world beyond the sliding glass patio doors. Graham blinks at me, like he doesn’t understand what I just said or maybe he doesn’t understand what he just did. Either way, I grab my mug and stride out of the room and down the hall to my bedroom. I’ll drink my coffee in peace, away from the toast throwing. Only peace is not to be mine. The door immediately opens after I close it, and there is Graham, staring at me, his head cocked, his expression unnamable. “This coffee is hot,” I warn, holding the white mug out. “You wanna be a toast thrower then I can be a coffee thrower. Just saying.” “Put the coffee down.” “No.” He takes a step toward me. “Come on. Please.” “You threw toast at me,” I point out, in case he forgot. “I don’t know why I did that,” he mumbles, looking down. When he lifts his eyes to me, they are pleading. “Please?” With a sigh, I comply. I am putty in his hands—or I could be. I keep the mug within reach on the dresser, should I need it as backup. As soon as I let the cup go, I’m pulled against his hard chest, his strong arms wrapping around me, his chin on the crown of my head. His scent cocoons me; a mixture of soap and Graham, and I inwardly sigh. He should throw toast more often if this is the end result. “I’m sorry—for last night, for the toast.

The result exactly fulfilled all the theoretical predictions. The land wasn’t properly worked; there were strikes in all the factories; the laws were set at naught, orders disobeyed; all the people detailed for a spell of low-grade work were perpetually intriguing for high-grade jobs, and all the people with high-grade jobs were counter-intriguing at all costs to stay where they were. Within six years they were having a first-class civil war. When nineteen out of the twenty-two thousand had been killed, the survivors unanimously petitioned the World Controllers to resume the government of the island. Which they did. And that was the end of the only society of Alphas that the world has ever seen.” The

Siberia is more of a state of mind than a place to live. Ever heard of Hysteria Siberiana? Farmers would plow the field all alone in the tundra. If they turn towards the east, it is a horizon; to the west, it is a horizon; in every direction, there are snow-cladded plains and exploding trees. A perfect cuff-off location near the pole. Days and nights are the same. Sometimes the farmers would walk towards the pole just to find the sun, day and night, like a possessed devil with no food, water, or shelter, only to collapse in the cold and die without pain. This is Hysteria Siberiana.

shock of excitement, of exhilaration, ran through me like a lightning strike, and my heart galloped against my ribs as his fingers tightened and his lips brushed over mine. "I told you not to get dressed, angel," he murmured, his grip just a fraction away from cutting off my air, but loose enough that I could still reply. "What are you gonna do about it, then?" Silly question. Cass kept his grip on my throat but circled around behind me until my back was pressed to his chest once more. Slowly, letting me anticipate his actions, he reached out and plucked a fileting knife from the block on the counter. Then, in a series of quick, precise cuts, he shredded my bodysuit but left my gun holster intact. "I swear," he murmured in my ear, "I've never seen a woman make weapons look so fucking hot." Satisfied with the way he'd destroyed my bodysuit, he stabbed his knife point first into the wooden cutting board in front of me.

He lunged for me. Fast enough to make a true and admirable swing for my throat — fast enough to open a river of blood across my shoulder when I dodged. But he was an old man, and he knew that. His skill alone ensured that his strike was only as good as it needed to be to force a proper counter. I had no choice in my response — a blade buried in his side. He fell to the ground in a heap. I called the healers to him, but he faded in seconds. He smiled at me as he died, a mouthful of crimson blooming over his teeth.

The strike was like a crack of lightning, splitting the room in two. Pain cleaved through my head, my vision going white. When I could see again, Max was on the ground, blood soaking his shirt. Zeryth stood over him, noxious magic peeling from his skin, as thick as his hatred. And I still could not move. Max countered fast, pushing himself to his feet, fire at his fingertips. The flames crawled up Zeryth’s clothing. But Zeryth just smiled.

After Scotland's mounted knights had been routed by Edward I in 1296, resistance leaders worked out new methods of waging war, using foot-soldiers armed with long pikes and axes. Medieval infantry usually fled when charged by cavalry, but William Wallace and Robert Bruce (King Robert I) solved the problem by organising their men into massed formations ('schiltroms'), and fighting on the defensive on well-chosen ground; that is how Robert I's army won the battle of Bannockburn. Also, Robert ordered that castles recaptured from the English should be demolished or slighted. This denied the English any bases for garrisons, and meant that subsequent warfare consisted chiefly of cross-Border raids - in which Robert I perfected the technique of making rapid hard-hitting strikes. The English could not win this type of warfare. The actual fighting was done by ordinary Scotsmen; most of the pikemen came from the substantial peasantry, whose level of commitment to the independence cause was remarkably high. But the organisation and leadership came from the Normanised Scottish landowners. Norman military success had been based on these qualities as well as on armoured cavalry; now they were vital in countering the armies of English knights. There is a most significant contrast here with the Welsh and the Irish, who never found the way to defeat the English in warfare. It was the Normanised Scottish landowners, forming the officer corps of Scotland's armies, who achieved that crucial breakthrough.

When attacking, the bottom punch can only be used in those cases when the opponent leans forward. In any other case, attack with these blows is dangerous. The blow from the bottom gains strength when the body is suddenly straightened, with a simultaneous torsion of the torso, directing the striking arm forward towards the target. With a single blow from the bottom, the free hand shields the head and trunk from opponents' counter-blows.

The choice of a counter-strike depends on which of the most vulnerable places on the opponent's body turns out to be exposed.

The youthful disaffiliation of our time strikes beyond ideology to the level of consciousness, seeking to transform our deepest sense of the self, the other, and the environment.

The best defense in fighting is an aggressive defense. Each defensive move must be accompanied by a counter-punch or be followed immediately by a counterpunch. And you cannot counter properly if you do not know how to punch. That does not mean that "a strong offense is the best defense." That overworked quotation may apply to other activities; but it does not apply to fighting. It does not apply when you're pitted against an experienced opponent. You may have the best attack in the world; but if you're an open target-if you're a "clay pigeon"-you'll likely get licked by the first experienced scrapper you tackle. YOU MUST HAVE A GOOD DEFENSE TO BE A WELL-ROUNDED FIGHTER. AND THE BEST DEFENSE IS AN AGGRESSIVE DEFENSE. Another reason for teaching punch first was this: You learned how to throw every important punch without having an opponent attempt to strike you. I'm convinced that it's wrong to try to teach beginners punching moves and defensive moves at the same time. Most humans cannot have two attitudes toward one subject at one time. And a beginner can't have two attitudes toward fighting. If you take any ten beginners and attempt to teach them punching and defense simultaneously, more than half of them will concentrate on defense instead of punching. That's a natural inclination, for it's only human that a fellow doesn't like to get hit in the face-or in the body either, for that matter. It follows that more than half the beginners will consider it more important to protect their own noses than to concentrate on learning how to belt the other guy in the nose. They'll develop "defense complexes" that will stick with them. Fellows with defense complexes rarely develop into good punchers. Even when they are shown how to hit correctly, they sprout bad punching habits while concentrating on blocking, parrying, back-pedaling and the like. They "pull" their punches; they side-step while trying to throw straight smashes; they move in with "clutching" fists that seek to encircle their opponents for clinches; and they do much showy but purposeless footwork. The little thought-ditch that is dug in the beginning will become the big channel for later fistic reactions. You're lucky. You're starting with the mental accent on punch. And it's a 100-to-1 shot that your attitude will not change. It's true that you haven't punched yet at a live target-at another fellow. Don't worry; there's plenty of time for that. And when you do start tossing at a live target, you'll know exactly how to toss. That exact knowledge will help you to become accurate and precise, as well as explosive, against a moving target.

Countering the Knife The knife attack is very serious, and easily fatal. Avoid a knife confrontation if at all possible. If you must confront the knife wielder, and are able to do so at a distance, draw both the ASP and the neck knife. You can start with Kick and Draw to get the expandable baton into play while keeping the opponent at bay with a low kick. Your basic strategy is to hit the opponent with the ASP from a distance. His kneecap is a good target, because it is hard to defend and if you damage his knee, it will become difficult for him to close in on you. The knife serves as a backup and a deterrent to keep him from rushing in on you, which is the obvious strategy against someone armed with a stick or baton. In close, you can execute Move 2, striking with the ASP at his forearm as you twist your torso. Hit with the empty hand or slash with the knife. The prison-style knife attack, wherein the attacker grabs and smothers with his lead free hand while repeatedly stabbing with the rear hand, is a simple yet deadly attack that is difficult to defend against. The most effective counter to the prison-style knife attack comes from Ray Floro. First of all, assume the existence of a knife. It is too easy to assume that you are in a fistfight and get surprised when you are stabbed. Many people who are cut or stabbed are unaware of the existence of a knife, and may perceive a thrust as a punch. So don't get surprised by a weapon in an opponent's hand –be looking for it. From the High Backhand Guard chop downward at the opponent's forearm, only add the live hand. Grasp the ASP with both hands in staff grip and repeatedly slam the attacker's forearm. The slams are parallel to the ground, forming a very powerful counter to the upward knife thrust. These multiple slams not only serve as a defense, but as an offense, damaging the opponent's weapon arm. The Vertical Strike From the High Backhand Guard, strike vertically, chopping straight down with the ASP. Like the horizontal chop, the left/live hand follows just behind the ASP as you strike, and retreats with it as you quickly retract it back your original start position in the high backhand guard. The vertical strike can be used to hit targets of opportunity, such as a hand or elbow, but it can also be used to defend against a horizontal attack, such as a swing with a bottle, a slash with a knife, or a kick. Don't think of the strike as a block, but as attacking the opponent's striking arm or leg.

Jazz is a strange music. Jazz is where you find it. You dig all day in the mine, handling those big lumpy dead rocks; that’s the popular music, the dead stuff. And then all of a sudden you come on a bright gleaming streak embedded in the dead rock; it’s alive, it’s gold. That’s how you find jazz. So many people have never heard jazz, because they’ve found nothing but the slag, the dead ore in which it’s cased. They hear the raw material, the nondescript popular song; they may never be lucky enough to be present when inspired musicians strike away the lumpy death and bring out the life. The trumpet states a theme; it isn’t a hell of a good theme and in the song it means little or nothing. He strips it down to its bare chords, throws its thin line of melody out there for a start. The clarinet invents a counter-melody for himself, an invention as carefully wrought, as musicianly, as anything Bach ever wrote down. And then the trombone sings; there is a complete perfection, coming close to the unbearable, in the addition of that third voice to the polyphony of true jazz. Out of nothing something of beauty has been created; you have heard jazz, and you are lucky. You are even more lucky if you have created jazz, if you can sit with the gut-searing vibrations of a trombone mouthpiece kicking back against your face and feel the music down into your feet.

THE GLANCE-OFF is even more important than the parry in causing deflection. The guarding positions of your hands and arms, and the hunched left shoulder in your normal punching stance were designed to give the upper portion of your body a wedgelike effect. That wedging of hands, arms, shoulder and forehead should enable you to (1) keep inside an opponent's attack as you step in to lead or to counter, and (2) cause most blows to glance off to the sides or up into the air. The glance-off is more dependable than the parry because there's more solidity, if necessary, in the glance-off 1 than in the parry. The reserve solidity is there only in case your glance-off has to be turned into a block. However, the less solid the glance-off, the less your own balance is disturbed. Your glance-off movements are not the solid, chopping movements of hand or arm blocks; they are lightning, knifing or sliding movements. They interfere little with your balance, but they spin your opponent slightly out of punching position. If you watch a professional fighter punch the light bag, you'll note that more than half his bag-work comprises a rhythmic tattoo achieved like this: straight left - backhand left - straight right - backhand right -straight left - etc. You may ask, "Why this backhand striking, when the backhand blow is illegal in boxing?" The answer to that is: He's sharpening his backhand for glance-offs and blocking. If you get a chance to use the light bag, spend half your time on that tattoo. A power-backhand for glancing and blocking is almost as useful for a fighter as is a good backhand for a tennis player.

Eternal Father, strong to save, Whose arm hath bound the restless wave, Who bidd’st the mighty ocean deep Its own appointed limits keep, O hear us when we cry to thee For those in peril on the sea.

A libertarian armed force will need to be created to fight the revolution and preserve its victories. Yet to be successful this force will require a certain degree of coordination and even levels of centralization and command. The danger here is that this force too could become an institution above society. In these conditions we advocate only as much centralization and discipline as is temporarily necessary to win the revolution and beat back any counter-revolution with as much internal democracy as is possible. How to strike this balance may not be obvious; it will be a matter of political debate and decision by the people.

As he goes on striving along the path of concentration, his exertion activates five mental factors which come to his aid. These factors are intermittently present in ordinary undirected consciousness, but there they lack a unifying bond and thus do not play any special role. However, when activated by the work of meditation, these five factors pick up power, link up with one another, and steer the mind towards samādhi, which they will govern as the “jhāna factors,” the factors of absorption (jhānanga). Stated in their usual order the five are: initial application of mind (vitakka), sustained application of mind (vicāra), rapture (pīti), happiness (sukha), and one-pointedness (ekaggatā). Initial application of mind does the work of directing the mind to the object. It takes the mind, lifts it up, and drives it into the object the way one drives a nail through a block of wood. This done, sustained application of mind anchors the mind on the object, keeping it there through its function of examination. To clarify the difference between these two factors, initial application is compared to the striking of a bell, sustained application to the bell’s reverberations. Rapture, the third factor, is the delight and joy that accompany a favourable interest in the object, while happiness, the fourth factor, is the pleasant feeling that accompanies successful concentration. Since rapture and happiness share similar qualities they tend to be confused with each other, but the two are not identical. The difference between them is illustrated by comparing rapture to the joy of a weary desert-farer who sees an oasis in the distance, happiness to his pleasure when drinking from the pond and resting in the shade. The fifth and final factor of absorption is one-pointedness, which has the pivotal function of unifying the mind on the object.2 When concentration is developed, these five factors spring up and counteract the five hindrances. Each absorption factor opposes a particular hindrance. Initial application of mind, through its work of lifting the mind up to the object, counters dullness and drowsiness. Sustained application, by anchoring the mind on the object, drives away doubt. Rapture shuts out ill will, happiness excludes restlessness and worry, and one-pointedness counters sensual desire, the most alluring inducement to distraction. Thus, with the strengthening of the absorption factors, the hindrances fade out and subside. They are not yet eradicated—eradication can only be effected by wisdom, the third division of the path—but they have been reduced to a state of quiescence where they cannot disrupt the forward movement of concentration.

Wing chun involves the concept of “wedging out” punches more often than other styles because it uses a square-shouldered stance instead of keeping the power hand back. This means any incoming strikes that happen to travel along the outside of the arms will be redirected away from the head without the need for active blocking. In muay Thai clinch fighting, you use the same wedging process to get your arms on the inside and gain control of your opponent. The “cross counter” is another example of wedging that has been used successfully in boxing and MMA. There are many variations to the technique, but the basic premise involves extending your right cross over the top of your opponent’s left jab. Since your shoulder is below your head, a successful cross counter will direct the jab down and away from your head as your fist approaches your opponent’s chin.

Wing chun involves the concept of “wedging out” punches more often than other styles because it uses a square-shouldered stance instead of keeping the power hand back. This means any incoming strikes that happen to travel along the outside of the arms will be redirected away from the head without the need for active blocking. In muay Thai clinch fighting, you use the same wedging process to get your arms on the inside and gain control of your opponent. The “cross counter” is another example of wedging that has been used successfully in boxing and MMA. There are many variations to the technique, but the basic premise involves extending your right cross over the top of your opponent’s left jab. Since your shoulder is below your head, a successful cross counter will direct the jab down and away from your head as your fist approaches your opponent’s chin. If you want a simple example to test out using a wedge at home, have a friend of similar height approach you with two arms outstretched, as if to do the Hollywood-style two-hands-on-the-windpipe choke. As he approaches you, keep your shoulders square and extend your own arms, reaching for his neck or face, while ensuring your hands are on the inside. As he gets closer, the shape of your extended arms will clear his hands away from your neck, and you will be free to put your hands in his face. Figure 4-5. Diagram of a wedge. The applied force comes in from above and is split in two separate output forces, each pushing away from the wedge.

The soul — this enigmatic something which we feel when we hear the word used, but of which the essence baffles all science, the divine spark in this living body which in this divinely cruel, divinely indifferent world has either to rule or to submit — is the counter-pole of the light-world about us, and hence man’s thought and feeling are very ready to assume the existence of a world-soul in it. The more solitary the being and the more resolute it is in forming its own world against all other conjunctures of worlds in the en- vironment, the more definite and strong the cast of its soul. What is the opposite of the soul of a lion? The soul of a cow. For strength of individual soul the herbivores substitute numbers, the herd, the common feeling and doing of masses. But the less one needs others, the more powerful one is. A beast of prey is everyone’s foe. Never does he tolerate an equal in his den. Here we are at the root of the truly royal idea of property. Property is the domain in which one exercises unlimited power, the power that one has gained in battling, defended against one’s peers, victoriously upheld. It is not a right to mere having, but the sovereign right to do as one will with one’s own. Once this is understood, we see that there are carnivore and there are herbivore ethics. It is beyond anyone’s power to alter this. It pertains to the inward form, meaning, and tactics of all life. It is simply a fact. We can annihilate life, but we cannot alter it in kind. A beast of prey tamed and in captivity — every zoological garden can furnish examples — is mutilated, world-sick, inwardly dead. Some of them voluntarily hunger-strike when they are captured. Herbivores give up nothing in being domesticated.

A lot of people died,” Ithan growled. “Children died.” “And more will soon die in this war,” Aidas countered coolly. “Hel’s armies shall strike at your command, Bryce Quinlan.” The words dropped like a bomb. “Bullshit,” Ruhn said, face crinkling as he snarled. “You’re waiting for the right moment when we’re all at war with each other, so you’ll be able to find a way into this world at last.” “Not at all,” Aidas said. “I already know the way into this world.” He pointed with a paw to Bryce and inclined his head. “Through my lovely Bryce and the Horn on her back.” Hunt suppressed a growl at the word my as all of them looked to her. Her eyes remained fixed on Aidas, her lips a thin line. The Prince of the Chasm said, “It’s your choice in the end. It has always been your choice.” Bryce shook her head. “Allow me to get this straight: You’re here to convince me to rebel against the Asteri in front of all these people? And what—sign up with Ophion? No, thank you.” Aidas only chuckled. “You should have looked more carefully at the cats picking through the trash in the alley of Ink Street this morning. Should have picked a more discreet location to discuss the rebellion with Fury Axtar.” Bryce hissed, but said nothing as Aidas went on, “But yes—by all means, turn rebel. Help Ophion, if you need some authority to answer to. I can tell you before you undoubtedly ask, I have no information about the connection between Danika Fendyr and Sofie Renast.” Bryce growled, “I don’t even know any Ophion rebels.” Aidas stretched out his front paws, back arching. “That’s not true.” Hunt stilled as the demon yawned. “There’s one right behind you.” Bryce whirled, Hunt with her, lightning poised to strike. Cormac Donnall stood in the doorway, shadows fading from his shoulders. “Hello, Agent Silverbow,” Aidas crooned, then vanished.

constitutional system contains an unusually large number of counter-majoritarian institutions. These include the following: The Bill of Rights, which was added to the Constitution in 1791, just after the Constitutional Convention in Philadelphia. A Supreme Court with lifetime appointments for justices and power of judicial review, or the authority to strike down as unconstitutional laws passed by congressional majorities. Federalism, which devolves considerable lawmaking power to state and local governments, beyond the reach of national majorities. A bicameral Congress, which means that two legislative majorities are required to pass laws.

Rhythm is evident everywhere in the world. In the Way of Noh dance, minstrels with their wind and string instruments all have their own harmonious, regular rhythms. In the Way of martial arts, releasing an arrow, firing a gun and even riding a horse have distinctive cadences. Rhythm must never be contravened in any of the arts. Rhythm is also present in things that are invisible. For the samurai, there is rhythm in how he succeeds in service or falls from grace. There is rhythm for harmony and rhythm for discord. In the Way of commerce, there is cadence in the accumulation of great wealth and a rhythm for losing it. Each Way has its own rhythm. Judge carefully the rhythms signifying prosperity and those that spell regression. There are myriad rhythms in strategy. First, the warrior must know the cadence of harmony and then learn that of discord. He must know the striking, interval and counter cadences that manifest among big and small, fast and slow rhythms [between attacks]. In combat, it is critical for success to know how to adopt the “counter rhythm.” You must calculate the cadences of various enemies and employ a rhythm that is unexpected to them. Use your wisdom to detect and strike concealed cadences to seize victory. I devote much explanation to the question of cadence in all the scrolls. Consider what I record and train assiduously. As written above, your spirit will naturally expand through training diligently from morning to night in the Way of my school’s combat strategy. I hereby convey to the world for the first time in writing my strategy for collective and individual combat in the five scrolls of Ground, Water, Fire, Wind and Ether. For those who care to learn my principles of combat strategy, follow these rules in observing the Way: 1. Think never to veer from the Way 2. Train unremittingly in the Way 3. Acquaint yourself with all arts 4. Know the Ways of all vocations 5. Discern the truth in all things 6. See the intrinsic worth in all things 7. Perceive and know what cannot be seen with the eyes 8. Pay attention even to trifles 9. Do not engage in superfluous activities Train in the Way of combat strategy keeping these basic principles in mind.

Rhythm is evident everywhere in the world. In the Way of Noh dance, minstrels with their wind and string instruments all have their own harmonious, regular rhythms. In the Way of martial arts, releasing an arrow, firing a gun and even riding a horse have distinctive cadences. Rhythm must never be contravened in any of the arts. Rhythm is also present in things that are invisible. For the samurai, there is rhythm in how he succeeds in service or falls from grace. There is rhythm for harmony and rhythm for discord. In the Way of commerce, there is cadence in the accumulation of great wealth and a rhythm for losing it. Each Way has its own rhythm. Judge carefully the rhythms signifying prosperity and those that spell regression. There are myriad rhythms in strategy. First, the warrior must know the cadence of harmony and then learn that of discord. He must know the striking, interval and counter cadences that manifest among big and small, fast and slow rhythms [between attacks]. In combat, it is critical for success to know how to adopt the “counter rhythm.” You must calculate the cadences of various enemies and employ a rhythm that is unexpected to them. Use your wisdom to detect and strike concealed cadences to seize victory. I devote much explanation to the question of cadence in all the scrolls. Consider what I record and train assiduously. As written above, your spirit will naturally expand through training diligently from morning to night in the Way of my school’s combat strategy. I hereby convey to the world for the first time in writing my strategy for collective and individual combat in the five scrolls of Ground, Water, Fire, Wind and Ether. For those who care to learn my principles of combat strategy, follow these rules in observing the Way: 1. Think never to veer from the Way 2. Train unremittingly in the Way 3. Acquaint yourself with all arts 4. Know the Ways of all vocations 5. Discern the truth in all things 6. See the intrinsic worth in all things 7. Perceive and know what cannot be seen with the eyes 8. Pay attention even to trifles 9. Do not engage in superfluous activities Train in the Way of combat strategy keeping these basic principles in mind. Particularly in this Way, inability to comprehensively see the most fundamental matters will make it difficult to excel. If you learn these principles successfully, however, you will not lose to twenty or even thirty foes. First, by dedicating your energies wholeheartedly to learning swordsmanship and practicing the “Direct Way,” you will defeat men through superior technique, and even beat them just by looking with your eyes. Your body will learn to move freely through the rigors of arduous training and you will also overcome your opponent physically. Furthermore, with your spirit attuned to the Way you will triumph over the enemy with your mind.

Rhythm must never be contravened in any of the arts. Rhythm is also present in things that are invisible. For the samurai, there is rhythm in how he succeeds in service or falls from grace. There is rhythm for harmony and rhythm for discord. In the Way of commerce, there is cadence in the accumulation of great wealth and a rhythm for losing it. Each Way has its own rhythm. Judge carefully the rhythms signifying prosperity and those that spell regression. There are myriad rhythms in strategy. First, the warrior must know the cadence of harmony and then learn that of discord. He must know the striking, interval and counter cadences that manifest among big and small, fast and slow rhythms [between attacks]. In combat, it is critical for success to know how to adopt the “counter rhythm.” You must calculate the cadences of various enemies and employ a rhythm that is unexpected to them. Use your wisdom to detect and strike concealed cadences to seize victory. I devote much explanation to the question of cadence in all the scrolls. Consider what I record and train assiduously. As written above, your spirit will naturally expand through training diligently from morning to night in the Way of my school’s combat strategy. I hereby convey to the world for the first time in writing my strategy for collective and individual combat in the five scrolls of Ground, Water, Fire, Wind and Ether. For those who care to learn my principles of combat strategy, follow these rules in observing the Way: 1. Think never to veer from the Way 2. Train unremittingly in the Way 3. Acquaint yourself with all arts 4. Know the Ways of all vocations 5. Discern the truth in all things 6. See the intrinsic worth in all things 7. Perceive and know what cannot be seen with the eyes 8. Pay attention even to trifles 9. Do not engage in superfluous activities Train in the Way of combat strategy keeping these basic principles in mind. Particularly in this Way, inability to comprehensively see the most fundamental matters will make it difficult to excel. If you learn these principles successfully, however, you will not lose to twenty or even thirty foes. First, by dedicating your energies wholeheartedly to learning swordsmanship and practicing the “Direct Way,” you will defeat men through superior technique, and even beat them just by looking with your eyes. Your body will learn to move freely through the rigors of arduous training and you will also overcome your opponent physically. Furthermore, with your spirit attuned to the Way you will triumph over the enemy with your mind. Having come so far, how can you be beaten by anyone? In the case of large-scale strategy [implemented by generals, victory is had in many forms]: win at having men of excellence, win at maneuvering large numbers of men [effectively], win at conducting oneself properly, win at governance, win at nourishing the people, and win at conducting the laws of the world the way they are meant to be.

Defense when attacker is sitting on top of defender, striking defender's face and punching him 1. The attacker is sitting on top attempting to strike the defender. 2.     The defender is blocking the attacker, simultaneously executing a bridge move, throwing the attacker on to his face while the defender parallels his forearm to his face to block him. He uses his other arm to punch the attacker in the groin. The punch should come immediately after the bridge, before the opponent has the opportunity to fall back down. 3.     The defender keeps striking the attacker’s groin as he turns out and gets up ready to kick and walk away. Note: In this technique, throwing the attacker out of balance diverts his first attempted strike while forcing him to use his hands for balance and prepare for his fall. Therefore, he cannot think about striking again. In addition, the defender delivers a series of blows to the attacker’s groin, forcing him to roll over due to a combination of pain and force directed toward his center of gravity. Defense against an attacker sitting on top of defender, choking him 1. The attacker sits on top of the defender and chokes him. 2.     The defender releases himself from the opponent’s chokehold by using a spoon grip with all five fingers on the same side of the opponent’s wrist. At the same time, the defender creates a bridge by lifting his waist up, keeping heels close to the butt, throwing the opponent off his stomach. The defender extends his forearm parallel to his face to block the opponent’s fall, punching the opponent’s groin with his other hand. 3.     The defender keeps striking the attacker’s groin as he turns to the side, getting up ready to kick and walk away. Note: Follow the steps in the previous drill for escape and counter attack! Attacker is positioned to the side of the defender while choking or striking him 1.     The attacker stands on his knees, next to defender, choking or striking him. The defender pushes off the attacker’s thumbs away from his throat. 2.     The defender uses his right knee to push the attacker away from his ribs, enabling him to smash the attacker’s head to the ground with his left leg. The defender keeps holding the attacker’s right arm to prevent him from escaping his fate. 3. Alas. The attacker meets his fate.

In large-scale strategy, the presence of numerous troops is linked with an extra-long sword. Smaller numbers are consistent with the use of a short one. Is it not viable for a small number of troops to take the fight to a larger force? The virtue of strategy is precisely that smaller numbers can triumph [if guided correctly]. From the earliest days, there are many examples of small forces crushing big armies. In our school, this kind of narrow-minded preconception is to be rejected above all else. Research this well. (2) About Schools That Use Swords with Force （一、他流におゐてつよみの太刀と云事） One should not consider a sword [stroke] in terms of being strong or weak. The cut will be coarse if the sword is brandished with too much brute force. Such an uneven technique will make victory difficult. You will not succeed in cutting through human flesh and bone if you think only of striking with brute force. It is also bad to use too much power when testing the cutting power of a blade (tameshi-giri).4 When punishing some mortal foe, nobody thinks of cutting feebly or brutishly. “Cutting to kill” it is not achieved with a mind to do it strongly, and certainly not weakly. It is achieved with just enough power to ensure death. Your own sword could break into pieces by hitting the enemy’s sword with excess strength. Consequently, it is senseless to strike with excessive force. In large-scale strategy, relying on force of numbers to rout the enemy will lead to him countering with equal force. Both sides will be the same. Winning at anything is not achievable if correct principles are ignored. Thus, the underlying principle of my school is to defeat the enemy in any situation by applying strategic wisdom, without incorporating anything that is “excessive.”5 This must be researched attentively. (3) Schools That Use Short Swords （一、他流に短き太刀を用る事） Some warriors try to win using only short swords but this is at variance with the true Way. Since antiquity, swords were called tachi and katana, proving that distinctions have long been made between short and longer lengths.6 Warriors of superior strength can brandish a long sword as if it were light and thus there is no reason for them to prefer a shorter sword. They are, in fact, capable of wielding even longer weapons, such as yari (pikes) and naginata (glaives). With shorter swords, it is ill advised to look for openings as the enemy swings his blade and closing the distance to grab him. Aiming for an opening as the opponent attacks gives the impression of relinquishing the initiative and should be avoided as your swords will become entangled.