Cottage By The Sea Quotes

We've searched our database for all the quotes and captions related to Cottage By The Sea. Here they are! All 90 of them:

I'm with you in Rockland in my dreams you walk dripping from a sea-journey on the highway across America in tears to the door of my cottage in the Western night.
Allen Ginsberg (Howl and Other Poems)
Perhaps I won't marry then. Instead, you and I shall live as spinsters in a cottage by the sea. We'll burn our corsets, eat chocolate morning, noon and night and grow fat as hedgehogs.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
So I shall just imagine myself for a fortnight or so at one side of the fireplace of a country cottage, with a sympathetic soul opposite me. And I shall go on talking, in a low voice while the sea sounds in the distance and overhead the great black flood of wind polishes the bright stars.
Ford Madox Ford (The Good Soldier)
intricately
Vickie McKeehan (Sea Glass Cottage (Pelican Pointe, #7))
Her life was a scattering of small moments, bits of meaningful conversations, and bright dashes of beauty where least expected.
Robin Jones Gunn (Cottage by the Sea (Hideaway #3))
One minute it was Ohio winter, with doors closed, windows locked, the panes blind with frost, icicles fringing every roof, children skiing on slopes, housewives lumbering like great black bears in their furs along the icy streets. And then a long wave of warmth crossed the small town. A flooding sea of hot air; it seemed as if someone had left a bakery door open. The heat pulsed among the cottages and bushes and children. The icicles dropped, shattering, to melt. The doors flew open. The windows flew up. The children worked off their wool clothes. The housewives shed their bear disguises. The snow dissolved and showed last summer's ancient green lawns. Rocket summer. The words passed among the people in the open, airing houses. Rocket summer. The warm desert air changing the frost patterns on the windows, erasing the art work. The skis and sleds suddenly useless. The snow, falling from the cold sky upon the town, turned to a hot rain before it touched the ground. Rocket summer. People leaned from their dripping porches and watched the reddening sky. The rocket lay on the launching field, blowing out pink clouds of fire and oven heat. The rocket stood in the cold winter morning, making summer with every breath of its mighty exhausts. The rocket made climates, and summer lay for a brief moment upon the land....
Ray Bradbury (The Martian Chronicles)
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
Tana French (The Likeness (Dublin Murder Squad, #2))
If you're fixin' to get yourself a good stallion, don't go lookin' in the donkey corral.
Ciji Ware (A Cottage by the Sea)
I had found the place I belonged, and it wasn’t a cottage or a village or a country: it was right here, inside of me. Finally, I was home.
Mara Rutherford (Kingdom of Sea and Stone (Crown of Coral and Pearl, #2))
The final stretch of drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure, with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat at the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blooming geraniums. But their eyes were drawn inevitably to the wildflowers. Thousands of them, a meadow of fireworks stretching nearly to the steps of the cottage, a sea of red and orange and purple and blue and yellow nearly waist deep, rippling in the gentle breeze. Hundreds of butterflies flitted about the meadow, tides of moving color undulating in the sun.
Nicholas Sparks (The Best of Me)
Memory" I’ve memorized all the fish in the sea I’ve memorized each opportunity strangled and I remember awakening one morning and finding everything smeared with the color of forgotten love and I’ve memorized that too. I’ve memorized green rooms in St. Louis and New Orleans where I wept because I knew that by myself I could not overcome the terror of them and it. I’ve memorized all the unfaithful years (and the faithful ones too) I’ve memorized each cigarette that I’ve rolled. I’ve memorized Beethoven and New York City I’ve memorized riding up escalators, I’ve memorized Chicago and cottage cheese, and the mouths of some of the ladies and the legs of some of the ladies I’ve known and the way the rain came down hard. I’ve memorized the face of my father in his coffin, I’ve memorized all the cars I have driven and each of their sad deaths, I’ve memorized each jail cell, the face of each new president and the faces of some of the assassins; I’ve even memorized the arguments I’ve had with some of the women I’ve loved. best of all I’ve memorized tonight and now and the way the light falls across my fingers, specks and smears on the wall, shades down behind orange curtains; I light a rolled cigarette and then laugh a little, yes, I’ve memorized it all. the courage of my memory.
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
Everyone made stupid mistakes, no matter what their age. The key was growing from the experience, becoming wiser and smarter.
Debbie Macomber (Cottage by the Sea)
Love based on shared experiences and friendship is what helps relationships last.
Debbie Macomber (Cottage by the Sea)
What was left of his fortune, the Laughing Man converted into diamonds, which he lowered casually, in emerald vaults, into the Black Sea. His personal wants were few. He subsisted exclusively on rice and eagle's blood, in a tiny cottage with an underground gymnasium and shooting range, on the stormy coast of Tibet.
J.D. Salinger (Nine Stories)
COTTAGE Behind the gate he saw an overgrown garden and old trees
Astrid Lindgren (Pippi Longstocking in the South Seas)
By the Hospital Lane goes the 'Faeries Path.' Every evening they travel from the hill to the sea, from the sea to the hill. At the sea end of their path stands a cottage. One night Mrs. Arbunathy, who lived there, left her door open, as she was expecting her son. Her husband was asleep by the fire; a tall man came in and sat beside him. After he had been sitting there for a while, the woman said, 'In the name of God, who are you?' He got up and went out, saying, 'Never leave the door open at this hour, or evil may come to you.' She woke her husband and told him. 'One of the good people has been with us,' said he. ("Village Ghosts")
W.B. Yeats (The Celtic Twilight: Faerie and Folklore)
Right now, for your Podo, the thing before him is to find Leeli, not to think about how it happened or who’s to blame. And the thing before us is to wait in this old cottage without giving up hope. Even if hope is just a low ember at night, in the morning you can still start a fire.
Andrew Peterson (On the Edge of the Dark Sea of Darkness)
All of the great mythologies and much of the mythic story-telling of the world are from the male point of view. When I was writing The Hero with a Thousand Faces and wanted to bring female heroes in, I had to go to the fairy tales. These were told by women to children, you know, and you get a different perspective. It was the men who got involved in spinning most of the great myths. The women were too busy; they had too damn much to do to sit around thinking about stories. [...] In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. Out in Nantucket, you see all those cottages with the widow's walk up on the roof: when my husband comes back from the sea. Two journeys through space and one through time.
Joseph Campbell
the sea is like having a pet dog asleep on the hearth. When I’m near it, even inside my cottage, it’s like I can feel it breathing. It’s a companion of sorts. It’s less lonely to live alone by the sea.
Alex Pavesi (The Eighth Detective)
Somewhere, I am sure, a calm, quiet place awaits me where I may do something worthwhile again. Another island, perhaps. Or a little cottage near the sea, far removed from developers, removed from Lapham. And, there is always Vermont. For everyone, in every time of despairing optimism, there is always Vermont.
Roger Rosenblatt (Lapham Rising)
He went to India with his capital, and there, according to a wild legend in our family, he was once seen riding on an elephant, in company with a Baboon; but I think it must have been a Baboo—or a Begum. Anyhow, from India tidings of his death reached home, within ten years. How they affected my aunt, nobody knew; for immediately upon the separation, she took her maiden name again, bought a cottage in a hamlet on the sea-coast a long way off, established herself there as a single woman with one servant, and was understood to live secluded,
Charles Dickens (David Copperfield)
The Bishop family was not wealthy. The Bishop family had no investments to speak of or squabble over, no shares to gain interest from, no inheritance--either present or forthcoming--to preoccupy or estrange them. The Bishop family had no priceless works of art, no inestimable and enviable heirlooms to fill their rooms. But the Bishop family had each other, bound together in the dearest loyalty, the deepest love, protective one of the other unto death. It was this spirit that permeated the little cottage by the lighthouse night and day...
Leigh W. Rutledge (Lighthouse, the Cat, and the Sea, The: A Tropical Tale)
Mystic The air is a mill of hooks - Questions without answer, Glittering and drunk as flies Whose kiss stings unbearably In the fetid wombs of black air under pines in summer. I remember The dead smell of sun on wood cabins, The stiffness of sails, the long salt winding sheets. Once one has seen God, what is the remedy? Once one has been seized up Without a part left over, Not a toe, not a finger, and used, Used utterly, in the sun’s conflagrations, the stains That lengthen from ancient cathedrals What is the remedy? The pill of the Communion tablet, The walking beside still water? Memory? Or picking up the bright pieces of Christ in the faces of rodents, The tame flower- nibblers, the ones Whose hopes are so low they are comfortable - The humpback in his small, washed cottage Under the spokes of the clematis. Is there no great love, only tenderness? Does the sea Remember the walker upon it? Meaning leaks from the molecules. The chimneys of the city breathe, the window sweats, The children leap in their cots. The sun blooms, it is a geranium. The heart has not stopped.
Sylvia Plath (The Collected Poems)
By noon Carter reached the jasper terraces of Kiran which slope down to the river's edge and bear that temple of loveliness wherein the King of Ilek-Vad comes from his far realm on the twilight sea once a year in a golden palanquin to pray to the god of Oukranos, who sang to him in youth when he dwelt in a cottage by its banks. All of jasper is that temple, and covering an acre of ground with its walls and courts, its seven pinnacled towers, and its inner shrine where the river enters through hidden channels and the god sings softly in the night. Many times the moon hears strange music as it shines on those courts and terraces and pinnacles, but whether that music be the song of the god or the chant of the cryptical priests, none but the King of Ilek-Vad may say; for only he had entered the temple or seen the priests. Now, in the drowsiness of day, that carven and delicate fane was silent, and Carter heard only the murmur of the great stream and the hum of the birds and bees as he walked onward under the enchanted sun.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
kitschy,
Vickie McKeehan (Sea Glass Cottage (Pelican Pointe, #7))
OAK-BARK BISQUE with saffron-infused acorns’!” “‘Cottage-grown ferns with sea
James Patterson (Holmes, Marple & Poe (Holmes, Marple & Poe, #1))
Even now, after a lifetime of human companionship, I am hard-pressed to understand fully mankind's fascination with those little marks that they so carefully impress on sheets of paper.
Sally Smith O'Rourke (Christmas at Sea Pines Cottage)
She took out avocados, tomatoes, a Bermuda onion, and a container of cottage cheese. She searched the pantry for cumin, cilantro, garlic. She had two secret ingredients: cottage cheese that gave the guacamole a creamy taste and Hawaiian sea salt. Becky had introduced her to pink Hawaiian sea salt. The grains were like delicate crystals, and Becky used to eat them from the palm of her hand.
Anita Hughes (California Summer)
I have, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find his path through what may be a sort of maze. I cannot help it. I have stuck to my idea of being in a country cottage with a silent listener, hearing between the gusts of the wind and amidst the noises of the distant sea the story as it comes. And, when one discusses an affair - a long, sad affair - one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given, by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real.
Ford Madox Ford (The Good Soldier)
Robert and I decided last night that we are going to fight this thing with every ounce of strength that we have, she declared. We will not give in to it as long as the Lord gives us breath. We will fight it minute by minute and hour by hour, Meteor. But we will never give up. Our love and faith will get us through this dark time.
Sally Smith O'Rourke (Christmas at Sea Pines Cottage)
Reluctant to return to the empty rooms of Bluebell Cottage, Olivia ate fish and chips on the harbor wall, dangling her legs over the side just like she used to as a little girl, even though it made her mam anxious. The breeze nipped at the back of her neck and whipped up a fine sea spray that settled on her hands, leaving sparkling salt crystals as it dried. Fairy dust, she used to call it. She breathed in the fresh air and absorbed the view: tangerine sky and dove-gray sea, ripples on the surface of both, like dragon scales. She savored the sharp tang of vinegar on her tongue, letting her thoughts wander as the sun slowly melted into the sea, turning it to liquid gold.
Hazel Gaynor (The Cottingley Secret)
The breeze sent sunny ripples dancing across the sea loch. The village of Lochdubh in Sutherland looked like a picture postcard with its row of small eighteenth-century whitewashed cottages facing the sea loch. Hamish was leaning on the seawall, thinking dark thoughts about getting Charlie transferred back to Strathbane, that ghastly town full of drugs and crime.
M.C. Beaton (Death of a Nurse (Hamish Macbeth, #31))
The cold water stung Cassandra’s toes. She thought about everything—a blur of images and sounds: leaving Clarion, driving to the Cape, Noah kissing her, unpacking the car into the cottage, the cello singing out to the sea—and then she sank into the moment and let herself think about nothing. It had been so long since she’d been able to think about nothing. Nothing at all.
Corinne Demas (The Road Towards Home)
We’re still standing outside the front gate of the shell cottage as a boy in football socks stomps down his driveway to retrieve a wheelie bin. Now we watch as he drags it up through the laurel and back to the house. All his gestures are exaggeratedly huffy, though there’s no one to witness his protest, no one but you and me, and the boy didn’t even see us. We walk from the thistles to where the cliff drops into open Atlantic and there’s nothing but luscious, jumping blue all the way to America. I’m still thinking of the boy in the driveway, of how he doesn’t realise how lucky he is to live here where there’s space to run and the salt wind ruddies his cheeks each day, how he takes it all for normal and considers himself entitled to be huffy with the wheelie bin. Now I wonder was I was lucky too, and never grateful? Sometimes a little hungry and sometimes a little cold, but not once sick or struck and every day with the sea to ruddy me. Perhaps I was lucky my father took me back when the neighbour woman rang his doorbell, lucky he never drove away and left me on the road again. But it’s too late to be grateful now. It’s too late now for everything but regret.
Sara Baume (Spill Simmer Falter Wither)
Why can’t we use wood?” Jacob asked. I knew he was thinking of the thick pine woods to the east of the cottage, and how quickly we could cut down a dozen trees and haul them back to Father. But Father shook his head. “Wood’s not strong enough for what’s coming.” What was coming? We knew better than to ask Father, but we talked about it on the long walk back from the bay, Woof trotting obediently at our heels and Flick plodding along in front of us, the cart creaking beneath the weight of the stones we had gathered. “It’s the war,” Jacob said. He looked over toward the mainland as he said it. You can’t see the mainland from the island—even on a clear day, it’s too far, over the horizon of the sea—but sometimes at night you can see the orange glow of the fires reflecting back at you from the clouds, or see the planes flying far overhead with their payload of bombs and gas. “It’s getting closer,” he said, and I nodded.
Ruth Ware (Snowflakes)
I’ll be needing a closer look tomorrow.” “It’s nothing special,” she hedged. “Just an average English village. Hardly worth your time. Cottages, a church, a few shops.” “Surely there’s an inn,” Lord Payne said. “There is a rooming house,” Susanna said, leading them back from the edge of the bluff. “The Queen’s Ruby. But I’m afraid it is completely occupied at this time of year. Summer visitors, you understand, come to enjoy the sea.” And to escape men like you.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Bill and Fleur’s cottage stood alone on a cliff overlooking the sea, its walls embedded with shells and whitewashed. It was a lonely and beautiful place. Wherever Harry went inside the tiny cottage or its garden, he could hear the constant ebb and flow of the sea, like the breathing of some great, slumbering creature. He spent much of the next few days making excuses to escape the crowded cottage, craving the cliff-top view of open sky and wide, empty sea, and the feel of cold, salty wind on his face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I'm with you in Rockland where we wake up electrified out of the coma by our own souls' airplanes roaring over the roof they've come to drop angelic bombs the hospital illuminates itself imaginary walls collapse O skinny legions run outside O starry-spangled shock of mercy the eternal war is here O victory forget your underwear we're free I'm with you in Rockland in my dreams you walk dripping from a sea-journey on the highway across America in tears to the door of my cottage in the Western night
Allen Ginsberg (Howl and Other Poems)
A gigantic monster, they said, had arrived the night before, armed with a gun and many pistols; putting to flight the inhabitants of a solitary cottage, through fear of his terrific appearance. He had carried off their store of winter food, and, placing it in a sledge, to draw which he had seized on a numerous drove of trained dogs, he had harnessed them, and the same night, to the joy of the horror-struck villagers, had pursued his journey across the sea in a direction that led to no land; and they conjectured that he must speedily be destroyed by the breaking of the ice, or frozen by the eternal frosts.
Mary Wollstonecraft Shelley (Frankenstein)
Most of the Hartford crowd had left Fenwick by mid-September, but the big wooden Hepburn house, built on brick piles, was more than a summer cottage. Kate intended to stay there indefinitely—until the afternoon of the twenty-first, when a hurricane, which had been threatening the eastern seaboard all week, gusted northward, heading right for the Connecticut River. Kate swam and golfed that morning, but by the afternoon, the waters had turned ferocious, swamping the lawn and pounding against the house. After the chimneys toppled, the windows imploded, and a wing of the house snapped off, Kate, her mother, her brother Dick, and the cook fled to higher ground. They looked back and saw their uprooted house wash out to sea. 'I think,' said Kate looking back on that entire year, 'God was trying to tell me something.
A. Scott Berg (Kate Remembered)
But as soon as you enter a university, we witness a radical and communal face of Communism. Here, they propagate the weaknesses and evils of Hindu culture. They manipulate and twist ancient books to misrepresent them and provoke students. For example, they use Tulsidas’ chaupai, without mentioning the rest of the Ramcharitmanas, which is the real context. “ढोल गंवार शूद्र पशु नारी, सकल ताडना के अधिकारी.” Dhol ganvar shudra pashu nari, sakal tadana ke adhikari. ‘The above lines are spoken by the Sea Deity Samudra to Ram. When Lord Ram got angry and took out his weapon in order to evaporate the whole sea, the deity appeared and said the above lines in the context of boundaries that are created by God himself in order to hold his creations.  ‘What Leftists do is that they very cleverly translate it literally in Hindi, ignoring the fact that Ramcharitmanas is written in Awadhi and the same word means one thing in Hindi and another in Awadhi. While the literal meaning of the line in Hindi is ‘Drums, the illiterate, lower caste, animals and women deserve a beating to straighten up and get the acts together’, its real meaning in Awadhi is different. In Awadhi, tadna means to take care, to protect. Whereas, in Hindi, the same word means punishment, torture, oppression. Samudra meant that like drums, the illiterate, Shudra, animals and women need special care and need to be protected in the boundary of a social safety net. In the same way, the sea also needs to reside within the boundaries created by God. And hence, Samudra gave the suggestion to create the iconic Ram Setu. ‘Here, Shudra doesn’t mean lower caste or today’s Dalit. It meant people employed in cottage industries.’ I remember there is a book by R.C. Dutta, Economic Interpretation of History, in which he has said that when the Indian economy was based on the principles of Varna, handicrafts accounted for over twenty-five percent of the economy. Artisans and labour who were involved in the handicraft business were called ‘Shudra’. If there was so much caste-based discrimination, why would Brahmins use their produce? Both Dutta and Dadabhai Naoroji have written that the terminology of ‘caste discrimination’ was used by the British to divide Indian society on those lines.
Vivek Agnihotri (Urban Naxals: The Making of Buddha in a Traffic Jam)
Besides the fact that you’re a scoundrel at the gaming tables,” she responded tartly, “I’m beginning to suspect that you’re a womanizing rake.” Christopher grinned leisurely as his perusal swept her. “I’ve been a long time at sea. However, I doubt that in your case my reaction would vary had I just left the London Court.” Erienne’s eyes flared with poorly suppressed ire. The insufferable egotist! Did he dare think he could find a willing wench at the back door of the mayor’s cottage? “I’m sure that Claudia Talbot would welcome your company, sir. Why don’t you ride on over to see her? I hear his lordship traveled off to London this morning.” He laughed softly at her sneering tones. “I’d rather be courting you.” “Why?” she scoffed. “Because you want to thwart my father?” His smiling eyes captured hers and held them prisoner until she felt a warmth suffuse her cheeks. He answered with slow deliberation. “Because you are the prettiest maid I’ve ever seen, and I’d like to get to know you better. And of course, we should delve into this matter of your accidents more thoroughly, too.” Twin spots of color grew in her cheeks, but the deepening dusk did much to hide her blush. Lifting her nose primly in the air, Erienne turned aside, tossing him a cool glance askance. “How many women have you told that to, Mr. Seton?” A crooked smile accompanied his reply. “Several, I suppose, but I’ve never lied. Each had their place in time, and to this date, you are the best I’ve seen.” He reached out and taking a handful of the cracklings, he chewed the crisp morsels as he awaited her reaction. A flush of anger spread to the delicate tips of her ears, and icy fire smoldered in the deep blue-violet pools. “You conceited, unmitigated boor!” Her voice was as cold and as flat as the Russian steppes. “Do you think to add me to your long string of conquests?” Her chilled contempt met him face to face until he rose and towered above her. His eyes grew distant, and he reached out a finger to flip a curl that had strayed from beneath the kerchief. “Conquest?” His voice was soft and deeply resonant. “You mistake me, Erienne. In the rush of a moment’s lust, there are purchased favors, and these are for the greater part forgotten. The times that are cherished and remembered are not taken, are not given, but shared, and are thus treasured as a most blissful event.” He lifted his coat on his fingertips and slung it over his shoulder. “I do not ask that you yield to me, nor do I desire to conquer you. All I plead is that you grant me moments now and then that I might present my case, to the end that we could share a tender moment at some distant time.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
During the season, they saw each other and played together almost every day. At the aunt's request, seconded by Professor Valérius, Daaé consented to give the young viscount some violin lessons. In this way, Raoul learned to love the same airs that had charmed Christine's childhood. They also both had the same calm and dreamy little cast of mind. They delighted in stories, in old Breton legends; and their favorite sport was to go and ask for them at the cottage-doors, like beggars: "Ma'am..." or, "Kind gentleman... have you a little story to tell us, please?" And it seldom happened that they did not have one "given" them; for nearly every old Breton grandame has, at least once in her life, seen the "korrigans" dance by moonlight on the heather. But their great treat was, in the twilight, in the great silence of the evening, after the sun had set in the sea, when Daaé came and sat down by them on the roadside and in a low voice, as though fearing lest he should frighten the ghosts whom he loved, told them the legends of the land of the North. And, the moment he stopped, the children would ask for more. There was one story that began: "A king sat in a little boat on one of those deep still lakes that open like a bright eye in the midst of the Norwegian mountains..." And another: "Little Lotte thought of everything and nothing. Her hair was golden as the sun's rays and her soul as clear and blue as her eyes. She wheedled her mother, was kind to her doll, took great care of her frock and her little red shoes and her fiddle, but most of all loved, when she went to sleep, to hear the Angel of Music." While the old man told this story, Raoul looked at Christine's blue eyes and golden hair; and Christine thought that Lotte was very lucky to hear the Angel of Music when she went to sleep. The Angel of Music played a part in all Daddy Daaé's tales; and he maintained that every great musician, every great artist received a visit from the Angel at least once in his life. Sometimes the Angel leans over their cradle, as happened to Lotte, and that is how their are little prodigies who play the fiddle at six better than fifty, which, you must admit, is very wonderful. Sometimes, the Angel comes much later, because the children are naughty and won't learn their lessons or practice their scales. And, sometimes, he does not come at all, because the children have a bad heart or a bad conscience. No one ever sees the Angel; but he is heard by those who are meant to hear him. He often comes when they least expect him, when they are sad or disheartened. Then their ears suddenly perceive celestial harmonies, a divine voice, which they remember all their lives. Persons who are visited by the Angel quiver with a thrill unknown to the rest of mankind. And they can not touch an instrument, or open their mouths to sing, without producing sounds that put all other human sounds to shame. Then people who do not know that the Angel has visited those persons say that they have genius. Little Christine asked her father if he had heard the Angel of Music. But Daddy Daaé shook his head sadly; and then his eyes lit up, as he said: "You will hear him one day, my child! When I am in Heaven, I will send him to you!" Daddy was beginning to cough at that time.
Gaston Leroux (The Phantom of the Opera)
She opened the window and peered out, the town on Klibo softly illuminated on the distant headland. She eyed the black stretch of water separating the islands and wondered whether her father was hunting out there below the waves. Later, a summer storm raged against the island and it felt like the cottage was at sea, an east wind goldering around the clapboard houses like a gang of vandals carrying blades. It tore through the harbor, smashing and riving, flinging doors hundreds of feet into the air. Zoë heard it wolf-whistling between the eaves and imagined Ingrid and Einar embracing.
Ray Robinson (Forgetting Zoë)
more than one hundred Virginia-bound settlers would squeeze themselves into a space not much larger than a middling-sized English cottage. By that time, carpenters would almost certainly have built crude partitions dividing the already small space into a maze of tiny compartments designed to provide some privacy for the passengers who would soon be jammed on board. From below, the three would have climbed a ladder to the mate’s cabin, situated just below the great cabin aft and now turned into a crowded dormitory for a few of the gentlemen settlers who were making the voyage to Virginia.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
There is a famous parable about a man who lived in a cottage by the sea. Every morning, the man went fishing and caught just enough fish for the day. Afterward, he would spend time playing with his son, take a siesta, and enjoy lunch with his family. In the evening, he and his wife would meet friends at a local bar, where they would tell stories, play music, and dance the night away. One day, a tourist saw the fisherman and his meager catch and asked, “Why do you only catch three or four fish?” “That is all my family needs for today,” the fisherman replied. But the tourist had gone to business school and could not help but offer advice: “You know, if you catch a few more fish and sell them at the market, you could make some extra money.” “Why would I want to do that?” the fisherman asked. “With the extra money you could save up and buy a boat. Then, you could catch even more fish, and make even more money, which you could use to buy an entire fleet of boats!” “Why would I need so many boats?” queried the fisherman. “Don’t you see? With a fleet of boats, you could sell more fish, and with the extra money, you could move to New York, run an international business and sell fish all over the world!” “And how long would this take?” the fisherman asked. “Maybe 10 or 20 years,” the businessman said. “Then what?” the fisherman said. “Then you could sell your company for millions, retire, buy a cottage by the sea, go fishing every morning, take a siesta every afternoon, enjoy lunch with your family, and spend the evenings with friends, playing music and dancing!” How many of us today are like this businessman, blindly chasing what has been in front of us all along?
Tom Shadyac (Life's Operating Manual: With the Fear and Truth Dialogues)
Glancing out of the corner of his eye, he found Lucetta struggling to get Millie buttoned into her gown. Both ladies had barely taken any time at all to throw off their bathing attire and don dresses before they’d jumped into his buggy. When he’d voiced his amazement about how quickly they’d been able to leave Abigail’s cottage and get on their way, they’d proclaimed, somewhat indignantly, that it was not exactly the moment to primp. Caroline and her friends wouldn’t have stepped so much as a toe out of their homes unless they were coiffed to perfection. But there was something charming about barreling down the road with ladies missing stockings and shoes, although he was a little ashamed of himself for sneaking a bit of a peek when Millie had rolled stockings up her legs. It wasn’t well done of him, that peeking, but . . . he was only human after all, and . . . she had lovely legs. Although, it wasn’t well done of him, either, to be looking at any legs other than Caroline’s, not that he’d actually seen Caroline roll stockings up her legs. But since Caroline had disclosed such disturbing notions only hours before, he couldn’t help wonder why he hadn’t ended their alliance right then and there, which would have made his— “Scoot closer to Everett. I don’t have enough room to work,” Lucetta said. “I’m practically sitting on the poor man’s lap as it is,” Millie countered, although she did scoot another inch in his direction, that scooting leaving him with a strong desire to throw himself off the buggy seat because her knee was now firmly pressed against his leg. Resignation settled in as he realized there was no longer any denying the fact, whether appropriate or not, he was attracted to Millie. When he’d first touched her in the bathing machine, a shock of something sweet had coursed through him, that sweetness almost causing him to lose all good sense and . . . kiss her. That he hadn’t given in to that concerning urge was a miracle. But, instead of immediately diving back into the sea and putting as much distance between them as possible, he’d proceeded to torture himself further by teaching her to swim. Every time he’d touched her after that had been somewhat agonizing, but he hadn’t stopped, unwilling, or perhaps unable, to resist being in her company . . . to resist having an excuse to touch her. His behavior was completely irrational, but he just couldn’t seem to help himself.
Jen Turano (In Good Company (A Class of Their Own Book #2))
Go to your victim’s refrigerator and add food coloring to the milk, cottage cheese, sour cream, etc.
Full Sea Books (The One Minute Prank Book! 250 Quick and Easy Pranks & Practical Jokes)
Then, at last, Madeleine’s luck turned. She came across Montmartre. With its windmills, its clear air and the old-fashioned, village feel of its higgledy-piggledy houses perched on a slope, few places recalled the Limousin countryside so vividly as Montmartre. It was up to 129 metres above sea level at the highest point. Why, with its narrow, winding streets and alleys, and its cottages clinging to the hillside, a person could have believed themselves in Le Mas Barbu. The bustling Rue Lepic and the Place des Abbesses readily called to mind Bessines’ town square on a busy market day. And all around, steep, grassy banks rose up protectively, hillside homes bloomed with flowers, old men installed in wrought iron chairs sat outside doorways and set the world to rights, children played in the street and women chatted and gossiped as they made their way to fill baskets with provisions. At last, Madeleine had found somewhere familiar, reassuring, comforting. Montmartre felt like home.
Catherine Hewitt (Renoir's Dancer: The Secret Life of Suzanne Valadon)
No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee. —John Donne, Meditation #17 from Devotions upon Emergent Occasions (1623)
Barbara Cool Lee (Lighthouse Cottage (Pajaro Bay, #3))
For a moment I imagine skipping through the waves like the playful portraits seen in a certain kind of holiday cottage. Later I’d eat fish and chips on the beach, wrapped up against the October chill blowing off the North Sea before lighting a fire in the wood-burning stove in my perfectly appointed house.
Harriet Tyce (Blood Orange)
A cottage close to the Sea is the Dream of an Artist who lived by the flea.
Petra Hermans
Remarkable as Mar-A-Lago was, the estate had created strains in Marjorie's marriage, which, coupled with her plea to buy the Birdseye company, were leading E.F. to disapprove of his wife's spending habits. When acquaintances expressed their their fascination with his new Palm Beach home, the stockbroker often shrugged cynically. 'You know Marjorie said she was going to built a little cottage by the sea. Look what we got!" t h
Nancy Rubin Stuart (American Empress: The Life and Times of Marjorie Merriweather Post)
When acquaintances expressed their fascination with his new Palm Beach home {Mar-A-Lago} , the stockbroker often shrugged cynically. 'You know Marjorie said she as going to build a little cottage by the sea. Look what we got!
Nancy Rubin Stuart (American Empress: The Life and Times of Marjorie Merriweather Post)
She was in Paris, in a dazzlingly lit hospital room, listening to music on the radio. Music you wanted to dance to. She saw old men dancing with young women; she saw a long, richly laid table, laughing children and apple trees, the sunlight on the sea at the horizon; she saw blue shutters on old thatched sandstone cottages. When she opened her eyes, the vision had come true. She felt the warmth of the sunshine, and a wave of infinite gratitude swept through her.
Nina George (The Little French Bistro)
I say he hurled himself into the sea because he couldn’t live with what he’d done.” Anger burned briefly in his friendly face but was quickly snuffed out when another patron called out to him. He snapped the beard back into place. “Turned out he’d mortgaged the pub to the hilt. There were massive debts to clear, so they sold the old cottage to Mark Bowers. He rents it out to holiday-makers now. The girls were happy to sell the pub on to me with the
L.J. Ross (Holy Island (DCI Ryan Mysteries, #1))
hurts?” “My whole arm hurts.
Debbie Macomber (Cottage by the Sea)
Alexa’s eyes constantly appeared to change colour. One moment like the dappled hues of the Caribbean Sea. Sometimes, the lush yellow green of the Sri Lankan rice paddies. Just before they’d kissed at the cottage, her eyes had turned dark, like the gold-flecked amber sand of the Baltic seashore.
C. Fonseca (Tracing Invisible Threads)
take charge of styling …?’ His eyes are bright as they lock with mine.
Jane Linfoot (Edie Browne’s Cottage by the Sea)
Every instinct inside her cried out for her to rush back down the street, race up the three flights to her apartment, climb into her bed and yank the covers over her head.
RaeAnne Thayne (The Sea Glass Cottage)
Olivia shoved her hands into her pockets against the damp Seattle afternoon. Nothing would take the chill from her bones, though. She knew that. Even five days of sick leave, huddling in her bed and mindlessly bingeing on cooking shows hadn’t done anything but make her crave cake.
RaeAnne Thayne (The Sea Glass Cottage)
Remember that you have a friend.
Amy Rafferty (The Sea Breeze Cottage: (A La Jolla Cove Series, #1))
The Hardys drove off, heading first for the Morton farm. Chet and Iola were waiting for them, with several baskets of food which included lobsters and a sack of clams. Their next stop was at the Shaw house to pick up Callie, then they drove directly to the waterfront. “Hi!” cried Tony, giving his friends an expansive grin. The Napoli was chugging quietly at her berth. After the food and digging tools had been transferred to the craft and the Hardys had brought their diving gear from the Sleuth, everyone stepped aboard and Tony shoved off. When they reached the end of the bay and turned up the coast, the young people watched for Pirates’ Hill. Minutes later they saw it in the distance. The hill was a desolate hump of sand-covered stone jutting into the sea. There was not a house in sight, except one small cottage about half a mile beyond the crown of the hill.
Franklin W. Dixon (The Secret of Pirates' Hill (Hardy Boys, #36))
Alone but not lonely thinking of you Birds flying by in a sky that is blue Alone but not lonely sitting in the sand Sunbeams caress my skin in my home of the Grand Strand Alone but not lonely in tranquility of the coast Enjoying quiet time that seems silly to most Alone but not lonely in my cottage by the sea Working on self-improvement to become a better me
Brittany Benko (Poetic Poems and Prose)
There was nothing in Nesta's head but screaming. Nothing in her heart but love and hatred and fury as she let go of everything inside her and the entire world exploded. The baying of her magic was a beast with no name. Avalanches cascaded down the cliffs in seas of glittering white. Trees bent and ruptured in the wake of the power that shattered from her. Distant seas drew back from their shores, then raced in waves toward them again. Glasses shook and shattered in Velaris, books tumbled off the shelves in Helion's thousand libraries, and the remnants of a run-down cottage in the human lands crumbled into a pile of rubble. But all Nesta saw was Briallyn. All she saw was the slack-jawed crone as Nesta leaped upon her, throwing her frail body to the rocky ground. All she knew was screaming as she clutched Briallyn's face, the Crown glowing blindingly white, and roared her fury to the mountains, to the stars, to the dark places between them. Gnarled hands turned young. A lined face became beautiful and lovely. White hair darkened to raven black. But Nesta bellowed and bellowed, letting her magic rage, unleashing every ember. Erasing the queen beneath her from existence. The young hands turned to ash. The pretty face dissolved into nothing. The dark hair withered into dust. Until all that was left of the queen was the Crown on the ground.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
You should never be worried about how many likes you’re getting but on the life you’re creating.
RaeAnne Thayne (The Sea Glass Cottage)
When Robin thinks about the properties people pay vast amounts of money to stay in: hotels, Airbnbs, overpriced cottages by the sea, she can’t help thinking about all the other hundreds of strangers who have slept in the same bedsheets, drunk from the same cups, or shat in the same toilet before. All those people, using the same access codes every changeover day—different hands slipping the same keys into different pockets once a week. Locks are rarely changed, even when the keys to rental properties get lost, so who knows how many people might really have a copy. Anyone who has ever stayed there could come back at any time and let themselves in.
Alice Feeney (Rock Paper Scissors)
She’d forgotten how dogs could reach in and grab hold of a person’s heart.
RaeAnne Thayne (The Sea Glass Cottage)
That’s what life is about, isn’t it? We’re all works in progress, aren’t we, just trying to become a little better every day?
RaeAnne Thayne (The Sea Glass Cottage)
We’re all afraid, Olivia,” Henry answered, his voice quiet. “You can’t make it through life without it. The trick is figuring out that the thing you need is just on the other side of that fear. The only way you can reach it is by going right through the center of it.
RaeAnne Thayne (The Sea Glass Cottage)
Although she missed San Francisco at times, she didn’t miss the chill that often crept in from the sea, shrouding even summer days with coastal fog.
Jan Moran (Coral Cottage (The Coral Cottage at Summer Beach, #1))
him? He deserves to be with the woman he loves. If you’ve never told him, don’t you think he deserves
RaeAnne Thayne (The Sea Glass Cottage)
And so, as he became a man, he began to search for a name of his own. Eventually his quest took him far from the shores where he was born...he began to fight in the name of another man. Some might say that the boy's quest had failed. For he would forever be nameless in his own land. A pale girl he had once loved would think of him sometimes, on a bright spring day in her cold stone castle. But she would never speak his name. A family in a small, dark cottage would mourn their lost son when the war ended and he did not come home. But none of them would ever know how his end came, and as years passed they would wonder out loud about his fate less and less until they stopped altogether. And when they were gone, too, his name would never be spoken again in the land of his birth. No mothers would tell their sons and daughters his story as they held their children on their knees in front of the fireplace. No singers would compose odes to his deeds. And the queen of the kingdom across the sea would never know that a boy from her island met his end alone in the dark, fighting another ruler's war. But not so in the desert. In the desert, the boy would never be nameless again.
Alwyn Hamilton (Hero at the Fall (Rebel of the Sands, #3))
Melisande lay in bed in the loft of her cottage in Graebrok Forest north of Odr. Wide awake and blinking in the dark, she listened to the mice above her head. Nearly a moon past, her swordsman had repaired a crack in the eaves before returning to the towers and yards of Merhafr, the great port on the Njorth Sea, where he served as a King’s Ranger. His name was Othin, taken from a god of wisdom, trickery and war. What such a one knew of carpentry, well, that was open to question. But he knew other things. Nice things.
F.T. McKinstry (Outpost (The Fylking, #1))
Winter was an unforgiving time on Holy Island. Harsh winds from the North Sea whipped through the cobbled streets between the squat, stone cottages which huddled together as if for warmth. Above the village the Priory loomed, crippled but still standing after a thousand years.
L.J. Ross (Holy Island (DCI Ryan Mysteries, #1))
The cottage door slammed behind Janner and Tink as Slarb the Fang emerged in the lamplight and shoved them across the room. The boys crashed into one another and went sprawling to the floor, atop the burbleskin rug.
Andrew Peterson (On the Edge of the Dark Sea of Darkness)
It seems to me that, whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook, while never doing anything original to the stuffy boarding-house room in a city; always to dream of a rock, glass, and timber house on the cliffs above the sea, while never putting anything of yourself into the small village brick house; or to dream of what you could do with a hut in the jungle yet never to think of your inherited family mansion as anything but a place to mark time, is to waste creativity by not allowing it to grow and develop through use. Trying out all the ideas that come to you, within the limits of your present place, money, talents, materials and so forth, will not use up everything you want to save for the future, but will rather generate and develop more ideas.
Edith Schaeffer (Hidden art)
I slid back into my mind and slid once more to my worlds. The wind and the green of Ireland flooded back to me and the clouds moved in from the sea. I threw my head back to the skies and smiled. I could hear the stream nearby and wasted no time seeking it out. She called to me and I listened. I found the stream and I followed through the wood. How I missed my forest, my cottage, my realm. How I wished for nothing else, but to stay there until I died.
Angela B. Chrysler (Broken)
Drat,” Pandora exclaimed, examining a handful of puzzle pieces, “I can’t find Luton.” “Don’t concern yourself with it,” West told her. “We can leave out Luton entirely, and England will be none the worse for it. In fact, it’s an improvement.” “They are said to make fine hats in Luton,” Cassandra said. “I’ve heard that hat making drives people mad,” Pandora remarked. “Which I don’t understand, because it doesn’t seem tedious enough to do that.” “It isn’t the job that drives them mad,” West said. “It’s the mercury solution they use to smooth the felt. After repeated exposure, it addles the brain. Hence the term ‘mad as a hatter.’” “Then why is it used, if it is harmful to the workers?” Pandora asked. “Because there are always more workers,” West said cynically. “Pandora,” Cassandra exclaimed, “I do wish you wouldn’t force a puzzle piece into a space where it obviously does not fit.” “It does fit,” her twin insisted stubbornly. “Helen,” Cassandra called out to their older sister, “is the Isle of Man located in the North Sea?” The music ceased briefly. Helen spoke from the corner, where she sat at a small cottage piano. Although the instrument was out of tune, the skill of her playing was obvious. “No, dear, in the Irish Sea.” “Fiddlesticks.” Pandora tossed the piece aside. “This is frustraging.” At Devon’s puzzled expression, Helen explained, “Pandora likes to invent words.” “I don’t like to,” Pandora said irritably. “It’s only that sometimes an ordinary word doesn’t fit how I feel.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Pandora,” Cassandra exclaimed, “I do wish you wouldn’t force a puzzle piece into a space where it obviously does not fit.” “It does fit,” her twin insisted stubbornly. “Helen,” Cassandra called out to their older sister, “is the Isle of Man located in the North Sea?” The music ceased briefly. Helen spoke from the corner, where she sat at a small cottage piano. Although the instrument was out of tune, the skill of her playing was obvious. “No, dear, in the Irish Sea.” “Fiddlesticks.” Pandora tossed the piece aside. “This is frustraging.” At Devon’s puzzled expression, Helen explained, “Pandora likes to invent words.” “I don’t like to,” Pandora said irritably. “It’s only that sometimes an ordinary word doesn’t fit how I feel.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Pandora,” Cassandra exclaimed, “I do wish you wouldn’t force a puzzle piece into a space where it obviously does not fit.” “It does fit,” her twin insisted stubbornly. “Helen,” Cassandra called out to their older sister, “is the Isle of Man located in the North Sea?” The music ceased briefly. Helen spoke from the corner, where she sat at a small cottage piano. Although the instrument was out of tune, the skill of her playing was obvious. “No, dear, in the Irish Sea.” “Fiddlesticks.” Pandora tossed the piece aside. “This is frustraging.” At Devon’s puzzled expression, Helen explained, “Pandora likes to invent words.” “I don’t like to,” Pandora said irritably. “It’s only that sometimes an ordinary word doesn’t fit how I feel.” Rising from the piano bench, Helen approached Devon. “Thank you for finding Kathleen, my lord,” she said, her gaze smiling. “She is resting upstairs. The maids are preparing a hot bath for her, and afterward Cook will send up a tray.” “She is well?” he asked, wondering exactly what Kathleen had told Helen. Helen nodded. “I think so. Although she is a bit weary.” Of course she was. Come to think of it, so was he. Devon turned his attention to his brother. “West, I want to speak to you. Come with me to the library, will you?” West drained the rest of his tea, stood, and bowed to the Ravenel sisters. “Thank you for a delightful afternoon, my dears.” He paused before departing. “Pandora, sweetheart, you’re attempting to cram Portsmouth into Wales, which I assure you will please neither party.” “I told you,” Cassandra said to Pandora, and the twins began to squabble while Devon and West left the room.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I’m over five and half feet tall and weigh about ten stone. My eyes are brown, hair black, and I forget the blood group. I used to be older than twenty but now I’m older than thirty. I’ve been called a crustacean, and too serious, but recently I was described by a dependable man as shrewd, obstinate and adequately intelligent. I was a writer once and now I’m a doctor, but I was advised to become these, I never wanted it. I’ve never wanted anything long. Except freedom.” There was a metallic rattle of laughter. Lanark said, “Yes, it’s a comic word. We’re all forced to define it in ways that make no sense to other people. But for me freedom is …” He thought for a while. “… life in a city near the sea or near the mountains where the sun shines for an average of half the day. My house would have a living room, big kitchen, bathroom and one bedroom for each of the family, and my work would be so engrossing that while I did it I would neither notice nor care if I was happy or sad. Perhaps I would be an official who kept useful services working properly. Or a designer of houses and roads for the city where I lived. When I grew old I would buy a cottage on an island or among the mountains—” “Dirty! Dirty! Dirty! Dirty!” said the voice on a low throb of rage. “Dirty bastards giving me a killer for a doctor!
Alasdair Gray (Lanark: A Life in Four Books)
He reached the last tree of the park, a plane tree. Below him the valley swept away under a sky of wispy clouds and smoke curling up from the slate roofs of cottages hiding behind rocks like piles of stones; the figs and cherries formed another sky, of leaves; lower down thrust out the spreading branches of plums and peaches. Everything was clear and sharp, even the grass, blade by blade, all except the soil with its crawling pumpkin leaves or dotted lettuces or fuzz of crops: it was the same on both sides of the V in which the valley opened over a high funnel of sea.
Italo Calvino (The Baron in the Trees)
I was thirty-five that year. When I was twenty, I would have considered a man of my current age to be teetering on the verge of dotage. These days, it seemed neither young nor old to me, but a suspension between the two. I no longer had the excuse of callow youth, and I could not yet claim the eccentricities of age. In many ways, I was no longer sure what I thought of myself. Sometimes it seemed that my life was slowly disappearing behind me, fading like footprints in the rain, until perhaps I had always been the quiet man living an unremarkable life in a cottage between the forest and the sea.
Robin Hobb (Fool's Errand (Tawny Man, #1))
I used to spend the hours when I couldn’t sleep visiting a mental sanctuary I called Truth Island, a tiny, fictional stretch of rocks in the North Sea, where a sharp, clean wind always blew and the only structure was a square one-room cottage with windows that had no glass. In the room were two wooden chairs. Nothing else. I could go into that house with anyone and ask all the questions I wanted. Here’s the thing: on Truth Island, anyone who lied, even a little bit, even unconsciously, turned blue—powder blue for small lies, periwinkle for naughty fibs, cobalt for outright deception, and so on to deep navy.
Martha N. Beck (Leaving the Saints: How I Lost the Mormons and Found My Faith)
isn’t that what we are all searching for—home?
Debbie Macomber (Cottage by the Sea)
He’d hoarded it, not spending a penny. Because what need had he had for money when he’d had her? She’d been a miracle, a marvel, a gift to him from the gods. And he had worshipped her. They had lived in a small cottage by the sea, on an island in Scotland where the sheep had outnumbered the people several times over. They had eaten what could be gotten from the land and sea, worn what could be gotten from the sheep, and burned driftwood in their hearth. He’d buried that money and not dug it up until after she’d been gone. When the idea of living in a now-empty cottage by the sea had been unbearable because no matter how many times the tide had washed them away, he would still see her bloodstains on the sand.
Eliza MacArthur (‘Til All the Seas Run Dry (Elements of Pining, #2))
The azaleas were so different, foreign creatures entirely, to the Scottish heather and bluebells of his life before. But he was haunted by visions of a black-haired beauty with skin the color of clay and strong, calloused hands bending her nose to the heather, gathering up heaping armfuls of bluebells and putting them in earthen pots around a tiny, seaside cottage. Of that same woman stuffing a mattress with heather so that whenever he’d rolled over, whenever she’d shifted closer, whenever he’d thrust deeply into her body, into her heat, he’d smelled heather. She would love the azaleas. She would love the magnolias and camellias and dogwoods. She would love the sticky heat and the way the air always smelled—Spanish moss and flowers and, underneath it all, decay. She would smell everything—things that no one else could smell. He used to tease her that he needn’t bother with dogs because she could scent dinner for them. And she’d laughed but would go out and come back with a fat rabbit dangling by the ears just the same.
Eliza MacArthur (‘Til All the Seas Run Dry (Elements of Pining, #2))
Callum could hardly believe that she was here. In his arms. In his bed. He buried his nose in her hair and smelled deeply. The salt. The earthiness. The heather. For nearly a thousand years, he’d sifted through rosewater baths and heavy perfumes and those goddamn azaleas that surrounded his club to find this, the smell of her. If he closed his eyes, he could take them back to that heather-stuffed mattress in the little cottage by the sea, with nothing but the sound of her sleeping breath and a crackling fire, the delicate seashells clinking together in the rafters as the wind shook the house. He squeezed her tighter against his chest and let himself live in that memory, his eyes closed, at home in his mind with her in his arms. Callum didn’t know how long they lay there. Hours, at least. It was hard for him to grasp time. When a person was immortal, the difference between minutes and hours felt rather insignificant. He wondered, briefly, if it was the same for her. She seemed perfectly content to lie there. Let the night pass into day. Let the sun rise. Let the world crumble to dust around them. He would lie here with her in his arms until the very sun burned out. And then he’d hold her in the dark.
Eliza MacArthur (‘Til All the Seas Run Dry (Elements of Pining, #2))