Cottage Garden Quotes

Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature.

The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts

The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth's surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.

My dwelling is but a rustic cottage, but still I should like you to see, at least, the pretty mountain streamlet which waters my garden.

Someone, he added, ought to draw up a catalogue of types of buildings listed in order of size, and it would be immediately obvious that domestic buildings of less then normal size – the little cottage in the fields, the hermitage, lockkeepers's lodge, the pavilion for viewing the landscape, the children's bothy in the garden – are those that offer us at least a semblance of peace, whereas no one in his right mind could truthfully say that he liked a vast edifice such as the Palace of Justice in the old Gallows Hill in Brussels. At the most we gaze at it in wonder, a kind of wonder which itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.

There being no direct route to Savannah from Charleston, I followed a zigzagging course that took me through the tidal flatlands of the South Carolina low country. As I approached Savannah, the road narrowed to a two-lane blacktop shaded by tall trees. There was an occasional produce stand by the side of the road and a few cottages set into the foliage, but nothing resembling urban sprawl. The voice on the radio informed me that I had entered a zone called the Coastal Empire.

Consider the whole thing as occupational therapy. Power as cottage industry for the mad. The shepherd is slave to the sheep. A gardener is in thrall to his carrots. Only a lunatic would want to be president. These lunatics are created deliberately by those who wish to be presided over. You've seen it a thousand times. We create a leader by locating one in the crowd who is standing up. This may well be because there are no chairs or because his knees are fused by arthritis. It doesn't matter. We designate this victim as a 'stand-up guy' by the simple expedient of sitting down around him.

For the ink is the same each day - but the words are blooming in colours no one has ever seen; for my words are flowers, and your love is a garden.

That night, I fell into a deep, travel-weary sleep, lulled by the familiar sound of the waterfall beyond the window. I dreamed of the beck fairies, a blur of lavender and rose-pink and buttercup-yellow light, flitting across the glittering stream, beckoning me to follow them toward the woodland cottage. There, the little girl with flame-red hair picked daisies in the garden, threading them together to make a garland for her hair. She picked a posy of wildflowers- harebell, bindweed, campion, and bladderwort- and gave them to me.

I moved silently across the garden, silvered with moonlight, my feet barely touching the ground. I brushed past fern and tree, following the lights across the stream, toward the cottage in the clearing where I watched a little girl surrounded by light and laughter as the fairies threaded flowers through her hair. I stood out of sight, peering through the tangled blackberry bushes, but the girl saw me, rushing forward, her hand outstretched, a white flower clasped between her fingers. "For Mammy," she said. "For my Mammy.

COTTAGE Behind the gate he saw an overgrown garden and old trees

The path has a cottage garden on both sides; clumps of old-fashioned flowers ran all over each other: lamb's ear, mint, & rhubarb, roses, forget-me-nots, bleeding hearts & wisteria. I walked very slowly, savoring. At the end of the slate path was the house, very recognizable now... "As nearly perfect a little place as I ever lived in" is how Beatrix described it.

There, Clover found the "gardens and great trees and old cottages...so beautiful" that seeing them exhausted her. It was as if, she joked with her husband, "this English world is a huge stage-play got up only to amuse Americans. It is obviously unreal, eccentric, and taken out of novels.

She'd had a glimpse of a possible future-the pretty cottage, the garden full of flowers and vegetables, bread in the oven, a bowl of strawberries on the table, the happy baby hitched on her hip while she threw corn to the chickens. It would be like a Hardy novel before it all goes wrong.

She saw beauty in ordinary little things and took pleasure in it (and this was just as well because she had had very little pleasure in her life). She took pleasure in a well-made cake, a smoothly ironed napkin, a pretty blouse, laundered and pressed; she liked to see the garden well dug, the rich soil brown and gravid; she loved her flowers. When you are young you are too busy with yourself... you haven't time for ordinary little things but, when you leave youth behind, your eyes open and you see magic and mystery all around you: magic in the flight of a bird, the shape of a leaf, the bold arch of a bridge against the sky, footsteps at night and a voice calling in the darkness, the moment in a theatre before the curtain rises, the wind in the trees, or (in winter) an apple-branch clothed with pure white snow and icicles hanging from from a stone and sparkling with rainbow colours.

At Livia's indecisive silence, Shaw abandoned the subject, and fastened his gaze on the tousled, heavily planted cottage garden ahead of them. Long banners of honeysuckle trailed over the garden fence, its fragrance making the air thick and sweet. Butterflies danced amid bright splotches of poppies and peonies. Beyond a plot of carrots, lettuce, and radishes, a rose-covered archway led to a tiny glasshouse that was shaded by a parasol-shaped sycamore.

Cultivation, old civilization, beauty, history! Surprising turnings of streets, shapes of venerable cottages, lovely aged eaves, unexpected and gossamer turrets, steeples, the gloss, the antiquity! Gardens. Whoever speaks of Paris has never seen Warsaw. [...] Whoever yearns for an aristocratic sensibility, let him switch on the great light of Warsaw.

Had I been offered all the treasures in the world I could not have turned and gone down to the cottage or the beach again. It was as though someone waited down there, in the little garden where the nettles grew. Someone who watched and listened.

She nearly stopped forever just outside Ashton, because she came to a tiny cottage buried in a garden. I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin.

To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.

Quickly and quietly, the Princess returned to the cottage, for she knew what she must do. The crone had sacrificed her eyes to provide the Princess with shelter and now must this kindness be repaid. Although she had never traveled beyond the forest rim, the Princess did not hesitate. Her love for the crone was so fathomless that if all the grains of sand in the ocean should be stacked up end to end, they would not run so deep.

When little Snugs looked out he saw that the roofs of the cottages, that nestled close to the lighthouse, were now completely white. At ground level, sleet was blowing over the garden, and along the paths. It wouldn’t be long before The Isle of Wight would be snow white – he was sure about that!

The teaching practice is a success, largely because Mr. Sturridge seems to like me, so much so as to offer me a permanent job there in the autumn term. He tells me that the kids like me too. I’m very flattered and I thank him for the compliment, but ask for some time to consider the offer. That evening I climb up to the top of Clough Head. On the crest of the high ridge I turn back and I can see my life spread out like the valley below me: growing old like Mr. Sturridge, a village teacher, gray-headed and stooped, with worn leather patches on the elbows of my jacket, going home each night to a stone cottage on the hillside with an older Megan standing in the garden, roses in a trellis around the front door, a wood fire in the hearth, my books and my music, idealized, peaceful, devoid of complexity or worry or the vanity of ambition. Whatever is comforting about this image of a possible future, however different it is from the harsh industrial landscape of my childhood, it holds me for no more than a moment and then it is gone. I know the answer I shall give the headmaster, and as the evening draws in I make my way at a brisker pace down the mountain to my digs in the village.

He would never love me because of Rebecca. She was in the house still, as Mrs Danvers had said; she was in that room in the west wing, she was in the library, in the morning-room, in the gallery above the hall. Even in the little flower-room, where her mackintosh still hung. And in the garden, and in the woods, and down in the stone cottage on the beach. Her footsteps sounded in the corridors, her scent lingered on the stairs. The servants obeyed her orders still, the food we ate was the food she liked. Her favourite flowers filled the rooms. Her clothes were in the wardrobes in her room, her

December. The days begin white and glittering with snow---on the roof, the branches of the sycamore, where a robin has taken up residence. It reminds Kate of Robin Redbreast from The Secret Garden---for so many years, her only safe portal to the natural world. Only now does she truly understand her favorite passage, memorized since childhood: "Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us." Often, before she leaves for work, she stand outside to watch the sun catch on the white-frosted plants, searching for the robin's red breast. A spot of color against the stark morning. Sometimes, while she watches it flutter, she feels a tugging inside her womb, as if her daughter is responding to its song, anxious to breach the membrane between her mother's body and the outside world. The robin is not alone in the garden. Starlings skip over the snow, the winter sun varnishing their necks. At the front of the cottage, fieldfares---distinctive with their tawny feathers---chatter in the hedgerows. And of course, crows. So many that they form their own dark canopy of the sycamore, hooded figures watching.

Think of this – that the writer wrote alone, and the reader read alone, and they were alone with each other. True, the writer may have been alone also with Spenser's golden apples in the Faerie Queene, Proserpina's garden, glistening bright among the place's ashes and cinders, may have seen in his mind's eye, apple of his eye, the golden fruit of the Primavera, may have seen Paradise Lost, in the garden where Eve recalled Pomona and Proserpina. He was alone when he wrote and he was not alone then, all these voices sang, the same words, golden apples, different words in different places, an Irish castle, un unseen cottage, elastic-walled and grey round blind eyes.

What would you like for your own life, Kate, if you could choose?” “Anything?” “Of course anything.” “That’s really easy, Aunty Ivy.” “Go on then.” “A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden. “In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.” From A DISH OF STONES

I bet Mrs Snapperly had no teeth and talked to herself, right?” said Miss Tick. “Yes. And she had a cat. And a squint,” said Tiffany. And then it all came out in a rush: “And so after he vanished, they went to her cottage and they looked in the oven and they dug up her garden and they threw stones at her old cat until it died and they turned her out of her cottage and piled u pall her old books in the middle of the room and set fire to them and burned the place to the ground and everyone said she was an old witch.” “They burned the books,” said Miss Tick in a flat voice. “Because they said they had old writing in them,” said Tiffany. “And pictures of stars.” “And when you went to look, did they?” said Miss Tick. Tiffany suddenly felt cold. “How did you know?” she said. “I’m good at listening. Well, did they?” Tiffany sighed. “Yes, I went to the cottage next day, and some of the pages, you know, had kind of floated up in the heat? And I found a part of one, and it had all old lettering and gold and blue edging. And I buried her cat.” “You buried the cat?” “Yes! Someone had to!

CHAPTER ONE A Boy at the Window FOR A LONG TIME AFTER THAT SUMMER, the four Penderwick sisters still talked of Arundel. Fate drove us there, Jane would say. No, it was the greedy landlord who sold our vacation house on Cape Cod, someone else would say, probably Skye. Who knew which was right? But it was true that the beach house they usually rented had been sold at the last minute, and the Penderwicks were suddenly without summer plans. Mr. Penderwick called everywhere, but Cape Cod was booked solid, and his daughters were starting to think they would be spending their whole vacation at home in Cameron, Massachusetts. Not that they didn’t love Cameron, but what is summer without a trip to somewhere special? Then, out of the blue, Mr. Penderwick heard through a friend of a friend about a cottage in the Berkshire Mountains. It had plenty of bedrooms and a big fenced-in pen for a dog—perfect for big, black, clumsy, lovable Hound Penderwick—and it was available to be rented for three weeks in August. Mr. Penderwick snatched it up, sight unseen. He didn’t know what he was getting us into, Batty would say. Rosalind always said, It’s too bad Mommy never saw Arundel—she would have loved the gardens. And Jane would say, There are much better gardens in heaven. And Mommy will never have to bump into Mrs. Tifton in heaven, Skye added to make her sisters laugh. And laugh they would, and the talk would move on to other things, until the next time someone remembered Arundel.

She nearly stopped forever just outside Ashton, because she came to a tiny cottage buried in a garden. I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin. . . .

born lamb Dickon had found three days before lying by its dead mother among the gorse bushes on the moor. It was not the first motherless lamb he had found and he knew what to do with it. He had taken it to the cottage wrapped in his jacket and he had let it lie near the fire and had fed it with warm milk. It was a soft thing with a darling silly baby face and legs rather long for

Cassandra lifted the apple to her lips. The sunny scent was strong as she bit into it. An apple, from a tree in her very own garden, a tree planted many years before that still produced fruit. Year in, year out. It was sweet. Were apples always so sweet? She yawned. The sun had made her very drowsy. She would sit, just for a little while longer, until the gardener arrived. She took another bite of the apple. The room felt warmer than it had before. As if the range had suddenly begun to work, as if someone else had joined her in the cottage and was beginning to make lunch. Her lids were heavy and she closed her eyes. A bird somewhere sang, a lovely, lonely tune; breeze-blown leaves tapped against the windows, and in the distance the ocean breathed steadily, in and out, in and out, in and out...

A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn

A profusion of Ashok trees, especially around the cottages in the centre, established the literal intent of the nomenclature. But there was more. The old Sanskrit word for grief was shok. Hence, ashok meant no grief. This garden, this Ashok Vatika, was an oasis of happiness, joy, even bliss. But Indians are philosophical by nature; therefore, naturally, they also have a penchant for digging deeper. And ashok can also mean ‘to not feel grief’.

I think the desire to create will last all my life – I realize that the time for me to be that person has not been available, or should I say right – I have become aware that the young stage of my children’s life is passing and there will be more time for me later – it’s too easy to be a “want it now” person. But I am so glad that I will have more time very soon. Without doubt though, as luck would have it, the very best thing I have ever made is my children. I feel my spirit rise as I listen to Elizabeth’s words, and so I reach over and take the bowl… Before I had children I had a dream. A dream of the sort of mama I wanted to be. One who always had a homemade cake in a pretty tin and a jar of homemade cookies, a stylish handmade home with French-print curtains, a carefully tended cottage garden, lots of time to play together outside and making all our own Christmas presents. Happy children, happy stay-at-home mama and a beautiful life.

Although she was a recluse, she was not entirely apart from the world. She lived sealed in a cottage joined to the church in the city of Norwich. The modern fiction is that an anchorite was walled into a tiny church alcove with barely room for a prie-dieu and hard bed. Julian would probably have had a suite of rooms as well as a walled garden. Solitaries were even allowed to have cattle and property. They also had guests. The life was simple with much time devoted to prayer and contemplation, but it was not the cruel torture we might imagine. A main road passed right outside her house and Julian gave spiritual direction and advice to the many people who sought her out. One of these was Margery Kempe, who while certainly not of Julian’s sanctity, has entered history for writing the first biography of women in English. Nor was Julian entirely alone within her cottage. She would have had a maid (we know the names of two of them). And she may have had pets.

Bill and Fleur’s cottage stood alone on a cliff overlooking the sea, its walls embedded with shells and whitewashed. It was a lonely and beautiful place. Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature. He spent much of the next few days making excuses to escape the crowded cottage, craving the cliff-top view of open sky and wide, empty sea, and the feel of cold, salty wind on his face.

There was much work to be done in the crone's cottage, but the Princess was never heard to complain, for she was a true Princess with a pure heart. The happiest folk are those that are busy, for their minds are starved of time to seek out woe. Thus did the Princess grow up contented. She came to love the changing seasons and learned the satisfaction of sowing seeds and tending crops. And although she was becoming beautiful, the Princess did not know it, for the crone had neither looking glass nor vanity and thus the Princess had not learned the ways of either.

It was not that he was idle. He was always doing something, in his amateurish way. But he had no desire to give himself to the world, and still less had he any desire to fight his way in the world. No, no, the world wasn't worth it. He wanted to ignore it, to go his own way apart, like a casual pilgrim down the forsaken sidetracks. He loved his wife, his cottage and garden. He would make his life there, as a sort of epicurean hermit. He loved the past, the old music and dances and customs of old England. He would try and live in the spirit of these, not in the spirit of the world of business.

She guided me down a narrow cobblestone path winding toward the cottage. Blue-and-white flowers shaped like conch shells bordered the path, and their satiny petals brushed against my ankles. The heady fragrance of frangipane lingered in the air. A rainbow of butterflies circled above our heads. The cottage's thatched roof winked under the sun. The peacock was lying on the front step, docile and languid as a Persian cat. He lifted his head to meet Tulasi's outstretched hand. "This is Puck," she said, stroking his feathers. "Aren't you afraid he'll fly away?" "No, Puck would never do that. He's just as bound to this garden as I am.

And then England—southern England, probably the sleekest landscape in the world. It is difficult when you pass that way, especially when you are peacefully recovering from seasickness with the plush cushions of a boat-train carriage underneath you, to believe that anything is really happening anywhere. Earthquakes in Japan, famines in China, revolutions in Mexico? Don’t worry, the milk will be on the doorstep tomorrow morning, the New Statesman will come out on Friday. The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth’s surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.

A Rakshasi did not live here. A princess did. I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one. An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter.

Why couldn't my mother and I figure out how it was done? My mother deserved a home. It didn't even need to be a mansion, just a little cottage with a rose garden and cream colored curtains and rugs that were soft and clean and kissed your bare feet as you walked across them. That would be plenty. It mad me mad that my mother didn't have nice things, madder still that I couldn't provide them for her, and furious that I couldn't say any of this aloud, because my mother was striving to be upbeat. Taking care of my mother meant saying nothing to disrupt her fragile optimism, so I would press my forehead against the window, harder until it hurt, and shift my focus from the mansions to my reflection in the glass.

Cassandra continued her obstacle course along the wall, hoping to find a gate or a door, anything permitting entry. The sun was rising in the sky and the birds had relaxed their singing. The air was heavy with the sweet, swooning perfume of a climbing rose. Although it was autumn, Cassandra was becoming hot. To think she had once imagined England a cold country to which the sun was a stranger. She stopped to wipe sweat from her brow and bumped her head on something low-hanging. The gnarled bough of a tree reached armlike over the wall. An apple tree, Cassandra realized, when she saw that the branch bore fruit- shiny, golden apples. They were so ripe, so deliciously fragrant, that she couldn't resist picking one.

Apart from such visits, for the first time in her life Eliza was truly alone. In the beginning, unfamiliar sounds, nocturnal sounds, disturbed her, but as the days passed she came to know them: soft-pawed animals under the eaves, the ticking of the warming range, floorboards shivering in the cooling nights. And their were unexpected benefits to her solitary life: alone in the cottage, Eliza discovered that the characters from her fairy tales became bolder. She found fairies playing in the spiders' webs, insects whispering incantations on the windowsills, fire sprites spitting and hissing in the range. Sometimes in the afternoons, Eliza would sit on the rocking chair listening to them. And late at night, when they were all asleep, she would spin their stories into her own tales.

The house was squashed like a mushroom by a thatched roof that hung far out over the walls. A pair of windows sparkled on either side of a rounded, heavy wooden door. There was nothing particularly creepy or witch-ish about it at all, except for maybe some leeks that grew on the roof around the higgledy-piggledy chimney (out of which wafted a lovely, homey-smelling smoke). Next to the cottage was a small fenced-in kitchen garden, and even in the low light Rapunzel could see it wasn't given over just to herbs and vegetables. Tall rockets of flowers and pretty, feathery foliage shot colorfully out of the corners. There was even a neat flagstone path that led up to the front door. "Witch?" Flynn asked, skeptical. "Or, like... crunchy earth mother type who drinks herbal teas and pretends the goddess speaks to her?

unlike birds, for instance, who keep building the same nest over thousands of years, we tend to forge ahead with our projects far beyond any reasonable bounds. Someone, he added, ought to draw up a catalogue of types buildings listed in order of size, and it would be immediately obvious that domestic buildings of less than normal size—the little cottage in the fields, the hermitage, the lockkeeper’s lodge, the pavilion for viewing the landscape, the children’s bothy in the garden—are those that offer us at least a semblance of peace, whereas no one in his right mind could truthfully say that he liked a vast edifice such as the Palace of Justice on the old Gallows Hill in Brussels. At the most we gaze at it in wonder, a kind of wonder which in itself is a form of dawning horror, for somehow we know by instinct that outsize buildings cast the shadow of their own destruction before them, and are designed from the first with an eye to their later existence as ruins.

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

At the side of the house he scraped scales of fungus off the shingles. His basement smelled of mildew, his eyes stinging when he put in the laundry. The soil of his vegetable garden was too wet to till, the roots of the seedlings he’d planted washing away. The rhododendrons shed their purple petals too soon, the peonies barely opening before the stalks bent over, the blossoms smashed across the drenched ground. It was carnal, the smell of so much moisture. The smell of the earth’s decay. At night the rain would wake him. He heard it pelting the windows, washing the pitch of the driveway clean. He wondered if it was a sign of something. Of another juncture in his life. He remembered rain falling the first night he spent with Holly, in her cottage. Heavy rain the evening Bela was born. He began expecting it to leak through the bricks around the fireplace, to drip through the ceiling, to seep in below the doors. He thought of the monsoon coming every year in Tollygunge. The two ponds flooding, the embankment between them turning invisible.

Ellie made her way up the familiar twist of Wicker Road. Even with just the porch light on, her house looked inviting and settled. The single oak that took up the majority of her front lawn was already beginning to collect the first measures of snow. She quickly walked up the three steps and went in. There was nothing grandiose about the place, but it was a perfect fit for Ellie. The house looked a little like an old English cottage. It was tiny, reminding her of a dollhouse. Which suited her perfectly. Any bigger and the place would have echoed, and Ellie would have been aware of how acutely alone she was. She filled the walls with various pieces of artwork, and her queen-sized bed with pillows she made from pieces of vintage fabric. There were two fireplaces and wall-to-wall hardwood floors with perfectly worn-in wainscoting. The back rooms were all windows that could be opened up so it seemed almost a part of the garden. Ellie's study was lined with bookshelves on every wall except the alcove, in front of which she had placed an old secretary. She even had a small balcony off the master that looked over the garden and was a wonderful place to read.

A real house with a copper pot for making jam, and sugar cookies in a metal box hidden deep inside a dresser. A long farmhouse table, thick and homey, and cretonne curtains. She smiled. She had no idea what cretonne was, or even if she'd like it, but she liked the way the words went together: cretonne curtains. She'd have a guest room and- who knows- maybe even some guests. A well-kept little garden, hens who'd provide her with tasty boiled eggs, cats to chase after the field mice and dogs to chase after the cats. A little plot of aromatic herbs, a fireplace, sagging armchairs and books all around. White tablecloths, napkin rings unearthed at flea markets, some sort of device so she could listen to the same operas her father used to listen to, and a coal stove where she could let a rich beef-and-carrot stew simmer all morning along. A rich beef-and-carrot stew. What was she thinking. A little house like the ones that kids draw, with a door and two windows on either side. Old-fashioned, discreet, silent, overrun with Virginia creeper and climbing roses. A house with those little fire bugs on the porch, red and black insects scurrying everywhere in pairs. A warm porch where the heat of the day would linger and she could sit in the evening to watch for the return of the heron.

They seemed so right together-both of them sophisticated, dark-haired, and striking; no doubt they had much in common, she thought a little dismally as she picked up her knife and fork and went to work on her lobster. Beside her, Lord Howard leaned close and teased, “It’s dead, you know.” Elizabeth glanced blankly at him, and he nodded to the lobster she was still sawing needlessly upon. “It’s dead,” he repeated. “There’s no need to try to kill it twice.” Mortified, Elizabeth smiled and sighed and thereafter made an all-out effort to ingratiate herself with the rest of the party at their table. As Lord Howard had forewarned the gentlemen, who by now had all seen or heard about her escapade in the card room, were noticeably cooler, and so Elizabeth tried ever harder to be her most engaging self. It was only the second time in her life she’d actually used the feminine wiles she was born with-the first time being her first encounter with Ian Thornton in the garden-and she was a little amazed by her easy success. One by one the men at the table unbent enough to talk and laugh with her. During that long, trying hour Elizabeth repeatedly had the strange feeling that Ian was watching her, and toward the end, when she could endure it no longer, she did glance at the place where he was seated. His narrowed amber eyes were leveled on her face, and Elizabeth couldn’t tell whether he disapproved of this flirtatious side of her or whether he was puzzled by it. “Would you permit me to offer to stand in for my cousin tomorrow,” Lord Howard said as the endless meal came to an end and the guests began to arise, “and escort you to the village?” It was the moment of reckoning, the moment when Elizabeth had to decide whether she was going to meet Ian at the cottage or not. Actually, there was no real decision to make, and she knew it. With a bright, artificial smile Elizabeth said, “Thank you.” “We’re to leave at half past ten, and I understand there are to be the usual entertainments-sopping and a late luncheon at the local inn, followed by a ride to enjoy the various prospects of the local countryside.” It sounded horribly dull to Elizabeth at that moment. “It sounds lovely,” she exclaimed with such fervor that Lord Howard shot her a startled look. “Are you feeling well?” he asked, his worried gaze taking in her flushed cheeks and overbright eyes. “I’ve never felt better,” she said, her mind on getting away-upstairs to the sanity and quiet of her bedchamber. “And now, if you’ll excuse me, I have the headache and should like to retire,” she said, leaving behind her a baffled Lord Howard. She was partway up the stairs before it dawned on her what she’d actually said. She stopped in midstep, then gave her head a shake and slowly continued on. She didn’t particularly care what Lord Howard-her fiance’s own cousin-thought. And she was too miserable to stop and consider how very odd that was.

He went to look closely at the painting, which portrayed a parade of fat white geese strolling past the doorway of a cottage. "Someday I'll be able to afford real art," Garrett said, coming to stand beside him. "In the meantime, we'll have to make do with this." Ethan's attention was drawn to the tiny initials in the corner of the work: G.G. A slow smile broke over his face. "You painted it?" "Art class, at boarding school," she admitted. "I wasn't bad at sketching, but the only subject I could manage to paint adequately was geese. At one point I tried to expand my repertoire to ducks, but those earned lower marks, so it was back to geese after that." Ethan smiled, imagining her as a studious schoolgirl with long braids. The light of a glass-globe parlor lamp slid across the tidy pinned-up weight of her hair, bringing out gleams of red and gold. He'd never seen anything like her skin, fine and powerless, with a faint glow like a blush-colored garden rose. "What gave you the idea to paint geese in the first place?" he asked. "There was a goose pond across from the school," Garrett said, staring absently at the picture. "Sometimes I saw Miss Primrose at the front windows, watching with binoculars. One day I dared to ask her what she found so interesting about geese, and she told me they had a capacity for attachment and grief that rivaled humans. They mated for life, she said. If a goose was injured, the gander would stay with her even if the rest of the flock was flying south. When one of a mated pair died, the other would lose its appetite and go off to mourn in solitude.

I suppose we ought to go back,” she said when several minutes had passed, and his silence became unsettling. In answer Ian tipped his head back and closed his eyes, looking like a man in the throes of some deep, internal battle. “Why?” he said, still in that odd posture. “Because there’s nowhere else to walk,” she answered, stating the obvious. “We did not come out tonight to walk,” he said flatly. Elizabeth’s sense of security began to disintegrate. “We didn’t?” “You know we didn’t.” “Then-then why are we here?” she asked. “Because we wanted to be alone together.” Horrified at the possibility that he’d somehow known what thoughts had been running through her mind at supper, she said uneasily, “Why should you think I want to be alone with you?” He turned his head toward her, and his relentless gaze locked with hers. “Come here and I’ll show you why.” Her entire body began to vibrate with a mixture of shock, desire, and fear, but somehow her mind remained in control. It was one thing to want to be kissed by him at the cottage where the vicar was nearby, but here, with absolute privacy and nothing to prevent him from taking all sorts of liberties, it was another matter entirely. Far more dangerous. More frightening. And based on her behavior in England, she couldn’t even blame him for thinking she’d be willing now. Struggling desperately to ignore the sensual pull he was exerting on her, Elizabeth drew a long, shaky breath. “Mr. Thornton,” she began quietly. “My name is Ian,” he interrupted. “Considering our long acquaintance-not to mention what has transpired between us-don’t you think it’s a little ridiculous to call me Mr. Thornton?” Ignoring his tone, Elizabeth tried to keep hers nonjudgmental and continue her explanation. “I used to blame you entirely for what happened that weekend we were together,” she began softly. “But I’ve come to see things more clearly.” She paused in that valiant speech to swallow and then plunged in again. “The truth is that my actions that first night, when we met in the garden and I asked you to dance with me, were foolish-no, shameless.” Elizabeth stopped, knowing that she could partly exonerate herself by explaining to him that she’d only done all that so her friends wouldn’t lose their wagers, but he would undoubtedly find that degrading and insulting, and she wanted very much to soothe matters between them, not make them much, much worse. And so she said haltingly, “Every other time we were alone together after that I behaved like a shameless wanton. I can’t completely blame you for thinking that’s exactly what I was.” His voice was heavy with irony. “Is that what I thought, Elizabeth?” His deep voice saying her name in the darkness made her senses jolt almost as much as the odd way he was looking at her across the distance that separated them. “Wh-what else could you have thought?” Shoving his hands into his pockets, he turned fully toward her. “I thought,” he gritted, “you were not only beautiful but intoxicatingly innocent. If I’d believed when we were standing in the garden that you realized what the hell you were asking for when you flirted with a man of my years and reputation, I’d have taken you up on your offer, and we’d both have missed the dancing.” Elizabeth gaped at him. “I don’t believe you.” “What don’t you believe-that I wanted to drag you behind the hedges then and there and make you melt in my arms? Or that I had scruples enough to ignore that ignoble impulse?

Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.

Beyond the harm to local wildlife, any chemicals we used in our garden might end up polluting our well, or run off the property. In a heavy rainstorm, this runoff may end up in nearby Beaver Creek, a tributary to the Brandywine Creek, which runs into the Delaware River, which flows into the Atlantic Ocean. These kinds of direct connections with the outside world exist in every garden, which is why I think we should always aim, in our gardening practices, to do the least harm and the greatest good.

Aside from the old architecture, narrow winding roads, and driving on the left, I wondered why England looked so different from America; then I realized that the trees and fields, the buildings and barns, the small villages and narrow winding roads all fit together seamlessly, blended by time into a harmony. No one thing intruded on the other. Each fit the scene as though a natural process had ordained symmetry. Nothing jarred the eye; all was quiet beauty and neatness. There was no litter, nothing offensive to the senses. Every snug cottage had its garden, each shop a quaint window; there were no ugly signs. Even the lettering above the shop doors looked wonderfully ancient and elegant.

Miss Rebecca Vaughn,” Eliza says, as if to formally present me to Alex. I walk into some kind of parlor, trying to hold my head up high and act as if I’m not at all nervous. I half-heartedly hope Eliza will stay inside the room but she doesn’t; she steps aside and lets me enter. I walk to a high-backed brocade chair with gilded arms and legs across from the big sofa Alex is occupying and sit down. I cross my ankles and carefully spread out my skirts as if it’s the most important thing in the world and requires every ounce of concentration. Victoria would be proud. “Where is she?” His voice comes out firm, demanding. Wow. So much for stalling. I bite my lip. “Who?” “Do not play games,” he says. I study my hands as they wring in my lap. I can play dumb, I can postpone this, or I can just tell him. Like ripping off a Band-Aid. “With Trent Rallsmouth,” I say, peeking up at him from underneath my lashes. His eyes fly open and he sits up straighter. “The boy from the dance? Where?” Oh God. He does not look happy. “The gardener’s cottage on the eastern edge of Harksbury.” Alex stands like he’s the incredible hulk--so quickly I’m surprised the whole sofa doesn’t fly back and crash into the wall. Oh God, this was so stupid; he’s going to kill me. Or throw me in that dungeon I’m still convinced he has… “Please tell me they have a proper chaperone,” he says. I purse my lips and shake my head. He sighs, a great drag of irritation, and crosses his arms at his chest. It makes his chest bulge with muscle, and I try to focus on the fact that he seems like he could wring my neck and not on the way he looks today. Which, seriously, is pretty hot. His face is flushed in anger, which brings out his dark eyes… Focus.

woke up the next day to clear, blue skies. She stretched and climbed out of bed, thankful that she didn’t suffer from the aches and pains that many her age complained about. She attributed that to her strict health regimen and hurried downstairs where she measured out a tablespoon of apple cider vinegar and squeezed half a lemon into heated, purified water. From her kitchen window up high on Israel Head Hill, she had a stunning, bird’s-eye-view of the Atlantic Ocean. The view drew her outside and she took her steaming mug into the large garden that encompassed the east side of the old, stone cottage in which she lived. The cottage had been her parents’ house, the one

She closed her eyes for a minute, then put her feet back down and peeled some purple varnish off her thumbnail. “I don’t know, Louisa. Perhaps I’ll just follow your amazing example and do all the exciting things you do.” I took three deep breaths, just to prevent myself from stopping the car on the motorway. Nerves, I told myself. It was just her nerves. And then, just to annoy her, I turned on Radio 2 really loudly and kept it there the rest of the way. • • • We found Four Acres Lane with help from a local dog walker, and pulled up outside Fox’s Cottage, a modest white building with a thatched roof. Outside, scarlet roses tumbled around an iron arch at the start of the garden path, and delicately colored blooms fought for space in neatly tended beds. A small hatchback car sat in the drive. “She’s gone down in the world,” said Lily, peering out. “It’s pretty.” “It’s a shoebox.” I sat, listening to the engine tick down. “Listen, Lily. Before we go in. Just don’t expect too much,” I said. “Mrs. Traynor’s sort of formal. She takes refuge in manners. She’ll probably speak to you like she’s a teacher. I mean, I don’t think she’ll hug you, like Mr. Traynor did.” “My grandfather is a hypocrite.” Lily sniffed. “He makes out like you’re the greatest thing ever, but really he’s just pussy-whipped.” “And please don’t use the term ‘pussy-whipped.’” “There’s no point pretending to be someone I’m not,” Lily said sulkily. We sat there for a while. I realized that neither of us wanted to be the one to walk up to the door. “Shall I try to call her one more time?” I said, holding up my phone. I’d tried twice that morning but it had gone straight to voice mail. “Don’t tell her straight away,” she said suddenly. “Who I am, I mean. I just . . . I just want to see who she is. Before we tell her.” “Sure,” I said, softening. And before I could say anything else, Lily was out of the car and striding up toward the front gate, her hands bunched into fists like a boxer about to enter a ring. • • • Mrs. Traynor had gone quite, quite gray. Her hair, which had been tinted dark brown, was now white and short, making her look much older than she actually was, or like someone recently recovered from a serious illness. She was probably a stone lighter than when

Cameron Edmunds’ wife hadn’t been far wrong when she said she thought Jagger might live in a cave. It was actually a cottage, which could have been quite beautiful if the woods surrounding it hadn’t been allowed to encroach on the garden and shroud the building in darkness. The walls and paintwork were stained with green mould through lack of light, and the windows were thick with years of grime. There were old net curtains at the windows, grey with age. There was a dead feel to the place. No vehicle was parked on the weed-covered drive, but that made sense as they had found Jagger’s car in central Manchester. As Tom and Keith got out of the car, the silence struck both of them. The trees masked the sound of nearby roads and Tom would have expected birdsong. And yet there was none. Both men closed their car doors quietly and walked softly up the path to the front door, looking around almost as if they were expecting someone or something to appear from the dense undergrowth.

He finally managed to pull his foot out of his boot, fell free, and opened his parachute a few thousand feet from the ground. He landed in the backyard of a suburban cottage, in the middle of the owner’s prized rose garden. Rushing out of the house, the owner proceeded to give the dazed young Pole a mild lecture about the importance of not trespassing on private property. But the English passion for privacy soon gave way to English cordiality: the man took Pisarek into his house and brewed him a pot of tea.

she was carefully putting the Monte Carlos onto a pretty plate decorated with violets. ‘Do you think Joe and Rachel might become an item?’ Clara asked, as she pulled out Tassie’s cups and saucers. ‘Oh, I can’t say yet,’ said Tassie vaguely. ‘Could be. I saw a little heart in my cup this morning.’ ‘Perhaps we should seek out a Wise Woman in Chippenham and see if we can’t make a spell for them to fall in love,’ said Clara with a cheeky smile at Tassie. ‘Oh no, dear, you can never do a love spell for someone else, because it comes back to you.’ Clara wasn’t sure if Tassie was serious. ‘What do you mean?’ ‘If we do a love spell for Joe to fall in love with Rachel, then he might fall in love with us, and the last thing I need is a man hanging about my garden with a hangdog face. I have already had a litter of rescue dogs in my lifetime to care for.’ Clara laughed. ‘I love that! Well, if he fell for you, it would be because you’re amazing and you are the

Until there is something that changes us and we know we can’t go back to living like that anymore. We have to move forward. We make a huge change. We do something drastic. For some women the first sign is cutting their hair. For others it’s letting go of everything and by everything, I mean every cup and saucer, every shred of responsibility in life. They climb mountains or open an orphanage, or plant a garden. But they are changed and they know they can never go back to that life again.

What are you doing here, Kiernan?” I asked dully. His eyes crinkled up for a second in surprise at my tone. “I came to see you. I know it’s been too long, that I took too long, but…” Two spots of color blossomed on his cheeks, like he didn’t want to go on, but then he forged ahead. “But there were all sorts of ceremonies and things, to welcome her. Everyone was called to court. They even made sure that the Baroness of Mossfeld came,” he added with a puff of laughter and a hopeful glance at me. The holdings of Mossfeld were in the most northern reaches of Thorvaldor and the woman who held them was so eccentric that she had not been seen in court since the crowning of the king. Kiernan and I had spent many hours lying on the grass of the palace gardens, wondering exactly what she was like and what she did with herself stuck out on the boggy, sodden land that was Mossfeld. But I didn’t smile, and I saw Kiernan swallow before he continued. “Anyway, I couldn’t leave. My father, he said that it would be an insult to--to Nalia--if I left to find you while they were still welcoming her. He finally gave me permission yesterday, and I started out this morning.” “I see that. But why?” I asked. There was a tone in my voice I didn’t recognize, as two-edged and keen as a sword blade. It would cut Kiernan, yes, but it would also cut me where I held it. I didn’t care. “This,” I said, throwing my arm out to indicate the cottage and the tub of dye, “isn’t exactly what you’re used to.” He glanced to where I had gestured, blinking and off balance. I shook my head. “No. You’re all fun, all froth and silliness and jokes.” He blanched, hurt, and I almost did myself. It wasn’t true; there was more to Kiernan than that, and we both knew it. Still, I didn’t stop. “There aren’t any pretty women to kiss here, Kiernan, or games to play or pranks to set. No plays to see, no music halls to go to. There aren’t even any libraries for you to run away from.” I laughed, and it was a high, shrill sound, one I didn’t recognize. “Oh, don’t worry. It’s not just you. Look around. There’s nothing here anyone sane would want anything to do with.” “There’s you,” he said quietly. “I came here to find you. I would have gone anywhere,” he added more stridently. “To Two Copper district in Vivaskari or the boggy reaches of Mossfeld or the Nameless God’s frozen hell. You’re my friend. I came to find you.

Ella woke again as they entered the picturesque village of Bibury. A stone bridge arched over the placid River Coln, and Ella craned her neck to watch a swan and its fuzzy, brown cygnets floating alongside beds of watercress and the boggy watermeadow called Rack Isle. Ella lifted her phone and snapped a picture. "It's like someone cued them." "I called ahead." They drove past a row of sandstone cottages with colorful gardens, and in the center of town, Heather pointed out the ancient Saxon church. "St. Mary's was on a Christmas stamp a few decades back." Ella rolled down her window to take another picture. "It's all so- so perfect.

Estelle had even tried her own concoction of rosemary and lavender, which she plucked from the little herb garden around the back of her cottage. Boiling the leaves down until only their dark oils remained, she would then mix in a good amount of Umbrian olive oil sent by her niece, Gloria, from London. The oil left her Mediterranean skin taut like snappy brindle berries, a fact that spurred envy among the old townswomen and prompted Dervla Quigley to spread rumors that Estelle Delmonico had made a deal with the fairies, for sure.

This region of England has the prettiest villages and most beautiful countryside in the world, and yet there is something about such contrived perfection that I find disquieting. For the cramped labourers’ cottages are occupied by stockbrokers and building speculators, and ye host in ye olde village pub turns out to be an airline pilot between trips. The real villagers live near the main road in ugly brick terraced houses, their front gardens full of broken motorcars.

Whipped or ice cream on your dumplings?" she asked them, once the crust browned and the filling bubbled. She sprinkled additional cinnamon sugar on top. Grace and Cade responded as one, "Ice cream." Cade leaned his elbows on the table, cut her a curious look. "I didn't think we had a thing in common." She gave him a repressive look. "Ice cream doesn't make us friends." Amelia scooped vanilla bean into the bowls with the dumplings. Her smile was small, secret, when she served their dessert, and she commented, "Friendships are born of likes and dislikes. Ice cream is binding." Not as far as Grace was concerned. Cade dug into his dessert. Amelia kept the conversation going. "I bet you're more alike than you realize." Why would that matter? Grace thought. She had no interest in this man. A simultaneous "doubtful" surprised them both. Amelia kept after them, Grace noted, pointing out, "You were both born, grew up, and never left Moonbright." "It's a great town," Cade said. "Family and friends are here." "You're here," Grace emphasized. Amelia patted her arm. "I'm very glad you've stayed. Cade, too. You're equally civic-minded." Grace blinked. We are? "The city council initiated Beautify Moonbright this spring, and you both volunteered." We did? Grace was surprised. Cade scratched his stubbled chin, said, "Mondays, I transport trees and mulch from Wholesale Gardens to grassy medians between roadways. Flower beds were planted along the nature trails to the public park." Grace hadn't realized he was part of the community effort. "I help with the planting. Most Wednesdays." Amelia was thoughtful. "You're both active at the senior center." Cade acknowledged, "I've thrown evening horseshoes against the Benson brothers. Lost. Turned around and beat them at cards." "I've never seen you there," Grace puzzled. "I stop by in the afternoons, drop off large-print library books and set up audio cassettes for those unable to read because of poor eyesight." "There's also Build a Future," Amelia went on to say. "Cade recently hauled scaffolding and worked on the roof at the latest home for single parents. Grace painted the bedrooms in record time." "The Sutter House," they said together. Once again. "Like minds," Amelia mused, as she sipped her sparkling water.

Four years to the day after Fairchild's 1908 gift of the trees to Washington's schools, on March 27, 1912, Mrs. Taft broke dirt during the private ceremony in West Potomac Park near the banks of the Potomac River. The wife of the Japanese ambassador was invited to plant the second tree. Eliza Scidmore and David Fairchild took shovels not long after. The 3,020 trees were more than could fit around the tidal basin. Gardeners planted extras on the White House grounds, in Rock Creek Park, and near the corner of Seventeenth and B streets close to the new headquarters of the American Red Cross. It took only two springs for the trees to become universally adored, at least enough for the American government to feel the itch to reciprocate. No American tree could rival the delicate glamour of the sakura, but officials decided to offer Japan the next best thing, a shipment of flowering dogwoods, native to the United States, with bright white blooms. Meanwhile, the cherry blossoms in Washington would endure over one hundred years, each tree replaced by clones and cuttings every quarter century to keep them spry. As the trees grew, so did a cottage industry around them: an elite group of gardeners, a team to manage their public relations, and weather-monitoring officials to forecast "peak bloom"---an occasion around which tourists would be encouraged to plan their visits. Eventually, cuttings from the original Washington, D.C, trees would also make their way to other American cities with hospitable climates. Denver, Colorado; Birmingham, Alabama; Saint Paul, Minnesota.

Here [in Nahariya] in the sunshine a little group of Jews flung out by Germany were rebuilding their lives under the lee of war. They had worked hard. They had turned this barren coast into a lovely place full of good food and good living. There was only the Alamein Line now between them and Hitler, but they did not seem to be afraid. They knew there was no longer any place they could flee to. This, whatever happened, was their journey's end. Their children were growing up here into a new life, a better life than they could have ever have had in Germany. At night, looking through their lighted doorways, you could see the families sitting together. Someone would be playing music in the garden. Perhaps it was for this that in the last analysis we were fighting the war. A cottage, a piece of farmland, the right to work in one's home securely and enjoy it.

Tobias lurched into his cottage and time abruptly poured itself back into its proper shape. He saw the shadows settle over the floor as Bramble took up a guard all around the place, calling up blackthorn and dark holly on every side, planting herself by the door in a menacing tangle. Well, there went Tobias’s vegetable garden.

They waited in position, bayonets fixed, on the morning of July 1st, and listened to the mines go, on schedule at 7.25 a.m. In the distant village of Fricourt, the church bell rang clamorously as the tower collapsed. The weird sound unnerved the men as they waited in their trench, as if the clanging of the bell were the terrible gabble of their own mute fear. Then the whistle went, and they surged forward, over the top into a world of noise. There was no logic that carried Perceval Lucas forth as he ran on those strong, lean legs of his; no discernible path that had taken him from his garden by the stream at Rackham Cottage to one of the bloodiest battles in human history, there on the upper reaches of the River Somme. The following morning, his company entered the village square, and kicked away, underfoot, the stone fragments of saints. The church was a smoking stump, and they saw that its bell-tower had crushed two houses as it fell. Cows wandered the streets, mad and fevered with not having been milked.

Oh, come on, admit it. I’m the obscure, jolly cousin everyone assumes lives alone in a timber-framed cottage with a thriving herb garden and eleven cats. I’m also completely forgotten until needed. Except by you. You never missed a birthday or Christmas card. Thank you! -Gertie

I live in a cottage in Yorkshire, where I bake bread and refinish antiques and shock the neighbors with naked tai chi in the garden.

They passed Major Burnaby’s cottage. The Major was in his garden looking sternly at a weed which was growing where no weed should be.

went back out to the garden at the side of the cottage where she grew vegetables: peas, beans, and cabbages. As she dug at the sturdy deep roots of a dock leaf, her hens saw her, and came rushing up from the shoreline. They scratched companionably, looking for worms and little insects in the turned earth, clucking contentedly at Alinor, and she scolded them gently. “You go down to the shore, don’t you scrape up my plants.” One copper-brown hen pecked up a little worm and made a funny grunting noise of appreciation.

She found her husband almost as white-faced as the corpse, as he stared in horror at the unfortunate man. Woody, having spent most of his life in the police, was not given to being easily horrified, but then again, he'd probably never found a body in his own garden before

Her feet touched upon ground, and a cloud of silvery dust blossomed up to her waist. Her clothes shimmered, and the checkered cotton dress she was wearing became an elegant white gown with a silver cord around the waist. "Your apprentice gown," explained Agata. She gestured ahead. "Welcome to the Wishing Star." Before her was a village not unlike Pariva, only every cottage was a different color: rose, violet, mahogany, marigold. Burgundy, magenta, and pearl. Even the flowers in the gardens matched the colors of the houses, and trees made of gold and copper and silver lined the shimmering streets. In the center was a house made of crystal, its windows stained with hearts of every color in the town. As soon as her gaze fell upon the house, its door opened, and over a dozen fairies filed outside, each wearing a warm smile.

The past is prelude and now we are leaving the restaurant and the fog is rolling out toward the Southern Ocean. When he kisses me, it feels natural, inevitable. It doesn’t feel like a stranger has his mouth on mine; he doesn’t taste old or male or alien. I go to see his cottage, and it is just as he described it in his letters: “I keep my horse riding tack and saddles on wooden brackets mounted on one wall, and there is usually a surfboard leaning in a corner and a wetsuit hanging in the shower. When I added the wooden loft as a bedroom, I forgot to leave space for the staircase; it now has what is essentially a ladder going up the one side. Chickens roost in the chimney’s ash trap and they emerge from their egg-laying speckled grey.” It is a home, but a wild home, cheerful, peculiar—like Pippi Longstocking’s Villa Villekulla, with a horse on the porch in an overgrown garden on the edge of town, where it “stood there ready and waiting for her.” And then what? I move to South Africa? He teaches me to ride horses and I have his baby? I become a foreign correspondent! I start a whole new life, a life I never saw coming. Either that, or I am isolated and miserable, I’ve destroyed my career, and I spend my days gathering sooty chicken eggs. A different fantasy: I fly to Cape Town. It is not as I remember it. It’s just a place, not another state of being. I am panicky and agitated. I cry without warning, and once I start, I can’t stop. It is not at all clear that my story will work out. Now I have lost my powers in that department, too. Dr. John and I make a plan to meet. But in this fantasy, I arrive at the restaurant and find it intimidating and confusing: I don’t know if I’m supposed to wait to be seated and I can’t get anyone’s attention. I’m afraid of being rude, wrong, American. When John arrives he is a stranger. I don’t know him and I don’t really like him, or worse, I can tell that he doesn’t like me. Our conversation is stilted. I know (and he suspects) that I have come all this way for an encounter that isn’t worth having, and a story that isn’t worth telling, at least not by me. I have made myself ridiculous. My losing streak continues.

In 1973, the Kenyan government banned elephant hunting and the club fell on hard times. Holden brought in two minority partners, Don Hunt and Julian McKeand. Together they created the Mount Kenya Game Ranch with captive breeding programs for thirty-seven African species, and an orphanage for rescued animals. There were fifty types of exotic birds, including sacred ibises, marabou storks, peacocks and Egyptian geese. One of the rarest species at the game ranch was the East African Bongo – a critically endangered red and white-striped antelope, which became the ranch’s mascot. Holden showed Powers the club’s first-class amenities. They visited the Arabian horse stables, and walked down a garden path to the guest cottages, dubbed Millionaire’s Row.

People always latch on to what they really want to believe, whether or not it’s the truth,

The white tree on the bluff over the ocean was hung with icicles like curtains of glass, creaking faintly in the wind. Morgan’s cottage, once they passed through the icy snowless beech wood, was white as bone and black as aged oak among the weathered stems of the garden.

The house itself bore the same attention to detail that made the garden so charming; the doorstep had been neatly scrubbed and the brass knocker polished to a high sheen. The knocker was a charming little dormouse, and my hand went instinctively to the tiny velvet mouse in my pocket. Chester had been my most constant companion, much loved and carried around the world and back. The fact that he had been mended once or twice with Stoker’s painstaking stitching only made him the more valuable. I stroked his back with a fingertip while Augusta rapped at the cottage door.

Horatia, her body filled with desire and a desperation for some sort of release, pulled free of his arms and stood up, entirely bare before him. She walked around him and approached the bed. “I don’t recognize this room,” she said softly as she eased onto the bed. Lucien followed her movement, his eyes focusing on the peaks of her breasts, the chill in the air tightening her nipples. “I found you too far away from the house. I brought you to the gardener’s summer cottage,” Lucien explained. He got to his feet, blanket still loosely cloaking his body. “The gardener’s cottage?” There was a hungry look in his eyes as he approached, but still it seemed he meant to resist her. “Yes, it’s always empty in the winter.” Lucien’s voice was even lower, huskier than before. “So we are alone, without fear of discovery.” Horatia started to reach for the blanket about his body. “Are you trying to seduce me?” A wicked smile played about his mouth. “That depends. Is it working?

In general, old-fashioned cottage garden perennials are the ones to go for, particularly garden herbs – lupins, hollyhocks, scabious, lavender, chives, sage, thyme and rosemary and so on. Most are easy to grow and low maintenance, so they are well suited to busy modern lifestyles – gardening for wildlife is easy.

Several years ago, I visited a friend who had built a country cottage, surrounded by a vast rolling garden of sunlit meadows, rainbow blooms, shaded glens, streams and ponds. It was impossible to see the entire garden all at once. The only way to imagine the wholeness of the garden was to walk through it, follow the winding path and view the garden from different perspectives. Invariably, secrets revealed themselves around each bend. And sometimes, I chose to step off the winding path and follow the contours of the land and my heart. In my youth, I imaged my entire life planned out before me, a straight path, if you like. Today, I know that I was seeing only one perspective. And like any winding path, perspective may change around each bend: youth, sacrifice, friendship, success, love, parenthood, joy, loss, folly, misfortune, and aging. And yet, no matter how many turns we may take, we may not fully comprehend the wholeness of our life, the unifying secret of our life, until we look back on all that has come before.

Apart from such visits, for the first time in her life Eliza was truly alone. In the beginning, unfamiliar sounds, nocturnal sounds, disturbed her, but as the days passed she came to know them: soft-pawed animals under the eaves, the ticking of the warming range, floorboards shivering in the cooling nights. And there were unexpected benefits to her solitary life: alone in the cottage, Eliza discovered that the characters from her fairy tales became bolder. She found fairies playing in the spiders' webs, insects whispering incantations on the windowsills, fire sprites spitting and hissing in the range. Sometimes in the afternoons, Eliza would sit on the rocking chair listening to them. And late at night, when they were all asleep, she would spin their stories into her own tales.

You’re going to send me off now,” Val predicted. “We visit and we hold hands and we even cuddle, Ellen, but you’re still shy of me, and I can’t tell whether I should be flattered or frustrated.” “Valentine.” She set his hand on his thigh. “I am not… I am indisposed.” “Ah, well.” Val brushed his hand down her braid. “That explains it, then. As I myself am never indisposed, except perhaps when my seed is all over my belly and chest, I’m sweating with spent lust on a blanket beneath the willow, and my wits are abegging too.” “You are shameless.” A blush rose up her neck and suffused her cheeks. Val looped his arm around her shoulders and pulled her against his side. “And you are very dear. Shall we go swimming tonight?” “You are being outrageous. Trying to shock me.” “Trying to seduce you,” Val corrected her, pulling her in so he could kiss her temple. “Without apparent success, but I’m the patient sort and you won’t be indisposed much longer, will you?” She shook her head. He stayed with her for a long while after that, rocking the swing gently, holding her, and watching darkness fall over the garden. When she began to doze against him, he carried her through the darkened cottage to her bed and tucked her in. Leaving

There was something about the garden that reminded her of Nell's backyard in Brisbane. Not the plants so much as the mood. As long as Cassandra could remember, Nell's yard had been a jumble of cottage plants, herbs and brightly colored annuals. Little concrete paths winding their way through the growth. So different from the other suburban backyards, with their stretches of sunburned grass and the occasional thirsty rosebushes inside white-painted car tires.

Why aren’t you betrothed to anyone?” he asked with startling directness. “You’ve been out in society for two, three years?” “Three,” Poppy said, feeling more than a little defensive. “Your family is one of means—one would assume you have a generous dowry on the table. Your brother is a viscount—another advantage. Why haven’t you married?” “Do you always ask such personal questions of people you’ve just met?” Poppy asked in amazement. “Not always. But I find you . . . interesting.” She considered the question he had put to her, and shrugged. “I wouldn’t want any of the gentlemen I’ve met during the past three years. None of them are remotely appealing.” “What kind of man appeals to you?” “Someone with whom I could share a quiet, ordinary life.” “Most young women dream of excitement and romance.” She smiled wryly. “I suppose I have a great appreciation for the mundane.” “Has it occurred to you that London is the wrong place to seek a quiet, ordinary life?” “Of course. But I’m not in a position to look in the right places.” She should have stopped there. There was no need to explain more. But it was one of Poppy’s failings that she loved conversation, and like Dodger facing a drawer full of garters, she couldn’t resist indulging. “The problem began when my brother, Lord Ramsay, inherited the title.” The stranger’s brows lifted. “That was a problem?” “Oh, yes,” Poppy said earnestly. “You see, none of the Hathaways were prepared for it. We were distant cousins of the previous Lord Ramsay. The title only came to Leo because of a series of untimely deaths. The Hathaways had no knowledge of etiquette—we knew nothing of the ways of the upper classes. We were happy in Primrose Place.” She paused to sort through the comforting memories of her childhood: the cheerful cottage with its thatched roof, the flower garden where her father had tended his prized Apothecary’s Roses, the pair of lop-eared Belgian rabbits who had lived in a hutch near the back doorstep, the piles of books in every corner. Now the abandoned cottage was in ruins and the garden lay fallow. “But there’s never any going back, is there,” she said rather than asked.

I picked up one of the books lying on top of a stack on the floor beside me. It had a navy blue cover with Grimm's Fairy Tales written across it in gold lettering. The books beneath it were Hans Christian Andersen's Fairy Tales, Panchatantra, Aesop's Fables, and Arabian Nights. All the books I used to read with Amma and devour with the aid of a flashlight long after she left me alone in the darkness. I got up and began to wander around, casually perusing the rest of the books in the cottage. They were all the same- fairy tales and magical stories. I wondered if these were the only books upon which she had built her conception of the real world, a world inhabited by witches and mermaids, a world where men beheaded their wives and animals spoke.

Go into the cottage, go out of my mind. Those had been my ritual words when I fortified the Wee Cottage and banished her from my garden. Might I have inadvertently created yet another inside-out house? What if that door led out of my self-constructed fortress and into the world? The egress might have been right in front of me all along.

And the house stood much too near the road for purposes of grandeur, had such purposes ever swelled the breast of any of the squires of Allington. But I fancy that our ideas of rural grandeur have altered since many of our older country seats were built. To be near the village, so as in some way to afford comfort, protection, and patronage, and perhaps also with some view to the pleasantness of neighbourhood for its own inmates, seemed to be the object of a gentleman when building his house in the old days. A solitude in the centre of a wide park is now the only site that can be recognised as eligible. No cottage must be seen, unless the cottage orné of the gardener. The village, if it cannot be abolished, must be got out of sight. The sound of the church bells is not desirable, and the road on which the profane vulgar travel by their own right must be at a distance. When some old Dale of Allington built his house, he thought differently. There stood the church and there the village, and, pleased with such vicinity, he sat himself down close to his God and to his tenants.