“
What a waste my life would be without all the beautiful mistakes I've made.
”
”
Alice Bag (Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story)
“
I am a girl ready to explode into nothing.
”
”
Nina LaCour (Hold Still)
“
Take a drink every time you hear you’re not enough.
Not the right fit.
Not the right look.
Not the right focus.
Not the right drive.
Not the right time.
Not the right job.
Not the right path.
Not the right future.
Not the right present.
Not the right you.
Not you.
(Not me?)
There’s just something missing.
From us.
What could I have done?
Nothing. It’s just…
(Who you are.)
I didn’t think we were serious.
(You’re just too…
…sweet.
…soft.
…sensitive.)
I just don’t see us ending up together.
I met someone.
I’m sorry
It’s not you.
Swallow it down.
We’re not on the same page.
We’re not in the same place.
It’s not you.
We can’t help who we fall in love with.
(And who we don’t.)
You’re such a good friend.
You’re going to make the right girl happy.
You deserve better.
Let’s stay friends.
I don’t want to lose you.
It’s not you.
I’m sorry.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
A girl that's born for hangin' ain't likely to be drowned.
”
”
L.A. Meyer
“
She smashes her knuckles into winter
As autumn's wind fades into black
She is the saint of all the sinners,
the one whose fallen through the cracks...
(iViva la Gloria!)
”
”
Billie Joe Armstrong
“
Je suppose que je serai toujours la fille qui pleure à la lune.” I guess I’ll always be the girl crying for the moon.
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
And then, gradually, the memory of her would fade away, I had forgotten the girl of my dream.
”
”
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
“
You've always been mine, pretty girl. You just didn't know it.
”
”
L.A. Casey (Dominic (Slater Brothers, #1))
“
Well, at heart I knew she'd never be a normal woman. And I didn't want her to be one, because what I loved in her were the indomitable and unpredictable aspects of her personality
”
”
Mario Vargas Llosa (Travesuras de la niña mala)
“
Then it hits me....
And it hits me with the force of a blow. I am maybe fifteen years old. I am a girl. I am also acting lieutenant in the Royal Navy, and, by the Naval Rules and Regulations as regards the chain of command, I am in command of His Majesty's Ship Wolverine.
”
”
L.A. Meyer (Under the Jolly Roger: Being an Account of the Further Nautical Adventures of Jacky Faber (Bloody Jack, #3))
“
What's the matter Jaimy? Ain't-cha never seen a girl before?
-Jacky Faber
”
”
L.A. Meyer (Bloody Jack (Bloody Jack, #1))
“
In an era where women undress their outfits & give their bodies so carelessly, become the rare wild woman that undresses her mind and soul & knows the worth of what she has to offer.
”
”
Nikki Rowe
“
Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart.
The runner set the bouquet in front of Schuyler.
Mimi raised an eyebrow. She had always won the roses lottery. What was this all about?
For me?" Schuyler asked, awestruck by the size of the thing.
She took the card from the tallest stem.
For Schuyler, who doesn't like love stories." It was not signed.
”
”
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
“
I used to think that diamonds were a girl's best friend, but now I realize it's carbohydrates. Seriously, I have a French baguette at home sporting a matching friendship bracelet.
”
”
Lauren Conrad (Sweet Little Lies (L.A. Candy, #2))
“
On Saturday night, I would see men lusting after half-naked girls dancing at the carnival, and on Sunday morning when I was playing organ for tent-show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday they'd be back at the carnival or some other place of indulgence. I knew then that the Christian church thrives on hypocrisy, and that man's carnal nature will out no matter how much it is purged or scoured by any white-light religion.
”
”
Anton Szandor LaVey (The Satanic Bible)
“
Once upon a time, there was a naïve and innocent girl who thought she could tame the beast and live happily ever after. But the beast did not want to be tamed, for he was a beast and beasts care not for such things, and the girl died along with her dreams.
From childhood's grave sprang a young woman, jaded before her years, who knew that beasts could wear the skins of men, and that evil could exist in sunlight, as well as darkness.
Plus ça change, plus c'est la même chose.
”
”
Nenia Campbell (Terrorscape (Horrorscape, #3))
“
A bad boy can be very good for a girl.
”
”
Melissa de la Cruz (Girl Stays in the Picture (Girl, #1))
“
It is good to be busy. Being busy takes our mind off being in love at the wrong time, in the wrong place and with the wrong guy.
”
”
Melissa de la Cruz (Girl Stays in the Picture (Girl, #1))
“
Hey, you've got the girl, I've got the picture. That's fair, right?
”
”
L.A. Weatherly (Angel Fire (Angel, #2))
“
You know that half the girls in school would have been after you."
He gave a soft laugh. "If they were into someone who was flunking out...I don't think I'd do too well with having to go to class when a bell rings or caring about homework..."
"A bad boy--even better. You'd have done well in Spanish class."
"If I ever went to it."
We lay in silence for a awhile; Alex's arms felt so warm and safe that I was starting to get sleepy. "Say something in Spanish," I mumbled.
He kissed my hair. "Te amo, Willow," he said quietly.
I came awake, smiling into the darkness. "What does that mean?" I whispered.
I could almost hear his own smile. "What do you think it means?"
I hugged him, kissing his collarbone and wondering if it was possible to actually die of happiness. "Te amo, Alex.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
It's said a friend is a person who walks in when everyone else walks out.
”
”
Melissa de la Cruz (Girl Stays in the Picture (Girl, #1))
“
Belief is a bit like gravity. Enough people believe a thing, and it becomes as solid and real as the ground beneath your feet. But when you're the only one holding on to an idea, a memory, a girl, it's hard to keep it from floating away
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Her shadow stretches out ahead - too long, its edges already blurring - and small white flowers tumble from her hair, littering the ground like stars. A constellation left in her wake, almost like the one across her cheeks.
Seven freckles. One for every love she'd have, that's what Estele had said, when the girl was still young.
One for every life she'd lead.
One for every god watching over her.
Now they mock her, those seven marks. Promises. Lies. She's had no loves, she's lived no lives, she's met no gods, and now she is out of time.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
One woman filled with self love and self acceptance is a model more super than any cover girl.
”
”
Amy Leigh Mercree
“
And when the girl looks at him, she doesn't see perfect. She sees someone who cares too much, who feels too much, who is lost, and hungry, and wasting inside his curse. She sees the truth, and he doesn't know how, or why, only knows that he doesn't want it to end. Because for the first time in months, in years, his whole life, perhaps, Henry doesn't feel cursed at all. For the first time, he feels seen.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
First of all, let's get one thing straight. Your Italy and our Italia are not the same thing. Italy is a soft drug peddled in predictable packages, such as hills in the sunset, olive groves, lemon trees, white wine, and raven-haired girls. Italia, on the other hand, is a maze. It's alluring, but complicated. It's the kind of place that can have you fuming and then purring in the space of a hundred meters, or in the course of ten minutes. Italy is the only workshop in the world that can turn out both Botticellis and Berlusconis.
”
”
Beppe Severgnini (La Bella Figura: A Field Guide to the Italian Mind)
“
Now Miss LaRoux’s getting my ass kicked on the sparring mats as well. Is there any part of my life that girl can’t mess with?
”
”
Amie Kaufman (These Broken Stars (Starbound, #1))
“
I more than like you but don't feel near love yet, so I put the word love and like together and got live so I live you. I'm in live with you, pretty girl.
”
”
L.A. Casey (Dominic (Slater Brothers, #1))
“
Deeply respecting yourself is the first step toward having a deep respect for others.
”
”
Amy Leigh Mercree (The Spiritual Girl's Guide to Dating: Your Enlightened Path to Love, Sex, and Soulmates)
“
Men know the damage a few words can do to girls’ hearts, and, idiots that we are, we swoon away and fall into the trap, excited because at last a man has set one for us
”
”
Grégoire Delacourt (La liste de mes envies)
“
Can we go back to the part about Moroi girls hanging out in LA?" asked Adrian hopefully.
"Can you direct me to some of the…oh, let’s say, more open-minded ones?
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
I am powerful in my love for myself. The truth of my being is I love myself exactly as I am. I honor my empowered heart.
”
”
Amy Leigh Mercree (The Spiritual Girl's Guide to Dating: Your Enlightened Path to Love, Sex, and Soulmates)
“
We are different people now, yes, but those girls were magic.
”
”
Nina LaCour (We Are Okay)
“
She looks at Sam. 'Close your ears if you don't want to know what I suspect to be the sex of your child,' she says, and he blocks his ears.
'It's Sam's?' Jonesey asks, surprised, just as he gets a message.
'Where have you been, Jonesey?' Bernadette says. 'In La La Land?'
'Contrary to popular belief, I think it has no penis,' Georgie whispers to them while Lucia covers Sam's ears.
Jonesey looks up from his text messaging, shocked. 'Poor little guy.
”
”
Melina Marchetta (The Piper's Son)
“
Everything changes, foolish girl. It is the nature of the world. Nothing stays the same.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Timing is everything.
”
”
Melissa de la Cruz (Girl Stays in the Picture (Girl, #1))
“
You're actin' like a girl, wanting to add me on Facebook and change your relationship status,
”
”
L.A. Casey (Dominic (Slater Brothers, #1))
“
The girl I’ve been looking for my entire life. Alex resisted the urge to throw Seb off the balcony and see if he could fly.
”
”
L.A. Weatherly
“
The more things change, the more they stay different.
”
”
Melissa de la Cruz (Girl Stays in the Picture (Girl, #1))
“
Each moment, each person, is sacred and worthy of respect- especially you.
”
”
Amy Leigh Mercree (The Spiritual Girl's Guide to Dating: Your Enlightened Path to Love, Sex, and Soulmates)
“
Dominic smiled at me and kissed the tip of my nose then winked as he said, "You've always been mine, pretty girl. You just didn't know it.
”
”
L.A. Casey (Dominic (Slater Brothers, #1))
“
But what happens to the girl with no positive parental examples?
What happens to the girl with the cold mother who
conditioned herself to bury her emotions?
And what happens to the girl with the father who
is an example of who not to marry?
”
”
LaTasha “Tacha B.” Braxton
“
Virtue is its own punishment—“nice girls” lose—and one of the surest signs of potential proficiency in witchcraft is an inability to get along with other women.
”
”
Anton Szandor LaVey (The Satanic Witch)
“
That girl she was trying to reach- she must have been running from something. She must have been someone special, for her friend to keep trying so hard. Too bad she was gone now.
”
”
Nina LaCour (We Are Okay)
“
There are still Ava Maddoxes to find and sets to create and girls to kiss and colleges to attend. It's possible that someday I will hear a patsy Cline song and the heartbreak will barely register. It will be some distant, buried feeling. I won't remember how much it once hurt.
”
”
Nina LaCour (Everything Leads to You)
“
I am not a perfectionist…if you believe that your best is good enough, you will find happiness. The unknown can be exciting and full of opportunity but you have to be involved and you have to be able to evolve.
”
”
Alice Bag (Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story)
“
These aren’t glass slippers,” Brian said, dangling the gloves in the air, “but if I have to try them on every girl in LA to find my princess, I will.
”
”
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
“
No me enfado contigo. Es sólo que me parece patético que los cabrones siempre echen la culpa a los demás.
”
”
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
“
When Adeline told the girl about her trip, Isabelle had only shrugged, and said, “I like it here.”
As if you couldn't like one place and want to see another.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
The longer you live, the more dreams you should have to keep you occupied.
”
”
Alice Bag (Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story)
“
It was terrifying, the idea that we could fall asleep girls, minty breathed and nightgowned, and wake to find ourselves wolves. “I
”
”
Nina LaCour (We Are Okay)
“
There's something fairy-tale-like about it, which is perfect, because fairy tales are all about innocence and ill will and the inevitability of terrible things. They're all about the moment when a girl is no longer who she once was
”
”
Nina LaCour (Everything Leads to You)
“
Girls were not named for flowers, as flowers died so quickly. Girls were named for deathless things - forms of light, forms of cloud, shapes of stars, that which appears and disappears like an island on the horizon.
”
”
Louise Erdrich (LaRose)
“
And then she is kissing me, right here on the sidewalk on a foggy summer night. Violet is kissing me, and everything is perfect. The kiss doesn't end. We are not two girls on a polite first date, bestowing a customary good-night peck.
No.
We are kissing like girls who have ached for each other for years who never even spoke but somehow exchanged I love yous anyway.
”
”
Nina LaCour (You Know Me Well)
“
The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell.
I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her.
Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.
”
”
Nina LaCour (Hold Still)
“
Vampires were fairy tales and magic. They were the wolf in the forest that ran ahead to grandmother’s house, the video game big boss who could be hunted without guilt, the monster that tempted you into its bed, the powerful eternal beast one might become. The beautiful dead, la belle mort.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
It’s strange to hear myself described as someone with a big heart. I’ve blocked out a lot of the memories of L.A., but perhaps in some ways the girl I used to be was better than the girl I am now. Now I feel so cold, almost incapable of loving anything.
”
”
Paula Stokes (Vicarious (Vicarious, #1))
“
And at last, the lonely young man who belonged to no one finally belonged to someone, forever, and the practical girl who would not settle for less than a love story for the ages found the lifelong romance she had yearned for all her life.
”
”
Melissa de la Cruz (Alex and Eliza (Alex & Eliza, #1))
“
Creo que Peter quisiera tener la misma facilidad de expresión que yo; no sabe que su torpeza me enternece.
”
”
Anne Frank (The Diary of a Young Girl)
“
Davy lets fly an oath and storms out of the hold. We hear his fist hit the wall as he leaves.
you really are an evil girl, says Jaimy.
I know, I murmur. I shall have to pay.
”
”
L.A. Meyer (Bloody Jack (Bloody Jack, #1))
“
It is said that boys fall in love with their eyes, because they can be initially struck to their very core by a girl's mere physical beauty, while girls tend to fall in love with their ears. The outward handsomeness of the lad notwithstanding, a girl most of all likes to hear words of love everlasting, of how he will be kind and gentle with her and protect her from harm and want to always hold her in the highest respect and esteem.
”
”
L.A. Meyer
“
It's easier bein' a boy, 'cause when someone needs somethin' done like holdin' a horse, they'll always pick a boy 'cause they think the dumbest boy will be better at it than the brightest girl, which is stupid, but there you are.
”
”
L.A. Meyer (Bloody Jack: Being an Account of the Curious Adventures of Mary "Jacky" Faber, Ship's Boy (Bloody Jack, #1))
“
Vale: Universo y su enfermo sentido del humor, uno; rubia gordi que siempre termina muerta en la bañera, cero.
”
”
Blair Holden (The Bad Boy's Girl (The Bad Boy's Girl #1))
“
Ooo la la! That kiss was fine, and it was full of all the words I didn't need to say.
”
”
Monica Drake (Clown Girl)
“
Life provides chances to open your heart all the time.
”
”
Amy Leigh Mercree (The Spiritual Girl's Guide to Dating: Your Enlightened Path to Love, Sex, and Soulmates)
“
I'm sorry I left without telling you," she says. "I wasn't ready. I wanted it so much, and I wasn't ready for that.
”
”
Nina LaCour (You Know Me Well)
“
She stared at me "You have a message," she said. "On you machine."
I looked over at my answering machine. Sure enough, the light was blinking. The woman really was a detective.
"It's some girl," La Guerta said. "She sounds kind of sleepy and happy. You got a girlfriend, Dexter?" there was a strange hint of a challenge in her voice.
"You know how it is," I said. "Women today are so forward, and when you are as handsome as I am they absolutely fling themselves at your head." Perhaps an unfortunate choice of words; as I said it I couldn't help thinking of the woman's head flung at me not so long ago.
"Watch out," La Guerta said. "Sooner or later one of them will stick." I had no idea what she thought that meant, but it was a very unsettling image.
"I'm sure you're right," I said. "Until then, carpe diem."
"What?"
"It's Latin," I said. "It means, complain in the daylight.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
Addie was a gift from Estele, shorter, sharper, the switch-quick name for the girl who rode to markets, and strained to see over roofs, for the one who drew and dreamed of bigger stories, grander worlds, of lives filled with adventure.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
A picture is worth a thousand texts.
”
”
Melissa de la Cruz (Girl Stays in the Picture (Girl, #1))
“
I am not a darling. I am a girl ready to explode into nothing
”
”
Nina LaCour (Hold Still)
“
A little girl of seventeen in a mental hospital told me she was terrified because the Atom Bomb was inside her. That is a delusion. The statesmen of the world who boast and threaten that they have Doomsday weapons are far more dangerous, and far more estranged from 'reality' than many of the people on whom the label 'psychotic' is fixed.
”
”
R.D. Laing (The Divided Self: An Existential Study in Sanity and Madness)
“
Había todo un ejército de gente que parecía no tener nada mejor que hacer que pretender gobernar su vida y, si se le diese la oportunidad, corregir la manera en que había elegido vivirla.
”
”
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
“
Alec. She is a good girl!" Clients? What the hell did that mean? Alec grinned at Aideen before he flicked his eyes to me. "Oh, I'm bettin' there is a bad girl deep inside her somewhere. I'll just have to use my fingers, mouth, and cock to bring her out to play.
”
”
L.A. Casey (Alec (Slater Brothers #2))
“
He remembered his mentor, Lou Kline, telling him in the nineties that rock and roll had peaked at Monterey Pop. They'd been in Lou's house in LA with its waterfalls, the pretty girls Lou always had, his car collection out front, and Bennie had looked into his idol's famous face and thought, You're finished. Nostalgia was the end - everyone knew that.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
How could anyone forget this girl, when she takes up so much space? She fills the room with stories, with laughter, with warm and light.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Los caminos de la vida, no son como yo pensaba, no son como imaginaba, no son como yo creia. The roads of life are not how I thought they'd be, are not how I imagined they'd be, are not how I believed they'd be.
”
”
Alisa Valdes (The Dirty Girls Social Club (Dirty Girls, #1))
“
Desde que la conocía se había dado cuenta de que ella jamás mentía directamente, pero también de que no siempre era del todo sincera. Su manera de mentir consistía en desviar el tema.
”
”
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
“
Get down, get down, little Henry Lee
And stay all night with me
You won't find a girl in this damn world
That will compare with me
And the wind did howl and the wind did blow
La la la la la
La la la la lee
A little bird lit down on Henry Lee...
”
”
Nick Cave (Murder Ballads)
“
Ultraviolence"
He used to call me DN
That stood for deadly nightshade
Cause I was filled with poison
But blessed with beauty and rage
Jim told me that
He hit me and it felt like a kiss
Jim brought me back
Reminded me of when we were kids
With his ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence
He used to call me poison
Like I was poison ivy
I could have died right there
Cause he was right beside me
Jim raised me up
He hurt me but it felt like true love
Jim taught me that
Loving him was never enough
With his ultraviolence
Ultraviolence
Ultraviolence
Ultraviolence
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence
We could go back to New York
Loving you was really hard
We could go back to Woodstock
Where they don't know who we are
Heaven is on earth
I will do anything for you, babe
Blessed is this, this union
Crying tears of gold, like lemonade
I love you the first time
I love you the last time
Yo soy la princesa, comprende mis white lines
Cause I'm your jazz singer
And you're my cult leader
I love you forever,
I love you forever
With his ultraviolence
(lay me down tonight)
Ultraviolence
(in my linen and curls)
Ultraviolence
(lay me down tonight)
Ultraviolence
(Riviera girls)
I can hear sirens, sirens
He hit me and it felt like a kiss
I can hear violins, violins
Give me all of that ultraviolence
”
”
Lana Del Rey
“
Yearning is a red-haired girl sitting on the hood of her silver sedan, reading about Marilyn Monroe. A cherry orchard at night, houselights in the distance. It's the painstaking neatness of a paint-by-number sunset, a yellowed letter held between graceful fingers, a cautious step into the sun-filled lobby of a famous hotel.
It's the way I feel every time I think about Ava.
”
”
Nina LaCour (Everything Leads to You)
“
L.A. kills people.' Jacaranda said. 'You're lucky you're leaving. You'll be able to write.'
She looked paler, going through another depression, smoking in bed in her lilac room. The walls were the color of her veins. She was getting too thin, even for the modeling. . .Jacaranda died last winter when the flowering trees were bare. You couldn't even tell which ones once cried the purple blossoms she named herself after.
”
”
Francesca Lia Block (Girl Goddess #9: Nine Stories)
“
The girl he loved is gone, and he is still here... He's glad to have it [the 6 notebooks filled with Addie's story, her life], because the truth is he is already fogetting. When you are the only one holding on to a memory, a girl, It's hard to keep it from floating away.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
The words make sense, but deeper than the words is the truth. She's right. If Mabel's talking about the girl who hugged her good-bye before she left for Los Angeles, who laced fingers with her at the last bonfire of the summer and accepted shells from almost-strangers, who analyzed novels for fun and lives with her grandfather in a pink, rent-controlled house in the Sunset that often smelled like cake and was often filled with elderly, gambling men—if she's talking about that girl, then yes, I dissapeared.
”
”
Nina LaCour (We Are Okay)
“
Sometimes, as Eve was born from one of Adam’s ribs, a woman was born during my sleep from a cramped position of my thigh. Formed from the pleasure I was on the point of enjoying, she, I imagined, was the one offering it to me. My body, which felt in hers my own warmth, would try to find itself inside her, I would wake up. The rest of humanity seemed very remote compared to this woman I had left scarcely a few moments before; my cheek was still warm from her kiss, my body aching from the weight of hers. If, as sometimes happens, she had the features of a woman I had known in life, I would devote myself entirely to this end: to finding her again, like those who go off on a journey to see a longed-for city with their own eyes and imagine that one can enjoy in reality the charm of a dream. Little by little, the memory of her would fade, I had forgotten the girl of my dream.
”
”
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
“
I win Danielle Ford’s heart, it really could be mines to hold. And even if it doesn’t work out, if she goes her own way and I go mines, I’ll be proud that I finally did something I had been wanting to do forever, step to a girl who’s had me for a long time. There’s no way I’d ever regret that.
”
”
Ebony LaDelle (Love Radio)
“
There are two Venices I know about and one of them is a hotel in Vegas. The other is an L.A. beach where pretty girls walk their dogs while wearing as little as possible and mutant slabs of tanned, posthuman beef sip iced steroid lattes and pump iron until their pecs are the size of Volkswagens.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
Il suicidio è una forma di omicidio. Omicidio premeditato. Non lo fai la prima volta che ti passa per la testa. Ti ci devi abituare. E ti servono mezzo, occasione e movente. Un suicidio riuscito esige buona organizzazione e sangue freddo, cose solitamente incompatibili con lo stato d'animo suicida. L'importante è coltivare il distacco. Un modo per farlo è esercitarsi a immaginarsi morta, o in punto di morte. Quando vedi una finestra, devi immaginarti il tuo corpo che cade dalla finestra. Quando vedi un coltello, devi immaginarti il coltello che ti lacera la pelle. Quando arriva un treno, devi immaginarti col torace schiacciato dalle ruote. Esercizi come questi servono a ottenere la giusta distanza.
”
”
Susanna Kaysen (Girl, Interrupted)
“
All girls are prone to dreaming. She will grow out of it, her parents say—but instead, Adeline feels herself growing in, holding tighter to the stubborn hope of something more. The world should be getting larger. Instead, she feels it shrinking, tightening like chains around her limbs as the flat lines of her own body begin to curve out against it, and suddenly the charcoal beneath her nails is unbecoming, as is the idea that she would choose her own company over Arnaud’s or George’s, or any man who might have her. She is at odds with everything, she does not fit, an insult to her sex, a stubborn child in a woman’s form, her head bowed and arms wrapped tight around her drawing pad as if it were a door.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
English:
Ô, take this eager dance you fool,
don’t brandish your stick at me.
I have several reasons to travel on,
on to the endless sea:
I have lost my love. I’ve drunk my purse.
My girl has gone, and left me rags to sleep upon.
These old man’s gloves conceal the hands with which I’ve killed but one!
Francais:
Idiot, prends cette danse ardente, au lieu de tendre ton bâton.
J'en ai des raisons de voyager encore sur la mer infinie:
J'ai perdu l'amour et j'ai bu ma bourse.
Ma belle m'a quitté, j'ai ses haillons pour m'abriter.
Mes gants de vieillard cachent les mains d'un fameux assassin!
”
”
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
“
The maid told him that a girl and a child had come looking for him, but since she didn't know them, she hadn't cared to ask them in, and had told them to go on to Mers.
"Why didn't you let them in?" asked Germain angrily. "People must be very suspicious in this part of the world, if they won't open the front door to a neighbor."
"Well, naturally!" replied the maid. "In a house as rich as this, you have to keep a close watch on things. While the master's away I'm responsible for everything, and I can't just open the door to anyone at all."
"That's a mean way to live," said Germain; "I'd rather be poor than live in fear like that. Good-bye to you, miss, and good-bye to this horrible country of yours!
”
”
George Sand (La mare au diable)
“
The Plot Against The Giant
First Girl
When this yokel comes maundering,
Whetting his hacker,
I shall run before him,
Diffusing the civilest odors
Out of geraniums and unsmelled flowers.
It will check him.
Second Girl
I shall run before him,
Arching cloths besprinkled with colors
As small as fish-eggs.
The threads
Will abash him.
Third Girl
Oh, la...le pauvre!
I shall run before him,
With a curious puffing.
He will bend his ear then.
I shall whisper
Heavenly labials in a world of gutturals.
It will undo him.
”
”
Wallace Stevens (Harmonium)
“
Beckett Rush spotted in London Saturday. 'Tinseltown's It Boy reportedly had three dates with three different girls at La Trattoria... all over the course of six hours. Two ladies discovered the duplicity, and catfight broke out. Taylor Risdale broke up the fight before storming out. Beckett's camp could not be reached at the moment.'" Mr. Rush laughed. "You know what this means, right?"
"That once again my name is trashed."
"That your DVD sales will spike at least 5 percent.
”
”
Jenny B. Jones (There You'll Find Me)
“
I scooted out of the laundry room and skipped down the hallway, arms flaying around my head like one of the hot pink puppets from the movie Labyrinth. “A scent and a sound, I’m lost and I’m found. And I’m hungry like the wolf. Something on a line, it’s discord and rhyme—whatever, whatever, la la la—Mouth is alive, all running inside, and I’m hungry like the—” Warmth spread down my neck.
“It’s actually, ‘I howl and I whine. I’m after you,’ and not blah or whatever.”
Startled by the deep voice, I shrieked and whipped around. My foot slipped on a section of well-cleaned wood and my butt smacked on the floor.
“Holy crap,” I gasped, clutching my chest. “I think I’m having a heart attack.”
“And I think you broke your butt.” Laughter filled Daemon’s voice.
I remained sprawled across the narrow hallway, trying to catch my breath. “What the hell? Do you just walk into people’s houses?”
“And listen to girls absolutely destroy a song in a matter of seconds? Well, yes, I make a habit out of it. Actually, I knocked several times, but I heard your…singing, and your door was unlocked.” He shrugged.
“So I just let myself in.”
“I can see that.” I stood, wincing. “Oh, man, maybe I did break my butt.”
“I hope not. I’m kind of partial to your butt.” He flashed a smile. “Your face is pretty red. You sure you didn’t smack that on the way down?”
I groaned. “I hate you.
”
”
Jennifer L. Armentrout
“
Dear Jim."
The writing grew suddenly blurred and misty. And she had lost him again--had lost him again! At the sight of the familiar childish nickname all the hopelessness of her bereavement came over her afresh, and she put out her hands in blind desperation, as though the weight of the earth-clods that lay above him were pressing on her heart.
Presently she took up the paper again and went on reading:
"I am to be shot at sunrise to-morrow. So if I am to keep at all my promise to tell you everything, I must keep it now. But, after all, there is not much need of explanations between you and me. We always understood each other without many words, even when we were little things.
"And so, you see, my dear, you had no need to break your heart over that old story of the blow. It was a hard hit, of course; but I have had plenty of others as hard, and yet I have managed to get over them,--even to pay back a few of them,--and here I am still, like the mackerel in our nursery-book (I forget its name), 'Alive and kicking, oh!' This is my last kick, though; and then, tomorrow morning, and--'Finita la Commedia!' You and I will translate that: 'The variety show is over'; and will give thanks to the gods that they have had, at least, so much mercy on us. It is not much, but it is something; and for this and all other blessings may we be truly thankful!
"About that same tomorrow morning, I want both you and Martini to understand clearly that I am quite happy and satisfied, and could ask no better thing of Fate. Tell that to Martini as a message from me; he is a good fellow and a good comrade, and he will understand. You see, dear, I know that the stick-in-the-mud people are doing us a good turn and themselves a bad one by going back to secret trials and executions so soon, and I know that if you who are left stand together steadily and hit hard, you will see great things. As for me, I shall go out into the courtyard with as light a heart as any child starting home for the holidays. I have done my share of the work, and this death-sentence is the proof that I have done it thoroughly. They kill me because they are afraid of me; and what more can any man's heart desire?
"It desires just one thing more, though. A man who is going to die has a right to a personal fancy, and mine is that you should see why I have always been such a sulky brute to you, and so slow to forget old scores. Of course, though, you understand why, and I tell you only for the pleasure of writing the words. I loved you, Gemma, when you were an ugly little girl in a gingham frock, with a scratchy tucker and your hair in a pig-tail down your back; and I love you still. Do you remember that day when I kissed your hand, and when you so piteously begged me 'never to do that again'? It was a scoundrelly trick to play, I know; but you must forgive that; and now I kiss the paper where I have written your name. So I have kissed you twice, and both times without your consent.
"That is all. Good-bye, my dear"
Then am I
A happy fly,
If I live
Or if I die
”
”
Ethel Lilian Voynich
“
and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....
”
”
Bret Easton Ellis (Less Than Zero)
“
The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!
”
”
Jordan Belfort (The Wolf of Wall Street)
“
What a pretty dress,” Ariadne said to Cordelia, her voice warm. Her own gown was of flattering wine-colored silk. “I believe that’s the shade they call ‘ashes of roses.’ Very popular in Paris.”
“Oh, yes,” Cordelia said eagerly. She’d known so few girls growing up—just Lucie, really—so how did one impress them and charm them? It was desperately important. “I did get this dress in Paris, as a matter of fact. On Rue de la Paix. Jeanne Paquin made it herself.”
She saw Lucie’s eyes widen in concern. Rosamund’s lips tightened. “How fortunate you are,” she said coolly. “Most of us here in the poky little London Enclave rarely get to travel abroad. You must think us so dull.”
“Oh,” said Cordelia, realizing she had put her foot in it. “No, not at all—”
“My mother has always said Shadowhunters aren’t meant to have much of an interest in fashion,” said Catherine. “She says it’s mundane.”
“Since you’ve spoken of Matthew’s clothes admiringly so often,” said Ariadne tartly, “should we assume that rule is only for girls?
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years.
In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne.
That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
”
”
Sting (Broken Music: A Memoir)
“
Inside the church, the bondsmaids were walking slowly down the aisle,
with the little petal girls. Trinity turned to give Mimi her last words of
motherly advice: 'Walk straight. Don't slouch. And for heavens's sake,
smile! It's your bonding!?' Then she too walked through the door and
down the aisle. The door shut behind her, leaving Mimi alone.
Finally, Mimi heard the orchestra play the first strains of the 'Wedding
March.' Wagner. Then the ushers opened the doors and Mimi moved to the threshold. There was an appreciative gasp from the crowd as they took in the sight of Mimi in her fantastic dress. But instead of acknowledging her triumph as New York?s most beautiful bride, Mimi looked straight ahead, at Jack, who was standing so tall and straight at the altar. He met her eyes and did not smile.
'Let's just get this over with.'
His words were like an ice pick to the heart. He doesn't love me. He has
never loved me. Not the way he loves Schuyler. Not the way he loved Allegra. He has come to every bonding with this darkness. With this regret and hesitation, doubt and despair. She couldn't deny it. She knew her twin, and she knew what he was feeling, and it wasn't joy or even relief.
What am I doing?
"Ready" Forsyth Llewellyn suddenly appeared by her side. Oh, right, she
remembered, she had said yes when Forsyth had offered to walk her
down the aisle.
Here goes nothing. As if in a daze, Mimi took his arm, Jack's words still
echoing in her head. She walked, zombie-like, down the aisle, not even
noticing the flashing cameras or the murmurs of approval from the
hard-to-impress crowd.
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure.
The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil!
But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt.
Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
”
”
Alexandre Dumas (La Dame aux Camélias)