Could I Be More Chandler Quotes

I'm a licensed private investigator and have been for quite a while. I'm a lone wolf, unmarried, getting middle-aged, and not rich. I've been in jail more than once and I don't do divorce business. I like liquor and women and chess and a few other things. The cops don't like me too well, but I know a couple I get along with. I'm a native son, born in Santa Rosa, both parents dead, no brothers or sisters, and when I get knocked off in a dark alley sometime, if it happens, as it could to anyone in my business, nobody will feel that the bottom has dropped out of his or her life.

Uh-huh. Could be,' I said. It was a spot for a paragraph of lucid prose. Henry Clarendon IV would have obliged. I didn't have a damn thing more to say.

Lacey said softly, "Tristan, you need to rest now. There's nothing you can do until you rest." But he could not leave Ivy. He put his arms around her. She slipped through him and moved toward the bureau, taking the picture in her hands. He wrapped her in his arms again, but she only cried harder. Then Ella was set lightly on the bureau top. Lacey's hands had done it. The cat rubbed up against Ivy's head. "Oh, Ella, I don't know how to let go of him." "Don't let go," Tristan begged. "In the end, she must," Lacey warned. "I've lost him, Ella, I know it. Tristan is dead. He can't hold me ever again. He can't think of me. He can't want me now. Love ends with death." "It doesn't!" Tristan said. "I'll hold you again, I swear it, and you'll see that my love will never end." "You're exhausted, Tristan," Lacey told him. "I'll hold you, I'll love you forever!" "If you don't rest now," Lacey said, "you'll become even more confused. It'll be hard to tell real from unreal, or to rouse yourself out of the darkness. Tristan, listen to me..." But before she finished speaking, the darkness overtook him.

What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Regan was. But the old man didn't have to be. He could lie quiet in his canopied bed, with his bloodless hands folded on the sheet, waiting. His heart was a brief, uncertain murmur. His thoughts were gray as ashes. And in a little while he too, like Rusty Regan, would be sleeping the big sleep.

He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality. Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.

Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-" Ivy:"Thank you. Thank you for risking your life. Thank you for saving me." "That's not what I wanted! Gratitude is the last thing I-" "Well, let me tell you what I want, Honesty." "When haven't I been honest? When?" "I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will." "So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?" "That's usually why people blackmail." "You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on." "Why didn't you tell me this before? You should have told me this before." "You weren't telling me things, either." "I was trying to protect you!" "What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you." "Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!" "You fell in love with me?" "Love you, Will." "Love you, Ivy.

Playwright Noel Coward once said, “Work is more fun than fun.” I included that quote in a seminar guidebook for a sales group a year ago and one of the participants in the back of the room raised his hand and said, “Yeah, Steve, who is this Noel Coward guy? I figure with a quote like that he’s either a porn star or a professional golfer.” That line got a great laugh at my expense, but it also revealed a truth (which almost all humor does). People believe that the fun jobs are always somewhere else. “If only I could get a job like that!” “If only I had been a pro golfer!” But the truth is that fulfilling and fun work can be found in anything. The more we consciously introduce game-playing elements (personal bests listed, goals, time limits, competition with self or others, record-keeping, and so on), the more fun the activity becomes.

Uh-huh. I’m a very smart guy. I haven’t a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals, I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you’ll think of me, I’ll just leave one of my cards in case anything comes up. I do all this for twenty-five bucks a day—and maybe just a little to protect what little pride a broken and sick old man has left in his blood, in the thought that his blood is not poison, and that although his two little girls are a trifle wild, as many nice girls are these days, they are not perverts or killers. And that makes me a son of a bitch. All right. I don’t care anything about that. I’ve been called that by people of all sizes and shapes, including your little sister. She called me worse than that for not getting into bed with her. I got five hundred dollars from your father, which I didn’t ask for, but he can afford to give it to me. I can get another thousand for finding Mr. Rusty Regan, if I could find him. Now you offer me fifteen grand. That makes me a big shot. With fifteen grand I could own a home and a new car and four suits of clothes. I might even take a vacation without worrying about losing a case. That’s fine. What are you offering it to me for? Can I go on being a son of a bitch, or do I have to become a gentleman, like that lush that passed out in his car the other night?

You kids haven’t been touching these, have you?” asked Dr. Snood. “No, we--” Henry began. “Make sure you don’t,” said Dr. Snood in a stern voice. “And make sure the lid on that coffin stays closed.” “Of course--” said Jesse. Before she could say any more, he walked out. The Aldens stood still for a moment, stunned by Dr. Snood’s harsh behavior. At last Jessie said, “I don’t know which was stranger: the way he was looking at those artifacts or the way he just spoke to us.” The Mystery of the Mummy's Curse

When the children returned to the studio, the STUDIO CLOSED sign was still on the door. This didn’t stop the Aldens. “Hi, Hilda! It’s the Aldens,” Jessie yelled as she rapped on the window. Hilda whirled around, startled to see four pairs of eyes staring at her. She opened the door slightly. “What are you doing here? My studio is closed right now.” Violet looked past Hilda. “Oh, so you have the Clover Dodge statue,” she said before the young woman could block her view. “Are you fixing it? I’d love to see how.” Hilda stared at Violet. “I’m not here to teach art classes, Violet. I’m here to…well, I haven’t time to explain.” Henry, who was taller than Hilda, peered right over her shoulder. “Are you fixing the arm from the angel statue, too? Charlotte will be glad you got started on that.” Hilda studied the Aldens’ faces. “What do you mean? William was the one who got me working on the angel statue, not Charlotte. He told me she left most of the decisions up to him.” Hilda pushed the door to keep the children back. “I really must get back to my work. I’ll see you at Skeleton Point later this afternoon.” The Aldens had a lot more to say, but they never got the chance. After she slammed the door, Hilda walked over to the windows and pulled the shade down one by one. The Mystery at Skeleton Point

There was a full-sized seated skeleton in front of them on the steps. “The Walking Skeleton!” Benny said. Henry chuckled. “No, I guess you’d have to call it the Sitting Skeleton. It’s just sitting there as if it stopped to take a rest.” “I’m not afraid of Halloween tricks even when it’s not Halloween.” Benny scurried past the skeleton. Henry looked very serious. “Now I know someone is trying to scare us away from Skeleton Point again,” he said. “You’re probably right, Henry,” said Jessie. “But who could it be?” “William Mason and Hilda Stone,” said Benny, almost immediately. “They’re mean to us, and they don’t want us around.” “You’re right, Benny. Remember that man in town said William Mason wanted to buy Skeleton Point for himself? Maybe he’s mad at Charlotte for buying it first.” Jessie looked thoughtful. “What about Greeny?” she asked. “We know he doesn’t want us around, either--and we know he’s taking things from the house. Maybe he wants to scare us away so we won’t figure out what he’s up to. We should still keep an eye on him.” Henry agreed. “In fact, we should keep an eye on all of them.” When they returned to the house, the Aldens found that William had joined Hilda outside. Jessie waved. “Hi!” she called out, as if she had come straight from her errand across the lake. “Sorry we took so long. The hardware store was out of those light switches.” Hilda and William kept working. It seemed neither of them wanted to say anything. Finally Hilda spoke up. “Oh, it turns out we don’t need them after all.” William pushed back the brim of his red hat and checked his watch. “Half the day’s gone. I don’t see much use for you kids sticking around here. Hilda and I are doing some technical work Charlotte asked us to do--not something suitable for children.” “We know how to measure, too” Benny said. “I learned in kindergarten.” Hilda hesitated. “What we’re doing is a little more complicated than what you do in school. Now, why don’t you children go for a bike ride. Or a swim,” she suggested before going into the house. Henry turned to William. “We already went for a swim,” he said. “An unplanned one.” William didn’t say anything about untying the Alden’s boat, but he looked away and cleared his throat. “Well, then, go for a planned one this afternoon. Take tomorrow off, too. Everything’s under control here.” Before William turned to go into the house, the Aldens looked down. Just as they suspected, William was wearing heavy work boots that left deep prints just like the ones near the statue. The Mystery at Skeleton Point

Now, one last idea,” said Mr. Alden. He looked at Jessie, with a twinkle in his eye. “I heard all about your Mystery Man,” he said. “He’s not my Mystery Man,” said Jessie, laughing. “But he was nice, wasn’t he?” “He doesn’t seem like a Mystery Man any more,” said Violet. “I’d like to see him again sometime.” Mr. Alden said, “He could come to the party tomorrow, if anyone asked him.” “Very well,” said Aunt Jane. “I don’t mind having a Mystery Man at my birthday party.” “Will he fly?” asked Jessie. “No. He is already here,” said Grandfather. “He got off the train when I did!” “And we didn’t even see him,” said Benny. “Well, he is still a Mystery Man in some ways, isn’t he?” said Violet.

She smiled a free, beautiful and perfectly natural smile. “And you cannot do a damn thing about all this, darling, unless you destroy Mavis Weld utterly and finally.” “Last night she proved she was willing to destroy herself.” “If she was not acting.” She looked at me sharply and laughed. “That hurt, did it not? You are in love with her.” I said slowly, “That would be kind of silly. I could sit in the dark with her and hold hands, but for how long? In a little while she will drift off into a haze of glamour and expensive clothes and froth and unreality and muted sex. She won’t be a real person any more. Just a voice from a sound track, a face on a screen. I’d want more than that.

I could see Chandler Street back in Philadelphia, where I lived immediately after my divorce. “Your own road has led through some interesting places. That it (Philadelphia) saw the flowing of democracy and freedom (I could see the Declaration of Independence); it was where it started in your land, and it spread throughout the globe. Now it is darkened, it is endangered.” Speak. You Are Permitted. The permission to question. The openness. An unprecedented opportunity to plumb the depths of some of life’s most persistent and challenging questions. A frank conversation… with God… about free will, the need for Christianity, idolatry, Jewish suffering, the Holocaust, the devil, the messiah and the age of the world. It would prove an unforgettable night. October 16, 1987 … Later that night, Rosalyn felt once more that she had to write. Soon she began to speak. "Do you believe what has been written? Do you believe this is that which is penned by you is that which is truth?.... There shall be resistance. There shall be family versus family. There will be much dissension.